skip to Main Content

Five Recommended Reads for Kids – Black History Month 2021

 

FIVE CHILDREN’S BOOKS FOR BLACK HISTORY MONTH

∼A ROUNDUP∼

 

BlackHistoryMonthgraphic clipart

This year choosing books to include in our Recommended Reads for Kids – Black History Month Roundup has been more difficult than ever because there are dozens of excellent ones being published and more on the way. Here is just a small sample of great reads, from picture book to graphic novel to young adult fantasy that are available for kids and teens to enjoy.

 

 

TheABCsofBlackHistory cvrTHE ABCs OF BLACK HISTORY
Written by Rio Cortez
Illustrated by Lauren Semmer
(Workman Publishing; $14.95, Ages 5 and up)

A NEW YORK TIMES BESTSELLER
Starred Review – Kirkus

The ABCs of Black History is the kind of inspiring book children and adults will want to return to again and again because there is so much to absorb. In other words, it’s not your mother’s ABC book. Written in uplifting rhyme by Pushcart Prize-nominated poet Rio Cortez, this gorgeous 60-page picture book is at once a look back in time and a look to the future for young Black children. However it is recommended reading for children of all races and their families.

Cortez has shined a lyrical light on places, events and figures familiar and less familiar from Black history with comprehensive back matter going more in depth. Take H for example: “H is for Harlemthose big city streets! / We walked and we danced to our own jazzy beat. / When Louis and Bessie and Duke owned the stage, / and Langston and Zora Neale Hurston, the page.” J is for Juneteenth and S, which gets double coverage, is for scientists and for soul. Adding  to the hopeful tone of Cortez’s rhyme are Semmer’s bold and vibrant graphics which jump off the page. The dazzling colors pull you in and the variety of composition keep you hooked.

The ABCs of Black History is a book you’ll want to read together with your young ones and let your older children discover and savor on their own. It’s not only a visual and aural treat, it’s a sweeping celebration and exploration of Black culture and history that is beautiful, compelling, thought provoking and thoroughly unputdownable!
• Reviewed by Ronna Mandel

 

WE WAIT FOR THE SUN
Written by Dovey Johnson Roundtree and Katie McCabe

Illustrated by Raissa Figueroa  
(Roaring Brook Press; $18.99, Ages 4-8)

Starred Reviews – Booklist, Kirkus, and Publishers Weekly

Adapted from the final chapter of Dovey Johnson Roundtree’s autobiography Mighty Justice, We Wait for the Sun is an intimate look at a tender moment in Dovey’s childhood. The book opens with a preface about the main character, Dovey, who grew up to be a legendary figure in the fight for racial equality-all through the influence of her beloved grandmother, Rachel Bryant Graham. Dovey loved to share stories of Grandmother Rachel; this book is the story she loved best. 

In “the midsummer night” when it’s “dark and cool,” Dovey and her grandmother walk “through the darkness toward the woods” to pick blackberries. Lyrical language and textural illustrations awaken the senses and draw us into their adventure.

Other women join in and the trip goes deeper still into the forest. Staring at Grandma’s shoes, Dovey is literally following her grandmother’s steps into the darkness. But Grandma Rachel provides comfort and reassurance. “If you wait just a little, your eyes will learn to see, and you can find your way.” 

Through such examples of wisdom and encouragement, it’s clear to see why Grandma Rachel was such an inspiration to Dovey and her later work as a civil rights lawyer. As they sit in the forest and listen to its  “thousand sounds,” a double page spread shows an aerial view of their meditative moment, immersed in the magic of their surroundings. 

And when they reach the berries, they’re every bit worth the wait-plump, juicy, and sweet-like the lush layers of purple, blue, and pink illustrations that display a beautiful berry-colored world as dawn, bit by bit, turns to day. Wrapped in each other’s arms, Grandma and Dovey watch the sun rise in its golden splendor. Grandma’s steadfast waiting for the light, despite the present darkness, is a moving message of hope, resilience, and bravery.

Back matter includes an in-depth note from co-author Katie McCabe chronicling Dovey’s fight against barriers in the law, military, and ministry. For anyone interested in the powerful ways family and history intersect, We Wait for the Sun is a must-have in every library.  • Reviewed by Armineh Manookian

 

Opening the Road coverOPENING THE ROAD:
Victor Hugo Green and His Green Book
Written by Keila V. Dawson
Illustrated by Alleanna Harris
(Beaming Books; $19.99, Ages 4-8)

While white Americans eagerly embarked on carefree car travel around the country, in 1930s Jim Crow America the road was not a safe or welcoming place for Black people. In Opening the Road: Victor Hugo Green and His Green Book, Keila V. Dawson explores the entrepreneur Victor Green and his successful The Negro Motorist Green Book which was borne out of dire need.

Young readers will learn about the limitations that were in place restricting the freedoms of Black Americans to have access to the same conveniences whites did due to segregation laws. For instance, a road trip for a Black family meant bringing food, pillows, and even a portable toilet since most establishments along a route were for whites only. The same applied to hotels, service stations, auto-mechanics and even hospitals. And in “Sundown” towns, where Blacks could work but not live, those individuals had to be gone by sunset or risk jail or worse.

In this fascinating 40-page nonfiction picture book, Dawson explains in easy-to-understand prose exactly what obstacles faced Black travelers and why Green, a mail carrier, together with his wife Alma, decided to publish a directory. Inspired by a Kosher guide for Jews who also faced discrimination, Green began collecting information from people on his postal route about where safe places were in New York.

Eventually, with word-of-mouth expanding interest in Green’s book, he began corresponding with mail carriers nationwide to gather more recommendations for The Negro Motorist Green Book on more cities. Soon everyone from day-trippers to celebrities were using the Green Book. Green even made a deal with Standard Oil for the book to be sold in Esso gas stations where it “flew off the shelves.” Harris’s illustrations take readers back in time with colorful, realistic looking scenes of big old cars, uniformed service station attendants and locations in Black communities that opened their doors to Black travelers. Apart from a break during WWII, the book was sold until the need for it finally ended with the last edition in 1966-67.

Equality both on and off the road was the ultimate goal for Black Americans. That may have improved somewhat from when the first Green Book was published in 1936, but Victor did not live to see the Civil Rights Act of 1964 enacted, having passed away in 1960. However there is still a long road ahead because, unlike Victor’s Green Book, racism has not disappeared and being Black while driving can still be dangerous, even deadly.

Dawson dives into this in her five pages of back matter that include a clever roadway timeline graphic from the beginning of Green’s life in 1892 until the Green Book ceased publication. This is a helpful, thoughtfully written book to share with children to discuss racism, and a good way to begin a discussion about self-advocacy, ingenuity, and how to treat one another with respect. It’s also a welcome example of how Green channeled his frustration and dissatisfaction into a guide that ultimately changed people’s lives for the better. Click here for an essential Educator’s Guide. • Reviewed by Ronna Mandel

 

black cowboys cover origBLACK HEROES OF THE WILD WEST
Written and illustrated by James Otis Smith
with an introduction by Kadir Nelson
(Toon Books; HC $16.95, PB $9.99, Ages 8+)

Junior Library Guild Selection
Starred Review – Booklist

Kadir Nelson, in his interesting introduction to James Otis Smith’s graphic novel Black Heroes of the Wild West points out that cowboys, ranchers, homesteaders and other people from the Old West (west of the Mississippi River “during and after the American Civil War”) were historically portrayed in books, movies and TV through a white lens. In reality up to “a third of the settler population was African American.” I couldn’t wait to find out more about Mary Fields, known as “Stagecoach Mary” in her day, Bass Reeves, the first black Deputy U.S. Marshal west of the Mississippi, and “mustanger” Bob Lemmons, perhaps the original Texas horse whisperer.

All three individuals were forces to be reckoned with. First there’s Mary Fields, born into slavery in Tennessee. In her lifetime, she maintained fierce loyalty to friends, loved children, was generous to a fault, and had strength and energy second to none. She’s most noted, however, for her reputation as a banjo strumming, card playing, first African American female stagecoach driver who never missed a delivery and was not easily thwarted by wolves or bad weather.

I was blown away learning about Bass Reeves’s bravery in outwitting some murderous outlaws on the Most Wanted List. In the account Smith shares, Reeves single-handedly put himself into a dangerous situation by turning up as an impoverished loner looking for any kind of work to earn his keep. By cleverly offering up his services to the mother of the villains, earning her trust, and ultimately that of the bad guys too, he was able to capture them completely off guard. This plus thousands of other arrests cemented his place in history. The best part was how Smith’s illustrations conveyed Reeves in the particular scenario of capturing the outlaws by surprise which in turn surprised and satisfied me immensely.

Last but definitely not least is Bob Lemmons who was hired to corral wild mustangs and whose humane technique was not deadly to any of the horses, something other mustangers had not been able to manage. Smith takes readers on a journey of the senses along with Lemmons as he follows a group of mustangs he intends to wrangle, and details in both art and text how eventually Lemmons becomes one with the stallion leading the “manada” (mares and colts). “Bob knew their habits, their body language, their sounds. Like them, he flared his nostrils sniffing for danger.” You don’t have to be a horse lover to be impressed how Bob’s slow and steady approach made the mustangs think he was one of them.

Eight comprehensive pages of fascinating back matter round off this excellent middle grade read that will no doubt have tweens eager to find out more about these and other Black heroes. • Reviewed by Ronna Mandel

 

The Gilded Ones coverTHE GILDED ONES
by Namina Forna
(Delacorte Press; $18.99, Ages 12 and up)

Starred Review – Booklist
A NEW YORK TIMES BESTSELLER

The Gilded Ones is book one of a West African-inspired epic fantasy series that will grab you from its first page. When girls turn sixteen, they must undergo The Ritual of Purity where they are bled to see if they can become a member of their village. However, if a girl’s blood runs gold, then she’s found impure and faces a fate worse than death. If Deka’s father had the money, he would have sent her to the House of Purity the year before the ritual, keeping her protected from sharp objects. Instead, Deka must be careful while she worries and prepares.

When Deka fails, she’s tortured until a mysterious woman she names White Hands offers an option out. The empire’s being attacked by seemingly invincible Deathshriek creatures. Deka becomes an alkali soldier fighting alongside other girls like her with powers that make them nearly immortal.

Namina Forna says, “The Gilded Ones is a book about my anger at being a woman. Sierra Leone was is very patriarchal. There were things I was expected to do as a girl because I was a girl.” This emotion is harnessed into the story, revealing societal inequities in an intricately woven plot that will surprise and enflame you.

Deka has the best “sidekick” ever—a shapeshifter called Ixa. Though there are elements of romance, it’s strong females who rule the plot. This book provides a fresh look at the “gods and goddesses” trope. The Gilded Ones is fierce, brutal, and relevant. Read it. • Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com

 

Click here to read another Black History Month review.
e

Additional Recommendations:

Ruby Bridges This Is Your Time by Ruby Bridges (Delacorte Press)
The Teachers March! by Sandra Neil Wallace and Rich Wallace w/art by Charly Palmer (Calkins Creek)
Stompin’ at the Savoy by Moira Rose Donohue w/art by Laura Freeman (Sleeping Bear Press)
Overground Railroad by Lesa Cline-Ransome w/art by James Ransome (Holiday House)
R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul by Carole Boston Weatherford w/art by Frank Morrison (Atheneum BYR)
Finding a Way Home by Larry Dane Brimner (Calkins Creek)
Changing the Equation: 50+ Black Women in STEM by Tonya Bolden (Abrams BYR)

 

Share this:

Getting Away With Murder: The True Story of The Emmett Till Case by Chris Crowe

GETTING AWAY WITH MURDER:
The True Story of The Emmett Till Case
Written by Chris Crowe
(Speak/Dial BYR; $10.99, Ages 12 and up)

 

cover image from Getting Away With Murder by Chris Crowe

 

Author Chris Crowe first wrote Getting Away With Murder: The True Story of The Emmett Till Case, a riveting and award-winning nonfiction book, back in 2003. Today I’m reviewing a revised edition that “has been updated to reflect the newest information about Emmett’s life and untimely death …” which should be read by every teen to understand the Jim Crow era South and “the hate crime that helped spark the civil rights movement.” 

In the L.A. Times on Friday, July 13, I read that the Emmett Till case has once again been reopened based upon new information that has come to the attention of authorities. I needed to know more. Over the years I only learned snippets about the case because, like a majority of students to this day, I was never taught the Till case in school. Now that I’ve read Crowe’s engaging, well-crafted and meticulously researched book, I know about the grave miscarriage of justice that occurred in Mississippi in 1955. In an intro, eight chapters, a detailed time line plus back matter, Crowe examines events leading up to the brazen and brutal murder of 14-year-old African American, Emmett Till, the subsequent trial and later developments that culminated in the exhumation of Till’s body. Crowe’s also tied in the Black Lives Matter movement that grew out of the senseless Trayvon Martin killing. For those yet to read Getting Away With Murder, Crowe puts all the events that take place into historical context by educating us about current events of the time period. For example, the heinous, racist crime against Till took place three months prior to Rosa Parks’ historic bus activism and was an important catalyst in the civil rights movement. Covering the case should be part of every school’s curriculum especially given that innocent black lives continue to be taken 63 years on.

Emmett Till and his mother lived in Chicago, but when his Uncle Mose Wright, a sharecropper from the Mississippi Delta region, invited him for a visit, he jumped at the opportunity to spend time with his family. It was the summer following eighth grade and fun-loving Emmett was feeling good. His mother, on the other hand, felt nervous. Mrs. Mamie Till Bradley knew that, while she and her son lived in a segregated Chicago neighborhood, theirs was a relatively racial violence free existence. Emmett didn’t have to deal with the harsh realities and repercussions of the Deep South Jim Crow era laws. But Mamie was from Mississippi. She worried Emmett wouldn’t take the law or her advice seriously and sadly she mother was right. He found her cautions silly.

Once with his southern family, Emmett was boastful about his life in Chicago, about how he interacted with and claimed to date white women. Not long after his arrival, in the nearby town of Money, Till was egged on by his cousins. He went into Bryant’s Grocery & Meat Market, a small white-owned store belonging to Roy and Carolyn, to chat up the woman. Bryant was out of town on a delivery and his wife was alone in the store. Things turned bad quickly when Emmett, who didn’t “appreciate the seriousness of this Southern taboo …” entered Bryan’t market, asked for some candy and then made a pass at Carolyn. According to her statement, “… when she held out her hand for his money, … he grabbed it, pulled her toward him, and said, ‘How about a date, baby?'” Some other interaction occurred as well. This was followed by a wolf whistle after Emmett had been pulled from the store by his friends.

When nothing happened for several nights everyone thought Emmett was in the clear. As we know, such was not the case. When Bryant returned from his trip, he and his half-brother, J. W. “Big” Milam, kidnappped Emmett in the middle of the night. The men felt retaliation was required to defend Bryant’s wife’s honor and teach the boy a lesson so they tortured him. When he was defiant, they killed him. One of five lawyers, J. J. Breland, who eventually took on the defendant’s case said they all felt intense pressure to “let the North know that we are not going to put up with Northern negroes ‘stepping over the line.'” As the title implies, the men were acquitted. While in their minds justice prevailed, it clearly had not. The case won national coverage due to multiple reasons, but one of the most crucial ones was Mamie Till Bradley’s decision to have an open casket at Emmett’s funeral so the world could see just what had been done to her son.

Getting Away With Murder explains how much of what happened that summer was driven by racism, fear and anger. Bryant and his fellow Southerners were unhappy about the recent Brown v. Board of Education decision mandating desegregation in schools. The majority of the population in the segregated South did not want their way of life to change, especially if dictated by Northerners. But it was truly the beginning of the end for them.

There were many surprises in the book for me but I don’t want to share them all here. While their significance is of the utmost importance, I think they have to be read first hand to appreciate the implications and feel the outrage. What’s sad about this pivotal event in our country’s history is that while a lot has changed, a lot has unfortunately remained the same in regards to racism. Last night I described the Emmett Till case to my husband who had never heard of it. My 17-year-old son had. My son said he found out more details from me than what he had originally learned. My husband thanked me. We must keep sharing the story. I recommend picking up a copy of Chris Crowe’s book for your teens. They will thank you .

  • Reviewed by Ronna Mandel

SaveSave

SaveSave

Share this:
Back To Top
%d bloggers like this: