I immediately loved the clever diagonal placement of Violet and her umbrella. My eyes easily followed the upward motion that expresses action and adventure. Violet’s smile radiates success and enjoyment, something readers will experience reading the book.
Molly’s signature charcoal linework and blends, along with her combination of muted and bright colors is something I’d recognize anywhere. And the texture in the art, along with the texture in the title font, enhances the visceral and overall presence of CRUMBS! And oh those crumbs! They really drive the point home.
GoodReadsWithRonna:Hi Molly, what an honor to have you back here on the blog with your third book cover reveal and your second artistic pairing with author Abigail Rayner. She tackles some important topics in her stories, the first book being about stealing and this one about Celiac Disease. Can you recall how you felt when you were asked to work on this project?
Molly Ruttan: Thank you so much, Ronna! The honor is all mine. It is such a pleasure to be back with you on your wonderful blog. I so appreciate your time and support!
I was so excited when NorthSouth Books contacted me to work with Abigail Rayner again; I love the topics Abigail writes about. This book, about a girl (Violet) who has been newly diagnosed with celiac disease is especially meaningful for me, because I have a gluten intolerance myself, along with one of my kids. I couldn’t believe my eyes when I first saw the manuscript. I wish so much that this book had been around when my daughter was little; I didn’t know a thing about celiac disease or gluten intolerance at the time– it would have saved us years of stomach aches.
GRWR: Regarding celiac disease, how much work did you have to do to make sure all the information depicted through your illustrations was accurate?
NorthSouth worked with the Celiac Disease Foundationand checked in with them many times along the way. In addition, Abigail Rayner (the author, whose daughter has celiac disease) is an expert on the subject! She had suggestions for some of the illustrations from her own experience; It was a wonderful collaboration! We also included charts on the end pages showing grains and foods that contained gluten, and commonly used grains, flours, and roots that were gluten-free. Illustrating these pages took a bit of visual research, as I had to be accurate with the drawings. It was fun, and I learned a lot!
GRWR:What are some significant elements you’d like to point out about the cover art? What impression did you aim to convey to potential readers?
MR: When I started sketches for the book, I thought a lot about how to visually indicate if food had gluten in it, since you really can’t be sure just from looking at it. I came up with the visual of swirly clouds with crumbs walking and flying around, and this motif is featured on the cover. In the story, Violet creates a costume to help protect herself from the crumbs from other children’s food at school—her own PPE, as it were! Since I had been drawing crumb “clouds”, I made her costume based on rain gear, including an umbrella. But I also included a cape, to show the heroic aspect of her journey and her Superhero attitude! The cover shows Violet in her gear, zooming up and bursting through the cloud of crumbs — she is smiling and clearly had her mind set on setting a victorious path. Since adhering to a gluten-free diet can be very difficult, especially for kids, I wanted the cover to be positive and optimistic.
GRWR:At the start of the interview I told you what I liked. Now please tell us what’s your favorite part about this cover?
MR: Well, of course I love Violet, she was wonderful to get to know as she came to life in my sketches and made her way through the book. But I also love how the stenciling of the crumb swirls came out, on the cover especially. Plus the crumbs are such odd and troublesome little critters, it was a delight bringing them to life, on the cover and throughout the book!
GRWR: How did you achieve the texture in the illustration?
MR:I work with charcoal and pastel on textured watercolor paper. I use a charcoal pencil for the drawings, pastels for the color, and a technique involving the creation of charcoal stencils for the backgrounds, gradation, shading and effects. I scan all of this into PhotoShop. The result is layer upon layer of textured color pastel and charcoal, with some digital texture thrown in here & there. The final art is digital, but there is a lot of traditional media spreading itself all over every surface of my studio along the way! I love working in both traditional and digital media.
ABOUT THE STORY:
Violet used to love parties, but now that she has been diagnosed with celiac disease she’s not allowed to eat pizza, cake, or anything that contains even the tiniest trace of gluten. Violet feels alone until she discovers that some animals have dietary restrictions as well. While standing up for them, she wonders: what can she do to stand up for herself?
Abigail Rayner and Molly Ruttan (creators of I AM A THIEF!) bring pluck and humor to this informative story, sure to spark conversation about this increasingly commonly-diagnosed condition.
ABOUT THE ILLUSTRATOR:
Molly Ruttan grew up in Hastings-on-Hudson, New York. She holds a Bachelor’s of Fine Arts from the Cooper Union School of Art, New York. She currently lives, works and creates art in the diverse and historic neighborhood of Echo Park in Los Angeles.
Her titles include her author/illustrator debut, The Stray, from Nancy Paulsen Books/Penguin Random House, and I Am A Thief! along with Violet and the Crumbs by Abigail Rayner for NorthSouth Books. Molly has two additional titles forthcoming with Nancy Paulsen Books. She is represented by Rachel Orr at Prospect Agency.
It’s Day One of theCHICK CHAT BLOG TOURas well as its book birthday! Peep! Peep! GRWR is so happy to participate and celebrate the hatching. Please enjoy the following interview with Chick Chat author-illustratorJanie Bynum and her insights on this fun new read-aloud picture book for children.
CHICK CHAT SUMMARY:
Friendship comes in all shapes and sizes.
Peep, peep, peep! Baby Chick has a lot to say!
Everyone in Chick’s family is too busy to chat with her. But when chatty baby Chick adopts a large egg—she finally finds a friend who is a good listener. When her egg goes missing, Chick is heartbroken, until she finds that it has hatched into a brand-new friend!
INTERVIEW WITH CHICK CHAT AUTHOR-ILLUSTRATOR JANIE BYNUM
GoodReadsWithRonna:Hi Janie! Welcome to the blog. I’ve got lots of questions for you today. In your author bio on the book’s copyright page, you mention how talkative you were as a child. Can you expand on this and how it influenced creating your main character Baby Chick?
Janie Bynum: Being an inquisitive, talkative, and determined child, I’m sure I tested the patience of my family—and quite a few teachers. Baby Chick and I share all of those personality traits—as well as being a fairly self-reliant youngest sibling. As I wrote and revised Baby Chick’s story, this very talkative youngest sibling emerged. So I ended up writing from a perspective (with a voice, as it were) that I understood as a kid.
In early versions of the manuscript, Baby Chick actually spoke instead of only peeping. But, I ultimately chose to have her peep in such a way that sounds like she knows exactly what she’s saying (and she does). This way kids can interpret what she may be saying—either inferred by the illustrations or by whatever words they imagine for her.
GRWR:Which came first, the Baby Chick character design or the story?
JB:The Baby Chick character art came first.
GRWR:It was funny how everyone in Baby Chick’s family is unaffected (to the point of almost ignoring her while they’re otherwise occupied) by her nonstop peeping while she carries on joyfully by herself. Is there something to be learned from her sheer self-contentedness?
JB:Possibly … by enjoying our own company, not being entirely dependent on others to “make” our happiness for us. Baby Chick is creative and makes her own fun; and, in doing so, she discovers something to nurture, which ultimately hatches into a friend who listens.
GRWR:I was absolutely convinced Baby Chick had found a rock not a big egg. Was this deliberate?
JB: No. The giant Galapagos tortoise’s egg—which I used for reference—looks very much like a round stone. Only at first, when she hasn’t fully unearthed the object, does Baby Chick not know that it’s an egg. But once she uncovers it, she realizes it’s some sort of egg—maybe not a chicken egg because it’s so round. But Baby Chick either doesn’t notice the difference or doesn’t care. It’s an egg without anyone to tend it, so she decides to be its guardian.
GRWR:I’m curious why you decided to make the baby turtle a quiet character rather than one “with a lot to say” like Baby Chick?
JB:I could’ve made the baby turtle/tortoise even more talkative than Baby Chick, which would’ve been funny. But I wanted Baby Chick to be rewarded (for all her nurturing and protection of the egg) with a friend who likes to listen. It’s also a sort of celebration of the yin/yang relationship, how seemingly opposites are actually complementary (in this case extrovert/introvert).
GRWR:Do you see Chick Chat as primarily a friendship story or did you feel there were other themes you wanted the book to explore?
JB: The friendship theme is wrapped around a story about self-sufficiency; and, as you noted earlier, self-contentedness. So, it really has two main themes.
GRWR:What medium do you work in when creating your artwork?
JB: I used a combination of digital media and traditional watercolor, which is the way I generally work. For Chick Chat art, I worked on my iPad (in an app called Procreate) and in Photoshop on my Mac computer with large monitor. I used traditional watercolor for some areas, and added real paper and paint textures (with Photoshop layers) to give more depth to some of the digital color.
GRWR:As someone who began telling stories first visually, do you usually create your dummy with thumbnails and then add the prose later?
JB: I usually have a character in mind first that I must draw so that I can get to know them. A seed of a story germinates as I’m drawing. As I start writing the story, I sometimes create a simplified mind map to look at arc, action, and direction possibilities. Then I write some more. And I revise. And then I revise the text some more.
When I feel like I have a fairly finished manuscript, I start thumbnails. Inevitably, the text changes as I work on thumbnails and rough sketches. So, as I create the rough dummy, I work back and forth between words and pictures until I feel confident that the story (both visual and written) is ready to submit to my agent.
GRWR:I enjoyed a lot of the little unexpected details you included in the illustrations like Baby Chick’s grasshopper friend (or cricket), and the punny titles of the books Sister is reading. Did you do this in all the books you illustrate even if you didn’t write them?
JB: Thank you. Since I write/illustrate for a fairly young audience, I try to add details that older readers (especially adults) will enjoy. While I don’t include a small observer character (who sometimes participates) in all of the books I illustrate and/or write, I have done so in a few. In Otis, which I wrote, a red bird appears in many of the pictures; and, in Porcupining, written by Lisa Wheeler, a grasshopper observes and sometimes participates.
GRWR:What do you do to spark your creativity? Is your process to work daily, inspired or not?
JB: In addition to creating children’s books, I work as a creative director and graphic designer (outside of children’s publishing), so creative problem-solving is part of my day every day. But, one of the things I do as a creativity spark—at least several times per week—is just draw for no reason at all, with nothing in mind until pencil meets paper (or stylus meets iPad). Many times character ideas come from these sessions.
GRWR:How long did it take to complete Chick Chat from the idea stage to the final book we can order from bookstores today?
JB: Roughly two years: story and book dummy, spring 2019; art delivered January 2020; published book January 2021.
GRWR:Who are some of your current kidlit illustrator faves and why?
JB: I have soooo many favorites, and for so many different reasons.
I love the color and stylized work of Felicita Sala. I adore the haunting stylized art of illustrators like Isabelle Arsenault and the cheery whimsy of Louise Gay. Carter Goodrich’s dogs are divinely humorous, and he possesses quite a deft hand with paint. With Sophie Blackall’s art, I’m inspired by her use of color, texture, and pattern. Her work is retro and contemporary, both at the same time.
Oliver Jeffers’ composition on the page (including an amazing sense of negative space) and his sensitive use of color and line inspires me. Matthew Cordell’s spontaneous linework and non-complicated watercolor embodies a spontaneous loose feel that I aspire to in my own work.
I like Ryan T. Higgins’s ink line coupled with his graphic use of shape and color (and, of course, his humor); the gorgeously strange art of Mateo Dineen; and the Matisse’esque art of Olivier Tallec.
GRWR:What’s in the works for your next book?
JB:A very creative beetle is the hero of my current work-in-progress. Also, I’m considering creating something for Gary the Worm to star in. (To find out who Gary is, visit my Instagram @janiebynum.)
GRWR:Is there anything else you’d like to add that perhaps I haven’t addressed?
JB:I’d like to let educators (including parents and grands) know that they can find Chick Chat activities at my website (janiebynum.com) and atnorthsouth.com/resources. And last, but not least, thank you for including me in your blog!
GRWR:It’s been such a pleasure being the first stop on your blog tour and getting to know you and Chick Chat better. Thanks for your terrific answers!
Janie Bynum grew up in Texas and graduated with a BFA in graphic design with an emphasis on illustration. As an author/illustrator, she has created many lovable characters and stories for younger children. Her work has been recognized as a Junior Library Guild Selection. She loves to travel and experience other cultures, drawing inspiration from the people, landscape, and cuisine. Known to her friends as a bit of a nomad, Janie lives in a nearly-100-year-old storybook house in southwest Michigan—for now.
What a treat it was to read Artie Bennett’s new picture book biography,The True Story of Zippy Chippy: The Little Horse That Couldn’t(NorthSouth Books; $17.95, Ages 4-8) with illustrations byDave Szalay! Bennett, who’s best known for his humorous picture books in verse, hit the daily double by bringing out both the humor and humanity (equus-ity?) in this charming tale of a horse destined for fame, but not the winning races kind. You’ll no doubt be champing at the bit for a chance to read Zippy Chippy’s story after my interview with Artie Bennett below.
Zippy Chippy is descended from the leading legends of horse racing. He is destined for greatness and glory.
But . . . when the starting bell rings, it’s anybody’s guess what Zippy will do. Will Zippy go for a gentle trot around the track or stop and smell the roses? Or, perhaps, never even leave the starting gate?!
With mischief in his makeup, he’s known to stick his tongue out at people and chew up the hats of passersby. And he’s always trying to break out of his stall. What’s an owner to do? Try and try again! After all, he believes in Zippy—and, besides, the horse is now a part of the family. But as Zippy’s losses mount, a funny thing happens. People start to take notice of the hapless, cupcake-eating horse. Could it be that they’re betting on Zippy to win?
This remarkable story of the famed racehorse who lost every race is sure to win your heart!
Good Reads With Ronna:Artie, this picture-book biography is like nothing else you’ve written before. What motivated you to pursue this horse’s tale and diverge from your funny nonfiction writing in verse?
Artie Bennett: Yes, you’re right, Ronna. This one is very different. I like to say it’s a horse of a different color for me. For one thing, it was something of an experiment to see if I could write in prose. I wasn’t sure myself. My five previous picture books (The Butt Book, Poopendous!, Peter Panda Melts Down!, Belches, Burps, and Farts—Oh My!, and What’s Afoot! Your Complete, Offbeat Guide to Feet) are all in inspired verse. And I’m quite comfortable writing that way. I’ve worked hard to make the verses sing. I constantly tinker, and then when I’m finally satisfied, I tinker some more. But I knew I would have to take a different tack to write the tale of this remarkable horse. I had to transcend my impulse to rhyme. Curiously, the fact that Zippy Chippy’s own name rhymes may have drawn me to the subject, as well as helped to satisfy my itch to versify.
It was serendipity that drew me to the tale. I stumbled upon a newspaper article about the horse and knew right away that this story would resonate with young readers, just as it resonated with me. And after visiting the retired racehorse at his home in upstate New York, I was never more certain. Youngsters will identify with Zippy Chippy. He may have lost every single one of the 100 races he ran (Zippy won zip), but in the process, he became a folk hero, just like his champion ancestors. Zippy teaches us that just being in the game is enough. And he reminds us that sometimes we need to stop and smell the roses.
GRWR:Aside from being one of the losingest horses in racing history, what else did you learn about Zippy Chippy during your research that made you care about sharing his story?
AB: I was drawn to his quirkiness and his mischievous nature. And there was our shared love of ice cream, though I don’t know if he’s a three-scooper, like me! Free-spirited Zippy Chippy was always breaking out of his stall to go for a nice gallop. He was quite volatile in his youth and often ornery. He was known to kick and bite. He would even try to bite the other horses at the finish line. People were afraid to be around him. In fact, after Felix Monserrate, his third owner, acquired him, he greeted Felix with a sharp bite on the back. But despite being a terror to his handlers—which included the farrier, who fit Zippy with shoes—Zippy was always gentle and loving with Felix’s young daughter, Marisa. Once, eight-year-old Marisa went missing. Felix searched everywhere and finally found her in Zippy’s stall, being nuzzled by the temperamental horse, though the area was off limits to most everyone for safety’s sake. Zippy would blossom under the loving guidance of Felix, and he developed a strong familial bond with Marisa.
There were so many interesting aspects to Zippy Chippy’s story. One was how he happened to acquire his singsongy name. Another wonderful anecdote was how Felix had set up an exhibition race between his horse and a minor-league outfielder. His hope was that a victory, any victory, would boost Zippy’s morale. But the fleet-footed ballplayer bested Zippy in the forty-yard sprint.
Zippy Chippy is a model of determination and stick-to-itiveness. He raced until he was fifteen years old, giving it his all, whereas many racehorses retire by age four. There was a time, earlier in Zippy’s racing career, when Felix tried to retire him, but Zippy wouldn’t hear of it. He became crestfallen and stopped eating. Though defeat never disheartened Zippy, retirement did. Felix had to bring him back to the track for his own well-being. Because the horse was descended from so many legendary racehorses, including Man o’ War, Bold Ruler, War Admiral, Buckpasser, and Northern Dancer, racing was in his blood. He just wasn’t terribly good at it.
When I learned that Zippy Chippy was still alive, though quite ancient by horse standards, I made it my goal to write his story—and find a publisher—before the horse passed. This became something of a horse race, too. I’m so happy to note that Zippy, who will be 29 years old in April 2020, is still with us, lovingly looked after at Old Friends at Cabin Creek Farm, as the book publishes. I wanted the book to be a tribute to a living, breathing legend, not a eulogy. And I’m hoping that youngsters who are as moved by his story as I was may even pay him a visit.
GRWR:Your trademark sense of humor shines through many aspects of recounting this fascinating true story. Was it difficult to balance that with certain serious aspects of Zippy Chippy’s life and unsuccessful racing career?
AB: That’s a wonderful question. Yes, it was a balancing act. And it took me a while to find just the right tone. Writing in prose helped. Verse seems to invite mirth and laughter, but prose can be sober-sided. I had to rein in my sense of humor, for there are serious dimensions to the story. There’s a poignancy here that would be undermined by humor—how Zippy Chippy escaped the slaughterhouse by the skin of his teeth. But a touch of humor does uplift the tale. I love how Dave Szalay’s marvelous illustrations strike just the right balance, too, with many touching, memorable images.
GRWR: Can you explain the appeal of a horse who’d rather stop and smell the roses instead of competing against other horses, a dark horse, so to speak, for winning hearts, not races?
AB: I think Zippy Chippy is the quintessential Everyman, or Everyhorse, and therein lies his appeal. Few of us are blessed with exceptional athletic prowess, yet we still love to compete, to play the game. Zippy continued to run—and continued to love it!—even as he was amassing a rather lopsided won-loss record. But as his losses mounted, Zippy became a star attraction. And his oddball behavior just added to his appeal. Ever unpredictable, he would occasionally succumb to “dwelling,” failing to leave the starting gate at the sound of the bell. What was extraordinary was that later in his career, the horse often ran as the favorite to win, according to the betting line, despite his protracted lack of success. Racing fans were pulling for him. Spectators would besiege Felix for his autograph. Zippy had developed a cult following. He was the ultimate underdog. Horses are very intuitive animals and can pick up on people’s emotions, so Zippy would have known, and rejoiced, if he had won.
GRWR:For 15 years, Felix, Zippy Chippy’s owner, kept entering the unmotivated horse in races. That had to have been so frustrating for him. Why do you think he persisted?
AB: Yes, it must have been. But he was the horse’s biggest champion. He believed in Zippy with all his heart and felt, when he acquired the horse, that he would be the one to bring out the horse’s dormant greatness. Part of why he persisted was because he couldn’t disappoint the horse. We saw how Zippy spiraled into depression when Felix tried to retire him earlier in his career. And because he loved Zippy, he couldn’t let the horse down. He was also an eternal optimist and may have felt that the next race would be the one that Zippy would win, the one that would drape them both in glory. So there would always be one more race. And Zippy was actually highly motivated, though his idiosyncrasies might sometimes interfere with his motivation.
GRWR:What would you like young readers to take away from this picture book?
AB: I would love young readers to find inspiration in this book, but also acceptance. Inspiration can be found in the arc of Zippy’s story, as his popularity grew and grew from such inauspicious beginnings, despite his pedigree. He would even be featured in People magazine, though he was posed alongside a tortoise. Acceptance in the fact that we aren’t all blessed with the same gifts—and that’s okay, too. We need to accept our limitations, just as we celebrate our strengths. As Felix says, “Not everyone can be a winner.” But the important thing is to try. That’s where true courage lies.
GRWR:Has this experience motivated you to try your hand at more nonfiction in prose?
AB: Yes indeed. Though my first love will always be writing in verse, it’s not my only love. In fact, I’ve an idea for another crackerjack children’s biography, also with a protagonist ripe for revival. I’m doing research as we speak. But I also have ideas for more books in verse, so I hope to be moving back and forth between worlds. Additionally, I have two riotously funny joke and riddle books out (The Universe’s Greatest School Jokes and Rip-Roaring Riddles and The Universe’s Greatest Dinosaur Jokes and Pre-Hysteric Puns), so when I’m bubbling over with jokes (Knock, knock . . .) and riddles, there’s always that outlet.
GRWR:Is there anything else I haven’t asked that you’d like to add?
AB: Because I’m a word lover, I’ve tried to use a rich, creative vocabulary in telling the story. You’ll find words like “rambunctious,” “shenanigans,” “wafting,” “ballyhooed,” and much more, words that are evocative and fun to say. I hope young readers will make these words their own. And lastly, I want to thank you, Ronna, so very much for giving me the opportunity to share this captivating story. I’m deeply appreciative.
GRWR: Right back at you, Artie. I learned so much from your thoughtful replies and hope everyone makes tracks to pick up a copy of The True Story of Zippy Chippy:The Little Horse That Couldn’tto find out more about this truly unique horse.
Artie Bennett is an executive copy editor by day and a writer by night. He is the author of an inspiring picture-book biography of a hapless, though beloved, horse: The True Story of Zippy Chippy: The Little Horse That Couldn’t. He is also the author of a quintet of hilarious rhyming picture books: The Butt Book, his first “mature” work and winner of the Reuben Award; Poopendous!, his “number two” picture book; Peter Panda Melts Down!, an adorable departure from derrières and doo; the explosively funny Belches, Burps, and Farts—Oh My!; and his latest, What’s Afoot! Your Complete, Offbeat Guide to Feet, which is guaranteed to knock your socks off. And if that’s not enough, he’s the author of two riotous joke and riddle books: The Universe’s Greatest Dinosaur Jokes and Pre-Hysteric Puns and The Universe’s Greatest School Jokes and Rip-Roaring Riddles.
He and his wife, Leah, live deep in the bowels of Brooklyn, New York, where he spends his time moving his car to satisfy the rigorous demands of alternate-side-of-the-street parking and shaking his fist at his neighbors. The Show Me Librarian says: “Bennett’s use of rhyme is excellent; his stanzas flow and exude joviality in a manner that few writers since Dr. Seuss have truly mastered. Simply put, these books are a joy.” The Huffington Post says: “It appears there is no topic Mr. Bennett can’t make funny and educational.” VisitArtieBennett.com. . . before someone else does!
Want to read more of Artie’s books? Here’s alinkto my review of a personal fave.
I enjoyed hearing about this picture book’s artistic evolution when Molly was working on the illustrations (NOTE: We’re in the same picture book study group), but I hadn’t read the story or seen any sample spreads. What a thrill it’s been to finally read I Am a Thief! It’s a humorous, thoughtful, much needed tale about taking things, okay, STEALING things then facing the uncomfortable feeling of having done something wrong. Please read my review then get the inside scoop on illustrating the book by the artist herself, Molly Ruttan.
★Starred Review – Kirkus
The main character in I Am a Thief, Eliza Jane Murphy, is a star student having racked up all kinds of achievements and accolades at school. But when temptation in the form of a “brilliant green” stone on display in her classroom shouts her name, she heeds the call and swipes said item. Regret and guilt set in immediately and Raynor does a great job in her prose by conveying how these feelings overwhelm Eliza. Molly’s images wonderfully depict how riddled with remorse poor Eliza is. It’s not easy to capture the raw emotion of guilt but Molly succeeds especially in the scene where the menacing gemstone weighs heavy on Eliza’s conscience as she tries to swing with her friends. The challenge now is that while it was easy to nick the stone without anyone seeing her, Eliza worries that she’ll get caught trying to put it back.
The awful feelings follow her home. She proceeds to ask everyone if they’ve ever stolen anything. Her dad exclaims, “Never!” though his facial expression says otherwise as it appears he’s about to take a slice of cake from the fridge. Eliza’s mom says she took a magnet once, and even Grandpa George, Nana Iris and her dog James, the sausage thief, admit they’re not completely innocent.
Molly’s hilarious WANTED posters depicting all the guilty family members begin to get crowded with each page turn as Eliza realizes that almost everyone at one time or another has taken something whether it’s as small as a sugar packet or as big in Eliza’s mind as her theft of the stone.
The part that will especially please readers is when Eliza returns the stone to her teacher and, rather than chastising her student, tells her she’s brave. Owning up to her misdeed and its possible consequences takes guts. Here Eliza realizes that this one bad thing doesn’t define who she is nor should it. Her unburdening heals her and her “heart started singing again.”
I Am a Thief provides parents, caregivers and teachers an opportunity to explore with children the ramifications of taking things when they don’t belong to you, who ends up hurting the most when something is stolen, and how to right the wrongs we may do. I’m glad this book is out in the universe because it’s going to help a lot of families comfortably and honestly approach this important topic in a really relatable way. In fact, this clever and creative pairing of prose and pictures is likely to get you thinking about the behavior you’re modeling for kids the next time you go to grab a few packets of sugar at the coffee shop.
It’s so exciting to be a part of your fantastic blog! Thank you so much for having me!
I Am a Thief! by Abigail Rayner is my debut as an illustrator as you mentioned above. It came to me from NorthSouth Books via my wonderful agent, Rachel Orr. The second I read it I knew I wanted to jump in.
One thing that immediately hooked me into the story was actually not the obvious. I have no real memory of ever stealing anything when I was a kid—I was much too shy and intimidated by the world to ever step out of line! (Although I probably did steal a crayon or two from a restaurant!) But more so, I’m an identical twin, and the question of identity has always been fascinating to me. For Eliza to impulsively take a sparkling stone to keep for herself, and then to allow that stone, and that act, to redefine how she sees herself, is to me an incredibly interesting bit of human nature. I was hooked, and I decided to illustrate her identity crisis alongside her moral crisis.
I decided to have the green gemstone transform along with Eliza’s moral transformation. I started by showing it as a separate character (“The stone made me do it”) to a beautiful object (“I knew what I had to do”) to finally a lens in which Eliza could see a faceted world (“Everyone is a lot of things!”) I love crystals, and have held and admired many. It wasn’t too far of a leap for me to imagine that a crystal could encompass a journey.
Regarding her identity crisis, I decided to use the imagery of the cat burglar, because this image is an archetype and is immediately recognizable. Eliza’s perception of what a thief looks like would most likely be this—the Halloween costume version! Besides, it was really fun to draw!
As I was figuring all this out, I was filling my sketchbooks with notes and drawings. The story is full of characters, some written and some implied, and it was an amazing thing to watch Eliza and her whole extended family, her teacher and her classmates appear on the paper and take on a life of their own.
Abigail Rayner is a brilliant author and I can’t wait to see what she writes next. Hopefully I’ll have another chance to be her partner in crime!
Molly Ruttan’s illustration debut, I AM A THIEF! by Abigail Rayner from NorthSouth Books is available September 3, 2019, and has earned a starred Kirkus review. Molly’s author-illustrator debut, THE STRAY, is forthcoming from Nancy Paulsen Books/Penguin Random House in May 2020. Molly Ruttan grew up in Hastings-on-Hudson, New York, and holds a BFA in graphic design from the Cooper Union School of Art. She lives, works and creates art in the diverse and historic neighborhood of Echo Park in Los Angeles, California. Find Molly online at www.mollyruttan.com, on Twitter @molly_ruttan and on Instagram @mollyillo
A HUGE thanks to Molly for stopping by to share her unique I Am a Thief! artistic journey. It’s fascinating to get an inside perspective and I know it will add to everyone’s appreciation of this terrific new picture book.
THE FIELD Written by Baptiste Paul Illustrated by Jacqueline Alcántara (NorthSouth Books; $17.95, Ages 4-8)
“is a debut masterpiece of collaboration and skill,” says reviewer Ozma Bryant.
In a friendly game of soccer (futbol), the magic of not only the sport but the players involved, comes into brilliant light splayed across the pages of The Field, a debut picture book by Baptiste Paul.
With a tropical rainstorm threatening the game, the players band together, solidifying their connection through love of playing ball and sportsmanship. Challenges such as the weather won’t intrude on this precious time together. The story, I might add, is really about a group of kids—the “main character” is never mentioned by name but she’s on all the pages.
My favorite moment is when one of the opposing players is knocked down, and our main character, in her white jersey #3, reaches her hand out to him on the muddy ground asking, “Ou byen? You okay?” He responds, “Mwen byen. I’m good.” You can practically reach out and touch the splattered mud and rain that splashes across the pages as the players muscle on through, seeing the game to completion.
The sun creeps back out as the game continues, even as Mamas call the players home. Hearing a firm command “Vini, abwezan! Come now!” the children end the game then go their separate ways to rest up and rejuvenate for a new day of play.
Caked with mud and filth, children slip into tubs of warm water, smiling … reveling in the magic that is a game well played. Dreams of new games and friendship forming float overhead, as the field lingers even in sleep.
Alcántara’s gorgeous art propels the reader forward with spare language infused with Creole words from the author’s native home in the Caribbean. The author of this amazing story explains in the back matter that Creole is rarely written, mostly spoken, and so new words are constantly being added or old ones modified in this language. A Creole Glossary is also included.
One of my dear friends hails from Haiti, and speaks Creole. He was the initial reason I was excited to read this book and learn from it. One of the first things I learned from him was that soccer was also ‘futbol’. When I saw the young girl on the cover, I wanted to put this book into his young daughter’s hands immediately. I must ask if she plans to watch the FA Cup this weekend!
I am so thankful for this incredible book and hope to share it with many readers who can also identify with its themes of friendship, connection, teamwork and not giving up in the face of adversity.
Maybe you thought that Charles Lindbergh was the first pilot to cross the Atlantic Ocean without a stopover when he made history in 1927 flying the Spirit of St. Louis, a single engine aircraft. But even earlier in the 20th century and certainly less well known than the human air travel pioneer, an ambitious mouse whose name may or may not be Lindbergh (although author/illustrator Kuhlmann was clearly inspired by this American hero), reached America from Germany in very much the same way.
While the curious little mouse was holed up somewhere for months on end reading “the great books written by humans,” a new mechanical contraption, the mousetrap, has caused our rodent’s friends to supposedly flee to safety in a faraway land where a huge statue stood to greet all who journeyed there. We sadly know better than to think they escaped the fate of the traps’ strong springs. The human world, it seems, could also be dangerous. Eager to reach America from his home in Hamburg in order to reunite with all his mice friends, the mouse hatches a plan, part derring-do and part pure brilliance, that involves a lot of moving pieces and a lot more luck.
Kuhlmann’s imaginative picture book, with its evocative detailed illustrations of a bygone era when humans were inventing and experimenting, is told through the small, inquisitive eyes of a well-read mouse who will stop at nothing to travel to the “New World.”
His attempts to leave town via sea are thwarted by harbor cats guarding the ships. In the safety of sewer tunnels, however, the mouse draws inspiration from bats who “looked like mice, with tiny eyes and huge ears. But they flew with powerful black wings.”
Since it was the age of invention and innovation, the industrious mouse tries to recreate a winged device to help him fly, but his first attempt flops. His next effort, using steam power, brings him notoriety but that flying machine fails as well. Yet, despite his crash, the mouse still makes headlines, “Hamburg’s Flying Mouse Spotted.” Now the city’s owls are on alert becoming a new menace to avoid as he scavenges for materials to use in the building of his plane.
With the enemy close at hand, little Lindbergh spies the clock tower of a church to use as a runway for his maiden ocean voyage, but can he escape the clutches of the threatening owls long enough to get airborne and stay aloft for the duration of the arduous journey?
“Lindbergh is a story I wish I read when I was young,” says Kuhlmann. “Picture books at the time did not deliver a real adventurous thrill. So, I designed Lindbergh to evoke a sense of childlike adventure with a serious undertone. There is detail to discover in every picture and something for everyone on each page.” I could not have said it any better myself. Please see for yourself by taking flight with Lindbergh: The Tale of a Flying Mouse. With its informative back matter on top of its wondrous artwork and inspirational story, there’s not a better way to fuel your child’s imagination than with this stunning picture book from debut author/illustrator Kuhlmann.