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Middle-Grade Graphic Novel – Agent 9: Mind Control!

 

AGENT 9: MIND CONTROL!

by James Burks

(Razorbill; Hardcover $18.99, Paperback $12.99, Ages 8-12)

 

 

Agent 9 Mind Control graphic novel cover

 

 

I knew I was going to love James Burks’s latest graphic novel, Agent 9: Mind Control! (book #2) from the opening sequence alone. A slick sports car races up swerving roads to the secret lab location of DiViSiON, an evil organization headed by Octopus (aka IQ). Wolf, the novel’s nemesis, emerges from the vehicle and traverses a bridge as a nasty storm unleashes its fury. The dark tones, pounding rain, and the familiar spy tropes of a James Bond film instantly assure us that, like most good spy stories, we’re in for an enjoyable but rocky ride. 

 

 

Agent 9 Mind Control int1 S4 Headquarters
Interior art from Agent 9: Mind Control! written and illustrated by James Burks, Razorbill ©2022.

 

After the scenes switch to a meeting at the headquarters of S4 (Super Secret Spy Service – this book’s equivalent to Bond’s MI6, British Intelligence) Agent 9 and his flying fish sidekick, Fin, learn their new covert mission from O, the big boss. They must thwart the efforts of DiViSiON to steal crucial components needed to construct a menacing Mind Control Device. The Wolf has been contracted to retrieve these items so Nine must get them first. O also informs Agent 9 that he must partner with Traps, a mouse, on this assignment. Used to only being with Fin, Agent 9 is not a happy cat. After all, he’d had visions of winning a spot as Spy of the Month. Working with Traps meant he could kiss that thrill goodbye.

 

Agent 9 Mind Control int2 9 meets Traps the mouse
Interior art from Agent 9: Mind Control! written and illustrated by James Burks, Razorbill ©2022.

 

Burks blends humor into both the dialogue and the art throughout this adventure all while keeping the pace going at breakneck speed. We follow Nine and Traps first to the Rail-Con event on a high-speed train to substitute the real deal with a fake electromagnet. Unfortunately, that does not go as planned. The team thing is also proving difficult despite Traps trying her hardest to help out.

 

Agent 9 Mind Control int3 uncoupling train
Interior art from Agent 9: Mind Control! written and illustrated by James Burks, Razorbill ©2022.

 

Next up is a visit to Quark Labs to grab the compact-sized nanotech battery with unlimited power and infinite possibilities. But “Once again, it appears I have outsmarted you, Agent 9,” says Wolf snarkily who always manages to show up and foil things. Only this time he’s outsmarted by Nine, Traps, and Fin, who sputter away in a slow-moving vehicle in a funny sequence of panels that pit the gang of good guys and gal against the cunning canine. And though it looks like they might succeed this time …

 

Agent 9 Mind Control int4 car chase
Interior art from Agent 9: Mind Control! written and illustrated by James Burks, Razorbill ©2022.

 

… things go south for the trio when Nine is forced by Wolf to choose between the battery or Traps. Soon on his trail again, the spies track Wolf to DiViSiON where he pulls some outrageous moves on Octopus in an effort to wrest sole ownership of the MCD (Mind Control Device). He then turns it on Nine in an act of pure malice. What Wolf doesn’t expect is how teamwork comes through in the end with some clever plotting and a daring and satisfying rescue.

 

Agent 9 Mind Control int5 Wolf controls 9
Interior art from Agent 9: Mind Control! written and illustrated by James Burks, Razorbill ©2022.

 

This top-secret tale takes middle-grade readers into a world of good versus evil where humor adds levity, and characters full of personality promise to keep them hooked. Keep your eyes peeled for some suspicious insect-like creatures lurking around some corners that lead us to a secret lair and a hint of book #3’s next villain. I can’t wait. And remember, there’s no I in team!

  • Reviewed by Ronna Mandel
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13+ New Halloween Books for 2021

 

 

BEST NEW HALLOWEEN BOOKS

A ROUNDUP

 

 

 

 

 

Spookytale coverSPOOKYTALE (An Abrams Trail Tale)
Written by Christopher Franceschelli

Illustrated by Allison Black
(Abrams Appleseed; $14.99, Ages 0-3)

Christopher Franceschelli’s latest book in his Abrams Block Book series is Spookytale, an interactive board book. We travel along with a boy, girl, and dog to their far-off destination: a haunted house. This journey takes them through the woods, across the bridge, and so forth. Each scene has die-cut pieces that lift to reveal fun Halloween-themed surprises. Fun hole-punched areas add textural interest.

The simple text is offset with rich illustrations by Allison Black. Pages have a lot going on; in subsequent readings, kids will find something new. Done in autumnal tones with pops of bright colors, costumed kids and smiling monsters are equally cute. The final scene is a dramatic quadruple gatefold that reveals all the festivities inside the house.

  • Reviewed by Christine Van Zant

 

TrickorTreat Bugs to Eat coverTRICK OR TREAT, BUGS TO EAT
Written by Tracy C. Gold
Illustrated by Nancy Leschnikoff
(So
urcebooks Explore; $10.99, Ages 4-8)

I love Halloween books and Tracy C. Gold’s Trick or Treat, Bugs to Eat is one of my favorites to date. The words are set to the “Trick or Treat, Smell My Feet” rhyme: “Hear my calls / bounce off walls, / echoing as darkness falls.” From there, Gold has gotten clever by presenting a story about a bat out trick-or-treating, weaving in lots of animals facts. For example, we learn bats are nocturnal, use echolocation, and they sure eat a lot of bugs—up to a thousand insects each night!

Coupled with the exceptional text is Nancy Leschnikoff’s outstanding art. I don’t know how many times I exclaimed, “It’s so cute!” while I read this book, but the expressive bat really is that adorable. Surrounding scenic art is just as great (love the raccoon!). The nightscape is rendered in appealing shades of blues and purples.

At only eight-by-eight inches, this 32-page picture book fits well in small hands. Between the engaging story, excellent art, and informative back matter, this book’s got it all.

  • Reviewed by Christine Van Zandt

 

Poultrygeist coverPOULTRYGEIST
Written by Eric Geron
Illustrated by Pete Oswald
(Candlewick Press; $16.99, Ages 4-8)

Kids will cluck out loud upon reading this chicken-centric ghost tale children’s book. In a nutshell (or should I say eggshell?), the story opens with an unsuspecting chicken getting run down by a massive truck and becoming a ghost. I mean, why was he crossing the road in the first place, right?

Soon, all the other local animals that have been hit by vehicles gather around the newly dead chicken to explain the ropes. The humor in this fast-paced read is that they want the newly deceased fowl to begin haunting, only this “spring chicken” has no desire to frighten others. In fact, at one point he turns to the reader and asks, “Pssst? Are you OK?” The sweet surprise is when the fryer asserts himself, accidentally scaring off the troublesome spirits.

The story comes hilariously full circle when the scene switches from the pleased poultrygeist to a squirrel crossing the same dangerous roadway. Pete Oswald’s expressive art in Poultrygeist adds another fun layer to this dark and delightful Halloween story that perhaps unintentionally and hilariously drives home the point to look both ways when crossing

  • Reviewed by Ronna Mandel

 

How to Haunt a House coverHOW TO HAUNT A HOUSE
Written
by Carolyn Crimi
Illustrated by Edward Miller
(Albert Whitman; $16.99, Ages 4-8) 

Carolyn Crimi’s rhyming picture book, How to Haunt a House, features ghosts in a classroom being taught the teacher’s “special ghost technique” for haunting. Groana, Moana, and Shrieky are assigned three houses; all goes well until the last one which proves to be a challenge. The ghosts must figure out something new that will scare the ghouls who live there. It’s got to be tough when, instead of fleeing, “the small girl kissed those scrawny rats.”

Comical illustrations by Edward Miller enhance the text’s humor. His evocative characters are a kick; I especially like the skulking, glaring black cats. The book’s underlying message, “Do not give up! You’ll find a way!” is tackled lightheartedly yet still shows how, sometimes, you need to come at a problem from a new direction in order to solve it.

  • Reviewed by Christine Van Zandt

 

If You Ever Meet a Skeleton coverIF YOU EVER MEET A SKELETON
Written by Rebecca Evans
Illustrated by Katrin Dreiling
(Page Street Kids; $17.99; Ages 4-8)

I never thought I would want to meet a skeleton until I met the adorable protagonist in If You Ever Meet A Skeleton written by Rebecca Evans, who was inspired to write this story after meeting a skeleton in a museum.

Sleeping underground with other skeletons and a few bugs, Skeleton climbs to the surface looking for a friend. He finds three kids dressed in costumes on Halloween night. Dreiling illustrates the skeleton with a piece of blond hair giving the reader a feel for what he looked like before his demise. Evans’ rhyming words take what could be a scary topic and turn it into a humorous read. “Skeletons might seem spooky—white bones without the skin, no eyes, no ears, no lips, just one big toothy grin.”

Children dressed as witches, pirates, and ninja warriors with round faces and toothy grins are not sure what to make of this unusual creature, but Evans takes the reader through a wonderful understanding of how a skeleton, thought different from themselves, can be friend material. “Skeletons have no guts, so they aren’t brave like you. They’re scared of nighttime shadows and owls that say ‘whoooo.’”

This is a great addition to the fall reading list for the school classroom. And how great it is to have a friend who will go “trick-or-treating with you then share their chocolate bar, just like best buddies do.”

  • Reviewed by Ronda Einbinder

 

Boo Stew coverBOO STEW
Written by Donna L. Washington
Illustrated by Jeffrey Ebbeler
(Peachtree; $17.99, Ages 4-8)

A little girl named Curly Locks who loves to cook is the heroine of Boo Stew, a Goldilocks and the Three Bears fractured fairy tale. This Halloween story features food that won’t tempt your taste buds but just might be the right food to feed a scary soul or three.

It seems the Scares of Toadsuck Swamp might be hungry and while they’re invading homes to steal food, they’re causing chaos, especially at the mayor’s house. After they chase him out with an ominous “Gitchey Boo, Gitchey Bon! Gitchey Goo, Gitchey Gone!” the blacksmith, and the chicken rancher also try to vanquish the scary villains with no luck.

Curly Locks, fearless and clever, steps up and entices the Scares with her Boo Stew. With its moose ear broth, toenail clippings, and gnat juice, Boo Stew does the job. A deal is struck and the creatures head back to the swamp. The townsfolk get a Scare-free Toadsuck and Curly Locks … well she gets to prepare all sorts of concoctions for the appreciative Scares since no one else will eat her cooking anyway! Washington has taken the Goldilocks tale and spun a unique, engaging Halloween story. Ebbeler’s colorful, detailed, and dynamic illustrations set a tone that’s just right for this humorous picture book.

  • Reviewed by Ronna Mandel

 

The Ghouls' Guide to Good GrammarTHE GHOULS’ GUIDE TO GOOD GRAMMAR
Written by Leslie Kimmelman
Illustrated by Mary Sullivan
(Sleeping Bear Press; $16.99; Ages 4-8)

Learning proper grammar can be quite daunting for young kids, especially for those still learning over Zoom, but Leslie Kimmelman has created a fabulous storytime picture book that can be read during the Halloween season or any time of the year. The Ghouls’ Guide To Good Grammar is a hilarious take on how different a sentence can read if a comma is misplaced or other grammar isn’t correct. Sullivan’s illustration of a sweet young girl holding a bowl of cat food for Sylvester reads “Time to eat, Sylvester.” But when the giant ghoul with sharp teeth peeks around the corner with all eyes on the little grey and white cat he thinks “Time to eat Sylvester.” A very different and dastardly meaning when the comma is removed!

Turning the page, the reader learns that “contractions are two words shortened and combined with an apostrophe to make one word.” This sounds confusing until the reader visually sees Sullivan’s colorful drawing of six ghouls surrounded by bugs and spilled soda in “Ghouls’ really gross bedroom.” Kimmelman changes the location of the apostrophe to read “Ghoul’s really gross bedroom” and now we see it was one mischievous ghoul who made the mess all on his lonesome.

This treat of a story concludes with a Ghoul Grammar Quiz asking the reader which of the sentences shown has no mistakes. The Ghouls’ Guide to Good Grammar is an ideal teaching tool for a parent or a teacher to use to transform the often tough topic of punctuation into a frightfully fun learning experience.

  • Reviewed by Ronda Einbinder

 

There's a Ghost in this House coverTHERE’S A GHOST IN THIS HOUSE
Written and illustrated by Oliver Jeffers
(Philomel Books; $27.99, Ages 4-8)

I may not be the target age range for this creative book but I had a blast reading it. First of all, There’s a Ghost in this House is less a straightforward picture book―although Jeffers has illustrated it with a little girl, some adorable (and giggling in places) ghosts, and lots of striped clothing―and more a seek-and-find interactive story so children can be in control of how many ghosts they’d like to discover over the course of 80 pages.

Jeffers has taken found black and white photos of an imposing 18th-century mansion and then brought in bits of color with the addition of the young girl narrator/guide. Readers join her to tour the house as she looks for ghosts which are printed white on transparent vellum paper throughout the book and appear when the paper is placed against the b+w house interiors. That’s such a fantastic idea because I never knew what poses the ghosts would be in and where exactly they’d show up each time. 

Since the ghouls are not menacing in the least, children can enjoy this book without fear. Parents and caregivers can admire the cleverness of the presentation while also deciding how many ghosts to expose.

  • Reviewed by Ronna Mandel

 

Brains! Not Just a Zombie Snack coverBRAINS! NOT JUST A ZOMBIE SNACK
Written by Stacy McAnulty
Illustrated by Matthew Rivera
(Henry Holt BYR; $18.99; Ages 4-8)

Matthew Rivera illustrates a green zombie girl with a red scar across her forehead seeking brains to eat in Brains! Not Just A Zombie Snack. Focusing on the fascinating science of the body, STEM picture book author Stacy McAnulty teaches the reader about the importance of the brain and how, without it, reading a picture book would be impossible. This educational read breaks down the five senses of touch, sound, sight, smell, and taste and how the brain receives messages from these senses. What better time than Halloween to explore this subject?!

Zombie Girl is desperate for some brain to eat and in her search for this delectable snack, the reader discovers “Neurons! They do the work, and you have about 86 billion of them.” Zombie holds up two cans of Neurons and Glial Cells with anxious eyes ready to eat. “When you learn something new, like how to add numbers, play the piano, tie up a zombie, you aren’t making more neurons—you’re making new and stronger pathways.”

My brain took in a whole lot of information that I was not aware of such as a 75-year-old human’s brain is 10 percent smaller than max size (so 2.7 pounds-ish) instead of 3 pounds in a grown-up human. The best advice the reader learns is that “if you want to run away from a zombie later. You’ll want your cerebellum.”

The helpful back matter includes Brain Facts such as A human brain is only about 2-3 percent of an adult’s body weight, but it uses almost 20 percent of the body’s energy. I also was surprised to learn that Albert Einstein’s brain was stolen by Dr. Thomas Harvey and cut into 240 blocks to be studied upon his death. This is something I would like to learn more about!

  • Reviewed by Ronda Einbinder

 

Poison for Breakfast coverPOISON FOR BREAKFAST
by Lemony Snicket

Chapter Spot art by Margaux Kent
(Liveright; $17.95, All Ages)

Lemony Snicket’s Poison for Breakfast will certainly be a hit with his fans because the author’s style is quite unique, a word which here means “weird in undefinable ways.” Though marketed to older MG and YA readers, this book appeals to adults as well. This true story begins when Mr. Snicket (as he prefers to be addressed) finds a bewildering and frightening note under his door that reads, “You had poison for breakfast.”

We go along with Mr. Snicket as he reviews each item consumed for breakfast to uncover the culprit. He meanders to locations where the breakfast items originated. Though we eventually discover what’s behind this mystery, the pleasure is in the circuitous journey told in a way that only Lemony Snicket can, complete with endnotes elaborating topics touched upon.

I enjoy the distinctive structure, odd tidbits, and repetition. So, make yourself a poached egg as Mr. Snicket recommends, and settle in for a fun read. A list-maker myself, I find Mr. Snicket’s lists particularly amusing. And, as a writer, knowing the three rules of writing will undoubtedly help me better my craft. They are: (1) Include the element of surprise, (2) Leave something out, and, (3) Well, no one really knows the third rule.

  • Reviewed by Christine Van Zandt

 

The Ghoul Next Door coverTHE GHOUL NEXT DOOR 
Written by Cullen Bunn
Illustrated by Cat Farris
(Harper Alley; $12.99, Ages 8-12)

Get your ghoul on with The Ghoul Next Door, a terrific new middle-grade graphic novel featuring just enough ghouls, ghosts, and atmospheric underworld to make you read it in one sitting and then start all over again.

Welcome to Anders Landing, est. 1692, a place sought out by accused witches to avoid the witch hunts and trials of Salem taking place the same year. Things go downhill quickly for main character Grey who, after picking up an unlucky penny, takes a shortcut to school through the local cemetery. Grey doesn’t want to lug his bulky Salem Witch-themed school project the long way like his superstitious friend, Marshall. When Grey trips on an open grave and drops his project in it, he panics. Looking down he sees his cemetery project grasped by a monster-ish hand. Then, it’s gone.

That evening something enters his bedroom and begins leaving gifts, not the birthday present sort, but finger bones, a doll of his likeness, and assorted other items that freak him out. This creature clearly likes Grey and replaces the original cemetery model with an even better one. Grey may score points in class with the new project, but Marshall thinks it’s best to tell some adults about all the creepy goings-on. While he initially didn’t believe Grey, he’s now changed his mind after a trip to the cemetery where he gets a glimpse of the ghoul. Lavinia, as she’s called, saves Grey from an army of rats and a friendship begins. In foreshadowing the story’s conflict, she warns the two humans to keep mum about what they know or they risk the ire of those underground and put her in jeopardy.

Readers learn that the ghoulish creatures that live below the surface (Grey and Marshall are considered human surface dwellers), aside from enjoying eating the newly dead, greatly dislike and mistrust humans and fear discovery. As payback, they kidnap Marshall leading Grey and Lavinia on a dangerous mission underground to rescue him before he’s killed. What ensues is a page-turning adventure with the right mix of dialogue, fantastical and haunting art, and heart, although technically I don’t think a ghoul has one. The friendship of Lavinia and Grey challenges the ‘no contact with humans’ rule laid out by Lavinia’s community and feels satisfying and fresh (although using that word here feels kind of ghoulish). She risks everything for Grey while he also puts his life on the line to help both his old and new friends and ultimately himself. Read this in the daytime if you live anywhere near a cemetery.

  • Reviewed by Ronna Mandel

 

THE HALLOWEEN MOONThe Halloween Moon cover
Written by Joseph Fink
(Quill Tree Books; $16.99, Ages 10-13)

What if time stood still and it could be Halloween forever? The candy part is tempting, but if everyone you loved had fallen into a deep, otherworldly sleep, it might not be so sweet. That’s exactly what 13-year-old protagonist Esther Gold is dealing with in Joseph Fink’s imaginative novel, The Halloween Moon. Blending fantasy and magic in a contemporary Southern California setting, Fink opens the book with a prologue detailing a robbery of something seemingly quite small which proves to have huge significance in the story. 

Esther lives for Halloween but her best friend, Agustín, does not. So when Esther’s parents announce she has aged out of trick-or-treating, having become an adult at her bat mitzvah, she realizes she’ll have to circumvent this new rule. When that plan involves Agustín, he seems game. Did he agree a bit too easily? Did she like that he did? Those are just a few of the questions Esther faces on this very long Halloween night set under a huge orange Halloween moon. 

Odd goings-on occur as Esther and Agustín notice only a motley crew of trick-or-treaters with shadowy faces are out and about. Their clicky sounds are creepy too. Plus all the people usually into the holiday aren’t answering their doors. The pair soon discover that a sleeping spell has been cast over the community. An urgency hits when Esther realizes her little sister has gone missing. That’s also what brings Esther together with bully Sasha Min who has often lobbed anti-semitic and other hurtful insults her way. But since Sasha’s distraught over her kidnapped brother and unwakeable mother, she agrees to team up with the other two intrepid trick-or-treaters to find out what’s going on. Along the way, the teens take the rare awake adult, next-door neighbor, Mr. Gabler, onboard as they try to reverse the spell and bring the interminable Halloween nightmare safely to an end 

I enjoyed this book because, in addition to the mystery the teens hope to solve, readers get inside Esther’s head and learn that she’s been having difficulty accepting change in her life. Whether the change is about her giving up trick-or-treating, her changing feelings for Agustín, watching Grandma Debbie getting older and frailer, or about what might happen when she moves up into high school the following year, Fink ties Esther’s growth into the Halloween adventure in a satisfying way. The dynamic shared between Esther and Sasha as they try to resolve past conflicts is also one that should resonate with readers. Horror fans will note references to John Carpenter and the horror film genre in general.

  • Reviewed by Ronna Mandel

 

HAPPY HOWL-O-WEEN MAD LIBS  
by Mad Libs

(Mad Libs; $6.99, Ages 8-12)

Mad Libs are one of those things: we all know and enjoy them. As a parent, I wholeheartedly encourage playing Mad Libs whenever a boring moment strikes. Yes, they’re hilarious and spark the imagination, but also (secret parent trick) drill home the parts of speech: adverb versus adjective and so forth. And if you’re a little rusty, no fear. Following the instructions, there’s a “quick review” that easily explains that, for example, when an exclamation is called for, they mean something like “Wow!” “Ouch!” or “Ick!”

The Happy Howl-o-ween version takes all the best stuff about this holiday and mixes it up with the fill-in-the-blank fun of Mad Libs. There are 63 themed stories to create in three categories: Monster Mash, Trick or Treat (both by Tristan Roarke), and Day of the Dead (by Karl Jones).

Whether you’ve done these a million times or are just introducing them to a young child, pick up a copy for your car as a way to pass some time with laughs and learning.

  • Reviewed by Christine Van Zandt

 

vampires hearts other dead things coverVAMPIRES, HEARTS, & OTHER DEAD THINGS
by Margie Fuston
(Margaret K. McElderry; $18.99, Ages 14 and up) 

Instead of celebrating her senior year, Victoria won’t give up on her terminally ill dad—even when her family is told there are no treatment options left to pursue. Her mom and sister seem better at letting go. Victoria, instead, turns to the passion of all-things-vampire that she shares with her father and decides it’s up to her to save him. Ten years ago, a vampire announced himself to the world, but, after some mishaps, the vampires went back into hiding. Victoria takes that trip to New Orleans she’d planned on doing with her dad and, while there, vows to find and get bitten by a vampire so she can save her father by turning him into one too.

The grief Victoria struggles with is realistically handled, as is the complex connection she has with Henry (her neighbor, former BFF, and maybe boyfriend). As in all good love stories, a bit of a love triangle comes into play, but the heart of the story involves Victoria’s relationships with her family and Henry. Messy emotions are laid bare in a hauntingly beautiful setting. I like how Victoria’s quest leads her through ever-increasing challenges that test her resolve to follow through with this plan.

A new, vital addition to the vampire lore. Not only does this story add its own flair, but it explores previous books and movies—a pleasing touch for vampire aficionados.

  • Reviewed by Christine Van Zandt

 

 

ADDITIONAL RECOMMENDED HALLOWEEN READS 

 

BOO! BAA! LA LA LA!
Written and illustrated by Sandra Boynton
(Little Simon; $5.99, Age 0-5)

 

 

Vampenguin coverVAMPENGUIN
Written and illustrated by Lucy Ruth Cummins
(Atheneum BYR; $17.99, Ages 4-8)

 

 

 

The Haunted Mustache coverTHE HAUNTED MUSTACHE: Book #1 Fright Nights
Written by Joe McGee
Illustrated by Teo Skaffa
(Aladdin; $6.99, Ages 7-10)

 

 

 

 

What Lives in the Woods coverWHAT LIVES IN THE WOODS
Written by Lindsay Currie
(Sourcebooks; $16.99, Ages 8-12)

 

 

 

 

 

 

THE GHOSTLY TALES OF THE QUEEN MARY
by Shelli Timmons
(Arcadia Children’s Books; $12.99, Ages 8-12)

 

 

 

 

 

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Middle Grade Graphic Novel – The Legend of Auntie Po

THE LEGEND OF AUNTIE PO

Written and illustrated by Shing Yin Khor

(Kokila; $22.99, Ages 10-14)

 

 

The Legend of Auntie Po cover

 

 

Finalist for the 2021 National Book Award for Young People’s Literature. 

Starred reviews – Horn Book, Kirkus, School Library Journal

 

 

A re-imagined Paul Bunyan legend gives one Chinese American girl
the courage to face adversity. 

 

Thirteen-year-old Mei lives and works in an 1885 Sierra Nevada lumber logging camp in the graphic novel, The Legend of Auntie Po by Shing Yin Khor. Her father, Hao, cooks for the workers, and Mei is famed for her pies. Mei, unlike the other women in the camp, does not wear a dress and is conflicted about her budding sexuality and her feelings towards Bee Anderson, the camp foreman’s daughter.

Within the camp, racial tensions simmer and the Chinese workers face discrimination and violence. Abusive behavior towards women in the camp also adds to an increasingly hostile environment. Camp foreman Hel Anderson, Bee’s father, turns a blind eye to all that is happening.

To help her and the other women and children cope with these injustices, Mei invents a Bunyanesque character, Auntie Po, only she can see. The stories she spins about Auntie Po and her blue water buffalo, Pei Pei, give courage and hope to the others.

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The Legend of Auntie Po int1
Interior art from The Legend of Auntie Po written and illustrated by Shing Yin Khor, Kokila ©2021

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Following the passage of the Chinese Exclusion Act, the Chinese workers are forced to leave the mill. Mei stays with Bee’s family, but Hao and the other Chinese workers leave to find work in San Francisco. When camp conditions severely deteriorate, Anderson travels to Chinatown to persuade his former workers to return. Hao, mindful of Anderson’s acceptance of the discriminatory conditions, negotiates a better deal for the Chinese workers. Anderson agrees and Hao and the others return to the camp. Father and daughter are reunited.

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The Legend of Auntie Po int2
Interior spread from The Legend of Auntie Po written and illustrated by Shing Yin Khor, Kokila ©2021

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Author/illustrator Khor’s colorful illustrations authentically capture 19th lumberjacking life, demonstrating the amount of research she did to convey the details of daily life and conditions experienced by the workers and their families. In addition, this graphic novel highlights the art of storytelling and how each story can be shaped or reimagined by the experiences of the teller and the listener.

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The Legend of Auntie Po int3
Interior spread from The Legend of Auntie Po written and illustrated by Shing Yin Khor, Kokila ©2021

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As the story concludes, Mei and her father decide it’s time for her to go away to school. Mei has also resolved some of her identity issues: 

 

 “I know who I am. I am a good cook.  I have good friends, I have the best pa in the world” (p. 272).

 

The author’s endnote and her bibliography contain valuable information, as does her video on how this book came about for anyone who wants to learn more about the legends and history behind this engaging graphic novel. This is truly the middle-grade at its finest.

  •  Reviewed by Dornel Cerro
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Middle Grade Book Review of Turtle in Paradise – The Graphic Novel

 

TURTLE IN PARADISE:

The Graphic Novel

Written by Jennifer L. Holm

Illustrated by Savanna Ganucheau

Colors by Lark Penn

(RH Graphic; HC $20.99, Paperback $12.99, Ages 8-12)

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Turtle in Paradise cover

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Starred Review – School Library Journal

An excellent way to introduce middle-grade readers to Holm’s Newbery Honor book of family, friendship, and home.

 

In 1935, eleven-year-old Turtle is sent to Key West, Florida to live with relatives she’s never known in the graphic novel adaptation of Turtle in Paradise by Jennifer L. Holm and Savanna Ganucheau. Turtle’s single mother, Sadiemae works as a maid for a New Jersey woman who does not want children underfoot. Turtle, protected by the hard shell for which she’s named, is also protective of her flighty mom and worried about being separated from her. 

Over the summer, she hangs out with her cousins and their friends who are part of the boys only “Diaper (babysitting) Club” (they “wurk” for candy) and spends the summer helping them and her Aunt Minnie while meeting the neighbors, fisherman, and rum runners, who speak about a long lost pirate treasure. Hoping to earn money to help her mother purchase a home, she persuades the others in the Diaper Club to search for the treasure. They find the treasure on one of the uninhabited keys but are marooned there for two days during a hurricane. Happily, they are rescued and Turtle is reunited with her mom. 

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Turtle in Paradise Page 08
Interior illustrations from Turtle in Paradise: The Graphic Novel written by Jennifer L. Holm and illustrated by Savanna Ganucheau, Random House Graphic ©2021.

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Holm’s graphic novel adaptation of her novel doesn’t lose any of the story’s warmth, humor, and dramatic moments. Told from Turtle’s point of view, the graphic novel conveys her gradual emergence from her shell as a caring and plucky girl. As in the novel, family secrets, such as her father’s identity, rise to the surface. Turtle figures out things out on her own, realizing that the answers may not be so important: “… not all kids are rotten … and there are grown-ups who are as sweet as Necco Wafers. And if you’re lucky, some of them may even end up being your family.”

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Turtle in Paradise Page 10
Interior illustrations from Turtle in Paradise: The Graphic Novel written by Jennifer L. Holm and illustrated by Savanna Ganucheau, Random House Graphic ©2021.

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Some minor characters from the novel have been left out (including “Papa” Hemingway) and some aspects of characters are not as deeply developed, such as Aunt Minnie’s true kindly nature. Nevertheless, Savanna Ganucheau (Lumberjanes) captures each character’s nature and circumstances in facial expressions, body language, and actions. Ganucheau’s portrayals of the wisecracking cousin Beans, the overworked Aunt Minnie, and the friendly fisherman Slow Poke (who once loved Sadiemae!) are perfect. The period and the locale of Key West were well researched by both Holms and Ganucheau and that is reflected in both the narrative and the art. Think Necco wafers, sugar apple ice cream (cones are a nickel), Shirley Temple and Little Orphan Annie, the streets of Key West, and the very real 1935 hurricane that stranded Turtle and the Diaper Club and wreaked so much destruction on an area already suffering from economic depression. 

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Turtle in Paradise Page 14
Interior illustrations from Turtle in Paradise: The Graphic Novel written by Jennifer L. Holm and illustrated by Savanna Ganucheau, Random House Graphic ©2021.

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Back matter includes a note from the author which details her family connection to this story as well as some of the historical background. Also included is a fascinating note from Savanna Ganucheau about the artwork (find out more about what went into the artwork here).

Random House Teachers and Educators has a lovely educator guide with information about the book and art here

This graphic novel adaptation can stand by itself or act as a perfect introduction to the novel for middle graders. It should draw in potential readers who will be well prepared for more nuanced character development and a more complex narrative. 

  •  Reviewed by Dornel Cerro

 

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Multicultural Children’s Book Day 2020 – New Kid

NEW KID
Written and illustrated by Jerry Craft
(HarperCollins; $21.99 H/c, $12.99 P/b, Ages 8-12)

 

 

NewKid PB cover

 

Newbery Medal Winner
A New York Times bestseller
Winner of the 2019 Kirkus Prize for Young Readers’ Literature
Starred Reviews – Booklist, Kirkus Reviews, Publishers Weekly, School Library Journal, Shelf Awareness

 

I began reading author-illustrator Jerry Craft’s outstanding graphic novel, New Kid, last week before it made history winning the Newbery so I was thrilled that it was honored. I read it slowly to savor every illustration, every funny or meaningful moment, and every twist and turn in the story. You know that feeling when you want to stay with characters long after a book has ended? That is the feeling readers will experience with New Kid.

Craft introduces us to the main character, Jordan Banks, and his dilemma, and we’re instantly in his court. He’s been accepted into an elite private school, Riverdale Academy Day School (RADS) for seventh grade. Although Jordan would prefer to attend an art school, he and his dad agree he will give it a try and switch to the art school for ninth grade if things don’t work out. Jordan, who is black, lives in Washington Heights with his loving parents who want to offer him advantages they never had. Jordan must commute via bus to Riverdale to attend classes. The way Craft shows the change in communities and attitudes through Jordan’s hoody, how he wears it and what his posture is like as he travels is eye-opening. Not only will this smart, talented preteen have to navigate public transportation, he’ll also have to figure out a more pressing dynamicwhere he fits in at the new school.

I loved getting inside Jordan’s head via his sketch book packed with cartoons along with Craft’s vibrant illustrations. A pair of angels are depicted in various scenes responding to situations that Jordan encounters and emotions he feels. This adds a humorous dimension to Craft’s multi-layered graphic novel about what it’s like being a person of color in a predominantly white school environment. At RADS, with its mostly wealthy and privileged student body, Jordan quickly realizes who the gossips are, who the jocks are, who the annoying kids are, and who he can ultimately call a friend.

And what about the the teachers and administrators at Jordan’s school? Some reviews have described a culture of behavior at RADS as micro-aggressive and I agree. Readers’ perspectives should change after noticing the undertone of prejudice, racism and ignorance aimed at minority students when teachers don’t make an effort to remember someone’s name or are quick to accuse the wrong student in a fight. The same applies to fellow students who, for example, cannot acknowledge that a classmate is from Nicaragua and not Mexico. The tongue-in-cheek Oprah public service announcement cartoon Jordan creates about kids on financial aid also struck a chord. I’ve known people who’ve felt stigmatized when this confidential arrangement was revealed. While these are some of the hardest issues to read about, they’re also some the most honest, important and compelling. Through Jordan, Craft deftly challenges stereotypes and enlightens kids that other paradigms exist.

New Kid’s 14 chapters take us through an entire school year during which we watch and root for Jordan’s success in the classroom, on the field for P.E. (where it’s often very cold), and in his social life where there’s never a dull moment. We also come to care about his closest pals, Liam and Drew, who have his back and grow along with Jordan. A cast of endearing secondary characters rounds off the novel, and the inclusion of these relationships injects another realistic element into the middle school experience. There are up days, down days, and days when Jordan wonders whether he’ll ever make this private school thing work.

When he leaves behind his Washington Heights buddies to go to RADS, Jordan faces yet another challenge—how to make new friends and keep the old. It’s not a straightforward silver and gold thing and Jordan knows it. It’s great that Craft shows the effort Jordan makes to keep up those relationships because, although he may be in Riverdale during the day, after school and weekends he’s still connected to his neighborhood and that grounds him in the best possible way.

I’m grateful to have been able to spend time with Jordan Banks, his family and friends. I hope you’ll also meet Jordan soon by getting a copy of New Kid at your local indie bookseller!

Disclosure: I was gifted New Kid by HarperCollins to review for the event.

 

 

  • Reviewed by Ronna Mandel

 

Multicultural Children’s Book Day 2020 (1/31/20) is in its 7th year! This non-profit children’s literacy initiative was founded by Valarie Budayr and Mia Wenjen; two diverse book-loving moms who saw a need to shine the spotlight on all of the multicultural books and authors on the market while also working to get those book into the hands of young readers and educators.

Seven years in, MCBD’s mission is to raise awareness of the ongoing need to include kids’ books that celebrate diversity in homes and school bookshelves continues.

MCBD 2020 is honored to have the following Medallion Sponsors on board

Super Platinum

Make A Way Media/ Deirdre “DeeDee” Cummings

Platinum

Language Lizard, Pack-N-Go Girls

Gold

Audrey Press, Lerner Publishing Group, KidLit TV, ABDO BOOKS: A Family of Educational Publishers, PragmaticMom & Sumo Joe, Candlewick Press

Silver

Author Charlotte Riggle, Capstone Publishing, Guba Publishing, Melissa Munro Boyd & B is for Breathe

Bronze

Author Carole P. Roman, Snowflake Stories/Jill Barletti, Vivian Kirkfield & Making Their Voices Heard, Barnes Brothers Books, TimTimTom, Wisdom Tales Press, Lee & Low Books, Charlesbridge Publishing, Barefoot Books, Talegari Tales

 

Author Sponsor Link Cloud

Jerry Craft, A.R. Bey and Adventures in Boogieland, Eugina Chu & Brandon goes to Beijing, Kenneth Braswell & Fathers Incorporated, Maritza M. Mejia & Luz del mes_Mejia, Kathleen Burkinshaw & The Last Cherry Blossom, SISSY GOES TINY by Rebecca Flansburg and B.A. Norrgard, Josh Funk and HOW TO CODE A ROLLERCOASTER, Maya/Neel Adventures with Culture Groove, Lauren Ranalli, The Little Green Monster: Cancer Magic! By Dr. Sharon Chappell, Phe Lang and Me On The Page, Afsaneh Moradian and Jamie is Jamie, Valerie Williams-Sanchez and Valorena Publishing, TUMBLE CREEK PRESS, Nancy Tupper Ling,Author Gwen Jackson, Angeliki Pedersen & The Secrets Hidden Beneath the Palm Tree, Author Kimberly Gordon Biddle, BEST #OWNVOICES CHILDREN’S BOOKS: My Favorite Diversity Books for Kids Ages 1-12 by Mia Wenjen, Susan Schaefer Bernardo & Illustrator Courtenay Fletcher (Founders of Inner Flower Child Books), Ann Morris & Do It Again!/¡Otra Vez!, Janet Balletta and Mermaids on a Mission to Save the Ocean, Evelyn Sanchez-Toledo & Bruna Bailando por el Mundo\ Dancing Around the World,Shoumi Sen & From The Toddler Diaries, Sarah Jamila Stevenson, Tonya Duncan and the Sophie Washington Book Series, Teresa Robeson  & The Queen of Physics, Nadishka Aloysius and Roo The Little Red TukTuk, Girlfriends Book Club Baltimore & Stories by the Girlfriends Book Club, Finding My Way Books, Diana Huang & Intrepids, Five Enchanted Mermaids, Elizabeth Godley and Ribbon’s Traveling Castle, Anna Olswanger and Greenhorn, Danielle Wallace & My Big Brother Troy, Jocelyn Francisco and Little Yellow Jeepney, Mariana Llanos & Kutu, the Tiny Inca Princess/La Ñusta Diminuta, Sara Arnold & The Big Buna Bash, Roddie Simmons & Race 2 Rio, DuEwa Frazier & Alice’s Musical Debut, Veronica Appleton & the Journey to Appleville book series  Green Kids Club, Inc.

We’d like to also give a shout-out to MCBD’s impressive CoHost Team who not only hosts the book review link-up on celebration day, but who also works tirelessly to spread the word of this event. View our CoHosts HERE.

Co-Hosts and Global Co-Hosts

A Crafty Arab, Afsaneh Moradian, Agatha Rodi Books, All Done Monkey, Barefoot Mommy, Bethany Edward & Biracial Bookworms, Michelle Goetzl & Books My Kids Read, Crafty Moms Share, Colours of Us, Discovering the World Through My Son’s Eyes, Educators Spin on it, Shauna Hibbitts-creator of eNannylink, Growing Book by Book, Here Wee Read, Joel Leonidas & Descendant of Poseidon Reads {Philippines}, Imagination Soup, Kid World Citizen, Kristi’s Book Nook, The Logonauts, Mama Smiles, Miss Panda Chinese, Multicultural Kid Blogs, Serge Smagarinsky {Australia}, Shoumi Sen, Jennifer Brunk & Spanish Playground, Katie Meadows and Youth Lit Reviews

FREE RESOURCES from Multicultural Children’s Book Day

TWITTER PARTY! Register here!

Hashtag: Don’t forget to connect with us on social media and be sure and look for/use our official hashtag #ReadYourWorld.

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Five New Halloween Books for Kids – A Roundup Part 2

BEST NEW KIDS BOOKS FOR HALLOWEEN

∼ A ROUNDUP ∼

PART 2

 

 

 

Beneath the Bed coverMISTER SHIVERS: BENEATH THE BED AND OTHER SCARY STORIES
Written by Max Brallier
Illustrated by Letizia Rubegni
(Acorn/Scholastic; $4.99, Ages 5-7)

Acorn books, designed for early readers, brings five scary stories to children in this Mister Shivers series. Beneath the Bed and Other Scary Stories has 64 pages packed with full-color artwork while some other Acorn books have 48 pages. Either way, there’s something for every new reader seeking “relatable characters and experiences” written and illustrated by some of the best known names in children’s literature.

Beneath the Bed and Other Scary Stories opens with a letter from Mister Shivers about a mysterious box delivered to him in which he found items pertaining to each story and a promise to share the stories in the book. Like all the stories in this book, evocative, muted illustrations help reinforce the easy-to-read text of these fast paced short stories. That’s certainly the case in “Beneath the Bed” about a boy dared by kids at school to visit the local haunted house. Upon entering the house with his sister who he brought along for courage, the pair discover a sinister doll with glowing eyes under a bed in the attic bedroom.

“A Hair Down to My Stomach” as the title implies, is equal parts gross and unsettling, with just the type of visuals accompanying it to make it succeed. “The Statue” will have kids talking back to the book as they turn the pages and tell the mom in the story as her son tries to do, “Don’t buy the statue!” Of course, she does. What follows is the reason why Mr. Shivers’ mysterious box contained a piece of quilty. He never mentioned if it was smelly like the quilt in “The Statue.” All I know is the young boy should have listened to the statue’s owner when she warned the buyers not to remove the quilt. The same goes for Oliver in “A Dark and Stormy Night” who should have done as his parents’ wished and brought his toys inside. Instead, they were left out in the rain to be ruined by the elements. Toys don’t like being forgotten and seek their revenge when that happens. Poor Oliver! And as for the scraping sound in “The Noise at the Window,” I know this well. Only I’ve been fortunate to find a tree outside where I heard the clawing coming from a branch. The little girl in this tale wasn’t so fortunate!

Okay spine, start tingling because these five stories are guaranteed to make you keep the lights on.

The Okay Witch book coverTHE OKAY WITCH
Written and illustrated by Emma Steinkellner
(Aladdin; $12.99, Ages 8-12)

Get ready to be caught under the spell of Emma Steinkellner’s The Okay Witch, a terrific debut middle grade graphic novel.

Tween readers will be charmed by the main character Moth Hush, who at 13 learns she is part witch with special powers, something she had only dreamed of up until that point. Living above her single mom Calendula’s second hand store, Moth has never felt the warm and fuzzies from her classmates in her Massachusetts hometown of Founder’s Bluff nor in the community at large. She soon learns there’s a good reason why and goes exploring back in time via her mother’s diary.

In 1692 a group of women suspected of being witches, her grandmother Sarah being one of them, was run out of town. They were indeed witches but good ones and many townspeople secretly went to them to avail of magic to help them. When ousted, Sarah led the women to a timeless land she created called Hecate, but Calendula refused to live there. She returned to Founder’s Bluff to live a normal non-witch life for herself having fallen in love with a human. Sadly, Sarah cast a spell to make this man have no memory of Calendula. Pregnant, the brokenhearted, Calendula raised Moth alone with no magic.

In school Moth befriends another fish-out-of-water named Charlie who is new to Founder’s Bluff. Little does Moth know that there’s a connection between her family and Charlie’s that could test their friendship. I got a kick out of the magical cat, Mr. Laszlo, the spirit of Keeper’s Secondhand Store who had taken Calendula in and, when he passed away, left the store to her. The talking feline’s speech is peppered with Yiddish and in my head I heard Billy Crystal doing the dialogue.

Steinkellner must have had such fun writing and illustrating this story which reads quickly and nicely ties all the loose threads together at the end. The artwork wonderfully and convincingly conveys the moments when Moth experiences the power of magic. I especially liked the historical scenes and when Moth visits Hecate, but to be honest, all the illustrations brought the story alive. The novel is filled with humor, sarcasm, action, fantasy, pride and most of all, love as evidenced by Moth’s efforts to navigate the magical world of her grandmother and the real world in which Calendula has chosen to raise her. She’s new to the witch world and she’s far from perfect, making her The Okay Witch we care about and want to see happy and at home with her mom.

Graphic novel fans will quickly be swept up into Moth’s witchy world of time travel, timelessness, tween curiosity and relationships as Moth tries to learn more about herself. Will the way in which her family’s life intersects with that of Founder’s Bluff  be a reason to stay or retreat to Hecate? The fun’s in the finding out in this enchanting, recommended read that’s definitely not just for Halloween.

Ghoulia and the Mysterious Vistor cvrGHOULIA AND THE MYSTERIOUS VISITOR (Book #2)
Written and illustrated by Barbara Cantini
Translated from Italian by Anna Golding
(Amulet Books; $9.99, Ages 6-8)

You don’t need to have read Book#1 in order to enjoy Ghoulia and the Mysterious Visitor (Book #2), a chapter book series about a friendly zombie called Ghoulia and the dead and not-so-dead inhabitants of Crumbling Manor. Billed as Clue meets Little Shop of Horrors, this full-color illustrated book is sure to get young readers in a Halloween mood.

The story opens with Ghoulia feeling bored. When cranky cousin Dilbert arrives unexpectedly, Ghoulia looks for her Auntie Departed to explain why this relative she’d never even heard of got invited to Crumbling Manor. But her Chatterbox-Ivy-obsessed aunt is nowhere to be found. Ghoulia thinks it’s odd when more friends turn up, each with an invitation to a surprise dinner the young vampire knows nothing about.

As Ghoulia and her pals search Crumbling Manor for Auntie Departed, a friend Theresa also goes missing. Something weird is happening so the remaining guests split up to find those who’ve disappeared while trying to help Ghoulia figure out who sent the invitations.

This delightful chapter book will hook confident young readers ages 6 to 8 who still love beautifully illustrated stories that aren’t scary yet have an air of mystery about them. I’m not sure kids will recognize famous individuals such as Hitchcock and Poe in framed pictures on Crumbling Manor’s walls, but they’re certainly a treat for adult readers. In fact every illustration is a treat and worthy of a thorough scanning to see what special things Cantini has hung up on the walls or placed in each room. Her prose and pictures provide the perfect foreshadowing for kids quick to pick up clues. At the end there are bonus activities including how to write an invitation and fill out an envelope, how to start a garden and how to make Dilbert’s special pumpkin juice (minus the spiders’ eggs)! Watch out for Ghoulia and the Ghost With No Name (Book #3) coming soon!

THE CURSE OF THE WERE PENGUIN
Written by Allan Woodrow
Illustrated by Scott Brown
(Viking BYR; $17.99, Ages 8-12)

Described by Chris Grabenstein, #1 New York Times bestselling author, as “Young Frankenstein meets The Princess Bride in the most hysterically hilarious book I’ve read in years,” and I could not agree more. I smiled my whole way through The Curse of the Werepenguin, a clever, funny and original story within a story. I read it over two days and could not wait to see how author Allan Woodrow would end it. As I suspected, it’s TO BE CONTINUED so now I have to find out where he takes this wild and feathery tale of an orphan boy named Bolt.

Meet Humboldt Wattle (aka Bolt), a twelve-year-old boy abandoned as a baby at The Oak Wilt Home for Unwanted Boys. There’s little about him that makes him stand out except a large bird-shaped birthmark on his neck. When suddenly his life changes overnight, Bolt’s unusual marking will take on tremendous significance in his life. He’s been summoned to the distant land of Brugaria by a wealthy baron who no one wishes to disobey. Could this mean the family he’s been hoping for is finally ready to reunite with him?

The catch is that Baron Chordata is not only a cruel person feared by most inhabitants of Brugaria, he looks like he’s the same age as Bolt. On top of that, he dresses in tuxedos even at home, and consumes massive quantities of fish, every kind imaginable, including live goldfish. Woodraw’s descriptions of eating seafood have to be some of the funniest and disgusting ones I’ve ever read and I lapped up every slimy, slithery sentence. I also may never look at fish sticks the same way again!

In a trance from his first experience playing video games, Bolt unknowingly agrees to a request by Baron Chordata. This eventually leads to his being bitten on the neck. The result? Bolt turns partially into half boy, half penguin or werepenguin, so maybe a quarter … Anyway, after three days the full effect of the transformation will be complete. When the full moon shines, which is every night in Brugaria, the change in Bolt occurs. His feet turn webbed and orange, he sprouts wild tufts of hair, wings, an enormous nose and has cravings for seafood. Then he, along with all the other werepenguins including the baron, bark, wreak havoc and steal fish whenever possible.

Fortunately or unfortunately for Bolt, a girl named Annika who tried to rob and kidnap him because she’s “the world’s great bandit,” becomes an ally (or not) in trying to help Bolt escape the baron’s wicked clutches and rid himself of the werepenguin curse. The curse is not the only thing Bolt’s dealing with. He’s got this wacky, whale-loving cult leader named Günter determined to destroy him. Günter’s weapon of choice, a loaf of French bread! Plus Bolt’s learned that the werepenguins, led by power and fish hungry werepenguin-in-chief, Baron Chordata, are orchestrating a takeover of Brugaria the same day the curse on Bolt goes into full force. Someone has to do something and Bolt realizes it’s him. What that something is, he’s not totally sure, but still …

You’ll LOL at the Cloris Leachman-like “lowly housekeeper” called Frau Farfenugen, a greenish, warty and miserable woman who is not what she seems, Blazenda, a fortune-telling witch whose cackles drive Bolt crazy, but who may hold the key (or tooth) to Bolt’s freedom, and a cast of colorful characters, some of whom scream and faint whenever the name Baron Chordata is said aloud, that will entertain you and have you sitting on the edge of your seat or wherever it is that you read fantastic books.

Ultimately, Bolt has to decide what real family is. Is it Annika and her bandit dad and his buddies or is it the rook of penguins that, we learn in the novel’s prologue, should never be split up? I’m not going to spoil it by telling you, but I will say that joining Bolt on his journey is something you’ll love doing. So start cooking some fish sticks, grab a baguette and get reading!

Ghost book coverGHOST: THIRTEEN HAUNTING TALES TO TELL
A Collection by Illustrátus
(Chronicle Books; $21.99, Ages 9-12)
Starred Reviews – Kirkus Reviews, School Library Journal

I made sure I read this book when my husband was home because I’m a big chicken. When I did read Ghost, I realized the stories are not only fantastic ghost stories for Halloween, but also ones to commit to memory to share around a campfire. You could also bring the book along but you many not want the hauntingly illustrated, white embossed cover to get dirty. “Contributors to this chilling collection include authors Blaise Hemingway and Jesse Reffsin, and illustrators Chris Sasaki and Jeff Turley,” and Kit Turley, and they’ve done a fantastic job of scaring me although, as I said above, I do scare easily.

As I settled down to read each of the thirteen eerie tales, an owl hooted from my back yard adding to spooky feeling the stories exude. The tales, brief but powerfully creepy, are ideal for tweens who love to feel the hair on their necks stand up. The subjects range from a girl getting a tap tap tap from her mirror and then being imprisoned in it by her evil reflection, to two boys going ice fishing who disregard a shopkeeper’s advice to avoid the north of Point Whitney. The reasonit’s haunted by the ghost of Max Whitney, the former owner of the bait and tackle shop. Do the boys catch a lot of fish? Yep. Do they return safely home to share their experience? I’m not telling. There’s another one that takes place by a pond. Suffice it to say that, unlike the main character in this tale, a boy named Samuel who hears his drowned sister call out to him and follows her cries, I would never go out of my house in the middle of the night with a lantern by myself. The artwork throughout Ghost has a spare quality about it with a very limited palette which is appropriate for the collection. And though created digitally, all the illustrations resemble wood block prints and imbue every tale with as frightening an effect as the words themselves.

The tale that particularly resonated with me was about a girl who finally gets a room of her own away from her younger sister. Now alone in her new bedroom, the girl is terrified of the ghostly night noises but thinks if she just huddles under the covers and keeps her eyes tightly closed, everything will be okay. And it is, but how long can she keep her eyes shut? Did I mention that as a child I had my dad install a lock on my bedroom closet door? I will not easily forget the story of the young boy, Michael Alvey deep sea diving to a WWII sub wreck in search of the bodies of his deceased parents. They died just after their last communication was, “Please! Help! They’re coming.” When I found out who “they” were, I was shocked and readers will be, too. I caution young readers to avoid basements, elevators, hiking or making a trip after midnight to a cemetery right after reading Ghost.

Some stories unhinged me more than others, “The Descent” being one of them. That’s not to say they weren’t all good because they were, but certain stories played off of my deepest fears more than others. That being said, it might be best to read this book with a cat curled up on your lap or with a big dog nearby during the day!

  • Reviewed by Ronna Mandel

Read another Halloween Books roundup here.

 

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Fitting In – The Power of Belonging in Vera Brosgol’s Be Prepared

BE PREPARED
Written and illustrated by Vera Brosgol
(First Second; $12.99, Ages 10-14)

Starred Reviews – Booklist, Horn Book, Publishers Weekly, School Library Journal

 

book cover illustration from Be Prepared by Vera Brosgol

 

Be Prepared, a middle grade graphic novel written and illustrated by Vera Brosgol, is the book I needed in middle school. Aside from the fact that I never actually got to go to summer camp, I imagine my experiences would have been eerily similar to the protagonist’s trials and tribulations, including the torture of the unknown when it came to outhouse bathrooms. (I did go camping a lot and have never met a Port-a-Potty I liked, but then, who has?). The expressive and verdant illustrations truly capture the specific tumultuous emotions of tweens and beyond and captured my heart with the integrity and honesty given to this age group.

int artwork by Vera Brosgol from Be Prepared
Interior illustration from Be Prepared written and illustrated by Vera Brosgol, First Second Books ©2018.

 

Even though your kids are back to school with visions of summer lingering in their heads, Brosgol’s novel will help quell some of those summer pangs. Written from the perspective of a young Russian girl named Vera who is trying to fit in with her peers, Be Prepared simultaneously pulls the reader into an immediate place of recognition as well as a fresh perspective from a Russian family. 

int art from Be Prepared by Vera Brosgol
Interior illustration from Be Prepared written and illustrated by Vera Brosgol, First Second Books ©2018.

 

While her friends have big houses and to-die-for birthday parties, Vera struggles to gain acceptance in her smaller home she shares with her Mom and little brother. When Vera finds out from a Russian friend at Temple that a special summer camp exists geared towards Russian kids, she almost explodes with delight at the thought of going to a camp where she can relate to her peers and make some new friends. Since her school peers have been to sleep away summer camps and trips all over the world, Vera listens intently and absorbs information as they talk extensively about it all, hoping that following this summer she’ll have camp stories to share as well.

Int artwork from Be Prepared by Vera Brosgol
Interior illustration from Be Prepared written and illustrated by Vera Brosgol, First Second Books ©2018.

 

Vera and her brother have never been to summer camp, and she is determined to convince her mom that they should both go. And they do. As the first day of camp approaches, Vera is bursting at the seams. Her younger brother remains apprehensive. Thrown into the midst of a tent with two older campers who are seasoned participants, Vera’s welcome is not what she had in mind. Initially frowned upon for being so young, Vera’s artistic skills impress the older campers and they start asking for drawings. In return, Vera is suddenly at the center of attention she always thought she wanted. But giving away her art quickly turns into giving away her contraband candy stash as well as turning a blind eye to other campers she might have a genuine connection with. When Vera is caught with candy in her shared tent by the camp counselor, every bunk is raided until all the candy is gone, and Vera’s popularity with the older girls plummets. Adding to Vera’s stress and dismay is the fact that her younger brother seems to be enjoying camp just fine and isn’t anxious to leave as soon as possible like she is.

int artwork from Be Prepared by Vera Brosgol
Interior illustration from Be Prepared written and illustrated by Vera Brosgol, First Second Books ©2018.

 

The turning point for Vera is her camp counselor encouraging her to find friends that don’t ask for something in return for “friendship.” Soon Vera finds out that a young camper with a missing guinea pig is an interesting and fun person to hang out with. At the end of camp both Vera and her younger brother come to terms with some of the pros and cons of summer camp on the drive home and, in a tender moment of sibling connection, find out that they have both struggled. 

Check out Be Prepared and feast your eyes on the amazing artistry and storytelling skills of Vera Brosgol, an author your kids are sure to want more of.

  • Reviewed by Ozma Bryant
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World Domination Atomic Frenchie Style

ATOMIC FRENCHIE: SIT. STAY. RULE.
by Thomas E. Sniegoski & Tom McWeeney
(Insight Editions; $14.99, Ages 8-12)

 

ATOMIC FRENCHIE SIT STAY RULE cover illustration

Have you noticed that French Bulldogs are everywhere these days? Perhaps they’re up to something … making the timing for Atomic Frenchie: Sit. Stay. Rule. just right. This non-stop funny middle grade mashup that is part graphic novel, is a perfect late summer read for every kid that aspires to greatness and world domination. You know one, don’t you?

 

int spread with artwork 01 from Atomic Frenchie Sit Stay Rule
Interior illustrations from Atomic Frenchie: Sit. Stay. Rule. by Thomas E. Sniegoski & Tom McWeeney, Insight Editions ©2018.

 

Kirby is no ordinary dog. He’s a power hungry French Bulldog with big plans. He’s just waiting for his chance to escape the prison of his home and his overbearing humans. When his humans pack up the car and strap him into a car seat, Kirby’s life changes forever. At his new home, the dog discovers a secret laboratory and his dream of becoming a super villain begins to be realized. Can his dastardly schemes come to fruition or will his huge ambition be thwarted?

 

int spread with artwork 06 from Atomic Frenchie Sit Stay Rule
Interior illustrations from Atomic Frenchie: Sit. Stay. Rule. by Thomas E. Sniegoski & Tom McWeeney, Insight Editions ©2018.

 

Atomic Frenchie: Sit. Stay. Rule. has a mad scientist with bizarre secrets, a loyal and loveable sidekick turtle, rogue robots, and a host of crazy comic book characters. It’s a fast paced adventure with a super villain that you might actually start rooting for. The best news: this is just the first book in a series so get your kids hooked today by heading to your local independent bookseller to pick up a copy.

 

Learn more about Thomas E. Sniegoski here.
Visit Inside Editions here.

 • Reviewed by Jo Ann Banks 
   www.joannbanks.com
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The Dragon Slayer: Folktales From Latin America by Jaime Hernandez

 

THE DRAGON SLAYER:
FOLKTALES FROM LATIN AMERICA
By Jaime Hernandez
with an introduction by F. Isabel Campoy
(Toon Books/Toon Graphics; $16.95 Hardcover, $9.99 Paperback, Ages 8 and up)

 

The Dragon Slayer: Folktales From Latin America cover illustration

 

The Dragon Slayer: Folktales from Latin America, a 48-page middle-grade graphic novel, gives modern readers a way to explore timeless tales. F Isabel Campoy’s Introduction, “Imagination and Tradition,” explains Latin American heritage is “richly diverse, a unique blend of Old World and New, spanning a continent across many geographic boundaries and cultures.”

A “recurring theme in the Latino experience is a celebration of strong women.” In “The Dragon Slayer,” one of three tales in the graphic novel, the youngest daughter is cast out, but her generosity brings her good fortune and, ultimately, a chance to conquer the fearsome seven-headed dragon. In the next story, “Martina Martínez and Pérez the Mouse,” Martina (a human) marries Pérez; soon after mishap befalls him but Doña Pepa’s quick thinking saves the day.

“Tup and the Ants” finishes the trilogy with moral and practical lessons. When three brothers are sent to clear the land for cornfields, lazy but clever Tup enlists the leaf-cutter ants to do his chores.

int spread from The Dragon Slayer by Jaime Hernandez
Interior illustrations from The Dragon Slayer: Folktales From Latin America by Jaime Hernandez, Toon Books ©2018.

 

Noteworthy back matter provides insight into each tale, explaining its cultural significance.

Jaime Hernandez’s illustrations will beguile new generations with humor, memorable characters, and fabulous monsters. This comic is well-suited for visual readers. Released simultaneously in English and Spanish, in hardcover and paperback, Toon Books aims for inclusion. Now celebrating their tenth anniversary, the publisher has over 1.3 million books in print.

Read more about Jaime Hernandez and Dragon Slayer’s special features at Toon Books here.

 A New York Times Editors’ Choice
★ Starred Review – Kirkus

       Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Click here for a review of another Toon Book

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Lowriders in Space by Cathy Camper

Lowriders in Space written by Cathy Camper
and illustrated by Raul The Third (Raul Gonzalez III)
(Chronicle Books, 2014; paperback $9.99, hardcover $22.99, Ages 8-12)

✩Starred Reviews – Kirkus & Publishers Weekly

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Last month I met the editor of Lowriders in Space at an SCBWI (Society of Children’s Book Writers an Illustrators) event and her enthusiasm about this new graphic novel was contagious. I couldn’t wait to read it and find out what all the buzz was about.  Now I know and intend to spread some serious bajito y suavecito (translation: low and slow) love your way! Lowriders in Space worked for me on so many levels, but I’ll start with Camper’s creative storyline since that’s what will capture kids’ attention and it’s what drives this novel forward.

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Interior artwork from Lowriders in Space by Cathy Camper with illustrations by Raul The Third, Chronicle ©2014.

Middle grade readers will easily get on board with Lupe Impala, El Chavo Flapjack, and Elirio Malaria, the three amiable and unusual main characters whose impressive automobile-related skills help them reach new heights. The trio are eager to leave the used car dealership where they work and in order to do so they decide to enter the Universal Car Competition. With its grand prize haul of  “… a carload of cash and a solid gold steering wheel,” winning the UCC would provide the seed money needed to open their own garage. They immediately get started with a broken down shell of a car, ” … so slow it didn’t even go.” Then, utilizing their individual expertise (Lupe’s a self-taught auto-mechanic – YES, she fixes cars like a girl, Elirio’s a detail artist, and Flapjack’s an eight-armed cleaning marvel), they make a plan of action. The three contribute whatever funds they can muster up and find spare rocket parts at an old airplane junkyard. Will the resulting lowrider be special enough to win first place?

Camper’s tale is unique and engaging. It’s obvious she had a blast writing it. Now that I’ve read it, I can’t imagine it with anything but Raul’s original artwork and the impressive interplay between text and illustration. His ballpoint pen illustrations in black, blue and red on a yellowy-beige background are going to grab readers (even the most reluctant ones), pull them in and keep them thoroughly entertained. He’s created a retro feel that joyfully took me back to my youth, when buying comic books with my allowance was a much anticipated weekly outing. This book deserves multiple visits to pick up the many details included, so read, observe and admire.

Another highlight for me was how Camper’s incorporated many Spanish words and phrases for the reader to learn. Whenever there’s an * readers can find the translation below, plus there’s a glossary in the back with Mexican-American slang, car and astronomy terms (oh and don’t miss this section because there’s more to read afterwards and readers can get their appetites whet for Book 2).  So, in addition to having a strong Latino female character who repairs cars, Lowriders in Space also introduces readers to the culture of lowriders, it mixes in facts about outer space, and is equally accessible to reluctant readers as well as those simply seeking a rollicking ride that’s totally cosmic and caliente. In other words, this lowrider delivers!

– Reviewed by Ronna Mandel

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Odd is the New Normal: Meet Cecil Castellucci

Ronna Mandel interviews Odd Duck author Cecil Castellucci. Odd Duck, published by :01 First Second Books, $15.99, ages 6-10, is illustrated by Sara Varon.

mail-3Cecil Castellucci, an L.A. author, has written everything from picture books to young adult novels. Her latest projects are Odd Duck and Letters for Kids, a bi-monthly subscription program through The Rumpus. In Odd Duck we meet Theodora and Chad, neighbor ducks who both waddle to the beat of a different drum yet actually have tons in common. Although the two become BFFs each one thinks the other is the strange one. Upon overhearing someone call one of them, odd, Theodora and Chad clash over which duck was being referred to. This winning picture book is a salute to individuality and uniqueness, a recurring theme for Castellucci.

mail-2How much of you is in Theodora?

I think all of me is in Theodora and Chad. It took a long time for me to figure out that my oddness was also what made me interesting.

Why do you think opposites Theodora and Chad attract?

I have always been a big fan of opposites. Some of my favorite friendships are the ones where we see the world in a similar way but we like radically different things. In Odd Duck, Chad and Theodora might move through the world very differently, but I think fundamentally they feel the same way about things.

Why do people shy away from what they don’t consider “normal”?

It’s hard to be odd. I’m no psychologist, but I think that we tend to gravitate toward groups to feel safer and that is what “normal” means. But I think that being odd is normal to other odd people. So I say, find your odd tribe and you will be “normal”! Because I think really there is no such thing as normal. And I think that everyone on the entire planet is a little odd about something.

Learn more about Cecil Castellucci and her other books at misscecil.com. For info about Letters for Kids and more about Odd Duck, read the extended interview at LAParent.com.

Find the extended interview at LAParent.com and remember to pick up their new May issue.

Click here for the link to my review of Castellucci’s First Day on Earth, a fantastic YA novel from 2011.

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