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World Make Way – Art Inspired Poetry Edited by Lee Bennett Hopkins

WORLD MAKE WAY:
New Poems Inspired by Art
from The Metropolitan Museum of Art
Edited by Lee Bennett Hopkins
(Abrams BYR; $16.99, Ages 5-9)

 

World Make Way cover image of Cat Watching a Spider by Ōide Tōkō

 

A curious, crouching cat on the book’s cover immediately drew me into World Make Way: New Poems Inspired by Art from The Metropolitan Museum of Art edited by Lee Bennett Hopkins. Eighteen thoughtful and evocative poems and the accompanying works of art that prompted their creation kept me turning the pages. This beautiful collection is everything a poetry anthology for children should be: diverse, original and, as the title suggests, inspiring. In the book’s back matter I learned that Lee Bennett Hopkins, the editor of World Make Way, holds the Guinness Book of World Records citation for compiling the most anthologies for children, making him more than well-suited to spearhead this satisfying project in conjunction with the Met.

I appreciate the breadth of art that was selected and the variety of poems that were commissioned for World Make Way. There is something that will appeal to every reader who dives in, whether they like short, simple poems or those more complex and layered. There are serious poems and those that have fun with the reader like Marilyn Singer’s poem, Paint Me, the first in the book. In it the teen subject of Gustav Klimt’s portrait, Mäda Primavesi, bids the artist to make haste and finish up the painting because she’s such a busy person, hence the book’s title World Make Way, a line she utters in desperation! She has places to go. People to see. After all, if her family can afford to have Klimt paint her, she’s likely a socialite. Ultimately the book will show children how to look at art with fresh eyes and take from it something unique to them. Art evokes something different in each person who beholds it and the poems included perfectly capture that.

One particular poem that stayed with me was Young Ashoka Sundari by Amy Ludwig Vanderwater inspired by Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, 1694-95 by Devidasa of Nurpur. Her poem introduces readers to Ashoka who secretly observes her parents: I stand behind this neem tree / to watch my parents play / a game of chaupar / on a tiger rug / beneath bright mango sky. Offering a child’s perspective in her poem, Vanderwater helped me to have a lightbulb moment with the artwork. It’s not always about what we see when observing art, it’s also about what or who the artist left out, or where the scene is set. What a wonderful conversation starter! What does this art say to you? What do you think is happening here now? How does this picture make you feel? What might happen now that the child has witnessed this scene?

In my multiple readings I found myself wondering what I’d write about a certain piece of art such as Henri Rousseau’s The Repast of the Lion, but if I ever see the painting again, I’ll forever associate J. Patrick Lewis’s poem with it. Now that he’s fed and jaguar-full— / Finally his appetite is dull— And of Joan Bransfield Graham’s Great Indian Fruit Bat, a poem about a painting of the same name attributed to Bhawani Das or a follower, 1777-82  I marveled at her internal rhyme and alliteration. As my wings whisk me, swooping through / this black velvet night, who will admire / my elegant attire, the intricacy …  A bat’s point of view, fantastic!

Other featured poets are: Alma Flor Ada, Cynthia S. Cotten, Rebecca Kai Dotlich, Julie Fogliano, Charles Ghigna, Lee Bennett Hopkins, Irene Latham, Elaine Magliaro, Guadalupe Garcia McCall, Marilyn Nelson, Naomi Shihab Nye, Ann Whitford Paul, Carole Boston Weatherford and Janet Wong. Other featured artists are: Rosa Bonheur, Fernando Botero, Mary Cassatt, Liberale Da Verona, Leonardo Da Vinci, Han Gan, Martin Johnson Heade, Frank Henderson, Utagawa Hiroshige, Winslow Homer, Kerry James Marshall, José Guadalupe Posada and Ōide Tōkō.

While I can definitely see educators enjoying the book for its varying forms of poetry and the individual interpretations of the poets to accompany the magnificent works of art, I can also easily see a parent sharing the book before any museum visit or simply as a way to spark a child’s imagination. It certainly sparked mine.

  • Reviewed by Ronna Mandel

Read a review of another poetry collection here.

 

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The Poem That Will Not End by Joan Bransfield Graham

The Rhythm is Gonna Get You!

Today Ronna joins the tail end of a blog tour for Joan Bransfield Graham’s new book, The Poem That Will Not End: fun with poetic form and voices, with illustrations by Kyrsten Brooker (Two Lions/Amazon Children’s Publishing, $17.99, Ages 5 and up).

The Poem that will not end
The Poem That Will Not End by Joan Bransfield Graham with illustrations by Kyrsten Brooker, Two Lions, 2014.

JBG’s book was having a tour.
Clever blog tours are hard to ignore.
So I just read her book
And you must take a look
‘Coz good poetry’s never a bore!

If this book doesn’t inspire kids to try their hand at poetry, I don’t know what will? I found myself relating to the main character, Ryan, who cannot quell his urge to compose poetry. Even his name, Ryan O’Brian, rhymes. Poetry fills his waking hours – at breakfast (see image below), walking to school, in the playground and even in the cafeteria where he must resort to using food to share his Couplet for French Fries.

Two lines are not enough to express
How much I adore your potato-ness.

9781477847152_1_sm._V363266671_
Interior image from The Poem That Will Not End by Joan Bransfield Graham with illustrations by Kyrsten Brooker, Two Lions, 2014.

As the story progresses, Ryan dabbles in an excellent array of poetry (that begs to be read aloud) written in every wonderful style from Limerick to Quatrain. What’s so wonderful about this poetry collection is that it’s an engaging story incorporating poems to share Ryan’s feelings and teach poetry at the same time. Throughout the rest of Ryan’s day, he creates poems on the soccer field, poems outside in the rain and one in the bathtub (part of Fever below), that’s very, very clean!

FEVER

I cannot stop this fever in my brain,
I feel compelled to write, and write, and write.
Day in, day out, the words just fall like rain.

The story ends when Ryan’s completed a word-filled 24 hour cycle of poetry and can no longer produce another poem. His teacher, Ms. Frost (hmmmm …) gives the class an assignment to write a poem about spring. What she doesn’t know is that Ryan’s brain has reached poetry capacity! After he explains his poetry predicament to his teacher, she’s more than happy to have him hand in “recent work” that we’ve all read.

Brooker’s cheerful artwork jumps off the page and is a beautiful blend of collage with drawing and photos. I found myself carefully examiming every illustration to absorb all that Brooker delivers. Kids, parents and teachers will appreciate the helpful guide at the end explaining every kind of poetic form and voice used to create The Poem That Will Not End. By including examples as varied as Acrostic to Villanelle, Graham’s clever book serves double duty as both a joyous celebration of the magic a good poem makes and a primer on how to do it well.

Check out these other great bloggers’ sites to see what fun they had with Graham’s book!

Poetry for Children–Dr. Sylvia Vardell, Texas Woman’s University, Denton, TX, a behind-the-scenes look,
Tales from the Rushmore Kid–Tina Nichols Coury, editor interview with Melanie Kroupa,
Double Olympic Poetry Challenge–an international event!
No Water River–Renee LaTulippe (in Italy–using “Soccer Ball” as a prompt, write an apostrophe poem for a piece of Olympic sporting equipment),
Teaching Authors–Six Authors Who Also Teach–(USA–using “Bike” as a prompt, write a maskpoem for the same sports item–skis, skates, etc.
The Miss Rumphius Effect–Dr. Tricia Stohr-Hunt, University of Richmond, Richmond, VA,
Jama’s Alphabet Soup–Jama Kim Rattigan–review of book, potato recipe, plus write “food couplet” (a la “Couplet for French Fries”) to be entered into giveaway
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