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L is for Librarian Celebrates Los Angeles Central Library’s 100th Anniversary

L IS FOR LIBRARIAN:
The ABCs of Los Angeles Central Library

Written by Susan Lendroth

Illustrated by Alexander Vidal

(Angel City Press at LAPL; $18.99, Ages 4+)

 

 

 

L is for Librarian Cover Graphic of LAPL.

 

Publisher Description:

L is for Librarian: The ABCs of Los Angeles Central Library is an Amazing, Beautiful, Captivating, delightful, and Energizing tour of the Los Angeles Central Library. From Awesome Adventures to Zombies in the makerspace, readers of all ages will enjoy this alphabetical exploration of Los Angeles’s beloved icon.

 

Author Interview:

Welcome to the blog, Susan. It’s an exciting time at L.A.’s Central Library, so it’s wonderful you could join us!

GoodReadsWithRonna: Why did you write L Is for Librarian: The ABCs of Los Angeles Central Library?

Susan Lendroth: For the simple reason that library staff asked me to write it! I have been writing picture books for more than 20 yearsthis is my 10th bookso the organizers of Central Library’s 100th birthday celebration invited me to create an alphabet book for the centennial year. I wrote it as part of my job since I work for Los Angeles Public Library’s public relations department.

 

GRWR: How was it different writing a book as part of your “day job,” as opposed to writing one of your previous books?
 
SL: The first obvious difference is I worked on L Is for Librarian during my “day job” instead of squeezing my writing time into weekends or evenings. Plus, I knew from the start it would be published. What a wonderful feeling that was! I also worked with a small team on this book, who had the right of approval before it even went to the editor. I should add that they gave me free rein on structure, allowing me to make the Library itself the narrator of its story and to create dual-level text—a primary sentence or two for young readers for each letter, with additional facts in a smaller font below.

 

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Interior art from L is for Librarian, written by Susan Lendroth and illustrated by Alexander Vidal, Angel City Press at LAPL, ©2026.

 

 

GRWR: With input from several sources, were there any lively discussions about which feature/aspect would be named for each letter?
 

SL: About 80% of my original letter subject choices made it to the finish line, with the other 20% being alternate suggestions from the team. I rewrote text for those letters. The “liveliest” discussion centered on the letter “O.” I discovered an octopus carved into a door lintel and fell in love. Others wanted O for Owls, which decorate the building in stone and metal. I won Octopus a place in the book, but the illustrator, Alexander Vidal, added multiple owls anyway, an “I Spy” game where the same stone owl is depicted as an earring or a book cover or one of the spots on a giraffe. The funny thing is, no one told him about the Owl versus Octopus debate!

 

GRWR: How did you decide on the approach of having Central Library itself narrate the book?
e
SL: Whenever I begin a new book, somehow I simply know how I want to structure it; it only works for me if I write it that way. Very early on I felt like Central Library wanted to tell its own story, sharing the building’s attributes and all it had to offer, and that developed into first-person text.

 

 

 

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Interior art from L is for Librarian, written by Susan Lendroth and illustrated by Alexander Vidal, Angel City Press at LAPL, ©2026.

 

 

GRWR: Some of the ideas and terms in the book seem a little sophisticated for young children. How did you handle that aspect?
e
SL: Our goal was to present a full picture of Central Library, from its physical features to its history to how it serves the community. Whenever possible, I tried to find an angle that would appeal to young children, such as describing interesting animals in art, asking questions, or infusing action into the text: “D is for Down. Ride down, down, down to the bottom floor of the atrium …” Because I wrote the text at two levels, I tried to cover the more complicated elements in the secondary text. Also, I believe children are capable of learning more sophisticated words if those are explained, and pictures help younger readers/listeners grasp new concepts.

 

GRWR: Illustrators often add elements to a book that are not covered in the text. What are some of the elements added by Alexander Vidal that surprised and pleased you?
 

SL: The owls, definitely the owls. If you read a copy of the book and search carefully, you will find owls depicted in 18 different places, including a couple of duplicate illustrations on the endpapers. However, there are more actual owls than that because sometimes they repeat in a design!

 

GRWR: Your publisher, Angel City Press, is owned by Los Angeles Public Library. How did that relationship begin?

SL:
A few years back, the couple who created and operated Angel City Press wanted to retire. They had worked for decades building a publishing house that celebrated stories connected to the Los Angeles area and wanted to keep that purpose, as well as the publishing house’s backlist, intact. So they donated Angel City Press to Los Angeles Public Library rather than trying to find a buyer.

 

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Interior art from L is for Librarian, written by Susan Lendroth and illustrated by Alexander Vidal, Angel City Press at LAPL, ©2026.

 


GRWR:
This is the first children’s book published by ACP. Did they take any special steps to add a children’s book to their list? 
 
SL: Because it was a new endeavor for them, they hired a freelance, experienced children’s editor to review the text and illustrations.
GRWR:  ACP released the book recently at Central Library’s Centennial Festival. How has it been received?
 
SL: The book definitely found a receptive audience with thousands of book and library fans! The publisher sold many copies of L Is for Librarian as well as several other titlesI enjoyed one of my best-ever encounters with a young fan there. A little girl named Evelyn approached the signing table. I complimented her sparkly jewelry and velvet dress, and she told me it was her “library outfit.” Ok, you’ve got my attention. Then, after I inscribed her book and said my writing might be a little hard to read, her father asked Evelyn to tell me what she calls cursive. “Fairy writing.” Awwwww. Definitely, that was one of the highlights of my day, especially when Evelyn ran back to the table a few minutes later and said, “I LOVE your book! It has a zombie in it.” Good old letter Z.

 

L is for Librarian int4 Q
Interior art from L is for Librarian, written by Susan Lendroth and illustrated by Alexander Vidal, Angel City Press at LAPL, ©2026.

 

GRWR: What’s next for you as a writer?

SL: As ever, I’m juggling multiple projects. I have a long list of ideas and a finite number of hours to write, so I’ll see where the road takes me. Though I have to say, writing an alphabet book was fun, and I’d definitely enjoy writing another.

 

Thank you for giving me the chance to talk about my new book. Proceeds benefit Los Angeles Public Library.

 

 

 

 

Author Susan Lendroth L is for Librarian.
Author Susan Lendroth at Los Angeles Central Library. Photo Credit: Gary Leonard

Bio:

Libraries have been Susan Lendroth’s second home for as long as she can remember, so joining the staff of Los Angeles Public Library a decade ago felt like docking with the mother ship. L Is for Librarian is her tenth picture book, following such titles as Here We Go Digging for Dinosaur BonesHey Ho, to Mars We’ll Go! and Maneki Neko: The Tale of the Beckoning Cat. Find Susan on social media here: https://www.instagram.com/susanlendroth/

Website for illustrator Alexander Vidal: Alexander Vidal Illustration

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