Julius and Macy like to play heroes. Julius pretends he’s the defender of the forest, while Macy has a quieter strength. When their snack disappears one night, they decide to track down the only one who could have taken it―the Night Goblin. They both have to be brave in their own ways, and they ultimately discover that the real thief isn’t anything like they imagined.
With its endearing characters, this gently told tale reminds us that we each have courage within us and that kindness can make all the difference.
INTERVIEW WITH ANNELOUISE MAHONEY
GoodReadsWithRonna: Congratulations on your author-illustrator debut, Annelouise! Does it feel surreal right now after all your hard work to hold Julius and Macy: A Very Brave Night in your hands? How long has it been since you first began this creative journey in general and specifically for this picture book?
Annelouise Mahoney:Hi Ronna. Thank you so much for having me over today. Yes! Surreal is the perfect word for how it feels. Surreal and grateful! It’s been a long journey into picture books. It took about 10 years of serious focus to break into children’s books and of those 10 years, it took 5 years for the making of Julius and Macy.
GRWR: I adore bravery stories since I was not the bravest of kids, nor were my children. Tell us how you decided on this topic for your picture book.
AM: I adore bravery stories too! I didn’t set out with a definite topic for this book at the beginning. It was more finding the characters that resonated with me and asking questions as I drew them over and over again. So the characters came first. The more I drew Julius and Macy the clearer their story became.
GRWR: Burning question. Are you more Julius or more Macy?
AM: That’s a fun question! Honestly, I think I’m a little bit of both. I love to go after something I’m passionate about but feel bravest with someone by my side. I feel the younger me is more adventurous like Julius, but the older me is more cautious like Macy.
GRWR: Please walk us through your approach to writing and illustrating. Did you conceive the text first and then illustrate it, vice versa, or did everything happen simultaneously?
AM: I’ve learned to stick to the illustrations first. Not full illustrations, but loose sketches of ideas, and build from there. I gather all the loose sketches into a folder and begin placing them into a small thumbnail template. The template is an 8×11 piece of paper where I can see the story in one place. When I can see the story, and feel the visual narrative is working, then it’s time to add the words. This part of the process takes a long time for me. It’s a lot of experimenting to get the words right. If I start with the text too soon, I usually end up straying from my story.
GRWR:Can we talk about your gorgeous artwork and how you create it?
AM: In the beginning when I’m moving away from the very loose thumbnail sketch and planning out the compositions for each spread, I use Post-it notes to redraw certain elements, or add to what I already have. This part of the process takes a long time for me. It’s figuring out compositions and looking for how to express a feeling. I’m also looking for areas that may be repetitive and looking for the most interesting way to show the story. There is a lot of experimenting happening at this stage. The Post-it notes help me to not get attached to any single idea as I can just take it off or move it around without having to redraw the whole spread.
When I think what’s happening on the page is working, I scan the sketches into the computer and make the images bigger in photoshop. I’m looking for more specific information I can give to each spread, making sure the compositions work within the trim size and add the text to make sure everything reads well in the space.
This dummy stage will then repeat as I go through revisions with my agent and then my editor until the story is fleshed out and polished.
Once the story is polished, I begin all over again with small thumbnails but this time I’m focusing only on color. For Julius and Macy: A Very Brave Night, I made a color guide to help me navigate the color choice for each spread before going into final art. I found this part extremely helpful because I was painting in watercolor and I had to know how I was going to approach each painting.
I then repeated the process of scanning in the tiny thumbnails in Photoshop and making them much bigger to fit into the book template. I was interested to see where I need to focus on adding details and how the images read in the true size of the book. It’s checking and double-checking that the text will fit and I’m getting the color transitions right. Once the loose wash looks right and I can see where I’m going, I took large sheets of Arches 140lb cold press watercolor paper and cut them down a little larger than print size.
I painted each page in watercolor, with lots and lots of wash layers. I would work on a few spreads at a time so there was time for the paint to dry, and time to look away from a work in progress. There is an uncomfortable moment in each illustration where it looks ugly and messy and doesn’t feel like it will work before it does. When the painting was dry and complete, I scanned each painting into the computer and used photoshop and my Wacom tablet to set each painting into the picture book template provided by my publisher, Two Lions.
GRWR: Now that you have one book under your belt, are you busy with promoting it, or are you also making time for more artistic pursuits?
AM: Promotion does take a lot of time, and I’m enjoying this moment very much. But yes, I’m working on two other book dummies at the moment and I’m hoping to get them submission-ready soon.
GRWR: Do you have a routine you like to stick to when working on a project?
AM: I really need to be flexible as a working mom and often bring my book dummies, Post-it notes and pencils with me wherever I go. As far as a routine, I definitely wake up early each day before the demands of my family take over, and I work at night when there is another wave of calm. Those precious hours are protected for when I really need to concentrate.
GRWR: Is there a spread in Julius and Macy that really resonates with the child in you and the mother in you?
AM:Oh wow, what a beautiful question. The spread of the book with panels of Julius and Macy walking into and through the dark cave resonates with me as a mother. When my daughters were very young they would slip into pretend play very easily. They craved adventure and enjoyed little scary moments where they were challenged to be brave. The Los Angeles zoo has a man-made cave meant for little ones to explore. We’d visit it often and my girls would become more and more brave to venture through it, their imaginations on fire as they explored every corner.
As an author, I find writing a children’s book a bit like walking in the dark. There are times when I don’t know where I’m going, I can’t see the story, I can easily spook myself, but there is the need to keep going even if the unknown feels scary. As a child, I craved adventure stories and had a very active imagination. I think I’d be excited to walk into a cave, as long as I had a friend beside me and it wasn’t completely dark.
GRWR: What would you love for children to take away from reading your book?
AM: I would love children to explore what bravery means to them and see the many ways they’ve been brave in their own life. I’d like children to know that there is a unique form of bravery to reach out to someone, especially when you notice someone struggling to belong, as well as the bravery and trust to reach back.
GRWR: Has anyone in particular been influential in your kidlit career?
AM:I had a brave moment myself, and enrolled in a class taught by Marla Frazee at Art Center College of Design. She lit the way for me when I was really struggling to understand the craft of writing for children. She taught in a way I could understand by breaking things down to get to the heart of the story, finding the emotion in the art, trusting what your sketches are trying to tell you. Most importantly, when writing as an illustrator, stick to the sketching first. I’m still learning and growing, but those lessons influence how I write and how I create a book.
GRWR: What important lesson or invaluable piece of advice have you learned along the way in your children’s publishing experience that you’d like to share today?
AM: I believe that if you want to write for children, be passionate about it. Really put in the time and love to learn the craft. Be passionate about what you are working on. Publishing takes time and you want the love for your story to carry you through the rejections, revisions, and care that will ultimately polish your book better than you could ever do alone.
GRWR: What can we expect next?
AM: I hope to make many more books! That’s really all I want to do. Whether I have the honor of working with another author to create a book together or have the opportunity to publish more of my own stories. It’s the greatest privilege to make books for kids.
GRWR: Is there anything I haven’t asked that you’d like to mention?
AM: I’d like to mention to your readers that I have activity pages that correspond to my book available for download on my website. www.WoodlandAbbey.com
Also, I’m a member of a wonderful group of children’s book authors, The Picture Book Scribblers. We are all available for school visits paired by theme or individually. You can find us here https://picturebookscribbl.wixsite.com/home
Thank you so much, Ronna. It’s been an absolute pleasure to chat with you today!
GRWR: What a wonderfully frank and informative interview. Thank you, Annelouise, and best of luck with Julius and Macy: A Very Brave Night. e e
Annelouise Mahoney has worked in animation for DreamWorks, DIC Animation, Sony, and Saban Entertainment. She has also worked as a coloristfor Marvel and Image Comics on such series as Uncanny X-Men, Generation X, and others. This is her first picture book, and it was inspired by the depths of her daughters’ friendships and the many ways they are brave, especially with someone on their side. She loves to explore the forest, can’t resist a cave, and has a lot of love for all those named Julius in her life. Annelouise lives in Southern California with her family. Learn more about her atwww.woodlandabbey.com. e Order your copy ofJulius and Macy: A Very Brave Night: Mahoney today.
1. Enter our Twitter giveaway @goodreadsronna for a chance to win a signed copy of Julius and Macy: A Very Brave Night together with aspecial Giveaway Prize Package from Annelouise that includes an 8×11 print of cover, a sticker sheet, and a round sticker. Eligible for U.S. only. One winner will be selected at random and announced at 6 pm PDT on Friday, April 9.
WIN! WIN! WIN! WIN!
2. Additionally, five lucky winners will each receive three fabulous books celebrating the art of making and keeping friends, including Julius and Macy: A Very Brave Night, courtesy of Two Lions. Details and entry form can be found here (US addresses).
Click here to read another recent author-illustrator interview.
Funnyman Josh Funk’s picture books are huge hits and the third book in his fractured fairy tale series, It’s Not Little Red Riding Hood, is sure to connect with audiences everywhere. Little Red’s a smart girl who questions the narrator of the story. If Grandma’s sick, why isn’t Red taking her some medicine? And why send a kid into the woods alone in the first place? I like how the pulled-apart story is cleverly pieced back together. e Art by Edwardian Taylor elevates the story’s hilarity. Red’s expressions say it all. With a crazy cast of characters—did I mention the pirate and Pinocchio?!—kids will be laughing with each page turn. Yet, at the same time, this book teaches kids to think about stories on another level and creatively come up with their own ideas. And that’s a win-win situation for me.
Bao Phi’s Hello, Mandarin Duck! features a duck lost midst the bustling May Day parade. Twins, Hue and Hoa, help it out, meeting friends and neighbors along the way. The duck’s fear of not being understood or accepted in a new place feels genuine and represents the people in similar situations, relying on or hoping for the kindness of strangers.
Dion MBD’s illustrations showcase a diverse community. A sticker and the signs carried in the parade further reinforce the community’s openmindedness. And, though the twins are key, it’s the adorably spunky mandarin duck that stole my heart as it goes from uneasy to dancing with the crowd.
Sally Mallam’s stunning picture book, Dende Maro: The Golden Prince, depicts an African origin tale which begins when there was nothing except a longing. This longing becomes the wind, then a shape until “the sighing of the wind awoke the shape, and in its breath she heard the longing, and understood.” The story continues until everything exists. Beyond the journey, we’re shown how humans “learn and develop their arts, language and mathematics and their ability to settle all over the world; to remake the world.”
The illustrations differ from what’s in many picture books; inspired by ancient African carvings and paintings, Mallam rearranged and colored these collages. I found it fascinating that the “oldest-dated human-made image as yet discovered is a small piece of incised ochre from the Blombos Cave in South Africa that is between 75,000 and 100,000 years old.” Secret picture alert: peek under the cover. This book is a worthwhile addition to home libraries and classrooms as it offers a springboard into many discussions.
Idries Shah’s picture book, The Boy Without a Name, “belongs to a tradition of storytelling from the Middle East and Central Asia that is more than a thousand years old.” Parents of a newborn are told by a wise man to not name the child because he is a “very, very important boy.” Years later, “Benaam” (“Nameless”) and his friend, Anwar, take an insightful journey to visit the wise man.
Realistic illustrations by Mona Caron give the boys depth and character, elevating the tale. The pages at the wise man’s home are spectacular for their attention to detail and wealth of information. Caron has a gift for facial expressions that extends to the animals in the book as well. I would be happy just looking at the stunning images.
Siman Nuurali’s popular chapter-book series features Sadiq, an eight-year-old Somali-American boy living in Minnesota. In Sadiq and the Bridge Builders, Sadiq and his third-grade classmates join the school’s building club where they create a model city that can withstand a natural disaster. Using information from the teachers and sussing out things on their own, the kids succeed.
The book opens with facts about Somalia and Somali terms. Back matter includes a glossary and examples of how to take the story further such as talking about a problem the kids in the book have with their model, writing down examples of how teamwork helped, and drawing your own neighborhood. I like how the extras boost the book’s usefulness in classrooms and are also a boon for parents of bored, stuck-at-home kids.
Click here and here and here to read all of last year’s posts.|
Multicultural Children’s Book Day 2021 (1/29/21) is in its 8th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those book into the hands of young readers and educators.
Eight years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues. Read about our Mission & History HERE.
MCBD 2021 is honored to be Supported by these Medallion Sponsors!
Join us on Friday, Jan 29, 2021, at 9 pm EST for the 8th annual Multicultural Children’s Book Day Twitter Party! This epically fun and fast-paced hour includes multicultural book discussions, addressing timely issues, diverse book recommendations, & reading ideas. We will be giving away an 8-Book Bundle every 5 minutes plus Bonus Prizes as well! *** US and Global participants welcome. ** Follow the hashtag #ReadYourWorld to join the conversation, connect with like-minded parts, authors, publishers, educators, organizations, and librarians. See you all very soon on Twitter! Hashtag: Don’t forget to connect with us on social media and be sure and look for/use our official hashtag #ReadYourWorld.
Welcome to our annual Christmas books roundup. Today author, editor, and reviewer Christine Van Zandt has chosen seven of her favorite new books for you to enjoy. We hope it gets you in a festive mood.
Tomie dePaola’s death this year hit the children’s lit community hard. Reading his posthumous Hurry, Santa! is bittersweet. The clever title led me to think that, certainly, all kids want Santa to hurry to their houses, yet, the twist here is that once Santa’s suited up, he faces the same dilemma that many bundled up kids do: he forgot to go potty before suiting up.
This 14-page board book gives Santa just enough time to get dressed and undressed again. As dePaola has in more than 260 children’s books, his art delights us. This book is a lighthearted farewell to his devoted fans. Note: Book says it was previously published as Get Dressed, Santa.
Sandra Boynton’s books are best-sellers because of her fun rhyme and lively art. Her 32-page board book, Christmas Parade, is another resounding hit. Kids will enjoy hearing the animal band boom boom and rat-a-tat-tat through town. I love that “chickens with silver bassoons [are] followed by piggies with Christmas balloons.” And Santa is (of course!) a rhino.
Emma Dodd’s 24-page picture book rhyming Christmas Is Joy shares holiday enthusiasm from a reindeer family’s perspective. As with Dodd’s other books, this one is beautifully crafted using minimal words to convey emotion. Heartwarming art captures the book’s cheerful theme; metallic silver accents add fun by evoking glistening snow and ice. This book is part of Emma Dodd’s Love You Books series.
The book’s smaller size (eight x eight inches) helps little hands easily hold on. Like a perfect cup of cocoa, the story comforts you: “Christmas is happiness, / smiles of surprise, / the warmth of affection / that lights up your eyes.”
Tracey Corderoy’s rhyming picture book, Mouse’s Night Before Christmas, uses Clement Clarke Moore’s famous first stanza to launch into a different direction, telling us “it wasn’t quite so” that not a creature was stirring. Rather, little Mouse prowls about, wishing he “had a friend to give gifts to.” The story cleverly weaves in some original lines while spinning a new tale.
The art by Sarah Massini warms wide spans of white or gray with muted, lively colors. A nostalgic touch makes Mouse, Santa, and the town seem welcoming and familiar. My favorite scene is the surprise ending where the story reduces to two characters enjoying each other’s company—Mouse is irresistibly cute!
A Jim Benton Christmas book—yes! If you’re like me and your shelves have more Dear Dumb Diary and Franny K. Stein books than you can count, then Benton’s Comet the Unstoppable Reindeer is the holiday book for you. In the beat of Clement Clarke Moore’s “The Night Before Christmas,” Benton’s story gives a glimpse of the mayhem at Santa’s workshop. When Comet breaks up a fight between two elves, Stinky and Stanky, he ends up with a broken leg, unable to fly. In the confusion, Santa forgets the toys, so Comet must figure something out.
The rhyming text flows easily when read aloud and Benton’s art keeps you laughing as cast-wearing Comet tries saving the night—if only Santa would answer his phone! Luckily, Comet’s a trouper when faced with the humungous bag: “He tried with a lever. / He tried with a hoist. / He tried till his forehead/ was reddened and moist.” Go, Comet, go!
When it comes to Christmas, I always think of opossums—what, no I don’t! But, why not? “Milo’s family never missed the big Christmas parade. His passel came for the popcorn, sticky nuts, and bits of peppermint sticks. / Milo came for the view.” He’s fascinated with the parade and how people work on building it year-round. Readers will hope Milo’s dream of being in the parade comes true.
Milo’s Christmas Parade boasts adorable art, from the opossum wearing an ornament on his tail to his close-knit family helping out in the shop. Extra points for the book having a different (secret) image under its jacket.
If you enjoyed Emily Gravett’s Meerkat Mail, then check out Meerkat Christmas. When Sunny, a meerkat who lives in the Kalahari reads about what it takes to achieve the Perfect Christmas, he leaves the desert in search of the supposed elements to achieve holiday excellence.
While on his travels, he corresponds with his family back home. The seven festive lift-the-flaps (designed to look like Perfect Magazine and Sunny’s cards) feel realistic and are a fun way to tell pieces of the story.
Gravett’s vibrant art captures the humor as Sunny encounters obstacles around the world. My favorite holiday treats are the Kalahari candy canes. The recipe calls for 25 assorted snakes, red paint, white paint, and paintbrushes! “Bend each snake into a candy cane shape and hang on tree or cactus.” This book stands out for its interactive design and clever, hilarious art. Peek under the jacket for surprise alternate back and front cover images.
Written and illustrated by Kataneh Vahdani, Kat and Juju is a gentle story of friendship, identity, and the courage to be your own self.
Kat is a tender-hearted little girl who finds “wonder in places no one else” thinks to look.
Vahdani’s illustrations direct our eyes to a curious play of shadows that fascinates Kat and helps us understand her unique perspective. Her connection to such things others don’t understand causes her to stand out as different. And her shy personality gets in the way of talking to the other children. Consequently, she often feels lonely.
Her hope lies in her upcoming birthday gift—a “very best friend” to call her own. On her special day, a big, red, fluffy bird named Juju arrives at her doorstep. Kat soon finds out that as loveable as he is, Juju is nothing like her. His loud and outgoing personality easily draws the attraction and affection of the other kids. As much as Kat wants to “let go” and join Juju’s “happy dance,” she can’t surrender the fear of what others will think of her.
Then a chance discovery of a vulnerable “birdie” (chick) in need of care helps Kat face her fear. With help and encouragement from best friend Juju, Kat nurtures the chick to health. Sometimes these caregiving activities feel safe and familiar to Kat, like feeding and giving medicine. However, at other times, they involve risk-taking and getting outside of her comfort zone, especially as Kat and Juju try to help the birdie learn to fly. Anxious and terrified, Kat nevertheless participates. Vahdani’s background in animation, and contrasting color palette provide a safe space for experimentation and exploration. Through this exciting and challenging process, Kat helps out her little friend and, just as important, discovers the freedom to be herself.
For little ones (including me) who may feel different for being on the quieter side, Kat and Juju shows that perseverance can lead to a “happy dance” of inner strength and self-affirmation.
The King of Kindergarten written by Newberry honoree Derrick Barnes and illustrated by Vanessa Brantley-Newton, transforms the average day at kindergarten into an extraordinary, royal adventure.
It’s fun to read Barnes’ regal language. As Mom says, “today” her little boy is going to be the “King” and, with this encouragement, he prepares to venture out confidently. Brushing his “Royal Chiclets,” he dresses himself and “wolf[s] down a tower of pancakes.” I love the emphasis here on growth, maturity, and independence. Being “deliver[ed] … to a grand fortress” (a.k.a. school), he joins the “round table” where he cheerfully exchanges greetings with his classmates. The royal theme continues during circle time, recess, lunchtime, and beyond, each opportunity allowing him to exercise his noble code of honor by braving playground politics, sharing his royal bounty (in the form of an extra cup of chocolate pudding), and showing kindness to his friends. Vibrant colors invite us readers to participate in the little boy’s “Kindergarten Kingdom;” flowing shapes excite us with anticipation of what’s next on his adventure.
A great way to introduce the school day to budding kindergartners, The King of Kindergarten shows us how a little change of perspective can rewrite a potentially scary event into a magical tale.
See Derrick Barnes on August 31 at Little Shop of Stories, LLC in Decatur, GA
TRUMAN Written by Jean Reidy Illustrated by Lucy Ruth Cummins (Atheneum Books for Young Readers; $17.99, Ages 4-8)
★Starred Reviews – Kirkus, School Library Journal
Written by Jean Reidy and illustrated by Lucy Ruth Cummins, Truman is a heartwarming story of the loving relationship between a pet and his owner. But it can also be read as a tale about the challenges a younger sibling faces as his older sister starts school.
There is no doubt readers of all ages will fall in love with Truman. How could you not? He’s “the size of a donut—a small donut—and every bit as sweet.” In simple yet powerful ways, Reidy and Cummins express the affection Truman and Sarah share. Sarah isn’t merely Truman’s owner; she’s “his Sarah” (my emphasis) who shares the same “peaceful and pensive” personality as her adorable tortoise. Humble shapes and bursts of yellow throughout paint a happy home with decor that brings back memories of my own childhood, notably, the Felix the Cat look-a-like clock on the wall.
This particular day, though, is “truly unsettling” because Sarah is acting different. She eats a “big banana” at breakfast, “clip[s] on a blue bow in her hair,” “strap[s] on a backpack SOOOOOO big thirty-two tortoises [can] ride along in it,” and leaves extra food for Truman. Most shockingly, she boards the number 11 bus, that mysterious bus he can see from his window riding in the “honking,” “growling” city below. Truman spends the day in worrisome wonder as to where Sarah could possibly be and why it’s taking her so long to return.
Through Reidy’s funny tone and Cummins’ artistic perspective, Truman’s journey out of the safety of his tank, and his determination to find his beloved owner is as endearing as it is humorous. Of all the challenges Truman faces, my favorite is his crossing of the living room rug—“That glorious … ENDLESS rug” made all the more imposing by the mean looking toys along his path we see through Truman’s eyes. When he hears the number 11 bus, he’s ready to cross the threshold, but Sarah is back in time to reunite with her pet and congratulate him on his bravery.
Truman encourages all of us facing a seemingly insurmountable challenge with the message cleverly written on city bus #11: See New Sights! Hear New Sounds! Think New Thoughts!
Can an honorable pirate be loyal to more than one captain? This is the question posed in Pirates Don’t Go to Kindergarten! written by Lisa Robinson and illustrated by Eda Kaban.
Equipped with the pirate basics (treasure map, spyglass, and cutlass), Emma storms into school, this first day of kindergarten, determined to set sail once again in last year’s ship commanded by “the roughest, toughest, awesomest preschool pirate cap’n ever”—Cap’n Chu. Yet, it’s a new year and, as Ms. Chu gently reminds Emma, Cap’n Chu has “‘a new band of pirates” to lead. Despite attempts by Cap’ns Chu and Hayes (Emma’s new teacher) to interest Emma in her outer-space-themed kindergarten classroom, Emma sails back to Cap’n Chu’s ship, fiercely allegiant to her pirate roots.
When Ms. Hayes’ class pet needs feeding, Emma shows interest and discovers all the fun activities in the kindergarten class: a nature center, an art studio, a reading nook, and science station. What’s the one thing missing? “NO CAP’N CHU!” Back in Ms. Chu’s classroom, everything blows out into a full mutiny. This is where the book provides a great opportunity for caregivers to talk about just how confusing and conflicting emotions can be. At the heart of Emma’s protest is feelings of fear and loss at having to accept this major childhood transition and perhaps, even, feelings of guilt as devotion to one person may feel like betraying another. With heartwarming affirmation from Ms. Chu, Emma is ready to “‘open the shuttle hatch’” of her new classroom, bringing her own pirate spin to the kindergarten space station.
A great picture book for talking about transitions, Pirates Don’t Go To Kindergarten! will draw in seafarers and landlubbers alike.
Cover Reveal: We’re so happy and honored to reveal the beautiful new cover of Bird Hugs today. Ged Adamson, whose endearing kid centric artwork is done in watercolor and pencil, has dreamed up a drove of recognizable animals to bring bird’s uplifting story to life. I love the font style and the hint of leaves from above, but most of all I adore seeing the hug front and center. The colors throughout are warm and inviting, the illustrations are playful and, when coupled with the sweet story, make this picture book ideal for sharing with children. The cover shows that Bird, with his enormously long wings, is great at giving hugs. While he can’t fly on his own, having friends who appreciate what he can do, definitely helps him reach meaningful new heights.
Description: Bernard isn’t like other birds. His wings are impossibly long, and try as he might, he just can’t seem to fly. He’s left wondering what his wings are good for . . . if they’re even good for anything at all. But a chance encounter with a dejected orangutan leads Bernard to a surprising discovery: that maybe what makes him different is actually something to be embraced.
About the Author: Ged Adamson is a children’s book author and illustrator. His picture books include A Fox Found a Box; Douglas, You Need Glasses!; Shark Dog!; and Ava and the Rainbow (Who Stayed). He has also worked as a cartoonist, storyboard artist, and composer for film and TV. He lives in London with his partner, Helen, and son, Rex. To learn more, visit his website:https://gedadamson.myportfolio.com/home-page
Pre-order your copy today by clicking here. The publication date is February 1, 2020.
A HUG IS FOR HOLDING ME Written byLisa Wheeler Illustrated by Lisk Feng ($14.99; Abrams Appleseed, Ages 3-5)
Written by Lisa Wheeler and illustrated by Lisk Feng, A Hug is for Holding Me highlights how the natural world quietly and profoundly speaks to us about love.
Exploring the wilderness, a father and daughter take note of speckled eggs “nestled in a tree” and “eggs hold[ing] hatchlings warm and snug.” In plain language, the little girl also expresses the restorative and nurturing power of cocoons and seashells. It’s as if everything in nature is embraced in an eternal hug, kept safe from harm. And from this fact, she knows she too can feel the same love and protection from the simple act of giving and receiving a hug.
I also admire the illustrator’s techniques in further drawing us into the little girl’s perspective. We readers (of all ages) are like children, looking up at the big, wide world. Each page in this 24 page book is a wide-angled, double page spread. The leaves of trees are drawn in big, sweeping shades of blue and green, objects are defined by their general shape and color, and Dad appears towering-almost giant sized. Visual details are absent but not because they’re lacking. While the world is big, creation is hard-wired to nurture and care. On land, in the sea, and in our hearts, we can rest assured of this truth, which is the one detail that really matters. We just need childlike faith to see it.
A great read especially for Valentine’s Day, A Hug is for Holding Me is a book preschoolers will love to cuddle up with.
The best Valentine’s Day gifts are the simple pleasures of food, fun, and friendship as author Jonathan London and illustrator Andrew Joyner show in Duck and Hippo: The Secret Valentine.
It’s Valentine’s Day, and Duck is distressed she may not have a valentine. Taking a hint from her feathered friends nearby, she decides to send invitations-in secret to Hippo, Turtle, Pig, and Elephant, asking each to meet at the park at 4pm and to “bring something for [his/her] Valentine.” Every card is decorated with a “big red heart on it,” though it’s clear Hippo holds an extra special place in Duck’s heart because his card is the only one that has a “red rose … above a big red heart.”
And so the fun begins! Every time a friend receives a card, she or he begins wondering just who that valentine might be. Each hopes for someone specific. Turtle, for example, sees the picture of the “big red heart” on the card as a pizza that’s missing a slice. This makes sense, of course, because his special friend is Pig who works at the local pizzeria, Pig’s Pizza.
As the anticipation builds, kids will no doubt love being “in” on the secret, and they will roar with laughter watching Duck stealthily drop off the cards to avoid detection. Well … while the characters may not see Duck, little wandering eyes will most definitely notice a feathery behind sticking out of a bush or two!
The onomatopoeia popular in London’s beloved “Froggy” series is thankfully present here as well, helping preschoolers and early elementary children “read” the story. And even if readers are new to the “Duck and Hippo” series, they can sense the strong friendship between the characters and learn important values of sharing and kindness. I also like the hidden “lesson” of time-telling. Whenever the time of day is mentioned in the story, Joyner cleverly includes a clock to indicate the time, with the hour and minute hands in contrasting colors. From illustrating a grandfather clock to an alarm clock to a pocket watch, Joyner invites readers to discover all the fun and different ways of telling time—there’s even a sundial in Turtle’s yard!
By 4:00 the secret is finally out, though Duck’s love for her friends is evident from the start. What better way to celebrate Valentine’s Day than to create an opportunity for everyone to gather and express their gratitude for each other.
In What is Given from the Heart, celebrated author Patricia McKissack and debut picture book illustrator April Harrison define the true meaning of gift giving.
“Already poor,” little James Otis and his mother “got poorer last April” after the sudden death of his father. Having lost the family farm in June, they move into a “run-down shotgun house in the Bottoms.” Just when things seem like they can’t get any worse, more loss follows: James’ house floods and his dog Smitty disappears. Yet as long as they have their health and strength, his mother reminds him, they “‘are blessed.’”
Two weeks before Valentine’s Day, James slowly begins to understand his mother’s courageous words. When Reverend Dennis requests the congregation to prepare love boxes for the needy, he includes on his list a mother and daughter who have “‘lost everything in a fire.’”
For the first time in a long time, James begins to change perspective. Thinking about another person’s pain makes him aware of what he does have. Tucked “warm and toasty” under Mama’s quilt, James reviews in his mind all the items he owns that might be useful to Sarah. When he sees Mama repurposing the “‘only nice thing’” she has to make a handmade gift for Mrs. Temple, he reflects on how he, too, can sacrifice a beloved belonging to the benefit of someone else’s happiness.
McKissack’s themes of compassion, kindness, and empathy are carried through Harrison’s soft color palette and endearing mixed media art. Though the items in the house are sparse, we can see the love abiding in James’ home from the family pictures hung on the walls. My favorite illustration is the close up of James and the pensive expression in his eyes, as he ponders what is in Sarah’s heart and the kinds of things she might like to receive.
Despite having very little, James comes up with a beautiful gift that Sarah gratefully accepts. Handmade and straight from the heart, James’ gift helps Sarah know that she is seen and understood. This is a priceless gift every one of us can treasure.
A wonderful read for older elementary children, “What is Given from the Heart” reaches the heart not only on Valentine’s Day but everyday of the year.
Reviewed by Armineh Manookian
For more Valentine’s Day book suggestions, click here.
MRS. CLAUS TAKES THE REINS Written by Sue Fliess Illustrated by Mark Chambers (Two Lions; $17.99, Ages 3-7)
For anyone interested in a holiday book with a strong female character, I recommend Mrs. Claus Takes the Reins written by Sue Fliess and illustrated by Mark Chambers. When Santa wakes up “stuffy” and “sneezy” on the morning of Christmas Eve, Mrs. Claus fearlessly steps in to save the day. She is a proactive problem solver. “‘I may not have magic,’” she says, “‘but I’ve got a brain!’” As she and the reindeer encounter challenges along the way, Mrs. Claus’s resourcefulness helps her stay in control and on task. “[S]tuff[ing] some ribbon to plug up the hole” in the leaky fuel tank, she keeps calm and carries on.
In addition to Mrs. Claus’s gumption, I love the endearing and homey touches in the illustrations: Santa’s headboard and footboard with their Christmas tree cutouts, his bedspread with complementary tree designs, his reindeer-patterned socks resting on his footboard, and Mrs. Claus’s updated green plaid skirt. Modern day details also make the story relatable to young readers. Holding a Starbucks look-alike cup in her hand, Mrs. Claus starts off her journey waving goodbye to her elves. Her strong organizational skills can be seen as she maps out “her route” (perhaps using Waze?) on what looks like an iPhone. And on what looks like an iPad, she makes “a supply list and check[s] on the weather.” Even her sleigh has an attachment for her tablet that she uses to check off deliveries!
Through rhyme and clever illustrations, children will love to get to know Mrs. Claus’s spunky, can-do spirit.
COMING HOME Written by Michael Morpurgo Illustrated by Kerry Hyndman (Candlewick Press; $17.99, Ages 3-7)
★Starred Review – Kirkus Reviews
Written by Michael Morpurgo and illustrated by Kerry Hyndman, Coming Home, is a touching tale about a robin’s harrowing journey home to his mate-just in time for Christmas. Before the story begins, readers are given information about the Scandinavian red robin’s migration to find refuge in Britain from the harsher winters up north. In steady rhythm and repetitive language, Morpurgo narrates the robin’s struggles with snow, sleet, predators, fatigue, and fear. “Beat, my wings, beat faster. Easy, my heart, go steady. Steady.” The story’s underlying themes of perseverance and determination are evident in the robin’s journey—a journey, in fact, symbolic of life’s storms and struggles and the ways we can cope with them. We can find community with others who are on a similar path (as the robin does when he joins a flock of thrushes) and seek cycles of rest and rejuvenation. When the unexpected happens, we can also, like the robin, surrender to the mercy of another’s tenderhearted care.
If you’re looking for a quiet holiday book that highlights the winter season, I highly recommend this story. Double page, bird’s eye view spreads of a dark and deep blue forest as well as close ups of the bird seeking shelter from the rough winter weather complement each other nicely. A great bedtime story to end the day (and the winter season), Coming Home is a hopeful and soothing tale both adults and children will come home to again and again.
A hilarious fractured fairy tale, Tough Cookie is the story of a cookie with an identity crisis. In a town called the “Land of Holiday Treats” where everything is sugary and sweet, our hero feels like the odd cookie out.
Shaped like a classic gingerbread man, he jumps fresh out of the oven and runs out the door with the familiar “run, run, as fast as you can! You can’t catch me-I’m the….” He soon discovers, though, that this same old script isn’t true for every cookie. When a curious passerby, Fox, takes up on the cookie’s challenge, the cookie realizes that he’s not only sluggish, but also positively unpalatable. Shocked and dismayed, the cookie tries to fit the mold, but, alas, to no avail. At his breaking point, “Cookie crumble[s]” but then is introduced to a special group of cookies. They have been following him all day eager to share with him his true identity. Proud of his unique role in the community, the cookie joyfully joins his cohorts, singing a new tune: “‘Look, look, look at me! You can’t reach me-I’m a….” (You’ll have to get the book to find out!)
Written and illustrated by the youngest grandson of Ernest Hemingway, Edward Hemingway brings much fun to the story, especially for younger audiences. Just about everything in his illustrations of Christmastown beams with a happy face. Large text, colorful pastels, and traditional holiday colors create a warm, festive, and inviting atmosphere. Hemingway’s humorous play on words through baking references keeps the pace energetic. Added touches are cookie recipes at the end of the story as well as front and back matter illustrations of adorable cookie characters. I found myself playing a “Where’s Waldo” kind of game by trying to locate each character in the pages of the story (they are there!). I’m certain little ones will find many more creative ways to engage with Cookie’s quest of self-discovery.
IT’S NOT JACK AND THE BEANSTALK Written by Josh Funk Illustrated by Edwardian Taylor (Two Lions; $17.99 Hardcover, $5.99 Digital, Ages 4-8)
Josh Funk is fab at doing funny. His first fractured fairy tale (good news, there’ll be more!), It’s Not Jack and the Beanstalk, breaks with picture book convention and the fourth wall or maybe it’s the fourth page in this case, by introducing an uproarious dialogue between the narrator and the main character (to name a few) that kids and parents alike will eat up. Parents, caregivers and more experienced readers will be unable to resist the urge to to jump in and take on voicing all the characters’ roles if reading aloud. Being a fractured fairy tale, this story unfolds with a humorous back and forth between the narrator and the titular Jack (see artwork below) whom he must awaken in order to get on with his storytelling. Soon Jack has his magic beans, but he’s also been growing frustrated with the direction of the tale, often making demands of the narrator that are not unlike those of a child who doesn’t want to do his homework, brush his teeth or go to bed.
While climbing the seriously high stalk, Jack sees his pal Cindy (Cinderella) on her palace balcony. Here readers first see the hilarious and unexpected interplay between some beloved fairytales that will no doubt be a feature of Funk’s future fractured fairy tales and a most welcomed one. Inside the giant’s house, an enormous shadow on the wall and “a booming voice” signal just what’s in store for Jack. Then, quite unexpectedly and most certainly not in the original version, our hero gets a bit sassy about the giant’s poor rhyming skills. This does not bode well for Jack and before too long it’s looking like he’s going to be the main ingredient of Giant Stew. Once again interrupting the narrator who’s so desperate to continue the story, Jack casually but oh so cleverly mentions something to the giant that he’s hoping will change his fate and positively influence an alternative ending. Funk’s flair for terrific twists promises to satisfy all readers eager to see the pieces of this fractured fairy tale come together seamlessly.
It’s Not Jack and the Beanstalk is a very visual book that instantly invites readers to study all the details on every page of Taylor’s appealing artwork. On the back of the book’s jacket cover, readers are told to “Look for the gingerbread man, the three blind mice, and other fairy tale friends hidden though out the book!” I quite enjoyed leafing back through the pages to see what characters I might have overlooked on the first read and so will your youngsters. Get a copy today to get in on the jokes. It’s Not Jack and the Beanstalk will make fairy tale devotees of a whole new generation of young readers while sprouting a whole new crop of Funk fans along the way.
A plump, purplish bear-like creature is merrily blowing dandelion seeds across the opening page of this clever, humorous picture book. Enter one large, fuzzy orange-brown foot, stage right. “You are small,” says the new critter to the weed-clutching little one.
This innocent observation kicks off a spirited dialogue between the two. “I am not small. You are big,” purple critter retorts. But the larger one gestures to his pals, noting that he is one of many, all alike. Then more purple ones appear to back up their buddy as well.
Tempers flare, and the dialogue becomes an argument. (Sound familiar, parents?) There are pointed fingers, angry frowns, even insistent shouting. The size debate escalates until BOOM! A huge hairy paw crashes down, followed by diminutive pink critters with yellow parachutes. Fear not, the last line will guarantee laughs from every reader.
You Are (Not) Small is a short, simple book with text that could work as an easy reader, and illustrations that are engaging enough for the youngest picture book set. Readers of all ages will absorb the meta-message about keeping things in perspective and learning to appreciate differences without necessarily comparing them.
This is a great picture book for those who feel small or tall due to their relative ages or statures. It will spark fun conversations about the way we see ourselves and one another. The thickly-outlined, expressive animals are appealing in a Muppet-like fashion. They all share tiny round ears and large oval noses that make them appear to be related despite their differences in size. At just 91 words, this is a short and funny bedtime book choice with (not) a little kid appeal!
Click here for a very cool downloadable growth chart.
– Reviewed by Cathy Ballou Mealey
Where Obtained: I received a review copy from the publisher and received no compensation. The opinions expressed here are my own.
LET’S BUILD BY SUE FLIESS WITH ILLUSTRATIONS BY MIKI SAKAMOTO IS REVIEWED BY MARYANNE LOCHER.
What’s better than the weekend? Spending it with your dad, especially when you’re building a clubhouse together in your yard.
Let’s Build, a picture book written by Sue Fliess with illustrations by Miki Sakamoto, (Two Lions; 2014; Ages 4-8; $14.99) shows us that having fun can sometimes be hard work, and that hard work can often be fun. From idea to finished product, a dad and his son work together as a team. The son picks the perfect spot in the yard, the dad draws up plans, then they both make tracks to the hardware store for supplies.
Here’s a handsaw, bolts and screws. Look! Some plywood we can use.
There are opportunities to learn about safety when using tools …
Time to hammer. Swing it now? Wait! Here, let me show you how.
… and about keeping your work area safe for pets. (No animals are harmed, but there are blue and red dog and squirrel paw prints all over the pages.)
Paint the outside blue and red. Oops! I dripped some on Dad’s head!
As in so many of her books, Fliess writes in verse, and in a meter that hits the nail on the head. Sakamoto uses acrylics and gouache then Photoshop to create the brightly colored illustrations that bring the story to life. Together, author and illustrator have constructed a solid picture book. I’d recommend this book for anyone planning to build a clubhouse, fort, or playhouse with their son or daughter.
Here are some links to other Sue Fliess books we’ve reviewed.
JBG’s book was having a tour. Clever blog tours are hard to ignore. So I just read her book And you must take a look ‘Coz good poetry’s never a bore!
If this book doesn’t inspire kids to try their hand at poetry, I don’t know what will? I found myself relating to the main character, Ryan, who cannot quell his urge to compose poetry. Even his name, Ryan O’Brian, rhymes. Poetry fills his waking hours – at breakfast (see image below), walking to school, in the playground and even in the cafeteria where he must resort to using food to share his Couplet for French Fries.
Two lines are not enough to express How much I adore your potato-ness.
As the story progresses, Ryan dabbles in an excellent array of poetry (that begs to be read aloud) written in every wonderful style from Limerick to Quatrain. What’s so wonderful about this poetry collection is that it’s an engaging story incorporating poems to share Ryan’s feelings and teach poetry at the same time. Throughout the rest of Ryan’s day, he creates poems on the soccer field, poems outside in the rain and one in the bathtub (part of Fever below), that’s very, very clean!
I cannot stop this fever in my brain, I feel compelled to write, and write, and write. Day in, day out, the words just fall like rain.
The story ends when Ryan’s completed a word-filled 24 hour cycle of poetry and can no longer produce another poem. His teacher, Ms. Frost (hmmmm …) gives the class an assignment to write a poem about spring. What she doesn’t know is that Ryan’s brain has reached poetry capacity! After he explains his poetry predicament to his teacher, she’s more than happy to have him hand in “recent work” that we’ve all read.
Brooker’s cheerful artwork jumps off the page and is a beautiful blend of collage with drawing and photos. I found myself carefully examiming every illustration to absorb all that Brooker delivers. Kids, parents and teachers will appreciate the helpful guide at the end explaining every kind of poetic form and voice used to create The Poem That Will Not End. By including examples as varied as Acrostic to Villanelle, Graham’s clever book serves double duty as both a joyous celebration of the magic a good poem makes and a primer on how to do it well.
Check out these other great bloggers’ sites to see what fun they had with Graham’s book!
Poetry for Children–Dr. Sylvia Vardell, Texas Woman’s University, Denton, TX, a behind-the-scenes look,