In the colorful picture book, Happy Llamakkah!, adorable llamas young and old gather together for the eight-day Jewish celebration. Each night a new candle is lit by the shamash (helper candle) as dreidels spin, latkes are fried and ribbons are tied. The story is told with few words and many sweet faces of the llama family who end each of the eight nights saying Happy Llamakkah! Children familiar with Hanukkah will enjoy seeing the candle lighting as it reminds them of their own special Hanukkah traditions with every page turn. And the words “Happy Llamakkah” replacing the traditional Happy Hanukkah wish just adds laughter and fun for young readers. I personally laughed each time I read those words. This rhyming picture book closes with an Author’s Note which explains in simple terms why Jewish people celebrate the miracle that happened long ago. Happy Llamakkah! beautifully tells the story of the menorah in the window; and I liked how the reader learns that it was only recently that Jewish families incorporated gifts as part of their Hanukkah festivities. Happy Hanukkah! • Reviewed by Ronda Einbinder
In The Ninth Night of Hanukkah, Max and Rachel’s family move to a new apartment right before Hanukkah begins. So it’s frustrating when they can’t find the box that was packed with all the items they need for Hanukkah: the menorah, candles, Dad’s lucky latke pan, dreidels, gelt, and jelly donut recipe. So how can they celebrate Hanukkah? With help from their new neighbors and a bit of innovative, creative thinking, they try each night to celebrate, although as the refrain says, “It was nice . . . but it didn’t feel quite like Hanukkah.” But when Mom’s guitar is delivered the morning after the eighth night, the kids come up with a way to still celebrate the holiday and give back to all their new neighbors who helped them. . . and when the missing Hanukkah box turns up, it finally feels like Hanukkah. Charming cartoon illustrations add to the warmth of this holiday book about a diverse and multi-ethnic community coming together in friendship. • Reviewed by Freidele Galya Soban Biniashvili
I had a smile on my face throughout my first reading of this clever new take on Hanukkah and again the second time to write this review. Kimmelman’s wordplay in The Eight Knights of Hanukkah makes for a fun Round Table themed romp that delivers in the form of eight knights named Sir Alex, Sir Gabriel, Sir Henry, Sir Julian, Sir Rugelach (♥), and three females, Sir Isabella, Sir Lily, and Sir Margaret. There’s also Lady Sadie whose request to the knights prompts the adventure and premise of this story. “A dastardly dragon named Dreadful is roaming the countryside,” and its antics are disrupting preparations for the Hanukkah party she’s been planning. Their mission is to “fix things with some deeds of awesome kindness and stupendous bravery.”
And so they set out to achieve this goal. While Sir Isabella and Sir Rugelach journey to find Dreadful, the other six knights assist the citizens in whatever way they can. Knightly language adds to the enjoyment, “Hark!” exclaimed Sir Gabriel. “Methinks I hear a damsel in distress.” Whether peeling potatoes to help said damsel or making sufganiyot (donuts) at the bakery where a sign reads “Helpeth Wanted,” there’s no task too arduous for the team to tackle. But what about Dreadful? Alas, the disappointed dynamic duo of Sir Isabella and Sir Rugelach fear they’ve exhausted all hopes of reining in that dragon until a smoky surprise greets their eyes. With their mitzvahs completed, the noble knights can begin their Hanukkah merrymaking with Lady Sadie and all the guests knowing their actions have spread kindness through the realm. In addition to Bernstein’s expressive characters, humorous details, and great use of white space, don’t miss her endpapers map to get a lay of the land. • Reviewed by Ronna Mandel
First published in 2014, this paper-over-board reissue features a newly formated cover ideal for younger readers. Somehow I missed the original version and was happy to find that Kimmel’s Simon and the Bear: A Hanukkah Talehad me turning the pages in anticipation as it also warmed my heart.
When Simon sets sail to America from the old country just before Hanukkah, he departs with inspiring words (and a knapsack full of latkes, a menorah, candles, matches, brown bread, hard-boiled eggs, and herring) from his mother. “Wherever you are, Simon, don’t forget to celebrate Hanukkah and its miracles. Who knows? You may need a miracle on your long journey.” This foreshadowing lets readers know something will happen, but I never expected a Titanic-like episode where Simon’s boat sinks. Mensch that he is, he offers the last spot in a lifeboat to an older man and manages to find safety on an iceberg.
All alone but ever the optimist, Simon lights the candles as Hanukkah begins. As he plays dreidel, he also prays for a miracle. He is surprised and slightly scared when a polar bear appears. Simon offers it food in exchange for warmth and company. The passing days see the bear share his fish with Simon until the menorah’s flickering lights attract a rescue boat on the final night of Hanukkah. Arriving safely in New York, Simon meets the man he gave his lifeboat spot to. Now the Mayor of New York, this grateful man is intent on repaying Simon’s good deed making the final miracle happen, bringing Simon’s family to America. Kimmel’s crafted a fantastical and truly satisfying story through and through. In the character of Simon, he’s brought us a selfless main character readers will root for. Trueman’s jewel-toned colors and shtetl clothing design help ground the story in the early 1900s. The play with light always brings our eyes to focus on Simon over multiple iceberg scenes. Together the story and illustrations (I love the newspaper clippings about Simon’s survival) will make any reader a Hanukkah miracle believer. • Reviewed by Ronna Mandel
The magic of Levine’s, The Hanukkah Magic of Nate Gadol, begins with its glowing golden accented cover and is woven throughout this picture book embuing it with a feeling that it’s always been a Jewish folktale parents share every holiday. But it’s not! It’s a new story about a big-hearted Jewish spirit “whose magic can make things last exactly as long as they’re needed.” The tale was inspired by the author’s observations and emotions he experienced growing up as a Jew whose holiday and beautiful traditions were overlooked, overshadowed, and ultimately influenced by Christmas. Read the illuminating Author’s Note for more on this. Nate’s name is also significant in that it corresponds to the dreidel letters Nun and Gimmel, two of the four initials representing the Hebrew phrase “Nes Gadol Haya Sham,” meaning, “A great miracle happened there.“
I was willingly transported to an unnamed American city in the late 19th century where immigrants of all nationalities lived and worked. Nate soon finds himself drawn to the plight of the Glaser family, newly arrived Jewish immigrants from Europe who are penniless as Hanukkah approaches. Additionally, their neighbors’ baby girl is sick and the O’Malley family cannot afford the medicine needed. Whatever the Glasers had they shared with their close neighbors but when there was nothing, Nate knew “he couldn’t stretch what wasn’t there.” How could either family even begin to think about celebrating Hanukkah or Christmas under those circumstances? The have-nots need a miracle. During a serendipitous meeting Christmas Eve on a city rooftop with Santa Claus, Nate is told, “The sleigh magic is nearly empty. Are there a lot of people having trouble believing this year?” The winter of 1881 is a tough one indeed meaning one thing; Nate to the rescue! He helps out the “red-suited man” who returns the favor in kind. Nate’s magic delivers Christmas presents under the O’Malley tree and, much to the surprise and delight of the Glaser children, not just beloved Hanukkah chocolate which was all they usually hoped for, but a pile of presents as well.
Hawkes’s muted color palette enhances the illustrations of this bygone era. His larger than life depiction of Nate Gadol, with a tinge of gold in his hair and a sparkle in his eye convey a positive mood despite the harsh circumstances the two families face. The pairing of Hawkes’s atmospheric art with Levine’s thoughtful prose makes a new story like The Hanukkah Magic of Nate Gadol already feel like it’s been a treasured read in our home for years. • Reviewed by Ronna Mandel
★Starred Reviews – Publishers Weekly, School Library Journal
Hayley Barrett’spicture book,Girl Versus Squirrel, shows us the fun rascals many of us have stealing from our bird feeders—the same dilemma Pearl faces in this story. The lyrical text, teeming with repetition and alliteration, works well as a read-aloud. As the tale unfolds in its singsong style, we are both lulled by the beauty of a girl feeding her backyard birds and prodded by her frustration with a seemingly unstoppable peanut-stealing squirrel.
Facial expressions on the girl and the squirrel are priceless as they one-up each other from scene to scene. I enjoyed howRenée Andriani’s art captures the shifting emotions as the power pendulums between the two opponents. However, when the action peaks, a new discovery makes Pearl rethink her no-squirrels-allowed policy.
Adults will appreciate the kid-friendly “Squirrelly Facts” at the end. These mischievous mammals chirp and scamper across every continent except Australia and Antarctica. Mark your calendars so you don’t forget to set out a treat on Squirrel Appreciation Day (January 21st).
Click here to order a copy of Girl Versus Squirrel. e Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog and its team of kidlit reviewers, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks! e
Written by Printz Honor recipient Julie Berry and illustrated by Annie Won, Long Ago, on a Silent Night connects the Biblical story of the birth of Christ with the birth of a mother’s newborn babe. Ancient and modern times meet to express the promise of peace, joy, and hope the Christmas season brings.
Won’s glowing, airy illustrations produce a dreamlike effect. Interchanging pages of light and dark color highlight the story’s juxtaposing themes: extreme joy and the deep mystery of the miracle of birth. Just as a “piece of heaven fell to earth” when God became flesh “at that sacred birth,”the mother feels her boy “came straight from heaven, too” from “the moment” she held him. Berry’s tender language, told in elegant verse form, captures the holiness of the relationship between mother and child, and in a broader sense, humankind’s relationship with the Christ Child. Though He had the power to “one day calm a tempest wild,” Jesus instead chose to save the world through His “gentleness” and humility. The birth of the baby is a reminder of the ripple effect of God’s loving kindness throughout the generations.
A great addition to your Christmas picture book collection, Long Ago, on a Silent Night highlights the relevance of the Nativity story to our modern times.
Beloved children’s author/illustrator Tomie dePaola offers us a picture book full of fun facts about the most widespread of all Christmas traditions: the Christmas tree.
In its second edition, Tomie dePaola’s Christmas Tree Book begins with a family visiting a Christmas tree farm to pick out their own tree. The children’s curiosity about “how Christmas trees [got] started” leads to a fascinating discussion of the historical role “decorated trees and branches” have played during the holiday season. As far back as the Middle Ages, decorated evergreens were used during church plays and transitioned into people’s homes after the plays were no longer performed. It’s interesting to learn about the varied forms of the evergreens and shrubs as more people brought the plants indoors for decor. The children’s questions guide the family’s discussion naturally and fluidly in a gentle way that doesn’t feel like the reader is getting a “lesson.” We learn of other major transitions: the arrival of the Christmas tree in America, the addition of lights on the tree, and even the evolution of the Christmas tree stand. One piece of history is particularly delightful (and a matter of presidential importance) but you’ll have to get the book to find out!
Though much of the book presents factual information, the story arc takes readers from beginning to middle to end as we watch the family purchase, transport, and decorate their tree. The addition of the grandmother in the second half of the book adds a personal touch to the historical facts as she shares with her grandchildren her memories of Christmas trees long ago. As always, dePaola’s muted color palette, familiar shapes, and soft lines provide warmth and comfort to his words.
Perfect for school reports or for quelling those myriad questions from curious little ones, Tomie dePaola’s Christmas Tree Book will both educate and entertain. Click here for bonus materials from the publisher’s website.
Growing up as part of a demanding traveling circus is not much of a life for Dasher, a little doe with an adventurous soul. The harshness of hot days does not compare to the magical place in Mama’s stories where the weather is cold, the air crisp, “and the ground was always covered with a cool blanket of white snow.” Dasher’s days are filled with meeting children which she loves. At night, however, surrounded by her family, she wishes upon the North Star for the home Mama has described.
When one windy night’s unusual circumstances bring Dasher into contact with Santa and his tired horse, Silverbell, it’s as if her wish were answered. Because his sleigh filled with massive amounts of toys is getting too heavy for just Silverbell, Santa invites Dasher to help pull his sleigh. There’ll be no looking back now. Only something is missing. Her family. Of course, Santa makes that wish come true, too, when he takes Silverbell and Dasher back to the circus and invites Dasher’s family to join the sleigh. Now everything’s in place for Christmas to be perfect!
Dasher, the wonderfully imagined and illustrated tale of Santa’s team of reindeer—before Rudolph came along—feels believable and satisfying. The old-fashioned look of the art (done in watercolor, gouache, pencil, and pastel) depicting J.P. Finnegan’s Traveling Circus and Menagerie and filled with rural folk dressed in their late 19th century garb, adds to the feeling the story is real. Youngsters will be easily convinced, too, and love the lyrical way Tavares has woven together all the threads of this charming origin story so skillfully. Let yourself be transported back in time with this clever tale that will have you convinced this is exactly how Santa’s reindeer Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donner and Blitzen came to pull Santa’s sleigh.
This sturdy board-book edition of the hardcover picture book from 2015 is great to share all year long. With just 24 pages of spare and inspiring text, dePaola’s peaceful, pleasing art takes center stage. The little boy on the cover wakes up to behold the beauty of a new day and the wonderful things that surround him. “Open your eyes, and see, and say thank you.” Children learn with each simple sentence and illustration to be present and look at each day as a gift. Look and be Grateful is a gentle and sweet introduction to mindfulness and gratitude which are never too early to share.
Little fans of the beloved Pout-Pout Fish will be delighted he’s back, under the sea, serving up tasty dishes for Thanksgiving in Be Thankful, Pout-Pout Fish. Mr. Fish has invited friends and family from near and far to join him at the celebration. It’s a pot-luck dinner for which all of the guests are grateful. When the meal is over and everyone’s full, Mr. Fish is feeling especially thankful not only for the food, but for the full feeling in his heart.
Told in 12 full-color pages, this rhyming board-book makes a sweet addition to any toddler’s Pout-Pout Fish book collection. It’s also an ideal gift when visiting during the holiday. Dive into a copy and share today.
I love the die-cut turkey feathers design of this 12-page board book. Inspired by the hand-print turkey art craft so many children proudly create at Thanksgiving time, each finger/feather in Five Little Thank-Yousrepresents a paper-cut illustrated spread devoted to a particular thank-you message. It starts off with “Thank you for this sweet, warm home, blessed with family all my own.” The four other feathers mention thanks for food, friends, love and “…most of all, I’m thankful to be the one and only, special me.” What a terrific and important message to impart to children at Thanksgiving.
Fab and felt-clad Turkey (on the cover) is just one of the adorable Flanimals animal characters in this 20-page cumulative concept board book.T is for Thanks (and Turkey!)explores themes of gratitude and friendship courtesy of the letter T. The story begins when Tiger gives Turtle some tulips in a tea pot as a gift. Such a lovely gesture! Sadly, the present breaks when Turtle sneezes. Turkey’s on hand to offer some tissues. In fact he humorously always wants to be included in the cumulative repetition that kids will love. “T is for Thanks and Tape and Thunderstorm. And Turkey!” Some tape mends the broken tea pot and Turkey’s wings keep the rain off Tiger while Turtle’s retreated into his shell.
It’s great how the friends get up to some fun antics that kids will relate to all while sticking to the letter T. Things get messy though when Turkey gets onto a trampoline with tacos given to him by Toad. That causes no end of trouble as you might imagine. But with caring, thoughtful friends, everything will work out in the end providing everyone (and Turkey!) is on good behavior.
This book provides many levels of entertainment and positive reinforcement whether it’s counting the tulips (three), noting with little ones how all the animals’ names begin with T, seeing what else they can spot in the art that might pertain to thankfulness and the letter T, and most importantly, seeing the kind way friends treat each other.
Reviewed by Ronna Mandel
Click hereto read a review of another Thanksgiving book.
PIPPA’S PASSOVER PLATE Written by Vivian Kirkfield Illustrated by Jill Weber (Holiday House; $17.99, Ages 4-8)
I’m always happy to welcome a new picture book with an original take on the holiday into the mix of Passover stories. Today I’m reviewing Vivian Kirkfield’s charming Pippa’s Passover Plate with illustrations by Jill Weber so you’ll have time to pick up a copy to read before and during your family’s upcoming Seders.
The premise of this read aloud tale told in rhyme is that Pippa the mouse cannot locate her Seder plate, a plausible predicament even for humans! The pressure’s on because this concerned pip squeak must find the plate before sundown and the start of her Seder (the traditional annual ritual where people of Jewish faith gather with friends and family to eat, read, share stories and celebrate the liberation of the Israelites from slavery in ancient Egypt).
Kirkfield clearly has fun with the verse and her meter is spot-on throughout the book:
“Pippa climbs up on a chair, stretches up–the cupboard’s bare! Teetor-totter–hold on tight! Weeble-wobble–what a fright!”
At the start of her search, Pippa asks Sphinx the cat if it’s seen the plate. After no luck there, Pippa is told to try Snake. Each time she must approach an ominous new creature, Pippa is filled with dread, and the following repeating and repeatable refrain …
“Quiver! Quaver! Shiver! Shake!”
… adds to the page turn appeal of the story since the little mouse must face her fears in order to find the missing plate. Her potential predators, however, don’t seem to want to do her harm.
When Owl wisely suggests that Pippa “question Golda Fish” (great name btw), it seems an easier, less scary task to undertake. Weber’s wonderful artwork here in addition to elsewhere in the book complements the text where Golda is described as quite enchanted with herself. Since a mirror isn’t available, a brass Seder plate in which she can admire her reflection is apparently the next best thing. I love Weber’s palate of all shades of yellow, a cheerful color to counter any feelings of danger when Pippa meets Sphinx, Snake and Owl. How the plate landed in the lake is up for debate so why not ask your child? I’m sure they’ll spin some wild tales. The good news is that Pippa can now prepare the Seder.
No longer fearful of the animals, Pippa invites them all to her Seder and the story ends with a frame-worthy illustration of the Seder plate, and the special food that goes on it. I do wish there had been one page of back matter that included a description of what each of the six food items represents in relation to Passover. Nonetheless that’s easily found online and the majority of readers will know and can explain that to their children. For teachers planning to read Pippa’s Passover Plate to a class, I recommend having this information on hand for inquiring minds. It also couldn’t hurt to include info on what matzo is and why a piece of it gets hidden during the Seder since it’s mentioned on the second to last page when the friends are gathered together to celebrate the holiday.
I recommend this adorable picture book which provides the perfect opportunity to discuss Passover traditions, especially for little ones ages 3-6 who will find Pippa’s plight engaging and most enjoyable. Happy Passover!
Reviewed by Ronna Mandel
Find a Passover book review from last year by clicking here.
When is a Holocaust book not a Holocaust book? When it’s Searching for Lottie, a contemporary fiction, historical and mystery novel that beautifully and sensitively conveys the connectivity the past has with the present. Author Susan L. Ross’s multi-layered story, which won the Sydney Taylor Manuscript Award and is a PJ Our Way selection, also emphasizes the importance of individual identity, the supportive role of family and friends, and the power of music.
Twelve-year-old Charlie (Charlotte) Roth has an assignment for 7th grade social studies, a family history project. She’s chosen to research her namesake, Great-Aunt Lottie (Charlotte) Kulka, a violin prodigy who likely died during the Holocaust. While living in Vienna, Charlie’s grandmother, Nana Rose (who was Great-Aunt Lottie’s younger sister) and Lottie’s mother escaped to safety in America. “When the Germans invaded Austria, the Jews were at the mercy of the Nazis.” Far from home, Lottie was not as lucky. She had been sent to continue her music studies in Budapest, Hungary so when her mother and sister fled Austria after her father’s arrest, Lottie vanished without a word and was always presumed dead.
Once Charlie begins digging into the past, her Nana Rose starts to reveal some details from the past that even Charlie’s mom wasn’t aware of. First there is the old black and white photo of her namesake. Then, when Charlie is given a diary and eventually a necklace that once belonged to Lottie, bits and pieces of the past begin rising to the surface causing Charlie to wonder whether her Great-Aunt might still be alive. Could she still be in Hungary? Or America? Charlie’s mom reminds her that “The Holocaust was a tragedy that touched every Jewish family,” and there may not be a happy ending. However, with the encouragement of her friends and family, and despite what she may discover, Charlie vows to find out what really happened to Lottie. It’s clear Charlie is going to be learning about herself and her family as much as she will about her long lost relative as her journey into the past continues.
Unusual incidents and people are discovered along the way that pull the reader into the story and make them feel invested in the outcome. It turns out that Lottie had played with the Vienna Philharmonic. Charlie, also passionate about the instrument, would like nothing more than to please her devoted Nana Rose by being selected for the concertmaster position after her upcoming audition. As Charlie prepares for the big day, her crush on a fellow musician, Devin, could become a distraction from both her violin dreams and her genealogical journey but she perseveres.
The many interesting and exciting things happening in every chapter serve to keep Charlie’s mind off the audition and Devin. There is never a dull moment as Charlie delves deeper into the mystery of Lottie’s disappearance. Exploring every lead for her family history project will ultimately give her a greater understanding of how the Holocaust impacted survivors and children of survivors, in Charlie’s case, her grandmother and mother. “‘After I had children of my own,'” ‘Mom said softly,’ “‘I realized––or at least, I understood a bit better—that my mother had to bury the sad parts of her life in order to live happily.'”
Ross has created a vibrant and resourceful young girl in the character of Charlie. Her hunt through history to uncover hidden truths about Lottie, if successful, will surely solve decades of doubt and we’re all rooting for her. It was hard for me to believe that, though based on Ross’s family, all the characters were fictional. They felt so real, their situations so possible. It’s helpful to read the Author’s Note to learn about Ross’s story inspiration. I found myself heading over to the Ellis Island Archives as I was reading the novel because, like Charlie, and the author, I too, have many unanswered questions about my Eastern European family.
Searching for Lottie will get tweens thinking and hopefully talking about the Holocaust, about their own heritage, and how we often need to look to our past before moving forward. I recommend this novel as it’s not only one of hope and inspiration, but it powerfully demonstrates how one determined young girl can make a difference.
Reviewed by Ronna Mandel
Happy Book Birthday to Searching for Lottie by Susan L. Ross
Yoori, a young South Korean girl, has listened to her father, Appa, talk about his difficult childhood in North Korea. His compelling stories of hardship and hunger lead Yoori and Appa to volunteer for a secret nighttime mission; sending packages of rice over the border via special balloons.
When father and daughter arrive near the border, local villagers protest and chant, “Don’t feed the enemy.” In dismay Yoori says “The hope in my heart withers like a dying rice stalk.” But she rallies her courage and persists in completing the task at hand. With other volunteers, Yoori and Appa help inflate balloons, attach containers of rice, and send them floating over the border under starry skies.
Song’s vibrant illustrations markedly differentiate the two countries with a stark color palette. A verdant and lush South Korea features plentiful orange and pink flowers, fruits and green landscapes. Alternately, North Korea is shown isolated within a clear bowl, brown, barren and withered. The dramatic contrast peaks on a poignant double spread showing two North and South Korean girls face one another. While large grey mountains loom in the distance, the two children remain separated by nothing more than a small stream of clear running water.
Cho provides additional information on the political and cultural history of the Korean peninsula. This informative story is hopeful, compassionate and timely.
Standing in waist-high, thick green grass that spills across the long, rolling horizon, a young girl and her mother observe that the fields are ready for the haying to begin. “Mower blades slice through the grass. / A new row falls with every pass. / Stalks and stems are scattered ’round. / The scents of new-mown plants abound.” The rhythmic thunk-thunk, chunk-chunk phrases echo the mechanical beats of the machinery employed – a mower, tedder, rake and baler. Mihaly explains the terminology in a helpful glossary of “haymaking words” that add richness to the rhyming farming narrative.
As the mown hay dries, mother and daughter refresh themselves with switchel, a traditional cold haying drink of ginger, vinegar and maple syrup. For those inspired to try it, the recipe is included! Raking and baling finally lead to the satisfying conclusion of a crop safely stacked in the barn, and time to ride and play with the patiently waiting pony.
Cepada’s illustrations capture the vast fields, broad skies, and varied haying equipment with detail, vibrancy and color. Green grasses fade to olive-yellows as tinted clouds sweep across the pages. The tractors and barn are a cheerful, traditional red, and the immense rolled hay bales are textured with prickly perfection. Each generously proportioned oil-and acrylic image is paired with succinct and snappy text that explicates and enhances the unique and creative story.
Good reasons to harvest both of these titles about bounty on your bookshelves!
Reviewed by Cathy Ballou Mealey
Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.
If your young kids are into aquariums and learning about sea life then don’t miss this counting book. The beautiful underwater nature photographs match perfectly with the simple yet informative text. There is a little “Did you know?” section on each page with an interesting fact. Basic counting from 1-10 is so enjoyable with this book, plus in the back matter there’s a counting up and counting down page to review the numbers and the respective quantities with children.
This humorous bath adventure from Little Quack illustrator Derek Anderson, will have your kids cracking up! One cute little pig is taking a bath with his rubber ducky when others start to barge into the tub. The text has great rhythm and the illustrations are both cute and extremely funny! I would highly recommend this book for young kids and I know the adults reading it will also find it amusing. You have to find out how the original bathing pig gets the tub all to himself again.
Mice get into a lot of interesting and impressive mischief in this book! Mice Mischief offers a refreshing take on learning the different amounts that make 10. For example, as they get ready in the morning “8 mice cook. 2 mice juggle. 8+2=10.” It’s an engaging way to count and add with your little ones. The adorable illustrations complement the spare text perfectly. I hope they make a board book version since I think this book would be great for babies all the way up age 6.
First published in Germany as Herr Glück & Frau Unglück, Mr. Happy & Miss Grimm shows us how kindness, unstoppable and contagious in its nature, can soften even the hardest of hearts.
As his name suggests, Mr. Happy is happy. All the time. Morning to night time. Rain or shine. His belongings, too, have an air of cheerfulness and comfort to them. On the day he moves to his new home, Mr. Happy brings with him a big cushy chair, lots of books, a teapot, friendly pets, plants, and a ladder we come to find out he uses to climb up to light the moon’s lantern. As we read the stickers on his luggage of the countries he has visited, we know Mr. Happy has spread his cheerfulness to all corners of the earth.
Moving next to neighbor Miss Grimm, however, proves to be a challenge and a nuisance-that is, for Miss Grimm. From her “bleak little” unit #13 home to her drab clothing and suspicious disposition, Miss Grimm seems to take morbid curiosity in Mr. Happy’s everyday tasks. Mr. Happy plants flowers and trees. He “greet[s] the rain when it rain[s], the snow when it snow[s], and the wind when it bl[ows].” The more annoyed Miss Grimm is with her neighbor, the more lush Mr. Happy’s garden grows and the more friendly her and Mr. Happy’s pets become with each other. Like children innocent of adult prejudices, the animals take an immediate liking to each other, thus beginning the slow transformation of Miss Grimm’s home.
It first starts with the small plant on Miss Grimm’s windowsill, lifeless at first, but after Mr. Happy arrives it springs to life almost overnight. Soon enough, too, the neighbors’ roofs share a wire. Strasser’s mixed media, monoprint, crayons, and digital collage produce an Alice in Wonderland effect for Mr. Happy’s side of the spread, while, on Miss Grimm’s side, sudden bursts of color and texture highlight her gradual change. Readers will enjoy flipping the pages back and forth to mark how and when these changes take place.
Despite her every effort to remain her mean old self, even slamming the door in Mr. Happy’s face, Miss Grimm is not the same person. Like the way the wind carries Mr. Happy’s seeds or the way his garden thrives, love grows simply because it’s there–simply because it has its own set of rules that change us to become a better version of ourselves.
In 2014 and 2015 readers have been treated to a number of fantastic narrative nonfiction picture books. Today’s review features yet another add-it-to-your-collection book, the story of The International Sweethearts of Rhythm as recounted in the impressive Swing Sisters.
Back in the very early 20th century, Dr. Laurence Clifton Jones established an orphanage called Piney Woods Country Life. It was here that he would ensure African American children could thrive and he did so not only by letting kids be kids, but also by having them do work at the school “to earn their keep.” Using this same philosophy, he organized a school band “just for girls,” to “help raise money for the school.” Anyone involved in the band had to consider their role as an additional job on top of school work and other responsibilities at Piney Woods.
The girls played a kind of music called swing. It was jazz music that brought people to their feet, “that music was filled with energy!” It also touched people from all walks of life because it made them feel alive and excited. The girls’ group, named The Sweethearts by Dr. Jones, eventually left Piney Woods to launch a career starting in Washington, D.C. They traveled by bus and performed all over America. Their hard work and dedication helped them hit the “big-time,” at one point playing to a crowd of thirty-five thousand at the Howard Theater in Washington!
By this point the band was known as The International Sweethearts of Rhythm, and though America’s Sweethearts were consummate entertainers, they still encountered gender and race discrimination. The Jim Crow laws meant they couldn’t work together with white people, so for the most part they played “for black audiences.” Since their band was multi-racial, they were essentially breaking the law in certain states. There was even one occasion when white band members had to flee or risk arrest. I was happy to learn that during WWII, the USO “arranged a six-month tour for the band to travel to France, Belgium, and Germany.” But at the same time I’m disappointed that, despite having played for the troops abroad, the group’s USO tour is something we rarely hear about.
L.A. local Cepeda’s acrylic-and-oil artwork, with its retro woodcut look and expressiveness, is a bonus. He’s captured the era through a rainbow of colors that dazzle and delight. And, how lucky for us that Deans has chosen to shed light on this group of talented and committed female musicians who were throwing rocks at the glass ceiling way before other women thought it was even possible. Their days on the jazz circuit made inroads for countless women performers who would follow in their swinging footsteps. There’s not a dull sentence in this story thanks in part to the subject matter, but also owing a great deal to Deans’ talent. She’s brought the experience of being a trailblazing band to life in a richly crafted picture book that begs to be shared with early school goers.
– Reviewed by Ronna Mandel
Click here to read an enlightening interview with author Karen Deans.
Nearly fifty years ago, on March 21, 1965, three thousand people, black and white, Christian and Jew, young and old, began a five day march from Selma to Montgomery (Alabama’s state capital) to secure voting rights for African Americans. Although this was not their first attempt, it was highly successful. A judge’s ruling that the march was constitutional, and the presence of the Alabama National Guard, paved the way and protected the marchers from police (and segregationists’) brutality. By the time the marchers reached Montgomery, their numbers had swelled to 25,000. Nothing, not even Ku Klux Klan blockades, could squelch their courage and spirit.
The impact of this march was immediate. Congress approved the 1965 Voting Rights Act and, by the following summer, 9,000 blacks in Dallas county had registered to vote.
In a clear and compelling narrative, Freedman places the march and preceding events in the context of a society that lived under oppressive “Jim Crow” laws, which effectively legalized and enforced segregation. With the aid of powerful and dramatic, black and white photos, the book conveys to young readers the challenges and the dangers black people faced when demonstrating for their democratic rights, especially the right to vote. The well-chosen images further underscore the marchers’ courage and passion in the face of horrific violence and give readers a sense of immediacy, even fifty years after the event.
Because They Marched is an invaluable resource for helping young readers understand the profound impact that the Civil Rights Movement had on our country’s political and cultural history. It is also recommended as a moving tribute to the courage and determination of a people who sacrificed dearly to obtain democratic rights for all.
The book includes a timeline, source notes, and a selected bibliography.
Kirkus gave this nonfiction book a starred review and named it one of the “Best Books of 2014.”
In 1621, a group of nearly 100 people, many of whom experienced religious persecution, left England to find a place where they could worship freely. After an arduous voyage across the Atlantic Ocean–which included violent storms and the birth of a child, they sighted land and eventually founded a settlement near Plymouth Harbor.
Their troubles were not over. Arriving late in the year, they faced a cold and difficult winter. Many were ill. However, in early spring, Squanto, a native from a local tribe, taught the Pilgrims how to plant corn and fertilize the fields with fish. That fall, Massasoit, chief of the Wampanoag, and 90 of his warriors joined the Pilgrims for a harvest celebration, our first Thanksgiving
Greenwood’s narrative in this picture book can be read aloud to young children to introduce them to the traditional Thanksgiving story. Complex issues, such as religious persecution and the Mayflower Compact, are briefly, but clearly expressed in language young children can understand. The hardships the Pilgrims faced are not overdramatized and the author weaves in interesting “kid friendly” facts about daily life aboard the ship: food, sleeping arrangements, entertainment, etc.
Lessac’s colorful gouache illustrations, reminiscent of folk art, enliven the narrative and create a vivid and dramatic visual of the journey and the settlement. A stunning two-page spread of a beautiful, calm night at sea, the sky full of stars sparkling around a full moon, belies the dangers the ship would soon face on its journey to the new world. Sure enough, a month later, the Mayflower and its passengers and crew sail into the stormy season, which Lessac stylistically portrays with a pinkish sky dotted with dark storm clouds. Jagged bolts of lightning and torrents of rain fall from the clouds. The image of the ship rolling in the rough sea further demonstrates the ocean’s frightening power and the hardships the crew and passengers faced on their way to the new world.
An excellent and colorful read aloud to introduce younger children to the origins of our Thanksgiving celebration.
Visit Australian author Mark Greenwood’s website for more information about his books.
Illustrator Frané Lessac’s website is a must-see for her artwork and a video about how the illustrator works.
Click here for Holiday House’s Educator’s Guide for this book.
Enjoy this dramatic book trailer for The Mayflower.
“Old MacDonald had a farm, E-I-E-I-O … Señor Pancho had a rancho, cha cha cha cha cha …”
Now if twelve children chanting “cha cha cha cha cha” to the tune of Old MacDonald Had a Farm doesn’t get your body wiggling and your toes tapping, then nothing will.
Old MacDonald and his neighbor, Señor Pancho, have the same animals on their farms who, while they look similar, speak different “languages.” While Old MacDonald’s dog barks “woof, woof,” Señor Pancho’s pero yaps “guau, guau” (wow, wow). A rooster on Old MacDonald’s farm crows “cock-a-doodle-doo,” while Señor Pancho’s gallo (GAH-yoh) squawks out “quiquiriquí” (kee-kee-ree-KEE), and so on. Finally, a cow and una (OON-ah) vaca (VAH-kah) are introduced. Both happily understand each other’s “moo” and “muu” (moo). Soon, ignoring the fence that divides the two properties, all the farm animals and the two farmers join the cow and the vaca for a rollicking dance.
Each double page spreads shows an illustration of Old MacDonald’s farm on one page with the English verse and Señor Pacho’s rancho on the opposite page with the same verse in a blend of Spanish and English.
Elwood Smith’s multimedia illustrations use subtle colors and small touches to distinguish the characters, but overall, each animal (and human) looks and behaves the same way. The illustrations are hilarious, lively and wonderfully convey the energy, joy, and silliness of the song.
Laínez notes “This book is a celebration of languages. In every celebration, we need music and dance (author’s note).” Lainez and Smith capture the idea that the joy we experience from music, dance, and companionship is universal.
This book was a 2014 International Latino Book Award finalist in the Best Children’s Fiction Picture Book – Bilingual category.
A helpful glossary of the Spanish words used in the book and how to pronounce them is included.
I shared this book with my K-1 classes and the timing was perfect as they were learning animal names in Spanish class. Reading (and singing) this book helped reinforce the children’s learning and introduced the Spanish words for the animal sounds. We had a ball.
Visit Salvadoran René Colato Laínez’s website for more information about the author, his books, awards, activities and more.
Learn more about illustrator Elwood Smith at his website and at Elwood’s World; the Art and Animations of Elwood H. Smith, a pdf of an engaging catalog prepared for a 2011 exhibition of his work at the Norman Rockwell Museum.
The publisher, Holiday House, has information on Common Core State Standards, reviews, and an activity sheet. Find those here.
When my daughter was 7 or 8 she became infatuated with fairy and witch stories. But that was 13 years ago and the selection wasn’t very exciting. I’m happy to say that now there are so many more interesting books featuring assorted magical creatures and Mary Losure’sBackwards Moon (Holiday House, $16.95, Ages 7-10) is one of them. This recently published middle grade novel is perfectly suited for tweens who want action, adventure, fantasy and a satisfying conclusion, all in just 134 pages.
Cousins Nettle and Bracken are the two youngest witches in a coven made up of mostly older witches (“They were not just old, they were very old. Some were hundreds of years old.”) who live in a hidden valley being encroached upon by humans. The book opens on the very day that the girls discover something has gone terribly wrong with the magic Veil, originally spun to shelter their community from the outside world.
Suddenly it’s looking like the carefree days of playing Catapult are over. Things are about to change forever, thrusting Nettle and Bracken into a mission to save their coven by traveling to the human world. There the witchlings will attempt to find untainted Wellspring Water, crucial for the damaged Veil spell. They’ll also eventually seek out the Door leading to a safer world for all witches, far from the menacing presence of humankind. Even though the older, more experienced witches would seem like the natural choice to make this dangerous journey, the fear of Fading, or loss of magical powers caused by the proximity to humans, stops them from trying. The cousins’ youth, while providing them with increased protection from the Fading, does not guarantee immunity putting them at considerable risk as well.
Losure has created a believable world where only young humans can see the witches, initially complicating matters, but ultimately helping the girls on their quest. I found it fascinating how the author was able to convincingly convey the collision of the witch world with that of humans, in fact she had me at Seeking Stones. (magical rocks that will assist the witchlings). There are several engaging characters who help Nettle and Bracken including a young human girl named Elizabeth, a Witchfriend named Ben and a caring raccoon. Losure has included a nemesis for the cousins to evade, as well as many close calls that will keep tweens entranced. In 21 short chapters, we’re whisked away to a wonderfully imagined world where wishes can be used up and time is not necessarily on the side of the plucky main characters. All that makes for a more layered read and a desire to follow Nettle and Bracken into the safety they seek behind the Door, perhaps in a second book? I can wish, too!
Click here to read an excerpt from Backwards Moon.
This giveaway will be a bound book giveaway, sent to the winner from Holiday House. The winner must be a U.S. resident and over 18 years of age (parents/guardians can enter for children if they’re interested).
Celebrating the 50th Anniversary of this Landmark Civil Rights Project
⭐︎Starred Reviews – Booklist & School Library Journal
“I am determined to become a first class citizen … I am determined to get every Negro in the State of Mississippi registered (Fannie Lou Hamer, p 1).
Susan Goldman Rubin, author of several biographies and books on the Holocaust (see her website: www.susangoldmanrubin.com), has written a dramatic account of the efforts of civil rights organizations and volunteers, mostly college-aged students, who worked together during the summer of 1964 to educate African Americans in Mississippi about their voting rights. While greeted warmly by African Americans, who also opened their homes to the young students, volunteers worked in an intense and dangerous environment. Prior to arriving in Mississippi, volunteers, who hailed from all across the country, received one week training in how to behave and dress so as to avoid physical harm. They learned that “no one should go anywhere alone, but certainly not in an automobile and certainly not at night …” (pp. 6-7). Volunteers were advised to sleep at the back of the house and listen for sudden car accelerations as that might signal a bombing. Contrary to what they had been taught in the North, Southern police were not their friends.
Despite the never ending climate of fear and the murder of three of the workers (James Chaney, Andrew Goodman, and Mickey Schwerner), students and community members continued their heroic efforts to establish Freedom Schools and register voters. The Freedom Schools were enormously successful: with enrollment of over 2000 adults and children. Voter registration, however, proved to be much more challenging due to African Americans fears of physical violence and obstacles such as poll taxes and literacy tests designed to prevent them from voting. However, these efforts led to President Johnson’s 1965 Civil Rights Act and, by 1966, registered African American voters soared from 6.4% to almost 60% (p. 97).
Rubin’s compelling and gripping account includes primary sources: interviews with surviving volunteers and community members, reproductions of period photos, FBI posters, newspaper articles and other documents. End material includes a bibliography, timeline, recommended websites, and appendices of original documents. The book also includes illustrations by Tracy Sugarman, an American artist who illustrated important historical events. At 41, he was the oldest volunteer and shadowed the volunteers to chronicle their work in art (see PBS’s “Freedom Summer” web pages for more information on the documentary and Sugarman and his illustrations: http://www.pbs.org/wgbh/americanexperience/films/freedomsummer). Highly recommended for middle graders thru high school, as a readable narrative as well as a compelling way for teachers and librarians to meet Common Core standard in how researchers use primary sources to bring historical events to life. In an interview with Holiday House (see below), Rubin expresses her hope that this book will inspire students to seek out their community’s stories.