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Five Children’s Books for Women’s History Month

FIVE CHILDREN’S BOOKS

FOR

WOMEN’S HISTORY MONTH

∼ A ROUNDUP ∼

 

 

Just Wild Enough cover of primatologist Mireya Mayor in MadagascarJUST WILD ENOUGH:
Mireya Mayor, Primatologist

Written by Marta Magellan
Illustrated by Clémentine Rocheron
(Albert Whitman & Co.; $17.99, Ages 4-8)

Picture book biographies such as Just Wild Enough are exactly why I love nonfiction and why I especially love Women’s History Month. Part of the She Made History collection, this book brings primatologist Mireya Mayor to the attention of young readers and might just plant the seed for some of them to study the fascinating and important field of primatology.

From a young age, animals were always a part of Mayor’s life. She could never have enough pets whether they were cats, dogs, rabbits, birds, a chicken, or a snapping turtle. At the same time, she felt that nothing was quite wild enough. This phrase is often repeated and is backed up by many impressive examples throughout the bio.

While she attended university, Mayor was also an NFL cheerleader for the Miami Dolphins. Yet her dream to be a primatologist persisted. People she knew couldn’t see why she’d want to visit jungles and study primates. In fact, one of my favorite lines in the book is when some researchers told her she didn’t look like a scientist. Magellan writes “But what does a scientist look like, anyway?”

Much to everyone’s surprise, Mayor eventually ended up on the island of Madagascar to study inky-black lemurs. There she was hired by National Geographic “as its very first woman wildlife TV reporter.” Still, nothing she experienced was quite wild enough. Her tenacity took her deep into one of the last virgin rainforests. Always one to look closer, Mayor discovered a new species of mouse lemur. But finding that species also meant the need to speak with the prime minister since the mouse lemur’s habitat was being devastated. Using fire, people stripped “the trees from the rain forest for fuel.” When Mayor met him she asked if he could declare the rain forest a national park thus ensuring the mouse lemurs’ survival. He agreed!

Magellan’s chosen to introduce kids to an inspirational woman in a well-balanced presentation of the life of a primatologist. I enjoyed learning about Mayor’s colorful and conscientious life. The art helps young readers see what some of Mayor’s responsibilities were and the text helps them understand her motivation. Dubbed the female Indiana Jones, she continues to this day to promote the protection of endangered species and the importance of conservation. Rocheron’s artwork takes us on the football field and into the jungles with illustrations that work well in this bio but would also look great on a TV show. Four pages of back matter include a Glossary, Author’s Note, About Mouse Lemurs, and Anjanaharibe-Sud Special Reserve.

 

Dolly!-The Story of Dolly Parton and Her Big Dream Dolly playing guitarDOLLY!:
The Story of Dolly Parton and Her Big Dream
Written  by Robyn McGrath
Illustrated by Ellen Surrey
(LBRY/Christy Ottaviano Books; $17.99, Ages 4-8)

I know very little about Dolly Parton so I couldn’t wait to dive into this picture book. What I learned is that Dolly grew up in the Great Smoky Mountains of Tennessee and is the fourth of twelve children so it’s no surprise she became a performer. What better way to make your presence known?

Dolly’s musical prowess showed up when she was five years old and “composed her first song about her handmade corncob doll, Tiny Tasseltop.” She could be found singing to her animals at home or in church and loved listening to the Grand Ole Opry on the radio on Saturdays along with her family. The music moved her. The Partons occasionally found time for music sessions together playing “some Appalachian porch pickin’ music.” Dolly easily moved from instrument to instrument learning as she went. And, growing up dirt poor, Dolly channeled unpleasant experiences of bullying into her music, her musical dreams motivated by her mama’s singing and stories. Dolly’s primary dream was to be onstage at the Opry but was always told the same thing – she was too young.

Did that stop Dolly? Like the other women in this roundup, Dolly didn’t take no for an answer and persevered. And though she had farmwork to take care of, she still wrote and sang songs, never losing sight of her dream. Her uncle Bill observed her talent and after Dolly got her first guitar, he not only encouraged her but helped her get her first radio and TV gigs. Despite being well received by audiences, that didn’t mean an automatic entrée for Dolly into the Grand Old Opry.

Then one day Dolly’s big dream was realized when “another singer agreed to let Dolly go onstage in his place at the Grand Ole Opry!” After three encores that night, the rest is history. Dolly went on to dazzle audiences on TV as her career took off. To this day her singing and songwriting still thrill fans and she’s added philanthropy to her playbook. Back matter details her literacy, health care, and marriage equality initiatives. I got a kick out of her Dollyisms also included. Here’s my favorite from the book: “The way I see it, if you want the rainbow, you got to put up with the rain.” The pairing of McGrath’s prose with Surrey’s art is a winning combination. It was probably not easy to narrow down what to focus on in such a storied life, but McGrath’s homed in on highlights such as her close family life and self-confidence that help readers understand Dolly’s drive. You can also feel Dolly’s energy in the bold illustrations.

 

A Life of Service Tammy Duckworth in wheelchairA LIFE OF SERVICE:
The Story of Senator Tammy Duckworth
Written by Christina Soontornvat
Illustrated by Dow Phumiruk
(Candlewick Press; 18.99, Ages 5-9)

Soontornvat shows readers how there is so much more to Illinois Senator Tammy Duckworth’s life than meets the eye. Her commitment to serving our country has remained steadfast despite facing a life-changing accident in 2004.

Written using a straightforward chronological structure, this bio shares that Tammy was born in Bangkok, Thailand, and growing up she and her family moved around Southeast Asia. Because of her father’s job working for the United Nations, she saw people from all walks of life who had been displaced due to war and were living as refugees. Her caring about others was instilled at a young age and never left her.

When her father lost his job, he moved everyone to Hawaii where at times Tammy was the sole breadwinner. Her drive and caring never faltered and she worked hard at school despite the family’s tough financial situation. After high school, Tammy continued on to college and graduate school knowing she wanted to serve her country, just not how.

Tammy found fulfillment in the ROTC, then joined the Illinois Army National Guard. She also fell in love and got married. Fascinated by aviation, she mastered operating a Black Hawk helicopter eventually becoming her unit’s commander. When the US decided to invade Iraq, Tammy did not agree but chose to stay with her company in Balad, Iraq as battle captain. Near the end of a mission, on Nov. 12, 2004, her helicopter was struck by a rocket-propelled grenade. Tammy almost didn’t survive. The result – one leg lost and one partially lost from the knee down. And though the pain was debilitating, Tammy’s fellow vets provided motivation. She’d get better and return to combat. But that was not to be.

In rehab for 13 months, Tammy was the most senior ranked vet and soon found she was helping others navigate benefits and other challenges they encountered. With this experience under her belt it was no surprise she was asked to run for Congress. And though she lost the first time, she didn’t the second time! Not one to shy from breaking the glass ceiling, Tammy also won her Senate race where “she racked up a long string of firsts,” including being the first female amputee to serve in Congress, and the first senator to give birth while in office. To this day Tammy Duckworth is a force to be reckoned with as she fights for disability rights, immigration, and refugee protections, helping vets find work, and supporting family needs.

Dow Phumiruk’s art brought Tammy into my home (and heart) as I followed her childhood to her military years to her rise and influence in politics. Together with Soontornvat’s thoughtful prose, A Life of Service introduces young readers to a role model worthy of a place in Women’s History Month and Women’s History in general. I am glad to have learned her story. Backmatter includes a helpful timeline of major events in Tammy’s life, suggested reading as well as her “Ongoing Legacy of Service.”

 

Wonderful Hair cover Annie Malone with clientWONDERFUL HAIR:
The Beauty of Annie Malone
Written by Eve Nadel Catarevas
Illustrated by Felicia Marshall 
(Creston Books; $18.99, Ages 7-10)

Annie’s story is one of perseverance and success, and more impressive since it happened around the turn of the 19th century when Black women were denied the same opportunities as whites. Annie’s neighbor and friend, Lillie even said to her, “Black girls like us grow up to be maids, washerwomen, or cooks.” But from a young age, Annie found herself interested in hair care as Black women were seeking “the same fashionable hairstyles white women had.” She was determined to follow her own path.

As a girl, Annie had friends and family coming to her for she had a way with Black women’s hair. And she knew it was going to be her destiny. That vision took her from strength to strength.

Annie asked her herb doctor Aunt Mary to create a product a product to help make hair grow. Too many women she knew had bald patches from harsh hair straightening products and remedies “to tame rebellious curls and kinks.” Aunt Mary’s product launched Annie’s career. When Annie decided to make one even better, she called it “Wonderful Hair Grower” and charged 25 cents for it. With her growing beauty business, Annie moved to Brooklyn, Illinois and sold her products from a horse-drawn wagon.

Annie’s company continued to thrive and relocated to St. Louis. There, she expanded her line of self-care items to include shampoo, conditioner, soap, and lipstick. “She named her company Poro, a West African word for physical and spiritual growth.’ Because Black women’s products weren’t sold in stores, Annie went door-to-door selling. As demand increased, she trained women to ” operate their own hair salons.” She even launched Poro Beauty College! At one point she had 75,000 beauty agents worldwide and even had a store at St. Louis World’s Fair in 1904!

So now, when you hear that Sarah Breedlove was the first self-made Black female millionaire because of her hair-care company Madam C.J. Walker, you’ll know that in fact she was trained by Annie Malone who can truly claim that accomplishment. I enjoyed how Catarevas brought  Annie’s story to life buoyed by occasional quotes such as “One dime will do,” said by Aunt Mary who charged her niece that sum for her hair-growing mixture. Coupled with Marshall’s illustrations that had an oil painting quality because of the visible brushstrokes, Catarevas grounds readers in an era where change was on the horizon, and entrepreneurs like Annie who reached out and grabbed opportunities could realize her dreams.

Josephine and Her Dishwashing Machine cover inventor surrounded by dishesJOSEPHINE AND HER DISHWASHING MACHINE:
Josephine Cochrane’s  Bright Invention Makes a Big Splash

Written by Kate Hannigan
Illustrated by Sarah Green
(Calkins Creek; $18.99, Ages 7-10)

Sometimes I wonder if all our household conveniences have already been invented but there was a time when this was not the case. In the 1870s and ’80s, following the civil war, inventors were hard at work around the world developing new products and devices to make life easier in homes, on farms, in offices and factories, and at hospitals. Enter Josephine Garis Cochrane, a woman with a neat idea.

Green’s full-page illustrations depict a woman who is wealthy enough to have a maid. She also probably grew up not lacking the necessities in life being the daughter of a bridge builder and great-granddaughter of a steamship designer. It didn’t hurt that inventiveness was in her blood. So, when Cochrane noticed what bad condition her dishware was in from all the handwashing it had endured, she knew there had to be a better way. While there had been an earlier version of a dishwasher that “just splashed water around,” Josephine wanted her invention to actually clean.

After trying to fashion the dishwasher herself, Josephine enlisted the talents of a mechanic, George Butters, to help her. At first, things looked bright but when Josephine’s husband died, she was ready to throw in the towel. But we know, since there’s a book about her, she didn’t throw in the towel. Instead, with George’s assistance, she “tested and tinkered and pushed and persevered until she was satisfied.” You’ll note how Hannigan’s use of water and cleaning-related language to share her story is spot on (pun intended!).

At last, her dishwasher was ready to be patented! But without investors, Josephine’s nascent business could not succeed. Those male investors were not likely to bet on a business run by a woman in the late 19th century. Fortunately for this enterprising woman, she decided to exhibit her invention at the Columbian Exposition (aka the Chicago World’s Fair) in 1893. Not only did her dishwasher win first place for “best mechanical construction” it also won her orders from across the country. Hotels, restaurants, schools and even hospitals wanted one. “The Garis-Cochrane Dish-washing Machine Company soon outgrew the backyard shed.” Her company grew and thrived. Well into her seventies, Josephine continued to sell her dream with the ultimate goal of getting it into homes.

I chose to review this story because the topic is so relatable and also because it’s not a cradle-to-grave biography. It focuses on Cochrane as a grown woman determined to create the best possible dishwasher in order to free up people to have time to enjoy other activities. Hannigan’s included several quotes throughout the book from Josephine that attest to her spirit. When others might have given up, she never did. Green’s lively and lovely artwork added to my enjoyment. I’m glad she included pictures of the patents, too. Comprehensive back matter sheds light on what it was like for a woman inventor and business owner to try to get her product out into the world when modern appliances such as toasters and irons were not to be seen until 1913, the year Josephine died. More pages are devoted to Notable Women Inventors and a Timeline of Fascinating Inventions.

 

ADDITIONAL RECOMMENDED READS

CHEF EDNA: 
Queen of Southern Cooking, Edna Lewis
Written by Melvina Noel
Illustrated by Cozbi A. Cabrera
(Cameron Kids; $18.99, Ages 4-8)
Available for Pre-order now

A STORY IS TO SHARE:
How Ruth Krauss Found Another Way to Tell a Tale
Written by Carter  Higgins
Illustrated by Isabelle Arsenault
(Abrams BYR; $19.99, Ages 4-8)

I AM TEMPLE GRANDIN
(Ordinary People Change the World)
Written by Brad Meltzer
Illustrated by Christopher Eliopoulos
(Rocky Pond Books; $16.99, Ages 5-9)

SPLASH!: 
Ethelda Bleibtrey Makes Waves of Change
Written by Elisa Boxer
Illustrated by Elizabeth Baddeley
(Sleeping Bear Press; $17.99, Ages 6-10)

A TAKE-CHARGE GIRL BLAZES A TRAIL TO CONGRESS:
The Story of Jeannette Rankin
Written by Gretchen Woelfle
Illustrated by Rebecca Gibbon
(Calkins Creek; $18.99, Ages 7-10)

DAZZLIN’ DOLLY:
The Songwriting, Hit-Singing, Guitar-Picking Dolly Parton
Written by Suzanne Slade
Illustrated by Edwin Fotheringham
(Calkins Creek; $18.99, Ages 7-10)

CLOAKED IN COURAGE:
Uncovering Deborah Sampson Patriot Solder
Written by Beth Anderson
Illustrated  by Anne Lambelet
(Calkins Creek; $18.99, Ages 7-10)

 

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An Interview with Your Mama Author NoNieqa Ramos

 

AN INTERVIEW WITH AUTHOR NONIEQA RAMOS 

ABOUT HER DEBUT PICTURE BOOK 

YOUR MAMA

(Versify; $17.99, Ages 4 to 7)

 

 

 

SHORT SUMMARY:

Yo’ mama so sweet, she could be a bakery. She dresses so fine, she could have a clothing line. And, even when you mess up, she’s so forgiving, she lets you keep on living. Heartwarming and richly imagined, Your Mama, written by NoNieqa Ramos and illustrated by Jacqueline Alcántara, twists an old joke into a point of pride that honors the love, hard work, and dedication of mamas everywhere.

 

INTERVIEW WITH NONIEQA RAMOS:

Colleen Paeff: Congratulations on the release of Your Mama (illustrated by Jacqueline Alcántara)! This is your first picture book and it received two starred reviews––one from School Library Journal, which called it “an essential purchase” and one from Kirkus, which labeled the book “Perfectly dazzling.” That must have felt good! Or do you try not to pay attention to reviews?

NoNieqa Ramos: Thank you, Colleen! And congrats to you on your debut The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, and Rainbow Truck releasing in 2023!

CP: Thank you!

NR: If I said I didn’t pay attention to reviews, my friends would laugh so hard they’d fall off their chairs. Tail bones would crack. My writing is generally considered “experimental” or “unique” and reviews can vary wildly. So it is affirming and medicinal to get critical acclaim for a concept as “unique” as a Your Mama picture book, albeit one flipped into an ode of loving affirmation, for sure.

The reviews that light me up the most are from readers who find me on Instagram to tell me my writing has made them feel seen or from fellow writers I admire who show me book love. Their esteem is salve for my heart, food for my writer’s soul.

CP: Kwame Alexander’s imprint Versify published your book and Kwame himself book-talked Your Mama on YouTube. (!!!!) Was it extra special to have your book published by this particular publisher?

 

 

Your Mama int pg.1
Interior illustration from Your Mama written by NoNieqa Ramos and illustrated by Jacqueline Alcántara, Versify ©2021.

 

NR: Working with poet, educator, New York Times Bestselling and Newbery Award winner, Kwame Alexander, on his new imprint Versify has been a montage of dreams-come-true! Watching him book-talk Your Mama on Youtube–and my fellow Versify sib Darshana Khiani (How To Wear A Sari, June 2022)– was a pinch-me moment.

I remember when I saw the Tweet that Kwame Alexander was starting a new imprint and that it was open for submissions. I thought– this is Your Mama’s home. Talk about shooting your shot.  I emailed my agent in milliseconds. Two weeks after the submission, I got the call.

It’s an immense honor to be part of Kwame’s artistic mission to “change the world one word at a time.”  I mean, my work is in the same house as writers like Kip Wilson (White Rose), Raúl the Third (Lowriders In Space) and Lamar Giles (Fake ID), founding member of We Need Diverse Books.

Every book journey is unique, and the field of publishing is like riding a bronco, no joke. I savor every second of success, but I measure my success differently with each new project. I’m feeling pretty hyped about this one.
 

CP: Your first two books, The Disturbed Girl’s Dictionary and The Truth Is, are both YA, what inspired you to try your hand at picture book writing?

NR: Picture book writing is my first love. When I was in elementary school, I started “N&N Company” with my cousin Nikki and attempted to sell picture books (paperdolls, bookmarks, and cards) to my classmates until a dispute over payment drew the nuns’ attention and had me shut down!

I started off my teaching career working with preschoolers. Picture books are portable theaters, concerts, and museums. There’s nothing I loved more than seeing an emerging reader take a picture walk and narrate the story to their friends.

Brianne Farley, who illustrated Carrie Finison’s Dozens Of Doughnuts, said each picture book is like solving a puzzle, and I couldn’t agree more. I love the challenge of crafting rhyme with a narrative arc.

I write in rhythmic verse, a type of free verse, the jazz of poetry. What I adore about picture books is the spoken and unspoken collaboration between author and illustrator. I marvel at the music Jackie and I made with keyboard and pen.

 

Your Mama int pg.6,7
Interior spread from Your Mama written by NoNieqa Ramos and illustrated by Jacqueline Alcántara, Versify ©2021.

 

CP: What’s something you enjoyed about the experience of writing a picture book that wasn’t a part of writing for the YA audience?

NR: All my works are a platform to fight for social justice. Picture books are a unique way to rise up against inequity and systemic oppression of the marginalized with the power of pure joy. Picture books are unbridled hope. With these magical tools, we raise not just the individual reader, but the human family.  When I gift a child a picture book by Kirsten Larson (A True Wonder: The Comic Book Hero Who Changed Everything), I am giving the gift of ingenuity and persistence. When I gift a child a picture book by Yamile Saied Méndez (De Donde Eres), I gift a child cultural and family pride.

My YA The Disturbed Girl’s Dictionary is partially about burning the system down. The Truth Is is partially about dismantling the internalized racism and homophobia embedded in us from our inherently racist and homophobic society. In some ways, these protagonists inherited a world in ashes. My picture book protagonists inherit seeds.

With my debut Your Mama, I resisted the monolithic representation of Latinx women with nuanced exultation. I hope with Your Mama, all my readers celebrate how much they are loved by their caregivers, and all caregivers feel seen and revered.

CP: You’ve said you write to “amplify marginalized voices and to reclaim the lost history, mythology, and poetry of the Latinx community.” Did you grow up hearing those stories or did you discover them later in life?

NR: I discovered my first Latinx novel in graduate school, and I was transformed. Reading Gabriel García Márquez’s One Hundred Years Of Solitude spoke to me as a writer in a way absolutely no book ever had. He helped me find my voice.

My first discoveries of Latinx picture books for my first child and my students came from Lupe Flores’s Bilingual picture book The Battle Of The Snow Cones/La Guerra De Las Raspas and Lupita’s Papalote. Before that I was reading my child the staples like the disturbing Love You Forever and Runaway Bunny (Please read Leah Hong’s Happy Dreams, Little Bunny instead!). With our movements to diversify literature with #ownvoices perspectives, this narrative of invisibility and loss will one day be a thing of the past. Imagine the day when every child can find multiple books that make them feel seen, respected, nurtured, and celebrated. That day is coming!

CP: You’ve described yourself as a literary activist. What is that and how can I become one?

NR: I love your questions, Colleen! A literary activist creates works to disrupt texts, dismantle systems of oppression, and rebuild an equitable society. Every book gives you an opportunity to amplify your work’s message through article writing, conferences, and school visits. The Truth Is and The Disturbed Girl’s Dictionary gives me a platform to talk about the lack of historical representation of BIPOC persons in school curriculums, the dire need for mental health services for the marginalized, and the still pervasive LGBTQIA+ homeless population.

Whenever I am in despair about the condition of the world, I turn to story to rewrite the narrative and I amplify the work of fellow authors who are changing the world with their work. Readers, check out Las Musas to learn about the works of my fellow Latinx writers whose work children’s literature “celebrates the diversity of voice, experience, and power” in Latinx communities. Check out https://www.soaring20spb.com/ for a beautiful diverse community of writers in children’s lit, where I met Colleen Paeff!

CP: I’m so glad it brought us together! I feel lucky to be a part of such an inspiring group of creators. What’s next for you, NoNieqa?

NR: I am working on a genderqueer picture book fairy tale retelling and my first dystopian novel. We’ll see where they land!

CP: Is there anything else you’d like to share?

NR: Thank you for this lovely chat, Colleen. Readers, don’t forget to add my future picture books Hair Story (September 7th, 2021) and Beauty Woke (February 15, 2022) on Goodreads. Thank you so much for your support! Hope you love Your Mama as much as I do.

 

NoNieqa Ramos Gentry Photography
NoNieqa Ramos ©Gentry Photography

BRIEF BIO:

NoNieqa Ramos wrote The Disturbed Girl’s Dictionary, which received stars from Booklist, Voya, and Foreword. It was a 2019 YALSA Best Fiction for Young Adults Selection and a 2019 In the Margins Top Ten pick.

Versify will publish her debut picture book Your Mama, which received starred reviews from School Library Journal and Kirkus, on April 6th, 2021. Her second picture book, Hair Story, releases from Lerner September 6th, 2022.  NoNieqa is a proud member of Las Musas, The Soaring 20s, and PB Debut Troupe 21 collectives.

 

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SOCIAL MEDIA:

Website: www.nonieqaramos.com

Twitter: https://twitter.com/NoNieqaRamos

Instagram: https://www.instagram.com/nonieqa.ramos/

Las Musas Bookshop: https://bookshop.org/books/your-mama/9781328631886

 

READ MORE ABOUT NONIEQA:

Your Mama cover reveal & interview

NoNieqa and illustrator Paola Escobar chat with Mr. Schu about Beauty Woke

Be Latina on Your Mama

On Writing Diverse Characters and Resisting the Status Quo by NoNieqa

Voice Lessons by NoNieqa

Hip Latina Interview

 

ABOUT INTERVIEWER COLLEEN PAEFF:

Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, illustrated by Nancy Carpenter (available August 31, 2021 from Margaret K. McElderry Books) and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books).  Click here for more info.

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