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Picture Book Review – The Passover Pet Surprise

THE PASSOVER PET SURPRISE

Written by Ana María Shua

Illustrated by Ángeles Ruiz

(NorthSouth Books; $19.95, Ages 4-8)

 

 

 

The Passover Pet Surprise cover children and animals in yard.

 

 

 

★Starred review – School Library Journal

Publisher Info:

A multicultural addition to the Passover picture book canon, this sweet story explores the meaning of freedom for the Jewish people–and their pets!

Also available in Spanish: La gran sorpresa de Pésaj.

This Passover, Jordanita’s family is leaving their Miami apartment and flying to Argentina to spend the holiday with their cousin. Visiting their cousin is the best, since he not only has a giant yard—he also has two dogs, a cat, two turtles, and two parrots called Tic and Toc! But when Jordanita hears the Passover story this year, she can’t help but notice that Tic and Toc are in a cage. If the point of Passover is to celebrate freedom, shouldn’t that apply to all creatures?

Celebrated Jewish Argentine author Ana María Shua explores the nature of freedom and the love of family in this warm-hearted tale, perfectly paired with the gentle humor of Spanish illustrator Angeles Ruiz’s lively illustrations.

Buy the book: The Passover Pet Surprise – NorthSouth Books

Review:

I did not read anything in advance about this new picture book, but I was attracted to the gorgeous cover and intrigued by the idea of learning about Passover in Argentina. Spending time in another country and experiencing new aspects of Jewish culture during Passover is so rewarding for children and adults alike.

The book opens with the narrator, Jordanita, describing her family.

“… my little brother Benja, and Mamá and Papá—are spending Passover with my aunt, uncle,
and cousin in Argentina, even though we live in Miami. Their house is in a city called Mendoza.”

Jordanita is excited about her relatives’ home, filled with “many good hide-and-seek spots, and a huge garden!” But apart from her aunt, uncle, and cousin, what delights her most is how many cool pets they have. For someone who lives in an apartment and can count fish as her only pets, being around all these animals, including the adorably named, cage-dwelling parrots, Tic and Toc, is thrilling for Jordanita. What fun new pals to play with!

 

 

The Passover Pet Surprise int1 Passover in Mendoza Argentina.
Interior spread from The Passover Pet Surprise, written by Ana María Shua and illustrated by Ángeles Ruiz, NorthSouth Books, ©2026.

 

 

The energetic art, bursting with color, is complemented by the loving Passover storyline. I felt I was getting a taste of a faraway, exotic place. Spanish words (such as knéidala for matzah balls) are interspersed throughout, and their meaning is easy to comprehend.

When it’s time to sit down for the Seder meal, younger brother Benja gets to ask the traditional four questions, getting at the heart of the meaning of Passover.

“Why,” he begins, “is this night different from all other nights?” His uncle Ariel explains, “We are celebrating freedom.” Long ago, Jews were enslaved in Egypt and longed to be free. While there is more to the four questions, the book explores the ones most pertinent to the story, leaving those interested in learning more to find that info elsewhere.

 

 

The Passover Pet Surprise int2 at seder asking the four questions.
Interior spread from The Passover Pet Surprise, written by Ana María Shua and illustrated by Ángeles Ruiz, NorthSouth Books, ©2026.

 

 

After the meal ends with dessert, Jordanita says she had an idea after seeing cousin Ilán feed some of her aunt’s special matzah cake to Tic and Toc. Rather than thinking of the consequences, but true to her childlike nature so well conveyed in prose by Ana María Shua, Jordanita sets the parrots free. After all, Passover’s about freedom, right? This was one of my favorite parts of the book, unexpected and touching in its sentiment. It may catch readers by surprise, too. Some kids will be happy, others may be worried. But both the text and the art come together to show children that ultimately, the birds will be just fine.

 

 

The Passover Pet Surprise int3 releasing the parrots.
Interior spread from The Passover Pet Surprise, written by Ana María Shua and illustrated by Ángeles Ruiz, NorthSouth Books, ©2026.

 

Many sweet and feel-good moments of familial closeness fill The Passover Pet Surprise. Everyone seems to be enjoying each other’s company, and the celebratory mood is evidenced in every vibrant spread. I especially loved how Aunt Verónica treats Jordanita upon discovering her niece’s mischief, albeit with good intentions. She doesn’t scold Jordanita despite her sadness at the parrots’ disappearance. Papá explains how releasing caged birds can be risky, and the child feels remorse about her behavior. But Uncle Ariel lightens the mood. “Ay, niños,” Uncle Ariel says. “There are parrots all over in Mendoza.
Tic and Toc should do just fine. But Aunt Verónica sure will miss them.”

The families can move forward knowing that the parrots will be okay as they experience their newfound freedom, just like the Jews did all those years ago. This book’s unique approach to Passover, with its focus on the birds, makes it a meaningful and rewarding read for this holiday.

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Eighteen New Hanukkah Books for Children – Roundup 2024

 

NEW HANUKKAH BOOKS FOR CHILDREN

∼A ROUNDUP∼

 

 

happy Hanukkah graphic.

 

 

To date, 2024 has had the most new Hanukkah books than any previous year since I began blogging. While this is certainly something to celebrate, it also means that I cannot devote as much space to each review as I’d like. Several books below include Hanukkah although they do not focus solely on the holiday. Of note is that this roundup ended up featuring 18 books, and if you’re not aware, the number 18 in Judaism stands for the “chai” or “life.” A big shout out to author Marcia Berneger for her help reviewing several books this year. I hope you’ll make tracks to your local indie bookshop to purchase these books or order them from Bookshop.org and read for yourself just how wonderful they truly are. Enjoy!

 

BOARD BOOKS

Hanukkah Hippity Hop cover kids dancing beside lit Menorah.HANUKKAH HIPPITY-HOP
Written by Barbara Kimmel
Illustrated by Ana Zurita
(Kar-Ben Publishing; $9.99, Ages 1-4)

This lively board book is just the thing to help toddlers and pre-schoolers get their” wiggles out” while the grownups make the Hanukkah preparations. The bouncy rhyme works wonderfully with the different movements that Kimmel’s created in Hanukkah Hippity-Hop. “We’ll move and we’ll groove and we’ll bippity-bop.” Set up the kids in a safe space away from the menorah so they can dance to their hearts’ content. They can stomp like a Maccabee or shake like a jelly donut. The connections to all these Hanukkah is clever and catchy. Pick up a copy today and let your little ones celebrate with a beat that’s an infectious treat for their hands and their feet! Zurita’s spirited art includes a kitty who also can’t keep still, and colorful clothing with holiday sayings and designs.

 

My Dreidel cover dog holding blue dreidel.MY DREIDEL
Written and illustrated by Ann Koffsky
(Apples & Honey Press; $10.95, Ages 0-1)

In My Dreidel, author-illustrator Ann Koffsky has created the perfect combination for our youngest readers. With a dose of Hanukkah, a theme kids will relate to, and an adorable puppy main character, the stage is set for total enjoyment. The young puppy has a dreidel, but when she tries to spin it, down it goes. She tries again and again, but the dreidel just stops and plops. Daddy comes to the rescue, showing that working together is the way to go. Little ones will learn that trying is good, but accepting help is also okay. This simple, action-filled book for ages 0-1 is destined to be a family favorite.

  • Reviewed by Marcia Berneger

 

 

PICTURE BOOKS

A Dragon for Hanukkah cover girl beside window Menorah with Dragon.A DRAGON FOR HANUKKAH
Written by Sarah Mlynowski
Illustrated by Ariel Landy
(Orchard Books; $18.99, Ages 3-8)

With over 50 books to her credit, best-selling author Sarah Mlynowski delivers her debut picture book and it’s delightful! A Dragon for Hanukkah unfolds over the eight nights of Hanukkah and is about the power of imagination. And, when coupled with whimsical art by Ariel Landy, the prose shines like the gold coins and gems in Hannah’s treasure chest. When the main character’s mom announces the guests will be arriving soon, Hannah must tidy up and stop her pretend play. That’s when the real gifts are revealed. To be honest, that was a sweet surprise for me. From a dragon stuffie and a time machine dreidel to a pair of celestial socks, Hannah’s imagination took her back in time and up to the stars. Two pages of backmatter feature Nerry the dragon stuffed animal and Hannah in a helpful and playful Q+A about the Festival of Lights for those less familiar with the holiday.

 

Beam of Light cover eight Hanukkah candles and shamash.BEAM OF LIGHT: 
The Story of the First White House Menorah
Written by Elisa Boxer
Illustrated by Sofia Moore
(Rocky Pond Books; $18.99, Ages 4-8)

This fascinating narrative informational picture book is told from the perspective of a reclaimed beam of wood in the White House occupied by Harry S. Truman. The year, 1948. Adding important context to Beam of Light, Boxer notes that just five years before this story takes place, rabbis appealed to FDR at this very same White House to help save Eastern European Jews by allowing them to emigrate to America. They were brushed aside. The results meant over six million Jews perished during the Holocaust.

As the book opens, we quickly learn that the White House was not in great shape. “I was a witness to the weakening-a wooden beam, struggling to support this structure that once stood strong …” Truman decided the first family had to leave so that a major renovation could be undertaken. He wanted to be sure the house would be stronger and safer for future generations. This would be no small task. And, so the history of this one salvaged beam that would become the menorah begins. However, the wooden beam with its powerful refrain, “I was supposed to be destroyed,” gets put in storage as 13 presidents come and go.

Then, after seven decades in a warehouse, the beam returns to the White House. “I had come home.” There’s no denying that Boxer’s personification of what is to become the White House’s first menorah gets me so emotional each time I read that moving line. With Moore’s thoughtful rendering of a craftsman at work, we see how the beam is transformed into a nine-branched menorah or Hanukkiah, symbolizing triumph over persecution. Thanks to President Joe Biden, the menorah’s first lighting is aptly in the presence of Holocaust survivors, their children, and their children’s children. He “introduced me as the first Jewish artifact ever added to the White House’s permanent collection.” Thanks to Boxer, this little-known story can now be shared with and appreciated by readers of all faiths. The meaning of this menorah’s permanent place in the White House is not lost on those of us who know that prior to 2001, when George W. Bush lit a menorah that was loaned to the White House, one had never before been lit by a president. Don’t miss the enlightening Author’s Note in the backmatter. The book’s title, Beam of Light, with its double meaning, could not be more perfect and is a testament to the enduring “resilience of the Jewish people.”

 

Charley and Seymour's Hanukkah Miracle cover chipmunk and squirrel.CHARLEY AND SEYMOUR’S HANUKKAH MIRACLE
Written by Melody Howard Ritt
Illustrated by Nia Gould
(Kar-Ben Publishing; $19.99, Ages 4-8)

If you’re looking for a sweet animal-oriented story this Hanukkah, look no further than Charley and Seymour’s Hanukkah Miracle. The chipmunk and squirrel are best buddies and love spending together, so naturally, they plan to spend Hanukkah at Seymour’s. And while Charley is tasked with bringing the menorah and candles, when the time comes to gather up stuff for the celebration, Charley remembers the menorah. I can hear kids shouting, “Take the candles” when Charley’s searching his house because they are so invested in the story. He knows he’s supposed to bring something else beginning with the letter C but cannot recall exactly what. Maybe it’s cantaloupe, or maybe it’s carrots. Before long, he’s packing up lots of things that begin with the letter C, including candy (Hanukkah gelt), but not the candles. Children will be waiting to see how Seymour deals with this dilemma but when the time comes to light the menorah, it’s actually Charley who saves the day. How does he accomplish this? The same way the Maccabees did, with oil, only this time it’s oil from Seymour’s latkes.

 

Don't Invite a Bear Inside for Hanukkah cover bear entering front door.DON’T INVITE A BEAR INSIDE FOR HANUKKAH – Marcia
Written by Karen Rostoker-Gruber
Illustrated by Carles Arbat

(Apples & Honey Press; $19.99, Ages 3-6)

With its delightful story and whimsical illustrations, Karen Rostoker-Gruber’s new picture book, Don’t Invite a Bear Inside for Hanukkah is a winner! What could go wrong if you invite a bear for Hanukkah? EVERYTHING! He’ll help you decorate your house and choose candles for the menorah. But a bear is big and somewhat clumsy. And once the food is on the table … watch out! Bears are terribly messy and somewhat greedy. If you send him away, he’ll be lonely and sad. Perhaps a compromise is in order? This is a fun story with lots of heart and a great message on being warm and friendly to your guests. A great Hanukkah tale, for sure!

  •  Reviewed by Marcia Berneger

 

Eight Sweet Nights cover diverse adults kids with Hanukkah treats and menorah.EIGHT SWEET NIGHTS, A FESTIVAL OF LIGHTS:
A Hanukkah Story

Written by Charlotte Offsay
Illustrated by Menahem Halberstadt
(Doubleday BYR; $18.99, Ages 3-7)

Love and light take center stage in this lyrical picture book that’s a beautiful blend of Jewish joy mixed with interesting fact boxes. Author Offsay’s story is a warm and welcoming look at how this big family celebrates Hanukkah traditions, including cooking latkes, eating jelly donuts, and lighting candles on the menorah.

Hanukkah begins on the twenty-fifth of Kislev.
Kislev is a month on the Jewish calendar,
starting in either November or December.

These elements come together to convey the wider experience of Hanukkah in this multigenerational story. Yiddish and Hebrew words are introduced. Delicious treats such as Sticky marshmallows and melty kisses spin into sweet candy dreidels are enjoyed. And memories are being made. The family gathering reminded me of when I was a child and spent the holidays with my cousins at my aunt and uncle’s home. While this book would appeal to Jewish readers, its helpful info makes it accessible to all readers who want to learn more about the Hanukkah or Chanuka or Chanukkah experience. Backmatter shares the Hanukkah story and provides an explanation as to why the holiday has many different spellings.

 

Hanukkah Pajamakkahs cover curly haired girl in pajamas holding dreidel.HANUKKAH PAJAMAKKAHS
Written by Dara Henry
Illustrated by Oleg and Aleksey Ivanov
(Sourcebooks Jabberwocky; $18.99, Ages 4-7)

Here’s a sweet Hanukkah story about something the majority of us wear and adore, pajamas! Ruthie is overjoyed to receive PAJAMAKKAHS on the first night of Hanukkah. Her dad says they’re for the Hanakkah Pajamakkah Party but Ruthie wants to wear them “all eight nights!” Ruthie’s mom tells her she needs to keep them spotless and Ruthie promises she will. Ha! We know what’s in store right? Henry takes readers for a rollicking ride as Ruthie finds a way to somehow do the very opposite of what she was told. Beginning with getting some latke oil on them the first night and candle wax the second, the pajamakkah’s stains mount despite Ruthie’s insistence they are spotless.

Kids will find Ruthie’s array of antics relatable and the messes unavoidable, which makes for an entertaining storytime. The sleepwear continues to display signs of what Ruthie’s been getting up to, splish after squelch after splash! Uh oh! Ruthie hasn’t kept her promise to keep the pajamakkahs spotless for the party. The fun is seeing what happens on the eighth night and whether Ruthie’s pajamakkahs can pass the spotless test and deliver a Hanukkah miracle. The Ivanov’s upbeat digital art literally propels the story forward. Created in a pencil and watercolor style, the illustrations are joyful, and full of emotion as readers see Ruthie immerse herself in the holiday festivities.
e

Little Dreidel Learns to spin cover.LITTLE DREIDEL LEARNS TO SPIN!
Written by Rebecca Gardyn Levington
Illustrated by Taryn Johnson
(Cartwheel Books; $7.99, Ages 3-5)

Prepare for plenty of laughs in this charming rhyming tale of a frustrated little dreidel eager to spin like her more experienced cousins. The author deftly weaves in Yiddish words that add another level of fun to this story of perseverance.

Little Dreidel tries again.
She flails and fumble-tumbles.
“I’m such a klutz! I stink at this!”
She mopes and mumble-grumbles.
e

While Bubbie reassures her little dreidel it takes time and practice, the top tries and tries to no avail in humorous scene after scene. Johnson’s cute and colorfully rendered dreidels take on a life of their own as they twirl away. Gardyn Levington gives a clever nod to the beloved Dreidel song when she mentions Little Dreidel is made of clay that’s dry and ready. And I loved the wordplay when the teetering top falls on her shin, too! Just when she’s ready to give up, she’s hit with a new round of determination to get spinning and a happy Hanukkah miracle occurs. The Hanukkah story is not included in the backmatter, but a Yiddish glossary and pronunciation guide are.  A recommended new spin this holiday!

 

Oy Santa cover boy with yarmulke and Santa.OY, SANTA!:
Or, There’s a Latke to Learn About Hanukkah

Written by Joyce Schriebman
Illustrated by Gila von Meissner
(
Intergalactic Afikomen; $19.99, Ages 4-9)

A Jewish boy named Oliver Overstreet begins corresponding with Santa via email, a 21st-century epistolary approach I always like in picture books. He’s writing to let Santa know he doesn’t need to come down his chimney because he’s Jewish. While an occasional holiday story may focus on how some Jewish children at this age wish Santa would visit, Schriebman’s tale has a fresh take inspired by a note from her son when he was little.

And though it may be Chrismukkah this year with the two holidays overlapping, Oliver is proud to celebrate just Hanukkah. His overarching message is “… mostly I don’t want you to smush Hanukkah and Christmas together anymore.” Santa’s replies indicate he is aware of the different holidays, though he occasionally makes a mistake, such as telling Oliver to enjoy the matzah, which is actually for Passover, or being confused about when the Jewish New Year occurs.

There is humor woven throughout both the text and the art. Kids will want to explore every inch of von Meissner’s whimsical illustrations, packed with interesting things to pick out, including kitties, Santa’s toyshop activity, and both his and Oliver’s interior decor. Meanwhile, Oliver’s messages serve as an engaging way to explain the significance of Hanukkah to both young Jewish and non-Jewish readers. It’s when Oliver becomes a bit more impatient and emphatic with Santa to learn everything that he starts to worry he might land on Santa’s naughty list. Oliver is presented as a bi-racial child, demonstrating the diversity of the Jewish community to young readers, something I’ve seen in more and more Jewish picture books over the past few years and a welcome depiction. I can see parents and educators using a letter-writing exercise as a way for children to express their feelings about Hanukkah traditions. Four pages of colorful backmatter feature instructions for the dreidel game, more Oliver/Santa emails addressing holiday details, Schriebman’s son’s actual note, and author and illustrator info.

 

Uri and the King of Darkness cover Uri on Hanukkah looking out window.URI AND THE KING OF DARKNESS:
A Hanukkah Story
Written by Nati Bait
Illustrated by Carmel Ben Ami
Translated by Ilana Kurshan
(Kalaniot Books; $19.99, Ages 4-9)

Written in rhyme, this atmospheric picture book takes place in what looks like Tel Aviv. It’s windy, rainy, and dark outside, causing Uri to worry as he awaits his father’s return. His concerns are mimicked in the drawings he’s making. Ben Ami’s loose sketch and watercolor style art depict Dad changing a tire so readers know what has held him up. No doubt the bad weather has added to the delay. Tension builds as Uri watches for his father. He imagines the King of Darkness leading his invading army, harkening back to when the Maccabees fought against King Antiochus for their religious freedom. Despite Uri’s mom’s assurances, Uri pretends to go to battle against the enemy. His sister, Shir, joins in the action. When Uri’s father comes home, a special treat comes with him. Now that the family is all together and the menorah is lit, Uri can return to his picture and draw away the King. Hanukkah’s light, along with help from brave Uri and Shir, has defeated the darkness. Two pages of backmatter share the Hanukkah story and prayers to recite when lighting the candles. I thoroughly enjoyed seeing this holiday through Uri’s young eyes.

 

 

CHAPTER BOOKS

A Donut in Time cover two girls holding plate of donuts.A DONUT IN TIME:
A Hanukkah Story
Written by Elana Rubinstein

Illustrated by Jennifer Naalchigar
(Apples & Honey Press; $16.95, Ages 8-10) 

For those meeting Saralee Siegel for the first time, you’re in for a treat. Saralee has a remarkable,
and somewhat unusual, superpower—a nose that sniffs out foods down to their smallest
ingredients. After learning her great-grandmother Gigi’s famous Hanukkah donut recipe inspired
the opening of the Seigel House Restaurant, Saralee just has to whip up a batch for herself. But
the smells are so powerful as she bakes, a smell-cloud opens a portal back to Gigi’s time.

Unfortunately, everyone in Gigi’s family has convinced her to stop using her super smeller and
lead a “normal” life. She abandons her dreams of selling her donuts at the Hanukkah festival, a
decision that reaches far into the future. When Saralee returns to her own time, everything is terribly different. To put things right again, she must convince Gigi to be strong, to be herself, and to pursue her donut-selling dream. A Donut in Time is a great Hanukkah chapter book with an important theme—stand up for yourself and for what you believe in, just like the Maccabees did so long ago.

  • Reviewed by Marcia Berneger

 

Rachel Friedman and the Eight Not Perfect Nights of Hanukkah cover Menorah lighting.RACHEL FRIEDMAN AND THE EIGHT
NOT-PERFECT NIGHTS OF HANUKKAH
Written by Sarah Kapit
Illustrated by Genevieve Kote
(Henry Holt and Co. BYR; $17.99, Ages 5-9)

I’m glad I got to spend time getting to know Rachel Friedman. This chapter book, the second in Kapit’s series, revolves around Rachel’s goal to complete the eight items she and her BFF Maya have created for a Hanukkah to-do list. School’s out and, at age 13, Rachel’s older brother Aaron doesn’t seem to find Hanukkah that cool anymore. Rachel is determined to change his mind. On top of that, she is still pretty peeved that her classmate, Mason, could not understand the big deal about Hanukkah after seeing a drawing Rachel had made. She was tired of people thinking Christmas was better and her list would prove it.

When Maya gets ill and cannot join Rachel to partake in all the planned activities, and Aaron has no desire to leave his laptop, Rachel has to go solo. However, building the annual Lego porch menorah is a struggle without help. So not fun! Plus the latkes Dad usually makes on the first night are not happening. He forgot to get potatoes and driving to a store in the snowy weather is not a good idea. Pizza will have to do. Things continue to go downhill despite a surprise Hanukkah present Rachel loves. Kapit makes sure to bring in positive experiences for Rachel so it’s not one disappointment after another. For example, when Aaron finally takes a break from video games to beat his sister at dreidel spinning, she sees the bright side. “Aaron did a Hanukkah thing with me! Even if he is annoying, I’m glad that he did.” It’s only when she causes Aaron to fall while ice skating at the park that, ironically, things slowly begin to improve. He admires a comic she made him and they have a meaningful heart-to-heart. Fifteen fast-flowing chapters include illustrations by Genevieve Kote that convey emotion and humor adding to the page-turnability of this story. The cover art is a perfect example of the sibling dynamic and Rachel’s personality. Kids new to chapter books will feel accomplished with this book’s accessibility, and eager to see what Rachel gets up to next.

 

MIDDLE-GRADE ANTHOLOGY

The Festival of Lights anthology cover Menorah.THE FESTIVAL OF LIGHTS:
16 Hanukkah Stories
Compiled by Henry Herz
(Albert Whitman & Co.; $18.99, Ages 9-12)

Every single short story in this engrossing collection is superb and I can assure you there is something for everyone here. Whether you like poetry, magical realism, historical fiction, humor, mythology, or memoir, you’ll find something in and out of your go-to genre that just makes you feel good.

There’s a story about an enchanted spoon, a girl messenger in Bletchley, 1943, a Girl Scout troop member connecting with a Jewish resident at a senior home holiday party, several about characters with previously unknown Jewish ancestry, the moving meaning of wax buildup on a menorah and much more. Several stories mention how many Christmas and holiday songs in general were written by Jewish creators and others focus on how often Jewish children are asked to sing religious Christmas songs when Jewish songs are given short shrift. I’d be remiss not to share my delight when Alan Katz’s short story mentioned the iconic department store of my childhood in my husband’s hometown of Douglaston, NY – Korvettes. Katz’s recollection of family gift-giving talked about the toy department. I recall the record department where I bought my first single, “I Think I Love You” by David Cassidy! I’m a big anthology fan, so perhaps I’m partial, but I loved reading such a rich and varied amount of approaches to the Hanukkah celebration. How terrific that this talented group of authors accepted the challenge! Read it slowly to savor every special story. It’s a keeper!

 

 

INTERFAITH FAMILIES PLUS HOLIDAY TRADITIONS AROUND THE WORLD

 

Gingerbread Dreidels cover diverse multigenerational family celebrating Christmas and Hanukkah.GINGERBREAD DREIDELS
Written by Jane Breskin Zalben
Illustrated by Thai My Phuong
(Charlesbridge, $17.99. Ages 4-7)

It doesn’t happen often, but this year, the first night of Hanukkah falls on the same day as Christmas. When the two holidays coincide, some people refer to it as Chrismukkah. For families who celebrate both, it means double the excitement. Sophie and Max are waiting for their two sets of grandparents, the Golds and the Feathers, to arrive, but the snowy weather might be holding them up. To “make the time go faster,” the children’s mom suggests baking. A mess ensues, but the time indeed passes, and soon the grandparents show up. The kitchen is a flurry of cooking activity before everyone heads out to enjoy the snow. The combination of a Hanukkah song and Menorah lighting followed by “Silent Night” and Christmas tree lighting makes for a memorable evening. My Phuong’s illustrations add to the warmth of this diverse gathering which includes Grandma Gold, an Ethiopian Jew. This picture book accurately depicts the Hanukkah and Christmas story so kids in interfaith families can see themselves reflected on the pages. Best of all is the blending of sweet traditions in the form of gingerbread dreidels, opening presents from under the tree, and of course, the priceless gift of being together. I like how Breskin Zalbin’s prose flows effortlessly much like how the family respectfully and joyfully honors the two faiths shared in the story.

 

We Celebrate the Light cover beam of light showing different light oriented holidays.WE CELEBRATE THE LIGHT
Written by Jane Yolen and Heidi E. Y. Stemple
Illustrated by  Jieting Chen
(Rise X Penguin Workshop; $18.99, Ages 3-6)

When Jane Yolen and daughter Heidi E. Y. Stemple write a story together, the results are bound to be spectacular, and their latest picture book, WE CELEBRATE THE LIGHT does not disappoint. This gentle book, illustrated by Jieting Chen’s whimsical art, whisks readers around the world to experience seven joyful winter holidays. As the title implies, these celebrations are all bound together by light. Lights adorn both Christmas trees and the bodhi, a Ficus tree decorated for the Buddist Bodhi Day. The Chanukah menorah and the Kwanza Kinara both hold multiple candles, while lanterns are lit for Diwali and for the Lunar New Year. The seventh holiday, the Solstice, celebrates the sun’s light. Each spread shows families enjoying songs, games, and tables filled with traditional foods. Chen’s warm, autumn palette weaves calmness and joy through every page. This is a holiday book you’ll want to take out every winter and read about each holiday as it arrives.

  • Reviewed by Marcia Berneger

 

The Light From My Menorah cover snowy village Menorah in house window.THE LIGHT FROM MY MENORAH:
Celebrating Holidays Around the World

Written by Robin Heald
Illustrated by Andrea Blinick
(Pajama Press; $18.95, Ages 4-8)

The cover of The Light from my Menorah exudes warmth. The first spread simply doubles down on that ambiance. A fire is burning in the fireplace, a daughter is playing dreidel, Dad and Mom are reading and a son is watching the glow of all nine candles in the menorah. And I can’t forget the comfy-looking kitty asleep on the rug.

Enchanted by the light of the candles burning, the boy thinks of the Hanukkah miracle of “long-lasting light.” He wonders where the miracle of the light is now as a swirling strand of light leads the boy to Scandinavia where a group is celebrating St. Lucia Day when people dress as the saint and candles light up the headpiece of the leader. (Kids should look out for the owl and other creatures making appearances in Blinick’s charming illustrations.) Next, “the light from my menorah zigzags up mountains.” It travels fast, and it travels far, touching down in Thailand, where darkness takes on a magical quality during Loy Krathong. Here, people light candles and incense sticks and place them on decorated floating bases. They make wishes and set the “krathong” off in hopes any bad luck will go with it. Other light-filled holidays are covered including Kwanzaa, Christmas, and Diwali. More detailed explanations can be found in the backmatter.

 

Let's Get Festive cover three diverse international girls.LET’S GET FESTIVE!: 
Celebrations Around the World
Written by Joanna Kończak
Illustrated by Ewa Poklewska-Kozietto
Translated by Kate Webster

(NorthSouth Books; $27.95, Ages 4 and up)

I learned about a host of holidays in Let’s Get Festive! that made me want to visit many of the countries covered at those times of year. Kończak chose to organize the book according to theme rather than in chronological order. The themes featured in 175 pages are “Welcoming the New Year,” “Celebrations of Nature,” “Religious Holidays,” “Carnivals,” “For the Dead,” “In Memory of People and Important Events,” and “Special Occasions.” Not only is Hanukkah thoughtfully covered but three other Jewish holidays are featured.

One holiday I particularly enjoyed reading about is called Vesak. It celebrates Buddha’s birthday and focuses on spreading joy and offering prayers for peace. It’s also been “designated an international holiday by UNESCO,” something I had no idea even existed. Another lovely and surprising holiday, this one from Japan, is called Hanami and means “flower viewing.” When the stunning pink blossoms of the beloved cherry trees are at their peak people gather for picnics to bask in their brief but undeniable beauty.

The art in this comprehensive compendium of international celebrations is cheerful and festive and would please even the youngest reader. However, the text may be better suited for ages 7 and up. With over 35 holidays and celebrations to read about, I recommend skipping the deep dive and, instead, picking one theme at a time. This extends the experience and helps what you’ve read sink in.

WE ALSO RECOMMEND:

The Day I Became a Potato Pancake
(Apples & Honey)

Let it Glow
(Feiwel & Friends)

ABOUT GUEST REVIEWER MARCIA BERNEGER:

Marcia Berneger is an educator, speaker, and writer. A retired teacher who taught elementary school children for over three decades, she has worked mainly with first and second-graders and children with special learning challenges. Marcia’s passionate about helping children navigate their world and many of her stories are taken from her teaching experiences working with fidgety students or those experiencing typical childhood fears.

Find her here.

Check out last year’s roundup here.

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Five Halloween Books for Children – A 2024 Roundup

 

HALLOWEEN ROUNDUP 2024

Free Halloween Clip Art

Five Little Ghosts cover full moon with ghostlings floating above pumpkins.FIVE LITTLE GHOSTS
Written by Lily Murray
Illustrated by Holly Surplice
(Candlewick Press; $16.99, Ages 2-5)

It’s probably hard to find a child who doesn’t adore lift-the-flap books so this new one for fans of spirited Halloween reads fits the bill. Not only is it a rhyming story but it’s also based on the nursery rhyme “Five Little Ducks,” if you thought the structure seemed familiar. Twenty-four sturdy pages feature five little ghostlings floating away to hide under flaps, first in a forest amongst owls, a hedgehog, and a deer. The amount of ghostlings decreases as they next hide in a house, in a playground, and finally in a pumpkin patch. Soon, they have all disappeared. “Sad Mama Ghost was all alone …” Ask kids if they think she’ll find the missing ghosts for more interactive fun and a delightful surprise ending. The art, rendered digitally, has a cheerful watercolor style and complements the catchy sing-songy text.

• Reviewed by Ronna Mandel

 

Illustrated by Nico Ecenarro
(Little Press; $18.99, Ages 4-8)
Two witchy sisters share a room (and a broom) with one problem: they are opposites. One sister loves glitter, the other gloom. Through a series of magical, tug-of-war-like episodes, a familiar story of compromise plays out as the sisters argue over how to decorate their new room. Bright, cartoony art and a Halloween theme give this story a fresh feel.
• Reviewed by Roxanne Troup

 

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The Ghost Who Was Afraid of Everything cover haunted house ghost in attic window.THE GHOST WHO WAS AFRAID OF EVERYTHING
Written and illustrated by Nadia Ahmed
(Beaming Books; $18.99, Ages 3-8)
★ Starred Review – BookPage

It’s nice to read a Halloween story where it’s the ghost that’s scared rather than the child. In this sweet, SEL-centered story, Finn is afraid of lots of things. While that includes humans and the loud noises they make, the main thing that frightens poor Finn is flying. Naturally, that makes a huge difference when this year his family hasn’t brought back extra Chocolate Bats, Finn’s favorite Halloween candy.

Now that he’s motivated because of the candy, Finn decides it’s a good idea to try to face his fears. This involves a very orderly process of desensitization. He exposes himself to the things he is fearful of and gradually gains the courage to fly only to be brought back to square one after an encounter with a kite. The second time around though, rather than hide away in the attic and accept defeat, Finn decides to accept the challenge and join his family to trick-or-treat. Children will cheer for Finn when he conquers his fears. I like that this is never conveyed pedantically but rather it feels authentic to the character. Ahmed has taken on a relatable topic for children in a gently empowering tale that blends simple but charming illustrations with engaging prose. This is a welcome debut for Halloween and perfect for kids who might be frightened to go out trick-or-treating like one of my kids was.
• Reviewed by Ronna Mandel

 

The Little Witch Who Lost Her Broom cover witch and black cat under full moon.THE LITTLE WITCH WHO LOST HER BROOM!
Written by Elaine Bickell
Illustrated by Raymond McGrath
(Flamingo Books; $18.99, Ages 4-8)

New York Times Bestselling creators of The Little Ghost Who Lost Her Boo! bring you their latest Halloween tale The Little Witch Who Lost Her Broom! The reader is first introduced to the Little Witch and her cat Gloom, whose name coincidentally rhymes with Broom, as the two await the full moon rising so they can ride into the sky on her broom. The artwork grabs your eye with an assortment of autumn colors and an adorable black cat always by Little Witch’s side. But when she goes to the cupboard to retrieve her broom, “there was NOTHING inside.” And that’s when the pair begin searching under the bed, the closets, the attic, and the shed before they run out of time.

Bickell’s use of onomatopoeia and rhyme creates a fun read for both the reader and the child. Little Witch finds a scooter, thinking a scooter is as good as a broom. Push, push, wheeeee! “Oh no! Too small. Only room for me.” She tries out a digger, a plane, and even a train when she looks up in the sky and sees YOU! The story beautifully includes the reader when asked Do YOU know where to look? And the reader responds IT’S RIGHT BEHIND YOU! When the reader scrolls through the pages, they see the broom had been behind the witch all along! I can just hear an entire kindergarten class yelling out the words and laughing, asking the teacher to read the book over and over again.
• Reviewed by Ronda Einbinder

 

Wacky Witches and Their Peculiar Familiars cover witch brewing and animals.WACKY WITCHES AND THEIR PECULIAR FAMILIARS
Written and illustrated by April Suddendorf
(NorthSouth Books; $19.95, Ages 4-8)

If you don’t know what a familiar is, it’s a witch’s protector, or companion, often a pet that helps them with their magic. I loved the idea of this picture book and enjoyed meeting a bunch of different witches with an assortment of outfits and attitudes. They also happen to be very cool. The same goes for their familiars introduced in bouncy rhyme. The meter is not always perfect and that may be due to the translation. However, the humor and bold, whimsical art more than make up for that. One witch for example has taught her parrot to talk so he can answer the phone when she’s not around. Then there’s the busy witch Agnes who finds raccoons are great to have around to help her clean. My favorite is the witch Sahra who, like me, is a big collector. Who helps her organize her trove of treasures? Why a giraffe, of course!
• Reviewed by Ronna Mandel

 

Check out recommendations from last year’s roundup here.

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Picture Book Review – There are NO Dragons in this Book

THERE ARE NO DRAGONS IN THIS BOOK

Written by Donna Lambo-Weidner

Illustrated by Carla Haslbauer

(NorthSouth Books; $19.99, Aged 4-8)

 

 

There are NO Dragons in this Book cover house with dragon tail hanging from roof

 

 

 

I’m happy to share my review of There are NO Dragons in this Book, the debut picture book written by Donna Lambo-Weidner and illustrated by Carla Haslbauer. If you’re looking for a story with re-readability, this is it!

As a reader and dragon fan, you might wonder if there really aren’t any dragons in this book. “See for yourself. Turn the page and have a look.” This invitation comes via the picture book narrator who has vehemently denied their presence as noted in the title. But note the plural. You’ll quickly see from the cover art, even before opening the book, that one clue is right there on the roof.

Filled with energetic, detailed art, this interactive picture book challenges young readers to look carefully at the illustrations for clever comical surprises that contradict the narration. The children in the first two illustrations and the readers can spot toenails and orange claws from behind an entry bench. So who is that hiding behind a bulky coat?

 

There are NO Dragons in this book int1 toenails and claws.
Interior art from There are NO Dragons in this Book written by Donna Lambo-Weidner and illustrated by Carla Haslbauer, NorthSouth Books, ©2024.

 

Of course, the narrator wants readers to ignore the sparks in the fireplace too. The giggle-worthy gaslighting continues in more and more outlandish scenes. Kids get a hilarious peek at the dragon in the toilet staring up at them, or leaving a messy trail from his spiky tail. No matter how hard the narrator tries to convince readers that there are no dragons in the book, they are witnesses to the wild antics again and again. Best of all, the kids are never scared.

 

There are NO Dragons in this Book int2 disappeared into that crack.
Interior spread from There are NO Dragons in this Book written by Donna Lambo-Weidner and illustrated by Carla Haslbauer, NorthSouth Books, ©2024.

 

In this apartment building, the close-knit residents (primarily the children and the one dad who hosts them) get involved as depicted in the illustrations. They carry on with household chores as if nothing unusual is happening! That is until the kids follow the tail up to the attic and the dragon narrator reveals himself and his sad backstory. He explains that there had been other dragons but they were swallowed up into the well of the book.

 

There are NO Dragons in this Book int art3 One more shake.
Interior spread from There are NO Dragons in this Book written by Donna Lambo-Weidner and illustrated by Carla Haslbauer, NorthSouth Books, ©2024.

 

With a couple of shakes and a good “JIGGLE!” the dragons that have vanished can be saved. As you can see from the engaging art with its textured, colored-pencil style, it’s easy to get pulled into Lambo-Weidner’s whimsical story. The book ends on a positive note as the missing dragons, now back in the picture, request a title change! What a delight to read this tightly crafted picture book that will entertain both reader and listener alike. And before you book the book down, check out the undies (the art under the dust cover, and also the endpapers) for a treat.

Read a preview here: There Are No Dragons in this Book : Carla Haslbauer, Donna Lambo-Weidner – Book2look

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Picture Book Review – Adam and His Tuba

 

ADAM AND HIS TUBA

Written by Ziga X Gombac

Illustrated by Maja Kastelic

Translated by Olivia Hellewell

(NorthSouth Books; $18.95, Ages 4-8)

 

 

 

Adam_and_His_Tuba_cover_Adam_leaving_circus_tent

 

 

★ Starred review – Foreword Reviews

 

The Von Trapeze circus family travels the world in their painted wagons performing to audiences who reward them with flowers and applause. But, not everyone in the family enjoys acrobatics, or applause, in Slovenian author Ziga X Gombac’s picture book Adam and His Tuba illustrated by Maja Kastelic.

 

Adam and His Tuba int1 Grandma Antonia breathing plumes of fire.
Interior spread from Adam and His Tuba written by Ziga X Gombac and illustrated by Maja Kastelic, NorthSouth Books ©2023.

 

 

I love how each family member’s first name begins with the letter ‘A.” There’s Grandma Antonia, who breathes blazing plumes of fire; Grandpa Angus who swallows swords; Papa Alexi and Mama Anastasia who bravely walk the tightrope; and twin sisters Aria, who rides a unicycle, and Alea who crawls into cannons. But what trick does the youngest son Adam perform?

Everything in the Von Trapeze family is just as it should be. Except … Young Adam is illustrated sitting alone in a tent surrounded by stage props and a unicycle while he’s reading what appears to be a book, but my guess is that it’s sheet music. The family tries desperately to get him to participate in the acrobatics. Grandma Antonia tried to spark an interest in fire-breathing. But it was no use. The reader sees a drawing of Grandma trying to put out the flame, as Adam stands behind her with his hands clasped together. Grandpa Angus tries to teach Adam how to handle a sword but instead finds his cape cut in half. It was no use.

 

Adam and His Tuba int2 Von Trapeze family closed the doors quietly.
Interior spread from Adam and His Tuba written by Ziga X Gombac and illustrated by Maja Kastelic, NorthSouth Books ©2023.

 

 

The Von Trapeze family gathers in a tent to try to come up with a solution. “He could iron everybody’s clothes and darn their socks,” one family member called out. “Why don’t we ask Adam what he likes doing?” The family wasn’t sure who called out that question, but as soon as it happened they heard a magical melody. Sitting on the bed with an enormous tuba was Adam. He played with so much skill. The family couldn’t believe what they were hearing and why didn’t anyone ever notice him before? The family had been so caught up in their own circus tricks they hadn’t paid much attention. The family felt awful but Adam wasn’t sad or mad. From that day forward the world-famous Von Trapeze circus family featured a new performer.

 

Adam and His Tuba int3 Adam and his tuba accompanies family circus act.
Interior spread from Adam and His Tuba written by Ziga X Gombac and illustrated by Maja Kastelic, NorthSouth Books ©2023.

 

This enchanting story about choosing your own path, even when it goes against the rest of the family, is a good message for young readers and a good conversation starter. What is right for one family member isn’t always right for another. The family realized they had been so focused on their own stuff they hadn’t noticed Adam. And when they eventually did, how wonderful that everyone could agree that Adam’s contribution to the circus made it that much better. Adding to the pleasure of this 40-page picture is the excellent artwork. Slovenian illustrator Maja Kastelic uses warm sepia colors throughout the story: black, gold, and orange, lovely bursts of light, and characters with red flushed cheeks that give the book an appealing historic vibe. A recommended read for kids who want to make their own kind of music in this world.

Find out more about the translator here.

  • Reviewed by Ronda Einbinder
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Children’s Books for Earth Day 2023

 

A ROUNDUP OF CHILDREN’S BOOKS 

FOR EARTH DAY 2023

 

 

 

The Tree and the River cover bucolic river scene with industry reflectionTHE TREE AND THE RIVER
by Aaron Becker

(Candlewick Press; $18.99, Ages 5-9)

★Starred Reviews – Horn Book, Foreward Reviews, Kirkus Reviews, Publishers Weekly, School Library Connection

Aaron Becker’s wordless picture book, The Tree and the River, shows how humans impact a specific plot of vibrant land. The time-lapse process he uses is fascinating and powerful. Some of the imagery is fictionalized yet this doesn’t take away from the understanding that people’s cities, industry, and war wreak havoc on the land.

I like how the almost totally destroyed landscape can, with a simple acorn, reestablish itself, giving the book (and our world) the possibility that we can recover from damage inflicted.

Beyond the stunning illustrations, Becker did so much more: he prepared by constructing a scale model which he then slowly transformed with clay and wood over many months. The book was inspired by “the rich history of layered civilizations” in Granada, Spain. Be sure to peek under the dust jacket for an alternate image.

 

The Forest Keeper cover Jadav Payeng in forestTHE FOREST KEEPER:
The True Story of Jadav Payeng

Written by Rina Singh
Illustrated by Ishita Jain
(NorthSouth; $18.95, Ages 5-9)

Rina Singh’s picture book, The Forest Keeper, introduces us to a tribesman from Majuli named Jadav Molai Payeng who labored in isolated anonymity for thirty years, growing a forest on an abandoned sandbar in a remote corner of northeastern India. He began in 1979 when the river burst its banks and left hundreds of water snakes to perish in the hot sun. When he sought help from elders and the forest department, he was told “trees don’t grow on sandbars” and was given a bag of bamboo seedlings. His diligence and dedication created habitats for a number of creatures in this 1,359-acre oasis—larger than New York’s Central Park.

The soft-focus illustrations by Ishita Jain bring India’s beauty alive. I particularly like the tiger, elephants, and dramatic trees filled with birds in the twilight.

This book reminds us that Earth Day truly is every day, and that one person can make a huge difference. Be sure to look under the dust jacket for a bonus image that reinforces this story’s humble beginnings. Read an exclusive interview with illustrator Ishita Jain here.

 

Water: How We Can Protect Our Freshwater cover children in village pumping waterWATER: How We Can Protect Our Freshwater 
Written by Catherine Barr

Illustrated by Christiane Engel
(Candlewick Press; $18.99, Ages 5-9)

Catherine Barr’s picture book, Water: How We Can Protect Our Waterways, is broken down into easy-to-follow sections from “The First Water on Earth” through “It’s Water Action Decade!” The facts are thorough yet explained simply. It’s mind-blowing that only 3% of all water on Earth is freshwater; three-quarters of it exists in glaciers and polar ice sheets. I like how each section has an item that relates to a specific place: “These girls in sub-Saharan Africa can go to school because they have a water pump and tap in their village.” This makes the issues feel real and connects us all around the planet.

Christiane Engel’s detailed illustrations bring the world and its water sources to life such as the polluted rivers in India and salmon leaping up a fish ladder in Scotland (because their migration path has been dammed). The brightly colored art is something kids can look over again and again, finding new things each time.

The “How Can I Use Water Wisely?” section at the end is conveyed in a fun, wraparound style. Suggestions include realizing that most everything we use takes water to make and visiting local lakes or rivers to discover the animals and plants living there—if we care about something, we’re more likely to want to help protect it. Taking a few minutes to better understand our water is time well spent.

 

Something Happened to Our Planet cover kids cleaning trashSOMETHING HAPPENED TO OUR PLANET
Kids Tackle the Climate Crisis (Something Happened series)
Written by Marianne Celano and Marietta Collins 
Illustrated by Bhagya Madanasinghe
(Magination Press; $19.99, Ages 4-8)

In Marianne Celano and Marietta Collins’s Something Happened to Our Planet: Kids Tackle the Climate Crisis (Something Happened series), a young girl is worried about the far-reaching effects of plastics in our waterways. Encouraged by her family, she decides one person can make a difference so she starts an Earth Control group at her elementary school to make improvements in the cafeteria.

I enjoyed the illustrations by Bhagya Madanasinghe, especially the facial expressions of the unnamed main character. We feel the ups and downs these kids experience as their desire to help is met with setbacks.

Truly remarkable is the information provided in the Reader’s Note: facts beyond what’s found in similar texts, including a Q&A section to help parents answer hard questions posed by kids. While this section is huge, it’s manageably divided and the possible steps we can all take to mitigate climate change are surprisingly doable with suggestions such as reducing food waste, eating less meat, and using “art and music to give hope and remind others about the importance of nature and a sustainable planet.” This book is a must-have in classrooms, libraries, and at home. The publisher’s website contains several helpful downloadable pdfs.

 

Total Garbage cover kid sitting on trash pileTOTAL GARBAGE:
A Messy Dive into Trash, Refuse, and Our World

Written by Rebecca Donnelly
Illustrated by John Hendrix
(Henry Holt BYR; $21.99, Ages 8-12) 

★Starred Reviews -Hornbook Magazine, Kirkus Reviews

Being able to “talk trash” in a way that’s engaging and even funny at times is quite an accomplishment. Rebecca Donnelly succeeds in her middle-grade book, Total Garbage: A Messy Dive into Trash, Refuse, and Our World. It is messy because we’re talking about the mountains of things we cast aside.

The text is guided by simple questions: “What is garbage, where does it come from, where does it go, why do we make so much of it, and how can we do better?” For such an overwhelming issue, the underlying message is hopeful yet does not shy away from the massive scope of this problem, acknowledging there’s no quick solution. Something we can all do is to buy less and use less, keeping in mind what it took to make that item and understanding that things don’t just go away because there’s not such place as “away.”

The book’s blue font is appealing and illustrations by John Hendrix add some levity. I would love to see informative and optimistic books like this one being used in classrooms because being oblivious about the garbage problem really stinks.

 

 

the day the river caught fire cover children watch flames on riverTHE DAY THE RIVER CAUGHT FIRE
Written by Barry Wittenstein
Illustrated by Jessie Hartland
(Simon & Schuster BYR; $18.99, Ages 4-8)

In award-winning author Barry Wittenstein’s eye-opening narrative nonfiction picture book, children are brought back in time to the year of a moon landing, Woodstock, the Vietnam War, and the Stonewall Rebellion. But do they know that this was also the year before Earth Day was founded? Or that a big event that led to its creation was the Cuyahoga River in Cleveland catching fire?

Yes, the river caught fire and it wasn’t the first time! “Since 1886, it happened thirteen times.” Pollution from big industry covered the water in “a thick, gooey layering of sludge, oil, and sewage …” So when KABOOM! flames rose in what would ordinarily have been rather frightening, most citizens viewed it as no big deal. Only it was a big deal! Rivers are not supposed to burn. However, since the Industrial Revolution, rivers around the world were treated as dumping sites with no concern for the health of their inhabitants in the water or nearby.

Thankfully, Cleveland’s Mayor Carl Stokes made his voice heard. The “exploding river” even made it to the cover of Time magazine, but Cleveland was not alone. Fires on rivers were happening in other cities too. Ultimately, Congress passed the Clean Air and Clean Water acts, though these are still under attack today.

Not long after, on April 22, 1970, the first Earth Day took place and more people made their voices heard. It was time to start caring for the planet we all call home. Earth Day is now celebrated around the world with a billion or more people taking part in hundreds of cities. The history of the fire and the lead-up to the first Earth Day is illustrated by Jessie Hartland in colorful gouache. The folk art style spreads will especially resonate with young readers with their warmth and whimsy. I cannot pick a favorite scene since there were multiple spreads I loved, particularly due to her depiction of people (Note: big hair lady on riverboat cruise).

53 years on, this important global movement continues with efforts to curb climate change and all forms of pollution. Seven pages of back matter include a compelling author’s note, a time line, reads and resources, and a black and white photo of an earlier Cuyahoga River fire in 1952. And though the Cuyahoga River eventually got cleaned up, and fish returned, that can easily change if enforcement of environmental laws grows lax and restrictions that help the environment get lifted. Wittenstein’s informative prose is a call to action that none of us can ignore.

 

Another Band's Treasure cover recycled instrument orchestra on landfillANOTHER BAND’S TREASURE:
A Story of Recycled Instruments
by Hua Lin Xie
Translated by Edward Gauvin
(Graphic Universe; $14.99, Ages 8-12)

Xie’s graphic novel debut was inspired by the true story of Favio Chávez, a musician and educator from Paraguay who founded the Recycled Orchestra of Cateura in 2006. To me, this quote at the end speaks volumes, “The world sends us its garbage. We give it back music.”

The story’s main characters are Diego, a musician and music instructor, his friend, Nicolas, a carpenter, and Ada and her younger brother Daniel. They come from a single-parent home, and they, like many of the residents in this poor village likely live hand to mouth. The kids find entertainment treasure hunting on the landfill while their mother would like them to contribute to the household. There is little excitement or motivation in the children’s lives. That is until Diego puts out a flyer offering music lessons. In hopes of helping the kids grow emotionally by exposing them to music and self-expression, Diego and Nicolas also hope this will keep local kids out of trouble.

The graphic novel is divided into seven chapters as the relationships with the students, Diego and Nicolas develop. At first, it’s only Nicolas who scavenges amongst the discards of the landfill for usable items to turn into instruments. Before long, as the kids’ pride in what they’re a part of blossoms, it’s wonderful to watch them start searching for potential musical instruments. Maybe this could be a drum, or maybe a violin.

When Diego receives an invitation from the mayor for the orchestra to perform at a musical event in Asunción, everyone is not only thrilled for a chance to visit the capital but honored at being recognized. So much so that Ada and Daniel tell every single person they meet heading home and shout it from the top of the landfill. “Hey, clouds! We’re going places!!” Of course, they’re a hit and so begins a journey to play concerts all over the world! In an epilogue, Daniel has grown up and now, when he is on summer break, he and other children from the first class come back to Diego’s new class to help out new students and return the kindness that changed their lives.

Seamlessly translated from the French original, this English version has almost no color. Executed in muted greyish-black tones, the art looks like pen and ink but may have been created digitally. The choice of color or lack of it conveys the dullness of life alongside a landfill. The only time color appears apart from the cover is when a guitar is made from an orange-striped paint can. This middle-grade graphic novel is a hopeful story and a beautiful tribute to the dream and dedication of Favio Chávez. Find out more at www.recycledorchestracateura.com.

  • Reviewed by Ronna Mandel

 

Additional Recommended Reads for Earth Day

 

No World Too Big cover children holding up EarthNO WORLD TOO BIG: 
Young People Fighting Global Climate Change
Written by Lindsay H. Metcalf 
Written by Keila V. Dawson
Written by Jeanette Bradley
Illustrated by Jeanette Bradley
(Charlesbridge Publishing; $18.99, Ages 5-9)

 

Climate Warriors coverCLIMATE WARRIORS:
Fourteen Scientists and Fourteen Ways We Can Save Our Planet
by Laura Gehl

(Millbrook Press; $24.99, Ages 9-14)

 

 

 

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An Interview with Ishita Jain – Debut Illustrator of The Forest Keeper

 AN INTERVIEW WITH ISHITA JAIN

ABOUT HER ILLUSTRATOR DEBUT

THE FOREST KEEPER:
The True Story of Jadav Payeng 

(NorthSouth; $18.95, Ages 5-9)

 

the forest keeper the true story of jadav payeng cover Jadav in forest

INTRO:

I’m honored to have been invited to host this NorthSouth Books interview exclusively in the U.S. Elena Rittinghausen, Zurich-based editor of NordSüd Verlag/NorthSouth Books recently spoke with Ishita Jain, debut illustrator of The Forest Keeper written by Rina Singh, (on sale April 18 and available for preorder now), and the timing couldn’t be better as we approach Earth Day 2023.

 

INTERVIEW:

Elena Rittinghausen: What part does nature play in your life? How would you describe your relationship with nature? For you personally, what is the main lesson we can learn from this true story?

Ishita Jain: I consider myself a part of nature, all humans are, even though it’s easy to forget it in our fast-paced lives. I grew up in New Delhi and now live in New York, both of which are big, urban cities, yet I have been fortunate to spend a lot of my childhood and my present days in the midst of greenery.

 

The Forest Keeper endpapers
Endpapers by Ishita Jain from The Forest Keeper by Rina Singh, NorthSouth Books ©2023.

 

When I moved to NY, I was often homesick, and trees and parks became a source of comfort to me. I love going on long walks and it is fascinating to watch the seasons turn in my neighborhood. The same tree that is lush green turns to a fiery red in the fall and is then almost unrecognizable in the winter. Watching all these visceral changes in natural things around me has made me far more open to change and evolution within myself.

I am often told that individual acts matter very little when it comes to changing the world- that it all comes down to corporations and government policies. I don’t entirely agree, and this story is a reminder that no matter how small you are, you matter and even if you can’t change the world, you can change your world around you.

 

The Forest Keeper wholebook Page 05
Interior spread from The Forest Keeper written by Rina Singh and illustrated by Ishita Jain, NorthSouth Books ©2023.

 

ER: You’ve lived in the US for some years now. Did it feel special to go back to illustrating a story set in India?

IJ: It’s interesting, the longer I live in the U.S., my sense of identity of being Indian and thinking of India as my home only grows stronger. So, in some ways, it didn’t matter where I was when I illustrated this book. Though I did illustrate some of the trees for the endpapers while I was in India, and to be drawing a neem tree when there is one right outside your window makes the process so fun!

 

The Forest Keeper wholebook Page 11 Jadev watering plants
Interior art from The Forest Keeper written by Rina Singh and illustrated by Ishita Singh, NorthSouth Books ©2023.

 

ER: What was your first thought when you received our e-mail asking if you wanted to illustrate for a Swiss publisher?

IJ: This is my first picture book and when I got the email from you, I thought it was wild that someone was asking me to do this because I have very few drawings of kids, or even people in my portfolio! I am so grateful that you took that chance because I enjoyed the process, and it was a huge learning curve for me.

Funnily, the first time when I traveled outside of India was to Switzerland. I was 10 or 11 and my grandparents took me with them to Lucerne and I have very vivid memories of that trip. I used to spend all the loose change from the day on ice creams and for years, if anyone I knew went to Switzerland, I would jokingly ask them to bring me an ice cream. I was very close to my grandfather and I think he would have been thrilled to know that I got to work with a Swiss publisher!

 

The Forest Keeper wholebook Page 16 hungry elephants smashing huts
Interior spread from The Forest Keeper written by Rina Singh and illustrated by Ishita Jain, NorthSouth Books ©2023.

 

ER: How did you approach the illustrations? Which technique did you use? Did you look for specific references for your images?

IJ: I love working analog and all the pictures are done in ink and watercolor. For this book, I also did my thumbnails as loose little paintings. It was important for me to get a sense of the color, texture, and mood in the sketch phase to be able to proceed to finals. I also made a tiny dummy to flip through to get a sense of the page turns and the visual pacing of the story.

 

The Forest Keeper Ishita Jain's thumbnails
Ink and watercolor thumbnails by Ishita Jain from The Forest Keeper by Rina Singh, NorthSouth Books ©2023.

 

In some illustrations, all the elements are painted separately and then stitched together digitally. This gives me the flexibility to make changes without having to start from scratch.  Other times I just go for it and love embracing the unpredictability that comes with watercolor.

India is huge and very diverse in terms of its people, its culture, and its geographies. I am from Delhi, which is quite far, and different, from Majuli. I did extensive research and referenced movies, news, documentaries, and the work of photographers from Assam and the northeast to make sure that I understood the flora and fauna, the physical features of the locals, their attire, and the visual geography of the region. I also looked for videos about the Brahmaputra floods, time lapses of bamboo growing, and travelers’ videos of Majuli to get a sense of the overall environment.

Ishita Jain's Studio
Studio of The Forest Keeper illustrator Ishita Jain

 

ER: Would you like to illustrate picture books in the future?

IJ: Without a doubt, yes!

Thank you Elena Rittinghausen and NorthSouth Books for this exciting opportunity to introduce Ishita Jain and her artwork to readers here in the U.S.

 

Click here to order a copy of The Forest Keeper today

Click here to read an interview with The Forest Keeper author Rina Singh

Get a teacher’s guide here.

 

Jain Ishita ©Anirudh-Garg 2021 sRGB
Photo of illustrator Ishita Jain ©Anirudh-Garg, courtesy of NorthSouth Books

ILLUSTRATOR BIO:

Ishita Jain is an illustrator from Delhi, India, though she is now based in New York. She is an alumnus of the National Institute of Design, Ahmedabad, India, and the MFA Illustration as Visual Essay Program at the School of Visual Arts, New York. Ishita loves to draw on location and enjoys documenting the people, places, and stories that surround her. Her work is inspired by day-to-day moments and the wonder that comes from being around nature. The Forest Keeper is Ishita’s first picture book. Find her on social media here: @ishitajain24

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Picture Book Review by Ronda Einbinder – The Smallest Snowflake

 

 

THE SMALLEST SNOWFLAKE

Written and illustrated by Bernadette Watts

(NorthSouth Books; $17.95, Ages 4-8)

 

 

 

English author and illustrator Bernadette Watts brings her inspiration for nature into The Smallest Snowflake, a heartfelt story about a little snowflake who journeys to earth with the other snowflakes while holding her dreams quietly in her heart.

Watts’ writing brings life to the small pieces of ice each sharing their excitement about their winter voyage. Flowing from the clouds, they see “fields and the orchards, the red roofs of farms, and the lovely city standing at the end of the glacial lake.” The verses read as human characters with each snowflake declaring where they wish to travel. The snowflakes feel relatable as if they are people sharing their dreams.

 

The Smallest Snowflake int1 looking up at snowflakes
Interior spread from The Smallest Snowflake written and illustrated by Bernadette Watts, NorthSouth Books ©2022.

 

Watts empowers the snowflakes with personalities that flow through the story like beloved friends. We meet a snowflake who chooses to travel to a different land and settle on a tree branch, and another snowflake wishing to “watch the caribou and bear, the lynx and raccoon, and even the red squirrel who sleeps in that very tree.” The soft palette of brown, green, and orange are spread across two pages with a bear gazing at the tiny animals gathered on the tree. A blue sky covers another page overlooking the sea. It’s beautifully sprinkled with white snow flowing over the battlement of castle walls.

Each page turn takes the reader to a new location. The snowflakes flow from jeweled domes to the golden pinnacles of St. Basil’s Cathedral, while people are huddled together in the streets trying to stay warm from the frost. Many of the snowflakes keep traveling on.

“The littlest snowflake did not have such a wide education as the others and knew very little about the world.” Watts’ white mountains are topped with snowflakes and birds flying through the pages. “I just want to be warm.”

 

The Smallest Snowflake int2 snowflakes less in number
Interior illustrations from The Smallest Snowflake written and illustrated by Bernadette Watts, NorthSouth Books ©2022.

 

It isn’t often that you think of a snowflake as wanting to be warm, but this earnest piece of snow is determined to find its place. When most of the snowflakes come to rest, the littlest snowflake continues to travel. She eventually lands on a windowsill and finds a home in a window box filled with earth outside a tiny cottage. It was here the little snowflake took her place.

The little snowflake sees the burning logs and a kettle standing on the hearth. The home is warm and friendly. Watts’ words and drawings fill this story with joy and comfort, whether reading beside a crackling fireplace or tucked warmly in a bed. The yellow sun and blue sky are drawn on the final page as spring nears. The closing words read, “loved filled her heart with such warmth that she melted away with joy.” A perfect sentence to end with. This is a lovely read teaching kids to follow their destiny, even if their destiny is different from others.

  • Reviewed by Ronda Einbinder

 

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Picture Book Review by Armineh Manookian – The Garden We Share

 

THE GARDEN WE SHARE

Written by Zoë Tucker

Illustrated by Julianna Swaney

(NorthSouth Books; $18.95; Ages 4-8)

 

The Garden We Share cover

 

Seasons bring change–in the garden and in life–in author Zoë Tucker and illustrator Julianna Swaney’s tender, intergenerational story, The Garden We Share, about love, loss, and hope.

 

The Garden We Share int1
Interior spread from The Garden We Share written by Zoë Tucker and illustrated by Julianna Swaney, NorthSouth Books ©2022.

 

Walking into a community garden on a crisp spring morning, a little girl and her elderly friend plant seeds, “each little dot full of hope and promise.” Elderly friends join in to help and share each other’s company as they pass the time together, waiting patiently until the plants finally “burst into life” and the garden is “a riot of color.” Swaney’s soothing palette of olive greens, mustard yellows, peachy reds, and poppy-pumpkin oranges provides spaces filled with warmth and comfort. 

 

The Garden We Share int2
Interior spread from The Garden We Share written by Zoë Tucker and illustrated by Julianna Swaney, NorthSouth Books ©2022.

 

 

Sometimes relaxing under the sun and sometimes busy with garden work, the little girl and her friend take their treasures into the kitchen, processing the beautiful bounty they’ve collected–all of which culminates into a jubilant feast for the whole community. 

 

 

The Garden We Share int3
Interior spread from The Garden We Share written by Zoë Tucker and illustrated by Julianna Swaney, NorthSouth Books ©2022.

 

As the season grows cold, petals “fall, and colors fade,” the little girl’s special friend is sadly “gone.” All she’s left with are the seeds of last season’s crops. But as the spring season returns anew, those “tiny dots” she plants spring up “big memories” of patience, stewardship, and fellowship.

 With quiet and calming overtones, The Garden We Share invites gentle conversations about death while lovingly cultivating a spirit of hope.

  • Reviewed by Armineh Manookian
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On Celiac Strong Day – An Interview with Violet and the Crumbs Illustrator Molly Ruttan

AN INTERVIEW WITH  MOLLY RUTTAN,

ILLUSTRATOR OF

VIOLET AND THE CRUMBS:
A Gluten-Free Adventure

Written by Abigail Rayner

(North/South Books;  $17.99, Ages 4-8)

 

 

VioletandtheCrumbs Cover Reveal interview cover

 

PUBLISHER’S SUMMARY

Success has never tasted so good!

The dynamic duo of I Am a Thief by Abigail Rayner (author) and Molly Ruttan (illustrator) have created a new picture book sure to spark conversations about this timely issue.

Violet used to love birthday parties, but now that she has celiac disease, she’s not allowed to eat pizza, cake, or anything else with gluten. Violet feels alone until she discovers that some animals have dietary restrictions as well. While standing up for her animal friends, she realizes she can do the same for herself. And when it’s time to celebrate Violet’s birthday, there isn’t a single gluten-containing crumb in sight!

Filled with pluck and humor, this informative story provides a great opportunity to discuss this increasingly common condition with children who have celiac disease and gluten intolerance as well as those who know people who have it and are seeking to learn more about it.

This book has been approved by the Celiac Disease Foundation.

Watch the trailer and hear about illustrator Molly Ruttan’s experiences working on Violet on the North/South blog. 

Click here to find Violet teacher resources including activities and coloring pages.

 

INTERVIEW WITH MOLLY RUTTAN

Molly Ruttan: Before I start, I want to thank you for featuring me on your amazing blog, Ronna! Thank you so much for giving me the opportunity to share my new book!

GoodReadsWithRonna: I’m happy to be able to showcase you and your artwork here today and I appreciate that, in the midst of all your promotion, you made time to answer these questions.

 

GRWR: What would you say, as an author-illustrator with several books under your belt, is the biggest challenge when illustrating someone else’s manuscript as compared to your own? Is the approach the same?

MR: As an author-illustrator, the process of working with the text and the pictures at the same time feels very natural to me. When I work with a manuscript someone else has written, I shift my process a bit. Jumping into a manuscript that someone else has written is like diving into the deep water, as opposed to wading out there. But the deep dive is part of the joy, and as I work on mapping out the book and making the little dummies I begin to develop a solid connection to it. The connection becomes even stronger as I go through the process of finding the characters. By the time I have all the characters and their setting, and I have begun the full-size book dummy, I have become so familiar with the story that the process feels very much the same from that point forward. Of course, not being able to touch the words can sometimes be frustrating, but I have found that often it will push me to dig for visual solutions that are extremely satisfying to find.

 

GRWR: Was there much research involved about celiac disease before you could begin your sketches?

MR: I didn’t have to do a lot of research about celiac disease beforehand because, being somewhat gluten-intolerant myself, I knew enough about it to get started. Abigail Rayner, being the author and celiac-disease expert, reviewed my drawings along the way and made helpful suggestions. Our editor worked closely with the Celiac Disease Foundation, including sending the final draft of the book to them for review. And since NorthSouth Books is an international publisher and a German version of the book is also being released in DACH (Germany, Austria & Switzerland,) European gluten-free guidelines were also verified. For my own part, the end pages required the most research ahead of time, as I wanted to depict the grains and different plants as accurately & specifically as possible.

 

Ruttan Violet and the Crumbs COVER German & English 2-up
English and German covers, Violet and the Crumbs: A Gluten-Free Adventure written by Abigail Rayner and illustrated by Molly Ruttan, NorthSouth Books ©2022.

 

GRWR: How would you describe the particular technique that you use for illustrating? Please tell us how you achieved the look of the gluten clouds that accompany the crumbs!

MR: I would describe my technique as a wonderfully messy collaboration between traditional and digital media! I work with charcoal and pastel on watercolor and other papers. I use a charcoal pencil for the drawings, pastels for the color, and charcoal stencils for the gradation, shading and textures. Naturally, charcoal and pastel dust gets everywhere as I scan (I don’t spray my drawings because of a slight allergy to the fixative). Then the less-messy part of the process starts as I wipe down my scanner and paint digitally in Photoshop. I love the blend of charcoal linework and texture with the pastel color & texture I can create this way. Sometimes I also add liquid acrylic washes and texture as well. I love working traditionally but I also love all the options working digitally provides.

To create the gluten clouds that accompany the crumbs throughout the book, I used a slightly advanced photoshop technique. I scanned in all the stenciled swirly shapes I had created with charcoal-like I usually do, but then I colorized them using the channels. I love this technique – it gives me incredible flexibility because I can make the charcoal any color I want! And I love how the pastel and charcoal textures merge.

 

GRWR: What gave you the idea to make the evil gluten crumbs into characters?

MR: What—do you mean to tell me crumbs aren’t really alive?? Haha, seriously though… the idea to make the crumbs into characters was a collaboration. There was an art note in the manuscript suggesting “evil crumbs moving between food items via hands”, and my wonderful editor, (who I had worked with before on my first book with Abigail Rayner, I am a Thief!) remembered how I had animated the jewel I had done for that book and suggested I could do something similar with the crumbs in this book. What the crumbs looked like was obviously up to me, and I decided it would be more fun to make them grumpy, argumentative and disgruntled rather than straight up evil– I wanted to have more variety of expression, and I didn’t want them to be too scary.

 

Ruttan Crumbs close-up
Interior page from Violet and the Crumbs: A Gluten-Free Adventure written by Abigail Rayner and illustrated by Molly Ruttan, NorthSouth Books ©2022.

 

GRWR: Did you always imagine Violet in a super-hero type outfit?

MR: In the text, Violet “takes desperate measures to defy the crumbs at school”, and there was an art note suggesting that she makes some sort of ridiculous protective suit. Since I had the idea to make crumb “clouds”, I gave her a suit based on rain gear, including an umbrella. But I felt something was still missing—so in my doodles, I spontaneously added a cape, and Violet’s superhero avatar sprung into being! I loved this solution because it freed me to play with her as that identity as she helps her animal friends. It also perfectly emphasized her heroic journey. I often find that the spontaneous solutions that come to me through drawing are the most fun and rewarding!

 

Ruttan Violet Feels Safe
Interior spread from Violet and the Crumbs: A Gluten-Free Adventure written by Abigail Rayner and illustrated by Molly Ruttan, NorthSouth Books ©2022.

 

GRWR: You capture the expressions on Violet’s face and her body language so well. Does this process take a long time until you feel you get it right?

MR: Some drawings fall into place and others take a long time, but I usually get the gist of what I want right away in sketches, and then refine the expressions & poses when I make final drawings. When I’m drawing, I catch myself unconsciously making faces that match the expressions I’m drawing – this is when I’m grateful that I work alone, haha! I like getting into the position and acting out what I’m trying to draw too. It helps me feel what the characters are experiencing and helps the drawing of it.

 

GRWR: Were the beautiful and info-filled illustrated endpapers your idea? It’s great how in the front you depict foods containing gluten and in the back, you show which grains, starches, or flours can be part of a gluten-free diet.

MR: Thank you! I really enjoyed illustrating the end pages! I knew from the beginning that there would be back-matter on the back end pages – originally it was one page for the “About Celiac disease”, and a spread for a recipe and the rest of the information. When my editor saw my sketches, she suggested we would drop the recipe and spread out all the information across the two end-page spreads. I loved this idea, and we decided it would be fun to separate the gluten and gluten-free information to the front and back spreads, just the way the kids separated the food on the picnic table!

 

Ruttan Front end-pages
Endpapers from Violet and the Crumbs: A Gluten-Free Adventure written by Abigail Rayner and illustrated by Molly Ruttan, NorthSouth Books ©2022.

 

 

GRWR: Can you share with us any new projects you are working on?

MR: I recently submitted all the final art for my next author/illustrated book, Something Wild, published by Nancy Paulsen Books. It’s about stage fright—something I have battled my entire life. The book tells the story of a girl who loves to play her violin but is terrified of the upcoming recital. She imagines all kinds of wild things she wishes would happen to keep her from having to perform. It’s a subject very close to my heart and I’m excited about it! It comes out in a year—April 2023.

I’m currently illustrating another book which I’m also very excited about, written by Stacy Lynn Carroll, called The Yowlers, also published by Nancy Paulsen Books. It’s about a grumpy family who transforms as they experience the joys of goodwill and graciousness under the influence of new, happy neighbors. This book is slated for April 2024.

I also have a very active critique group that keeps me busy with sharing new ideas. I have one book almost ready to go back out on submission. My list of things to work on is always very long!

 

GRWR: And finally, can you offer aspiring illustrators any word of advice that you got as a beginning illustrator that has stayed with you over the years?

MR: I love the Oscar Wilde quote: “Be yourself, everyone else is already taken.” As a twin, this quote has been particularly helpful for me in all aspects of life! But thinking of this as it applies to my own art has been—and continues to be—also very helpful. It goes along with what my wonderful teacher and mentor Marla Frazee once told our class—that often we tend to think that what comes easy for us isn’t valuable or legitimate because it’s easy. It is just the opposite! Not everyone finds doing whatever that is that you do, easy. Lean into what flows out of you, inspires you, and gives you joy.

 

GRWR: Thanks so much for all your great answers, Molly. It’s so fascinating to get inside the head of creators!

MR: You are so welcome!! And thank you so much, Ronna, for having me on your fantastic blog! I know you have been through a lot lately, and I really appreciate your taking the time to support me and my new book.

BUY THE BOOK

• Below is a link to order a signed copy from Molly’s local independent bookstore, Once Upon a Time. When ordering, be sure to write in the comments section that you want a signed copy. And if you’d like the book to be personalized, please include the name. The book also comes with a bookmark!

• Here is the link to Simon & Schuster (which includes other links for purchasing as well)

ABOUT THE ILLUSTRATOR

Molly Ruttan grew up in Hastings-on-Hudson, New York. She holds a Bachelor’s of Fine Arts from the Cooper Union School of Art, New York. She currently lives, works, and creates art in the diverse and historic neighborhood of Echo Park in Los Angeles.

Her titles include her author/illustrator debut, The Stray, from Nancy Paulsen Books/Penguin Random House, and I Am A Thief! along with Violet and the Crumbs by Abigail Rayner for NorthSouth Books. Molly has two additional titles forthcoming with Nancy Paulsen Books. She is represented by Rachel Orr at Prospect Agency.

http://www.prospectagency.com/  

FIND MOLLY RUTTAN ONLINE

Website: www.mollyruttan.com

Facebook: Molly Ruttan

Instagram: mollyillo

Twitter: @molly_ruttan

See the cover reveal post here.

 

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Picture Book Review – The Bad Mood!

THE BAD MOOD!

Written by Moritz  Petz

Illustrated by Amélie Jackowski

(NorthSouth Books; $17.95; Ages 4-8)

 

The Bad Mood cover

 

 

Badger woke up in a bad mood! After working in his garden, he starts to feel better but knows he must make amends when he finds out that his grumpy, rude remarks from the morning have left his friends upset with him in The Bad Mood! written by Moritz Petz, with illustrations by Amélie Jackowski. Now available as an unjacketed hardcover, this beloved classic has been translated into more than ten languages.

Bad moods are quite contagious and relatable to most children and adults. Like Badger ultimately realizes, a bad mood can consume all of our senses. Jackowski’s drawing of Badger’s long face says it all as does Petz’s prose when Badger says, “I’m in a bad mood today! This might be dangerous. Maybe I’d better stay at home.” If only he’d gone with his gut.

Deciding that his forest friends should notice that he is in a bad mood, Badger angrily sets out to begin his day. “Everybody ought to know how miserable I feel.” The pale green sky is the only thing calm as he stomps away from the door of his treehouse causing the mail to fly out of the mailbox.

 

The Bad Mood int1
Interior spread from The Bad Mood written by Mortiz Petz and illustrated by Amélie Jackowski, NorthSouth Books ©2021.

 

Turning the page, the reader is greeted by cheerful Raccoon with his long striped black-and-white tail and yoyo in hand. Raccoon does what we assume he does whenever he is greeted by a friend and wishes Badger a good morning. “’Good morning? What’s so good about it?’ Badger replied, and stomped off.” Raccoon stood there shocked that not even so much as a goodbye was offered!

 

The Bad Mood int art2
Interior spread from The Bad Mood written by Mortiz Petz and illustrated by Amélie Jackowski, NorthSouth Books ©2021.

 

Badger’s mood becomes more explosive when Moose asks if he slept well and Badger counters it is “none of your business.” Badger is pleased with his response liking that both Deer and Raccoon know he is in a bad mood. He continues along his walk and passes more friends and “He was as rude to them as he could be.” This becomes a teachable moment for parents and caregivers. A discussion on how to treat people may even be initiated by little ones who realize this behavior does not win friends.

After Badger’s walk, he begins to work in his garden and as he was “digging and weeding, the strangest thing happened. His bad mood just slipped right off him.” But when he went out to play with the animals in the late afternoon the woods were silent. Unfortunately, the tables had turned and Raccoon was in a bad mood. So were Squirrel, Mouse, and Hare.

 

The Bad Mood int art3
Interior spread from The Bad Mood written by Mortiz Petz and illustrated by Amélie Jackowski, NorthSouth Books ©2021.

 

It is then that Badger confides in Crow and the two come up with an idea to have a “bad-mood party.” Jackowski’s gorgeous art decorates the forest with smiling friends and colorful lanterns. Children see a happy scene when Badger asks for forgiveness and it’s given.

Petz’s words model for youngsters how to apologize when they have done something they are not proud of. This beautifully written story is sure to invite multiple reads. Its simple but valuable lesson, that it’s normal to sometimes be in a bad mood, reminds kids that taking a deep breath is much better than taking it out on your friends. The Bad Mood! needs to be added to the mindfulness section in school classrooms.

  • Reviewed by Ronda Einbinder

 

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Picture Book Review – Chicken Chickens

 

CHICKEN CHICKENS

Written and illustrated by Valeri Gorbachev

(NorthSouth Books; $18.95; Ages 4-8)

 

 

 

 

The charming Chicken Chickens by author-illustrator Valeri Gorbachev is back after 20 years, just in time to help a new generation of children overcome being labeled a “chicken” when feeling fearful about experiencing something new.

This 40-page picture book is about twin chickens who go to a playground with Mother Hen for the very first time. The soft colors of green, yellow, and brown bring warmth to a busy playground of cats on swings, turtles in sandboxes, and dogs on seesaws. When Mother Hen walks in holding each chicken’s fingers in hand, “The little chickens were a little scared. There was so much going on all around them.” Many children will be able to relate to that initial stimulus overload.

 

Chicken Chickens int1
Interior spread from Chicken Chickens written and illustrated by Valeri Gorbachev, NorthSouth Books ©2021.

 

Still holding each other’s fingers (hmm do chickens have hands?), the chickens freeze up with their beaks wide open, observing the flurry of activity going on around them. Gorbachev’s art perfectly conveys the poultry’s feeling of being overwhelmed by the crowds. Despite the park animals showing kindness by asking the chickens to play and welcoming them into the new environment, we hear the chickens say, “No, thank you,” they replied. “We’re just little chickens.”

They watch pigs spinning around on the merry-go-round, but decline the offer to join them since they might get dizzy. They look up at the big cats swinging but decline the offer to swing since they might fall off. When the reader turns the page, they are drawn into the blue sky and brown slide with smiling and laughing frogs and mice playing. With eyes wide open, the chickens decline. “We’re just little chickens.”

 

Chicken Chickens int2
Interior spread from Chicken Chickens written and illustrated by Valeri Gorbachev, NorthSouth Books ©2021.

 

When they get the courage to climb the stairs to the top of the slide, the twin chickens become immobilized when looking down. “Slide down!” shouted one of the frogs. “Don’t be such chicken chickens!” That’s when the big brown beaver with the white buck teeth climbs to the top of the slide and tells the chickens not to worry “Everybody is afraid the first time they slide.” Beaver suggests the chickens hold on to his tail as they slide together giving the chickens the confidence they need.

 

Chicken Chickens int3
Interior spread from Chicken Chickens written and illustrated by Valeri Gorbachev, NorthSouth Books ©2021.

 

This incredibly sweet story about conquering one’s fears is a wonderful addition to every home and school library. It’s a lesson not only in realizing that everyone has fears of some sort, but also models how important showing kindness and empathy is toward a friend who may be struggling in certain situations. I found this book extremely heartfelt, and am so pleased that it has been reprinted for children who never had the chance to read it the first time around. The play on words using chickens as the protagonists made me laugh. “Hurray for the chicken chickens!”

Click here to read a preview.

  •  Reviewed by Ronda Einbinder
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Best New Books for Back-to-School 2021

10 BACK-TO-SCHOOL BOOKS

∼A ROUNDUP FOR 2021∼

 

 

backtoschool pencil clipart

 

 

Back-to school this year is not only the start of a new school year, for many it’s also a return to in-person learning in over a year. For others, it’s really the first time ever to attend daycare, preschool, or elementary school. This selection of ten assorted books highlights all the things that returning to school means for kids.

 

 

MEET YOUR SCHOOL!: An All About Me Book
Written by Cindy Jin

Illustrated by Melissa Crowton
(Little Simon; $7.99, Ages 1-5)

Cindy Jin’s upbeat 12-page school-shaped board book, Meet Your School!: An All About Me Book, features a variety of animals making their way through a school day. A nice overview is given of what kids can expect, from the main classrooms to the art room, gym, cafeteria, library, and music room. The rhyming couplets reinforce what can be found in each area: “The library is filled with books of all kinds / to teach and inspire bright, young minds.”

The illustrations by Melissa Crowton depict cute, colorful animals interacting happily in various situations. Each page has fun lift-the-flaps for further exploration. Overall, this book has a lot to discover while also providing a positive message as to what school is all about. – Review by Christine Van Zandt

 

HowtobeKindinKindergarten cvrHOW TO BE KIND IN KINDERGARTEN:
A Book For Your Backpack
Written by D.J. Steinberg
Illustrated by Ruth Hammond
(Grosset & Dunlap; $8.99; Ages 3-5)

 My eyes were instantly attracted to the colorful book cover illustration of an apple being shared on the school playground with a new friend, while classmates throw balls and glide down the slide, introducing readers to acts of kindness in How To Be Kind in Kindergarten: A Book for Your Backpack.

A book for your backpack is a perfect subtitle for this small hardcover book that reads rhythmically, teaching hidden lessons to kids first entering the new world of school. The fun-to-read story includes a diverse mix of abilities, races, and genders. Kids should have no problem finding themselves in one of Hammond’s realistic drawings.

Steinberg opens the story with the question, “Are you in kindergarten? Is that really true? How in the world did you get so big? So smart and funny, too!” The story moves into the classroom with posters of 1, 2, 3, and ABC so a child sees what a kindergarten classroom looks like. Kindness is threaded through each page as Steinberg points out, ‘Cause you’re the kind of kid who always shows you care.

This book shows kids what an impact they can make in their new school, whether cheering up a sad new friend or including a shy friend in a game. This truly is an ideal backpack book and should be read on the first day of school, the middle of the school year, and at the end of the school year because kindness is needed year-round. – Review by Ronda Einbinder

 

whats in dragons backpack coverWHAT’S IN DRAGON’S BACKPACK?
Written by Joan Holub

Illustrated by Christopher Lee
(Little Simon; $8.99, Ages 3-5)

The eye-catching cover of Joan Holub’s, What’s in Dragon’s Backpack? gleams with metallic dragon scales and the backpack-shaped 14-page board book has a cut-out handle just the right size for small hands. Inside, the fun rhyming couplets give us a glimpse of what Dragon’s got in there: “Stickers, charms, a message, and some homework that he fried. Oops!”

Each page has lift-the-flaps for further exploration adorned with Christopher Lee’s adorable art. The faces on his dragons, such as on the mock A Dragon’s Tale book, are top-notch. I also really like the subtle math lessons showing three flames equals one on-fire number three. Other teaching elements include groups of shapes that, once you peek beneath the flap, combine to make a sword.

Educational, interactive, and fun, this engaging book is sure to be a hit with kids who are starting school and donning backpacks. It can also be a conversation starter about what should be inside your child’s backpack to make school days a success. – Review by Christine Van Zandt

 

ISABEL AND HER COLORES GO TO SCHOOL
Written by Alexandra Alessandri
Illustrated by Courtney Dawson
(Sleeping Bear Press; $16.99, Ages 4-8)

It’s the first day of school, an English-speaking school, but Isabel only speaks Spanish. Isabel is a charming and irresistible main character and I cared about how she felt going into unknown territory, alone. Her reluctance is understandable. She doesn’t know English and is scared of what it will be like. Isabel sees things in gorgeous colors and through art and doesn’t realize how quickly she will pick up the new language. “English sounded wrong, like stormy blues and blizzard whites.” Isabel preferred the warm, cheerful colors of Spanish.

Ultimately her language learning is facilitated by one good friend but her limited grasp of English initially gets in the way. Isabel’s thoughtful art saves the day and new friendship blossoms. The interplay between Alessandri’s beautiful prose and Dawson’s flowing art makes every page a delight to behold. This cleverly presented bilingual picture book also includes Spanish to English translations in the back matter but for English speakers, most of the Spanish words can be understood in the context of the story. – Review by Ronna Mandel

 

My School Stinks! coverMY SCHOOL STINKS!
Written by Becky Scharnhorst
Illustrated by Julia Patton
(Philomel; $17.99; Ages 4-8)

School really does stink when one classmate is a skunk and the teacher is unBEARable. So, when little Stuart tells Mom his classmates are wild animals she says all kids are wild animals in debut author Becky Scharnhorst’s hysterical read-aloud with drawings by Julia Patton.

The originality of this story told in diary form starting on the first day of school and ending at Open House, when Mom and Dad realize they have sent their young child, Stuart, to a school full of animals, takes the reader through the first seventeen days of school. Stuart attempts to play along with his classmates when the monkeys hang him upside down. He’s then caught by Patricia the Porcupine pricking him with her many quills. Stuart journals P.S. The deep breaths still aren’t working. P.P.S. Neither are the happy thoughts P.P.P.S. I’m not going back tomorrow!

As Stuart continues to journal he also begins to make friends. Charlie the Crocodile apologizes for biting his fingers and becomes Stuart’s new best bud. This sweet story can be read for school storytime or by a parent before bed. I laughed on entry September 15 when Scharnhorst writes P.S. Mom doesn’t understand how a skunk got in the storage closet. I guess she’ll find out at Open House. I was anxious for Open House to find out how Mom and Dad would react to realizing they sent their child to the wrong school, but Stuart repeats what they told him on the first day of school Mom and Dad told me to take deep breaths and THINK HAPPY THOUGHTS. This was a great lesson for his parents. I just hope they let him stay friends with a crocodile! Patton’s detailed artwork adds to the whimsy with letters written on notebook paper and characters drawn with big teeth and round glasses. The P.S. notes were a fabulous extra touch. – Review by Ronda Einbinder

 

WE WANT TO GO TO SCHOOL:
The Fight for Disability Rights
Written by Maryann Cocca-Leffler + Janine Leffler
Illustrated by Maryann Cocca-Leffler

(Albert Whitman; $16.99, Ages 4-8)

Oh, how I’d love for this nonfiction picture book to be required reading in all schools! I could not believe as I read it that prior to President Ford signing the Education for All Handicapped Children Act (EAHCA) in 1975 with its Individualized Education Plan (IEP), children with disabilities did not have the right to a free, appropriate, public education. But the book really focuses on the lawsuit in 1971 called Mills v. Board of Education of the District of Columbia, the District Court ruling in 1972 that led to this important act being implemented, and the seven school-aged children and their families who made it happen.

We Want to Go to School is narrated by author-illustrator Cocca-Leffler’s daughter, author Janine Leffler, whose own inclusive experience as a student with Cerebral Palsy (CP) receiving various special assistance in school contrasts to what students prior to her would have experienced.  She explains how prior to the ’70s, students with disabilities either didn’t go to school, stayed in hospitals, or were sent to special schools at a huge expense to families. If they were allowed into some schools, these children were segregated in separate classrooms. There was little chance to interact with mainstream students. That is until Peter Mills, Janice King, Jerome James, Michael Williams, George Liddell, Jr., Steven Gaston and Duane Blacksheare decided they’d had enough of being left out. Of course, the schools objected, finding reason after reason why students with disabilities should not be able to attend. Their parents were having déjà vu.

Wasn’t public school supposed to be for everyone? Wasn’t that the lesson learned in Brown v. Board of Education in 1954 when segregation because of the color one’s skin was the issue. So the families fought back. They began to meet others facing the same school challenges and there was power in numbers. The news of the lawsuit spread so that pretty soon “more families joined the lawsuit.” It then became a class action suit. “18,000 students from the Washington, D.C. area were also not receiving a public education because of their disabilities.” Would the judge presiding over the case agree? YES! And the positive outcome of this lawsuit led to big changes for students with disabilities with “federal laws guaranteeing public education for all children.

I loved the energy of Cocca-Leffler’s art, especially the spread where she’s filled the page with faces of 1,000 kids and tells readers to imagine those 18,000 DC students, and the 8 million US students denied an education because they had disabilities. Powerful! Five pages of back matter include information on Disability Education Rights, a timeline, Author Notes, and an enlightening Note from Paul R. Dimond, Plaintiffs’ Attorney in the Mills v. Board of Education of the District of Columbia. I’m grateful for these change-makers. They paved the way for future students with disabilities who continue to benefit from their commitment to equal rights in education for all. – Review by Ronna Mandel

 

TheNightBaaforetheFirstDayofSchool coverTHE NIGHT BAAFORE THE FIRST DAY OF SCHOOL
Written by Dawn Young
Illustrated by Pablo Pino
(WorthyKids; $17.99, Ages 4-8)

The Night Baafore The First Day of School blends the counting element, the rhyme and hilarity of Sandra Boynton’s Hippos Go Berserk with the irresistible art of Mark Teague’s Pigsty. As the main character Bo—the star of two previous books I haven’t yet read—attempts unsuccessfully to fall asleep due to day-before-school-starts jitters, he calls on sheep to help. The catch is they make it more difficult to sleep with the ruckus they create. Poor Bo, aware of the hours slipping away, is desperate. He offers them a snack if they’ll stop, but when that doesn’t work he calls an emergency meeting. Only then a mysterious shadow of a monster appears further exacerbating the chaos. 

There’s as much for readers to enjoy in Young’s wild storyline as there is in Pino’s zany and action-packed illustrations. The counting of sheep from 1 to 10 as they get up to no good adds an engaging layer to the book. Then, reversing that to eventually count back down as it gets later and later, is such fun and a great way to involve young readers. I love how the 10 sheep all wear number necklaces to identify themselves. Kids may want to study each spread more closer upon further reads to see what each individual sheep is doing with the supplies Bo has prepared for his backpack. The massive mess is mighty fun to look at. Tension builds with each page turn as we wonder if Bo will get any shut-eye and manage to catch the bus to school. And the humor surrounding every sheep-filled episode encroaching on Bo’s time to sleep is a delight in this rhyming romp of a read-aloud. – Reviewed by Ronna Mandel

 

NORMAN’S FIRST DAY AT DINO DAY CARE
Written and illustrated by Sean Julian
(NorthSouth Books; $17.95, Ages 4-8)

Norman, a very small, almost invisible dinosaur compared to all the other dinos at Mrs. Beak’s play group, is shy. This may resonate with young readers experiencing a similar emotion when just starting school and being away from home. Julian’s rich artwork is charming in how it depicts Norman hiding (except his tail always adorably sticking out) in various situations where the text also states “he was very good at hiding.” In the beginning, before Norman makes friends, parents can ask children to see if they can spot him in the illustrations as he avoids interaction.

My favorite part of the picture book is when Norman confides in Mrs. Beak that he really wants to join the other dinos but feels shy. “It’s okay to be shy,” Mrs. Beak replied. “It’s a special part of who you are.” When she asks the dinos to perform in pairs, Norman teams up with big, loud Jake who despite his size, admits he’s rather nervous too. The two share a laugh and come up with a magical performance that not only satisfies (and perhaps comforts) children but provides the perfect conversation starter for parents and teachers to discuss shyness. I’m not sure it was deliberate, but I appreciated Mrs. Beak’s rainbow door and her rainbow mug, another welcoming feature to this warm and reassuring read. – Review by Ronna Mandel

 

SCHOOL IS COOL! (A Hello!Lucky Book)
Written by Sabrina Moyle
Illustrated by Eunice Moyle
(Abrams Appleseed; $16.99; Ages 5-9)

School Is Cool was written and illustrated by sisters Sabrina Moyle and Eunice Moyle founders of Hello!Lucky, their award-winning letterpress greeting card and design studio.

Targeting the child who has already had some school experience, this story begins on the beach where the rhinoceros, dog, and platypus are chilling out until they realize Tomorrow’s the first day of school! The expressive drawings tell it all when the dog almost drops his ice cream cone and the rhino jumps from his floatation device. The friends are worried kids won’t like your hair. Or how they talk. Or what they wear.

Eunice Moyle’s bold, captivating illustrations depict all sorts of animals arriving for their first day by school bus and bikes. They line up awaiting a handshake from the animal teacher, in popping bright greens and oranges and a happy yellow sun, a perfect complement to the welcome the smiling animals.

This book expresses the true feelings many kids have when it’s time to say goodbye to Mom and home now replaced by an unfamiliar teacher and classroom where they must learn the new rules. What if your teacher calls on you—and the answer is five, but you said … 2. It’s ok to say “I don’t know.” Everyone is here to grow.”

The back flap states that the Moyle sisters use their creativity and humor to inspire kindness, empathy, self-awareness, and service and in doing so dedicate this book to teachers everywhere. You are the coolest! Thank you for all you do! – Review by Ronda Einbinder

 

TWINS VS. TRIPLETS #1:
Back-to-School Blitz

Written by Jennifer Torres
Illustrated by Vanessa Flores
(Harper Chapters; HC $15.99, Paperback $5.99, Ages 6-10)

It looks like it’s going to be three times the trouble at school for David Suárez. With new neighbors, the Benitez triplets adding to what’s already an annoying presence by his other neighbors, the Romero twins, David must navigate third grade and not lose his cool. His goal after all is to be captain of the Globetrotters, the geography club, and that requires an uncluttered mind. Except the Benitez triplets and Romero twins are messing with him and everyone else.

When David is tasked with monitoring the playground (trouble maker prime turf), he fears it may be made off-limits for everyone if the five tricksters continue getting up to no good. And that is looking more and more likely when both sets of mischief-makers aim to rule recess with their pranks and pushy personalities.

This early chapter book, filled with humorous black-and-white illustrations, works well with its mix of Spanish words and expressions along with comments at the end of most chapters noting a reader’s progress. I like how Back-to-School Blitz includes a diverse group of students and some interesting geography information (David’s favorite subject) that ends up playing an important part in keeping the bullies in check. A couple of things jumped out at me like having the triplets together in one class which I thought wasn’t typically done. Another time, after causing a distraction, the triplets sneak out of class early without the teacher, Mr. Kim, noticing. But I’m an adult and if the kids reading this first book in a new series don’t mind, that’s great because as the book ends, there’s some unusual digging going on in the sandbox, and surely more pranks to come in book #2. – Review by Ronna Mandel

 

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Cover Reveal for Picture Book Violet and the Crumbs: A Gluten-Free Adventure

IT’S A BIRD

      IT’S A PLANE,

             NO, IT’S

                     VIOLET AND THE CRUMBS

                                  SOARING INTO STORES NEXT SPRING ’22!

crumb1 from VioletandtheCrumbs

crumb3 from VioletandtheCrumbscrumb2 from VioletandtheCrumbsVIOLET AND THE CRUMBS:

A Gluten-Free Adventure

Written by Abigail Rayner

Illustrated by Molly Ruttan

(NorthSouth Books; $17.95, Ages 4-8) 

 

VioletandtheCrumbs Cover-Reveal interview cover
Book cover for VIOLET AND THE CRUMBS written by Abigail Rayner and illustrated by Molly Ruttan. © Molly Ruttan, 2021  NorthSouth Books

 

In Stores on April 19, 2022

ISBN 9780735844858
Available now for preorder

Please support your favorite local independent bookshop!

 

 

MY REACTION:

It’s a cover reveal for the picture book Violet and The Crumbs and I’m so chuffed to be sharing it with you today. 

I immediately loved the clever diagonal placement of Violet and her umbrella. My eyes easily followed the upward motion that expresses action and adventure. Violet’s smile radiates success and enjoyment, something readers will experience reading the book.

Molly’s signature charcoal linework and blends, along with her combination of muted and bright colors is something I’d recognize anywhere. And the texture in the art, along with the texture in the title font, enhances the visceral and overall presence of CRUMBS! And oh those crumbs! They really drive the point home.

crumb2 from VioletandtheCrumbs

INTERVIEW:

GoodReadsWithRonna: Hi Molly, what an honor to have you back here on the blog with your third book cover reveal and your second artistic pairing with author Abigail Rayner. She tackles some important topics in her stories, the first book being about stealing and this one about Celiac Disease. Can you recall how you felt when you were asked to work on this project?

Molly Ruttan: Thank you so much, Ronna! The honor is all mine. It is such a pleasure to be back with you on your wonderful blog. I so appreciate your time and support!

I was so excited when NorthSouth Books contacted me to work with Abigail Rayner again; I love the topics Abigail writes about. This book, about a girl (Violet) who has been newly diagnosed with celiac disease is especially meaningful for me, because I have a gluten intolerance myself, along with one of my kids. I couldn’t believe my eyes when I first saw the manuscript. I wish so much that this book had been around when my daughter was little; I didn’t know a thing about celiac disease or gluten intolerance at the time– it would have saved us years of stomach aches.

 

GRWR: Regarding celiac disease, how much work did you have to do to make sure all the information depicted through your illustrations was accurate?

NorthSouth worked with the Celiac Disease Foundation and checked in with them many times along the way. In addition, Abigail Rayner (the author, whose daughter has celiac disease) is an expert on the subject!  She had suggestions for some of the illustrations from her own experience; It was a wonderful collaboration! We also included charts on the end pages showing grains and foods that contained gluten, and commonly used grains, flours, and roots that were gluten-free. Illustrating these pages took a bit of visual research, as I had to be accurate with the drawings. It was fun, and I learned a lot!

 

crumb1 from VioletandtheCrumbsGRWR: What are some significant elements you’d like to point out about the cover art? What impression did you aim to convey to potential readers?

MR: When I started sketches for the book, I thought a lot about how to visually indicate if food had gluten in it, since you really can’t be sure just from looking at it. I came up with the visual of swirly clouds with crumbs walking and flying around, and this motif is featured on the cover. In the story, Violet creates a costume to help protect herself from the crumbs from other children’s food at school—her own PPE, as it were! Since I had been drawing crumb “clouds”, I made her costume based on rain gear, including an umbrella. But I also included a cape, to show the heroic aspect of her journey and her Superhero attitude! The cover shows Violet in her gear, zooming up and bursting through the cloud of crumbs — she is smiling and clearly had her mind set on setting a victorious path. Since adhering to a gluten-free diet can be very difficult, especially for kids, I wanted the cover to be positive and optimistic.

 

GRWR: At the start of the interview I told you what I liked. Now please tell us what’s your favorite part about this cover?

MR: Well, of course I love Violet, she was wonderful to get to know as she came to life in my sketches and made her way through the book. But I also love how the stenciling of the crumb swirls came out, on the cover especially. Plus the crumbs are such odd and troublesome little critters, it was a delight bringing them to life, on the cover and throughout the book!

 

VioletandtheCrumbs int1
Interior art from VIOLET AND THE CRUMBS written by Abigail Rayner and illustrated by Molly Ruttan. © Molly Ruttan, 2021  NorthSouth Books

 

GRWR: How did you achieve the texture in the illustration?

MR: I work with charcoal and pastel on textured watercolor paper. I use a charcoal pencil for the drawings, pastels for the color, and a technique involving the creation of charcoal stencils for the backgrounds, gradation, shading and effects. I scan all of this into PhotoShop. The result is layer upon layer of textured color pastel and charcoal, with some digital texture thrown in here & there. The final art is digital, but there is a lot of traditional media spreading itself all over every surface of my studio along the way! I love working in both traditional and digital media.

 

ABOUT THE STORY:

Violet used to love parties, but now that she has been diagnosed with celiac disease she’s not allowed to eat pizza, cake, or anything that contains even the tiniest trace of gluten. Violet feels alone until she discovers that some animals have dietary restrictions as well. While standing up for them, she wonders: what can she do to stand up for herself?

Abigail Rayner and Molly Ruttan (creators of I AM A THIEF!) bring pluck and humor to this informative story, sure to spark conversation about this increasingly commonly-diagnosed condition. 

Cover reveal interview Molly Ruttan Headshotcrumb3 from VioletandtheCrumbsABOUT THE ILLUSTRATOR:

Molly Ruttan grew up in Hastings-on-Hudson, New York. She holds a Bachelor’s of Fine Arts from the Cooper Union School of Art, New York. She currently lives, works and creates art in the diverse and historic neighborhood of Echo Park in Los Angeles.

Her titles include her author/illustrator debut, The Stray, from Nancy Paulsen Books/Penguin Random House, and I Am A Thief! along with Violet and the Crumbs by Abigail Rayner for NorthSouth Books. Molly has two additional titles forthcoming with Nancy Paulsen Books. She is represented by Rachel Orr at Prospect Agency. 

http://www.prospectagency.com/  

FIND MOLLY RUTTAN ONLINE:

Website: www.mollyruttan.com

Facebook: Molly Ruttan

Instagram: mollyillo

Twitter: @molly_ruttan

 

 

Click here to read an interview with Molly about her previous book with Abigail Rayner, I Am a Thief.

 

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Picture Book Blog Tour – An Interview With Chick Chat Author Illustrator Janie Bynum

MEET JANIE BYNUM

AUTHOR-ILLUSTRATOR OF

CHICK CHAT

(NorthSouth Books; $17.95, Ages 4-8)

 

CHICKCHAT cover

 

 

It’s Day One of the CHICK CHAT BLOG TOUR as well as its book birthday! Peep! Peep! GRWR is so happy to participate and celebrate the hatching. Please enjoy the following interview with Chick Chat author-illustrator Janie Bynum and her insights on this fun new read-aloud picture book for children.

 

CHICK CHAT SUMMARY:

Friendship comes in all shapes and sizes.

Peep, peep, peep! Baby Chick has a lot to say!

Everyone in Chick’s family is too busy to chat with her. But when chatty baby Chick adopts a large egg—she finally finds a friend who is a good listener. When her egg goes missing, Chick is heartbroken, until she finds that it has hatched into a brand-new friend!

INTERVIEW WITH CHICK CHAT AUTHOR-ILLUSTRATOR JANIE BYNUM

GoodReadsWithRonna: Hi Janie! Welcome to the blog. I’ve got lots of questions for you today.
In your author bio on the book’s copyright page, you mention how talkative you were as a child. Can you expand on this and how it influenced creating your main character Baby Chick?

Janie Bynum: Being an inquisitive, talkative, and determined child, I’m sure I tested the patience of my family—and quite a few teachers. Baby Chick and I share all of those personality traits—as well as being a fairly self-reliant youngest sibling. As I wrote and revised Baby Chick’s story, this very talkative youngest sibling emerged. So I ended up writing from a perspective (with a voice, as it were) that I understood as a kid.

In early versions of the manuscript, Baby Chick actually spoke instead of only peeping. But, I ultimately chose to have her peep in such a way that sounds like she knows exactly what she’s saying (and she does). This way kids can interpret what she may be saying—either inferred by the illustrations or by whatever words they imagine for her.

 

CHICK CHAT int1 breakfast
Interior spread from Chick Chat written and illustrated by Janie Bynum, NorthSouth Books ©2021.

 

GRWR: Which came first, the Baby Chick character design or the story?

JB: The Baby Chick character art came first.

GRWR: It was funny how everyone in Baby Chick’s family is unaffected (to the point of almost ignoring her while they’re otherwise occupied) by her nonstop peeping while she carries on joyfully by herself. Is there something to be learned from her sheer self-contentedness?

JB: Possibly … by enjoying our own company, not being entirely dependent on others to “make” our happiness for us. Baby Chick is creative and makes her own fun; and, in doing so, she discovers something to nurture, which ultimately hatches into a friend who listens.

GRWR: I was absolutely convinced Baby Chick had found a rock not a big egg. Was this deliberate?

JB: No. The giant Galapagos tortoise’s egg—which I used for reference—looks very much like a round stone. Only at first, when she hasn’t fully unearthed the object, does Baby Chick not know that it’s an egg. But once she uncovers it, she realizes it’s some sort of egg—maybe not a chicken egg because it’s so round. But Baby Chick either doesn’t notice the difference or doesn’t care. It’s an egg without anyone to tend it, so she decides to be its guardian.

GRWR: I’m curious why you decided to make the baby turtle a quiet character rather than one “with a lot to say” like Baby Chick?

JB: I could’ve made the baby turtle/tortoise even more talkative than Baby Chick, which would’ve been funny. But I wanted Baby Chick to be rewarded (for all her nurturing and protection of the egg) with a friend who likes to listen. It’s also a sort of celebration of the yin/yang relationship, how seemingly opposites are actually complementary (in this case extrovert/introvert).

 

CHICK CHAT int2 Sister
Interior spread from Chick Chat written and illustrated by Janie Bynum, NorthSouth Books ©2021.

 

GRWR: Do you see Chick Chat as primarily a friendship story or did you feel there were other themes you wanted the book to explore?

JB: The friendship theme is wrapped around a story about self-sufficiency; and, as you noted earlier, self-contentedness. So, it really has two main themes.

GRWR: What medium do you work in when creating your artwork?

JB: I used a combination of digital media and traditional watercolor, which is the way I generally work. For Chick Chat art, I worked on my iPad (in an app called Procreate) and in Photoshop on my Mac computer with large monitor. I used traditional watercolor for some areas, and added real paper and paint textures (with Photoshop layers) to give more depth to some of the digital color.

GRWR: As someone who began telling stories first visually, do you usually create your dummy with thumbnails and then add the prose later?

Studio paint 2
Painting space in Janie Bynum’s studio ©2021.

JB: I usually have a character in mind first that I must draw so that I can get to know them. A seed of a story germinates as I’m drawing. As I start writing the story, I sometimes create a simplified mind map to look at arc, action, and direction possibilities. Then I write some more. And I revise. And then I revise the text some more.

When I feel like I have a fairly finished manuscript, I start thumbnails. Inevitably, the text changes as I work on thumbnails and rough sketches. So, as I create the rough dummy, I work back and forth between words and pictures until I feel confident that the story (both visual and written) is ready to submit to my agent.

GRWR: I enjoyed a lot of the little unexpected details you included in the illustrations like Baby Chick’s grasshopper friend (or cricket), and the punny titles of the books Sister is reading. Did you do this in all the books you illustrate even if you didn’t write them?

JB: Thank you. Since I write/illustrate for a fairly young audience, I try to add details that older readers (especially adults) will enjoy. While I don’t include a small observer character (who sometimes participates) in all of the books I illustrate and/or write, I have done so in a few. In Otis, which I wrote, a red bird appears in many of the pictures; and, in Porcupining, written by Lisa Wheeler, a grasshopper observes and sometimes participates.

GRWR: What do you do to spark your creativity? Is your process to work daily, inspired or not?

JB: In addition to creating children’s books, I work as a creative director and graphic designer (outside of children’s publishing), so creative problem-solving is part of my day every day. But, one of the things I do as a creativity spark—at least several times per week—is just draw for no reason at all, with nothing in mind until pencil meets paper (or stylus meets iPad). Many times character ideas come from these sessions.

GRWR: How long did it take to complete Chick Chat from the idea stage to the final book we can order from bookstores today?

JB: Roughly two years: story and book dummy, spring 2019; art delivered January 2020; published book January 2021.

 

CHICK CHAT int3 NoAnswer
Interior art from Chick Chat written and illustrated by Janie Bynum, NorthSouth Books ©2021.

 

GRWR: Who are some of your current kidlit illustrator faves and why?

JB: I have soooo many favorites, and for so many different reasons.

I love the color and stylized work of Felicita Sala. I adore the haunting stylized art of illustrators like Isabelle Arsenault and the cheery whimsy of Louise Gay. Carter Goodrich’s dogs are divinely humorous, and he possesses quite a deft hand with paint. With Sophie Blackall’s art, I’m inspired by her use of color, texture, and pattern. Her work is retro and contemporary, both at the same time.

Oliver Jeffers’ composition on the page (including an amazing sense of negative space) and his sensitive use of color and line inspires me. Matthew Cordell’s spontaneous linework and non-complicated watercolor embodies a spontaneous loose feel that I aspire to in my own work.

I like Ryan T. Higgins’s ink line coupled with his graphic use of shape and color (and, of course, his humor); the gorgeously strange art of Mateo Dineen; and the Matisse’esque art of Olivier Tallec.

GRWR: What’s in the works for your next book?

JB: A very creative beetle is the hero of my current work-in-progress. Also, I’m considering creating something for Gary the Worm to star in. (To find out who Gary is, visit my Instagram @janiebynum.)

GRWR: Is there anything else you’d like to add that perhaps I haven’t addressed?

JB: I’d like to let educators (including parents and grands) know that they can find Chick Chat activities at my website (janiebynum.com) and at northsouth.com/resources. And last, but not least, thank you for including me in your blog!

GRWR: It’s been such a pleasure being the first stop on your blog tour and getting to know you and Chick Chat better. Thanks for your terrific answers!

 

AuthorIllustrator JanieBynumBIO:

Janie Bynum grew up in Texas and graduated with a BFA in graphic design with an emphasis on illustration. As an author/illustrator, she has created many lovable characters and stories for younger children. Her work has been recognized as a Junior Library Guild Selection. She loves to travel and experience other cultures, drawing inspiration from the people, landscape, and cuisine. Known to her friends as a bit of a nomad, Janie lives in a nearly-100-year-old storybook house in southwest Michigan—for now.

Website: janiebynum.com

Instagram: @janiebynum


CHICK CHAT BLOG TOUR PARTICIPANTS AND DATES

·       Dulemba.com – January 28

·       Dreamreaderkids – February 2 Instagram/Blog review +giveaway

·       Storymamas – March 10 review + giveaway

·       Kidlit411 – March 26 illustrator spotlight

 

CLICK HERE TO READ ANOTHER AUTHOR-ILLUSTRATOR INTERVIEW

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