RICE FROM HEAVEN:
THE SECRET MISSION
TO FEED NORTH KOREANS
Written by Tina Cho
Illustrated by Keum Jin Song
(Little Bee; $17.99, Ages 5-9)
HEY, HEY, HAY!:
A TALE OF BALES
AND THE MACHINES THAT MAKE THEM
Written by Christy Mihaly
Illustrated by Joe Cepada
(Holiday House; $17.99, Ages 4-7)
are reviewed today by Cathy Ballou Mealey.
Grasses and grains make great stories in two new August picture books from Epic18 authors.
Drawing from her own personal experience, author Tina Cho writes a compelling fictional story about RICE FROM HEAVEN: THE SECRET MISSION TO FEED NORTH KOREANS.
Yoori, a young South Korean girl, has listened to her father, Appa, talk about his difficult childhood in North Korea. His compelling stories of hardship and hunger lead Yoori and Appa to volunteer for a secret nighttime mission; sending packages of rice over the border via special balloons.
When father and daughter arrive near the border, local villagers protest and chant, “Don’t feed the enemy.” In dismay Yoori says “The hope in my heart withers like a dying rice stalk.” But she rallies her courage and persists in completing the task at hand. With other volunteers, Yoori and Appa help inflate balloons, attach containers of rice, and send them floating over the border under starry skies.
Song’s vibrant illustrations markedly differentiate the two countries with a stark color palette. A verdant and lush South Korea features plentiful orange and pink flowers, fruits and green landscapes. Alternately, North Korea is shown isolated within a clear bowl, brown, barren and withered. The dramatic contrast peaks on a poignant double spread showing two North and South Korean girls face one another. While large grey mountains loom in the distance, the two children remain separated by nothing more than a small stream of clear running water.
Cho provides additional information on the political and cultural history of the Korean peninsula. This informative story is hopeful, compassionate and timely.
In HEY, HEY, HAY!: A TALE OF BALES AND THE MACHINES THAT MAKE THEM author Christy Mihaly tells a summery story about the process of harvesting hay. The bales will be stored in the barn, ready to break out a bit of summer for a hungry horse on a cold winter day.
Standing in waist-high, thick green grass that spills across the long, rolling horizon, a young girl and her mother observe that the fields are ready for the haying to begin. “Mower blades slice through the grass. / A new row falls with every pass. / Stalks and stems are scattered ’round. / The scents of new-mown plants abound.” The rhythmic thunk-thunk, chunk-chunk phrases echo the mechanical beats of the machinery employed – a mower, tedder, rake and baler. Mihaly explains the terminology in a helpful glossary of “haymaking words” that add richness to the rhyming farming narrative.
As the mown hay dries, mother and daughter refresh themselves with switchel, a traditional cold haying drink of ginger, vinegar and maple syrup. For those inspired to try it, the recipe is included! Raking and baling finally lead to the satisfying conclusion of a crop safely stacked in the barn, and time to ride and play with the patiently waiting pony.
Cepada’s illustrations capture the vast fields, broad skies, and varied haying equipment with detail, vibrancy and color. Green grasses fade to olive-yellows as tinted clouds sweep across the pages. The tractors and barn are a cheerful, traditional red, and the immense rolled hay bales are textured with prickly perfection. Each generously proportioned oil-and acrylic image is paired with succinct and snappy text that explicates and enhances the unique and creative story.
Good reasons to harvest both of these titles about bounty on your bookshelves!
- Reviewed by Cathy Ballou Mealey
Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.
A MATH AND COUNTING BOOKS ROUNDUP
NATIONAL GEOGRAPHIC LITTLE KIDS OCEAN COUNTING,
TEN PIGS, & MICE MISCHIEF
Have fun counting and doing simple math with your children …
National Geographic Little Kids Ocean Counting
Written by Janet Lawler
Photos by Brian Skerry
(National Geographic; $16.95, Ages 2-5)
If your young kids are into aquariums and learning about sea life then don’t miss this counting book. The beautiful underwater nature photographs match perfectly with the simple yet informative text. There is a little “Did you know?” section on each page with an interesting fact. Basic counting from 1-10 is so enjoyable with this book, plus in the back matter there’s a counting up and counting down page to review the numbers and the respective quantities with children.
Ten Pigs: An Epic Bath Adventure
by Derek Anderson
(Orchard Books/Scholastic; $16.99, Ages 3-5)
This humorous bath adventure from Little Quack illustrator Derek Anderson, will have your kids cracking up! One cute little pig is taking a bath with his rubber ducky when others start to barge into the tub. The text has great rhythm and the illustrations are both cute and extremely funny! I would highly recommend this book for young kids and I know the adults reading it will also find it amusing. You have to find out how the original bathing pig gets the tub all to himself again.
Mice Mischief: Math Facts in Action
Written by Caroline Stills
Illustrated by Judith Rossell
(Holiday House; $16.95, Ages 3-6)
Mice get into a lot of interesting and impressive mischief in this book! Mice Mischief offers a refreshing take on learning the different amounts that make 10. For example, as they get ready in the morning “8 mice cook. 2 mice juggle. 8+2=10.” It’s an engaging way to count and add with your little ones. The adorable illustrations complement the spare text perfectly. I hope they make a board book version since I think this book would be great for babies all the way up age 6.
Mr. Happy & Miss Grimm
Written by Antonie Schneider
Illustrated by Susanne Strasser
(Holiday House; $16.95, ages 4-8)
First published in Germany as Herr Glück & Frau Unglück, Mr. Happy & Miss Grimm shows us how kindness, unstoppable and contagious in its nature, can soften even the hardest of hearts.
As his name suggests, Mr. Happy is happy. All the time. Morning to night time. Rain or shine. His belongings, too, have an air of cheerfulness and comfort to them. On the day he moves to his new home, Mr. Happy brings with him a big cushy chair, lots of books, a teapot, friendly pets, plants, and a ladder we come to find out he uses to climb up to light the moon’s lantern. As we read the stickers on his luggage of the countries he has visited, we know Mr. Happy has spread his cheerfulness to all corners of the earth.
Moving next to neighbor Miss Grimm, however, proves to be a challenge and a nuisance-that is, for Miss Grimm. From her “bleak little” unit #13 home to her drab clothing and suspicious disposition, Miss Grimm seems to take morbid curiosity in Mr. Happy’s everyday tasks. Mr. Happy plants flowers and trees. He “greet[s] the rain when it rain[s], the snow when it snow[s], and the wind when it bl[ows].” The more annoyed Miss Grimm is with her neighbor, the more lush Mr. Happy’s garden grows and the more friendly her and Mr. Happy’s pets become with each other. Like children innocent of adult prejudices, the animals take an immediate liking to each other, thus beginning the slow transformation of Miss Grimm’s home.
It first starts with the small plant on Miss Grimm’s windowsill, lifeless at first, but after Mr. Happy arrives it springs to life almost overnight. Soon enough, too, the neighbors’ roofs share a wire. Strasser’s mixed media, monoprint, crayons, and digital collage produce an Alice in Wonderland effect for Mr. Happy’s side of the spread, while, on Miss Grimm’s side, sudden bursts of color and texture highlight her gradual change. Readers will enjoy flipping the pages back and forth to mark how and when these changes take place.
Despite her every effort to remain her mean old self, even slamming the door in Mr. Happy’s face, Miss Grimm is not the same person. Like the way the wind carries Mr. Happy’s seeds or the way his garden thrives, love grows simply because it’s there–simply because it has its own set of rules that change us to become a better version of ourselves.
– Reviewed by Armineh Manookian
In 2014 and 2015 readers have been treated to a number of fantastic narrative nonfiction picture books. Today’s review features yet another add-it-to-your-collection book, the story of The International Sweethearts of Rhythm as recounted in the impressive Swing Sisters.
Back in the very early 20th century, Dr. Laurence Clifton Jones established an orphanage called Piney Woods Country Life. It was here that he would ensure African American children could thrive and he did so not only by letting kids be kids, but also by having them do work at the school “to earn their keep.” Using this same philosophy, he organized a school band “just for girls,” to “help raise money for the school.” Anyone involved in the band had to consider their role as an additional job on top of school work and other responsibilities at Piney Woods.
The girls played a kind of music called swing. It was jazz music that brought people to their feet, “that music was filled with energy!” It also touched people from all walks of life because it made them feel alive and excited. The girls’ group, named The Sweethearts by Dr. Jones, eventually left Piney Woods to launch a career starting in Washington, D.C. They traveled by bus and performed all over America. Their hard work and dedication helped them hit the “big-time,” at one point playing to a crowd of thirty-five thousand at the Howard Theater in Washington!
By this point the band was known as The International Sweethearts of Rhythm, and though America’s Sweethearts were consummate entertainers, they still encountered gender and race discrimination. The Jim Crow laws meant they couldn’t work together with white people, so for the most part they played “for black audiences.” Since their band was multi-racial, they were essentially breaking the law in certain states. There was even one occasion when white band members had to flee or risk arrest. I was happy to learn that during WWII, the USO “arranged a six-month tour for the band to travel to France, Belgium, and Germany.” But at the same time I’m disappointed that, despite having played for the troops abroad, the group’s USO tour is something we rarely hear about.
L.A. local Cepeda’s acrylic-and-oil artwork, with its retro woodcut look and expressiveness, is a bonus. He’s captured the era through a rainbow of colors that dazzle and delight. And, how lucky for us that Deans has chosen to shed light on this group of talented and committed female musicians who were throwing rocks at the glass ceiling way before other women thought it was even possible. Their days on the jazz circuit made inroads for countless women performers who would follow in their swinging footsteps. There’s not a dull sentence in this story thanks in part to the subject matter, but also owing a great deal to Deans’ talent. She’s brought the experience of being a trailblazing band to life in a richly crafted picture book that begs to be shared with early school goers.
– Reviewed by Ronna Mandel
Click here to read an enlightening interview with author Karen Deans.
★ Starred Reviews – Publishers Weekly, Kirkus & Booklist
Nearly fifty years ago, on March 21, 1965, three thousand people, black and white, Christian and Jew, young and old, began a five day march from Selma to Montgomery (Alabama’s state capital) to secure voting rights for African Americans. Although this was not their first attempt, it was highly successful. A judge’s ruling that the march was constitutional, and the presence of the Alabama National Guard, paved the way and protected the marchers from police (and segregationists’) brutality. By the time the marchers reached Montgomery, their numbers had swelled to 25,000. Nothing, not even Ku Klux Klan blockades, could squelch their courage and spirit.
The impact of this march was immediate. Congress approved the 1965 Voting Rights Act and, by the following summer, 9,000 blacks in Dallas county had registered to vote.
In a clear and compelling narrative, Freedman places the march and preceding events in the context of a society that lived under oppressive “Jim Crow” laws, which effectively legalized and enforced segregation. With the aid of powerful and dramatic, black and white photos, the book conveys to young readers the challenges and the dangers black people faced when demonstrating for their democratic rights, especially the right to vote. The well-chosen images further underscore the marchers’ courage and passion in the face of horrific violence and give readers a sense of immediacy, even fifty years after the event.
Because They Marched is an invaluable resource for helping young readers understand the profound impact that the Civil Rights Movement had on our country’s political and cultural history. It is also recommended as a moving tribute to the courage and determination of a people who sacrificed dearly to obtain democratic rights for all.
The book includes a timeline, source notes, and a selected bibliography.
Kirkus gave this nonfiction book a starred review and named it one of the “Best Books of 2014.”
Find an excerpt of this book at Holiday House along with excellent valuable CCSS (Common Core State Standards) and teaching resources.
Read more about Russell Freedman at the National Endowment for the Humanities and see a Library of Congress webcast featuring the author.
– Reviewed by Dornel Cerro