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Picture Book Review – Little Narwhal, Not Alone

 

LITTLE NARWHAL, NOT ALONE

BY TIFFANY STONE

ILLUSTRATED BY ASHLYN ANSTEE

(GREYSTONE KIDS; $17.95; AGES 4-8)

 

Little Narwhal Not Alone cover

 

 

Children’s poet and critically acclaimed picture book author Tiffany Stone has brought ocean life to the surface in Little Narwhal, Not Alone, a story that is based on the unlikely real-life friendship between two different species of whales—beluga whales and narwhals who usually do not interact.

Poetic, rhyming language flows through each page, while playful illustrations by Ashlyn Anstee guide the reader on this unexpected journey. We are introduced to the sweet little narwhal, with the blue and white tusk protruding from his head, who loves his frozen home. However, the mischievous little whale is also prone to wandering away. “But little narwhal longs to roam, to see the sea beyond this ice, past polar bears to brand-new sights. And so while others hunt and play, narwhal sets off on his way.”

 

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Interior spread from Little Narwhal, Not Alone written by Tiffany Stone and illustrated by Ashlyn Anstee, Greystone Kids ©2021.

 

Anstee’s childhood summers swimming in the waters of the Canadian west coast are reflected through her cool palette of colorful fish art and the greens of the “northern sky.” This little narwhal swims by schools of fish with Stone’s inviting onomatopoeia of SWISH SWISH! and WHEEEEE! sure to entice young readers to repeat out loud as they join the fun adventure.

Well, needless to say, the fun adventure may not be as much fun as Little Narwhal thought. While looking for narwhal friends to play with, he unexpectantly swims towards a new noise.  But instead of friends, he sees a boat propeller and dives deep to get away. “He swims … and swims … and swims some more. His flippers ache. His fluke is sore. But far off from his frozen home, little narwhal’s all alone.”

 

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Interior spread from Little Narwhal, Not Alone written by Tiffany Stone and illustrated by Ashlyn Anstee, Greystone Kids ©2021.

 

 

His head popping out from the green waters, the far-from-home narwhal sees something in the icy distance. When he reaches his destination he discovers whales that seem familiar yet at the same time look like nothing he has ever seen. Anstee draws beluga whales missing the protruding tusk, and readers are now aware that something is different about these whales. “They look like him-or close enough-though no one sports a twisty tusk.”

 

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Interior art from Little Narwhal, Not Alone written by Tiffany Stone and illustrated by Ashlyn Anstee, Greystone Kids ©2021.

 

Introducing the reader to the theme of acceptance and overcoming differences, Narwal’s wave hello is not understood by the beluga whales. He is determined to find something he shares with the white tuskless creatures so when the pod swims away he follows.

It’s easy to feel the narwhal’s initial sadness and discouragement, and want to reach through the page and give him a big hug. But soon enough  “all the whales begin to play. And … SQUIRT … the new whales welcome him!” Narwhal plays old games and new games with the beluga whales who have now become his friends.

 

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Interior art from Little Narwhal, Not Alone written by Tiffany Stone and illustrated by Ashlyn Anstee, Greystone Kids ©2021.

 

Marine Biologist, Marie Noel, Ph.D., explains in the back matter that a young narwhal was spotted in the St. Lawrence River estuary in Quebec, Canada, among a group of young belugas four years in a row. Typically, she says, beluga whales and narwhals do not interact but this young narwhal may have been adopted by the group of young belugas. Every summer, researchers are now keeping an eye on the whales of the St. Lawrence and this remarkable friendship.

The unique nature of this unlikely friendship tale makes Little Narwhal, Not Alone a powerful read for young children modeling that they may not be exactly like their friends, but despite differences, there are many things that can bring them together.

  •  Reviewed by Ronda Einbinder

 

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Mixed Me! Written by Taye Diggs and Illustrated by Shane W. Evans

MIXED ME!
Written by Taye Diggs
Illustrated by Shane W. Evans
(Feiwel & Friends; $17.99, Ages 4-8)

 

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Starred reviews in Kirkus and School Library Journal.

Librarian Dornel Cerro reviews Mixed Me! by Taye Diggs with illustrations by Shane W. Evans.

“I’m a beautiful blend of dark and light, I was mixed up perfectly, and I’m JUST RIGHT!”

Mike, an exuberant and energetic boy rushes from one place to another in his superhero cape:

“I like to go FAST!
No one can stop me
as the wind combs through
my zigzag curly do”

It’s clear that Mike is a well-loved, confident and joyful child. However, although Mike is comfortable with the color of his skin and the “WOW” of his hair, sometimes his diverse heritage causes people to stare and wonder:

“Your mom and dad don’t match,”
they say, and scratch their heads.

There’s pressure at school to choose a group to belong to:

“Some kids at school want me to choose
who I cruise with.
I’m down for FUN with everyone.”

Using rich vocabulary, gentle humor, rhyme, and a hip-hop like rhythm, Diggs offers a inspirational message. The author uses the diversity in the foods we eat to vividly (and deliciously) capture the differences in human appearances. Mike’s mother’s skin is “… rich cream and honey …” and Mike describes himself as:

“I’m a garden plate!
Garden salad, rice and beans-
tasting GREAT!”

This is not only a fantastic read-aloud, but a wonderful starting place for positive discussions on image, esteem, diversity, friendship, and inclusion. Adults sharing the story can easily design extension activities to reinforce the book’s theme. What do words like “fused” and “blended” mean? How do these words apply to people? How many references to multicolored or “mixed” things can children find in the book’s illustrations? What kinds of theatre, music, movement, and dance activities could help children express their understanding of the book?

Evans complements Digg’s bouncy and humorous text with textured illustrations consisting of watercolors and cut pieces of fabric. There are many two-page spreads of Mike, dominated by all that wonderful “zippy” hair and the book is awash in multicolor images: even Mom’s apron and Mike’s cape contain a rainbow of colors.

Mixed Me! is a highly recommended read for all children and adults who work with this age group.

Visit the publisher to see interior artwork and other reviews. Check out Digg’s and Shane’s Chocolate Me! website for information about their earlier book which also sends a positive message about skin and hair type. Read Diggs’ tribute to his long time friend, Shane W. Evans, in The Horn Book. See Scholastic for a biographical sketch on Evans and other books he’s illustrated.

  • Reviewed by Dornel Cerro
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My Cousin Momo by Zachariah OHora

MY COUSIN MOMO
by Zachariah OHora
(Dial Books for Young Readers/Penguin; $16.99, Ages 3-7)

is reviewed today by Cathy Ballou Mealey.

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Momo, sporting tricolored head and wrist sweatbands along with a 35mm camera strapped around his neck, is exotic from the moment he arrives at his squirrel cousins’ home. From his hardsided yellow suitcase plastered with travel stickers (ACORN AIRWAYS, BUNNYLAND), we know that Momo likes to travel. After all, he is a flying squirrel.

Momo’s cousins and their forest friends can hardly wait for the visitor to soar into the air, but Momo seems shy. Alternative activities – such as playing superheroes or Acorn Pong – are not successful either. Poor Momo is deemed an awkward outsider. The narrator’s younger sister doesn’t hold back in expressing her disappointment, plonking her face with the pong paddle and kicking mushrooms in frustration.

Momo, tearful and dejected, starts to fill his suitcase. Even his camera gets packed away. Pangs of remorse grip his cousins. Thankfully, they redouble their efforts to make Momo feel at home, and discover the upside to trying things in new and different ways.

OHora’s text is direct, dry and funny. He nails the tone of an elementary school age narrator with precision. The illustrations are quirky and hip with inventive twists that capture the characters’ emotional highs and lows in bold, minimalist lines. Chunky black outlines and a dense but muted color palette give MOMO a rich vibrancy that bounces off the page. But there is still enough detail to delight the eye, from fluffy swirled squirrel tails to crisp cupcake liner pleats, OHora excels in depicting enticing textures. Peek under the dust jacket for a hidden surprise!

The last page leaves readers anticipating further funny, squirrely adventures. What could be better than mo’ Momo?

  • Reviewed by Cathy Ballou Mealey

 

Where Obtained:  I reviewed a copy of MY COUSIN MOMO from my library and received no other compensation.  The opinions expressed here are my own.

 

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Filbert the Good Little Fiend by Hiawyn Oram

Filbert the Good Little Fiend, (Candlewick Press, $15.99, ages 3-5) by Hiawyn Oram with illustrations by Jimmy Liao, is reviewed by Ronna Mandel.

SO GOOD HE’S BAD!

Filbert the Good Little FiendWhat are a FEROCIOUSLY fiendish Daddy Fiend and FIERCELY fiendish Mommy Fiend supposed to do when their little fiend, Filbert, is so good, so very, very good?

“He won’t say BOO to a goose,
MOO to a moose, or PANTS to an ant.
He’s no little fiend of mine!”

Filbert’s folks insisted he be gruesome and ghastly but it just wasn’t in him to behave like that. He couldn’t be “BOTHERSOME and BEASTLY.” He preferred kind words and caring to hollering and scaring and no one seemed to be happy about this including his teacher, Miss Fearsome-Frizz. Rather than get in a purple-paint fight in class, Filbert hid in the bathroom. This blatant lack of participation earned Filbert the Fearsome-Frizz’s ire so he was sent out to the Good Spot until he could learn to behave “like a proper little fiend.” Well as luck would have it, a little angel kicked out of Angel School crashed landed near the Good Spot where Filbert was relaxing.

Together the two figured out that by temporarily trading clothes and personalities they could give their parents and friends what they’d been asking for. And we all know that sometimes you have to be careful what you ask for. And then what?  In the case of Florinda the not-quite-perfect little angel and Filbert the not-so-fearsome little fiend, their point was cleverly made. The old Florinda and Filbert were welcomed back and accepted for who they were because as the saying goes, better the fiend you know!!

I like the idea of the role reversal portrayed by the main characters as a way for parents to start the conversation about celebrating individuality. I’d certainly recommend Oram’s story, with its alliteration and irony, to read-aloud for story time. Couple that with Liao’s glowing Autumn-hued artwork, a delightful color collision of Sendak meets Scheffler, and you’ve got a picture book perfect for every little monster you know.

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