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Young Adult Nonfiction – Alphamaniacs

 

ALPHAMANIACS:

BUILDERS OF 26 WONDERS OF THE WORD

Written by Paul Fleischman

Art by Melissa Sweet

(Candlewick Press; $19.99, Ages 12 and up)

 

Alphamaniacs book cover

 

 

Starred Reviews – Bulletin of the Center for Children’s Books, Kirkus

Paul Fleischman’s Alphamaniacs: Builders of 26 Wonders of the Word is a witty YA book about people who have done crazy things with words. Organized like an ABC book, each chapter features something unique. Words can be art such as the poet Mary Ellen Solt who worked closely with typesetters to produce visual poems shaped like flowers.

 

Alphamaniacs int1
ALPHAMANIACS. Text copyright © 2020 by the Brown-Fleischman Family Trust. Illustrations copyright © 2020 by Melissa Sweet. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

At opposing ends of the “size-matters” spectrum were David Bryce and Robert Shields. Bryce, a micromaniac, produced the smallest full miniature Bible, 876 pages but only 1 13/16 by 1 ¼ inches, bound in gilt-edged leather. Whereas the diarist Shields typed the longest known diary in human history, describing his day in five-minute increments and waking every two hours at night to continue recording.

 

Alphamaniacs int3
ALPHAMANIACS. Text copyright © 2020 by the Brown-Fleischman Family Trust. Illustrations copyright © 2020 by Melissa Sweet. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

My favorite funnyman in this group of twenty-six amazing stories is Dan Nussbaum who used the letters and numbers on California’s vanity license plates to retell stories from Genesis to Shakespeare. Nussbaum’s shorthand of Romeo and Juliet: “GESSWAT! BE4 HEE SPLIT, ROMEO KISTME! HESSOQT! BYGTME! ISWEAR!

In the 1960s, David Wallace launched a new field called stylometry wherein computers applied statistical analysis to literary style to prove (or disprove) authorship. Ludwik Zamenhof created Esperanto, a universal language, in hopes of uniting the world linguistically. While Jessie Little Doe Baird brought back Wôpanâôt8âôk, the dead language of her people the Wampanoag. After a gap of seven generations, her daughter became its first native speaker!

Throughout, Melissa Sweet’s bold full-color illustrations add another level of enjoyment to the text. An ideal book to read a chapter at a time, marveling at our wonderful words and the people who’ve made magic with them.

Click here to find out more about Paul Fleischman.
Click here to find out more about Melissa Sweet.

 

•Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com

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Mary’s Monster: Love, Madness, and How Mary Shelley Created Frankenstein by Lita Judge

MARY’S MONSTER: LOVE, MADNESS,
 AND HOW MARY SHELLEY CREATED FRANKENSTEIN
Written and illustrated by Lita Judge
(Roaring Brook Press; $21.99, Ages 15-18)

 

Starred Review- School Library Journal

 

cover illustration from Lita Judge's Mary's Monster graphic novel

 

I find it fitting that on this night there is a dark storm blowing outside my window. I can almost imagine that I am writing this review of Mary’s Monster by candle light in the mid 1800s. But I’m not. I’m sitting here at my compu​t​er preparing to describe to you a story that has haunted me since I first saw the cover of this gripping YA graphic biography about renowned English novelist, Mary Shelley.

Prologue spread from Mary's Monster by Lita Judge
Interior artwork from Mary’s Monster written and illustrated by Lita Judge, Roaring Brook Press ©2018.

Author/illustrator Lita Judge has woven an impossibly romantic and tragic story. From the chilling prologue, written by the monster himself, to the fascinating back matter, this is an extraordinary account of the life of Mary Shelley, creator of the literary classic, Frankenstein. Judge’s writing is lyrical and yet full of history and meaning. To know that the story is based on historical documents, such as Mary Shelley’s writings, makes it all the more fascinating. The sparse and poetic text, combined with the beautifully haunting black and white artwork, invites the teen reader to think deeply and become immersed in Shelley’s world.

Interior spread by Lita Judge from Mary's Monster
Interior artwork from Mary’s Monster written and illustrated by Lita Judge, Roaring Brook Press ©2018.

The reader is subtlely but thoroughly introduced to the social and political influences that shaped Mary Shelley’s beliefs and choices. Lita Judge masterfully unfolds the events of Shelley’s life, from the abuse and loss she suffered in childhood, to her forbidden love affair with a married man, to the madness of opium addiction, to her experiences as a woman in an oppressive society. In all of this, Judge shows us Shelley’s inspiration. Mary Shelley’s monster took shape as an expression of herself. Not just of her creative mind, but also of her struggles, her nightmares, her fears for the future, and her desire to heal her pain.

The Dead Back to Life int. spread from Lita Judge's Mary's Monster
Interior artwork from Mary’s Monster written and illustrated by Lita Judge, Roaring Brook Press ©2018.

I applaud Lita Judge for her thoroughness and her gift of storytelling. In what is the 200th anniversary year of Frankenstein’s first publication, Judge’s timely and relevant book belongs alongside Shelley’s Gothic horror tale as an ideal companion guide to understanding her monster and her world, as well as ours.

As Judge writes at the end of Mary’s story, “We can affect the lives of generations to come if we are brave enough to open the wings of our imagination and create!”

And so you have, Lita Judge, and we thank you!

See Judge at the Tucson Festival of Books/
University of Arizona
1200 East University Boulevard
Tucson, AZ 85719

Saturday, March 10, 2018
1:00 PM

More on Lita Judge:
Twitter
Author Blog
Author Web Site

 

Here’s a link to another recent YA book review.

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