Julius and Macy like to play heroes. Julius pretends he’s the defender of the forest, while Macy has a quieter strength. When their snack disappears one night, they decide to track down the only one who could have taken it―the Night Goblin. They both have to be brave in their own ways, and they ultimately discover that the real thief isn’t anything like they imagined.
With its endearing characters, this gently told tale reminds us that we each have courage within us and that kindness can make all the difference.
INTERVIEW WITH ANNELOUISE MAHONEY
GoodReadsWithRonna: Congratulations on your author-illustrator debut, Annelouise! Does it feel surreal right now after all your hard work to hold Julius and Macy: A Very Brave Night in your hands? How long has it been since you first began this creative journey in general and specifically for this picture book?
Annelouise Mahoney:Hi Ronna. Thank you so much for having me over today. Yes! Surreal is the perfect word for how it feels. Surreal and grateful! It’s been a long journey into picture books. It took about 10 years of serious focus to break into children’s books and of those 10 years, it took 5 years for the making of Julius and Macy.
GRWR: I adore bravery stories since I was not the bravest of kids, nor were my children. Tell us how you decided on this topic for your picture book.
AM: I adore bravery stories too! I didn’t set out with a definite topic for this book at the beginning. It was more finding the characters that resonated with me and asking questions as I drew them over and over again. So the characters came first. The more I drew Julius and Macy the clearer their story became.
GRWR: Burning question. Are you more Julius or more Macy?
AM: That’s a fun question! Honestly, I think I’m a little bit of both. I love to go after something I’m passionate about but feel bravest with someone by my side. I feel the younger me is more adventurous like Julius, but the older me is more cautious like Macy.
GRWR: Please walk us through your approach to writing and illustrating. Did you conceive the text first and then illustrate it, vice versa, or did everything happen simultaneously?
AM: I’ve learned to stick to the illustrations first. Not full illustrations, but loose sketches of ideas, and build from there. I gather all the loose sketches into a folder and begin placing them into a small thumbnail template. The template is an 8×11 piece of paper where I can see the story in one place. When I can see the story, and feel the visual narrative is working, then it’s time to add the words. This part of the process takes a long time for me. It’s a lot of experimenting to get the words right. If I start with the text too soon, I usually end up straying from my story.
GRWR:Can we talk about your gorgeous artwork and how you create it?
AM: In the beginning when I’m moving away from the very loose thumbnail sketch and planning out the compositions for each spread, I use Post-it notes to redraw certain elements, or add to what I already have. This part of the process takes a long time for me. It’s figuring out compositions and looking for how to express a feeling. I’m also looking for areas that may be repetitive and looking for the most interesting way to show the story. There is a lot of experimenting happening at this stage. The Post-it notes help me to not get attached to any single idea as I can just take it off or move it around without having to redraw the whole spread.
When I think what’s happening on the page is working, I scan the sketches into the computer and make the images bigger in photoshop. I’m looking for more specific information I can give to each spread, making sure the compositions work within the trim size and add the text to make sure everything reads well in the space.
This dummy stage will then repeat as I go through revisions with my agent and then my editor until the story is fleshed out and polished.
Once the story is polished, I begin all over again with small thumbnails but this time I’m focusing only on color. For Julius and Macy: A Very Brave Night, I made a color guide to help me navigate the color choice for each spread before going into final art. I found this part extremely helpful because I was painting in watercolor and I had to know how I was going to approach each painting.
I then repeated the process of scanning in the tiny thumbnails in Photoshop and making them much bigger to fit into the book template. I was interested to see where I need to focus on adding details and how the images read in the true size of the book. It’s checking and double-checking that the text will fit and I’m getting the color transitions right. Once the loose wash looks right and I can see where I’m going, I took large sheets of Arches 140lb cold press watercolor paper and cut them down a little larger than print size.
I painted each page in watercolor, with lots and lots of wash layers. I would work on a few spreads at a time so there was time for the paint to dry, and time to look away from a work in progress. There is an uncomfortable moment in each illustration where it looks ugly and messy and doesn’t feel like it will work before it does. When the painting was dry and complete, I scanned each painting into the computer and used photoshop and my Wacom tablet to set each painting into the picture book template provided by my publisher, Two Lions.
GRWR: Now that you have one book under your belt, are you busy with promoting it, or are you also making time for more artistic pursuits?
AM: Promotion does take a lot of time, and I’m enjoying this moment very much. But yes, I’m working on two other book dummies at the moment and I’m hoping to get them submission-ready soon.
GRWR: Do you have a routine you like to stick to when working on a project?
AM: I really need to be flexible as a working mom and often bring my book dummies, Post-it notes and pencils with me wherever I go. As far as a routine, I definitely wake up early each day before the demands of my family take over, and I work at night when there is another wave of calm. Those precious hours are protected for when I really need to concentrate.
GRWR: Is there a spread in Julius and Macy that really resonates with the child in you and the mother in you?
AM:Oh wow, what a beautiful question. The spread of the book with panels of Julius and Macy walking into and through the dark cave resonates with me as a mother. When my daughters were very young they would slip into pretend play very easily. They craved adventure and enjoyed little scary moments where they were challenged to be brave. The Los Angeles zoo has a man-made cave meant for little ones to explore. We’d visit it often and my girls would become more and more brave to venture through it, their imaginations on fire as they explored every corner.
As an author, I find writing a children’s book a bit like walking in the dark. There are times when I don’t know where I’m going, I can’t see the story, I can easily spook myself, but there is the need to keep going even if the unknown feels scary. As a child, I craved adventure stories and had a very active imagination. I think I’d be excited to walk into a cave, as long as I had a friend beside me and it wasn’t completely dark.
GRWR: What would you love for children to take away from reading your book?
AM: I would love children to explore what bravery means to them and see the many ways they’ve been brave in their own life. I’d like children to know that there is a unique form of bravery to reach out to someone, especially when you notice someone struggling to belong, as well as the bravery and trust to reach back.
GRWR: Has anyone in particular been influential in your kidlit career?
AM:I had a brave moment myself, and enrolled in a class taught by Marla Frazee at Art Center College of Design. She lit the way for me when I was really struggling to understand the craft of writing for children. She taught in a way I could understand by breaking things down to get to the heart of the story, finding the emotion in the art, trusting what your sketches are trying to tell you. Most importantly, when writing as an illustrator, stick to the sketching first. I’m still learning and growing, but those lessons influence how I write and how I create a book.
GRWR: What important lesson or invaluable piece of advice have you learned along the way in your children’s publishing experience that you’d like to share today?
AM: I believe that if you want to write for children, be passionate about it. Really put in the time and love to learn the craft. Be passionate about what you are working on. Publishing takes time and you want the love for your story to carry you through the rejections, revisions, and care that will ultimately polish your book better than you could ever do alone.
GRWR: What can we expect next?
AM: I hope to make many more books! That’s really all I want to do. Whether I have the honor of working with another author to create a book together or have the opportunity to publish more of my own stories. It’s the greatest privilege to make books for kids.
GRWR: Is there anything I haven’t asked that you’d like to mention?
AM: I’d like to mention to your readers that I have activity pages that correspond to my book available for download on my website. www.WoodlandAbbey.com
Also, I’m a member of a wonderful group of children’s book authors, The Picture Book Scribblers. We are all available for school visits paired by theme or individually. You can find us here https://picturebookscribbl.wixsite.com/home
Thank you so much, Ronna. It’s been an absolute pleasure to chat with you today!
GRWR: What a wonderfully frank and informative interview. Thank you, Annelouise, and best of luck with Julius and Macy: A Very Brave Night. e e
Annelouise Mahoney has worked in animation for DreamWorks, DIC Animation, Sony, and Saban Entertainment. She has also worked as a coloristfor Marvel and Image Comics on such series as Uncanny X-Men, Generation X, and others. This is her first picture book, and it was inspired by the depths of her daughters’ friendships and the many ways they are brave, especially with someone on their side. She loves to explore the forest, can’t resist a cave, and has a lot of love for all those named Julius in her life. Annelouise lives in Southern California with her family. Learn more about her atwww.woodlandabbey.com. e Order your copy ofJulius and Macy: A Very Brave Night: Mahoney today.
1. Enter our Twitter giveaway @goodreadsronna for a chance to win a signed copy of Julius and Macy: A Very Brave Night together with aspecial Giveaway Prize Package from Annelouise that includes an 8×11 print of cover, a sticker sheet, and a round sticker. Eligible for U.S. only. One winner will be selected at random and announced at 6 pm PDT on Friday, April 9.
WIN! WIN! WIN! WIN!
2. Additionally, five lucky winners will each receive three fabulous books celebrating the art of making and keeping friends, including Julius and Macy: A Very Brave Night, courtesy of Two Lions. Details and entry form can be found here (US addresses).
Click here to read another recent author-illustrator interview.
30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG
Written by Amanda Davis
Illustrated by Sally Wern Comport
Associate Publisher-WorthyKids/Hachette Book Group: Peggy Schaefer
What I Love About the Cover:
My husband, children and I were living overseas on 9/11 and remained there for a handful of years afterward so I’ve primarily gleaned info about the tragic events of that day through children’s books, friends’ accounts and documentaries. I continue to learn more new things about 9/11 which is why the cover (by Sally Wern Comport) for Amanda Davis’s new picture book, 30,000 Stitches: The Inspiring Story of the National 9/11 Flag intrigued me when I first saw it. It reminded me of when my children would play the parachute games at nursery and that feeling of joy, exuberance, pride and connectivity their faces conveyed. Add to that the multicultural, multi-generational and multi-abled group of people holding up the iconic flag, and you have all the makings of a moving picture book cover. And though we cannot tell a book by its cover, we can surely get a sense. Here Comport conveys texture, optimism, and subtle details about the myriad individuals involved in the 9/11 flag. There’s no way anyone seeing the book on a bookstore shelf, in the library, in a newsletter or on social media will not want to find out what the story is behind the cover and the book’s title. Read on to get the inside scoop of why this story of hope in the shape of a flag should be added to your TBR lists.
GoodReadsWithRonna:Amanda, now you know my reaction to the cover, what was your initial reaction to the cover? How do you feel it captures the essence of your story?
Amanda Davis: My initial reaction to the cover was that it filled me with light and hope. The bright colors that Sally chose along with the choice to depict a diverse group of people working together to hold up the flag, perfectly highlights the themes of unity, strength and healing, that are the essence of the story. I’m also really happy that the cover is inclusive of all types of people since the flag was stitched by many different people in diverse communities throughout the United States.
AD: Peggy, what direction (if any) was given to Sally regarding inclusivity and the cover concept in general?
Peggy Schaefer: Sally is an amazing and accomplished artist, so we didn’t give her a lot of specific cover direction. The art director talked with her about the cover in general, and she came back with two options. We chose to move forward with this one because, as you said, it captured the emotion and essence of the story. We actually didn’t talk about the cover design until after the interior was storyboarded. This can be helpful, because details come to the forefront as artists work through their sketches.
Inclusivity is a topic that we talk about for every project. In this case, it was essential to accurately portray the story of the flag and all those involved in its journey. We also want every child to be able to find themselves in our books. The importance of being inclusive for young readers cannot be overstated.
GRWR: Amanda, can you talk a bit about the process and challenges of writing a creative nonfiction picture book about a difficult topic in history?
AD: Great question, Ronna. 30,000 Stitches is a creative nonfiction story and with that, in my opinion, comes an added weight of getting the facts and details in both the text and art accurate. On top of that, I wanted to make sure the text navigated the topic of 9/11 in a way that was not just factual but also accessible to children and highlighted the hope that came out of the tragic events. With that said, one of my favorite parts of this process was researching and interviewing the sources for the story. I have a background in journalism so this is right up my alley! I connected with the Ground Zero Superintendent, Flag Tour Staff, and founder of the New York Says Thank You Foundation. I’m honored to have spoken with such selfless, kind, and generous people whose dedication to helping America heal after 9/11 was inspiring. To this day, they continue to give back and be of service to others, which is truly exceptional. I’m grateful they’ve been so generous with their time in helping us get the story right and their willingness to check and recheck for accuracy.
AD: Peggy, can you talk about this fact-checking process from the editor’s perspective?
Peggy:This was an interesting project in that regard. The body of the book, as you said, is creative nonfiction, and there are not a lot of specific details in the story itself. Most of the factual detail is in the back matter, which came from your interviews with those involved in the flag’s journey. Their willingness to review for accuracy was so valuable. A different challenge came in being precise in the art details. Sally is incredibly detail-minded in her art, so it was clear she was paying a lot of attention to detail, and that gave us a big head start. But even as we were drawing to the conclusion of the work, we were checking details in the art, things like uniforms and locations and such.
GRWR: Amanda, were you familiar with Sally Wern Comport’s work before she was chosen as your illustrator? Did you have any say in this process?
AD: Yes! I love Sally’s art! I was a huge fan of her work in Ada’s Violin and thought her textured mixed media style would be perfect in depicting the torn and tattered nature of the flag. There’s actually a funny and fateful backstory here. Before WorthyKids acquired 30,000 Stitches, I had interest from another publisher who asked my agent and I to reach out to illustrators and come back to them with some names. Sally was one of the artists I reached out to and connected with. As fate would have it, after I signed with WorthyKids, Sally found her way onto Peggy’s list of suggested illustrators. When Peggy shared the list with me, I tried to contain my excitement when I saw Sally’s name on there but told her that it was a BIG yes from me.
In the end, it all worked out, and I’m beyond thrilled with the way Sally interpreted the text. Her illustrations bring life and emotion to the text; expanding on the story in a way that words alone can’t do. Through her visuals, we see the many hands and hearts the flag touched. The visual techniques she used convey a beautiful and symbolic parallel between the transformative healing of both the American people and the flag. As the flag heals, the people do, too.
AD: Peggy, how did you find Sally Wern Comport and what factors made you eventually land on her for 30,000 Stitches? Why did you feel Sally’s style was a good fit to help bring the story to life?
Peggy:I’ll answer your second question first. I fell in love with Sally’s style when I saw her portfolio online. Her work is so rich and dynamic. Honestly, her style wasn’t what we had gone out looking for, but it just felt so right. I bought copies of a couple of Sally’s books, including Ada’s Violin—and seeing those reinforced my feeling that Sally was the right choice for the book.
Selecting the artist was a fairly collaborative process. I worked closely with the art director, who sent me a selection of possible styles, and I shared my suggestions with him. And, of course, I shared with you as well. After we narrowed it down, I reached out to several agents about possible artists. Sally’s agent is actually the one who brought her to my attention, based on the description I gave him of what I was looking for. Later, I found out that you had been in touch about Sally. I don’t know if the agent remembered that or if it was a coincidence. I like to think of it as serendipity! Everyone on the team was blown away by Sally’s style. It was so unexpected and conveys so much emotion. I couldn’t be happier that we were able to work with Sally on this project.
GRWR:Amanda, can you tell us about the submission process for 30,000 Stitches?
AD: The submission process for 30,000 Stitches was a good old-fashioned slush pile success. I submitted the story (then called, THE FABRIC OF AMERICA) in February of 2019 via snail mail and seven months later received an email from one of Worthy’s assistant editors asking if the story was still available. I of course said yes, and connected her to my agent for the story, Melissa Richeson. Melissa connected with Peggy and the rest is history! 🙂
AD: Peggy, how did you get your eyes on 30,00 Stitches, and what made you say yes to the project?
Peggy: As you mentioned, the manuscript first came in through the slush pile. As is sometimes the case, we were intrigued from the start, but the book was a little outside the core area that we publish into, so we didn’t act immediately. But it stuck with us, and when we reached out again, you connected us with Melissa. I was so happy to be able to acquire the book because 1) it’s a story I’d love more people to be familiar with; 2) the underlying themes of unity and healing and resilience are so important for kids; and 3) our readers are a generation who did not experience 9/11 firsthand and this is an age-appropriate introduction to this critical moment in U.S. history. But really it was your lyrical use of language that drew me in from the start. Everyone on the team who read the manuscript had an emotional reaction to it—and asked “Why didn’t I know about this?” And more than one told me it brought tears to their eyes or gave them goosebumps. That’s the kind of book I want to publish—books that touch the heart as well as the mind.
GRWR: Amanda and Peggy, this year will mark the 20th remembrance of 9/11, and we recently reached a generation that was not alive to witness the tragic events of that day. What do you hope readers, both young and old, take away from 30,000 Stitches?
AD: Especially after the challenging year we all just faced, I hope that 30,000 Stitches can inspire others. I hope it offers healing to all those in need. I hope it serves as a reminder that light can come from darkness. That we can rise from the shadows if we unite and come together. We are resilient. We are strong. We are connected through our stories. Stories of suffering. Stories of loss. Stories of compassion. Stories of kindness. Our stories are stitched together. Our stories are the fabric of America.
Peggy: I don’t think I could have said it better than Amanda. That’s why she’s the writer!
GRWR: Thanks to you both for this revealing Q&A. I know I learned tons and am sure our readers did, too!
How can readers get their hands on this beautiful story?
You can pre-order a signed copy of 30,000 Stitches through:
And we’re wrapping the reveal with a DOUBLE GIVEAWAY!
1. Complete the form below for a chance to win one of ten (10) signed copies of 30,000 STITCHES. Winners will be selected in May.
2. Amanda is also giving away a 30-minute Zoom call for a picture book author or author-illustrator to discuss a current project and/or answer industry questions OR a 30-minute classroom visit for educators and librarians.
Get extraentries when you pre-order a signed copy of 30,000 Stitches from Silver Unicorn Bookstore here. Please DM a screenshot of the receipt to Amanda on Twitter @amandadavisart.
In the comments below, share a recent bright spot you experienced that gave you hope or joy. Please note that all posts are moderated prior to appearing so be assured your comments will be seen and posted and your name will be added to Amanda’s generous giveaway. Good luck!”
Deadline to enter the contest is Thursday February 4th, at 5:00 PM EST. Amanda will announce winners on Friday, February 5th via Twitter.
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. After losing her father at the age of twelve, Amanda turned to art and writing as an outlet. It became her voice. A way to cope. A way to escape. And a way to tell her story. She was thus inspired to teach art and pursue her passion for writing and illustrating children’s books.
Through her work, Amanda empowers younger generations to tell their own stories and offers children and adults an entryway into a world of discovery. A world that can help them make sense of themselves, others, and the community around them. A world where they can navigate, imagine, and feel inspired—over and over again.
Amanda is the recipient of the 2020 Ann Whitford Paul—Writer’s Digest Most Promising Picture Book Manuscript Grant and teaches art at a public high school in Massachusetts where she was selected as 2020 Secondary Art Educator of the Year. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.
Check out all the other websites on this exciting cover reveal blog tour.
*We’re so thankful to you, our readers. You care about sharing the best books with your children and we do, too. So as promised, after reaching 2000 Twitter followers, we are now celebrating with a “We’re Grateful for You Gargantuan Giveaway” worth over $200 just in time for the holidays. Click the links to read our reviews of the books because you’ll see we’ve included lots of our faves.
To enter the Rafflecopter please scroll down, read the instructions, remember to subscribe to our site, and leave a comment on this post below about what you’d do with this bevy of beautiful books should you have the good fortune to win. We’d also love it if you LIKED the blog on Facebook, though it’s not mandatory to enter. Good luck!
It’s easy to enter our “We’re Grateful for You Gargantuan Giveaway.” Just follow the Rafflecopter instructions in the widget below. There’s one mandatory entry and a few optional entries. Feel free to enter more than once to increase your chances of winning!
Remember to enter by December 15th. Rafflecopter widget will randomly select a winner whose name will be announced on the Good Reads With Ronna Facebook page, on Twitter, and on the Rafflecopter widget right here. – make sure you’re following us so you don’t miss a thing!
We may not get snow here in sunny Southern California, but we do get all the wonderful holiday books to help us get into the festive mood! Ronna Mandel and Debbie Glade have put together a brief collection of recommended books for parents to consider when making up their gift lists this season. No matter what time of the year, one of the most important things to do with your child is read. So buy a book or two, put the kettle on and then snuggle up close to your little ones and explore lands near and far as they come alive with every page you turn. For a chance to be the winner of three of these terrific holiday books, please leave a comment on the blog, LIKE Good Reads With Ronna on Facebook and be sure to provide an email where you can be contacted. The contest ends at midnight on Friday, Dec. 23, 2011. Scroll down for contest *rules.
Record a Memory: Our Family Christmas Memories (approx. $15.95, Publications International, Ltd., all ages) makes it easy for families to share memories and then treasure them for years to come. The sparkly, embossed cover beckons readers to open the book, fill in the requested info, add voice messages wherever there’s an icon pictured and turn good times into a customized scrapbook. With a little help from an older sibling or adult, even the youngest child can add their input by simply following the handy instructions provided on the opening page. Everyone will enjoy the 48 beautiful pages, with their ample room to include photos of Christmas stockings, Christmas dinner plus places to jot down specific recollections like a favorite Christmas past or yummy recipe. Best of all is the six-button module designed to allow users to record a special memory, making Our Family Christmas Memories a keepsake families will return to again and again. Three AAA batteries are included and the books can be found at major retailers nationwide. Add Record a Memory to the rest of your family’s holiday traditions and capture cherished moments for a lifetime.
A Bad Kitty Christmas ($15.99, A Neal Porter Book/Roaring Brook Press, ages 4 and up), written and illustrated by Nick Bruel cannot fail when its cover alone cracks me up! Anyone who knows me knows I adore cats and now, having just adopted two maniacal brothers whose exploits compare to those of Bad Kitty’s, I love Bruel’s series more than ever. The picture book opens with, “Twas the night before Christmas, and all through the city, not a creature was stirring … (Blam! Crash! Kaboom! indicating sound of garbage pails flying) … Except for Bad Kitty.” If this line does not set the tone for what havoc will be wreaked by this fabulously feisty feline, I’m not sure what does. Soon Kitty shows her disinterest in spending Christmas Eve with Uncle Murray and leaps from her owner’s auto (followed by Puppy), getting lost in the big city until rescued by an elderly lady. After an afternoon of listening to the old lady reminisce, Bad Kitty yearns to return home to his family. Sensing the cat’s homesickness, the caring woman realizes she has an important holiday mission to accomplish. Will Bad Kitty (and Puppy) be reunited with their family for Christmas? Put this book on your holiday list to find out how they all fare. Still eager to continue the craziness? Check out more shenanigans at the Bad Kitty website.
Chanukah Lights ($34.99, Candlewick Press, ages 5 and up), is written by Michael J. Rosen with pop-art by Robert Sabuda. Not all pop-up books are created equal and when you combine the talents of the masterful Rosen with those of Sabuda, you get a rare Chanukah treat for the entire family to enjoy. Travel across the globe and through time by experiencing eight wondrous and intricately designed scenes of the Jewish Festival of Lights. Whether viewing the Temple where the oil that lasted eight days was discovered, journeying to a shtetl where “six lights flicker,” or traveling to a kibbutz in the Promised Land replete with olive groves and this time showing eight glimmering flames, the faith of those who have carried on the Chanukah tradition is beautifully reflected on every page. This unique interpretation of the holiday will not disappoint.
Create-A-Story Kit: StoryWorld – Christmas Tales ($9.99, Templar Books, ages 9 and up) by John & Caitlin Matthews is just the answer for kids stuck indoors with relatives and other visitors over the holiday break. Christmas Tales allows everyone to take control of their boredom transforming it into fun and games when using the set of cards provided. There are multiple ways to use the colorful cards and a handy storytelling book included that gives tips to get players started. Pick a card and begin telling a tale, or maybe play a card game of hidden clues. Kids can even put on a play based on the card images. My favorite card, The Christmas Ghosts (who appear only at Christmastime) sets my imagination soaring. Thought provoking questions on the card’s reverse side ask: “What stories can they tell about their lives?” “Why have they appeared this year?” Or in my case, the question would be “Why have they NOT appeared this year?” Then I would also incorporate the last question, “Who is able to see them and who cannot?” and so would begin my tale … Make Create-A-Story series part of your family’s annual celebration and see what a good time being stuck with relatives and visitors can really be!
The Littlest Evergreen’stalented author and illustrator Henry Cole, ($16.99, Katherine Tegan Books by Harper Collins, ages 4 and up) really knows how to captivate the hearts of his readers. This is an enchanting story, with an environmental message, about a how a tiny evergreen grows into a Christmas tree and about what happens to him after the holiday is over. Cole’s illustrations are beyond exceptional – so much so that I found myself looking at them over and over again. He uses vivid acrylic paints in such a way that they have crisp edges to make featured objects contrast beautifully with the backgrounds. This artist has illustrated more than 50 children’s books, including several he has written himself. Every child, who celebrates Christmas and loves to choose a fresh tree every year, will also adore this book. It is without-a-doubt one to keep and read every year before Christmas. It sure got me in the Christmas spirit!
*This giveaway will run through midnight on December 23, 2011 (PST). Winner will be chosen using Random.org from all valid entries and notified via email. Winner will have 48 hours to contact us at Ronna.L.Mandel@gmail.com before another winner is chosen. Giveaway is open to U.S. (18+) residents only.
*Good Reads With Ronna did not receive monetary compensation for these reviews. Three (3) giveaway items worth a total value of $67.97 will be provided by Good Reads With Ronna. The reviews are in our own words and is our opinion. Your opinions may differ.
In honor of Autism Awareness Month, Brookes Publishing will pick three lucky winners weekly in April to receive one of six subject-specific mini-libraries (Behavior, General Autism, Inclusion, Clinical, Transition, Author Paula Kluth) of six titles. Brookes has been publishing books for improving the lives of people with autism over 30 years. Register for the giveaway at www.brookespublishing.com/autism
Winners will select one of the following mini-libraries:
Behavior: Resolve meltdowns and other challenging behaviors in school, at home, and in the community with these practical, must-have guidebooks General Autism: A diverse collection of essential books on inclusion, transition, intervention, behavior, generalization, and special education Author Paula Kluth: From renowned autism expert Paula Kluth, these popular, research-based how-to guides will help you ensure the best possible education for learners with autism Clinical: Animal therapies, assistive technology, ADHD…these books from top experts are required reading for anyone managing the clinical aspects of autism intervention Inclusion: Get the nuts and bolts of fully inclusive education with these invaluable resources on friendships, access to the general curriculum, and successful paraprofessionals Transition: Smooth transitions to adulthood will be easier with these practical guidebooks on everything from college preparation to employment
See exclusive Q&As, video clips, and other resources from Brookes Publishing’s 11 expert authors, when you visit Brookes Publishing’s Autism Resource Center at www.brookespublishing.com/autism.
To coincide with the opening today of the new film Earth from Disneynature, Good Reads With Ronna is offering an exciting contest. Read on to learn more about this spectacular film and the great prizes being offered here to one lucky winner!
Click here for your chance to win these educational and awe-inspiring prizes by May 6, 2009, and remember to include your mailing address:
• Earth Interactive DVD Board Game(Imagination International, $29.97, 2-6 players; ages 6 and up) features extraordinary footage from the Earth film. With the DVD board game, parents and children can explore the Earth and work together to answer a range of trivia questions based on the movie. All components of the DVD board game – except for the disc – are made from recycled material.
• Earth Deluxe Activity Padded Board Book: Animals of the Earth(Earth Film Publishing Line from Modern Publishing, $14.99; ages 2 and up), captures the incredible wonder, beauty and spirit of nature with its large, colorful wildlife pictures and fun facts.
• Planet Earth, The Complete Series (3 disc DVD set from BBC Video, $79.98) includes over 90 minutes of bonus, behind-the-scenes footage. From the creators of Blue Planet, and narrated by David Attenborough comes this epic series, called “A tour de force…A masterpiece,” by the New York Times.
My husband and son were, as the British say, gobsmacked (blown away, speechless) by the beauty of Earth. No film has ever captured the epic scope of the drama of an entire planet, and if it gets us thinking about how we, as inhabitants of this our only home, can be kinder and forward thinking, all the better. Now, with the help of some great products that showcase the amazing species featured in the film, families can extend their movie-going experience and education. This fun giveaway includes new products available at Wal-Mart, Target and Barnes & Noble.