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Picture Book Review for National Space Day 2024 – Dancing Through Space

 

 

DANCING THROUGH SPACE:
DR. MAE JEMISON SOARS TO NEW HEIGHTS

Written by Lydia Lukidis

Illustrated by Sawyer Cloud

(Albert Whitman; $18.99; Ages 4-8)

 Dancing Through Space cover Dr. MaeJemison in space shuttle Endeavour.

From the Publisher:

“Today, Dr. Mae Jemison is famous for being the first Black woman to travel into
outer space. But when she was growing up, she felt torn between two passions: science and dance. It
seemed like an impossible choice. There had to be some way to make room for both—and Mae found
one. As an adult, she combined her gifts of scientific logic and artistic creativity and became an
astronaut.”

Review:

Author, Lydia Lukidis introduces her new book about astronaut Mae Jemison by highlighting Jemison’s
love of science and dance. “Mae’s curiosity was as wide as the sky … [but] Mae could not sit still.” She
continues, “Mae spotted science everywhere, from symmetry to gravity … [she also] spotted
choreography everywhere, from birds soaring to waves swirling.”
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Dancing Through Space int1 young MaeJemison at planetarium.
Interior art from Dancing Through Space: Dr. Mae Jemison Soars to New Heights written by Lydia Lukidis and illustrated by Sawyer Cloud, Albert Whitman & Co. ©2024.
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Lukidis uses this dual narrative format to showcase how Jemison’s dual loves guide her through life
building her courage and determination, her mind, and her body. As Jemison considers her future, her
mother wisely counsels: “You can always dance if you’re a doctor, but you can’t doctor if you’re a
dancer.” So Mae studies both. Eventually, Mae’s dual-loves merge when she is invited to join the space program …
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Dancing Through Space int2 space training.
Interior art from Dancing Through Space: Dr. Mae Jemison Soars to New Heights written by Lydia Lukidis and illustrated by Sawyer Cloud, Albert Whitman & Co. ©2024.
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And in 1992, she became the first Black woman to “dance through space” when she traveled aboard the Space Shuttle Endeavour. Lukidis’ own love of science and art shines as she shares this phenomenal woman’s story, as does the art by Sawyer Cloud which illuminates Jemison’s determination to pursue her dreams.\
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Purchase the book:

Goodreads – Click here.

Barnes & Noble – Click here. 

Find out more about the book here.

•Reviewed by Roxanne Troup
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An Interview with Katrina Tangen, Author of Copy That, Copy Cat!

 

 

NORA NICKUM INTERVIEWS KATRINA TANGEN, 

Author of COPY THAT, COPY CAT!

Illustrated by Giulia Orecchia

(Barefoot Books; $19.99, Ages 4-8)

 

Copy That Copy Cat! cover multiple animals

 

 

PUBLISHER’S SUMMARY:

This rhyming, lift-the-flap picture book of riddles introduces children to biomimicry in a thoroughly fun format. From sonar to snowshoes, discover concrete examples of human inventions that copy things found in nature. The story invites readers to guess the answers to riddles based on rhymes and visual cues that peek through die-cuts. Page turns reveal surprise answers that show how inventions mimic biology, with additional information under flaps. Endnotes include lift-the-flap guessing games to reinforce learning.

INTERVIEW:

Nora Nickum: Katrina, Copy That, Copy Cat! is such a fantastic book. I love how you used rhyming riddles where the answer isn’t what the reader expects. Kids love surprises! Can you tell us what inspired you to write about this topic and use this rhyming riddle approach?

Katrina Tangen: Thank you! Fittingly enough, I was quite a copycat for this book! It was inspired by two main things. The first was Abi Cushman’s Animals Go Vroom!, which uses misdirection to set up hilarious page turn surprises. I loved it, but kept wanting it to rhyme to set the joke up even more. So I tucked that away as an idea of a format I wanted to try sometime. 

The other was my sister Heather, who is a high school science teacher. I was brainstorming nonfiction ideas and asked her for some STEM topics. One of her suggestions was biomimicry—which I’d never heard of! So she explained (although I only sort of understood) and I stuck it in my notes, along with a vague idea of a puzzle component. 

A month or two later, the idea of combining them popped into my head. I started researching that day and finally started to understand what biomimicry actually was!

 

Copy_That_Copy_Cat_int1_Bird
Interior spread from Copy That, Copy Cat! written by Katrina Tangen and illustrated by Giulia Orecchia, Barefoot Books ©2023.

 

NN: How did you decide which inventions to include? 

KT: There are several other great picture books about biomimicry, but they tend to skew older and focus on cutting-edge inventions. I wanted to go younger and focus on everyday inventions. So, it’s about how airplanes work at a basic level, rather than a specific way of improving an airplane, like winglets. That felt more accessible and also let me explain the basic science behind the inventions. As a bonus, I wound up being able to include a lot of the cutting edge inventions on the cover and in the backmatter!

 

NN: Were there any fun inventions you ended up not having room to keep in the book?

KT: It was hard to choose—there are so many cool ones! Octopus/suction cup made it into the manuscript but got cut in editing because of space. (Although the first suction cups were actually gourds.) Finding anything to rhyme with “octopus” took forever!

And Velcro (which was inspired by burrs stuck in a dog’s fur) never made it in at all. I wanted to include it because it’s such a fun, kid-friendly invention. But all of my others were animals, and this was really about the plant. Plus, I didn’t think any kid was going to be able to predict the word “burr”!

 

NN: Did you pitch the book with the interactive die-cuts and lift-the-flaps, or was that element added later? 

KT: No, that all came later. I never thought I’d have die-cuts or flaps—much less both!

One of the first things my editor Autumn wanted to talk about was adding some kind of interactive element. Originally, the idea was specifically “like flaps, but something else.” So I researched lots of board book interactive elements. We looked at different mechanisms for the transition from the animal to the invention. We also considered interactive demos of the science or invention. My favorite idea was a wheel you could turn to fill and empty the submarine tank, which would have been cool!

Eventually, we decided that the page turn already worked well for the reveal, but adding the die-cut would make it even better. So then we researched different ways to use die-cuts (Giulia Orecchia, the illustrator, has some other books that do cool things with them!). In the end, we decided to copy from Animals Go Vroom! again. Abi’s book uses a die-cut to show the animal and then when you turn the page, you see the animal in the context of the whole scene, which reveals the joke. Copy That, Copy Cat has the extra layer of tricking you into seeing an animal in part of the invention. Giulia did such a good job with that!

The big flaps work really well to add space for the science explanations without taking up all the illustration space. And they can even be in a nice big font, which I appreciate! 

 

NN: It’s so cool to hear about how all those design decisions were made. And Giulia’s art is wonderful. The interactive back matter is really intriguing, too. Kids will have so much fun with it! How did you decide what to include in the main rhyming text, and what would fit better here at the end?   

KT: Originally, I just had normal backmatter—further reading and a podcast and music to check out, and a bibliography. The fun backmatter all came after the plan to add interactive elements during editing. We talked about having an interactive element on each spread, so I came up with one for each invention. Then there wasn’t space, so they got moved to the back and a couple were replaced by Fun Facts. 

The airplane/bird one was changed quite late because we couldn’t get a for-sure answer on part of the science in the original version. That was stressful because I had to research the new one very quickly. Figuring out which wing goes up to turn which way was tricky—I still have to act it out to be sure! But I think it turned out well and, as my nephew has discovered, it makes a fun (very) mini flip book!

 

NN: Those last-minute changes can be hard, but it turned out great! Something else I’m curious about: You have a small space for the “How does it work” text under each flap, and you’ve done a great job making things concise and clear within those constraints. Was it difficult to pare those explanations back to the most important elements and write them in kid-friendly ways?  

KT: Yes! First I had to study the topic enough to understand it, then explain it clearly but succinctly, using simple words. (Much easier to do any two of those three at a time!) Some of them were pretty straightforward, like the flippers and snowshoes. But the airplane wing was a little tricky, and the bike reflector was almost the death of me! Explaining how eyes work, how mirrors work, and then how retroreflectors work all in a couple of sentences is not for the faint of heart. I’m glad we were able to have the diagrams take on some of that job—particularly because in figuring those out, I realized that, in streamlining the text, I’d messed up part of the science. Glad we caught that in time!

 

Copy_That_Copy_Cat_int2_Plane
Interior spread from Copy That, Copy Cat! written by Katrina Tangen and illustrated by Giulia Orecchia, Barefoot Books ©2023.

 

NN: Shifting from you as an author to you as a reader: What books did you most enjoy when you were a kid? 

KT: I loved to read, especially mysteries. And writing nonfiction is kind of like solving a mystery. You investigate, collect evidence, make connections, and fit it all into a pattern that (hopefully) snaps together at the end in a satisfying way.

 

NN: I love that comparison between writing nonfiction and solving mysteries! Were there any nonfiction children’s books that drew you in when you were young?

KT: I wasn’t really a nonfiction kid. Growing up in the ’80s and ’90s, there wasn’t the range of kid’s nonfiction we have today. I’m sure there were some great books that I missed, and I bet there were nonfiction books in my picture book reading that I don’t remember. One I do remember (for the unusual title) is How God Gives Us Peanut Butter, which showed how peanut butter is made. And I did love process videos, like when Mr. Rogers would take us to see how a mailroom runs, etc. 

But my impression in elementary school was that nonfiction was all educational textbook-y books or browsable photo-illustrated books designed for reluctant readers. (Plus they always seemed to be about sports, and I was not a sporty kid!) 

 

NN: It really is great that there’s so much more creative nonfiction for kids to find on shelves today–with your book being a fantastic new addition. Now, to wrap up, a super important burning question: Would you rather have flippers like a frog, or sticky feet like a gecko?

KT: Gecko feet would be super fun—or maybe echolocation, so I’d never run into things in the dark!

NN: Even better! Thank you, Katrina, for sharing the behind-the-scenes stories about the making of Copy That, Copy Cat! I know kids and adults alike are going to really get a kick out of it and learn a ton. 

 

BUY THE BOOK:

Bookshop.org: https://bookshop.org/p/books/copy-that-copy-cat-inventions-inspired-by-animals-katrina-tangen/19800210?ean=9781646869992 

Publisher’s Page: https://www.barefootbooks.com/3/copy-that-copy-cat-board-book

 

SOCIAL MEDIA LINKS:

Twitter: @katrinatangen

IG: @katrinatangen

Facebook: https://www.facebook.com/katrinatangenauthor

Author website: www.katrinatangen.com 

 

Author Katrina Tangen
Photo of Katrina Tangen courtesy of the author

AUTHOR BIO:

Katrina Tangen lives in Southern California between Disneyland and the beach. At Harvard, she studied Folklore & Mythology, History of Science, Psychology, and Religion, so she knows a little bit about a lot of things. This turned out to be excellent training for writing nonfiction for kids! Katrina is disabled by severe ME/CFS (Myalgic Encephalomyelitis). She writes fiction and nonfiction for kids of all ages; Copy That, Copy Cat! is her debut. Profile pic photo credit: Katrina Tangen

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INTERVIEWER BIO:

Nora Nickum is the author of Superpod: Saving the Endangered Orcas of the Pacific Northwest (Chicago Review Press, 2023) and the forthcoming nonfiction picture book This Book is Full of Holes (Peachtree, 2024). Her stories and articles have appeared in children’s magazines like CricketLadybug, and Muse. Nora also leads ocean conservation policy work for the Seattle Aquarium. She lives on an island in Washington state. Learn more about her at www.noranickum.com

Twitter: @noranickumbooks

IG: @noranickumbooks

 

FIND THE ILLUSTRATOR AT THE LINKS BELOW:

Twitter: @GiuliaOrecchia

Instagram: @giuliaorecchia

Website: https://giuliaorecchia.it

BUSY PBs PROMO GROUP:

Twitter: @busyPBs

Instagram: @busypbs

STEAM TEAM PROMO GROUP:

Twitter: @SteamTeamBooks

Instagram: @steamteambooks

 

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Picture Book Review – Anzu and the Art of Friendship

 

ANZU AND THE ART OF FRIENDSHIP

Written by Moni Ritchie Hadley

Illustrated by Nathalia Takeyama

(Albert Whitman & Co.; $18.99, Ages 4-8)

 

Anzu_and_the_Art_of_Friendship_cover_friends_making_origami

 

REVIEW:

Patience and the practice required for paper folding (aka origami) offer the promise of friendship in Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama.

If your child isn’t already familiar with origami, this multilayered picture book provides a gentle introduction to the beloved Japanese art form while also tackling a topic that should resonate with young readers: making new school friends after moving. When Anzu starts a new school, “her stomach folds in knots.” At the same time, the teacher Mr. Lee informs the class they are beginning a unit on origami.

 

AnzuandtheArtofFriendship int1 mrlee introduces Anzu
Interior art from Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama, Albert Whitman & Co. ©2023.

 

Readers have already seen Anzu’s creations hanging in her bedroom courtesy of Takeyama’s bold and expressive art that appears to be digitally rendered. That, along with Ritche Hadley’s prose, lets us know from the first page that Anzu adores origami. It’s especially sweet when Anzu’s ojiisan (grandfather) gives her a tsuru (crane) for good luck. Maybe Anzu’s origami skills can help her forge new friendships with her classmates.

Pretty soon Anzu sees her good intentions go unappreciated. She is disappointed that her classmates look for an easy, often silly way out despite her offers of help. At night she explains to Ojiisan what’s been happening. He thoughtfully suggests she try to be patient. The next day is not much better. Anzu’s classmates seem frustrated and look for quick solutions such as scissors and tape. Again she complains to Ojiisan. He compares the skill of creating origami with that of making new friends. She needs to give it time. Still, Anzu is sad about her move and misses her old friends.

 

AnzuandtheArtofFriendship int2 classmate wearing hat dances
Interior spread from Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama, Albert Whitman & Co. ©2023.

 

Things look up for Anzu the next day when “Mr. Lee displays an origami frog figure.” Always an attention-getter, the frog inspires curiosity and joy. But Anzu’s classmate Alex is frustrated he cannot put the frog back together after he’s unfolded it. This time, after Anzu does all the required folding, creasing, etc., she demonstrates how it can hop. Instead of losing interest, Alex asks Anzu to show him how to do it. At last! Anzu also tells Alex that the frog or the Kaeru, “is a symbol of good luck and a safe return when traveling.” Alex realizes the Kaeru is something meaningful he can give to his father to take on his next business trip. His interest in the paper creation prompts Anzu to come up with fun ways to engage her formerly reluctant classmates (see illustration above), and it works! Folding leads to friendship and Anzu’s spirits soar.

All the work involved in making origami as well as the symbolism of each figure serve as perfect metaphors for this book’s themes of perseverance, empathy, and kindness. Young readers will rejoice when they see how Anzu has truly mastered the art of friendship. They’ll also see the rewards of not giving up, whether that involves sticking with a tough project or trying to make a new friend. While in real life these things may take a little longer, the positive message conveyed in Anzu and the Art of Friendship makes this book easy to recommend.

The special meaning of the origami figures included in the story is explained in the back matter.

  • Reviewed by Ronna Mandel

BUY THE BOOK:

Support a local independent bookshop by clicking here to purchase Anzu and the Art of Friendship.

FIND THE AUTHOR AND ILLUSTRATOR ON SOCIAL MEDIA:

MONI –

Click here for Moni’s website.

https://www.instagram.com/bookthreader

https://www.twitter.com/bookthreader

https://www.facebook.com/bookthreader

 

NATHALIA –

Click here for more about Nathalia.

https://www.instagram.com/natztak

https://www.twitter.com/natztak

https://www.facebook.com/nathalia.takeyama/

Read a guest post by Moni about her debut picture book, The Star Festival.

Find out about The Star Festival here.

 

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Picture Book Review – Light Speaks

 

LIGHT SPEAKS

Written by Christine Layton

Illustrated by Luciana Navarro Powell

(Tilbury House Publishers; $18.95; Ages 4-8)

 

Light Speaks cover boy in night reaching for firefly

 

From the Publisher:

“An enchanting picture book about the joyful, mysterious, awe-inspiring messages of light.”

 

Review:

This beautiful book begins with light’s first daily message to a young child: Awake

 

Light Speaks interior art1 boy sleeping in tent with flashlight
Interior spread from Light Speaks written by Christine Layton and illustrated by Luciana Navarro Powell, Tilbury House Publishers ©2023.

 

And continues to explain all the ways light speaks to us—in our daily lives…

 

 Light Speaks interior art2 boy in 3 outdoor scenes at night
Interior art from Light Speaks written by Christine Layton and illustrated by Luciana Navarro Powell, Tilbury House Publishers ©2023.

 

through nature…

 

Light Speaks interior art3 light in nature
Interior art from Light Speaks written by Christine Layton and illustrated by Luciana Navarro Powell, Tilbury House Publishers ©2023.

 

and throughout space and time—covering both natural and manmade light sources.

 

Light Speaks interior art4 suns burned out long ago
Interior spread from Light Speaks written by Christine Layton and illustrated by Luciana Navarro Powell, Tilbury House Publishers ©2023.

 

Christine Layton’s spare, poetic text leaves plenty of room for illustrator, Luciana Navarro Powell’s luminous art to shine in this nonfiction concept book. Young listeners will pour over Powells’ beautiful art as they listen to Layton’s lyrical, mysterious text while older readers delight in unraveling its mystery. (And for those who just can’t wait, Layton provides a more detailed, scientific look at some of the abstract concepts in the book like the way light “echoes off planets and moons” or “tells lies.”

Light Speaks would make an excellent science and ELA text for the classroom—especially when paired with more straightforward nonfiction like Light Waves by David Adler and Anna Raff (Holiday House, 2018)—as it would lend itself to cross-curricular discussions about science and poetry.

*Highly recommended

  • Reviewed by Roxanne Troup

 

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Kids Picture Book Review – Princesses Can Fix It!

 

PRINCESSES CAN FIX IT!

Written by Tracy Marchini

Illustrated by Julia Christians

(Page Street Kids; $17.99, Ages 4-8)

 

 

 

 

If you’re looking for an empowering new take on fairy tale princesses, look no further than Tracy Marchini’s picture book Princesses Can Fix It! This homage to The Twelve Dancing Princesses shows readers that princesses (and princes) can do whatever they set their minds to, no matter what anyone else thinks.

 

Workshop PRINCESSES int1
Interior spread from Princesses Can Fix It! written by Tracy Marchini and illustrated by Julia Christians, Page Street Kids ©2021.

 

At the start of the book, we learn that there is a problem in the King’s castle. The alligators from the moat have escaped and are now running about inside! The three princesses, Margaret, Harriet, and Lila, have an idea how to help. Unfortunately, the King wants them to only focus on proper princess activities rather than their passion for inventing and building. Throughout the book, the girls secretly work on their creation to fix the problem and prove their father wrong.

 

Splash_PRINCESSES_int2-3
Interior art from Princesses Can Fix It! written by Tracy Marchini and illustrated by Julia Christians, Page Street Kids, ©2021.

 

Julia Christians’ colorful and dynamic illustrations bring the characters to life and give the book a whimsical flair on every page. This, combined with the book’s poetic structure and use of repetition also gives the book excellent read-aloud potential.

Workbench to workbench PRINCESSES int4
Interior art from Princesses Can Fix It! written by Tracy Marchini and illustrated by Julia Christians, Page Street Kids, ©2021.

 

Most of all, what I love about Princesses Can Fix it! is how it manages to be both silly and meaningful at the same time. This charming picture book is about three clever and committed young girls building a contraption to solve their alligator infestation. At the same time, it’s also about how they stand up for themselves and persevere, something that should motivate little girls and boys eager to pursue their passions in the face of societal expectations.

  • Guest Review by Mary Finnegan 

Click any of the below links to purchase the book:

https://www.barnesandnoble.com/

https://bookshop.org/

https://www.indiebound.org

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An Interview With Kirsten W. Larson Author of A True Wonder

 

 

AN INTERVIEW WITH

KIRSTEN W. LARSON

AUTHOR OF

A TRUE WONDER:

The Comic Book Hero Who Changed Everything

ILLUSTRATED BY KATY WU

(Clarion Books; $17.99, Ages 4 to 7)

 

 

A True Wonder cover

Starred reviews – Booklist and Kirkus

 

 

SUMMARY

“A behind-the-scenes look at the creation and evolution of Wonder Woman, the iconic character who has inspired generations of girls and women as a symbol of female strength and power.

Perhaps the most popular female superhero of all time, Wonder Woman was created by Bill Marston in 1941, upon the suggestion of his wife, Elizabeth. Wonder Woman soon showed what women can do—capture enemy soldiers, defeat criminals, become president, and more. Her path since has inspired women and girls while echoing their ever-changing role in society. Now a new group of devoted young fans enjoy her latest films, Wonder Woman and Wonder Woman 1984, and await a third installation being planned for theatrical release. This exceptional book raises up the many women who played a part in her evolution, from Elizabeth Marston to writer Joye Hummel to director Patty Jenkins, and makes clear that the fight for gender equality is still on-going.”

 

INTERVIEW

Hi Kirsten! Welcome to Good Reads With Ronna and congratulations on the publication of A TRUE WONDER: The Comic Book Hero Who Changed Everything, a truly wonderful picture book that I’m so excited to discuss with you, especially on your launch day! Like you, I grew up on comic books (Archie) although to be honest the only superhero I followed as a child was Superman. Somehow I came late to the game with Wonder Woman. Patty Jenkins’ first film was my first introduction to the backstory.

 

GOODREADSWITHRONNA: Can you believe the young girl in the 1970s who was a Lynda Carter fan is the one who’s written about Wonder Woman?

KIRSTEN W. LARSON: I wasn’t someone who always wanted to be an author when I grew up, so I feel lucky to have stumbled on a career later in life that feeds my curiosity. I love research and that thrill of feeling I’ve gotten a book “just right” in terms of voice, structure, etc.

 

GRWR: I’m curious if once the idea hit you to write the history of Wonder Woman, you knew you’d approach it with a comic book style format (which I ADORED by the way)? Did you do the research first and then decide how to find your way into sharing the story or did you always know how you’d do it?

KWL: I always envisioned this as a biography of the character of Wonder Woman, showing her character arc across the decades. This was a rare book for me. The finished book is very close to the original drafts. The main difference was the addition of some of the more modern incarnations of Wonder Woman that bring the character up to the present. I always envisioned comic-book style illustrations, but of course, the choice to illustrate the book that was entirely up to editor Jennifer Greene, the art director, and illustrator Katy Wu.

 

A True Wonder int1
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: A TRUE WONDER could not have been an easy manuscript to write for someone used to the more traditional nonfiction structure. What was that like having to write a script with setting, narrative, thoughts, speech, and sound effects?

KWL: You may be surprised to know that I wrote A TRUE WONDER just like any narrative nonfiction picture book. I did have a global illustration note suggesting the comic book style, as well as the trading card format for the sidebars about significant people who contributed to the Wonder Woman character. But it was illustrator Katy Wu who broke out the illustrations into panels and dropped the quotes I included into speech bubbles. She deserves all the credit.

 

GRWR: Whoa, I sure hope Katy sees this and all your compliments because the art and prose work seamlessly. Did you and the illustrator Katy Wu get to collaborate?

KWL: Katy and I didn’t collaborate at all, which is fairly typical for picture books. She did all her own research. I provided some minor comments on her dummy, but that’s it. We’ve only corresponded since we started marketing the book.

 

GRWR: I am so impressed! So, do you have a favorite spread?

KWL: Yes! The final spread, which talks about how Wonder Woman inspires us to become heroes of our own stories is my hands-down favorite. I tear up every time. Katy illustrated it with a diverse group of women, and it is perfect.

 

A True Wonder int5
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: Based on your previous STEM books and NASA background, writing about Wonder Woman is a departure for you though it is definitely a STEAM read. What are your feelings about that, and do you think you might write more non-STEM books in the future?

KWL: I love to write about underdogs and women who defy expectations, and the character of Wonder Woman falls into that theme. Plus, comic books are a big part of geek culture. Just think about how much time the Big Bang Theory characters spent at the comic bookstore, or trying to get tickets for San Diego Comic Con.

 

GRWR: LOL! In A TRUE WONDER I learned SO much about the early days of comic books, especially how the business was populated by white men keen on keeping superheroes men. Yet it was an exceptionally enlightened man, Bill Marston, with a wife working full-time as the family bread-winner who pitched the idea of Wonder Woman to Charlie Gaines of All-American Comics, the precursor to DC. Tell us more about that fateful turn of events in the male-dominated industry.

KWL: This probably won’t surprise anyone, but comic books have been under attack almost since their inception. Just before Wonder Woman was introduced, parents and educators complained about the violence in comics. They argued that comics were a poor substitute for classic literature too (sound familiar)? But Marston thought comics could be a force for good. It was his wife, Elizabeth Marston, who suggested the idea of a female superhero. And that’s what Bill Marston pitched – a female superhero who he hoped would be a good influence on children.

 

 

A True Wonder int2
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: Women writers and staffers behind the emergence of Wonder Woman ultimately played crucial roles in empowering the character and women in general during WWII when a majority of men were off fighting. You mention more than a handful and even write in your back matter about Joye Hummel (who wrote under a male pen name) and several others who made an impact on the representation of Wonder Woman including Gloria Steinem. Can you speak to how they contributed to feminism?

KWL: Through the years and often behind the scenes and uncredited, women have contributed to Wonder Woman as authors, artists, editors, and consultants. These women were ahead of their time in what continues to be a male-dominated industry. At the same time, second-wave feminists like Gloria Steinem and Joanne Edgar grew up reading Wonder Woman comics and sort of adopted her as their mascot, putting her on the first cover of Ms. Magazine. Even today, we tap into Wonder Woman as a short-hand way to talk about strong and powerful women and sisterhood.

 

GRWR: What would like your young readers to take away from reading A TRUE WONDER?

KWL: I hope that children will find a way to channel their inner superheroes and make their own contributions to their communities and the world. We need everyday heroes now more than ever.

 

A True Wonder int3
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: Let’s talk craft. I read in Storystorm 2020 (Kirsten Larson | Writing for Kids (While Raising Them) (taralazar.com) that you turn to walks in nature for inspiration. I’d love to hear more about what you do to find story ideas and then how you proceed after an idea strikes you.

KWL: I find story ideas everywhere: books, movies, magazine articles, museums, you name it. Normally I do some initial research to learn whether the resources I need (like primary sources) are readily available, and to figure out if someone is already writing a book about the subject. If everything checks out, I start with secondary sources to get context, then dive into primary sources to hear the characters’ voices. The research normally guides me to a structure and voice, but there’s always a lot of experimentation. And walking, along with showers, meditating, and mentor texts, are great for when I get stuck during the writing process.

 

GRWR: That’s so helpful to know. Do you have a writing routine and a preferred place to write?

KWL: I write all over the place–in the living room, outside on my back patio, in my office. I get up before everyone else and try to write for at least an hour Monday through Friday after checking in with my accountability partner. Most days I dedicate another two hours to writing before turning to other things.

 

GRWR: What’s your go-to creativity beverage or comfort food when feeling frustrated?

KWL: Coffee, coffee, coffee.

 

GRWR: You’re also a regular contributor for STEM Tuesday online at STEM Tuesday – From The Mixed Up Files. Can you speak to that experience?

KWL: I work with so many amazing contributors on STEM Tuesday, led by Jen Swanson. Each month, team members put together a themed book list plus classroom activities and ELA/writing activities. The last week of the month we have an interview with an author and a book giveaway. I write about writing. There is so much creativity happening in nonfiction and STEM writing right now. I love showing educators how they can use STEM books to teach writing craft.

 

 

A True Wonder int4
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: I agree that STEM reads and nonfiction have never been more exciting than right now. What’s a recent nonfiction book that you couldn’t put down?

KWL: My current favorite read is SURVIVOR TREE by Marcie Colleen and Aaron Becker. The interplay of art and lyrical text are stunning. In fact, I’m using it as a mentor text in a class I’m teaching at The Writing Barn next month.

 

GRWR: What’s on the horizon?

KWL: Next year, illustrator Katherine Roy and I have THE FIRE OF STARS with Chronicle Books. It’s a dual narrative picture book about Cecilia Payne, who discovered the composition of stars, told alongside the process of star formation. After that, I have two more books under contract but not yet announced. One is a lyrical, STEM book for younger readers, the second is a middle-grade historical fiction, which I did write in full graphic novel script form.

 

GRWR: Thanks tons for taking the time today to chat, Kirsten. We could not be more excited about A TRUE WONDER and wish you every success with it. And happy book birthday, too! 

KWL: Thanks for having me, Ronna! It’s been my pleasure. I love to connect with folks at my website Kirsten-w-larson.com and on social media @kirstenwlarson.

 

 

PURCHASE KIRSTEN’S BOOK

Preorder A TRUE WONDER through Once Upon a Time Bookstore for an
autographed copy plus a 6 x 9 art postcard designed by illustrator Katy Wu.

https://www.shoponceuponatime.com/autographed-books-kirsten-w-larson

TEACHER’S GUIDE  HERE

 

SOCIAL MEDIA

Kirsten-w-larson.com

Twitter: @KirstenWLarson

Instagram: @KirstenWLarson

 

katycwwu.tumblr.com

Twitter: @thewildkat

Instagram: @thewildkat

 

KirstenWLarson headshot
Author Kirsten W. Larson                  Photo ©Tammie Halcomb

BRIEF BIO

Kirsten used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), A TRUE WONDER: The Comic Book Hero Who Changed Everything (Clarion, Fall 2021), illustrated by Katy Wu, and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, Fall 2022), as well as 25 nonfiction books for the school and library market. Sign up for her monthly newsletter here.

 

 

 

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Debut Picture Book Review – Whole Whale

 

WHOLE WHALE

Written by Karen Yin

Illustrated by Nelleke Verhoeff

(Barefoot Books; $19.99, Ages 3-6)

 

whole whale cover

 

 

Karen Yin’s debut picture book is truly original, packed with rollicking rhyme, and an important story presented in bold vibrant art from Nelleke Verhoeff. In other words, it’s got all the things a young reader would want in a read-aloud! And then some (100 some to be exact!)

From my first glimpse of the cover, with its beautiful, shiny raised letters along with lots of yellowwhich always pulls me inI was hooked by the look of Whole Whale. Then I dove in and was not disappointed. In fact, I was overjoyed that Yin chose to write this story about tolerance, inclusion, and making room at the table for everyone. We can never have too many picture books out there modeling for kids the benefits of working together to make those who may feel left out, how to be welcomed in. The best part is there is nothing didactic about the presentation. The humor and art provide the way into the story and the suspense keeps young readers engaged and turning the pages.

The premise is a surprisingly simple one starting with the title page depicting a hint of water rising from an as yet unseen whale’s spout. Then comes an almost completely white opening spread with only a sheep, a cat and a spider telling readers what to expect. “An empty page? It’s time to play!/The animals are on their way.” This is followed in the next spread with “One hundred might fit in this tale,” then the especially catchy refrain, “But can we fit a whole blue whale?” Here young readers will spy a different tail (or fluke).

 

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Interior spread from Whole Whale written by Karen Yin and illustrated by Nelleke Verhoeff, Barefoot Books ©2021.

 

Little by little a bevy of brightly colored beasts fill up the pages of this larger12×12formatted book. Kids can spot some animals showing concern on their faces, others enjoying the company. The group, whimsically illustrated by Verhoeff, continues to grow and grow with the refrain repeated for kids to shout out loud. But with so many crowding in to make room for the whale, will chaos or bullying ensue? “So, if they all can get along/One hundred might fit in this throng.”

Kids’ll adore the interaction Verhoeff has depicted amongst the animals as they attempt to make space for Whale. Yin has played with language wonderfully throughout and introduces fun words like throng and unveil as well as a few collective nouns for animals. A big reward is in store for staying the course, a double gatefold four feet long at the end.

 

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Interior spread from Whole Whale written by Karen Yin and illustrated by Nelleke Verhoeff, Barefoot Books ©2021.

 

While I don’t recommend this book for bedtime, I absolutely recommend it for ALL other times of the day! In fact, I encourage any adult reading it with a child to suggest they bellow out the refrain as they wait in giddy anticipation. Back matter lists the 100 animals in the book, a search-and-count challenge children are certain to accept. I hope you enjoy the WHOLE book as much as I did!

 

Order your copy here and support indie bookshops nationwide. Bookshop.org:  https://bookshop.org/a/16083/9781646861637

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Children’s Picture Book Review – Flash and Gleam

FLASH AND GLEAM
Written by Sue Fliess
Illustrated by Khoa Le
(Millbrook Press; $19.99, Ages 5-8)

 

 

Starred Review – Booklist

There’s more to light than meets the eye and Flash and Gleam: Light in Our World by Sue Fliess with illustrations by Khoa Le makes that apparent and oh so interesting with every page turn. This read-aloud, rhyming nonfiction picture book introduces young readers to four diverse children, their light-filled lives and holidays, as well as the science behind light.

Fliess’s spare and poetic text takes us from morning, noon and night as we see wake up time, gardening, thunderstorms, birthdays, sunsets and rainbows, excellent examples of how light is at work in its myriad and miraculous forms.

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Interior spread from Flash and Gleam written by Sue Fliess and illustrated by Khoa Le, Millbrook Press ©2020.

 

I love how the words and art work so wonderfully together to convey the story of light in such an accessible way. It would be easy for kids to follow along just by looking at Le’s lovely illustrations with their warm tones and expressive poses. But Fliess’s poetic stanzas, “Flicker/Feel/Help us heal” (a family lighting candles at a sidewalk memorial), or one of my favorites, “Float/Guide/Far and wide” (visiting a lighthouse by boat), gently share the magic of light in a meaningful and repeatable way. Whether watching fireflies or enjoying a campfire, the scenes throughout Flash and Gleam show how light fills our lives with amazement, energy, entertainment and so much more.

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Interior art from Flash and Gleam written by Sue Fliess and illustrated by Khoa Le, Millbrook Press ©2020.

 

Helpful back matter delves deeper into “The Science of Light” by breaking down the topic into six sections including What is Light?, Lightning, Rainbows, The Northern Lights, Fireflies, and Moonlight, all things that the four children experienced on the previous pages. Intermittent factoids shed light on fun facts: When you are looking at a rainbow the sun is always directly behind you! There is also a section called Light and Celebration where children can learn about the varying ways light is associated with certain holidays such Thailand’s Yi Peng and its “fire-powered rice paper sky lanterns.”

Flash and Gleam will be a welcome read at home, in classrooms or at the library. Not only is the subject matter fascinating, but how it’s presented will spark children’s curiosity about the light all around them, every day, everywhere.

 

  •  Reviewed by Ronna Mandel

 

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Earth Verse by Sally M. Walker For Earth Day and National Poetry Month

EARTH VERSE: HAIKU FROM THE GROUND UP
Written by Sally M. Walker
Illustrated by William Grill
(Candlewick Press; $17.99, Ages 7-9)

 

A Junior Library Guild Selection

 

Earth Verse: Haiku from the Ground Up book cover

 

At the intersection of Earth Day and National Poetry Month is Earth Verse: Haiku From the Ground Up written by Sally M. Walker with illustrations by William Grill. Let these 32 pages of unique 17 syllable poems fill you with awe and respect for planet Earth. From her place in the solar system to her “molten magma stew,” from her “fossil family” to her “sky shenanigans,” Earth is at once a marvel and our home.

 

“a flat stone, skipping,
casts circles across the lake,
lassoing the fish.”

 

Earth Verse celebrates the planet in all its majesty and mayhem. In other words, not only are the oceans and rivers written about, so are storms and tsunamis. We read about fog, volcanoes, glaciers and icebergs. We travel underground to see stalactites and stalagmites because there’s so much more below the surface, both in the verse and on our planet. Grill’s colored pencil artwork conveys just enough of a reference point while leaving lots to our imaginations. Nine pages of STEAM-themed back matter round out the book and make this picture book appropriate and desirable for both Earth Day and National Poetry Month though it can truly be enjoyed year round, just like our precious planet.

  • Reviewed by Ronna Mandel

 

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Moth and Wasp, Soil and Ocean written by Sigrid Schmalzer

 

MOTH AND WASP, SOIL AND OCEAN:
Remembering Chinese Scientist Pu Zhelong’s Work

for Sustainable Farming
Written by Sigrid Schmalzer,
Illustrated by Melanie Linden Chan
(Tilbury House Publishing, $17.95, ages 6-9)

is reviewed today by Cathy Ballou Mealey.

 Moth and Wasp, Soil and Ocean cover image

 

 

A farm boy in China relates the tale of Pu Zhelong, a scientist and conservationist, and introduces readers to early research in sustainable agriculture practices in MOTH AND WASP, SOIL AND OCEAN.

Through a series of flashbacks, author Sigrid Schmalzer reveals how invasive moths and beetles were destroying precious village crops. When villagers try to defeat the pests, their methods repeatedly fail. As the threat of famine looms, Pu Zhelong, an outsider, arrives bearing new, untested scientific ideas. Can Pu Zhelong save the rice crop without using harmful and ineffective pesticides?

With patience, restraint and deference, Pu Zhelong eventually wins over the skeptical villagers. His innovative methodology, introducing parasitic wasps to destroy the crop-consuming moths, led to a successful and sustainable victory for the farmers. Schmalzer’s imaginative and informative text weaves a tale that will engage young scientists with its ingenuity and sophistication while celebrating this little-known environmental hero.

Debut illustrator Melanie Linden Chan pairs intricate and multi-layered images with the factual content, making this book a pleasure for young readers to pore over. Structuring the narrator’s flashbacks in a journal format, Chan cleverly weaves scientifically precise illustrations against a lush agricultural setting. Elements of Chinese art, history and culture frame the narrative in an engaging, pictoral manner that both delight and inform.

An extensive endnote provides additional information on the history of the story, as well as suggestions for further reading. Also included is a detailed explanation of the decorative Chinese folk art papercuts utilized by the illustrator, and referenced to the pages where they appear in the text.

MOTH AND WASP, SOIL AND OCEAN offers a unique, child-friendly perspective on a earliest origins of agroscience. Add this STEAM selection to your school or classroom library to add depth to collections on organic farming, sustainable agriculture and Chinese history.

  • Reviewed by Cathy Ballou Mealey

 

Where obtained: I reviewed a digital advanced reader copy from the publisher and received no other compensation. The opinions expressed here are my own.

 

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