THE SMALLEST SNOWFLAKE Written and illustrated by Bernadette Watts (NorthSouth Books; $17.95, Ages…
In a Village by the Sea
Written by Muon Van
Illustrated by April Chu
(Creston Books; $16.95, Ages 4-8)
★Starred Reviews – Kirkus Reviews, Publishers Weekly
Junior Library Guild selection
Inspired by the author’s own life as the daughter of a fishing family in Vietnam, In a Village by the Sea is the story of yearning for the safety and security of home. Told in a circular fashion, Van uses few but poignant words to guide us from the open ocean, to a home atop a hill, and back to the ocean once more. Chu’s beautiful illustrations elicit powerful, conflicting emotions.
We see fishermen casting their nets amidst choppy waves. Dark storm clouds gather in the distance; solemn expressions foreshadow the dangers to come. Details like these are lush in each spread. In a Village by the Sea is the kind of book a child would spread out on the floor slowly studying and absorbing each image, like the gentle mist above the mountains where a family dog guides our eyes to a home, the home belonging to one of the fishermen.
Colors here are warm. Reds, yellows, and oranges from the lanterns hanging on the front porch and in the fire roaring beneath the “steaming noodle soup,” as well as the tender eyes of the faithful dog remind us of the things home symbolize. Though the contemplative stare of the central character of the home (the fisherman’s wife) jars our sense of security. Juxtaposed to her serene surroundings, the wife’s gaze is heavy with worry as she awaits the return of her husband.
A particularly breathtaking spread is on pages 16-17 in which we get an aerial view of an orderly and organized home where there’s a place for everything and everything has a place for itself. Every detail is intriguing: the sandals neatly placed right outside the door, prepped vegetables in baskets ready for cooking, a sleepy baby in a bassinet. Even the cricket that lives in the home is appropriately placed-in a “dusty hole” underneath a mat.
Through this extraordinary cricket, we are privy to another layer of Chu’s artistic skills (fully revealed on the last page of the story). “Humming and painting,” the cricket, we come to find out, is the master creator of this story. He is drawing the scene of a “sudden storm,/ roaring and flashing” where the fisherman’s “white boat,” helplessly “crash[es] and roll[s].” As one of the cricket’s hands draws the stormy gray clouds, you can see the pressure point of his brush. It’s as if the story itself is happening in the moment we are reading it, as if we’re experiencing the moment of creation itself. Chu reminds us that, like the fisherman’s dangerous journey, reading involves risk. We readers, too, are at the mercy of fate, unaware of what’s to come next.
Open skies, calm waters, and cheerful yellows at the final pages tell us the end is hopeful. The fisherman will arrive safely back to his home. In fact, the cricket’s final creation on the last page ensures it’s just so.
Readers of all ages will undoubtedly connect with In a Village by the Sea. In a world of certain uncertainty, the reassurance of family and love bring all of us home.
- Reviewed by Armineh Manookian