skip to Main Content

An Interview with Katrina Tangen, Author of Copy That, Copy Cat!

 

 

NORA NICKUM INTERVIEWS KATRINA TANGEN, 

Author of COPY THAT, COPY CAT!

Illustrated by Giulia Orecchia

(Barefoot Books; $19.99, Ages 4-8)

 

Copy That Copy Cat! cover multiple animals

 

 

PUBLISHER’S SUMMARY:

This rhyming, lift-the-flap picture book of riddles introduces children to biomimicry in a thoroughly fun format. From sonar to snowshoes, discover concrete examples of human inventions that copy things found in nature. The story invites readers to guess the answers to riddles based on rhymes and visual cues that peek through die-cuts. Page turns reveal surprise answers that show how inventions mimic biology, with additional information under flaps. Endnotes include lift-the-flap guessing games to reinforce learning.

INTERVIEW:

Nora Nickum: Katrina, Copy That, Copy Cat! is such a fantastic book. I love how you used rhyming riddles where the answer isn’t what the reader expects. Kids love surprises! Can you tell us what inspired you to write about this topic and use this rhyming riddle approach?

Katrina Tangen: Thank you! Fittingly enough, I was quite a copycat for this book! It was inspired by two main things. The first was Abi Cushman’s Animals Go Vroom!, which uses misdirection to set up hilarious page turn surprises. I loved it, but kept wanting it to rhyme to set the joke up even more. So I tucked that away as an idea of a format I wanted to try sometime. 

The other was my sister Heather, who is a high school science teacher. I was brainstorming nonfiction ideas and asked her for some STEM topics. One of her suggestions was biomimicry—which I’d never heard of! So she explained (although I only sort of understood) and I stuck it in my notes, along with a vague idea of a puzzle component. 

A month or two later, the idea of combining them popped into my head. I started researching that day and finally started to understand what biomimicry actually was!

 

Copy_That_Copy_Cat_int1_Bird
Interior spread from Copy That, Copy Cat! written by Katrina Tangen and illustrated by Giulia Orecchia, Barefoot Books ©2023.

 

NN: How did you decide which inventions to include? 

KT: There are several other great picture books about biomimicry, but they tend to skew older and focus on cutting-edge inventions. I wanted to go younger and focus on everyday inventions. So, it’s about how airplanes work at a basic level, rather than a specific way of improving an airplane, like winglets. That felt more accessible and also let me explain the basic science behind the inventions. As a bonus, I wound up being able to include a lot of the cutting edge inventions on the cover and in the backmatter!

 

NN: Were there any fun inventions you ended up not having room to keep in the book?

KT: It was hard to choose—there are so many cool ones! Octopus/suction cup made it into the manuscript but got cut in editing because of space. (Although the first suction cups were actually gourds.) Finding anything to rhyme with “octopus” took forever!

And Velcro (which was inspired by burrs stuck in a dog’s fur) never made it in at all. I wanted to include it because it’s such a fun, kid-friendly invention. But all of my others were animals, and this was really about the plant. Plus, I didn’t think any kid was going to be able to predict the word “burr”!

 

NN: Did you pitch the book with the interactive die-cuts and lift-the-flaps, or was that element added later? 

KT: No, that all came later. I never thought I’d have die-cuts or flaps—much less both!

One of the first things my editor Autumn wanted to talk about was adding some kind of interactive element. Originally, the idea was specifically “like flaps, but something else.” So I researched lots of board book interactive elements. We looked at different mechanisms for the transition from the animal to the invention. We also considered interactive demos of the science or invention. My favorite idea was a wheel you could turn to fill and empty the submarine tank, which would have been cool!

Eventually, we decided that the page turn already worked well for the reveal, but adding the die-cut would make it even better. So then we researched different ways to use die-cuts (Giulia Orecchia, the illustrator, has some other books that do cool things with them!). In the end, we decided to copy from Animals Go Vroom! again. Abi’s book uses a die-cut to show the animal and then when you turn the page, you see the animal in the context of the whole scene, which reveals the joke. Copy That, Copy Cat has the extra layer of tricking you into seeing an animal in part of the invention. Giulia did such a good job with that!

The big flaps work really well to add space for the science explanations without taking up all the illustration space. And they can even be in a nice big font, which I appreciate! 

 

NN: It’s so cool to hear about how all those design decisions were made. And Giulia’s art is wonderful. The interactive back matter is really intriguing, too. Kids will have so much fun with it! How did you decide what to include in the main rhyming text, and what would fit better here at the end?   

KT: Originally, I just had normal backmatter—further reading and a podcast and music to check out, and a bibliography. The fun backmatter all came after the plan to add interactive elements during editing. We talked about having an interactive element on each spread, so I came up with one for each invention. Then there wasn’t space, so they got moved to the back and a couple were replaced by Fun Facts. 

The airplane/bird one was changed quite late because we couldn’t get a for-sure answer on part of the science in the original version. That was stressful because I had to research the new one very quickly. Figuring out which wing goes up to turn which way was tricky—I still have to act it out to be sure! But I think it turned out well and, as my nephew has discovered, it makes a fun (very) mini flip book!

 

NN: Those last-minute changes can be hard, but it turned out great! Something else I’m curious about: You have a small space for the “How does it work” text under each flap, and you’ve done a great job making things concise and clear within those constraints. Was it difficult to pare those explanations back to the most important elements and write them in kid-friendly ways?  

KT: Yes! First I had to study the topic enough to understand it, then explain it clearly but succinctly, using simple words. (Much easier to do any two of those three at a time!) Some of them were pretty straightforward, like the flippers and snowshoes. But the airplane wing was a little tricky, and the bike reflector was almost the death of me! Explaining how eyes work, how mirrors work, and then how retroreflectors work all in a couple of sentences is not for the faint of heart. I’m glad we were able to have the diagrams take on some of that job—particularly because in figuring those out, I realized that, in streamlining the text, I’d messed up part of the science. Glad we caught that in time!

 

Copy_That_Copy_Cat_int2_Plane
Interior spread from Copy That, Copy Cat! written by Katrina Tangen and illustrated by Giulia Orecchia, Barefoot Books ©2023.

 

NN: Shifting from you as an author to you as a reader: What books did you most enjoy when you were a kid? 

KT: I loved to read, especially mysteries. And writing nonfiction is kind of like solving a mystery. You investigate, collect evidence, make connections, and fit it all into a pattern that (hopefully) snaps together at the end in a satisfying way.

 

NN: I love that comparison between writing nonfiction and solving mysteries! Were there any nonfiction children’s books that drew you in when you were young?

KT: I wasn’t really a nonfiction kid. Growing up in the ’80s and ’90s, there wasn’t the range of kid’s nonfiction we have today. I’m sure there were some great books that I missed, and I bet there were nonfiction books in my picture book reading that I don’t remember. One I do remember (for the unusual title) is How God Gives Us Peanut Butter, which showed how peanut butter is made. And I did love process videos, like when Mr. Rogers would take us to see how a mailroom runs, etc. 

But my impression in elementary school was that nonfiction was all educational textbook-y books or browsable photo-illustrated books designed for reluctant readers. (Plus they always seemed to be about sports, and I was not a sporty kid!) 

 

NN: It really is great that there’s so much more creative nonfiction for kids to find on shelves today–with your book being a fantastic new addition. Now, to wrap up, a super important burning question: Would you rather have flippers like a frog, or sticky feet like a gecko?

KT: Gecko feet would be super fun—or maybe echolocation, so I’d never run into things in the dark!

NN: Even better! Thank you, Katrina, for sharing the behind-the-scenes stories about the making of Copy That, Copy Cat! I know kids and adults alike are going to really get a kick out of it and learn a ton. 

 

BUY THE BOOK:

Bookshop.org: https://bookshop.org/p/books/copy-that-copy-cat-inventions-inspired-by-animals-katrina-tangen/19800210?ean=9781646869992 

Publisher’s Page: https://www.barefootbooks.com/3/copy-that-copy-cat-board-book

 

SOCIAL MEDIA LINKS:

Twitter: @katrinatangen

IG: @katrinatangen

Facebook: https://www.facebook.com/katrinatangenauthor

Author website: www.katrinatangen.com 

 

Author Katrina Tangen
Photo of Katrina Tangen courtesy of the author

AUTHOR BIO:

Katrina Tangen lives in Southern California between Disneyland and the beach. At Harvard, she studied Folklore & Mythology, History of Science, Psychology, and Religion, so she knows a little bit about a lot of things. This turned out to be excellent training for writing nonfiction for kids! Katrina is disabled by severe ME/CFS (Myalgic Encephalomyelitis). She writes fiction and nonfiction for kids of all ages; Copy That, Copy Cat! is her debut. Profile pic photo credit: Katrina Tangen

e

e
INTERVIEWER BIO:

Nora Nickum is the author of Superpod: Saving the Endangered Orcas of the Pacific Northwest (Chicago Review Press, 2023) and the forthcoming nonfiction picture book This Book is Full of Holes (Peachtree, 2024). Her stories and articles have appeared in children’s magazines like CricketLadybug, and Muse. Nora also leads ocean conservation policy work for the Seattle Aquarium. She lives on an island in Washington state. Learn more about her at www.noranickum.com

Twitter: @noranickumbooks

IG: @noranickumbooks

 

FIND THE ILLUSTRATOR AT THE LINKS BELOW:

Twitter: @GiuliaOrecchia

Instagram: @giuliaorecchia

Website: https://giuliaorecchia.it

BUSY PBs PROMO GROUP:

Twitter: @busyPBs

Instagram: @busypbs

STEAM TEAM PROMO GROUP:

Twitter: @SteamTeamBooks

Instagram: @steamteambooks

 

Share this:

An Interview with Rajani LaRocca, Author of Your One and Only Heart

DARSHANA KHIANI INTERVIEWS RAJANI LAROCCA,

AUTHOR OF

YOUR ONE AND ONLY HEART

ILLUSTRATED BY LAUREN PAIGE CONRAD

(Dial BYR; $18.99, Ages 5-8)

 

Your One and Only Heart Cover

 

 

PUBLISHER SUMMARY:
A lyrical introduction to the many wonders of the human heart, from award-winning author and practicing doctor, Dr. Rajani LaRocca

In this stunning non-fiction picture book, poetry and science come together with playful cut-paper illustrations to create a moving ode to the human heart and all that it does. Complete with illustrative diagrams and copious backmatter, this is a one-of-a-kind non-fiction picture book that gently guides readers through the various systems make up our most vital organ.

 

INTERVIEW:

Darshana Khiani: YOUR ONE AND ONLY HEART is amazing in how it takes a complex organ and breaks it down into chunks. What inspired you to write about the heart?

Rajani LaRocca: Ever since medical school, when I learned about the heart and how it works, I’ve been fascinated by this most vital organ. I wrote a first draft of this book way back in 2013 (!), and it was called “The Hardest Working Muscle.” It was written in prose and was over 800 words long. But it didn’t have a unifying theme or a hook.

I worked on this book on and off (mainly off) for years, but I couldn’t figure out how to write it. Then one day in 2018, I had a breakthrough: I discovered the theme I wanted to carry through the book. I realized I wanted to write about contrasting characteristics of the heart! Then I immediately decided to write about these characteristics in poetry—with several sets of paired poems. This made sense because to me, the beauty of poetry reflects the beauty of the human body.

 

DK: Well, you are one of the hardest-working writers I know. You do an amazing job at getting the main ideas across without getting bogged down in details. How did you master that balance? Also, the nerd in me wants to know why larger organisms have slower heart rates. I was surprised to learn that a mouse’s heart beats 310-840 beats/min while an elephant is only 30!

RL: I tried to focus on keeping the poetry simple enough for young kids to understand, yet interesting enough to capture their attention. There are plenty of facts that I reserved for the back matter so that the poetry could shine.

In terms of the answer to your question, are you ready to nerd out a bit? Smaller animals have higher surface area to volume ratio than larger ones. Because of this, smaller animals (especially warm-blooded animals like mammals and birds) lose heat much more quickly than their larger counterparts. So their hearts (which are smaller, too) need to beat faster to circulate more blood to offset the heat loss and maintain their body temperatures.

 

YOUR ONE AND ONLY HEART Int1 Your heart is Singular
Your One and Only Heart written by Rajani LaRocca and illustrated by Lauren Paige Conrad, Dial BYR ©2023.

 

DK: Wow! Thank you for geeking out with me. Surface area … never would’ve guessed that. The book is divided into 15 poems, 7 pairs of antonym poems (yup, I made that up), and then a final stand-alone one. It is a unique structure, one I can’t say I’ve seen before. At what point in the writing process did you decide to organize the poems in this way?

RL: I designed those first 14 poems as “antonyms” or paired poems from the moment of that epiphany in 2018! When the book got acquired and my editor contacted illustrator Lauren Paige Conrad, Lauren came back with the incredible idea of using shades of different colors for each pair of poems. For example, “Singular” and “Cooperative” are in shades of red; “Simple” and “Complex” are in shades of orange; “Energetic” and “Relaxed” are in shades of yellow, and so on, resulting in a rainbow of colors! The back matter is also “color coded” to link back to the appropriate pages! Lauren works in cut paper collage, and it blows my mind how beautifully and precisely she depicted so many aspects of the heart with her art.

There are two poems at the end, and the very last poem brings everything together by restating the contrasting characteristics of the heart and noting that kids share the same characteristics themselves!

 

DK: I must admit the last poem took me by surprise since it is so matter-of-fact. I could almost hear the EKG flatline as I read the last words. Did you always know you wanted to end the story with this poem?

RL: Years ago, when I was at a writing retreat, I shared this manuscript with renowned nonfiction author Elizabeth Partridge. She loved it and advised me that I absolutely needed to include what happens when the heart stops beating. She said that death is something that children are curious about, and that by including it in a nonfiction book about the heart, I could demystify it and put it in perspective for kids from a scientific point of view. It took me a while to figure out how to write that poem; Lauren Paige Conrad’s illustration on that spread is absolutely perfect.

 

DK: Smart suggestion, and you presented it in such a matter-of-fact way. You’ve authored two novels-in-verse, MIRROR-TO-MIRROR and RED, WHITE, and WHOLE, and a rhyming non-fiction picture book, The SECRET CODE INSIDE YOU. Do you have any tips for writers who want to write lyrically?

RL: My first tip would be to understand what you want to say—for novels in verse, that means knowing at the very least the broad outlines of the plot and emotional arcs. And for nonfiction, that means compiling all the information you want to convey.

Next, I recommend getting in a “poetic mindset” by going out into nature, reading poetry, and/or listening to music.

And then you should just try writing the poems! Don’t worry too much about whether they’re any good.

When it’s time to edit: avoid cliches, use powerful words, condense and eliminate as much as possible, and endeavor to convey your message in a fresh or different way. I always read my poetry aloud in revision, because sometimes our ears are better than our eyes at noting when something isn’t quite right.

 

YOUR ONE AND ONLY HEART Int2 Your Heart is Muscular
Your One and Only Heart written by Rajani LaRocca and illustrated by Lauren Paige Conrad, Dial BYR ©2023.

 

DK: What’s up next for you?

RL: YOUR ONE AND ONLY HEART is my fourth out of six books releasing this year!

Next up is THE SECRET OF THE DRAGON GEMS, an epistolary novel that I co-wrote with my friend Chris Baron. It’s about Tripti and Sam, two kids who meet at summer camp and find some unusual silvery rocks, which they each take home to California and Massachusetts. Then they start communicating via letter, email, texts, and video chats, because strange things keep happening, and they begin to wonder whether the rocks are more than just rocks. THE SECRET OF THE DRAGON GEMS releases on August 29!

My picture book MASALA CHAI, FAST AND SLOW, beautifully illustrated by Neha Rawat, releases on September 5. This is a story about a boy who likes to go fast and his grandfather, who likes to take things slow. Every day, they make masala chai together. One day, the grandfather sprains his ankle and can’t make masala chai, and the grandson decides to make some to cheer up his beloved grandfather . . . and hilarity ensues. This story is about learning to slow down and enjoy moments with those we love.

And next year on March 12 comes the release of my first middle grade fantasy, SONA AND THE GOLDEN BEASTS! Set in an Indian-inspired fantasy world, this story involves music and magic, and animals, but also contends with colonialism and who gets to tell history. I can’t wait to share it with the world!

DK: Yay for more books! We’ll be keeping a look out for them.

 

 

Author Rajani LaRocca headshot
Rajani LaRocca Photo Credit ©Carter Hasegawa

AUTHOR BIO:

Rajani LaRocca was born in India, raised in Kentucky, and now lives in the Boston area, where she practices medicine and writes award-winning books for young readers, including the Newbery Honor-winning middle grade novel in verse, Red, White, and Whole. She’s always been an omnivorous reader, and now she an omnivorous writer of fiction and nonfiction, novels and picture books, prose and poetry. She finds inspiration in her family, her childhood, the natural world, math, science, and just about everywhere she looks. Learn more about Rajani and her books at www.RajaniLaRocca.com. She also co-hosts the STEM Women in KidLit Podcast.

BUY THE BOOK: 

https://www.rajanilarocca.com/picture-books/your-one-and-only-heart/

LINKS TO SOCIAL MEDIA:

INTERVIEWER BIO:

Darshana Khiani is an author, engineer, and advocate for South Asian children’s literature. She is infinitely curious about the world and enjoys sharing her findings with young readers. If she can make a child laugh even better. Her debut picture book, How to Wear a Sari (Versify), was an Amazon Editors’ Pick. She enjoys hiking, solving jigsaw puzzles, and traveling. She lives in the San Francisco Bay Area with her family and a furry pup. You can visit Darshana here.

 

Share this:

An Interview with Vicky Fang, Author of The Boo Crew Needs You!

 

 

AN INTERVIEW BY ABI CUSHMAN

WITH VICKY FANG, AUTHOR OF

THE BOO CREW NEEDS YOU!

(Sourcebooks Jabberwocky; $12.99,  Ages 3-8)

 

 

boo crew needs you cover Vampire Skeleton Ghost

 

PUBLISHER’S SUMMARY:

Trouble’s come to Monster Town, and emergencies abound!

There’s no time to wait around… get the Boo Crew!

Get ready for a spooky interactive story experience with Lula, Bones, and Fang—a ghost, skeleton, and vampire team who need YOUR help fixing all the messes and frights of a Halloween night gone wrong! Whether it’s tapping the page to mend a broken pumpkin or turning the book to set a toppling haunted house back upright, the action prompts let kids join in on the fun and save the day.

 

Boo Crew Needs You Ring-a-Ling
Credit: Sourcebooks, Text ©2023 by Vicky Fang, Illustrations by Saoirse Lou

 

INTERVIEW:

Abi Cushman: THE BOO CREW NEEDS YOU! is such a fun Halloween story with a fantastic cast of
spooky characters. You and Saoirse Lou, who illustrated the book, did a wonderful job of making
this book really engaging. What inspired you to write a Halloween-themed story?

Vicky Fang: Aw, thank you! My kids LOVE Halloween. My little one thinks about his costume probably
year-round. I think it was inevitable that I would try to write a Halloween book! Of course, looking
at my drafts, my peak inspirations definitely came right around Halloween, so the annual
reminder kept me coming back to it.

e

AC: I love the interactivity in this book. There are so many fun action prompts like pushing
buttons and switches, clapping, searching for objects in the illustrations, and more. Did the book
always include interactivity? And how did you come up with these interactive elements?

 

Boo Crew int1 what a sight
Credit: Sourcebooks, Text ©2023 by Vicky Fang, Illustrations by Saoirse Lou

 

VF: The book always included interactivity, though my first pass only had one, big interactive
moment. When I shared it with my agent, she suggested I weave interactivity throughout. Ouf, I
put it away for two years after that, because the thought was so daunting! But eventually, on
another Halloween when I had run out of NYTimes crosswords, I pulled it back out again and
tackled it like a difficult word puzzle!

e

AC: Yes! I agree writing a picture book is often like solving a word puzzle. It must have been
incredibly satisfying to solve this one after two years! Now, this is your first rhyming book. Can
you tell us about your process for writing in rhyme?

VF: The book started with a rhyming phrase that popped in my head: “It’s a glitch! There’s a
hitch! Something’s screwy with this switch!” At that point, it wasn’t a Halloween story, but once I
decided to pursue that rhythm for my Halloween book, I needed to learn how to write in rhyme! I
signed up for Renee LaTulippe’s amazing Lyrical Language Lab course and learned and
practiced meter and rhyme. I highly recommend the course for anyone interested in writing in
rhyme.
e

Boo Crew Needs You int2 yay_ ooray
Credit: Sourcebooks, Text ©2023 by Vicky Fang, Illustrations by Saoirse Lou

 

AC: I remember a Tweet where you mentioned how your 8-year-old complained that you only
wrote robot books. And I have to say, it’s true that you do have quite a flair for writing really
great robot books, like FRIENDBOTS and LAYLA AND THE BOTS. I noticed that THE BOO
CREW NEEDS YOU! has a distinct lack of robots. Did your kid’s comments spur you on to write
more non-robot books, like this one?

VF: Hahaha, the things we do to try to impress our kids! Well, it was a bit more of a desire to
prove to the industry that I can write more than just robot books. I love writing STEM books, but I
didn’t want to get pigeon-holed and I wanted to show a broader range as a writer. Of course,
now that I have seven non-STEM books coming out, I worry that I’m losing my niche as a STEM
author for my readers! In the end, of course, I don’t think it really matters and we just need to
write what inspires us—as you know!

e

AC: Haha I think no matter what you do, people will definitely remember you have a knack for
STEM themes as well. In fact, even though THE BOO CREW NEEDS YOU! is not a robot book,
I think the interactivity element does give this book a STEM flavor because it shows kids that
one action (or input) yields a certain result. Can you talk a bit about why STEM topics interest
you as an author?

VF: I love writing STEM books because there are so many fundamental lessons that help all
kids, whether or not they want to specialize in STEM when they get older. I want kids to be able
to break down a problem, to brainstorm solutions, and to generate solutions. That lesson holds
across all of life! THE BOO CREW NEEDS YOU! fits into this as well, with the team working
together with the reader to solve problems and save Halloween. Ultimately, I want to inspire
creative and bold problem-solvers!

e

AC: I love that! Your debut book, INVENT-A-PET (which definitely encourages kids to solve
problems) came out in 2020. Since then you’ve had 9 more books published, with 10 more to
come. Do you have any tips for writers who would like to be as prolific as you?

VF: I think what’s really helped me write so many books is writing across different categories.
Sometimes my ideas work better as a board book, or as a chapter book. Logistically, it’s also
easier for my agent to be pitching multiple books of mine when they aren’t in the same category.
Board books, early readers, and chapter books also are often sold as series. That would be my
practical advice for being prolific as a children’s book author—but I would add that it’s probably
best not to worry about the numbers and write the best book you can that comes from your
heart, because that’s what will make your book stand out to editors!

 

AC: That’s such great advice! And I think it works well on a practical level as well as a creativity
level. So speaking of being prolific, what’s next for you?

VF: I’m so excited for my new books launching this fall! Releasing in September, ALPHABOT
(MIT Kids Press) is a mix-and-match novelty book of robotics terms from A to Z that lets kids flip
the flaps to create their own robot. And then in October, the first book in my new early reader
series, BEST BUDDIES (Scholastic), releases! It’s about a dog named Sniff and a cat named
Scratch and their silly adventures at home. It’s illustrated by Luisa Leal and comes from the
same editorial team that was behind LAYLA AND THE BOTS!

I’m currently also working on a new chapter book series that I’m incredibly excited about, called
AVA LIN. It’s a heavily illustrated chapter book about an optimistic and creative six-year-old
Chinese American girl with a knack for getting into—and out of— trouble. I’m in the middle of
final art for Book 1, sketches for Book 2, and manuscript edits for Book 3, and I love working on
it, so I’m hoping readers will love it too! Keep an eye out for it in Spring 2024!

AC: Wow! I am so excited about all of these books. They sound super fun, and again, I see you’ve
got something coming out for a wide range of ages. I can’t wait to read them all.

Thanks for sharing your process and writing tips with us, Vicky! Congratulations on the release
of THE BOO CREW NEEDS YOU!

 

BUY THE BOOK

Support a local independent bookstore and purchase a signed copy below.

(type in the comments how you’d like the book inscribed):

https://www.lindentreebooks.com/the-boo-crew-needs-you.html

or here: https://vickyfang.com/books/the-boo-crew/

LINKS TO SOCIAL MEDIA FOR VICKY FANG:

Website: https://vickyfang.com 

Twitter: https://twitter.com/fangmous

IG: https://www.instagram.com

Facebook: https://www.facebook.com/fangmousbooks

 

Author Bio:

Vicky Fang is a product designer who spent 5 years designing kids’ technology experiences for both Google and Intel, often to inspire and empower kids in coding and technology. She started writing to support the growing need for early coding education, particularly for girls and kids of color. She is the author, and sometimes illustrator, of nineteen new and upcoming books for kids, including the Layla and the Bots series, Invent-a-Pet, I Can Code board books, Friendbots series, and the forthcoming Ava Lin series, Best Buddies series, AlphaBot, and The Boo Crew Needs You! You can visit Vicky at vickyfang.com.

 

 

 

Illustrator Bio:

Saoirse Lou is a freelance illustrator from the seaside town of Poole in the UK. When she’s not
drawing, she loves reading books, walks in the countryside, drinking lots of tea, and snuggling
down under blankets with her family to watch movies. Saoirse enjoys using color and texture to
bring warmth and emotion and diversity to book characters, in particular, she loves drawing from
her experience as a mother to bring sensitivity to her artwork. See more of Saoirse’s work at
saoirselou.com or on Instagram @Saoirselouscribbles.

 

Interviewer Bio:

Abi Cushman is the author-illustrator of Soaked! (Viking, 2020), and Animals Go Vroom!,
worked as a web designer for over 15 years. She runs two popular websites of her own:
MyHouseRabbit.com, a pet rabbit care site, and AnimalFactGuide.com, which was named a
“Great Website for Kids” by the American Library Association. Abi lives in a small Connecticut
beach town with her family. In her spare time, she enjoys running, playing tennis, and eating
nachos. (Yes, at the same time.) Learn more at abicushman.com.

Share this:

Tiffany Golden Interviews Amanda Davis, Author of Moonlight Memories

 

TIFFANY GOLDEN INTERVIEWS AMANDA DAVIS,

AUTHOR OF MOONLIGHT MEMORIES

Illustrated by Michelle Jing Chan

(WorthyKids; $17.99, Ages 4-7)

 

Moonlight Memories cover art girl holding teddy under moon

 

 

Publisher’s Summary of Moonlight Memories:

Discover how a young girl gains healing and hope as she processes the loss of a loved one in this beautifully sensitive story.
e
… Whether children choose to use art as their outlet or find another way, the message is clear: they can carry the memories of their loved ones with them. An ending Note to Parents features guidance from a licensed children’s counselor about how to use the book and where to find additional resources. Written from a place of personal experience, this story strives to bring comfort to children hurting after loss.

 

INTERVIEW:

Tiffany Golden: Let’s start with a speed round…

  • Top three favorite children’s books of all time? This is such a hard one, so I’m going to default to recency here and say, If You Find a Leaf, written and illustrated by Aimee Sicuro (love the imaginative text and mixed media illustrations), Saving American Beach by Heidi Tyline King and Ekua Holmes (loved learning about the life of MaVynee Betsch and am a big fan of Holme’s gorgeous collage art), I Love You Because I Love You by Muon Thi Van and Jessica Love (love the sweet, lyrical text and Jessica Love is another favorite artist of mine). I also love Muon Thi Van’s other book, Wishes, illustrated by Victo Ngai (spare text yet so powerful in both words and imagery)!   
  • Coffee, tea (or neither)? Herbal tea all the way-caffeine makes me jittery! 
  • Where is your safe place? The ocean and anywhere with my pup.
  • Dogs, cats, (or neither)? I love all animals, but our pup Cora is the best. 
  • Early bird or night owl? Used to be a night owl but with an 18-month-old, I’ve been forced to take a serious look at my bedtime routine and have been making an effort to get to bed earlier as part of my self-care. 
  • Three words to describe what it takes to make it in the kidlit world … a big heart.

Okay, now down to the serious stuff….

TG: Please dish us the dirt on who you are and your journey into the fabulous world of children’s books. 

Amanda Davis: My love for art and writing stems back to my childhood. My father passed away when I was young, and I turned to art and writing to cope and process my emotions. This is what led me to teach art and later write and illustrate children’s books. I want to show kids the power in our stories-whether through writing, reading, or visual art. In 2012, I took a continuing education course at the School of the Museum of Fine Arts, Boston, called, Illustrating Children’s Books, with illustrator Ilse Plume. This course was eye-opening for me and kick-started my career in kidlit. I realized that children’s books combine all three of my passions: art, writing, and stories. After completing that course, I dove headfirst into the craft of writing and illustrating for children (while balancing my job as a full-time high school teacher). I joined SCBWI, 12×12, and found a local and online critique group. I tried to soak in all the knowledge I could about the kidlit industry. I began to query literary agents and editors with a few of my stories. Looking back, I probably queried those stories too early, but hey, that’s part of the learning process. The story that finally landed me an agent and later a deal is my debut creative nonfiction picture book titled 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, illustrated by Sally Wern Comport, which published in 2021 with WorthyKids/Hachette Book Group. 

 

Moonlight Memories int Spread1 Piper grieving
Interior spread from Moonlight Memories written by Amanda Davis and illustrated by Michelle Jing Chan, WorthyKids ©2023.

 

MOONLIGHT MEMORIES is my second picture book with the wonderful team at WorthyKids. The story is beautifully illustrated by Michelle Jing Chan and released earlier this month. This story holds a special place in my heart as it was inspired by my own personal experience with loss.

Amanda Davis and her dad when she was young
Amanda Davis and her dad when she was young.

As mentioned above, my father died when I was young. After his death, I was unsure of how to cope with this unexpected loss. I don’t remember many people talking to me about it or being given any resources to help me process. It wasn’t until I found art and writing that I was able to fully process the thoughts and emotions surrounding his death. I found my outlet. I found my voice. I soon realized that my father would always live on through the memories I was creating with my words and visuals.

MOONLIGHT MEMORIES tells the story of a young girl who is dealing with the loss of a loved one and finds comfort and healing through creativity. I have a third (unannounced) nonfiction picture book forthcoming that also has themes of loss and healing in it. Clearly, this is an important topic to me, ha! I hope my books can offer hope to readers and foster meaningful dialogue to help children process and heal from essential life events. 

 

TG: What inspires your work?

AD: My own experiences inspire my creativity. I like to write and draw about the things I’ve been through in my life (both joyous and difficult), the places I travel, people I meet, and the lessons I’ve learned. I’m inspired by kindness, nature, animals, and family. Often these aspects find their way into my work. Creativity is all around us, we just need to pay attention.

 

Moonlight Memories int Spread2 Mama face in stars
Interior spread from Moonlight Memories written by Amanda Davis and illustrated by Michelle Jing Chan, WorthyKids ©2023.

 

 

TG: What advice do you have for fellow kidlit creatives?

AD: There is no right or wrong way to get published. Each person’s story is different. Sometimes it’s a short, smooth journey, and sometimes it’s long and bumpy. Try not to compare. Instead, keep going. With every pass, send another query out. This industry has taught me not to take anything personally. You want to work with an editor or an agent who is going to love your work wholeheartedly. The truth is, not everyone is going to. And that’s okay. Art is subjective. With that in mind, there is strength in solidarity. This can be a very isolating business if we let it, so remember to reach out for help and to connect. The children’s book industry is one of the most welcoming communities I’ve been a part of. There is so much talent and wisdom. Connect with people. Ask questions. Never stop learning from one another. We are all on this creative journey together. 

AD: Thank you for interviewing me, Tiffany, and thanks for hosting us, Ronna! Thanks to all those for reading and supporting my work!

✦                                     ✦                                                                                                    ✦                                                 

TIFFANY’S THOUGHTS ABOUT MOONLIGHT MEMORIES:

This book is such a love letter to those experiencing a profound loss. This book found its way to our family soon after the loss of my sister. There’s a sweetness in looking to the sky and processing through art. The words are heartwarming, and the images are enchanting. This is one we’ll read over again.

 

BUY MOONLIGHT MEMORIES:

Local indie for signed copies (Upon checkout, type in the comments how you’d like the book personalized): https://www.buttonwoodbooksandtoys.com/page/moonlight-memories-amanda-davis

 

Amanda Davis Headshot Photo Credit Angela Wood Photography
Author Amanda Davis Photo Credit: Angela Wood Photography

AUTHOR BIO:

Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. Amanda is the author of MOONLIGHT MEMORIES, 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, and a yet-to-be-announced forthcoming titleShe also has poetry and illustrations featured in The Writers’ Loft Anthology: Friends & Anemones: Ocean Poems for Children. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her family and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

e

INTERVIEWER BIO:

Tiffany Golden writes picture books, middle-grade, and YA fiction, mostly inspired by her experiences as a Black, disabled woman. She is also the winner of Lee and Low’s New Visions Award for 2021. She teaches creative writing to third-to-fifth grade students, is a member of SCWBI, and received the Judith Tannenbaum Teaching Artist Fellowship.

Find out more at www.tiffanygolden.com on Twitter @mstee13 and Instagram @tiffany.golden.13

WEBSITE AND SOCIAL MEDIA LINKS FOR AMANDA DAVIS:

Website: http://www.amandadavisart.com

Twitter: https://twitter.com/amandadavisart

Instagram: https://instagram.com/amandadavis_art

WEBSITE AND SOCIAL MEDIA LINKS FOR MICHELLE JING CHAN:
Share this:

Amanda Davis Interviews Tiffany Golden, Author of I Want To Be Big!

 

AMANDA DAVIS INTERVIEWS TIFFANY GOLDEN,

AUTHOR OF

I WANT TO BE BIG!

ILLUSTRATED BY SAWYER CLOUD

(PAGE STREET KIDS; $18.99, AGES 4-8)

 

I Want To Be Big cover small boy large shoes
e

SUMMARY:
Amanda’s Review of I WANT TO BE BIG:

“I WANT TO BE BIG is an imaginative and creative read about the desire to grow up and how it may not always be as exciting as it seems. Golden’s text is playful and fun, while the repetition of “big” throughout is sure to be a hit for multiple read-alouds. Cloud’s illustrations are emotive and help bring the themes of familial love to life!”

INTERVIEW:

Amanda Davis: Let’s start with a speed round…
e
  • Top three favorite children’s books of all time?  Aw, c’mon. That’s like asking who’s your favorite kid. Of all time?! I love THE DAY YOU BEGIN by Jacqueline Woodson; my nephew and I even went to see the play at the Bay Area Children’s Theater in Berkeley, CA. THE VERY HUNGRY CATERPILLAR by Eric Carle, classic. My niece and I always read that one. Also, WHEN SADNESS COMES TO CALL by Eva Eland. My aunt sent that one to me after my sister’s passing. 
  • Coffee, tea (or neither)? Decaf tea lattes for the win! 
  • Where is your safe place? Always the ocean.
  • Dogs, cats, (or neither)? I’m allergic to most of our furry friends, but human babies and toddlers are amazing. 
  • Early bird or night owl? Night owl from day one.
  • Three words to describe what it takes to make it in the kidlit world … Love and observation.

Okay, now down to the serious stuff….

 

AD: Did you always know you wanted to be an author/illustrator? Have you explored other paths or had/have other jobs? 

Tiffany Golden: Even though I didn’t illustrate I WANT TO BE BIG! Sawyer Cloud did an amazing job, I always knew I wanted to write. I wanted to create the stories I wanted to see and knew that I had to be a writer to do that. I thought I’d be a screenwriter, though. My undergraduate degree is in film and television. For steady work, I became a Teaching Artist (which is exactly what it sounds like—an artist teaching their craft), and then my love for creating with and for children blossomed. I then wanted to make stories for families to share together.

I think I was afraid to admit I wanted to be an author/illustrator. I thought doing “art-adjacent” stuff like graphic design would be enough, coupled with writing. But, when I was really honest with myself, I wanted to be an author/illustrator. I decided to learn to draw in my mid-forties. It’s so fun and challenging to learn a whole new skill. I most likely won’t illustrate every one of my books, but it will be special when I do. Similar to when illustrators tackle writing. 

 

IWTBB int1 skateboard on rainbows
Interior illustration from I Want To Be Big! written by Tiffany Golden and illustrated by Sawyer Cloud, Page Street Kids ©2023.

 

AD: What inspires your work?

TG: My work is mostly inspired by the people I love, especially my late sister, Nicole. I’ve found that one way for me to honor someone is to put their legacy on the page somehow. It can be as simple as a name, a characteristic, or a life viewpoint. I’m surrounded by a wonderful family, each with unique perspectives and mannerisms.

I’m also inspired by my culture. There are so many unique experiences within Black culture, there’s always something to write about, amplify, and celebrate. It is truly a gift.

 

 

IWTBB int2 bigger than everyone
Interior illustration from I Want To Be Big! written by Tiffany Golden and illustrated by Sawyer Cloud, Page Street Kids ©2023.

 

AD: What advice do you have for fellow kidlit creatives?

TG: Create community. Kidlit is a welcoming and warm world. Make sure you get to know other creators in it. I’ve made so many meaningful connections in critique groups, workshops, book release groups, and many more! Grow your network with wonderful creatives!

 

IWTBB int3 too big for everything that I love
Interior spread from I Want To Be Big! written by Tiffany Golden and illustrated by Sawyer Cloud, Page Street Kids ©2023.

 

TG: Thank you for interviewing me, Amanda, and thanks for hosting us, Ronna! Thanks to all those for reading and supporting my work!

 

BUY I WANT TO BE BIG!:

Bookshop to support local bookstores

Amazon for all other purchases

Click here for an activity guide.

 

Tiffany Golden with nephew Jaiceon photo credit Rose Fruci
Tiffany Golden with her nephew, Jaiceon, the inspiration of I Want To Be Big! Photo Credit: Rose Fruci

AUTHOR BIO:

TIFFANY GOLDEN writes picture books, middle-grade, and YA fiction, mostly inspired by her experiences as a Black, disabled woman. She is also the winner of Lee and Low’s New Visions Award for 2021. She teaches creative writing to third-to-fifth grade students, is a member of SCWBI, and received the Judith Tannenbaum Teaching Artist Fellowship.

Find out more at www.tiffanygolden.comon Twitter @mstee13 and Instagram @tiffany.golden.13

 

e

INTERVIEWER BIO:

Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. Amanda is the author of MOONLIGHT MEMORIES, 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, and a yet-to-be-announced forthcoming titleShe also has poetry and illustrations featured in The Writers’ Loft Anthology: Friends & Anemones: Ocean Poems for Children. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her family and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

 

Share this:

An Interview by Maria Wen Adcock with Night Market Rescue Author Charlotte Cheng

AN INTERVIEW WITH CHARLOTTE CHENG

AUTHOR OF NIGHT MARKET RESCUE

ILLUSTRATED BY AMBER REN

(ROCKY POND BOOKS; $18.99, AGES 4-7)

 

Night Market Rescue cover night market dog GoGo lanterns family

 

 

INTRO:

Charlotte Cheng is the author of NIGHT MARKET RESCUE [Rocky Pond Books], illustrated by Amber Ren. Her picture book was released to the world on May 2, 2023. In this interview conducted by Maria Wen Adcock, author of IT’S CHINESE NEW YEAR, CURIOUS GEORGE and founder of the parenting blog BiculturalMama.com, Charlotte discusses her inspiration for the book, Taiwanese traditions, and more.

INTERVIEW:

Maria Wen Adcock: What inspired you to write Night Market Rescue?

Charlotte Cheng: My family comes from Taiwan, and although I was born in the US, we made trips back to Taipei as often as we could to visit family. Each time we visited, my parents brought me to famous Taiwanese night markets so I could soak in the tastes and joys of their childhood.  To this day, I can still recall the smells of sizzling sausage and the sights of colorful goods. I wanted to share these fond memories with others and chose to do so by writing Night Market Rescue!

e

MWA: Why did you decide to use a stray dog as the main character? How did you come up with his name? 

CC: I was struggling to figure out how to write Night Market Rescue with an interesting perspective. A few years ago, we also learned that some street dogs rely on night markets to survive. I started exploring how a night market could be seen through the eyes of a street dog. In fact, during one of our family trips to Taiwan, I spent time taking photos of night markets from a dog’s perspective. I then chose to name the dog GoGo as the word “gou” is also the Chinese word for dog.

At the same time, we started helping rescue organizations and fostered a few dogs. Eventually, we decided to rescue one ourselves. His name is Waldo, and he is a proud and integral member of our family. In fact, GoGo might look a little like Waldo because we shared photos of him with Amber Ren, the talented illustrator for Night Market Rescue.

e

Night Market Rescue int1 stray GoGo finds new place page 03
Interior art from Night Market Rescue by Charlotte Cheng with illustrations by Amber Ren, Rocky Pond Books ©2023.

e

MWA: What Taiwanese traditions did you want to make sure you featured in the book?

CC: I focused a lot on sounds, tastes, and textures. I wanted people to feel like they’re with GoGo as he explores the night market. Some specifics I made sure to include were the scooters (one of Taipei’s preferred modes of transportation), sizzling sausage (a famous Taiwan treat), and haggling grandmas (a staple of any Asian market).

e

MWA: Why did you think it was important to write a book highlighting Taiwanese culture? 

CC: Taiwan is a small island packed with a fascinating history. From Dutch castles to lantern festivals to marble canyons and mountains that rise above the clouds, my parents devoted a lot of time sharing their culture with me. I now have a young daughter and hope stories like Night Market Rescue will be an opportunity for me to do the same. Furthermore, Taiwan is a place that many people don’t have a chance to visit. I hope Night Market Rescue will be a way for them to learn about this special island.

e

Night Market Rescue int2 Taipei market GoGo and lanterns Page 04
Interior spread from Night Market Rescue by Charlotte Cheng with illustrations by Amber Ren, Rocky Pond Books ©2023.

 

MWA: What was the process like working with the publishing team?

CC: I’m a collaborative creature at heart, so working with the publishing team was a dream come true! Lauri Hornik is the President of Rocky Pond Books, a new imprint at Penguin. The moment Lauri acquired Night Market Rescue, she immediately began working with me to refine the manuscript. The book is in rhyme, so revisions were a little tricky, but the story is so much stronger now!

I then got to see this story come alive through the talented hands of our illustrator, Amber Ren. It began with character designs and pencil sketches. Then she added vibrant colors that brought movement and energy to each page. Throughout each stage, the Rocky Pond team invited me to provide feedback and suggestions. Sometimes, I even sent specific photos of my dog Waldo to help highlight how Taiwanese street dogs behaved in different scenarios! It was a pleasure witnessing the images transforming into the final illustrations that are now found in the book.

There are many others at the Rocky Pond team that have contributed to making Night Market Rescue as well: from art direction and book design to marketing and publicity. I’ll be collaborating with Lauri and her team on four more books over the coming years. I’m greatly looking forward to working with them all again, and I’m so grateful to be a part of the Rocky Pond family!

 

MWA: What did you and your publishing team love the most about the illustrations? 

CC: Amber Ren is such a creative and detailed illustrator! She captured the sights and sounds of a Taiwanese night market with vibrant and colorful images that just jump from the page. There are so many details that I hope readers will catch. Someone is drinking boba in the background because the beverage was invented in Taiwan. Even my Ama makes an appearance as she briskly bargains with a vendor! Amber also hand-wrote each vendor sign in traditional Mandarin, and she even incorporated feedback from my parents on the exact phrasing of some of the vendor names. Most of all, Amber managed to illustrate the full spectrum of GoGo’s emotions – from curiosity to loneliness to joy. You root for GoGo because he’s so charming and eager when exploring the night market. I could not imagine working with a better illustrator than Amber, and I hope we can work together again!
e

MWA: Do you have any books or projects coming up? If so, please describe them.

CC: I actually have several books coming out over the next few years! In 2024, Roar Choo, illustrated by Dan Santat, will be published by Rocky Pond Books. It’s a story of how a dragon recovers from a cold through the help of a phoenix friend. In the same year, A Name for Sister, illustrated by Sophie Diao, will be published by HarperCollins. It’s a magical new sister story inspired by a centuries-old naming tradition from China. In 2025, Rocky Pond Books will also publish two more of my stories: I Miss You Most (2025), illustrated by Xindi Yan, and Icy Fruit (2025), illustrated by Vivian Mineker. Both of these books are inspired by my two grandfathers. You can sign up for my newsletter or follow me on social media to stay updated about these books.

 

BUY THE BOOK:

Charlotte’s local indie store:

https://www.thereadingbug.com/book/9780593531723

IndieBound:

https://www.indiebound.org/book/9780593531723

 

SOCIAL MEDIA LINKS:

Twitter: https://twitter.com/charlottedraws

Instagram: https://www.instagram.com/charlottemakesbooks

Linkedin: https://www.linkedin.com/in/charlottechengdesigns

e

Charlotte Cheng Photo Credit Airecel Brady
Charlotte Cheng Photo Credit: Airecel Iris Brady

ABOUT AUTHOR CHARLOTTE CHENG:

Charlotte has written and illustrated a variety of books, including Explore China: A Mulan Discovery Book and BoBo Loves Dumplings. With over 20 years of EdTech experience, Charlotte has also written and published K-12 curricula for a variety of companies, including CodeCombat, Disney, and Wonder Workshop.

You can learn more about Charlotte’s work at: www.charlotte.art. You can also find her social media sites above.

e

ABOUT INTERVIEWER MARIA WEN ADCOCK:

Maria Wen Adcock is the author of It’s Chinese New Year, Curious George [January 2023], published by Clarion Books/Harper Collins. Maria is a first-generation Chinese-American writer and founder of the award-winning multicultural parenting blog www.BiculturalMama.com. She has appeared on The Dr. Oz Show, Bloomberg News, Newsday, and Huffington Post. Maria is a board member of Multicultural Kid Blogs, an organization supporting diverse parenting bloggers, and co-host of the annual event Multicultural Children’s Book Day.
Follow: Facebook |Twitter | Instagram | Pinterest

FIND OUT MORE ABOUT AMBER REN, THE ILLUSTRATOR:

https://www.amber-ren.com

https://twitter.com/AmberRenArt

https://www.instagram.com/ren.amber

http://amber-ren.tumblr.com

https://www.linkedin.com/in/amber-ren-1921a092

Share this:

An Interview by Rajani LaRocca with I’m an American Author Darshana Khiani

 

 

AN INTERVIEW WITH DARSHANA KHIANI

ABOUT HER NEW PICTURE BOOK

I’M AN AMERICAN

ILLUSTRATED BY LAURA FREEMAN

(Viking BYR; $19.99, Ages 4-8)

 

 

I'm An American cover flags diverse children

 

 

PUBLISHER’S SUMMARY:

 

INTERVIEW:

Rajani LaRocca: What was the inspiration for this book?

Darshana Khiani: My initial inspiration came in the Summer of 2017, I watched a YouTube video of a White man conversing with an Asian man about being American. Even though the Asian man answered every question with an answer that was similar if not the same as the White man’s answers, it didn’t matter. The White man would not “see” the 4th generation U.S. born ethnically Chinese man as an American. I was flabbergasted. When is one considered an American? Initially, I wrote a narrative story about a biracial child questioning his identity. Unfortunately, the draft didn’t feel like a picture book and had veered from the heart which was “If America is your home and you believe in the ideals/values of this country then you are American, regardless of color, ethnicity, or even citizenship.”  From a conference critique, I received a suggestion to create a concept book with layered text, set in a diverse classroom. The American values would be prominently featured in the main text with the student’s family backstory in the secondary text.

 

I'm an American int1 classrom
Interior spread from I’m an American written by Darshana Khiani and illustrated by Laura Freeman, Viking BYR ©2023.

 

RL: What kind of research did you do? How did you decide which people/which stories to include?

DK: Since this book covered immigration history at a higher level, I first started with a middle-grade nonfiction text on immigration history and then dug deeper into specific events and facts delving into topic-specific books.I wrote copious notes of whatever details were significant or interesting to me. I created a spreadsheet with all the different values and then marked which groups had stories or experiences that could help showcase that value. This was important since I wanted to capture as much diverse representation as possible from older immigrant stories to newer ones, immigrants from different regions of the world, as well as those groups who are non-immigrants. 

 

I'm an American int2 MexFilipAmer
Interior spread from I’m an American written by Darshana Khiani and illustrated by Laura Freeman, Viking BYR ©2023.

 

RL: Laura Freeman’s art is stunning! Was there a lot of revision once the illustrations came in?

DK: There was plenty of revision of the text for a few of the vignettes for accuracy and sensitivity reasons, and even some shuffling around of page spreads for story flow. All good stuff. There weren’t any changes needed as a result of the art. I agree Laura’s art is breathtaking and I do hope she gets some professional recognition for it. I don’t think this was an easy book to illustrate.

 

RL: What do you hope young readers get from this book?

DK: No matter who you are or how you came to the United States, if you believe you are an American then you are. Also for people who’ve been here for generations, to realize that the reasons people immigrate today such as the need for safety or basic human rights is no different than the reason people immigrated in the 17th through 19th centuries. Despite our differences and challenges as a nation is it our values that we continuously strive and try to uphold that make us American.

 

BUY THE BOOK:

Click here to purchase I’m an American.

LINKS TO SOCIAL MEDIA:

e
D Khiani headshot by Lisa Noble
Darshana Khiani  – Author Photo ©Lisa Noble.

AUTHOR BIO:

Darshana Khiani is an author, engineer, and advocate for South Asian children’s literature. She is infinitely curious about the world and enjoys sharing her findings with young readers. If she can make a child laugh even better. Her debut picture book, How to Wear a Sari (Versify), was an Amazon Editors’ Pick. She enjoys hiking, solving jigsaw puzzles, and traveling. She lives in the San Francisco Bay Area with her family and a furry pup. You can visit Darshana here.

e

e

INTERVIEWER BIO:

 

Share this:

Darshana Khiani Interviews Mirror to Mirror Author Rajani LaRocca

 

 

DARSHANA KHIANI INTERVIEWS RAJANI LAROCCA,

AUTHOR OF

MIRROR TO MIRROR

(Quill Tree Books; $19.99, Ages 8-12)

 

 

MirrortoMirror cover twin sisters scaled

 

SUMMARY:

Rajani LaRocca, recipient of a Newbery Honor and Walter Award for Red, White, and Whole, is back with an evocative novel in verse about identical twin sisters who do everything together—until external pressures threaten to break them apart.

 

INTERVIEW:

Darshana Khiani: What was your initial inspiration for writing this book?

MIRROR TO MIRROR Title PageRajani LaRocca: Mirror to Mirror started with a single poem. In April 2020, I took an online workshop with renowned poet Lesléa Newman in which she talked about several types of formal poetry, including the ghazal—a poetic form, often set to music, that is popular in South Asia and the Middle East. Inspired by the workshop, I wrote a ghazal about a twin lamenting that her sister had changed and the two were no longer close.

So then I started thinking: why did these two grow apart? What happened to them? And I started to create the characters. Because ghazals are often sung, I knew that the twins would be musical. I also thought that one would be hiding a secret that was eating away at her—and that secret would be the heart of her separation from her beloved twin.

 

DK: What were the challenges (literary, research, psychological, logistical) in bringing the text to life?

RL: One challenge I faced was the same one I always face when writing a dual-POV book: how do I make the voices distinct from one another? How do I make sure each one moves the story forward? At first, I wrote Maya’s voice in poetry and Chaya’s in prose, but that felt jarring. When my editor suggested I change it so that both voices were in poetry, that felt much better, but I still had to work hard to make the voices different from one another using the content and attitude in the poems, as well as structure, imagery, and word choice. The book starts with a couple of short paired poems, each titled “She’s the One,” where the twins express how they think about each other. These poems were drafted during that first revision, and I thought they vividly set the tone of the book and established the viewpoints of each twin.

MIRROR TO MIRROR Page3

I interviewed several sets of identical twin sisters for this story, and it was fascinating! Not only were they closer than other siblings, but some described each other as “soulmates.” They told me stories about eerie connections they had, and how no matter what else was going on in their lives, their bond was unshakable.

 

MIRROR TO MIRROR Page 4 continuation of poem

 

But there is room for misunderstanding even in the closest relationships. I tried to create a story where each twin thinks she’s doing something to help the other, but instead drives a wedge between them.

2020-2021 were difficult years for me and my family. Thanks to the pandemic, we had to contend with separation, illness, anxiety, and death. It was challenging to write a book at this time, but I had to keep going.

 

DK: What do you hope young readers get from this book?

RL: I wanted to explore anxiety and mental health in a poetic way. I wanted to show that people can struggle not only with symptoms but also with telling others, even those who know them, that they are struggling. I wanted to depict the helplessness we can feel when someone we love is going through something hard.

I hope that young readers understand that we all go through difficult times, even when we are surrounded by friends and family. I hope they learn that although we may sometimes struggle with anxiety and depression, we don’t have to deal with these feelings alone, and it’s important to share with those we love and trust because only through sharing can we start to get help.

 

MIRROR TO MIRROR Page5

 

 

DK: You are a doctor and a prolific award-winning writer, so clearly you’ve got this writing thing figured out. What do you feel are the key ingredients to keep the writing flowing?

RL: You’re too kind, Darshana! I feel very fortunate to be writing books for young people today. Here’s my advice:

  • Write what you love, what you’re interested in, what makes you happy. Don’t worry about what anyone else is writing.
  • Write a lot! I always try to have multiple projects going.
  • Figure out what’s most challenging for you to do, and work on that when you’re at your best. For example, drafting (as opposed to revising) novels is challenging for me, so when I’m working on drafting a novel, I make sure to devote time to this in the morning when I’m refreshed and less likely to get interrupted. In contrast, I find that I can draft a picture book or revise something (long or short) at just about any time. 
  • Live your life! It’s important to do things other than write to feed that writing soul. Spend time with family, friends, and in nature.
  • Support your friends and other creators. 
  • Don’t be too hard on yourself. In publishing, there are only so many things we can control—including making our books as good as they can possibly be.
  • Have fun! I always try to write from a place of joy.

 

BUY THE BOOK:

The Silver Unicorn Bookstore: https://silverunicornbooks.com/events/23095

Link to Publisher page including activities, discussion topics, etc.
An educator’s guide is forthcoming.

Purchase Mirror to Mirror on Rajani’s website.

 

Rajani LaRocca Author Photo Credit Carter Hasegawa
Author Rajani LaRocca Photo Credit: Carter Hasegawa

AUTHOR BIO:

Rajani LaRocca was born in India, raised in Kentucky, and now lives in the Boston area, where she practices medicine and writes award-winning books for young readers, including the Newbery Honor-winning middle grade novel in verse, Red, White, and Whole. She’s always been an omnivorous reader, and now she an omnivorous writer of fiction and nonfiction, novels and picture books, prose and poetry. She finds inspiration in her family, her childhood, the natural world, math, science, and just about everywhere she looks. Learn more about Rajani and her books at www.RajaniLaRocca.com. She also co-hosts the STEM Women in KidLit Podcast.

LINKS TO SOCIAL MEDIA:

INTERVIEWER BIO:

Darshana Khiani is an author, engineer, and advocate for South Asian children’s literature. She is infinitely curious about the world and enjoys sharing her findings with young readers. If she can make a child laugh even better. Her debut picture book, How to Wear a Sari (Versify), was an Amazon Editors’ Pick. She enjoys hiking, solving jigsaw puzzles, and traveling. She lives in the San Francisco Bay Area with her family and a furry pup. You can visit Darshana here.

Share this:

Vicky Fang Interviews Elisa Boxer, Author of Hidden Hope

 

VICKY FANG INTERVIEWS ELISA BOXER,

AUTHOR OF

HIDDEN HOPE: 

How a Toy and a Hero
Saved Lives During the Holocaust

(Abrams BYR; $19.99, Ages 4-8)

 

 

Hidden Hope cover girl with toy duck

 

Starred review – School Library Journal, Booklist

 

INTERVIEW:

Vicky Fang: Elisa, HIDDEN HOPE is such an inspiring book. I love that you’re able to share a story that is so historically rich in such a compelling way. How did you come up with the idea for this book?

Elisa Boxer: Vicky, thank you so much. Great to be here with you. The idea for this book began when I first saw this photo on Yad Vashem’s website:

 

Wooden Toy duck Credit Yad Vashem Artifacts Collection
Wooden Toy Duck Credit Yad Vashem Artifacts Collection

 

Yad Vashem is the World Holocaust Remembrance Center in Israel, and this hollowed-out wooden duck is part of the artifacts collection. When I learned that this duck was made with a secret compartment to hide documents from the Nazis during World War Two, and that the French Resistance worker who used it to smuggle those documents was a teenager, I knew this was a story I wanted to tell.


VF: It’s such a fascinating story! In addition to writing children’s books, you’re also a journalist. How does your background as a journalist affect your work as a children’s book author?

EB: I definitely combine the two on a daily basis. Whether it’s doing research, conducting interviews, writing a narrative, distilling complex issues down to manageable bits of information, or zeroing in on areas of emotional resonance with the audience, the processes with journalism and book writing are very similar. And the result, telling a (hopefully) compelling story with a strong emotional takeaway, is always my goal.

 

VF: I would say you’d definitely succeeded with HIDDEN HOPE. In the backmatter, you also talk about your personal connection to this topic … could you share a bit about that?

EB: My personal connection is two-fold: Both sides of my family are of Eastern European descent, and relatives on each side were killed during the Holocaust. As both a journalist and an author, I definitely feel compelled to help shine a light on these atrocities. But also, growing up, I often felt like I had to hide my Jewish voice because my childhood was filled with so many personal and hurtful incidents of Antisemitism. I wasn’t strong enough back then to stand up to hate; to expose injustice. So in a way, I suppose I’m making up for lost time. When I first saw that picture of the duck, it struck me that here is this artifact, in an international museum, on display for all to see. And yet it was never supposed to be there, according to Hitler’s plan. If anything, it was supposed to be in his intended “museum of an extinct race.” As were all Jewish artifacts and all Jewish signs of life. So on a personal level, as I mention in my Author’s Note, I want to help bring more and more stories like this out of the darkness and into the light.

 

VF: Could you talk about your experience in writing this book? Was it hard to spend so much time on such a difficult topic?

EB: It’s so interesting, this question has come up quite a bit. People ask whether it’s been hard to write about such a dark topic. And while there’s no question that this was an unimaginably devastating time in history, the whole point of the Holocaust was to create a master race and erase the Jewish people from the face of the earth. And yet so many of us are here writing about it. We’re bringing these stories to light. We’re the descendants that were never supposed to be here. And not only are we here, we’re raising our voices to tell the stories that the Nazis never wanted told. There is something incredibly uplifting and empowering about that. I never want to stop doing it.

 

Hidden Hope int1 interior objects
Interior art from Hidden Hope written by Elisa Boxer and illustrated by Amy June Bates, Abrams BYR ©2023.

 

VF: What a wonderful message, thank you. Amy June Bates’ illustrations also do such a good job of highlighting the mood and the action of HIDDEN HOPE and I love that there’s an Artist’s Note in the end from her. What did you think when you first saw her illustrations?

EB: Oh I love Amy’s Artist’s Note too! And exactly about highlighting the mood and the action. I have been researching the French Resistance for years, and have so many images in my mind. But Amy has an incredibly unique gift for creating old-world style art that takes you back and makes you feel like you’re right there, in the middle of it all, riding along with Judith and the duck on the streets of Paris. I was in awe of her work from the time I first saw her preliminary sketches. Her art is so authentic that it makes the whole book feel like an artifact in itself. One of the most powerful details to me is the contrast of vibrant, saturated color from Judith’s beret with the more muted, cloudy, shadowy watercolor illustrations that so perfectly capture the somber feel of what was happening. A recent Booklist review highlighted one of my favorite spreads: “One particularly haunting spread casts the reader’s gaze through a jagged, broken windowpane to bear witness to soldiers’ cruelties.” I mean, the art on every page is extraordinary, but that scene really stands out.

 

VF: What do you hope young readers take away from this story?

EB: Initially, I wanted to tell this story because it’s so full of hope and intrigue and I wanted young readers to find inspiration in this little-known hero who was filled with determination in such a dark time. And I wanted this book to take its place alongside others that are opening up wider conversations about Antisemitism. But as I began really feeling into the deeper layers, which for me comes during the writing process, I began to realize that this is, ultimately, a story about the importance of never having to hide the truth of who you are. Although certainly nothing can be directly compared to the horrors of the Holocaust, I do think many of us have aspects of ourselves that maybe we feel unsafe showing to the world. I actually found myself asking some uncomfortable questions, like: “Where and with whom do I feel like I have to hide the full truth of who I am?” These aren’t always conscious questions. But I do hope one of the takeaways for young readers (and older ones too) is deciding to show up in any given situation as the most authentic version of who they are. Not hiding. Bringing their fullest selves into the world.

 

Hidden Hope int2 girl on bike
Interior spread from Hidden Hope written by Elisa Boxer and illustrated by Amy June Bates, Abrams BYR ©2023.

 

VF: I think that’s such a wonderful aspect of your books. You tell such specific and inspiring stories, but the themes are so big and universal. You’ve written a wide range of wonderful nonfiction picture books, from COVERED IN COLOR: Christo and Jeanne-Claude’s Fabrics of Freedom to SPLASH!: Ethelda Bleibtrey Makes Waves of Change. How do you find story ideas and decide which ones to pursue?

EB: With nonfiction picture books, I’m looking for that “YES!” in my gut that keeps drawing me back to the topic. I’m initially looking for inspirational people, places, or events that I find intriguing enough to spark my curiosity and make me want to dig deeper. And then there has to be something more. For example, with SPLASH! Ethelda Bleibtrey Makes Waves of Change, it was impressive that Ethelda was the first American woman to win an Olympic gold medal in swimming. But when I learned that she used swimming to help heal from polio, and that she got arrested for standing up to sexist laws that said all women had to swim with socks, I knew this story had the potential to inspire young readers to break barriers in their own lives.

With COVERED IN COLOR: Christo & Jeanne-Claude’s Fabrics of Freedom, I knew that Christo and Jeanne-Claude were a dynamic duo who created massive displays of public art like wrapped buildings and islands. But when I researched more about Christo’s background, I learned he grew up under Nazi rule and then under Communism. This fascinated me, how someone whose childhood was filled with so much suppression could dream up and generate these wild, large-scale, outside-the-box creations. And so this became a story about courage, and pushing the limits of what appears to be possible, and creativity that refuses to be contained. So with each topic, in order to pursue it as a book, there has to be the potential for a strong inspirational theme and emotional takeaway.

 

VF: So what’s next for you?

EB: Right now I’m looking forward to this book launching into the world on March 14th! I’m so happy to have heard from teachers around the country who will be incorporating it into their Holocaust education curriculum, and am looking forward to virtual author visits to support that.

Next year, I have four more books on the way: DEAR YOUNGER ME: What 35 Trailblazing Women Wish They’d Known as Girls (Rowman & Littlefield), THE TREE OF LIFE: How a Holocaust Sapling Inspired the World (illustrated by Alianna Rozentsveig, published by Penguin/Rocky Pond Books), BEAM OF LIGHT: The Story of the First White House Menorah (illustrated by Sophia Moore, published by Penguin/Rocky Pond Books) and one that hasn’t been announced yet. 2024 is going to be a busy year! Meanwhile, I’m working on more picture books, as well as a middle-grade novel and a middle-grade collective biography that I’m really excited about.

EB: Thank you so much for this interview, Vicky. And to Ronna, for hosting us. And to everyone who supports our books!

VF: Thank you, Elisa, for sharing your personal story behind this beautiful book, HIDDEN HOPE: HOW A TOY AND A HERO SAVED LIVES DURING THE HOLOCAUST. It’s been an inspiring conversation!

 

BUY THE BOOK:

Local indie for signed copies (type in the comments how you’d like the book inscribed): https://www.printbookstore.com/book/9781419750007

 

Author Elisa Boxer photo credit Melissa Mullen
Author Elisa Boxer Photo Credit: Melissa Mullen

AUTHOR BIO:

Elisa Boxer is an Emmy and Murrow award-winning journalist whose work has been featured in publications including The New York Times and Fast Company. She has reported for newspapers, magazines and TV stations, and has a passion for telling stories about people finding the courage to create change. She is the author of several nonfiction picture books including The Voice That Won the Vote, A Seat at the Table, One Turtle’s Last Straw, SPLASH! (a Junior Library Guild Gold Standard Selection), Covered in Color (called “compelling from cover to cover” in a Kirkus starred review) and Hidden Hope (called “an important true account to add to all collections” in a School Library Journal starred review). Elisa lives in Maine, and has more children’s books on the way. Visit her at https://www.elisaboxer.com/

Links to social media:

Twitter: https://twitter.com/eboxer

Facebook: https://www.facebook.com/Elisaboxer/

IG: https://www.instagram.com/boxerelisa/

Illustrator’s website: https://www.amyjbates.com/

 

INTERVIEWER BIO:

Vicky Fang is a product designer who spent 5 years designing kids’ technology experiences for both Google and Intel, often to inspire and empower kids in coding and technology. She started writing to support the growing need for early coding education, particularly for girls and kids of color. She is the author, and sometimes illustrator, of nineteen new and upcoming books for kids, including the Layla and the Bots series, Invent-a-Pet, I Can Code board books, Friendbots series, and the forthcoming Ava Lin series, Best Buddies series, AlphaBot, and The Boo Crew Needs You! You can visit Vicky at vickyfang.com.

 

Share this:

Elisa Boxer Interviews Author Kirsten W. Larson

 

AN INTERVIEW

WITH

KIRSTEN W. LARSON

AUTHOR OF

THE FIRE OF STARS

(Chronicle Books; $18.99, Ages 5-8)

 

 

The Fire of Stars cover Cecilia Payne

 

 

Starred Reviews – Kirkus, Publishers Weekly, School Library Journal, Shelf Awareness

INTERVIEW:

Elisa Boxer: I’m so happy to be here interviewing my Soaring 20s colleague and friend Kirsten W. Larson about her newest picture book, The Fire of Stars: The Life and Brilliance of the Woman Who Discovered What Stars are Made Of. It’s an absolutely stellar book! Kirsten weaves together two stories in one: The creation of a star, and the evolution of astronomer Cecilia Payne, who discovered what stars are made of …

Kirsten, you make the dual narrative structure look easy. But I know it is anything but! Did you set out with the intention to write a dual narrative? If not, at what point in the process did you decide on this format?

Kirsten W. Larson: This was a last-minute decision, believe it or not. In May 2017, my agent Lara Perkins (of Andrea Brown Literary Agency) and I were preparing to sub this book as a run-of-the-mill picture book biography. Meanwhile,  I was working on a blog post featuring Hannah Holt’s query letter for THE DIAMOND AND THE BOY (Balzar + Bray, 2018). The book itself was still over a year away from release, but the query stuck with me. Hannah pitched her biography of Tracy Hall, who invented lab-produced diamonds, asa two-tale picture book—a turn and flip. … The two stories meet in the middle with a shared phrase.”

That was a total lightning bolt moment. I finally saw a way to add more hooks to my story and appeal to readers of both biography and informational books – by telling two stories at the same time. I went back and added the story of star formation alongside Cecilia’s formation as a star scientist.


EB:
That’s fascinating! The story is so seamlessly woven, I never would have guessed that it was a last-minute decision. What was the most challenging part about writing a book with this structure?

KWL: I think what sets this book apart from other parallel biographies (and made it very challenging to write) was the idea of having a shared line of text on every spread that applied to both stories – the star and Cecilia. It seemed like a good idea when I came up with it, but then it proved to be much harder to pull off. At one point I told Lara I couldn’t do it, and we should forget about it. But she kept encouraging me. She knew I could do it. But it was so, so hard.

Then, once I was working with editor Melissa Manlove of Chronicle Books, she had the additional idea of wanting to be able to read those shared lines only, without the additional text about Cecilia, and have it make sense for the youngest readers. The whole thing was a real puzzle, but I’m so happy we were able to get everything to work. It makes this book truly special.

 

EB: I’m so glad that Lara kept encouraging you, and that you stuck with it. You’ve created the perfect mentor text for aspiring authors of dual narratives. What advice would you give them?

KWL: I think this is a case where you have to be careful about the form not overtaking the writing, much like when you are writing poetry or even lyrically. For me, it helped to plot out both stories independently, step by step. I nailed down Cecilia’s major plot points, asking myself questions like “What’s the inciting incident?” “What’s the all is lost moment?” etc. Then I wrote down step-by-step how stars formed before trying to line the two stories up and brainstorming what language might connect them. I am a very visual writer, and I actually thumbnailed the stories in my journal trying to match things up and experimenting with language. You can see some of my journal pages here.

 

EB: I love the scene at the beginning, where Cecilia’s mother sets her down in the snow, and she expects a warm blanket, but instead finds her toes freezing! “It’s the first time Cecilia learns things aren’t always as they seem,” is such a powerful statement that foreshadows her discoveries to come. At what point in your research did you come across that particular anecdote, and how instrumental was it in building your scenes and threading that theme?

 

The Fire of Stars int1 young Cecilia Payne with mother in snow
Interior art from The Fire of Stars written by Kirsten W. Larson a nd illustrated by Katherine Roy, Chronicle Books ©2023.

 

KWL: The theme of this book was always the “ingredients” of a successful scientist, characteristics like being a good observer, curiosity, passion, and persistence. The book always showed how Cecilia exhibited those characteristics even as a child. For example, the scene where she watches slimy slugs in the garden was there from the start as was the scene about the bee and the bee orchid, which really set her on her quest for discovery.

But, to your question, I came across that story of Cecilia and the snow very early on in my research. Yet even though I knew about that story from the beginning, I didn’t include it until I started working on the parallel structure! I needed something that came before Cecilia in the dust and dirt of the garden, something that nodded to the star she would become.

That’s when I added this moment in the snow. I just tracked down a document on my computer when I “unwrote” Cecilia’s story, summarizing what needed to happen spread-by-spread in a line or two. That’s the last thing I wrote before I pieced the two stories together.

 

EB: Those same ingredients of curiosity, passion, and persistence clearly apply to you and your research as well! Can you tell us a bit more about your research process?

KWL: This book was a bit of a departure from my usual research process. Typically, I like to start with secondary sources for context before digging into primary sources to hear my characters’ voices in letters, diaries, and autobiographies.

At the time I started my research, there weren’t many book-length secondary sources about Cecilia at all. Dava Sobel’s GLASS UNIVERSE wasn’t out yet, nor was Donovan Moore’s biography. So I moved pretty quickly to primary sources like Cecilia’s published autobiography, her oral history from Harvard, and her research papers including her dissertation.

I did a lot of research around the edges, including the women who worked at Harvard Observatory and the field of astronomy and astrophysics to understand what was known in the field of astronomy at the time Cecilia was working. I talked to physicists and astronomers to discern the magnitude of her contributions.

EB: How much of yourself do you see in Cecilia?

KWL: What I’ve learned through this book and WOOD, WIRE, WINGS is that “STEM people” and “creative people” have so much in common. We’re all creative. We’re all problem solvers. We all take feedback. We all fail. So, yes, I feel a great affinity for Cecilia, especially that feeling of being lost and feeling hopeless, as well as that thrill of the shiny bright moment when an idea comes together and a new piece of knowledge or art comes into the world.

 

The Fire of Stars int2 astronomer Cecilia Payne studying stars
Interior art from The Fire of Stars written by Kirsten W. Larson and illustrated by Katherine Roy, Chronicle Books ©2023.

 

EB: Speaking of shiny and bright and everything coming together, Katherine Roy’s illustrations are breathtaking. What was it like seeing her preliminary sketches and watching them evolve?

KWL: Katherine’s work on this book is incredible, and it’s such a thrill to see her splattering paint and using toothbrushes to give the impression of star formation. 

The original visual idea for this book, which I put in art notes for our editor, was to split the story horizontally, with the star’s story on the top and Cecilia’s below. I saw some early sketches, and it wasn’t working the way we hoped. The star story seemed very disconnected from Cecilia’s. When Katherine shifted the two stories to a side-by-side the whole thing really started coming together. This just goes to show you the tremendous power of illustrators who know far more about visual storytelling than authors do. This book was such an adventure!

EB: I couldn’t agree more, from a reader’s perspective, that this book is an incredible adventure! One of my new all-time favorite picture books. Thank you so much for giving all of us a peek into your process.

Click here to purchase a copy of the book.

Click here for the publisher page for a good way to access activities, discussion topics, etc.

Social Media Links: @kirstenwlarson @kroystudio (Twitter) @chroniclekids

 

AUTHOR BIO:

Kirsten used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of the picture books: WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021), THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, February 2023), and THIS IS HOW YOU KNOW, illustrated by Cornelia Li (Little, Brown 2024). She also is the author of the middle-grade, graphic nonfiction, THE LIGHT OF RESISTANCE, illustrated by Barbara McClintock, (Roaring Brook, 2023), along with 25 nonfiction books for the school and library market. Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Visit her website at https://kirsten-w-larson.com

 

INTERVIEWER BIO:

Elisa Boxer is an Emmy and Murrow award-winning journalist whose work has been featured in publications including The New York Times and Fast Company. She has reported for newspapers, magazines, and TV stations, and has a passion for telling stories about people finding the courage to create change. She is the author of several nonfiction picture books including The Voice That Won the VoteA Seat at the TableOne Turtle’s Last Straw, SPLASH! (a Junior Library Guild Gold Standard Selection), Covered in Color (called “compelling from cover to cover” in a Kirkus starred review) and Hidden Hope (called “an important true account to add to all collections” in a School Library Journal starred review). Elisa lives in Maine, and has more children’s books on the way. Visit her at https://www.elisaboxer.com

 

Share this:

Sydney Taylor Book Award Blog Tour 2023 – Some Kind of Hate

 

 

STBA 2023 blog tour logo

 

AN INTERVIEW

WITH

SYDNEY TAYLOR BOOK AWARD HONOREE

SARAH DARER LITTMAN

 

 

 

SCHOLASTIC DESCRIPTION:

Declan Taylor is furious at the world. After winning state as a freshman starting pitcher, he accidentally messes up his throwing arm. Despite painful surgery and brutal physical therapy, he might never pitch again. And instead of spending the summer with his friends, Declan is forced to get a job to help his family out. On top of that, it seems like his best friend, Jake Lehrer, is flirting with Declan’s crush and always ditching him to hang out with the team or his friends from synagogue.

So Declan ends up playing a lot of Imperialist Empires online and making new friends. It’s there he realizes he’s been playing with Finn, a kid from his class. Finn is the first person who might be just as angry as Declan. As the two spend more time together, Finn also introduces Declan to others who understand what it’s like when the world is working against you, no matter how much you try. How white kids like them are being denied opportunities because others are manipulating the system. And the more time Declan spends with Finn, the more he sees what they’re saying as true. So when his new friends decide it’s time to fight back, Declan is right there with them. Even if it means going after Jake and his family. And each new battle for the cause makes Declan feel in control of his rage, channeling it into saving his future. But when things turn deadly, Declan is going to have to decide just how far he’ll go and what he’s willing to sacrifice.

In a stunning story set against the rise of white nationalism comes an unflinching exploration of the destruction of hate, the power of fear, and the hope of redemption.

 

INTERVIEW:

GoodReadsWithRonna: Welcome to the blog, Sarah. I’m thrilled to discuss your STBA 2023 honor book Some Kind of Hate. How does it feel to be recognized twice now by the Sydney Taylor Book Award committee? Has that changed your life in any way? 

Sarah Darer Littman: It’s three times! My first book, Confessions of a Closet Catholic won the Older Readers award in 2006, and my third book, Life, After, was also a Sydney Taylor Honor Book in 2011.

It means the world to me to have my books honored in this way.

I’ve noticed a difference winning the honor this year vs. earlier in my career because it was announced as part of the ALA Youth Media Awards. I think it’s raised the profile of the awards within the wider children’s literature community and that’s a good thing.

And now for a funny story – winning the Sydney Taylor Award in 2006 had a hand in my meeting my husband, Hank, to whom Some Kind of Hate is dedicated.

We are both fans of the singer/songwriter Jill Sobule and were on her fan listserv, Happytown, which was a fun community of interesting people. When Confessions won the award in 2006, I wrote an off-topic post telling my fellow Happytowners about it. Hank saw the post and thought “Littman … she sounds like a nice Jewish girl.” He googled me and found my website and my blogs and thought I was cute and funny – but he couldn’t tell if I was single or divorced. He thought about emailing me, but worried that I might think he was a creeper. Like most female writers, I’ve had weird emails and dm’s from a lot of randos over the course of my career.

I was going through a very difficult divorce at the time, and wouldn’t have been in the headspace to meet him then, so it was a good thing he held off.

Fast forward to September of that year – I finally had a trial date for my divorce and I logged onto the Jewish dating website, JDate, to “window shop.” I had no intention of starting to actively date yet, but wanted to get an idea of what kind of fish were out there when I was ready to dip my toes back into the dating sea.

Hank wouldn’t have come up in any of my searches because he was a little younger than me and didn’t have kids. I figured anyone who was in that situation would probably want kids, and I was happy with my son and daughter.

But in his profile, Hank had posted about how someone on JDate had said to him “You live in Boston so you must be a liberal, and like Ann Coulter I hate all liberals,” marveling that anyone would write that to another person on a dating app.

After Ann Coulter’s unforgivable comments about the 9/11 widows, (she went on the following year to talk about how us Jews need to be ‘perfected’) I felt compelled to respond, so I wrote him a private message saying that he’d dodged a bullet. I didn’t sign it, and didn’t expect to hear back from him.

The following day, I received a long email, beginning with: “Dear Sarah, I bet you’re wondering how I know your name …” and proceeded to tell me about how he’d been interested in me nine months earlier!

Our first date was a Jill Sobule concert at Joe’s Pub in NYC in October 2006, and we celebrated our 10-year anniversary in 2016 by getting married.

So thank you, 2006 ST Committee, JDate, and Jill Sobule. I guess I should also thank Ann Coulter for being so hateful that I felt compelled to respond to Hank’s profile.  Love really does win!

GRWR: The release of Some Kind of Hate is significant in that, as you mention in your Author’s Note, antisemitism has been on the rise in both the U.S. and worldwide. Was it that increase that planted the seed for this novel, a particular incident, or was this story something you had already been thinking about as the intolerance, scapegoating, and violence in our society toward minorities or the “other” have grown this past decade?

SDL: Yes, it certainly was part of the inspiration, and a reason why I felt compelled to write this novel when I did.

Many of my YA novels focus on the intersection of teens and technology – an area that fascinates me because being “a woman of a certain age” I grew up without it. I often wonder if I would have survived to adulthood if I’d grown up in the social media age. It’s not that I’m a Luddite – I just view technology as a TOOL, one of many we have as humans to work with to find solutions to the real problems that we face in our society and around the world.

Unfortunately, we’ve been fed the Silicon Valley myth that technology is THE SOLUTION, rather than a tool, and these companies have been making insane amounts of money with no accountability for the damage they do, or their unethical behavior Think Facebook’s experimentation with manipulating emotions through the timeline, and how that led to Cambridge Analytica’s use of it to influence the 2016 election.

I use the analogy of a hammer. A hammer can be used to build, but it can also be used to break and destroy. It’s important that we view technology within that framework, rather than buying the Silicon Valley narrative that it is the solution to every problem.

 

GRWR: Thank you for putting the note in the beginning of Some Kind of Hate about how hard it was to research and write such a disturbing topic, and how some readers might feel discomfort reading it. I felt compelled to read on because I wanted to understand the mindset of hate that Declan, Finn, Charlie, and Ronan felt. Becoming immersed in the world of Stafford’s Corner where the protagonists live, I identified with the Jewish characters who on any given day could be crossing paths with the extremists in your story and have absolutely no idea of the potential threat they posed. Yet at the same time, I appreciated the eye-opening insights into the roots of antisemitism that the book offered. I hope the education coupled with the positive example conveyed through Jake and Arielle, and Kayleigh to speak up, since silence is complicity, will resonate with young readers. What has been the response of your teen audience?

SDL: It’s been enlightening for many non-Jewish readers who have been blissfully unaware of the fact the kind of microaggressions their Jewish friends face, or how we have to hire armed guards and spend a fortune hardening our places of worship, just to be able to pray safely.

But it’s also helped readers understand why young people are drawn to extremism, and hopefully to recognize some of the dog whistles that we hear all around us – including from some members of Congress.

One of the most important things I learned from research and from interviewing former extremists is that most young people aren’t drawn to these groups by the ideology – at least initially. It’s because they have a lack in their lives, and they’re seeking community, identity, and purpose.

That’s made me think about ways that we can help young people find those things based around seeking love and understanding of our common humanity, rather than hatred and fear of the other.

 

GRWR: Since this novel delves deep into the scary world of white-supremacist militias and radicalization from online gaming that causes the rift between Declan and his best friend Jake who is Jewish, how did you remain grounded as you researched it and met many former extremists who shared their experiences with you?

SDL: The truth is I didn’t. I struggled to maintain my mental health while working on this book, particularly when lurking in some of the NeoNazi and Christian Nationalist chatrooms on Telegram. I found I could only do that for short periods because it was like being sprayed with toxic firehose of hate.

Having a supportive husband and good friends, who reminded me to step away when it got to be too much, was critical to surviving the process.

 

GRWR: I cried several times over the course of the book, sometimes as I read Declan’s chapters. I initially thought I would not want to read Declan’s perspective as he descended into the dark world of conspiracy theories and antisemitism. But it was his voice, his despair and his skewed perceptions, that kept me gripped. I needed to see if he could escape the world of hate he’d entered. Is his voice an amalgamation of all those men and boys you interviewed for the novel? Was it a challenge to create and write a character like Declan’s?

SDL: I’m not sure I’d call him an amalgamation, but I certainly drew on what I learned in the interviews and readings I did to create him. What was important was trying to figure what it was specifically that precipitated his vulnerability to these ideas. An impulsive decision with lasting consequences, one that put the future he’d imagined for himself in jeopardy was the key to breaking open his motivations. By layering that on top of the Gilded Age levels of economic inequality we see in our country today, combined with the way social media algorithms work, Declan’s journey becomes understandable, even if the ideas he comes to believe are horrifying.

GRWR: I have always loved novels written with dual POVs. Can you explain the pros and cons of writing a novel this way and why ultimately you chose Declan Taylor and Jake Lehrer to tell this story?

SDL: A big part of why I’m a writer is because I’m fascinated by what makes people believe, act, and behave the way they do.

First person seems to be my natural voice, but it’s limiting because what the reader knows is framed by that character’s perceptions and biases.

By writing in first person but with multiple POVs, the reader experiences the world along with each character. It allows us to see how each character’s actions are interpreted and misinterpreted by the other characters in the story, and how the same incident can look completely different when viewed through another character’s emotional lens.

A big part of the difficulty I had writing this book was figuring out who should tell the story. When I sold the book on proposal in summer 2020, it was from dual POVs, with a boy and a girl character as the main characters.

I was teaching full-time as a special appointment at WCSU that year, so by the end of the year, I’d only written 20K words, which for me is about a third of the first draft. But I’d continued researching in between teaching and grading and moving house and pandemic anxiety and trying to find the time to write. The additional research made me realize that misogyny is a big vector of radicalization for many young men. So, in January 2021, I asked my editor if I could switch it to two male POVs because I felt that was the best way to tell the story. She thought we should try to keep a female POV, so I rewrote it from three POVs – Declan, Jake, and Kayleigh. But when that was finished, it was clear that Kayleigh’s POV wasn’t adding enough on its own, and we could achieve what we needed to through her conversations with the two other characters. At that point, I went back and rewrote it from Declan and Jake’s point of view, and it worked much better.

It was also important to me that we had two male points of view because there is so much conflicting and frankly disturbing information being put forward for young men about what it means to “be a man.” If you’ve never heard of Andrew Tate, for example, prepare to be horrified by how a toxic combination of misogynistic content and algorithms is influencing young boys, and the effect teachers are seeing in school.

For research, I watched a bunch of videos by self-styled “alpha males,” which had some decent advice about personal hygiene, and how to dress well, but fell apart when they started talking about women. I watched so many bearded, muscled men telling young men and boys “what women want,” which bore absolutely ZERO resemblance to anything that most women want. You know, like to be treated like fully actualized human beings, to be listened to and respected, to be paid equally for doing the same job, to have control over medical decisions involving our bodies, to be recognized for the invisible labor that seems to fall on our plates even when both partners are working. What we want shouldn’t be all that difficult to understand.

So many aspects of our society prevent young men from understanding this, including the unfortunate tendency in our society to label books as “boy books” and “girl books” and believing that it’s okay for girls to read “boy books” but that it’s not okay for boys to read “girl books.”

I was at a school visit in the Midwest years ago, and in between the first and second presentations the media specialist said that she was glad she’d had me speak to the mixed audience because originally, she’d planned to have me only speak to the girls because I write “girl books.”

After taking a deep breath, I explained that I don’t write “girl books” – I write “thinking human being” books. I asked her what message it sends to boys – and to girls – when girls are required to listen to male authors, but boys are exempt from listening to female authors. We’re giving kids a message that female voices are less important, that male voices are the ones that matter. I explained that if we’re doing that in elementary and middle school, what’s going to happen as young people grow up and move into the workplace?

Ask any woman who has been talked over in a meeting …

 

GRWR: Something said by Jake’s mom, the local synagogue president, particularly resonated with me after Jake described Declan’s new online gaming friends’ antisemitic and Islamophobic remarks. “It never stops with just hating us. Scratch an antisemite and you’ll find a whole bunch of other hatreds, too. Basically, people choose to hate the idea of us as a substitute for facing their fears of change in society and the world.” You’ve mentioned in interviews and in the book how it’s often not the ideology of these right-wing hate groups that lures recruits in, but rather the sense of “community, identity, and purpose.” Can you please speak to that issue since it seems to be at the heart of more than antisemitism? And how does anyone targeted by this misguided hate find a way to forgiveness?

SDL: I wanted to make sure that we don’t put the burden on those who were targeted to be the vehicle of redemption for the people who targeted them.

But I also know from life experience that holding on to anger is like taking poison and expecting the other person to die. Don’t get me wrong – righteous anger when there is injustice can be energizing, and an important catalyst for change. But it’s also exhausting and ultimately corrosive.

I wanted to include Jewish teachings about the stages of forgiveness because they recognize that like grief, anger is something we overcome bit by bit – and that moving between the different stages might take work on our part, even when we were the wronged party.

Change is unsettling. Change is frightening. And when we perceive that it’s impacting us in a negative way, it’s much easier to blame someone else than to take a good hard look in the mirror and figure out how to adapt.

Bad actors take advantage of this. They seek to weaponize fear of the other to consolidate power. It’s important for people to learn how to recognize how divisive rhetoric and propaganda work. When we see something on social media that raises a strong emotion, we must pause and think who benefits from that provoking that emotion and fact-check before sharing it.

 

GRWR: Declan’s parents and his twin sister Kayleigh are unable to wrest Declan from the militia’s cult-like clutches and watch him spiral downward. I thought it was important that you included the people who toward the book’s end listened to and helped Declan own up to his culpability. They provided readers with hope. The Protocols of the Elders of Zion are still used to foment hate and antisemitic conspiracy theories such as those claimed by Holocaust deniers. Jake’s father explained that The Protocols have been proved to be fake, more than once, by historians and in different courts of law. How do we guide individuals we know who are easily swayed by such propaganda to consider more reliable sources?

SDL: I don’t think there’s an easy answer to this. A good start would be to train media specialists in every school and to ensure information literacy skills are incorporated across all subject areas.  Part of the reason I included the debate scene in Mr. Morrison’s class was that when you’ve convinced yourself that the media is controlled by nefarious sources, it’s easy to discount information that contradicts the narrative.

It takes patience and persistence to overcome such beliefs. An adult non-fiction book I recommend reading is Eli Saslow’s Rising Out of Hatred: The Awakening of a Former White Nationalist. It’s about how attending New College of Florida and experiencing kindness and pushback against his ideas helped bring R. Derek Black, the son of Stormfront founder Don Black, out of white nationalism. Reading it also puts Florida governor Ron DeSantis’s placement of extremists like Christopher Rufo on the Board of Trustees there in a deeper context.

I also highly recommend that people sign up for Rumorguard from the News Literacy Project. They send out up-to-the-minute alerts about misinformation that is circulating on social media. They also have a great educational project called Checkology.

 

GRWR: Part of the reason Some Kind of Hate is so engrossing is how believable secondary characters are as well as the setting (it takes an hour bike ride to see the whole place). People have jobs, go to school, play sports (baseball and soccer being the two prominent ones), and even hang out at the local café. I’ve probably spent time in a place like Stafford Corners where the supermarket cashier resents summer visitors and the local economy is closely tied to a big corporation or manufacturer. Did you spend time traveling and people-watching to absorb the atmosphere of the kinds of towns where such “other” anger and hostility are born?

SDL: As an author, I’m always people watching – and listening. I also drove through rural areas of the Northeastern and Mid-Atlantic states while I was researching and writing and revising this book, and saw places where beautiful old houses are crumbling into disrepair, where barns are collapsing, where the shopfronts on main streets are mostly empty or boarded up, and where abandoned factories stand like the ghosts of our industrial past. Places where the opioid epidemic hit hard, and where the sense of decay and despair hang heavy in the air. When you spend time in those areas, it’s not hard to understand why people are looking for answers, for something or someone to blame.

 

GRWR: Are you working on a new novel, one that allows you to take a break from the heavy subjects explored in Some Kind of Hate?

SDL: Waiting to hear on a proposal for a twisty novel that I’m co-writing with a friend. It isn’t exactly light, but not as personally painful as Some Kind of Hate. I’m exploring other genres and am hoping to get back to writing funny to balance out the dark subjects!

 

GRWR: Thank you, Sarah, for your thoughtful, eye-opening answers. I hope our readers will visit Turning the Page Books: https://www.turningthepagebooks.com/book/9781338746815 to purchase Some Kind of Hate and then come back and reread this interview again.

 

  • Click here for the Sydney Taylor Book Award official page.

  • The STBA blog tour 2023 schedule can be found here.

  • Watch Sarah discuss her novel on YouTube here.

  • Buy Some Kind of Hate here.

AUTHOR BIO:

Sarah Darer Littman Photo Credit Cate Barry Photographs
Author Sarah Darer Littman Photo Credit Cate Barry Photography

Website: https://sarahdarerlittman.com/

Facebook: https://www.facebook.com/sarahdarerlitt/

Sarah Darer Littman is the critically acclaimed author of 19 middle grade and young adult novels, including Some Kind of Hate (2023 Sydney Taylor Honor) Backlash (Winner of the Iowa Teen Book Award and the Grand Canyon Reader Award) and Confessions of a Closet Catholic, winner of the Sydney Taylor Book Award. As well as writing novels, Sarah teaches in the MFA program at Western CT State University, and at the Yale Writers’ Workshop. She is also an award-winning columnist.
Share this:

Little Red and the Big Bad Editor: An Interview with Rebecca Kraft Rector and Shanda McCloskey

 

LITTLE RED AND THE BIG BAD EDITOR

Written by Rebecca Kraft Rector

Illustrated by Shanda McCloskey

(Aladdin BYR; $18.99, Ages 4-8)

 

 

NOTE FROM RONNA: As a grammar fanatic, I’m thrilled to be able to share this fun and informative interview by Moni Ritchie Hadley with Rebecca Kraft Rector and Shanda McCloseky, author and illustrator respectively of the new picture book LITTLE RED AND THE BIG BAD EDITOR. Celebrate its book birthday with us by reading on because I know you’re going to devour this chat! 

 

INTERVIEW

Moni Ritchie Hadley: Welcome, Rebecca Kraft Rector and Shanda McCloskey! Thank you for taking the time to chat about your new book and writing and illustration processes. Rebecca, this story creatively spins a popular fairytale with a new narrative. What was the original pitch for LITTLE RED AND THE BIG BAD EDITOR?

Rebecca Kraft Rector: In this fractured fairytale, the Big Bad Wolf is so distracted by Little Red’s poorly written thank you note to her grandmother that he keeps missing the chance to eat her.  

MRH: Based on the educational subject matter and the structure of a fractured fairytale, this story seems to be the type of book a kid would love, and a parent or teacher would want to purchase. How did you come up with the concept?

RKR: I like to play with words and came up with Little Red WRITING Hood. The idea that Little Red’s poorly-written thank you note to Granny would distract the Big Bad Wolf grew from there. 

MRH: Do you begin your stories with pencil and paper or on the computer?

RKR: I mostly use the computer, but I also jot down phrases and ideas in a notebook that I keep beside my bed. Some of my best ideas come when I’m only half awake.

MRH: Today, kids primarily use technology to communicate. Do you feel that kids will relate to a thank-you note written with pencil and paper?

RKR: I hope so! Kids still use pencil and paper in the early grades, and the Common Core Standards include things like using capital letters and punctuation. I’ve heard from teachers that there’s even a letter-writing unit in most first-grade classes.

MRH: Shanda, as the illustrator, what attracted you to this manuscript?

Shanda McCloskey: The happiness I felt when I read it for the very first time! Rebecca definitely knows how to have fun with words :)

 

 

 

Little Red int1 oresent
Interior spread from Little Red and the Big Bad Editor written by Rebecca Kraft Rector and illustrated by Shanda McCloskey, Aladdin BYR ©2022.

 

 

MRH: Can you tell us about your process?

SM: I spent a few days drawing/redrawing character look possibilities for this book. When I saw something good in a character sketch, I would just “follow the light” and then tried drawing the character again, leaving in the good and stripping the bad, over and over until the characters felt “right-ish.”

LITTLE RED AND THE BIG BAD EDITOR was drawn digitally, printed onto paper, and painted with watercolors.

Little Red’s cape had to be red (obviously), so I started there. I found that Little Red popped best when her colors were warm in contrast to a cooler background. Wolf needed to blend into the background sometimes, so he is cool-toned as well. Then, I stuck in some of my favorite colors for fun, like Little Red’s pink and purple outfit.

The first dummy took me two months or so. Then it went through a couple of versions with feedback from the publishing team over several months. Things like character consistency, spread variation (ex., full bleeds, vignettes, panels), hair and skin color, etc., were tinkered with.

MRH: Were you able to collaborate?

RKR: No.

MRH: Shanda, when illustrating a book based on an existing story, how do you separate the images of the past and make them fresh?

SM: It happens automatically when you are working with new characters in a new world. But it’s also cool when my “style” shows through in all my books, at least a little bit. Also, every book is a leveling-up experience for me. There may be a new technique I’m using or a mood I’m trying to achieve. There’s always something in my craft to tinker with or improve upon with each book.

MRH: You are an author of children’s books as well as an illustrator. Is it easier to illustrate someone else’s words or to illustrate your own? How is the process different?

 

 

Little Red int2 swoop
Interior art from Little Red and the Big Bad Editor written by Rebecca Kraft Rector and illustrated by Shanda McCloskey, Aladdin BYR ©2022.

 

SM: They both have various perks! When illustrating my own stories, I can add a speech bubble with a joke if the notion hits me. But it’s not really my place to do that when I’m illustrating someone else’s words. But on the flip side, having limitations can sometimes be nice and clean, and it sure is nice to launch a book with a partner. If it flops, it’s not just on you!

MRH: Rebecca, this is your second picture book. Where do you usually get stuck in the writing process, and how do you get out of it? 

RKR: Ha! I get stuck all over the place—the beginning, the middle, the end—everywhere! Sometimes I’ll print out what I have, and seeing it on paper makes it easier to figure out what to do next. If I can let myself play and have fun with the story, I find my writing goes more smoothly. My critique groups are big help with both brainstorming and pointing out where I’ve gone astray.

MRH: Are you more like Little Red or the Big Bad Editor? How so?

RKR: Hmm, I guess I’m more like the Big Bad Editor because, like him, I’m frequently frustrated by bad grammar and punctuation.

SM: Hmmm. I identified with both of them! I can definitely be a stickler for what I think is “the right way” to do something. But I can also appreciate how Red didn’t wait until she had a perfect letter to say thank you to her granny. She just went for it and improved along the way! #amwriting #amillustrating

MRH: Are there any other secret insights that you can share about this book?

RKR: Unlike all the other stories I’ve written, I wrote the last line first. Also, the entire time I was writing and revising the story, I thought I was filling the story with fun metaphors. Nope! Every single one was really a simile. I still can’t write metaphors.

SM: I put my own real kids’ artwork on the refrigerator in Granny’s kitchen :) And there’s usually some nod to a book I’ve previously worked on. Such as the fire truck (FIRE TRUCK VS. DRAGON) and the snuggle bunny (BEDTIME BALLET) on Little Red’s shelf in her room on the first spread.

LITTLE RED AND THE BIG BAD EDITOR releases today! Thank you both for chatting with us.

 

BUY THE BOOK HERE:

Bookshop.org


FOLLOW REBECCA KRAFT RECTOR:

Website – https://RebeccaKraftRector.wordpress.com

Facebook – https://www.facebook.com/beck.writerrider/

Instagram – https://www.instagram.com/rebeccakrector/

Twitter -https://twitter.com/RebeccaKRector

@RebeccaKRector on Instagram and Twitter

 

FOLLOW SHANDA MCCLOSKEY: 

Website – https://www.shandamc.com/little-red-and-the-big-bad-editor/

Instagram – https://www.instagram.com/shandamccloskeydraws/

Twitter – https://twitter.com/ShandaMcCloskey

Facebook – https://www.facebook.com/shandamc

 

FOLLOW THE INTERVIEWER:

Moni Ritchie Hadley, author of The Star Festival and Anzu and the Art of Friendship.

Website www.moniritchie.com

On Instagram  @bookthreader

On Twitter @bookthreader

 

 

Share this:

Meet Bug on the Rug Author Sophia Gholz and Illustrator Susan Batori

∼ BUG ON THE RUG BLOG TOUR ∼

 

AUTHOR SOPHIA GHOLZ

&

ILLUSTRATOR SUSAN BATORI

DISCUSS THEIR NEW PICTURE  BOOK

BUG ON THE RUG

(Sleeping Bear Press; $17.99, Ages 4-8)

 

 

Bug on the Rug cover

 

 

SUMMARY FROM PUBLISHER:

BUG ON THE RUG – Pug is snug on his rug. But what happens when along comes BUG?! With a claim to the rug?! The two engage in a hysterical, rhyming battle of wits and strength until Slug asks the necessary questions and helps them find common ground. Rhyming is an important developmental reading skill. It teaches phonics (decodable text) and helps young readers infer content. This is a fun story to build those skills–and is an epic read-aloud!

 

INTERVIEW WITH SOPHIA GHOLZ:

Welcome to GoodReadsWithRonna, Sophia!  I’m excited to have you as my guest to learn more about your wonderful new picture book BUG ON THE RUG.

GoodReadsWithRonna: I’ve read that as a child you enjoyed horses. I’m curious where pugs fit into the big picture—was it the rhyming potential, their utter adorableness, or something else?

Sophia Gholz: Thanks, Ronna! I’m excited to be here to celebrate BUG ON THE RUG with you.

I often referred to myself as a “barn rat” as a kid and spent as much time with horses as I could. To this day, the smell of a farm still feels like home. While there were always barn cats, dogs, and a slew of other characters in the mix, there weren’t any barn pugs, unfortunately. My love of little dogs actually came about in adulthood. When I lived in New York City, I had a Brussels Griffon who everyone mistook for a pug. I just adore little foofy pooches and their giant personalities. But pug love aside, the true inspiration behind this book is my younger brother. I have lovingly referred to my little brother as Bug for his entire life. I feel very lucky to call him one of my best friends. But much like Pug and Bug, it took my brother and me a long time (and a few trials) to reach best friend status.

 

Bug on Rug int Pages3
Interior spread from Bug on the Rug written by Sophia Gholz and illustrated by Susan Batori, Sleeping Bear Press ©2022.

 

GRWR: Are you a plotter or a pantser? If you’re a plotter, did you know the whole story before you set out to write it? If you’re a pantser, what was it that motivated you to tell this story and keep at it?

SG: I’m a total panster. I find that if I plot out a story then the story no longer feels fresh and exciting for me. I like to write as a reader—learning something new with each page turn. So, I go off feeling, emotion, and what story I want to read in that moment. This often means heavy (and I mean, HEAVY) revisions later. But that initial excitement and mood is what I try to capture in the first draft and that same feeling is what keeps me going. With that said, I do a lot of mental pre-plotting and generally have a sense of where I want the story to go before I begin. I do sometimes start writing and realize I’m going in the completely wrong direction and have to start over. In those cases, I end up working out some plot issues or character problems before I really get going. But aside from the occasional false start, I don’t usually write anything out before I begin.

 

GRWR: Did you have as much fun, any LOL moments, writing this story as I had reading it?

SG: My goodness, yes! I had SO much fun writing this book. Like I mentioned above, I try to write as a reader and don’t really plot ahead of time. So, as those words were coming out, I was giggling along as the voyeur. One of the most fun moments I had while writing this was when Pug rethinks his day. I had a great time coming up with a ton of absurd things Pug might have done during his daily routine.

 

GRWR: I adore a rollicking rhyming read-aloud like yours. Does rhyming come easily for you?

SG: Thank you! Rhyme has always felt natural to me. When I began writing years ago, my first picture book manuscripts were mostly in rhyme. However, I admit that I wasn’t a trained rhymer. Once I really began digging into the varying rules of rhyme and meter, I grew very afraid. I was so scared that I’d unintentionally blow it that I fully stopped rhyming. It’s taken me a few years of practice and determination to come full circle with a rhyming text, and I couldn’t be happier. Rhyme is so much fun to play with and write!

 

GRWR: You have two new books, both humorous although one is nonfiction. What do you enjoy most about writing in each category?

SG: You know, I don’t really see them as different categories when I write. For me, I try to write nonfiction the same way I write fiction. The only difference is that I have preexisting pieces of the puzzle when I write nonfiction. But I like to write each with the mentality of just having a fun or interesting story to tell. That said, I do enjoy all the cool facts I learn while researching nonfiction subjects. Education never ends!  

 

GRWR: Sophia, this book is an uproarious and engaging approach to teaching phonics to children eager to learn how to read. Was that always your intention or did it just happen organically?

SG: When I first heard BUG ON THE RUG referred to as a great learning tool for emergent readers, I was so happy … and surprised! I did not initially have this in mind when I wrote the book. For me, it was about reading these words out loud and having a ton of fun. I’ve always enjoyed playing with sounds, alliteration, and tongue twisters. This book is a bit of an ode to that. But I understand how important teaching phonics in fun ways is, especially as I’ve helped my own little kiddos learn to read. With that in mind, I truly hope young readers have a great time with this book.

 

Bug on Rug int Pages8
Interior spread from Bug on the Rug written by Sophia Gholz and illustrated by Susan Batori, Sleeping Bear Press ©2022.

 

GRWR: Susan’s art captures both the heart and humor of your story. What did you think when and if you saw sketches or finished art? Which is your favorite spread and why?

SG: I am obsessed with Susan’s art! OBSESSED. Fun fact: I’d been eyeing Susan’s work online for a while and was a big fan before we worked together. So, I was thrilled when Sleeping Bear said they thought she would be a great fit for this manuscript. When I saw the initial sketches, I was flipping out. Seriously. Susan’s art is hilarious! Plus, she completely surprised me in the best of ways. For example, I originally envisioned Pug inside his home when I wrote the book. But Susan created the setting outside, and it made so much more sense. Susan added her own hilarious spin to this manuscript, and I feel so lucky to have worked with her. I think my favorite spread is probably the last page. Pug’s expression is priceless!

 

GRWR: What do you hope young readers will take away from BUG ON THE RUG?

SG: Humor aside, this book is ultimately about empathy, sharing, and taking ownership of our actions. I hope readers can see themselves here and know that people can have disagreements, but still be friends. Owning our mistakes is difficult. But it’s important to be able to put ourselves in the shoes of others, just as it’s important to learn to forgive and move on.

GRWR: What can we expect next?

SG: I’d love to see more of Pug and his friends! In the meantime, A HISTORY OF TOILET PAPER (AND OTHER POTTY TOOLS), illustrated by Xiana Teimoy, is a humorous nonfiction picture book that’ll roll into bookstores this August. Everything else is still top secret for now. Stay tuned!

GRWR: Thank you, Sophia. It’s been delightful chatting with you. I wish you and Susan much success with BUG ON THE RUG.

 

INTERVIEW WITH SUSAN BATORI:

Welcome to the blog, Susan, and congrats on your latest picture book! I adored DON’T CALL ME FUZZYBUTT! which I also reviewed here so I’m thrilled to have this opportunity to ask about your art in BUG ON THE RUG.

GoodReadsWithRonna: I immediately noticed the lovely European-like city and snow-capped mountains in the distance. Did you set this story in Budapest where you live and if so, why? 

Susan Batori: Sadly there are no snow-capped mountains in Budapest. Originally, the story written by Sophia, was set in a small Swiss town. That is why I drew small, red roof European-ish houses and you can find a cable car which is often seen in Switzerland. The story was rewritten later but we decided to keep the drawings with the Swiss landscape.


GRWR:
When you read Sophia’s manuscript, what were your thoughts about how you wanted to illustrate the story?

SB: When I read Sophia’s manuscript I fell in love with it at the first glance. I felt this is my story too because I love the funny and witty tales, these are very inspiring and so easy to illustrate. After reading the manuscript I immediately saw the pictures, compositions, and the characters in my head. There was a little challenge because of the disparity of sizes of the pug and the bug, but I hope I solved it well.

 

Bug on Rug int Pages11
Interior art from Bug on the Rug written by Sophia Gholz and illustrated by Susan Batori, Sleeping Bear Press ©2022.

 

GRWR: What medium did you use to create the illustrations and was there anything about the story that influenced your decision? 

SB: I work on a computer and a digital tablet. I love them because they make my work much easier and the publishers like it too. It makes work simple. Besides I can imitate the aquarell feeling, paper textures, and the brush strokes. My digital illustrations are often mistaken for a “real” drawing.

 

GRWR: What is your process like from when you receive a new manuscript to submitting final art? 

SB: After reading the manuscript I use the internet for finding help about the characters or the background. In this case, I started to search pug videos. I try to figure out what kind of things make a pug a pug, or a slug a slug. I mean how they move or sit, what their colors are, what if I draw a smaller nose or shorter legs to them … etc. This is a very useful activity and it entertains me. So I start sketching the characters and show them to the client. Next, I design the composition of the pages and with the publisher, we try to find the best solutions. Then I am ready for coloring where I try to deliver some kind of atmosphere or feeling. In this book, I wanted to illustrate a summer-mountain feeling with a lot of greens. If everyone is happy with the colored pages I send them to the art director. That’s all. Easy peasy. :)

 

GRWR: The dynamic of the character interaction cracks me up, especially when slug shows up. Was any particular character, Pug, Bug, or Slug, especially fun to work with? 

SB: Haha! Yes, Slug is really a funny character. It was interesting because in each book I illustrated there was a character who was my favorite but here all three were my favorites. They have their own humorous personality.

 

GRWR: I loved your art in Robin Newman’s DON’T CALL ME FUZZYBUTT!, and love it here, too. I see a common thread of a humorous conflict and sweet resolution in both stories. Do you enjoy illustrating humorous picture books? Are there any challenges you must consider?

SB: Aww, thank you! Somehow I am very good at illustrating feelings, especially humorous actions and facial expressions. I just LOVE working on hilarious books or stories, and drawing funny animals is my favorite job. It makes me happy and I believe if I am happy while I am working on these, the children will be happy too while they are reading them. 

I wouldn’t be a good illustrator without humour. 

 

Bug on the Rug int Pages16
Interior spread from Bug on the Rug written by Sophia Gholz and illustrated by Susan Batori, Sleeping Bear Press ©2022.

 

GRWR: Do you have a favorite spread?

SB: Sure!

The first page when Pug hugs his rug, I find it so cute.

Then there is the “rug-fight” scene. This is the most dynamic page in the book.

And I just love the very last page when everyone is on the rug. I think that is very funny.

 

GRWR: Any plans to write and illustrate your own books?

SB: I have a few ideas but there is no time for them … yet. ;)

THANK YOU FOR THE GREAT QUESTIONS!

GRWR: Thank you for making us smile!

 

BIOS:

Sophia Gholz Headshot
Courtesy of Sophia Gholz

Sophia Gholz is a children’s book writer, music lover, avid reader,
and the award-winning author of The Boy Who Grew a Forest and
Jack Horner, Dinosaur Hunter! She lives in Orlando, Florida.

Website: www.sophiagholz.com
Twitter: @sophiagholz
Instagram: @sophiagholz
Facebook: www.facebook.com/sophiagholzauthor 

 

 

 

Susan Batori Headshot
Courtesy of Susan Batori

Susan Batori’s books include Don’t Call Me Fuzzybutt and
Letters from Space. She worked in advertising before switching to
children’s book illustration. Susan lives in Budapest, Hungary.

Website: https://susanbatori.hu/
Twitter: @susanbatori
Instagram: @susanbatori

Share this:

An Interview with The Crayon Man Author Natascha Biebow

 

 

AN INTERVIEW WITH

NATASCHA BIEBOW

AUTHOR OF

THE CRAYON MAN:

THE TRUE STORY OF THE INVENTION OF CRAYOLA CRAYONS

(Clarion Books; $17.99, Ages 6 to 9)

 

The Crayon Man cover

 

 

SHORT SUMMARY:

In 1903, a man’s innovative invention appeared in homes in a bright green box for only a nickel – Crayola crayons. In a world where children are given crayons almost as soon as they are born, where the smell of crayons is more recognizable than coffee and peanut butter, what must it have been like to live at a time when crayons were a novelty? The Crayon Man, illustrated by Steven Salerno, is a story of the inspirational inventor Edwin Binney, the man who loved color and nature, who listened and created one of the world’s most enduring, best-loved childhood toys—empowering children around the world to imagine and draw ANYTHING!

 

INTERVIEW:

Colleen Paeff: Happy National Crayon Day! It’s so nice to have the opportunity to talk to you about The Crayon Man, Natascha, because it happens to be the favorite book of one of my favorite 4-year-olds. I have it at my house and every time she comes over, she wants me to read it aloud. 

Natascha Biebow: Wow, that’s so much fun to hear, thank you! 

 

The Crayon Man LovedColor int1
Interior spread from The Crayon Man: The True Story of the Invention of Crayola Crayons written by Natascha Biebow and illustrated by Steven Salerno, Clarion ©2019.

 

CP: I was listening to your interview on the Nonfiction4Life podcast and I loved hearing you talk about the extensive research you conducted. What were some of the highlights of your research process?

NB: I was very fortunate in that my research took me to some really cool places: I visited the inside of the Crayola crayons factory in Easton, PA, and saw first-hand how the crayons are made today with super-speedy machines; I went to the Smithsonian Museum of American History archives in Washington, DC, to view the Binney & Smith company archives; I connected with Binney’s great-granddaughter and so many helpful librarians and experts, who were incredibly generous in fact-checking my research.

 

CP: That sounds amazing! Did you learn anything particularly surprising?

NB: I did! Previously published nonfiction books about the invention of Crayola crayons focused on the manufacturing process and how Binney’s wife, Alice, helped to name the crayons, but none of these delved into Binney as a man and what motivated him. In my detective work researching, I uncovered just how much he loved color and was influenced by nature. Because he worked for a factory that made black stuff – printing ink, dye, lamp black – I was instantly hooked on the contrast: all day long, he was surrounded by black, yet he loved color. THAT was why he wanted to create colored crayons!

 

The Crayon Man bouquetspread int2
Interior spread from The Crayon Man: The True Story of the Invention of Crayola Crayons written by Natascha Biebow and illustrated by Steven Salerno, Clarion ©2019.

 

CP: I’m always hoping to find new tricks for organizing my research. How do you keep information organized as you conduct research?

NB: Ha! I wish I could say I have some amazing system. I know some people use index cards or similar, but the fact is I collate all my references into a folder of printed out articles and notes, etc., and keep an MSWord document with key facts and website links/dates. The best tip is to use EasyBib, which allows you to create a project-based record of all your sources (which is also excellent for when you need to create a correctly-formatted bibliography). 

 

CP: Yes! Thank goodness for EasyBib! You mentioned earlier that you connected with one of Binney’s descendants. What was her reaction to the book?

NB: Crayola kindly put me in touch with Binney’s great-granddaughter, who generously shared her memories and photos. After publication, though, magic happened – Binney’s great-great-granddaughter sent me a fan letter, and she connected me with more relatives. When we met up in person, she shared a precious photo album and stories about other members of the family. Attics were dug into and more photos and artifacts uncovered, including a stunning snap of Alice Binney with her daughters, Dolly and Helen, standing by the 1904 St Louis World’s Fair Crayola display. It’s a rarity, given how few photos were taken then. No smartphones! I really wish we’d have had it in time to include in the book. Now, these family photos and artifacts have been donated to the Smithsonian to be added to their archive, which is fantastic.

 

Binney Crayola St Louis World's Fair
“Dolly, Alice & Helen, Crayola Booth at St Louis World’s Fair 1904 Photo courtesy of the Binney Family”

 

CP: That’s incredible! What do you hope young readers take away from this story?

NB: Edwin Binney had a knack for listening and making what people needed. He loved nature and turned to it for inspiration. Binney was also a generous entrepreneur who gave back to his community. His flair for innovation, creativity, persistence, and ability to listen are all attributes that future generations will need to make our world a better place. In this fast-paced world of ours, where kids are so often on devices, I’d love it if the book were to encourage kids to just doodle with crayons or to be inspired to look more closely at nature, ask curious questions and invent something.

 

CP: Wonderful! I know it will. You’re a writer, but you’re also an experienced editor who has worked on a number of award-winning books. How did you get started in editing?

NB: I studied Developmental Psychology at Smith College and have always loved writing and editing (I edited our high-school newspaper). I wanted to combine my interest in words and young children’s development so after I graduated, I decided I would start with the 6-week Radcliffe Publishing course (now Columbia Publishing course) so I could learn about children’s publishing. Soon after, I moved to London where I had family, and was lucky to land a job as an editorial assistant at a very small, independent publisher. It was the perfect place to get hands-on experience in all the aspects of how a book is made, before moving on to more senior editorial roles. 

 

CP: That sounds like a good place to start. Was it your interest in editing that led you to start coaching writers through your Blue Elephant Storyshaping business?

NB: Yes, after several years in senior commissioning roles in-house at large publishing houses, I decided I wanted to spend less time on managerial and budgeting tasks and get back what I was most passionate about – hands-on editing and storyshaping. So now I coach and mentor authors and illustrators at all levels to help them fine-tune their work pre-submission, doing all the creative thinking and editing that I love; I am also developing a small, independent list as the Editorial Director of Five Quills, which is a huge privilege! I love the collaborative process of the picture book journey. A key part of this is helping creators to tease out the stories they want to tell.

 

CP: It sounds like you’re getting to do all the things you love! Are there any particular books you’ve edited that we should be on the lookout for?

NB: Always! Five Quills is thrilled to launch some very talented debuts – Paul Morton’s Bug Belly, a hilarious chapter book series about a greedy frog, who is an ingenious inventor; I Am Nefertiti by Annemarie Anang and Natelle Quek, an empowering, joyful picture book that celebrates identity and belonging; and Lottie Loves Nature by bestselling author Jane Clarke and James Brown, an exciting new eco-adventure series for younger readers.  

 

CP: Those sound wonderful! How do you divide your time between writing, editing, and coaching?

NB: My editing business – coaching and mentoring authors and commissioning and editing for Five Quills – is my day job. I feel very fortunate to be doing work I am passionate about and that I enjoy. Alongside this, I try to carve out time each week to at least noodle away at my new writing projects. Sometimes, I am writing when I’m not writing – in my head, on journeys, waiting for my son’s tennis lesson, as I fall asleep at night . . . In the summer when school is out, I earmark time to work on larger writing projects that involve research. I also spend time each month doing virtual school visits. Connecting with young readers is a fun, rewarding aspect of promoting your work and a source of inspiration. And then there is volunteering as Co-Regional Advisor SCBWI British Isles, which is a daily commitment. Some advice I got from Tim Grahl was to plan out your days so that you can be more focused and not distracted by ‘bitty’ tasks. That works well for me. But some days, the list just doesn’t get done, so my motto is to be kind to myself, eat some chocolate (dark), and try again tomorrow. 

 

CP: That’s such good advice. And I think being kind to ourselves (and eating dark chocolate!) is key to doing good work. It sounds like you’ve created a perfect combination of structure and ease. I was very impressed when you received the 2019 Stephen Mooser Member of the Year from the Society of Children’s Book Writers and Illustrators (SCBWI) to recognize your contribution as Regional Advisor since 1998, building the British Isles region into the largest international region of the organization. What an accomplishment! But now I know you also received the MBE (Most Excellent Order of the British Empire), which was presented by HRH Prince Charles himself. That must have been exciting! Tell me about it. How did you get it? What was the ceremony like? How on earth did you decide what to wear?!

NB: Yes, it was all incredibly exciting and also a bit surreal. I am fortunate to work with a very talented and generous team of dedicated volunteers, some of whom decided to nominate me for the MBE. It takes a couple of years for the Queen’s approval. It was a complete surprise and is, of course, a huge honor. I didn’t know who would be presenting the award until the actual day of the investiture at Buckingham Palace. My son scored the day off school and my mom, partner, and uncle were guests. Figuring out what to wear was an interesting challenge – a day jacket and fancy hat are de rigueur, and of course, if you know me, they had to be . . . blue! The ceremony is held in the stunning Ballroom at Buckingham Palace. I met some fascinating people from all kinds of professions and voluntary services, who were also being recognized for honors. The investiture is meticulously choreographed. We were briefed about how to approach the royals: HRH Prince Charles would say a brief word to each of us, pin on our medals, shake hands, and then we should back away – no mean feat if you’re wearing heels. I was so afraid I would trip up or get muddled! Afterward, I signed a copy of THE CRAYON MAN and asked a staff member to pass it on to HRH Prince Charles. Later, I got a thank you note from his office! The MBE is really an award to celebrate with ALL the hard-working volunteers who have contributed to making the British Isles the largest international region of SCBWI. 

 

MBE award NB
Natascha Biebow holds the MBE award at her Buckingham Palace investiture.

 

CP: That sounds so wild! What is one thing you wish more aspiring children’s authors understood about breaking into this business?

NB: I love elephants – they have thick skins (which allow them to keep cool). We authors also need thick skins to keep cool (heads), because this is a business that requires a huge amount of perseverance to weather its ups and downs. Sometimes, it’s incredibly challenging to stay positive and to keep re-imagining your work until an editor says ‘yes’ to your book. Aspiring authors sometimes don’t realize publishing is a slow, long game. Even when you do secure a book deal, the work is just beginning! However, I feel very fortunate to be able to be part of the business of making children’s books, and to be doing something I love – writing!

 

CP: What’s next for you, Natascha?

NB: I have a number of books out on submission, and am constantly dreaming up new ideas. 

I am also writing a young fiction chapter book series, which is a bit of a steep learning curve, but fun.  

 

CP: It sounds like you have lots of good things in store for readers! Thank you so much for taking the time to chat with me.

NB: Thank you for inviting me to celebrate National Crayon Day on GoodReadswithRonna.com! 

 

Natascha Biebow Author PhotoBRIEF BIO: 

Natascha Biebow’s favorite crayon color is periwinkle blue because it makes her heart sing.  She loves to draw and make stuff, just like the inventor of the Crayola crayons. She lives in London, where she writes, edits, coaches, and mentors children’s book authors and illustrators at Blue Elephant Storyshaping, and is the long-time Regional Advisor of SCBWI British Isles. In 2018, she was awarded an MBE for her services to children’s writers and illustrators. The CRAYON MAN: THE TRUE STORY OF THE INVENTION OF CRAYOLA CRAYONS is the winner of the Irma Black Award for Excellence in Children’s Literature, voted for by children, and an NSTA Best STEM book and JLG Gold Selection. She loves true stories and is currently working on more nonfiction picture books, a chapter book series, and a novel. Find her at www.nataschabiebow.com

CLICK HERE TO BUY THE BOOK


LINKS: 


THE CRAYON MAN Book Trailer: www.youtube.com/watch?v=ED2Poiah-Ok

THE CRAYON MAN KidTimeStorytime read-aloud: youtu.be/nFS6Ey75MS0

Website: www.nataschabiebow.com

Instagram: @nataschabiebow

Facebook: www.facebook.com/nataschabiebow

YouTube: www.youtube.com/channel/UCdIqcSoV-30W_C2xAVLzBKw

LinkedIn: www.linkedin.com/in/natascha-biebow-90183626/

Free Picture Book Craft Tips: www.blueelephantstoryshaping.com/blogs-craft-tips-for-you/

 

ABOUT INTERVIEWER COLLEEN PAEFF:

Colleen Paeff received a Bachelor’s Degree in set design for theater from California State University Fullerton, before becoming a bookseller, preschool teacher, and newspaper columnist. (She never did become a set designer!) Eventually, she figured out how to combine books, kids, and writing into one career––as a children’s book author. Her debut picture book, The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem (illustrated by Nancy Carpenter), won the SCBWI’s 2022 Golden Kite Award for Nonfiction Text for Young Readers and was named a 2022 Robert F. Sibert Informational Fiction Honor Book. Colleen lives in Los Angeles, CA and Brooklyn, NY. Learn more about her at www.colleenpaeff.com or visit her on Instagram and Twitter @ColleenPaeff. 

Share this:

A Review Plus an Interview with Author Dana Middleton

A REVIEW PLUS AN INTERVIEW

WITH

 DANA MIDDLETON

AUTHOR OF

NOT A UNICORN

(Chronicle Books; $16.99, Ages 10 and up)

 

 

 

 

REVIEW

Dana Middleton’s third novel will delight middle-grade readers who enjoy a story that blends contemporary issues with just the right amount of magical realism and likable, relatable characters who would be fun to hang out with.

Readers learn early on that the main character, Jewel, age 13, has a unicorn horn on her forehead. Her friend Mystic  likes it because it makes Jewel different, the way she feels and Nicholas believes it’s cool and magical. “Are you kidding?” he tells her at one point, “You don’t have to have a horn to be different.” These three spend their time at the “freak” table (where Jewel has found refuge following an unintentional impaling of a fellow student who survived), discussing ‘the horn,’ comics, the upcoming French essay competition, and the popular kids. As the story progresses, Carmen, Jewel’s invisible magical guardian unicorn begins to play more of a role in the plot.

In her apartment, Jewel lives with her mom, and early on her grandmother moves in and shares her bedroom. The family is portrayed as lower-class where money is tight and Jewel’s mother wants her to have a better life. “You are going to graduate from college. Got it? You’re not going to end up like me.” While they clearly care for Jewel, they don’t seem to grasp how much Jewel struggles with the horn and wants to have it removed. But doing so involves great risk. It also means a huge expense, a trip to Los Angeles, and initially going behind her mother’s back.

As the story unfolds, Jewel’s lost friendship with her former best friend Emma rears its head again at the prospect of her horn being surgically removed and becoming popular. Complicating things is Mystic’s stealing a necklace from Emma’s pal, Brooklyn, the ultimate popular girl. There’s so much for Jewel to consider and weighing heavily on her is having been offered a chance to tell her “horn” story in French at the competition she has dreamed of.  At the same time, calling attention to it will make her feel like she doesn’t fit in even more, and reconciling those two feelings are taking their toll on her. Additionally, it turns out that reuniting with Emma may not be all Jewel hoped it would be.

The good news is that Jewel ultimately gets her wish and has her horn removed in Los Angeles. But the horn, it seems which bonded her to Carmen, will kill the unicorn unless she can find a way to save her.  It’s here Dana has cleverly tied in a graphic novel that Jewel has been working on with Nicholas called Highwaymen. When the storyline mixes the graphic novel into the quest to save Carmen, there is action and adventure around every turn that will keep readers in suspense in the best possible way.

I loved how when the book ended, the characters stayed with me and filled me with hope. The thoughtful and exciting journey Jewel took brought her to a place where she could finally embrace her horn and her uniqueness. Coming to terms with what made her different ends up being the biggest and most satisfying magic Jewel, and readers, experience.

Since I could not put down Dana’s latest book I felt compelled to ask her some questions to satisfy my curiosity. I hope you’ll scroll down now or return to the interview below when you’ve finished reading Not a Unicorn.

INTERVIEW

GoodReadsWithRonna: Welcome to the blog, Dana. I’m thrilled to discuss your latest middle-grade novel, Not a Unicorn. Do you recall how the idea for it came to you?  

Dana Middleton: Actually, it was all Jewel. This girl with a unicorn horn showed up in my mind and wouldn’t let go.

 

GRWR: Was it a long time until you fleshed out the story? 

DM: It did take quite a while, in part because I thought the idea was so weird and I wondered if people would get it. And then I thought, maybe people would think I was weird, too! Like Jewel, I had to accept all the parts of me (even the weird ones) to be able to write this. I was sure about one thing early on though—that there would be three parts to this story concerning Jewel’s horn. I won’t spoil it here, but that initial structure never wavered. I knew how it had to go, but I wasn’t sure if I could write it.

 

GRWR: One of my favorite parts of the story is the friendship between the main characters, the “different” kids Jewel, Mystic, and Nicholas. I love how they stayed with me after the story ended because I thoroughly enjoyed spending time with them. What did you draw upon when writing them?

DM: I thoroughly enjoyed spending time with them, too! Nicholas was loosely based on a friend of my nephew’s, and Mystic came from someplace unknown. And then Carmen, Noah, and Tall Ethan wandered in. I felt like it was so important to get these characters right because each of them had such a profound effect on Jewel.

 

Dana signing books OnceUponaTime
Dana signing books at Once Upon a Time bookstore in L.A. Photo Credit: ©Jessica Palacios.

 

GRWR: I’m a Francophile like Jewel. Is there any of you in her or maybe the popular girls like Brooklyn or Emma? 

DM: Like you, I am a Francophile! I studied French and even went to study at the Sorbonne for a summer during college. I always wanted to travel and by imbuing Jewel with this desire, it created conflict because of course, she felt like she couldn’t be seen in big spaces. I always had this picture in my mind of Jewel looking up at the Eiffel Tower because she’d become brave enough to go there.

And as far as Brooklyn and Emma are concerned, I definitely wasn’t either of them. But Brooklyn, that girl turned out okay. She became someone I didn’t quite expect.

 

GRWR: How did your hometown in Georgia influence the setting or anything else in the novel? 

DM: My family moved to the mountains of North Georgia (to a town called Dahlonega) when I was a teenager and that’s the town where Jewel lives. It’s a mixture of Dahlonega past and present, and some of it made up in my mind. I thought if you had a unicorn horn on your head, it would probably be best to live in the relative safety of a small town. That also created for Jewel more fear about the possibilities of venturing into the outside world.

 

GRWR: Can you speak to what it was like incorporating the graphic novel/comic you created called Highwaymen into the plot?

DM: Let me just say that Highwaymen was a complete surprise to me. I had no idea how that would develop in the story but it kept developing into something and I kept following. I really love Highwaymen, and like Jewel, I have a soft spot for Esmeralda. She’s so bad-ass awesome!

 

GRWR: What was the biggest challenge you faced when writing Not a Unicorn?

DM: Trusting that it would all work out. I guess a lot of writers feel this way, but sometimes I wasn’t sure I could make this book what I wanted it to be. I was very blessed to have an agent and editor who believed in Jewel and helped me to make it the best book that I could.

 

GRWR: If young readers took away one thing from your novel, what would you hope that would be? 

DM: The best question for last! I hope this book helps young readers accept who they are more deeply. Because we all have something that we just wish we could change— it may not be a unicorn horn, but it’s something. If Jewel can help someone accept their ‘difference’ and make it into their superpower, then my job is done.

My sincere thanks to Dana for taking the time to chat with me about Not a Unicorn. Here she is below with author Jill Diamond during her virtual book launch.

Dana with author Jill Diamond at Virtual Book Launch

BUY THE BOOK

Purchase Dana’s book here: https://danamiddletonbooks.com/books/not-a-unicorn/ 

 

SOCIAL MEDIA

Website: https://danamiddletonbooks.com/

 

Author Dana Middleton
Author Dana Middleton Photo Credit: ©Peter Atkins

BRIEF BIO

Dana Middleton is a middle-grade author of contemporary novels for young readers who enjoy a dash of fantasy and mystery. Her latest book, Not a Unicorn, is from Chronicle Books. She is also the author of The Infinity Year of Avalon James (a Young Hoosier Book Award nominee and Oregon Battle of the Books selection), and Open If You Dare. Dana grew up in Georgia, but lives in Los Angeles with her British husband. You can visit her online at danamiddletonbooks.com.

 

 

 

Share this:
Back To Top
%d bloggers like this: