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Fridays Featuring Flintridge – An Interview With Roderick Townley

Such Stuff As Dreams Are Made On:

Hilary Taber of Flintridge Bookstore Interviews Roderick Townley

RT in restaurantI recently wrote to Mr. Townley to inquire if he would be agreeable to doing this interview with me. It all seemed something like tossing a penny into a wishing well, one of those moments in life when you shake hands with the universe on an agreement that you will both, ever so briefly say “Who knows? It could happen!” When Roderick Townley responded that he would do the interview, I was happy and completely astounded. I wondered what I would ask this “wizard of words?” This author’s writing always seems to have the charm of a fairy tale, the adventure of a contemporary fantasy novel and the depth of a poem. The Great Good Thing, The Blue Shoe, and The Door in the Forest are all among his literary treasures. Each of these works are well written, highly polished, deeply profound, and leave the reader the richer for having read them.

The Great Good Thing, his first children’s book, was published in 2001. Since then, Mr. Townley has continued to captivate readers of all ages. Possessing a rich background as a poet and also as a journalist, Roderick Townley manages somehow to pull on both imagination and reality. He has crafted books that have inspired his fans to create board games, blue shoes, dolls, and gorgeous illustrations. The author confesses that some of these tales once began as bedtime stories and then “grew up” into the wonderful books we know today – full of beauty, magic, mysteries, adventure, danger, villains, and heroes. It indeed makes sense that Townley’s books started as bedtime stories. As Prospero said in Shakespeare’s The Tempest, “We are such stuff as dreams are made on, and our little life is rounded with a sleep.”

Hilary Taber: What is your full name and where did you grow up?

Roderick Townley: Grew up all around New York City: East Side, Greenwich Village, Brooklyn, Long Island.

coverH.T.: What was your family like? Did they encourage your writing?

R.T.: They read, but were not “literary,” conventional in tastes, but encouraged my writing. My mom always thought I should write children’s books. A decade after her death, I published my first.

H.T.: Who was the greatest inspiration to you in your young life? Is there any one person that stands out in particular?

R.T.: I’ve had encouragers all along the way. Teachers especially, several of whom I saw as father figures after my own dad died. Mostly, though, it was what I read that inspired me. I thought of myself as a poet, and as a teenager was imitating Lawrence Ferlinghetti and (disastrously) Dylan Thomas.

H.T.:  Are there a few writers that you could name that have influenced your writing for children and teens?

R.T.:  Every writer I’ve ever read has influenced me. Bad writers have shown me what doesn’t work; good writers what does. What I look for is intensity (e.g.,James Agee), wild imagination (John Crowley), and depth (Melville, Rilke). You’ll notice that these are not children’s writers. But writing is writing, and in my books for young readers I am always trying for those qualities: intensity, imagination, depth.

41dlFvL3GSL._SY380_H.T.:  I’ve read on your website that when you were a young boy you would write in a notebook, and that writing filled you with excitement that others didn’t seem to notice. What gave you that excitement? Do you still have that excitement now just as it was when you were young, or has it changed?

R.T.: Back then, I was just excited by the story as it unfolded under my racing pencil. It was also exciting to realize that I was creating it–and could change it! What’s different now is that my stories are more dimensional, and I erase almost as much as I write. That makes the process slower and more painstaking. Less “fun” at times, but in the end more satisfying.

H.T.:  I’m a great admirer of your heroine Sylvie from your book The Great Good Thing. If you could close your eyes to enter a more dream-like state and “see” Sylvie, how would you describe what you see?

R.T.:  I see her in motion, a flash of wind-blown hair, quick eyes, dirty knees, disgracefully muddy blue leather shoes. Equally interesting to me is the way others have seen her. The German edition has her sitting in a tree on a sofa (!); the Chinese edition depicts her in stylized woodcuts. And kids send me drawings of Sylvie that are wilder than anything I could have imagined. Every reader meets a different Sylvie, and that’s as it should be.

H.T.: I read that a few of your books begin as a bedtime story to your wife Wyatt. How much of Wyatt do readers see in your heroines like Sylvie, Emily, or Sophia?

R.T.: There’s some of Wyatt, a good deal of me, and a fair amount of our daughter Grace in Princess Sylvie. There’s a whole lot more of Wyatt in the two sequels, Into the Labyrinth and The Constellation of Sylvie, because I consciously wrote her in, as the character, Rosetta Stein. Wyatt, like Rosetta, teaches yoga, and both have the same restless hair–and restless spirit. But Wyatt’s presence in my books has to do with more than her resemblance to certain characters. She’s involved in the whole writing process, from the generation of plot ideas to the elimination of dangling modifiers.

cvr9780689853289_9780689853289_lgH.T.: It would seem unfair not to ask the same questions of you! How much of yourself do you see in your characters Daniel or Hap? Is there a character that you identify with most?

R.T.: I am, in fact, all of my characters, boys, girls, villains, grandmothers. Even the poisonous jester, Pingree. You shouldn’t write any character that you can’t find within yourself.

H.T.: A good deal of your books seem to be infused with poetry. This is not an easy question to answer perhaps, but how do you feel your background in poetry interacts with your writing for children and teens?

R.T.: Children’s literature, at its best, is closer to poetry than to any other kind of writing. I’m constantly distilling, cutting away the unnecessary modifier, the weak verb, the chatty dialogue. And always reaching for the magic that lies just beneath the surface of so-called ordinary life. Those concerns come right out of my apprenticeship a
s a poet.

H.T.: Madeline L’Engle made this statement, “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” Do you agree? If so, why do you think this is true?

R.T.: It’s a striking statement, and reminds me of Philip Pullman, who said there are some themes so deep that they can only be addressed in a children’s book. That is true of a few extraordinary children’s books (Pullman’s among them), as well as of fairy tales and myths, which evoke archetypes of the unconscious. It’s not true, alas, of most “kid lit,” which tends to the cute, the shallow, and the vampiric.

labyrinth_smallH.T.: If books had a genealogy just as people do, what books might be in your family tree of the books you have written? For example, often I have a Harry Potter fan that wants a book similar to the series. So I explain to them that there are such things as “book cousins.”  Some books seem to be related to each other. They are somehow alike. What books might be considered cousins, mothers, fathers, aunts, uncles, grandmothers, grandfathers and so on of your writing for children and teens?

R.T.: Publishers say they are looking for work that’s completely original. That is not true. Often they are looking for something very much like a well-known work–but with a twist. Let’s say, Harry Potter on ice skates. When I wrote The Great Good Thing, I didn’t think it was like anything I’d ever read. Reviewers later said it reminded them of Inkheart, by Cornelia Funke, although my book came out a year before hers. Basically, I try for stories that don’t remind me of other stories–why repeat what’s already been done? I leave it to others to discover the “cousins.” Those relatives do exist, but I don’t know about them beforehand and don’t concern myself about them later. Not my job.

H.T.: Are you in the process of writing a new book?

R.T.: I am. In the new novel, tentatively called The Black Rose, a woman disappears during a magic act, and her daughter, Cisley, is determined to find her and bring her back. The girl lives in a glass castle and walks her pet lobster on a golden leash along the seawall each morning. I’m open to suggestions about how it ends.

H.T.: What do you hope for most that your readers will remember after reading your books?

R.T.: Aside from the name of the author? I hope, of course, that they’ll think of the story with delight; but more important, that they’ll be left with a sense of their own inner world, the substratum of magic that is our deepest self.

H.T.: Imagine that you found a book in the woods behind your house. This book is a mystery. It has a short beginning and an equally short ending already written. However, there is nothing written in the middle of the book. You’ve asked around and it seems to belong to no one. In fact, it appears to be very old and possibly entirely magical. Would you finish writing it or would you leave it alone?

R.T.: Oh, of course I’d have a go at finishing it. The hardest parts of writing, for me, are finding the beginning and the end. If those are supplied, I’d be in writing heaven.

H.T.: Imagine an enchantress who has a magical ring on each of her fingers. These rings have magical powers. What does each one do?

R.T.: That’s ten powers, if she has ten fingers. (Does she? Does she have eleven?) I have no idea what her powers would be. If I had a ring, I’d hope it would magically do the dishes and put out the trash.

constellation_smallH.T.: Imagine that the wind is a friend who visits you and Wyatt every so often. What does the wind look like or can you see the wind at all? What do you three talk about?

R.T.: We live in Kansas, named after the Kanza Indians, called “People of the Wind.” Mostly the wind talks to us, rather than the other way around. It circles the house, enters and leaves our lungs, prowls through our poems. Its moods are unpredictable, one day furious (we live in “tornado alley”), the next day sweet natured. The thing I most admire is its fashion sense. Invisible itself, it dresses up in trees, smoke, flying debris, and the smell of violets. It’s why we live where we live.

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Many thanks to Roderick Townley from all of us at Good Reads With Ronna for his time, his talent, his insights and for bringing us “the magic that lies just beneath the surface of so-called ordinary life.” For more information about his wonderful books for children and teens, please visit www.rodericktownely.com.  Click here now to read Hilary’s post about his novels. Why not tell us your ending for his new novel tentatively titled The Black Rose? We’d love to hear from you.

Do you like fan art? Please click here to see some fab fan art. Find an artistic rendition of Princess Sylvie from The Great Good Thing with quotes from the books all along the edges. A huge tribute to Townley’s work by Shaylynn Rackers!

HilaryTaberStop by the Flintridge Bookstore & Coffeehouse today to pick up your copy of these great books, buy gifts, enjoy their extensive selection of other great reads  and relax over a great cup of coffee.  Check out the website at www.flintridgebooks.com to keep up-to-date with story times, author events and other exciting special events. And when you stop by, keep a lookout for Hilary peeking out from behind a novel.

 
 
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Fridays Featuring Flintridge – Roderick Townley’s Novels

A Truly Great Good Thing:

The Work of Children’s Author Roderick Townley –

reviewed by Hilary Taber of Flintridge Bookstore

 

I’m beyond delighted to announce that this and next Friday’s posts will be devoted to author and poet Roderick Townley. I will take this opportunity to review three of his children’s novels for those just making his acquaintance and next Friday Mr. Townley will join us for an amazing and inspiring interview. Those of you who are writers won’t want to miss this! For you who are already familiar with his delightful stories, you may empathize that it’s difficult to easily sum up the work of this author. His writing somewhat defies definition. I think Roderick Townley rather likes it that way. He likes to be unpredictable.

I will dare to say that it takes a certain talent that very few authors have to be able to convey such potent meaning in just a few sentences. Additionally, his writing is full of the magical, creative, and wondrous power of fairy tales. Mr. Townley is one of those authors who, through his books, seems to come to the reader and say, “Take my hand for now we are about to go journeying to places unknown, sights yet unseen, and things not clearly understood by anyone. Ready?” I always say, “Yes!” to offers like that, for not many authors are able to provide such unique and original tales. By the end of the story I have always thought very new thoughts, experienced high adventure, and returned to the real world wishing that the book could have lasted just a little bit longer, or even just a few pages longer. The writing itself is so magical that I always end up half convinced that, if I just wished hard enough, the extra pages I want might magically appear. Of course they don’t, but right there is the proof of a good author. Who else could half convince me of such a possibility? Such writing is just like the title of his first book. It is indeed a Great, Good Thing.

cvr9780689853289_9780689853289_lgThe Great Good Thing (Atheneum Books for Young Readers, $6.99, ages 10-14)

“Sylvie had an amazing life, but she didn’t get to live it very often.”

Sylvie has been a storybook princess for more than eighty years. Her trouble is that the story of her amazing life is never lived until a Reader comes along. It is only when the book containing the story of Princess Sylvie is opened and read that she can live her adventures in the storybook. When your life depends on Readers reading and your story is forgotten what can you do? The characters in the book begin to accept the fact that they might never have a new Reader. However, one day, a very special Reader does come, and Sylvie dares to break the rule of all storybook characters, “Never look at the Reader”. Being Sylvie (brave, adventurous, and a Person with Purpose), she takes it one step further and makes a lasting friendship with this Reader. This friendship is destined to change Sylvie’s story forever, but it also offers Sylvie the opportunity to fulfill her greatest wish. Sylvie is finally given a chance to do A Great Good Thing.

41dlFvL3GSL._SY380_The Blue Shoe: A Tale of Thievery, Villainy, Sorcery, and Shoes (Knopf Books for Young Readers, $6.99, ages 8-12)

“Not long ago, in the sunny mountain village of Aplanap, famous for its tilted streets, cuckoo clocks, and Finster cheese, there stood a small shoemaker’s shop. And in the window of that shop was a shoe that fit nobody.”

In this book Mr. Townley invites the reader to follow the adventures of Hap, the goodhearted assistant cobbler to the shoemaker who made the beautiful blue shoe. When the blue shoe looses its magical glow (due to Hap’s theft of one of the precious blue stones), he is sent to work tirelessly in the dreaded mines of Mount Xexnax. However, here in this cruel place, Hap discovers that sometimes life isn’t just about liberating yourself from a dreadful situation. Sometimes it’s about liberating others as well, for Mount Xenax holds many others in slavery. But just how will Hap be able to escape and set everyone else held in slavery on the mountain free as well? What about the blue shoe? Will the blue shoe ever regain its mysterious blue glow and why does it glow? Mary GrandPré, who is now famous for her illustrations for the Harry Potter series, wonderfully illustrates The Blue Shoe bringing to life the cast of characters that populate a world of heroes, heroines, villains, a blue shoe, and one shadowy, mysterious character it would be unfair of me to mention too much about.

8600966The Door in the Forest (Bluefire, $6.99, ages 8 and up)

“Some people claimed it was enchanted; others swore it was cursed; but, really, it hardly mattered what you thought because you couldn’t get to it.”

Daniel and his family live near a mysterious island. This island is impossible to reach, as the island itself seems to jealously guard its secrets with vines, quicksand, and snakes. No one has ever set foot there. While most people are content to leave the island to itself, Daniel is not. He knows he would willingly spend his whole life trying to figure out how to reach such a mysterious place. However, to achieve this dream, it will take a war, a witch (or is she?), and a girl named Emily whose past may be the only key to accessing the island that Daniel will ever find. Now, mix this cast of intriguing characters together with an evil captain who is intent on getting to the island first, and you are ready for an adventure you will not soon forget! The Door in the Forest seems to me to always ask these questions: “How much would you risk, who would you be willing to trust, and how long could you hold out during a dangerous time to attain the impossible thing you have always wanted with your whole heart?”

To find out more about Roderick Townley’s young adult novels Sky and The Red Thread and to learn more about the sequels to The Great Good Thing (Into the Labyrinth and The Constellation of Sylvie) visit www.rodericktownley.com. Also, please join me next Friday for the interview with Mr. Townley as we discuss his writing for children, writing in general, poetry, and the inspirations that have led to his remarkable books.

HilaryTaberStop by the Flintridge Bookstore & Coffeehouse today to pick up your copy of these great books, buy gifts, enjoy their extensive selection of other great reads  and relax over a great cup of coffee.  Check out the website at www.flintridgebooks.com to keep up-to-date with story times, author events and other exciting special events. And when you stop by, keep a lookout for Hilary peeking out from behind a novel.

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