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For Fans of Middle Grade Horror There’s Where the Woods End by Charlotte Salter

WHERE THE WOODS END
Written by Charlotte Salter
(Dial BYR; $17. 99, Ages 10-14)

 

Starred Reviews – Kirkus Reviews, School Library Connection

 

Where The Woods end book cover art

 

Twelve-year-old Kestrel’s dark and mysterious world is literally defined by Where the Woods End. And she wants out. Since her mother’s the village witch and her father a lonesome wolf hunter, Kes doesn’t fit in with the other kids. Brushing off their taunting, Kes, instead, utilizes Granmos’s harsh training to destroy grabbers—these beings build bodies resembling their victim’s greatest fear; once they’re complete, your time is up.

With her weasel-like sidekick named Pippit and her tree-living friend, Finn, Kes studies Granmos’s notes, trying to discover a way to the world beyond before her grabber attacks. All the while, other fantastic ghouls (like treecreepers and face painters) loom dangerously.

Salter’s middle-grade horror fantasy novel’s imaginative world with twists and peril will keep you turning the pages. We feel Kes’s plight for redemption and freedom. She’s an outcast in her town and her home, yet bravely tries to make sense of the mysteries. In doing so, her friendships quiver and threaten to break as she becomes more entrenched in her quest. Where the Woods End will appeal to middle-grade readers seeking adventures in creepy worlds.

 

@ChristineVZ and @WFSediting, Christine@Write-for-Success.com

Getting Away With Murder: The True Story of The Emmett Till Case by Chris Crowe

GETTING AWAY WITH MURDER:
The True Story of The Emmett Till Case
Written by Chris Crowe
(Speak/Dial BYR; $10.99, Ages 12 and up)

 

cover image from Getting Away With Murder by Chris Crowe

 

Author Chris Crowe first wrote Getting Away With Murder: The True Story of The Emmett Till Case, a riveting and award-winning nonfiction book, back in 2003. Today I’m reviewing a revised edition that “has been updated to reflect the newest information about Emmett’s life and untimely death …” which should be read by every teen to understand the Jim Crow era South and “the hate crime that helped spark the civil rights movement.” 

In the L.A. Times on Friday, July 13, I read that the Emmett Till case has once again been reopened based upon new information that has come to the attention of authorities. I needed to know more. Over the years I only learned snippets about the case because, like a majority of students to this day, I was never taught the Till case in school. Now that I’ve read Crowe’s engaging, well-crafted and meticulously researched book, I know about the grave miscarriage of justice that occurred in Mississippi in 1955. In an intro, eight chapters, a detailed time line plus back matter, Crowe examines events leading up to the brazen and brutal murder of 14-year-old African American, Emmett Till, the subsequent trial and later developments that culminated in the exhumation of Till’s body. Crowe’s also tied in the Black Lives Matter movement that grew out of the senseless Trayvon Martin killing. For those yet to read Getting Away With Murder, Crowe puts all the events that take place into historical context by educating us about current events of the time period. For example, the heinous, racist crime against Till took place three months prior to Rosa Parks’ historic bus activism and was an important catalyst in the civil rights movement. Covering the case should be part of every school’s curriculum especially given that innocent black lives continue to be taken 63 years on.

Emmett Till and his mother lived in Chicago, but when his Uncle Mose Wright, a sharecropper from the Mississippi Delta region, invited him for a visit, he jumped at the opportunity to spend time with his family. It was the summer following eighth grade and fun-loving Emmett was feeling good. His mother, on the other hand, felt nervous. Mrs. Mamie Till Bradley knew that, while she and her son lived in a segregated Chicago neighborhood, theirs was a relatively racial violence free existence. Emmett didn’t have to deal with the harsh realities and repercussions of the Deep South Jim Crow era laws. But Mamie was from Mississippi. She worried Emmett wouldn’t take the law or her advice seriously and sadly she mother was right. He found her cautions silly.

Once with his southern family, Emmett was boastful about his life in Chicago, about how he interacted with and claimed to date white women. Not long after his arrival, in the nearby town of Money, Till was egged on by his cousins. He went into Bryant’s Grocery & Meat Market, a small white-owned store belonging to Roy and Carolyn, to chat up the woman. Bryant was out of town on a delivery and his wife was alone in the store. Things turned bad quickly when Emmett, who didn’t “appreciate the seriousness of this Southern taboo …” entered Bryan’t market, asked for some candy and then made a pass at Carolyn. According to her statement, “… when she held out her hand for his money, … he grabbed it, pulled her toward him, and said, ‘How about a date, baby?'” Some other interaction occurred as well. This was followed by a wolf whistle after Emmett had been pulled from the store by his friends.

When nothing happened for several nights everyone thought Emmett was in the clear. As we know, such was not the case. When Bryant returned from his trip, he and his half-brother, J. W. “Big” Milam, kidnappped Emmett in the middle of the night. The men felt retaliation was required to defend Bryant’s wife’s honor and teach the boy a lesson so they tortured him. When he was defiant, they killed him. One of five lawyers, J. J. Breland, who eventually took on the defendant’s case said they all felt intense pressure to “let the North know that we are not going to put up with Northern negroes ‘stepping over the line.'” As the title implies, the men were acquitted. While in their minds justice prevailed, it clearly had not. The case won national coverage due to multiple reasons, but one of the most crucial ones was Mamie Till Bradley’s decision to have an open casket at Emmett’s funeral so the world could see just what had been done to her son.

Getting Away With Murder explains how much of what happened that summer was driven by racism, fear and anger. Bryant and his fellow Southerners were unhappy about the recent Brown v. Board of Education decision mandating desegregation in schools. The majority of the population in the segregated South did not want their way of life to change, especially if dictated by Northerners. But it was truly the beginning of the end for them.

There were many surprises in the book for me but I don’t want to share them all here. While their significance is of the utmost importance, I think they have to be read first hand to appreciate the implications and feel the outrage. What’s sad about this pivotal event in our country’s history is that while a lot has changed, a lot has unfortunately remained the same in regards to racism. Last night I described the Emmett Till case to my husband who had never heard of it. My 17-year-old son had. My son said he found out more details from me than what he had originally learned. My husband thanked me. We must keep sharing the story. I recommend picking up a copy of Chris Crowe’s book for your teens. They will thank you .

  • Reviewed by Ronna Mandel

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Five New Father’s Day Children’s Books That Celebrate Dads

FIVE NEW FATHER’S DAY BOOKS
– A ROUNDUP OF RECOMMENDED READS –

Happy Father's Day artwork

 

Daddies Do by Lezlie Evans bookcover illustraton by Elisa FerroDaddies Do
Written by Lezlie Evans
Illustrated by Elisa Ferro
(Sterling BYR; $16.95, Ages 3 and up)

Over a dozen different kinds of animal dads demonstrate why they’re so beloved in this rhyming 32-page picture book. Offspring ask “Who makes you feel big even though you small?” or “Who sits in the front row when you’re in a play and takes lots of pictures on your special day?” Do we know the answers? Yes! Devoted dads do all sorts of things to make their youngsters feel special and Evans has selected some important ones including encouragement, validation, playfulness, listening and best of all, love! “Who gives you a bear hug and tucks you in tight? Who whispers ‘I love you,’ then turns out the light?” From anteaters to walruses, Ferro’s charming illustrations of animal dads and kids use soothing jeweled tones and fill every two page spread completely. This technique allows readers to occasionally get a glimpse of several daddy child relationships before a page turn and also means more animals such as elephants, hedgehogs, lions, monkeys, mice, octopi, owls, pandas, peacocks, penguins and polar bears can be included in the story. “She creates her artwork primarily in gouache, colored pencil, and ink before tweaking digitally.” Daddies Do is a wonderful addition to Father’s Day themed books although this one clearly can be revisited over and over again any time of year.

The Gorilla Picked Me! cover illustrationThe Gorilla Picked Me!
Written by Michele McAvoy
Illustrated by Valentina Carboni
(Native Ink Press; $18.99 Hardcover, $13.99 Paperback, Ages 4-8)

School dances are hard enough to begin with, but when your confidence is low and your dad, who also happens to be your date, steps out for a while at the spring dance and you’re left sitting there on your own, can you feel any worse? Such is the case with Olive. She’s the narrator of The Gorilla Picked Me!, a refreshing and rhyming look at how this self-described “plain, simple and ordinary” main character has experienced her school life up to this point. Her clothes are second-hand, she’s chosen last for teams and the only Valentine she receives is a discarded one. But when the special guest at the school dance, makes his appearance, things start looking up for Olive. This silly, dancing blue gorilla playing a kazoo is the life of the party and, out of anyone there, he picks Olive to join him on the dance floor. They swirl and they twirl and this magic moment lifts up Olive like nothing else has. After Gorilla departs and Olive’s father returns, her one regret is that he missed her star performance. But did he? Look for clues planted as to the gorilla’s identity and have a conversation about the remarkableness of being ordinary. Warmth and love emanate from Carboni’s illustrations that complement McAvoy’s heartwarming story of a dad’s clever way of elevating his child’s self-esteem. A pleasing pick for Father’s Day.

Pet Dad cover illustration by Elanna Allen Pet Dad
Written and illustrated by Elanna Allen
(Dial BYR; $16.99, Ages 3-5)

My first suggestions for Elanna Allen’s adorable picture book, Pet Dad, is to not miss the end papers in the front because they’re hysterical and so many people skip this part of a book. It’s also how you know you’re in for a treat, not a doggy treat, a reader’s treat! “Plum wants a pet. Plum’s dad does not want a pet” is how the story begins as she drags then begs him in front of the pet shop. But since her father’s rather adamant against and she’s rather resolute for, she’s not leaving without a dog. Dad is just going to have to fit the bill! She even names him Schnitzel. He may seem to enjoy her attention at first, but Dad or Schnitzel is not responding well to Plum’s attempts to treat him like any other pet. He doesn’t want to eat the food she’s prepared, get paper-trained or sleep at her feet. Can you blame him? At the park the next day, Schnitzel is still not behaving like Plum would like and she acts out in frustration. In fact, rather than Pet Dad getting punished, it’s Plum who must contemplate her unruly actions. During a time out, Plum realizes that offering a hard-to-refuse reward to her dad so that he’ll cooperate is the way forward. After such a positive response and with the help of lots of hugs, Plum and her dad are on track to having a most mutually loving and enjoyable relationship.Told tongue-in-cheek with hilarious, pet-centered illustrations, Pet Dad is an ode to the wonderful daddy daughter dynamic worth celebrating on Father’s Day.

cover art from Sun by Sam Usher Templar BooksSun
Written and illustrated by Sam Usher
(Templar Books; $16.99, Ages 3-7)

Sun by Sam Usher follows Rain and Snow, two previous picture books by this talented author/illustrator. The first thing that struck me about this beautiful picture book is the front cover. A little lad sits on the stoop of his home or someone else’s. He’s sipping something from a cup, the inviting red front door is partially open and sparkling sand dusts the steps and leads to the sidewalk depicted as a beach, replete with shiny sandcastle and a green parrot, also sipping away at something! If that doesn’t spark one’s imagination, I don’t know what will! It’s soon learned the boy is staying at his Granddad’s and clues to the adventure that awaits him are sitting right there on his bed in the first illustration, a pirate and a bow-tied monkey toy. Despite being the hottest day ever, Granddad suggests a picnic and, after loading up with all the “necessary provisions,” the pair set off in search of the perfect spot. As Granddad navigates with a map (is that a pirate flag on the sandcastle?), the unnamed narrator remains on lookout. Does he notice that some trees in the distance seem to resemble a sailing ship? Shady spots seem most appealing on a scorcher and eventually the two end up by a cave. Lo and behold, someone has gotten there before them! A perfectly pirate-y dinghy is down below (the main ship is off in the distance) and a little boy is at the bow just in front of a peg-legged pirate and other non-intimidating crew. Treasure is unburied, intermingling has begun between Granddad, Grandson and pirates, and a picnic can be had at last! The second to last illustration, a spread of the picnic party onboard the massive pirate ship is delightful and warrants intense inspection since so many fun things can be found on the Galleon’s many levels. Can you spot the parrot from the first page? I suspect the main character might be named Arlo since Usher’s dedicated the book to him and magnets with his initials can be found on the fridge in the last illustration. Whether the pirate adventure is real or imagined, there’s a good time to be had by all who embark on this jolly grandfather and grandson journey.

From Father to Father board book illustration of matryoshka dollFrom Father to Father
Written and illustrated by Émilie Vast
Translated from French by Julia Cormier
(Charlesbridge; $7.99, Ages 0-3)

Simple in concept, but rich in design elements, this 14-page board book is perfect for little ones who adore the pull-apart Matryoshka dolls. Every other page takes a child back several generations of a father’s father’s father’s father’s father’s dad who in turn saw the birth of a child eventually bringing the reader to the present. “And not long ago, I saw the birth of you … my very own child. A father’s love goes on and on and on.” What a beautiful sentiment to share with a young child while cuddling them close and showing them all the different colored pages, each with unique and nature-inspired artwork. There’s also a version for moms

– Reviewed by Ronna Mandel

Read last year’s Father’s Day Roundup here.

 

The Legend Retold – El Chupacabras written by Adam Rubin and illustrated by Crash McCreery

EL CHUPACABRAS
Written by Adam Rubin
Illustrated by Crash McCreery
(Dial BYR; $16.99, Ages 4-8)

 

cover artwork from El Chupacabras written by Adam Rubin and illustrated by Crash McCreery

 

Adam Rubin (Dragons Love Tacos, Robo-Sauce,and Those Darn Squirrels) delights audiences once again with his 48-page picture book El Chupacabras. In this fractured folktale, we learn that the legendary and fearsome creature known as El Chupacabras (the goatsucker) is actually a tiny, well-dressed gentleman who drinks chocolate with the butterflies. He does, however, occasionally like to suck a goat.

 

interior artwork by Crash McCreery from El Chupacabras by Adam Rubin

Interior spread from EL CHUPACABRAS written by Adam Rubin and illustrated by Crash McCreery, Dial Books for Young Readers ©2018.

 

English and Spanish words are interwoven with sentences beginning in one language and ending in another or switching back and forth midsentence. This inventive style organically teaches the fluidity of languages. Some lines remain in Spanish without translation, but, taken in context and with what’s been unwittingly learned, the words are simply understood.

The text is cinematically illustrated by acclaimed Hollywood creature creator, Crash McCreery, best known for his iconic character designs in the Jurassic Park and Pirates of the Caribbean films. Mischievous goat antics are a delightful through line and goat pancakes are sure to delight. This fulfilling story and its modern art engage the reader on every page.

 

Int. artwork by Crash McCreery rom El Chupacabras by Adam Rubin

Interior spread from EL CHUPACABRAS written by Adam Rubin and illustrated by Crash McCreery, Dial Books for Young Readers ©2018.

 

Rubin has generously pledged to donate his proceeds from El Chupacabras to the Hispanic Federation in support of the Educational Programs and Puerto Rican hurricane relief. “I decided to tell this story in an unusual way to explore the beauty of harmony,” says Rubin. “It’s easy to dismiss the unfamiliar, but compassion takes a little more effort. With so many people trumpeting the ignorances of separation right now, it’s more important than ever to teach kids that there is more than one way to understand the world.” Hats off to these timely sentiments.

    • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting,Christine@Write-for-Success.com

Read another review by Christine Van Zandt here.

The Care and Feeding of a Pet Black Hole by Michelle Cuevas

THE CARE AND FEEDING OF A PET BLACK HOLE
Written and illustrated by Michelle Cuevas
(Dial BYR; $16.99, Ages 8-12)

 

 

“The story began on an afternoon the color of comets, with a girl dressed all in black. A sad girl. A girl with a hole in her heart, and darkness on the horizon.” The year is 1977 and eleven-year-old Stella Rodriguez, the protagonist in The Care and Feeding of a Pet Black Hole by Michelle Cuevas, loves science. She’s fascinated by the upcoming Voyager launch and visits NASA to give Carl Sagan a recording to take to space—one of Stella and her (deceased) father, laughing and telling jokes. The Voyager will carry all the “wonderful sounds of Earth” but Stella’s younger brother, Cosmo, asks “Are there sad sounds too?”

Stella’s turned away at NASA, but a black hole who seems to want to be her pet follows her home. She names him Larry, short for Singularity, a place of infinite gravity at the heart of a black hole. Using puppy training books, Stella learns to care for and train her black hole. When, like all unruly pets, Larry consumes inappropriate things, Stella realizes he could serve as a repository for items she wants out of her life along with their corresponding memories. Maybe nothingness is better than the pain of remembering.

Cuevas’s illustrations intersperse her text, adding visual interest. When Stella enters the black hole, the pages turn black. The interstellar adventure inside Larry is riotous fun involving the kids, their puppy, the smelly classroom hamster, an assortment of discarded things, and the family’s bathtub. The Care and Feeding of a Pet Black Hole is an entertaining and lighthearted story surrounding the gravity of Stella’s aching grief.

Eventually, Stella realizes even if she has a hole in her center “that’s okay, because it’s full of such beautiful, beautiful things.” In the clever appendix, “A Beginners Guide to the Care and Feeding of Black Holes,” Stella Rodriguez graciously summarizes all she has learned.

Have a look inside …

 

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Can Somebody Please Scratch My Back? by Jory John

CAN SOMEBODY PLEASE SCRATCH MY BACK?
Written by Jory John
Illustrated by Liz Climo
(Dial BYR; $16.99, Ages 4-8)

 

Cover illustration from Can Somebody Please Scratch My Back?

 

Can Somebody Please Scratch My Back?  by Jory John is a great rainy day read aloud for energized kids swinging rain boots and in need of a good giggle while they’re more than likely required to sit, sit, sit in the classroom.

In this story we meet a delightfully frustrated and itchy Elephant desperate for a good back scratch. We all know how good that feels! Elephant groans every time a new friend tries to help. But the bumps, tickles, fangs and other animals’ offerings are far from what our poor pachyderm protagonist needs. When he’s reached his limit and sits down to sob over his situation, a friendly hedgehog comes by.

Hedgehog would love to help, and his body is the perfect level of pokey-ness for the task at hand. Elephant lifts Hedgehog by the trunk and uses him as a back scratcher, gaining immediate relief. So much relief, in fact, that he sighs in utter euphoria and absentmindedly flings Hedgehog away by the trunk.

And now poor Hedgehog is stuck—belly up—in the ground by the very pokey part of his body that previously helped the Elephant. Not only is he stuck, but his belly starts to itch. Won’t anyone help him out? In the bright of day, Sloth notices Hedgehog’s dilemma and offers to help.

Climo’s cartoon illustrations and bubbled read-aloud thoughts of each animal attempting to help the itchy Elephant are silly, fun and perfect for the intended audience. What a great LOL combination!

Read Can Somebody Please Scratch My Back? to find out if Sloth can make it in time to deliver Hedgehog from his agony.

Read a review of Jory John’s Bad Seed.

  • Reviewed by Ozma Bryant

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The Rabbit Listened by Cori Doerrfeld

 

THE RABBIT LISTENED
Written and illustrated by Cori Doerrfeld
(Dial BYR; $17.99, Ages 3-5)

 

Cover image from The Rabbit Listened by Cori Doerrfeld

 

Starred Reviews – Kirkus Reviews, Publishers Weekly

THE RABBIT LISTENED by Cori Doerrfeld is a book that, as a preschool teacher, I want to thrust into parents’ hands to read over and over again with their preschool/TK/Kinder children. Quick to the point, with language that works around a universal issue that children (and adults) must handle, while not talking down to the intended audience.

Emotional intelligence, empathy, the very things we need so much in this world, resonate loudly and clearly in this gorgeous story. Doerrfeld’s illustrations are touching and relatable throughout each character’s struggle to cope with the problem at hand.

 

Int. artwork of bear from The Rabbit Listened by Cori Doerrfeld

Interior spread from The Rabbit Listened, written and illustrated by Cori Doerrfeld, Dial Book BYR, ©2018.

 

The young protagonist, Taylor, has built something from his imagination that took no little skill to master with his hands. He’s worked so hard on his block creation, only to have it knocked down in a rubble of despair and lost hope. His animal friends want to help. They want to fix, throw away, remind him of better creations yet to come. Taylor, however, doesn’t need this. The animals all walk away, frustrated by their inability to help him, missing an opportunity to connect with his pain.

Then rabbit hops over. Rabbit is quiet. Rabbit listens. Rabbit doesn’t tell Taylor how or when or why he should get over his loss. Rabbit is there, and stays with the boy throughout his processing of an event gone wrong. And when the young protagonist is ready to rebuild again, rabbit is there to support him.

 

Int image of Taylor and Rabbit from The Rabbit Listened by Cori Doerrfeld ©2018.

Interior spread from The Rabbit Listened, written and illustrated by Cori Doerrfeld, Dial Book BYR, ©2018.

 

How often do we seek comfort from someone and get the opposite from a well meaning heart? Sometimes we simply need to be allowed our feelings, our disappointment and ill thoughts. Then, and only then, when we are ready, can we consider beginning again.

I recommend this book highly for anyone who struggles to help a child cope when they are just not READY for all the suggestions on how to move forward.

Give them the time and space.

Give them permission to vent.

Support them when they are ready to build again. And always listen.

  • Reviewed by Ozma Bryant

 

 

How to Grow a Dinosaur – An Interview with Author Jill Esbaum

HOW TO GROW A DINOSAUR
Written by Jill Esbaum and illustrated by Mike Boldt
(Dial Books for Young Readers; $17.99; Ages 2-5)

Cover illustration from How to Grow a Dinosaur by Jill Esbaum

 

If you’re looking for a gift for a child who is about to become an older sibling, look no further than Jill Esbaum’s hilarious and practical guide to big siblinghood, HOW TO GROW A DINOSAUR with artwork by Mike Boldt. Here’s a description from Penguin Random House:

Good news: Your mom’s hatching a baby! Bad news: Babies take their sweet time. And when the baby finally hatches? He’s too little to play! He mostly screeches, eats, burps, sleeps, and poops. He doesn’t even know he’s a dinosaur! That’s where you come in. You can teach the baby just about everything–from peek-a-boo to roaring to table manners to bedtime. Growing a dinosaur is a big job, but you’re perfect for it. Why? Because one thing your baby brother wants more than anything . . . is to be just like you.

INTERVIEW: I was lucky enough to sit down for a chat (via Facebook Messenger) with Jill to talk about the book, finding time to write, and the perks of being a kidlit author.

Colleen Paeff: I love the way HOW TO GROW A DINOSAUR is playful and funny, but it’s also a legitimate how-to guide for older siblings. Did the manuscript start out that way or did it evolve over time?

Jill Esbaum: Thanks, Colleen! That evolved over time. I wrote it to be a simple, entertaining book, but it sort of took on a life of its own. My editor grabbed onto the possibilities right away.

CP: Did you send it to your agent first or did it go straight to your editor?

JE: I sent it to my agent, Tricia Lawrence. I had my Dial editor, Jessica Dandino Garrison, in mind, though, and asked Tricia to send it to her first. It seemed like the kind of goofy humor she might like.

CP: So, you had worked with this editor before?

JE: Yes. We had worked together on both I HATCHED and I AM COW, HEAR ME MOO!

CP: Is it easier to work on something with an editor you’ve worked with before?

JE: Definitely, because you (sorta) know what might work for her/him and what probably
won’t.

interior artwork from How to Grow a Dinosaur

Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018

 

CP: How long was the process from first draft to publication for HOW TO GROW A DINOSAUR?

JE: I sent it to Tricia in May of 2015, and by October we had an offer. The process didn’t really start until March, when the contract was finally buttoned up. So March, 2016, to January, 2018. Not bad.

CP: Is that faster than usual? Or is that normal for you?

JE: That was about the same as my other recent books. I once waited nearly 5 years, though, so 2 years felt like lightning speed. My last 5 (or so) books have all been about 2 to 2 and a half years from sale to publication.

CP: Wow. That seems fast!

JE: Still seems fast to me, too. My earlier books were mostly 3-year books.

CP: I’m curious about the ratio of stories you write to stories you sell. Do you have many manuscripts in the proverbial “drawer” or do you sell most of what you write?

JE: That’s hard to say right now. My agent has 6-7 picture book manuscripts that started to make the rounds last year. Considering my entire career, though, I suppose I sell…50% of what I write? That’s probably just because I refuse to give up on some that deserve the drawer. I can’t help tinkering with rejected stories in hopes of making them irresistible the next time out. That persistence has often paid off for me. An offer came in last month for a picture book that had been rejected 7-8 times since I wrote it in 2014.

CP: Do you usually work on one project at a time or several?

JE: Several. Right now, I have a chapter book, 3 picture book manuscripts, and a nonfiction project all front and center on my computer desktop.

interior artwork from How to Grow a Dinosaur

Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018

 

CP: Are you someone who writes every day or do you have a more flexible schedule? And how do you squeeze it in around farm work, grandchildren, school visits, and teaching a summer writing workshop?!

JE: I don’t feel like I’ve been doing a very good job of it lately, honestly. Working on that. But I can’t always make writing my priority. Family comes first, always. One thing that has also been squeezing out writing time lately is handling the business side of being published. I don’t love it, and it’s a huge time suck. Long, leisurely days of “Hmm, what should I work on first?” are VERY few and far between, these days.

CP: But it seems like you’re so prolific!

JE: I don’t feel that way. I always feel like I should be writing more. For instance, I wrote a quick draft of a new picture book and sent it to my online critique group about 10 days ago. They’ve all weighed in, and I’m chomping at the bit to start tweaking. But I haven’t yet been able to make the time. Part of that is because I have a new book out and am doing my best to promote it, including my first-ever launch party this next weekend. Partly it’s because the flu sidelined a grandson’s babysitter, so I stepped in there. Grammy duty is one of the best parts of my life!

CP: Is hanging out with your grandkids a big source of inspiration for you?

JE: It is! And I hadn’t really expected that. My fingers are tightly crossed for a project going to its final yes/no meeting next month that springs entirely from a moment I experienced while babysitting my granddaughter. Crazy.

CP: I know you write both fiction and nonfiction. Do you have a soft spot for one over the other?

JE: I suppose I have a soft spot for fiction, but only because that comes entirely from my own imagination, and it’s a blast to see that come to life. I love writing nonfiction, too, because all the information I need is easily available to me, and all I have to do is figure out a way to make it engaging for kiddos.

CP: Let’s get back to HOW TO GROW A DINOSAUR. I love the parts in the story where the text is vague, but the illustrations show something alarming, or moving, or downright hilarious. Did your manuscript go to the illustrator with art notes or was that all him?

JE: I did include brief art notes here and there. But much of it was left for the illustrator’s imagination. I don’t think I had an art note for the page in which the baby dino is teething on the cat. And that turned out to be one of my favorite illustrations.

CP: Yes! I love that one. And I love the one where the big brother roars and scares the baby. They both look so sad.

JE: I feel very fortunate that both Jessica and the illustrator, Mike Boldt, understood what I was trying to do.

 

How to Grow a Dinosaur interior spread

Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018

 

CP: Do you have a favorite unexpected detail?

JE: My favorited unexpected detail is that Mike inserted picture books here and there with titles that are plays on books of his or mine. There’s I Don’t Want To Be a Stegosaurus (from his book with Dev Petty, I Don’t Want To Be a Frog); I Hatched; and I Am T. Rex, Hear Me Roar! (from my I Am Cow, Hear Me Moo!) Too funny. Illustrators are brilliant.

CP: Yes! I love those, too. And I love how all the illustrations in the books are dinosaurs. It’s so clever. Did you see any artwork while it was in process or did you have to wait until it was complete?

JE: I did get to see the black and white sketches. It was obvious even then that this one would be special.

CP: Do you sometimes feel a sense of trepidation when you give up your manuscript to an illustrator?

JE: No, I never feel that way. I’m always excited to see what they bring to the story. Seeing their sketches feels like unwrapping a gift.

CP: What’s next for you?

JE: I have a couple of nonfiction books coming out in March. Picture book-wise, two projects are in the pipeline that I can’t yet talk about. And my fingers are tightly crossed for a third. Meanwhile, I’ll be writing whenever I can squeeze it in. Enough of that, and projects eventually get finished.

CP: What do you wish you’d known when you first started writing for children?

JE: I don’t think there’s anything I can say I wish I’d known. Getting to this point in my career has been one long, slow learning process, of course. But I can’t wish I’d had shortcuts, because everything that’s happened has made me a stronger writer.

CP: That’s good to know!

JE: The BEST thing that’s happened in the past 20 years: If anybody had told me, early on, that in 20 years I’d have this many amazing and talented author/illustrator friends all over the globe I would have thought that person was nuts. I mean, I live in Iowa; how would I meet them? Ha. Enter the internet. And SCBWI conferences and literature festivals. Meeting so many terrific book people has been one of the highlights of my life.

CP: It’s definitely one of the perks of this business. Thanks so much for doing this, Jill!

JE: Thanks, Colleen! I enjoyed it.

  • Interview by Colleen Paeff

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All’s Faire in Middle School by Victoria Jamieson

ALL’S FAIRE IN MIDDLE SCHOOL
Written and illustrated by Victoria Jamieson
(Dial BYR; $20.99, Ages 8-12)

 

cover image for All's Faire in Middle School by Victoria Jamieson

 

Starred Reviews – Kirkus, Publishers Weekly
A New York Times Editor’s Choice
An Autumn Kids’ Indie Next List top pick

 

Victoria Jamieson’s graphic novel, All’s Faire in Middle School, provides a much-needed glimpse into alternative lifestyles. Twelve-year-old Imogene has been homeschooled by parents who work at Florida’s Renaissance Faire. When Imogene starts public school for the first time, she faces a very different world than at the faire where she is a knight-in-training.

Each chapter begins with brief synopsis of the brave heroine’s plight, conveyed in somewhat Old English. With much of the book set at the faire, readers gain insight into this medieval reenactment where people choose which role to play. Imogene never wanted to be the princess, but she questions whether she is destined to be a knight—maybe she’s more like Cussie, the hermit. Sometimes, Imogene behaves like the dragon.

The story explores Imogene’s turbulent journey to self-discovery. This is a tale of acceptance, forgiveness, friends, and blossoming sexuality. Imogene is every preteen, learning what it takes to fit in at school. She is teased for wearing thrift-store clothes with the wrong shoes. Imogene’s family becomes an embarrassment to her when they show up still dressed in Elizabethan costume and think nothing of it. Before entering sixth-grade, Imogene hadn’t noticed her family was different and how this is viewed suspiciously.

As with Jamieson’s successful Newbery Honor Book Roller Girl, in All’s Faire, the protagonist is a tough girl struggling with prepubescent emotions. The love of Imogene’s family—including her “faire-mily”—is a constant. Even when at odds with her parents and brother, in the end, Imogene realizes that the bullies and popular kids at school are something to suffer in passing. Her philosophy of what’s important shifts—and that makes all the difference.

Imogene makes unkind choices, acting out against others because of her own frustration. Her journey to finding the right path is a realistically portrayed ongoing battle. In life, there are no easy answers. Family can embarrass us by just being themselves. We all make mistakes, yet, each day, we can choose which character we wish to play. The book concludes with an understanding that, if you believe there are happy endings in sixth-grade, then you haven’t attended middle school—a declaration which will resonate with readers everywhere.

 

 

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

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Here Comes a New School Year – A Back-to-School Books Roundup

A ROUNDUP OF OUR FAVORITE
NEW BACK-TO-SCHOOL BOOKS

With Labor Day kicking off the traditional start of a new school year,
what better way to ease little ones into the classroom
than with a great selection of back-to-school books to read as they settle into a new routine?

 


Here Comes Teacher Cat
Here Comes Teacher Cat by Deborah Underwood cover image

Written by Deborah Underwood
Illustrated by Claudia Rueda
(Dial BYR; $16.99, Ages 3-5)

Underwood sure knows how to make parents and children laugh out loud. Here Comes Teacher Cat is full of sight gags that never fail to surprise and delight. So as not to spoil it for you, I’ll just say that once again Cat has outdone himself in cattitude. Whether you love the narrator having a one-sided dialogue with a cat who uses signs to communicate, or the laziness of this feline forever yearning to nap, Underwood’s got it all here when Cat is called in to substitute for Ms. Melba at Kitty School. The only problem is that Cat hasn’t a clue what to do first. When he approaches teaching with his own Cat brand of humor and zeal, there’s no holding him or the kitties back causing quite a bit of chaos in the classroom. What will Ms. Melba find upon her return from the doctor? Why, a very clean classroom, a confident Cat and happy kitties of course. Just don’t open the closet Ms. Melba! Fans of Underwood’s humor and Rueda’s low-key spot on artwork will not be disappointed in this Publishers Weekly starred picture book. Oh and don’t miss the opening illustrations before the title page.

TwindergartenCover image for Twindergarten by Nikki Ehrlich
Written by Nikki Ehrlich
Illustrated by Zoey Abbott
(HarperCollins; $15.99, Ages 4-8)

Starting Kindergarten can be scary for most kids, but what happens if you’re a twin? In Twindergarten, author Ehrlich, a mom of twins, tackles the topic gently and thoughtfully, touching on the many issues twins might experience being separated at school for the first time. Though Zoe and Dax are as close as peanut butter and jelly at home, they wonder how they’ll cope being in different classes during the day. They soon learn that Kindergarten is not only fun, it’s a place where they can make new friends, try new things and still see each other during recess. In other words, it’s the best of both worlds. Debut illustrator Abbott puts the emphasis on the main characters clothed in darker outfits in her illustrations making it easy to zoom in how Zoe and Dax are interacting with their environment. Not only for twins, Twindergarten shows the rewards  of attending school and how children can be separated from siblings or friends and still thrive.

Don’t Go to School!Don't Go to School! cover image Sterling Children's Books
Written by Máire Zepf
Illustrated by Tarsila Krüse
(Sterling Children’s Books; $14.95, Ages 4+)

How enjoyable it was to read this clever spin on a back-to-school book. In Don’t Go to School, it’s young Benno who’s excited to leave while his mom wants him to remain at home. “Don’t go to school!” she wailed. And I laughed! The humor was not lost on me since I could relate to the mother in this lovingly illustrated picture book. I think there are lots of parents, like me, who have experienced separation anxiety when sending their child off on the new adventure and life stage that is attending school. Mommy is encouraged by Benno using language much like a parent would to reassure their new student. “Don’t worry, Mommy,” said Benno. “You’ll get to know the other parents in no time. They seem really nice!” Zepf is clearly familiar with first day jitters and her tantrum scene may ring a bell with others, only this time it’s Mommy who’s lost it. My favorite part of the story is when Benno takes some of his own kisses and tucks them in his mother’s pocket so she can feel his love even when they’re apart. This comforting story will empower youngsters while also providing tips on adjusting to the big change in their lives.

  • Reviewed by Ronna Mandel

 

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Children’s Books for Mother’s Day 2017

BEST CHILDREN’S BOOKS FOR MOTHER’S DAY
– A ROUNDUP –

 

Mama’s KissesMama's Kisses cover art
Written by Kate McMullan
Illustrated by Tao Nyeu
(Dial BYR; $16.99, Ages 3-5)

With starred reviews from both Publishers Weekly and Booklist, Mama’s Kisses is sure to be an in-demand picture book for many Mother’s Days to come. McMullan has written a sweet ode to the unwavering devotion and patience of moms, in this case, rainforest moms. The moon is on the rise and four mommy animals are on the lookout for their young ones, a baby panda, elephant, orangutan and leopard. As bedtime beckons, the babies engage in a playful game of hide-and-seek that seems so successful until all at once, when the moms are ready, their hiding place is uncovered. But being found means getting kisses, smooches, and hugs galore until tired eyes can no longer remain open. Dreamland is drawing nigh so the baby animals go to sleep soon followed by their tired moms, always close at hand. Conveyed in uncomplicated rhyme and calming rhythm, Mama’s Kisses is a gentle bedtime tale perfect for pre-schoolers. Nyeu’s artwork fills all corners of most every page and, though using only oranges, yellows and blues, she manages to create a subtle softness, warmth and calming mood with just these few well chosen hues.

Love isCover image for Love is by Diane Adams
Written by Diane Adams
Illustrated by Claire Keane
(Chronicle Books; $15.99, Ages 3-5)

Whether it’s for Mother’s Day, Valentine’s Day, Graduation or simply just because, Love is by Diane Adams will make a great gift. Love is a girl and her duckling. Looking after the fuzzy little creature is not unlike a mother caring for her child which is why Love is works on many levels. It’s a story about loving and nurturing something that is dear to you, as well as being about the responsibility involved in such a privilege. “Love is holding something fragile, tiny wings and downy head. Love is noisy midnight feedings, shoebox right beside the bed.” The little girl must also accept that her duckling is growing. She will soon need to allow her pet to move on, fend for itself, find a new home and start a family all its own, all the while knowing that the love she has shared will not be forgotten. This 32 page picture book is a delightful read aloud story with well-paced rhyme and evocative illustrations that, coupled with the meaningful verse, will tug at your heartstrings.

How to Raise a Mom book cover imageHow To Raise a Mom
Written by Jean Reagan
Illustrated by Lee Wildish
(Alfred A. Knopf BYR; $17.99, Ages 4-8)

Another winner from the creators of the How To picture book series, How to Raise a Mom will totally charm moms, dads and kids alike.
“Raising a happy, healthy mom is fun … and important! Are you ready for some tips?” The sibling narrators take readers through their mother’s typical day as part of their instruction guide, and clearly based on the wonderful rearing and love they’re getting from her. After kisses to awaken her, and giving her choices for the day’s outfit, the kids take her to the supermarket and the playground to name a few places while also leaving quiet time for her to get some work done. It’s fantastic to be treated again to Wildish’s whimsical illustrations like those found in the other How To books, full of humorous not-to-miss touches and amusing expressions in every spread. Kids will especially get a kick out of the dog and cat Wildish includes in many scenes. The children also cover playtime, mealtime and finish up the full day with stories and snuggles. I loved how they occasionally mimic just what Mom always says to them such as “Thank you so much, Sweat Pea, for being so patient,” or “Remember to be a good sharer!” There is so much to enjoy in this picture book tribute celebrating moms everywhere.

  • Reviewed by Ronna Mandel

 

More recommended children’s books for Mother’s Day:

Love 
Written and illustrated by Emma Dodd
(Nosy Crow; $12.99, Ages 2-5)

 

 

When I Carried You in My Belly
Written by Thrity Umriar
Illustrated by Ziyue Chen
(Running Press Kids; $16.99, Ages 4-8)

 

 

I Love My Mommy
by Sebastien Braun
(Harper Collins; $7.99, Ages 0-4)

 

 

 

Mommy Snuggles
by Anne Gutman and Georg Hallensleben
(Chronicle Books; $5.99, Ages 1-3)

Ordinary People Change The World: I am George Washington by Brad Meltzer

ORDINARY PEOPLE CHANGE THE WORLD:
I AM GEORGE WASHINGTON
Written by Brad Meltzer
Illustrated by Christopher Eliopoulos
(Dial BYR; $12.99, Ages 5-8)

 

cover image of I am George Washington by Brad Meltzer

 

For Presidents’ Day 2017, let’s take a look at Brad Meltzer’s I am George Washington, another terrific biography in the popular and entertaining Ordinary People Change The World series. These books serve as a great introduction to some of the world’s greatest heroes and historical figures while emphasizing that individuals are not born into greatness but work hard to achieve it, earning the public’s trust, respect and admiration along the way. Each person depicted in the series has demonstrated proven leadership skills or unique knowledge making them worthy of inclusion.

The fourth of nine children, George Washington had great people skills, something needed in a large family, and eventually, to run a nascent country. Back when Washington was growing up, there was no U.S.A. yet, only colonies ruled by Great Britain. Readers will learn how Washington’s older brother Lawrence, fourteen years his senior, had a positive impact on his younger brother. In fact, a soldier himself, Lawrence influenced Washington’s decision to serve in the military. When his father died, Washington’s family could no longer “afford proper schooling so my brothers had to teach me at home.” At sixteen, Washington worked as a surveyor in the Shenandoah Valley with a wealthy family called the Fairfaxes. They treated him kindly and exposed him to the finer things in life. Yet, despite the opportunity to hobnob with the rich, Washington never forgot his roots and all the people less privileged than the Fairfaxes. He later fulfilled his childhood dream by joining the military, showing bravery and leadership in battle and being made “commander of all Virginia’s fighting forces.” George Washington also ran for office, and though he lost at his first attempt, he won all future elections.

 

George Washington Timeline from Ordinary People Change the World

Interior spread of George Washington Timeline from Ordinary People Change the World: I am George Washington by Brad Meltzer with illustrations by Christopher Eliopoulos, Dial Books ©2016.

 

When the American Revolution began in protest against high taxes imposed by Britain, “Our thirteen colonies decided we would fight together against King George III.” Washington was chosen to lead the battle. Cleverness, determination and unparalleled leadership helped the less experienced military of the colonies defeat the mighty British led, of course, by General George Washington. And the rest, of course is history, with Washington being selected as the first president of the United States of America.

What I love about Meltzer’s writing and Eliopoulos’ artwork is that they make learning about these important people so accessible, interesting and fun. Who doesn’t love seeing a miniature George Washington on every page or having him narrate his life’s story? Picking out the most relevant aspects of any individual’s life is never easy and to condense them into a picture book biography for elementary school aged kids and still be meaningful takes a lot of experience, something best-selling author Meltzer has lots of! The choice of Eliopoulos as illustrator is just icing on the cake and I cannot imagine this series with any other style artwork. And did I notice author Meltzer drawn into one spread near the end? See for yourself and let me know.

“Leadership doesn’t come from charisma or personality.
It comes from courage:
The courage to do what’s right.
The courage to serve others.
The courage to go first.”

And George Washington, the father of our country, had enough courage for an entire nation and we celebrate him today.

Ordinary People Change the World website
Brad Meltzer website
Christopher Eliopoulos website

  • Reviewed by Ronna Mandel

Dreidels on the Brain by Joel ben Izzy for Readukkah

DREIDELS ON THE BRAIN
By Joel ben Izzy
(Dial BYR; $17.99, Ages 10 and up)

 

Dreidels on the Brain car

 

 

When I adore a book, and I did adore Joel ben Izzy’s Dreidels on The Brain, I tend to read every last word from the dedication to the acknowledgements. In doing so I happened to find this gem at the bottom of the copyright page:

“This is a work of fiction… and of friction–the kind that filled the author’s childhood. Although much is based upon actual people, places, and events from his life, he has taken great liberties in all these realms–as well as spelling–to recount a story set over the course of the eight days of Hanukkah, 1971.”
There’s more, but you’ll just have to get a copy to read on.

Ben Izzy is a renowned storyteller and Dreidels on The Brain is his first foray into fiction for kids, middle grade readers to be precise, and I hope he writes more. His ability to convincingly convey time, place, character, conflict and voice was not lost on this reader who grew up in that era. Dreidels on The Brain is so much more than a Hanukkah story. It’s a heartwarming coming-of-age novel filled with memorable laugh out loud moments and it seems to have fun with itself and the reader who will quickly catch on to all the zany things Izzy’s included. He’s spelled Hanukkah a ton of different ways and, when he gets the opportunity, does the same with ketchup. On top of this there are lots of jokes, insight into magic tricks, great cultural references, and just the right amount of Yiddish words added to an already winning mix.

As mentioned above, Dreidels on The Brain is set in 1971, Temple City, California, just east of Los Angeles with no temple to be found. The main character’s Jewish family (whose last name shall not be revealed here) actually attends a temple or synagogue in nearby Rosemead. Joel, the self-proclaimed funny-looking main character, is short, has braces, wears glasses, and is the odd man out as the school’s only Jewish student.

Nine chapters take readers through Joel’s eight days and nights of Hanukkah. Ben Izzy has managed to seamlessly weave magic, miracles, matzoh balls, and music from Fiddler on The Roof into an unforgettable story of a boy, on the cusp of adulthood according to the Jewish religion, wanting to be anyone, but himself. This all plays out over the Hanukkah holiday while touching upon faith, family, friends, and one particular female named Amy O’Shea. Readers will find it easy to root for the lovable protagonist and, like him and the message of his dreidel game, wish that a great miracle could happen there.

Joel, a tween with soon-to-be teen angst, is questioning his belief in God as he navigates his role as school dork, token Jew, and the youngest son in his family of five including two older brothers. His parents are struggling financially, but his mom never gives up hope for better times ahead. His dad, unemployed, is always on the verge of creating the next must-have invention, all while coping with his debilitating arthritis. Although it’s clear there’s much love in Joel’s family, as seen through the eyes of this twelve-year-old boy, there’s not much to be desired about his life. For example, he never gets a Hanukkah present as it’s simply not affordable. Joel does manage to make some spending money by performing magic tricks at parties, but when classmate Amy suggests they team up because an assistant will add to a magic show’s appeal, Joel finds himself falling for this girl he considers to be way out of his league.

The plot lines center around Joel having to perform a magic show at his grandma’s nursing home, his dad needing surgery over Hanukkah, and an invitation from the principal to present the Hanukkah story to the entire school at a special assembly. Will everything go according to plan convincing Joel that miracles can happen? “All I can do is answer the way Jews always do–with another question. Why not?”

  • Reviewed by Ronna Mandel for #Readukkah

More Than Enough: A Passover Story by April Halprin Wayland

MORE THAN ENOUGH:
A PASSOVER STORY
Written by April Halprin Wayland
Illustrated by Katie Kath
(Dial Books for Young Readers; $16.99, Ages 3-5)

 

More_Than_Enough-cvr

 

Get ready for Passover with More Than Enough. In her new picture book, April Halprin Wayland captures the many joyful experiences children feel at Passover.

I found myself singing the story, moving easily and eagerly from page to page with More Than Enough’s perfectly paced melodic text. How apropos given that Wayland was inspired to write this picture book because of the Dayenu song, her favorite part of the Passover seder. In the author’s notes she explains, “For me, Dayenu’s message – being grateful for the blessings in each moment – goes beyond Passover.”

interior kitten MORE THAN ENOUGH

Interior artwork from More Than Enough by April Halprin Wayland with illustrations by Katie Kath, Dial Books for Young Readers ©2016.

 

Accenting every two or four lines is the word dayenu, reminding readers to savor the special moments and to count our blessings big and small. Whether wandering through the local farmers market with their mom while looking for Seder ingredients, or getting a new kitten from a shelter, the brother and sister narrators enjoy every moment of the lead up to the Passover holiday.

 

Interior rain MORE THAN ENOUGH

Interior artwork from More Than Enough by April Halprin Wayland with illustrations by Katie Kath, Dial Books for Young Readers ©2016.

 

Together with their parents, the siblings help make Charoset, a Passover dish symbolizing mortar. They then prepare to go to their grandma’s house for the Seder. Wayland takes readers through the Seder traditions so even those unfamiliar with Passover will find they’ve gotten a better understanding of this important Jewish celebration.

 

interior 4 MORE THAN ENOUGH

Interior artwork from More Than Enough by April Halprin Wayland with illustrations by Katie Kath, Dial Books for Young Readers ©2016.

 

Ending with our narrators’ full tummies and a Passover sleepover at Nana’s, More Than Enough is a heart-warming story and a welcome addition to any family’s holiday book collection. Jews and non-Jews will appreciate the glossary Wayland’s provided to introduce young readers to interesting Passover vocabulary. She’s even included  the song sheet for Dayenu for those who’d like a go at playing the song on their own.

Illustrator Katie Kath’s wonderful water colors are so cheerful and convey the excitement that children experience as Passover approaches. I especially liked all the Seder spreads with family gathered around Nana’s dining room table. Those illustrations took me back to the years of celebrating at my aunt’s house with my Nana, some of the sweetest memories I have of holiday time spent with family. I know readers will feel the same way, too.  Dayenu!

  • Reviewed by Ronna Mandel

Nice Work, Franklin! by Suzanne Tripp Jurmain

 

In this lead up to Presidents’ Day, and with the presidential primaries in full swing, it’s the perfect time to share Nice Work, Franklin!, a dee-lightful and uplifting picture book.

NICE WORK, FRANKLIN!
Written by Suzanne Tripp Jurmain
Illustrated by Larry Day
(Dial BYR; $17.99, Ages 5 and up)

 

Nice_Work_Franklin

This historical fiction book asks the question, “Do Presidents Have Challenges?” and answers with “You’d better believe it.” Jurmain goes on to explain that those challenges can be personal or national or sometimes both. For Franklin Delano Roosevelt or FDR as he was known, born with a silver spoon in his mouth, it would not seem that life would present him with many challenges notes Jurmain.  “He was rich. He was smart. He was popular.” He also happened to be the cousin of Theodore Roosevelt, President of the United States, who served as an important role model for the career-driven FDR. Destined to do “big stuff,” the younger Roosevelt got into politics first in New York then moved on to running the Navy. It was even looking like he might make a run for governor.

Then, in 1921, at age 39, FDR’s legs were paralyzed by Polio, an illness that at the time had no cure. Rather than wallow in self-pity, the solution-oriented Roosevelt was determined not to give in to the disease. He used leg braces and crutches and exercised to strengthen his leg muscles as best he could. And when he wasn’t up to task, Franklin’s popular wife, Eleanor, got involved making speeches on his behalf. As his health improved, Franklin decided to run for governor of New York, making him the first disabled person to seek office. Franklin, when hearing people’s objections, responded with his typical can do attitude. “The governor of New York State does not have to be an acrobat.”

The start of the Great Depression immediately following the NYC Stock Market crash of 1929 or Black Friday as it was known, meant millions of people lost their jobs. Not one to be easily discouraged, Franklin felt he could do something to lift America out of its troubles. In 1932 he became the 32nd President of the United States. At his inaugural speech, FDR gave hope to Americans with his famous line, “The only thing we have to fear is fear itself.” Then he got about the business of putting Americans back to work by creating a government jobs program, giving seniors Social Security benefits and creating funding for the unemployed. He even took to the radio with his “Fireside Chats” to speak directly to the American public. He went on to be elected (a total of four times) and watched the nation rise from the depths of despair. And though he still could not walk, he was responsible for putting the country back on its feet again.

Nice Work, Franklin! reminds readers of the power of positive thinking. Thanks to his can do approach and record of success, FDR will always be a role model for students. Jurmain aptly chose to highlight some of Roosevelt’s most important contributions to American society in a straight forward manner that is both informative and encouraging. Rather than attempt to cover his entire presidency, the author has concentrated on his first term in office, a pivotal time in U.S. history. Day, who has twice teamed up with Jurmain on some other presidential themed picture books, captures not only Franklin’s appearance, but his personality as well. The scenes he illustrated depict a nation desperate to recover and on the verge of great change. Two outstanding spreads for me were the one showing the endless lines of jobless men waiting for soup, and the inspiring image of Roosevelt standing up at his swearing-in ceremony ready to give his inaugural address. Between Jurmain’s anecdotes that demonstrate Franklin’s determination to overcome his challenges, and Day’s artwork resulting from “weeks sketching at the Roosevelt Library in Hyde Park,” Nice Work, Franklin! will make a welcome addition to any classroom.

  • Reviewed by Ronna Mandel
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