Multicultural Children’s Books

Picture Book Review – Two New Years

 

TWO NEW YEARS

Written by Richard Ho

Illustrated by Lynn Scurfield

(Chronicle Books; $18.99, Ages 3-5)

 

 

Two_New_Years_cover_multicultural_Chinese_Jewish_family_celebrating

 

Reading Two New Years written by Richard Ho and illustrated by Lynn Scurfield, reminds me of how wonderful it is to find similarities in cultures while also celebrating the differences. Ho draws from his personal life to imbue this heartwarming Rosh Hashanah and Lunar New Year story with meaning while also making it accessible to anyone, whether or not they are Jewish or Chinese like the family we meet here.

 

Two New Years int1 family celebrating rosh hashanah and lunar new year.
Interior illustrations from Two New Years written by Richard Ho and illustrated by Lynn Scurfield, Chronicle Books ©2023.

 

The book begins simply and yet pulls readers in to find out more. “My family celebrates two New Years: Rosh Hashanah in the fall and Lunar New Year in the spring. We’re shown through art and prose how this works so beautifully in a multicultural family. Though Ho converted to Judaism, he still remains committed to his Chinese roots and traditions which readers are introduced to over the course of the 22-page story. Since I’m familiar with Rosh Hashanah, but less so with the Lunar New Year, I was curious to get the details. This is accomplished by dividing the book into two parts, the first being the lyrical, emotional heart of the story and the second being the factual part.

Kids should find it interesting that both Rosh Hashanah and the Lunar New Year, as well as other holidays, are lunar-based in the Jewish and the Chinese calendars respectively. However, it’s the Gregorian calendar we use in our daily lives and the one most children know best. That’s why  Rosh Hashanah and the Lunar New Year fall on different dates every year.

The holiday customs Ho writes about demonstrate how much they have in common. One similarity both New Years share is putting the past behind to welcome in the new. In Chinese culture “we sweep past troubles out the door.” In Jewish culture, we “cast old mistakes into the  depths.” You can see those actions thoughtfully illustrated in a rich fall palette in the artwork below. When our children were younger, we often went with our Jewish community on what’s called a tashlich walk to a nearby park to throw pieces of bread into a stream, representing mistakes we can toss away to start anew.

 

 

Two New Years int2 sweeping troubles out the door and casting old mistakes into stream.
Interior illustrations from Two New Years written by Richard Ho and illustrated by Lynn Scurfield, Chronicle Books ©2023.

 

Both new years are about spending time with family and remembering those no longer with us. Scrumptious food is served. “We prepare foods that symbolize togetherness and the heartfelt sharing of good wishes.” So much about a new year is about moving forward and the hope for a better tomorrow, one filled with “long life and prosperity, good deeds and a sweet year ahead.” Scurfield’s thrilling illustrations depict the blast of a shofar (a ram’s horn) in the synagogue while opposite “the clatter of fireworks,” makes a loud noise as a dragon dances by during a parade. Respect and love fill the pages of Two New Years and will hopefully fill readers’ hearts too.

Twelve pages of interesting backmatter comprise the second part of the picture book including a lovely two-page Author’s Note. Children will benefit from the Visual Glossary included. It goes into more depth about aspects of both Rosh Hashanah and the Lunar New Year briefly touched upon in the story. As I mentioned earlier, I know less about the Lunar New Year despite having read many picture books over the years. While I knew about lucky money and the importance of the color red on the holiday, I had never heard about the tray of togetherness, a tray “filled with candies, dried fruits, and nuts and served to visitors at Chinese homes, and how the tray is divided “into either six or eight sections” because the words for six and eight respectively sound like the words for luck and prosperity. Likewise, young readers may enjoy learning that for Rosh Hashanah the seeds of a pomegranate symbolize the “many merits or good deeds” of a person.

I am so happy this worthwhile book is out there and hope it lands on many bookshelves in homes, schools, and libraries to be enjoyed year after year.

  • Reviewed by Ronna Mandel
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Picture Book Review for Grandparents Day – Mama Shamsi At The Bazaar

 

MAMA SHAMSI AT THE BAZAAR

Written by Mojdeh Hassani and Samira Iravani 

Illustrated by Maya Fidawi

(Dial BYR; $18.99, Ages 4-8)

 

Mama Shamsi at the Bazaar cover Grandmother and grandaughter walking to bazaar

 

 

Written by mother-daughter duo Mojdeh Hassani and Samira Iravani and illustrated by Maya Fidawi, Mama Shamsi At The Bazaar shares the loving bond between grandmother and granddaughter as they venture out to share a new experience together.

 

Mama Shamsi at the Bazaar int1 ready to go to bazaar
Interior spread from Mama Shamsi at the Bazaar written by Mojdeh Hassani and Samira Iravani, and illustrated by Maya Fidawi, Dial Books for Young Readers ©2023.

 

Getting ready to go to the bazaar with her grandmother for the very first time, Samira is afraid she’ll get lost in the crowd. Again and again, she tries to coax Mama Shams into letting her hide under the protection of her veil. “‘Let’s get in line, under your chador, you in front, me behind!’” But each time, Mama Shams responds with a resounding “Na, na, na” followed by an exaggerated explanation of how silly they might look to passersby. “‘I’d look like a fool with four legs below me just like a mule!” 

 

Mama Shamsi at the bazaar int2 Samira and Mama Shamsi near bazaar
Interior spread from Mama Shamsi at the Bazaar written by Mojdeh Hassani and Samira Iravani, and illustrated by Maya Fidawi, Dial Books for Young Readers ©2023.

 

Textually, this lovely rhyming interchange between grandmother and granddaughter adds much humor and whimsy, while also providing a place for young readers of all backgrounds to stay grounded in the story as Mama Shamsi suggests the different types of animals she may be mistaken for if she acquiesces to Samira’s wish.

 

 

Mama Shamsi at the Bazaar int3 Mama Shamsi tells Samira to use her eyes and ears
Interior spread from Mama Shamsi at the Bazaar written by Mojdeh Hassani and Samira Iravani, and illustrated by Maya Fidawi, Dial Books for Young Readers ©2023.

 

Visually, their conversation introduces readers to the bustling capital of Iran, Tehran. Fidawi’s expressive illustrations are wonderfully and thoughtfully detailed from home to city life during the 1960s/’70s, reflecting the time period author Hassani grew up there. My personal favorites include the seated vendor on the street, prayer beads in hand, and chai brewing on a portable burner next to him, a grandmother on the balcony of a nearby apartment hanging clothes to dry, and another vendor selling my favorite Iranian street food: steamed beets. When they finally arrive at the bazaar, Samira feels assured that with Mama Shamsi by her side, she is safe to enjoy and explore her new world. 

For those seeking an intergenerational, diverse, sweet, and/or humorous story with a touch of social-emotional learning, this picture book ticks off all of the boxes. A recommended read for National Grandparents Day and year-round.

  • Reviewed by Armineh Manookian
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Picture Book Review – Yuna’s Cardboard Castles

 

 

YUNA’S CARDBOARD CASTLES

Written by Marie Tang

Illustrated by Jieting Chen

(Beaming Books; $18.99, Ages 3-8)

 

 

Yuna's Cardboard Castles cover Yuna in Japan with origami

 

In Yuna’s Cardboard Castles, the heartwarming picture book debut from author Marie Tang, illustrated by Jieting Chen, readers meet Yuna, who has just moved with her family to America from Japan. Like most children in that situation, Yuna is filled with concerns about what life will be like in her new home and how she’ll make new friends. The extra challenge Yuna faces is that she doesn’t speak English yet. While she misses her old friends and all that is familiar, Yuna is eager to find a way to connect with local kids.

 

Yuna's Cardboard Castles int1 Yuna longed for the colors and shapes
Interior spread from Yuna’s Cardboard Castles written by Marie Tang and illustrated by Jieting Chen, Beaming Books ©2023.

 

It’s great to see Yuna take the initiative to look for ways to break the ice with the children in her neighborhood. At first, she tries making balls out of colorful paper. The results are lovely and impressive, highlighting her skills. However, Yuna feels discouraged after noticing children already have balls to play with. Onto the next option.

Thinking about where she used to live, Yuna longs to reproduce that environment where there were pointy buildings and rice cake stands. She cleverly uses cardboard and scissors to construct her very own stand but she’s at a loss to find the words to explain her project and the food on display. So, the neighborhood kids return “back to their tea parties.”

 

Yuna's_Cardboard_Castles_int2_Yuna_kept_cutting
Interior spread from Yuna’s Cardboard Castles written by Marie Tang and illustrated by Jieting Chen, Beaming Books ©2023.

 

And though with her talent, Yuna can build almost anything she wants, she still feels the disconnect without the language to communicate. She is sad, frustrated, and isolated.

When a boy’s kite gets tangled in her yard, the two soon find common ground with their paper creations. Teaming up, their imaginations soar, and playing together becomes second nature. Soon, the neighborhood kids can’t help but engage with Yuna and the exciting cardboard world she’s constructed with her new friend. Chen’s vivid illustrations convey energy, enjoyment, and make-believe, filling each page with wonder to inspire children as they read  Tang’s thoughtful story.

When my family lived overseas for 10 years, our children played with other children from around the world whether we traveled to Germany, France, the Canary Islands, Italy, or Greece. Watching kids connect despite not having the words is always joyful to watch. Play is a universal language bringing diverse children together wherever you are. Yuna’s Cardboard Castles was inspired by Tang’s childhood experience of moving from Hong Kong to the United States. In the book, Yuna demonstrates how, just as Tang did as a child, using origami and corrugated boxes can open up worlds of opportunities for friendship when you have only a minimal grasp of your new country’s language. While the immigration experience is different for every child, Tang’s book creatively captures the emotion Yuna feels while presenting a positive way to cope that is empowering. Four pages of backmatter include detailed instructions to make an origami boat … “that can actually float!”

  • Reviewed by Ronna Mandel
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An Interview with Aixa Perez-Prado about City Feet

 

SUSI SCHAEFER INTERVIEWS AIXA PÉREZ-PRADO,

AUTHOR AND ILLUSTRATOR OF

 CITY FEET

(Reycraft Books; $17.95, Ages 3-5)

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City Feet cover map legs shoes walking on city sidewalk
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PUBLISHER SUMMARY:

This shoe lover’s paradise reveals that a city’s feet are as varied as the people and animals who live there.

INTERVIEW:

Susi Schaefer: Congrats on your picture book, CITY FEET. How did you get into creating books for young readers?

Aixa Pérez-Prado: Thank you very much! I feel like I have been a writer and illustrator since I was a little girl. I was born in Argentina and raised between there and the USA. I later lived in several other countries, including Costa Rica and Morocco. I believe that being multilingual, being a child immigrant, and having lived in many different places are all strong influences on the stories and the illustrations that I create today.

I am a former bilingual kindergarten teacher, a current university professor specializing in diversity education, and, most importantly, a mother of six. All of those experiences led me to read many children’s books over the years and create my own stories for my students and my children. A few years ago, I decided to try to publish some of those stories and started my education in writing picture books.

Part of my education included taking a number of kidlit writing courses, entering online contests, and joining SCBWI. In addition to writing, I started drawing again and creating a few dummies for my stories. CITY FEET is my debut picture book.

SS: Tell us what inspired this book.

APP: I am a city girl at heart, and I love to explore the cities of the world. A few years ago, when I decided I wanted to try to publish in kidlit, I started entering online writing contests, and an earlier version of CITY FEET was a story I wrote for one of those contests, the Early Childhood Book Challenge. The idea was to write a story of 250 words or less, use rhyme, and have the story take place in an urban setting. I came up with about six stories for the contest and was a finalist with a different story, but the beat and rhythm of CITY FEET stuck in my head.

Two years later, I pitched it in Latinx Pitch on Twitter, and Winsome Bingham of Reycraft Books liked my pitch and made an offer. I was not meant to illustrate the book, but when she found out I was also an illustrator (or want-to-be illustrator), she and my agent, Joyce Sweeney, encouraged me to make a dummy. I had a very clear idea of how I wanted the book to look, with all characters appearing only from the waist down, as seen from the point of view of a baby in a stroller. I made the dummy and soon after received the offer to be the illustrator. I was thrilled!

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City Feet int1 City Feet walking down the street
Interior spread from City Feet written and illustrated by Aixa Pérez-Prado, Reycraft Books ©2023.

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SS: Can you share your process?

APP: I started by revising the original story and adding an additional stanza to reach the appropriate amount of spreads for a picture book. I then started trying to create the first spread, but the vision in my head wasn’t really working on paper. I went to an illustrator friend, Cristina Keller, and explained what I wanted to do to her. She invited me to her studio, and after showing her some of my sketches, she helped me to map out the first spread. After that, I knew exactly what to do.

My illustration process for CITY FEET is mainly collage created by cutting up different kinds of textured papers that I create and others that I find. I also use fabrics, leaves, petals, and other materials – including banana peels – in my collages. Once I make the collages, I scan them and bring them into Photoshop in different layers to combine and rearrange. I also do some digital collage in Photoshop.

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City Feet int2 dancing feet prancing feet

Interior spread from City Feet written and illustrated by Aixa Pérez-Prado, Reycraft Books ©2023.

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SS: Are you working on any projects you can tell us about?

APP: Yes, I am the author and also the illustrator for a nonfiction picture book that will come out in the Fall of 2024, Mercedes Sosa: Voice of the People, published by Lee & Low. It is a very different kind of story than CITY FEET, with a different feel and somewhat different style. However, my illustration technique will continue to be the use of collage with a variety of materials as well as digital collage for the majority of the artwork.

BUY THE BOOK:

Support independent booksellers and purchase City Feet at the link below.
https://bookshop.org/p/books/city-feet/18947595?ean=9781478881841

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Author Aixa Pérez-Prado headshotAUTHOR-ILLUSTRATOR BIO:

Aixa Pérez-Prado, the author/illustrator of CITY FEET is a native of Argentina who immigrated to the US as a small child. In addition to writing and illustrating, Aixa is a translator, sensitivity reader, and university professor. Aixa has lived in several different countries and draws inspiration for her stories and illustrations from diverse locations. Her passion is writing and illustrating picture books aimed at giving diverse children a chance to see their multilayered identities represented with heart and humor. She writes in Spanish and English and enjoys mixing languages in her prose. Similarly, she loves illustrating by employing different techniques in a multimedia whimsical style.

Aixa’s upcoming picture books are OUR WORLD: ARGENTINA (Barefoot Books, 2023) and MERCEDES SOSA: THE VOICE OF THE PEOPLE (Lee & Low 2024). Aixa is represented by Joyce Sweeney from the Seymour Agency.

AUTHOR-ILLUSTRATOR LINKS:

Website: https://www.aixaperezprado.com

Twitter: @professoraixa

Insta: @aixasdoodlesandbooks

TikTok: @aixasdoodlesandbooks

Threads: @aixasdoodlesandbooks

Facebook: @aixasdoodlesandbooks

 

INTERVIEWER BIO:

Born and raised in the Austrian Alps, Susi Schaefer trained as a glass painter in the medieval town of Rattenberg. After moving to Southern California for sun and adventure, Susi studied graphic design. She’s the illustrator of ZOO ZEN by Kristen Fischer, author-Illustrator of CAT LADIES and THE GLOW SHOW. Susi lives in North Tustin, California, with her family. www.susischaefer.com

Twitter @susischaeferart and on Instagram @susischaeferart

 

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Picture Book Review – Sora’s Seashells

SORA’S SEASHELLS
A Name Is a Gift to Be Treasured

Written by Helena Ku Rhee

Illustrated by Stella Lim
With Ji-Hyuk Kim

(Candlewick Press $17.99, Ages 4-6)

 

Sora's Seashells cover Sora and Halmoni at beach picking shells

 

 

Sora’s Seashells, written by Helena Ku Rhee and illustrated by Stella Lim with Ji-Hyuk Kim, is so much more than a beach or summer story. It’s a multi-layered, moving, and intergenerational picture book about a grandmother and granddaughter relationship. Gentle in tone with art that beautifully captures the book’s mood, the story is also about loss, and passing kindness forward to other’s lives, including strangers. Additionally, Sora’s Seashells addresses the meaning of a name and how it can bring joy.

 

Sora's Seashells int1 Sora and Halmoni comb for shells
SORA’S SEASHELLS. Copyright © 2023 Helena Ku Rhee. Illustrations Copyright © 2023 Stella Lim and Ji-Hyuk Kim. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

When Sora’s grandmother (Halmoni), visits each summer from South Korea, the pair spend special time together gathering seashells at the beach. Though lovely, the prettiest shell that Halmoni picks is intended for someone else. “It’s a gift,” Halmoni tells Sora, left “For anyone who sees its beauty.” Sora is a bit confounded at first. Parents, however, may explain to children being read the story what a thoughtful gesture Halmoni has made.

Not quite understanding the largesse in Halmoni’s action of spreading kindness, Sora tucks away a few of her favorite finds when she and Halmoni go back to the beach the next day. Later at home, Halmoni can be seen in art glancing from Sora’s bedroom door at her granddaughter who inspects her collection that brings her such happiness.

 

Sora's Seashells int2 empty bench at beach
SORA’S SEASHELLS. Copyright © 2023 Helena Ku Rhee. Illustrations Copyright © 2023 Stella Lim and Ji-Hyuk Kim. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

At the beginning of Kindergarten, some classmates tease Sora about her unusual name, wondering if it’s really supposed to be Sara. The bullies persist over several weeks but Sora chooses not to tell her parents. When she learns her Halmoni has passed away, she is beset by sadness for so many reasons all at once. Sad she’ll no longer be able to spend summers with Halmoni. Sad at remembering times together and the way Halmoni said Sora’s name. And sad how the bullies treated her at school. “I hate my name. I want to be Sara!” Sora tells her parents through a steady stream of tears.

A restorative trip to the beach and learning that her name means seashell in Korean, helps Sora get things in perspective. Most of all, Sora’s mom explains that Halmoni felt finding a perfect shell was like receiving a wonderful gift. Sora was that gift!

And if that doesn’t tug at your heartstrings, when Sora shares the meaning of her name at show and tell, and gives each of her classmates a shell, including those who’d teased her, my eyes welled up with tears. She knew she mattered, took the high road, and was rewarded. I was especially touched when Sora left her last shell on the bench at the beach exactly as Halmoni had. What a meaningful way to end the book.  The art, rendered in warm watercolor and finished digitally, is soothing and sensitive. Full of caring and love, hope, and kindness, Sora’s Seashells is the kind of feel-good read that is easy to recommend.

  • Reviewed by Ronna Mandel
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Picture Book Review – What’s Your Name?

WHAT’S YOUR NAME?

Written and illustrated by Bethanie Deeney Murguia

(Candlewick Press; $18.99; Ages 3-7)

 

 

What's Your Name cover kids greeting kids

 

★Starred Reviews – Kirkus, Publishers Weekly

When author-illustrator Bethanie Deeney Murguia discovered her parents almost chose another name for her it got her thinking about the importance of names and what they do, and the idea for What’s Your Name? was created.

 

What's Your Name int1 children greeting children
WHAT’S YOUR NAME? Text and illustrations copyright © 2022 by Bethanie Deeney Murguia. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

This relatable and diverse picture book takes young readers on a reflective journey through the meaning behind their own names. The book opens with two pages of orange talking bubbles listing names from Alina to Xavier and Ana to Eli. There are short names, like Bo, and longer names like Zachariah. There’s even my son’s name, Adam. Turning the page, we find lush green spread of lawns and bushes, and grey stone bridges, with walking dogs sniffing hellos. Murguia’s illustrations not only include adults and children of various ethnicities but one child in a wheelchair and another on a skateboard. Greetings are expressed by kids with Hi, Hola, and Good Morning before announcing their given names because Everyone has one … or maybe a few.

 

What's Your Name int2 a name is a meeting
WHAT’S YOUR NAME? Text and illustrations copyright © 2022 by Bethanie Deeney Murguia. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Murguia writes in playful rhyme explaining to the reader the many ways names are used. When Lena greets Elijah they high-five as they pass. When the spotted brown dog goes farther than allowed, his fluffy-haired owner calls Buster stopping him in his tracks. A name can be common, familiar, and known. A name can be rare, unique, all your own. Cherimoya explains to new friends that her name is like the fruit but you can call me Cherry! And the worker at the burger stand gets a lot of responses when he calls out the common name Bob. Murguia explains to kids that names honor families when they are named after a loved one or historic people such as Malala and Frida.

The colorful art beautifully tells the story with greens, oranges, and greys visually showing the reader that autumn leaves are the reason behind a baby girl’s name. A boy shouts to a crowd, with his hands beside his lips, yelling Hey…you! with an illustration of confused people with mouths wide open wondering who he is calling. If only he knew the name of the person he was looking for he wouldn’t need to shout.

 

What's Your Name int3 names honor family
WHAT’S YOUR NAME? Text and illustrations copyright © 2022 by Bethanie Deeney Murguia. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Naming your child is a huge decision. Will your baby’s personality or character reflect the name you have chosen or vice versa? Will your child be clumsy yet her name is Grace? Do you choose the name Cole if your child’s eyes are pitch black? This book will spark conversations about how your child got their name and how their parents did as well. A discussion will be a beautiful introduction to family history, or how a name just felt right. This book made me laugh because my own name is spelled differently than what people expect, but I guess you would say that is what makes it unique. Because if it were different, would you still be you? The book’s last line reads what’s yours? and provides a great jumping-off point for a first-day-of-school read for teachers who are getting to know their new students.

  • Reviewed by Ronda Einbinder
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Five New Children’s Books for Pride Month

 

CHILDREN’S BOOKS FOR PRIDE MONTH

~ A ROUNDUP ~

Free Pride Clipart

 

Grandad's Pride cover Grandad carrying Pride flag at paradeGRANDAD’S PRIDE
Published in Partnership with GLAAD Series
Written and illustrated by Harry Woodgate
(Little Bee Books; $18.99, Ages 3-6)

★Starred Review – Kirkus

Following up the success of Grandad’s Camper, is Grandad’s Pride featuring the same characters readers got to know previously. Much like that book, I was immediately pulled into this story by the folksy art and in this case, a focus on the inviting locale by the sea.

When playing in Grandad’s attic, Milly, who is visiting once again for the summer, stumbles upon Grandpa’s old Pride flag. Curious what Pride is, Milly gets a wonderful description from Grandad who used to participate in marches and other Pride events when Gramps was still alive. “Pride is like a giant party where we celebrate the wonderful diversity of our communities and demand that everyone should be treated with
equality and respect – no matter who they love or what gender they are.” After hearing how important Pride had been for Grandad, Milly suggests they go to the city to participate in the next Pride event, but Grandad no longer feels comfortable in the big city.

Milly proposes a locale parade in the village instead and soon the entire village is involved. Not only does her idea present the opportunity to get to make new friends, it also is a moving way to honor Gramps’ memory. Grandad leading the parade in his pink camper is a fitting way to kick off this new tradition and not even a brief downpour can curtail the festivities.

You’ll want to read this lovely picture book slowly to take in all the details that Woodgate has included from the slogans on the posters, the diversity of the primary and secondary characters and the big heart this story exudes on every page. I could easily live in this welcoming community and can’t wait to see what Milly and Grandad get up to next!

 

I Can Be Me! cover diverse circle of kidsI CAN BE … ME!
Written by Lesléa Newman
Illustrated by Maya Gonzalez
(Lee & Low; $19.95, Ages 4-7)

For starters, I want to point out illustrator Gonzalez’s art description on the credits page: “The illustrations are rendered with pencil, watercolors, colored pencils, and love.” If the inclusion of the word ‘love’ doesn’t speak volumes about the care and thought that went into creating this picture book, I don’t know what does.

Newman’s masterfully crafted rhyming couplets take the reader through spread after jubilant spread as readers follow the real and make-believe activities of six diverse and “splendiferous” children and one plucky pooch. Imagination rules as the youngsters try out dress up, and pretend play where anything except the judgment of adults is possible. “I can aim for the basket and practice my throws,/ or wear a pink tutu and twirl on my toes.” There is no need to label and no need to discuss gender, race, or religion. Prepare for pure enjoyment. Kids being “their true selves” is what’s celebrated on every delightful page of this recommended read.

Click here for a Teacher’s Guide

 

The Wishing Flower girls wishing on dandelionTHE WISHING FLOWER
Written by A.J. Irving
Illustrated by Kip Alizadeh 
(Knopf BYR; $18.99, Ages 4-8)

★Starred Reviews – Kirkus, School Library Journal

This uplifting, inclusive picture book about making a like-minded friend and experiencing a first crush is getting a lot of buzz, and deservedly so. The cover alone conveys the pleasure these two girls find in each other’s company then the prose and art throughout continue to capture that emotion. Author Irving states in her website intro, “My deepest wish for my readers is for them to feel seen and special,” and The Wishing Flower beautifully accomplishes that.

We first meet Birdie as she’s wishing on a dandelion to find a friend who shares her interests. “Birdie felt inside out at home and at school.” She generally kept to herself clearly not connecting with other kids until … Sunny “the new girl” arrives in her class. With her nature name, Sunny, like Birdie, enjoys all the same things: reading, rescuing, and painting. The girls are drawn to each other and Birdie “blushed when Sunny sat next to her at lunch.” She knew she needed to be brave to pursue the friendship and looks for the biggest wishing flower. At recess playing Red Rover, Sunny calls for Birdie, and Birdie’s heart soars. That excitement is palpable in the warm, emotive illustrations that bleed off the page. When this wonderful day spent together with her new friend ends, it’s so rewarding as a reader to see the two happy souls have had their wishes come true.

 

You Need to Chill! cover curly haired girl in yellow heart sunglassesYOU NEED TO CHILL!:
A Story of Love and Family
Written by Juno Dawson
Illustrated by Laura Hughes
(Sourcebook Jabberwocky; $18.99, Ages 4-8)

“In the next ten years, I don’t think there will be many classrooms in America where there isn’t a gender-diverse child, and the rest of the students will have to be friends with that kid. And how to you manage that? You manage it like the child in the book does. With kindness and humor and inclusion and with playfulness.” According to bestselling author Dawson, this is the goal of her debut picture book and I appreciated her introducing the topic in a light-hearted way that emphasizes a people-not-gender-first approach to identity.

I love when a story begins with artwork only before the title page as it does here. The main character is walking with an older girl to school. Once the main character gets settled in, her classmates begin asking where her brother Bill is. They haven’t seen him in a while. This is a fun part to read aloud as the girl’s classmates take wild guesses about where her older brother can be. “Was he eaten by a WHALE or SHARK? Was he munched up just like krill?”/ “That simply isn’t true,” I say./ “And hey, you need to chill.” With inquiring young minds bombarding the girl with a constant flow of zany questions (illustrated as whimsically as those questions), the cool retort calms everyone down. The repetition of “Hey, you need to chill,” is catchy and I can imagine children being eager to say it along with the narrator. While the kids are curious and confused, they also say they’re concerned. I’m glad that was included.

The little girl tells her classmates that her older brother Bill is now Lily. She honestly explains how the change took getting used to but ultimately, as the art shows, she knows that Lily is still the same deep down inside and very loved. She’s her sister’s ally. And as such, together the two can tell anyone who has a problem with Lily being a trans girl to just chill.

While the rhyme is not always even, the spirit, energy, and humor of this important story about a transgender child coupled with the buoyant art carry it along and make You Need to Chill! a worthwhile, fulfilling, and accessible read. Read about genderspectrum.org, a charity working to create gender sensitive and inclusive environments for all children and teens.

 

DUCK, DUCK, TIGER
Written and illustrated by Brittany R. Jacobs
(Beaming Books; $18.99, Ages 4-8)

Lili felt she didn’t belong, like a tiger among ducks. And if people found out more about her, she was sure she’d be left alone. Her solution then was to be more like a duck. If she changed things about herself then she’d fit in. And no one would know any better. No one would know her secret.

There was a catch, however. Trying to be someone she wasn’t made Lili feel sad. It’s definitely not easy to pretend to be something you’re not. So, after realizing this, she needed to confide in someone, someone who’d make her feel safe. Lili “revealed her secret” to Gran. “Her heart really raced.” But Gran confirmed that no matter who Lili was, one thing was certain. She was loved. And she should feel proud of who she was. Afterall, “Not everyone is a duck, and not all ducks flock together.” What is important is being her authentic, unique self. It may be tough, but in time, Lili could rest assured that she’d find her pride.

I always enjoy a picture book that offers hope to any child in Lili’s position, so they’ll know that one day they will be welcomed by people who appreciate the real them. This powerful message of acceptance should resonate with many young readers who feel like the other for whatever reason, not simply for being queer. I was surprised to learn that Jacobs is a self-taught artist. The gentle green palette she uses works well with the purple of her alter-ego, the tiger. I will note that in places the meter of the rhyme is not perfect and the rhymes slant in spots where ‘day’ is paired with ‘stayed’ or ‘terrible’ with ‘unbearable.’ However, picture books such as this affirming one are needed to bring comfort to children with its beautiful message of letting “your heart be your guide.”

 

Click here to read a review of a fave Pride picture book from last year.

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Picture Book Review – Anzu and the Art of Friendship

 

ANZU AND THE ART OF FRIENDSHIP

Written by Moni Ritchie Hadley

Illustrated by Nathalia Takeyama

(Albert Whitman & Co.; $18.99, Ages 4-8)

 

Anzu_and_the_Art_of_Friendship_cover_friends_making_origami

 

REVIEW:

Patience and the practice required for paper folding (aka origami) offer the promise of friendship in Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama.

If your child isn’t already familiar with origami, this multilayered picture book provides a gentle introduction to the beloved Japanese art form while also tackling a topic that should resonate with young readers: making new school friends after moving. When Anzu starts a new school, “her stomach folds in knots.” At the same time, the teacher Mr. Lee informs the class they are beginning a unit on origami.

 

AnzuandtheArtofFriendship int1 mrlee introduces Anzu
Interior art from Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama, Albert Whitman & Co. ©2023.

 

Readers have already seen Anzu’s creations hanging in her bedroom courtesy of Takeyama’s bold and expressive art that appears to be digitally rendered. That, along with Ritche Hadley’s prose, lets us know from the first page that Anzu adores origami. It’s especially sweet when Anzu’s ojiisan (grandfather) gives her a tsuru (crane) for good luck. Maybe Anzu’s origami skills can help her forge new friendships with her classmates.

Pretty soon Anzu sees her good intentions go unappreciated. She is disappointed that her classmates look for an easy, often silly way out despite her offers of help. At night she explains to Ojiisan what’s been happening. He thoughtfully suggests she try to be patient. The next day is not much better. Anzu’s classmates seem frustrated and look for quick solutions such as scissors and tape. Again she complains to Ojiisan. He compares the skill of creating origami with that of making new friends. She needs to give it time. Still, Anzu is sad about her move and misses her old friends.

 

AnzuandtheArtofFriendship int2 classmate wearing hat dances
Interior spread from Anzu and the Art of Friendship written by Moni Ritchie Hadley and illustrated by Nathalia Takeyama, Albert Whitman & Co. ©2023.

 

Things look up for Anzu the next day when “Mr. Lee displays an origami frog figure.” Always an attention-getter, the frog inspires curiosity and joy. But Anzu’s classmate Alex is frustrated he cannot put the frog back together after he’s unfolded it. This time, after Anzu does all the required folding, creasing, etc., she demonstrates how it can hop. Instead of losing interest, Alex asks Anzu to show him how to do it. At last! Anzu also tells Alex that the frog or the Kaeru, “is a symbol of good luck and a safe return when traveling.” Alex realizes the Kaeru is something meaningful he can give to his father to take on his next business trip. His interest in the paper creation prompts Anzu to come up with fun ways to engage her formerly reluctant classmates (see illustration above), and it works! Folding leads to friendship and Anzu’s spirits soar.

All the work involved in making origami as well as the symbolism of each figure serve as perfect metaphors for this book’s themes of perseverance, empathy, and kindness. Young readers will rejoice when they see how Anzu has truly mastered the art of friendship. They’ll also see the rewards of not giving up, whether that involves sticking with a tough project or trying to make a new friend. While in real life these things may take a little longer, the positive message conveyed in Anzu and the Art of Friendship makes this book easy to recommend.

The special meaning of the origami figures included in the story is explained in the back matter.

  • Reviewed by Ronna Mandel

BUY THE BOOK:

Support a local independent bookshop by clicking here to purchase Anzu and the Art of Friendship.

FIND THE AUTHOR AND ILLUSTRATOR ON SOCIAL MEDIA:

MONI –

Click here for Moni’s website.

https://www.instagram.com/bookthreader

https://www.twitter.com/bookthreader

https://www.facebook.com/bookthreader

 

NATHALIA –

Click here for more about Nathalia.

https://www.instagram.com/natztak

https://www.twitter.com/natztak

https://www.facebook.com/nathalia.takeyama/

Read a guest post by Moni about her debut picture book, The Star Festival.

Find out about The Star Festival here.

 

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Picture Book Review for Jewish Heritage Month – Seven Good Years

SEVEN GOOD YEARS:
A YIDDISH FOLKTALE

Written by Shoham Smith

Illustrated by Eitan Eloa

Translated by Ilana Kurshan

(Kalaniot Books; $19.99, Ages 4-8)

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Seven Good Years cover Tuvia gold goat and family
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Based on a story from the early 1900s by I. L. Peretz, this thought-provoking Jewish folktale presents the story of Tuvia, a poor hard-working man, living in a ramshackle hut with his children and wife Sorka
when a magical older man offers him a fortune for seven years. How can he pass that
up?
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This terrific retelling of Seven Good Years A Yiddish Folktale, written by Shoham Smith, illustrated by Eitan Eloa and seamlessly translated by Ilana Kurshan, asks the question – If you were offered a life of wealth for seven years, no less and no more, would you start those years now, wait, or do something unexpected? This is the dilemma our main character must decide.
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Seven Good Years int1 Tuvia was poor
Interior spread from Seven Good Years: A Yiddish Folk Tale written by Shoham Smith, illustrated by Eitan Eloa, and translated by Ilana Kurshan, Kalaniot Books ©2023.
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Using mostly primary colors, Eloa’s loosely drawn images depict Tuvia dressed with a rope around his waist because he can’t afford a belt, carrying heavy loads in his job as a porter. He does what he can to put food on his family’s plates and educate his children. But when the marketplace empties out, and the merchants pack up their wares and close shop, Tuvia asks himself “What will I do now?” The simple yet expressive illustrations depict a small village in Poland with goats and horses where people live hand to mouth yet seem content with their lot in life.
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When an unusual older man arrives dressed in bright green, Tuvia’s goat nibbles on the man’s blue feathered hat. Meanwhile, Tuvia appears startled and wonders if the man needs help with something. Instead, he has an offer for Tuvia. “Seven good years in which you won’t need to work carrying heavy loads on your back. Seven years in which you’ll be able to buy everything in this market!”
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So how does Tuvia respond? (I’m glad you asked!). Tuvia is in shock, unsure how to respond. “What will happen at the end of the seven years?” Tuvia asks. “You’ll go back to being a porter!” he is told. Tuvia asks if he can go home and discuss it with his wife Sorka. “Go home and ask her. I’ll wait here.”
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Seven Good Years int2 magical man and Tuvia
Interior spread from Seven Good Years: A Yiddish Folk Tale written by Shoham Smith, illustrated by Eitan Eloa, and translated by Ilana Kurshan, Kalaniot Books ©2023.
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“So what do you say?” Tuvia asks Sorka. And what does Sorka reply? (I’m glad you asked!) Smith inserts the phrase ‘I’m glad you asked’ throughout adding fun repetition to this uplifting tale. Tuvia is concerned about what will happen when they get old and the seven years of gold runs out. Sorka is concerned about feeding the children and paying their teacher. “Go back to the man and tell him that your Sorka says—let the seven good years begin right now!”
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The magical man is shown with a large smile on his face telling Tuvia to go home to his wife and fortune. Arriving at home, Tuvia finds his joyous children behind his ramshackle hut, along with his delighted wife, their skinny goat and … a pile of gold!
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Seven Good Years int3 family rejoices with pile of gold
Interior spread from Seven Good Years: A Yiddish Folk Tale written by Shoham Smith, illustrated by Eitan Eloa, and translated by Ilana Kurshan, Kalaniot Books ©2023.
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Seven years go by and the benevolent old man returns. Tuvia brings him to his home to tell Sorka that the seven good years are over only for the older man to discover the family still lives in the ramshackle hut and are dressed in the same tattered clothes! The mysterious man feels sorry for the family but the family says no need to feel sorry. It’s clear they are very happy.
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It turns out the family only took the money they needed to educate their children and now
that the children are finished with school, Tuvia tells the older man to give the gold to a needy
family. And what happens after that? (I’m glad you asked!) The next morning Sorka and Tuvia
find a great big pile of gold in their yard! And so begins another seven years of good fortune.
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The interesting back matter tells about Peretz, a prolific author of stories, folktales, plays, and essays in both
Yiddish and Hebrew. It also explains how Seven Good Years reflects Peretz’s appreciation for the simple piety of Eastern European Jews. The book’s message, influenced by what ancient Jewish rabbis teach, beautifully conveys what having riches actually is. “Who is wealthy? One who is content with what they have.” (Pirkei Avot 4:1) This hopeful folktale has been around for over a hundred years and still resonates today. What a meaningful read for Jewish Heritage Month and for parents to teach children that happiness is not dependent on fortune.
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Follow the book’s link here to request an activity guide.
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• Reviewed by Ronda Einbinder
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Children’s Picture Book – You Can! Kids Empowering Kids

 

YOU CAN!: KIDS EMPOWERING KIDS

Written by Alexandra Strick

Illustrated by Steve Antony

(Candlewick Press; $18.99; Ages 4-8)

 

You Can! Kids Empowering Kids cover diverse kids

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FROM THE PUBLISHER:

Young people share valuable advice—words they wish they had heard growing up—to inspire, reassure, encourage, and say You’re enough, just as you are.

REVIEW:

You Can! Kids Empowering Kids uses simple phrases with powerful meanings on a journey with fourteen imaginary characters “as they grow from birth to eighteen.” Author Alexandra Strick’s prose opens each page with “You can …” placed alone in the left-hand corner, with inspirational messages spread throughout the book showcasing the power kids have while growing up.

Illustrator Steve Antony’s eye-catching colorful penciled art finished digitally, depicts children growing up before our eyes, and along the way they are being brave, exploring new worlds, and sharing feelings with a friend.

Below is a wonderful spread of kids lined up on the floor listening to a new friend playing the flute. One girl sticks her tongue out at a boy but the reader finds them hugging and “forgiving others and yourself” when seen again as teens. Watching the characters grow from babies to young adults was a fabulous way to experience them believing in themselves, dreaming big, and supporting each other.

 

You Can! int.1 you can be brave little kids
YOU CAN! KIDS EMPOWERING KIDS. Text copyright © 2021 by Alexandra Strick. Illustrations copyright © 2021 by Steve Antony. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Whoever young readers identify with, Antony’s diverse art provides the opportunity for children to be able to locate someone that resembles themselves or their actions. The closing pages show what becomes of our new friends. The girl in the wheelchair is an important figure sitting in front of a podium, while the boy with red hair grows up to become a pilot.

One page is filled with crowds of kids gathered together in costumes. There is a child dressed as a purple clown who prefers to follow along, while another walks with a cane choosing to lead the way. (Canes and wheelchairs are not going to prevent any of these kids from doing what they wish to do.) Turning the page, we read “do something big by doing something small, inspire and encourage others, stand up for what you believe in, and make a difference.” The words “Climate Action Now!”  head up a spread of kids picking up trash and collecting water bottles. We see kids working together uplifting each other and remaining friends.

An angled font for “do things you couldn’t do yesterday” accompanies a girl dressed in a green suit and cap swimming the ocean with two friendly whales by her side. When she grows up, we see a drawing of her again dressed in green taking photos of fish in the sea. Each child is matched to a color throughout the story, in this way readers can flip back to the beginning of the pages to remind themselves of the character’s backstory. This was a creative way to follow along with the group of children.

Readers see that it’s not just about doing things for others but doing things for themselves as well. Kids are cheered on as they run a race but it’s not about winning or losing, “Just give it a try,” Strick shares. The blind runner strapped to the guided runner is just one example of this positive and inspiring picture book.

 

You Can! .int.2 diverse people you can believe in yourself
YOU CAN! KIDS EMPOWERING KIDS. Text copyright © 2021 by Alexandra Strick. Illustrations copyright © 2021 by Steve Antony. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

The blue sky covers the last spread above with the kids all grown up standing on a green hill with the words “You can believe in yourself, be the best you can, be kind, dream big, and be yourself,” above their heads. That pretty much says it all right there.

In back matter, Strick explains the research behind the picture book, while Antony draws faces of himself and Strick in a zoom room with real kids from all backgrounds. The kids are asked what they feel is important to say in the text. It was heartwarming to learn that these are the words of the young contributors. This book belongs in every classroom to be read to students as a lesson in social-emotional learning. In a world full of chaos, it was gratifying to read a book that gives kids hope. Strick, from the U.K., is the co-founder of Inclusive Minds, a collective for people who are passionate about inclusion, diversity, and accessibility in children’s literature. 

  • Reviewed by Ronda Einbinder

 

 

 

 

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Pearl of The Sea for Multicultural Children’s Book Day 2023

 

PEARL OF THE SEA

by Anthony Silverston + Raffaella Delle Donne

Illustrated by Willem Samuel

(Catalyst Press; Paperback $19.99, eBook $9.95, Ages 11-14)

 

GoodReadsWithRonna is thrilled to be back for our 10th year supporting Multicultural Children’s Book Day! We hope you’ll visit the Linky below to access all the other great books reviewed.

 

Pearl of the Sea cover girl looking out at sea

 

Pearl of the Sea, a new older middle-grade graphic novel by Anthony Silverston, Raffaella Delle Donne, and Willem Samuel is simply hard to put down. In other words, be prepared to dive deep and fast into this rewarding journey featuring some fantastical elements unfolding off the west coast of South Africa.

Turn the pages to be transported to South Africa where you’ll meet the protagonist Pearl while getting more than glimpses of the economically strapped seaside town where she lives. Most days Pearl sticks to herself and is filled with insecurities as she copes with the reality of her mom having left the family. Still, she manages to help her dad who is struggling to make ends meet.

Pearl of The Sea int1 abolone poachers
Interior art from Pearl of The Sea written by Anthony Silverston and Raffaella Delle Donne and illustrated by Willem Samuel, Catalyst Press ©2023.

 

During one of Pearl’s daily jaunts undersea before school to hunt for fish to feed the family, she spies an ominous fenced-off restricted area. Warning signs caution those who might wish to enter, a temptation Pearl cannot resist. Plus this danger zone is rich with abalone. After a run-in with some abalone poachers, she realizes helping them could bring in some much-needed money. At the same time, Pearl knows this illegal action is wrong on many levels.

Readers are teased with what’s to come by seeing an enormous tentacle that Pearl hasn’t noticed. Soon though she encounters this wounded monstrous sea creature who has been harpooned. Pearl calls him Otto. She brings him food and aids in his recovery but Otto’s safety is not guaranteed. Tension builds in a plot twist spoiler I won’t reveal beyond saying that Otto becomes the target of a vengeful fisherman. If Pearl can save and protect Otto it will ultimately be saving herself and her father too because, like fishermen’s nets, their lives have become so intertwined.

Pearl of The Sea int2 Otto sea monster and Pear
Interior art from Pearl of The Sea written by Anthony Silverston and Raffaella Delle Donne and illustrated by Willem Samuel, Catalyst Press ©2023.

 

Pearl’s sidekick throughout this action-packed novel is an adorable one-eyed dog. There’s also a classmate named Naomi who Pearl may have a crush on. However, because her dad tells her they have to move so he can find work, Pearl figures it’s futile to pursue a friendship or relationship. That’s one aspect of the novel I’d love to see explored in a sequel.

Not only is Pearl of The Sea a compelling read, but it is also a visual treasure that merits multiple reads. The rich art has a theatric feel, with scene after scene pulling you into the story and keeping you gripped. Readers will share Pearl’s joy and satisfaction at her accomplishments that she might have been unable to achieve before befriending Otto. I recommend this unexpected delight for fans of meaningful graphic novels and those new to the genre.

  • Reviewed by Ronna Mandel

Click here to read more about Triggerfish, the South African animation production company behind this graphic novel.

Disclaimer: This book was #gifted to GoodReadsWithRonna from Catalyst Press for a fair and honest review. 

 


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Multicultural Children’s Book Day 2023 (1/26/23) is in its 10th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those books into the hands of young readers and educators.

Ten years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues. Read about our Mission & History HERE.

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Picture Book Review – I Am You: A Book About Ubuntu

 

 

I AM YOU:
A Book About Ubuntu

Written by Refiloe Moahloli

Illustrated by Zinelda McDonald

(Amazon Crossing Kids; $17.99, Ages 4-8)

 

 

 

 

★Starred Review – School Library Journal

 

Originally published in South Africa, I Am You:  A Book About Ubuntu written by Refiloe Moahloli and illustrated by Zinelda McDonald, is a stunning visual and textual reminder of our shared humanity that could not be more timely.

An ancient philosophy of many African cultures, ubuntu means “I am, because you are” and embraces the idea that “a person is a person through other people.” Opening lines emphasize this interconnectedness:  “When I look into your eyes, I see myself.” On the following page, readers will need to turn the book vertically to enjoy a spread that illustrates this love, not only for others but for the natural world and all creation. 

 

iamyou int1
Interior spread from I Am You: A Book About Ubuntu written by Refiloe Moahloli and illustrated by Zinelda McDonald, Amazon Crossing Kids ©2022.

 

In loving, lyrical language, Moahloli’s text helps us realize that though the time we spend with others and the kindnesses we share may seem like small, inconsequential acts,  they’re in fact powerful expressions of our deep love for each other and for our own selves. “[W]hen I laugh as I hear you laugh, when I hold your hands as you cry, I love you, and I love myself, too.” Similarly, if we choose to “hurt,” “tease,” or “ignore” another, we are committing those very acts on ourselves.   

 

iamyou int2
Interior art from Interior spread from I Am You: A Book About Ubuntu written by Refiloe Moahloli and illustrated by Zinelda McDonald, Amazon Crossing Kids ©2022.

 

 

Rendered in digital media, McDonald’s bold and beautiful jewel-toned illustrations place an endearing cast of characters front and center in virtually every page. Readers are drawn into the smiling faces and welcoming gaze of an inclusive group of children from all backgrounds and abilities, playing together in country, city, and oceanside settings. 

A great conversation starter for themes of community, friendship, kindness, and love, I Am You shines light on the truth that we are all one. 

     •Reviewed by Armineh Manookian

 

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An Interview with Joana Pastro Author of Bisa’s Carnaval

 

 

 

AN INTERVIEW WITH

JOANA PASTRO

AUTHOR OF

BISA’S CARNAVAL

ILLUSTRATED BY

CAROLINA COROA

(Orchard Books; $18.99, Ages 4 to 8)

 

 

Bisas Carnaval cover

 

SHORT SUMMARY

“Trumpets, trombones, tubas, and saxophones sing louder, faster, faster, louder!

It’s CARNAVAL!”

With help from her bisa (great-grandma), a young girl in Brazil prepares for Carnaval: bright costumes, feathers, flowers, and plenty of glitter. But bisa must stay home. As the girl hugs bisa goodbye, the music pulls her in. Excitement is everywhere, on every sight, sound and scent. But… 

Carnaval isn’t the same without bisa. 

With the blow of a whistle and lots of love, the girl will make sure BISA’S CARNAVAL is the best one ever!

 

INTERVIEW

Colleen Paeff: Hi Joana! Congratulations on the starred Kirkus review for Bisa’s Carnaval! This book is receiving such a warm welcome. That’s got to feel good. What are you doing to celebrate the launch of your second picture book?

Joana Pastro: It’s so nerve-wracking sending our book babies out in the world. We never know how they’ll be received, so when we see an enthusiastic response from readers and from reviewers it’s a huge relief. And if it has a star next to it? Even better! To celebrate, today (Tuesday, 12/7 at 12noon EST) I’m having an Instagram live event with Carolina Coroa, where we’ll chat about BISA’S CARNAVAL and answer questions from whoever shows up. Then tomorrow (Weds., 12/8), I’ll be on Scholastic’s #BookParty on Instagram at 7pm EST. It’ll be fun! (See Instagram links below)

 

CP: That sounds great! Your debut picture book Lillybelle, a Damsel NOT in Distress was one of my favorite books of 2020. Does the launch process feel any different this time around?

JP: Awwww That’s so great to hear! I love my little LillyBelle! 

The launch process feels different, but still not what I had dreamed it’d be. I had hoped to do both launches in person at a bookstore, but it wasn’t possible. Last year, I chose not to have a launch event, but because we were home, I was able to plan a three-month pre-order campaign, and I was a lot more active on social media. 

This year, with kids back to in-person learning, and a lot of driving around, I didn’t have as much time on my hands. Like I mentioned before, we’re doing Instagram live. Having a virtual launch is great because I can have it with Carolina, my family, and friends from Brazil and all over the world, but I miss interacting in person. I hope my next launch will have the best of both worlds: virtual and in-person. 

 

Bisas Carnaval int1
Interior spread from Bisa’s Carnaval written by Joana Pastro and illustrated by Carolina Coroa, Orchard Books ©2021.

 

CP: When did you get your first glimpse of Carolina Coroa’s wonderfully vibrant illustrations for Bisa’s Carnaval? Did anything about the illustrations surprise you? 

JP: The first glimpse was when my editor shared Carolina’s color palette research and character studies. I was in awe. I knew then and there that we had hit the jackpot when she accepted the job! 

There’s so much to love in her work! I was surprised by her attention to detail on every spread: the costumes, the buildings, the Portuguese words . . . a guy playing harmonica on his balcony! So amazing. Oh, and she even named the whole family on her character studies. So cool! 

 

CP: I love that! I really liked how, in the story, you mention that carnaval is a time when people can forget their troubles and you go on to list some of the troubles people might have. Was that part of the book from the beginning or did it develop over time?

JP: That was a suggestion I received from an editor who requested a revise and resubmit. She wanted the story to expand on the social-economic aspects. I believe her note truly helped elevate the story, and make it much better.

 

CP: What do you hope young readers take away from Bisa’s Carnival?

JP: From the cultural aspect, I hope readers will want to expand their horizons by learning more about Brazil and about other countries too, and that Brazilian-American children will see themselves in it, be proud of their heritage, and want to share this story with their friends. 

From the family aspect, I hope both children and adults will be inspired to put their electronic devices aside, and spend quality time, and create new memories with their loved ones, especially the older ones.

 

Bisas Carnaval int2
Interior spread from Bisa’s Carnaval written by Joana Pastro and illustrated by Carolina Coroa, Orchard Books ©2021.

 

 

CP: You were an architect before you started writing for children. Have you discovered any crossover between architecture and writing?

JP: Definitely! The creative process is very much the same. In both you get some sort of prompt, then you do a bit of research, you let it simmer for some time, and start drafting. Then you revise a thousand times because there’s always something you can make better. In the future, once it becomes a book or a building, you’ll probably find something that you would have done differently. I imagine this to be true in all creative areas. 

 

CP: Do you have any favorite productivity tricks or anything you do that helps you to stay focused on your writing work?

JP: Whenever I notice that I’m not being productive and that I’m becoming frustrated with a project, I leave it alone. Allowing myself to rest, work on something else, or doing other unrelated activities is the best way to get the creative juices flowing again. The brain will be doing the work even when we’re not paying attention! When I finally go back to it, the roadblock is usually gone.

 

CP: What’s next for you?

JP: The Spanish version of BISA’S CARNAVAL comes out in 2022. I have two picture books that haven’t been announced yet, but I believe will publish in 2023 and 2024. 

I’ve been focusing on writing chapter books, and I’m out on submission with a board book series that I absolutely love writing. Hint: I get to travel the world without leaving my desk! Fingers crossed!

 

CP: How exciting! Thank you so much for chatting with me, Joana. Happy book birthday!

JP: My pleasure! Thank you so much for having me, Colleen!

 

BUY THE BOOK

Lillybelle, a Damsel NOT in Distress: www.joanapastro.com/lillybelle-a-damsel-not-in-distress.html

Bisa’s Carnaval: www.joanapastro.com/bisas-carnaval.html

 

author Joana Pastro
Joana Pastro, Author Photo credit: Diego Castelo

BRIEF BIO

Joana Pastro is an architect who became a children’s book author. Her debut picture book, LILLYBELLE, A DAMSEL NOT IN DISTRESS, illustrated by Jhon Ortiz, was published by Boyds Mills Press (now Astra Kids), in 2020. Her second book, BISA’S CARNAVAL, illustrated by Carolina Coroa, will be published by Orchard Books on December 7th, 2021. Originally from Brazil, Joana lives in Florida with her husband, her three extremely creative children, a rambunctious Morkie, and a needy Maltipoo. You can find her on Twitter @jopastro, Instagram on @joanapastro, on her website at  www.joanapastro.com

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LINKS

Website: www.joanapastro.com

Twitter: www.twitter.com/jopastro

Instagram: www.instagram.com/joanapastro

Scholastic on Instagram: @scholasticinc

Website: carolina coroa illustration

 

ABOUT INTERVIEWER COLLEEN PAEFF

Colleen Paeff is the author of Junior Library Guild Gold Standard Selection The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, illustrated by Nancy Carpenter (Margaret K. McElderry Books, 2021) and the forthcoming Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (Chronicle Books, 2023). Find her online at www.colleenpaeff.com or on Twitter or Instagram @ColleenPaeff.

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Picture Book Review – Planting Friendship: Peace, Salaam, Shalom

 

PLANTING FRIENDSHIP:
Peace, Salaam, Shalom

Written by Callie Metler, Shirin Rahman,
and Melissa Stoller

Illustrated by Kate Talbot

(Spork; $17.99, Ages 5-8)

 

 

Planting Friendship cover

 

Review

Planting Friendship: Peace, Salaam, Shalom has landed on bookshelves at just the right time when the world needs more stories about coming together despite our differences. This uplifting joint effort by Callie Metler, Shirin Rahman, and Melissa Stoller introduces young readers to characters whose faith matches those of the authors: Christian, Muslim, and Jewish respectively. Adding to the appeal is the detailed art by Kate Talbot whose depictions of the three girls, Molly, Savera, and Hannah add recognizable elements of their religions that parents, teachers, and librarians can point out in various spreads.

 

Planting Friendship int1
Interior art from Planting Friendship: Peace, Salaam, Shalom written by Callie Metler, Shirin Rahman, and Melissa Stoller and illustrated by Kate Talbot, Spork ©2021.

 

Molly, Savera, and Hannah meet at school. All three have experienced first-day jitters, a great opening example of how we are more similar than we think. They also notice that each wears a necklace, yet another connection.  While the girls may come from different faith traditions, a hands-on class project of growing seeds into saplings brings them together. When nothing happens with their seeds, the girls consider what will work. Inspired by quotes from their families such as “Nana always says, ‘Things grow with care, kindness, and love,’” a new attempt is made to help the seeds thrive.

 

Planting Friendship int2
Interior art from Planting Friendship: Peace, Salaam, Shalom written by Callie Metler, Shirin Rahman, and Melissa Stoller and illustrated by Kate Talbot, Spork ©2021.
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While waiting for their seeds to sprout, Molly, Savera, and Hannah spend time getting to know each other. Here both the prose and art convey how each girl’s room reflects their religious and cultural background. As the friendship blossoms, so does respect and understanding. When spring arrives, the saplings that had been tended to by the girls with such care are ready to be planted in Peace Park. Even their trip to the park involves pitching in to help each other out whether sharing a shovel or steadying a friend on her feet. With trees of friendship now firmly rooted, Molly, Savera, and Hannah can look forward and focus on new ways of bringing people together. “In Peace Park and beyond.” Talbot’s illustrations bring warmth and fluidity throughout this picture book with the spread below being one of my favorites. Look closely to see the mosque on the left, the church near the bridge, and the synagogue in the foreground. In the back matter, there’s even an opportunity provided for readers to SPOT THE SEVEN OBJECTS IN THE GIRLS’ HOMES. With Hanukkah underway as this review posts, the scenes in Hannah’s bedroom where the girls play dreidel will resonate with many readers.
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Planting Friendship int3
Interior art from Planting Friendship: Peace, Salaam, Shalom written by Callie Metler, Shirin Rahman, and Melissa Stoller and illustrated by Kate Talbot, Spork ©2021.
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Sports, art, cooking, and theater are just some of the other ways people of diverse backgrounds, religions, and races can find connections. I like that in this story it’s about nature and the world around us. While writing this review I kept hearing the band War’s 1975 hit, “Why Can’t We Be Friends?” in my head, and perhaps it’s due to these lyrics. “The color of your skin don’t matter to me, as long as we can live in harmony.” For me, this applies to religions as well. And the harmony we see in the flourishing friendship between Molly, Savera, and Hannah demonstrates they feel the same way. Children will see that what makes us different is also something that can unite us when we’re open to finding common ground. 
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The next book coming out in 2022 is Building Bridges: Peace, Salaam, Shalom. And in 2023 you can look forward to reading the third book which finishes the series.

Buy the Book

https://www.indiebound.org/book/9781950169603

https://bookshop.org/books/planting-friendship-peace-salaam-shalom/9781950169603

 

Read about the Authors + Illustrator Here

Callie Metler

Shirin Rahman

Melissa Stoller

Kate Talbot

 

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Kwanzaa Books for Children

CHILDREN’S BOOKS FOR KWANZAA 2020

 

Kwanzaa begins on December 26 and lasts one week. Learn more about this joyous African American holiday by sharing the books reviewed here.

 

 

Lil Rabbits Kwanzaa paperback cvrLI’L RABBIT’S KWANZAA
Written by Donna L. Washington
Illustrated by Shane W. Evans
(Katherine Tegen Books; $7.99, Ages 3-7)

Young readers will be easily charmed by Li’l Rabbit. Li’l Rabbit’s Kwanzaa, now available in a paperback edition, was originally published in 2010 but its story is timeless.

Despite being frustrated during Kwanzaa for multiple reasons in addition to being told he’s too little to help, Li’l Rabbit still looks forward to his favorite part of the weeklong holiday, Karamu, the festive meal served on the sixth night.

But Granna Rabbit is sick and can’t prepare the meal. “Kwanzaa,” Li’l Rabbit recalls his granna telling him, “is a special time when we help each other.” Her words set him off on a search for a Zawadi (gift, often homemade) to cheer her up. During his quest, various forest friends ask him what he’s doing, and after he explains they all remark how they, too, wish there was something they could do to help. It seems Granna Rabbit has always made time to help out these animals and her good deeds have meant so much to them. When Li’l Rabbit returns home empty-handed and disappointed, he is surprised to see the animals he’d encountered celebrating with food, fun, and friendship. What a surprise for Li’l Rabbit to learn from his granna that her spirits have been lifted not only because of what their thoughtful neighbors have contributed but most of all because Li’l Rabbit’s dream made it happen.

Evan’s buoyant illustrations bring the Kwanzaa festivities to life with their rich colors, patterns, and energy. This picture book will resonate with any child who has ever felt left out or too small to make a difference. I appreciated the back matter including The Nguzo Saba, The Seven Principles of Kwanzaa as well as a glossary of words that were used in the story.

 

Kwanzaa SpotHolidayseries cvrKWANZAA
A Spot Holiday Book
Written by Mari Schuh
(Amicus; $7.99, Ages 5 and up)

Many kids want to pick out books they can read by themselves to improve their skills and feel successful. Parents, teachers, and librarians can’t argue with that. Why not take a look at the Spot (an imprint of Amicus) Holiday series geared to emergent readers? The photographs are beautiful and the text is purposefully simple to encourage beginners while providing an engaging way into diverse cultures and traditions.

In Mari Schuh’s Kwanzaa, as well as all the other series’ books, children can enjoy a search and find feature at the beginning (see the art below), with pictures and words.

 

Kwanzaa int1
Interior photographs from Kwanzaa written by Mari Schuh, Amicus ©2020.

 

“The text uses high-frequency words and repeating sentence structures” empowering new readers while introducing them to new vocabulary via holidays many of their classmates, friends, and neighbors celebrate. Other books in the series include Ramadan, Diwali, Hanukkah, Easter, and Christmas. I’m glad to have discovered this series and look forward to sharing more Amicus books in the future.

 

Read a review of another diverse holiday picture book here.

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