Make room on your bookshelves for The Incredibly Dead Pets of Rex Dexter, the middle grade novel debut by Aaron Reynolds. Sixth-grader Rex Dexter always wanted a dog. A chocolate Labrador to be exact. For his birthday, Rex’s parents give him a chocolate cake shaped like a Lab with chocolate ice cream and—finally!—his gift is in a box with air holes so it must be . . . a chicken?! When Rex complains that a chicken isn’t a pet, it’s a Happy Meal, he’s told this is his practice pet. So he does what any kid would: puts a leash on his chicken and heads out with his best friend, Darvish, to buy pet supplies. Then the strangeness begins.
With a nod to the Tom Hanks movie, Big, Rex finds a vintage carnival game called the Grim Reaper. Thanks to some chicken pee, Rex loses the game and receives a cryptic curse. But, it may be worse news for the chicken who, in Rex’s care for about an hour, has a run-in with a steamroller; the steamroller wins. Rex failed to keep his practice pet safe but, no worries, Rex will have plenty of time to make amends when the squashed, “ghostly fritter” of a chicken returns to haunt him—though the chicken believes their besties and wants to just chill. The now-named Drumstick is merely the first dead animal to accompany Rex through this hilarious story.
Aaron Reynolds is a master at comedy and this middle-grade novel is no exception. He had me at the title. If you like a mysterious ghost story that’s not very spooky, then this is the book for you. Kids will enjoy trying to figure out “who done it” as endangered animals in the zoo start meeting their demise and showing up in Rex’s bedroom as ghostly nuisances. More than two dozen black-and-white images scattered throughout add to the humor.
I’m a big fan of Reynolds’s books and read his releases hot-off-the-press. My favorite book of his had been (picture book) A Creepy Pair of Underwear but The Dead Pets of Rex Dexter is now tied for that spot.
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★Starred Reviews – Publishers Weekly, School Library Journal
Hayley Barrett’spicture book,Girl Versus Squirrel, shows us the fun rascals many of us have stealing from our bird feeders—the same dilemma Pearl faces in this story. The lyrical text, teeming with repetition and alliteration, works well as a read-aloud. As the tale unfolds in its singsong style, we are both lulled by the beauty of a girl feeding her backyard birds and prodded by her frustration with a seemingly unstoppable peanut-stealing squirrel.
Facial expressions on the girl and the squirrel are priceless as they one-up each other from scene to scene. I enjoyed howRenée Andriani’s art captures the shifting emotions as the power pendulums between the two opponents. However, when the action peaks, a new discovery makes Pearl rethink her no-squirrels-allowed policy.
Adults will appreciate the kid-friendly “Squirrelly Facts” at the end. These mischievous mammals chirp and scamper across every continent except Australia and Antarctica. Mark your calendars so you don’t forget to set out a treat on Squirrel Appreciation Day (January 21st).
Click here to order a copy of Girl Versus Squirrel. e Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog and its team of kidlit reviewers, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks! e
I lovedWilfrid Lupano’s funny, subversive graphic novel for young readers, The Wolf in Underpants, and eagerly awaited his follow-up, The Wolf in Underpants Freezes His Buns Off. Book two again features a misunderstanding with a twist ending. Laugh-aloud scenes include dozens of forest animals going about their lives—you know, baking bread and eating cheese fondue. The wolf walks through the scenes complaining “they’re freezing” while the others try to figure out what he means. Kids will enjoy sleuthing along with the characters, but there aren’t many clues—or, are there?? The underlying message addresses what happens when we make presumptions about others because of how they look and without knowing the facts firsthand.
The silly, adorable art by Mayana Itoïzand Paul Cauuetintersperses traditional layouts with graphic panels. Filled-to-the-brim scenes encourage rereading. Take time to look at facial expressions and see what’s happening in the outlying areas. My favorite illustrations of the wolf seem menacing: a close-up of his snout, his shadow. Both, evoke an initial response that the wolf is—as wolves in picture books are known to be—big and bad. Cleverly paired images and text lead a reader’s thoughts in one direction. Once you reach the end, you’ll discover how words can be misinterpreted, and what happens when a community believes hearsay.
InWhat I Like About Me, sixteen-year-old Maisie Martin’s teacher requires students to keep a journal jotting down three things they discover about themselves each day of winter break and provide evidence. Maisie’s first entry is easy: her teacher is evil, the evidence is the dreaded journal. After Mum catches Maisie writing “blah blah blah” to fill the daily allotment, Maisie settles down, nicknames her journal “DJ,” and more heartfelt confessions begin.
Maisie frets her parents are divorcing because, for the first time, Maisie’s dad hasn’t accompanied them on their annual vacation retreat. To make up for his absence, Mum lets Maisie bring her along BFF. Anna is everything you want in a girlfriend plus she’s gorgeous—a fact Maisie’s years-long crush, Sebastian, soon notices. He’s brought his annoying pal, Beamer, again. The four teens hang together at the beach, except Maisie’s too body-conscious to wear a bathing suit or get in the ocean. It comes as a surprise to everyone (even Maisie) when Maisie decides to face her fears and enter the local beauty pageant following in the footsteps of a beautifully slim mother and older sister. Figuring she won’t be selected because of her weight, she’s amazed when they not only accept her entry but also want to feature her in an interview. But all is not as it seems.
I like how this book goes beyond typical beach fun delving into complications such as when your BFF and love of your life seem destined to get together, how to deal with being stuck with an annoying sidekick, and the reality of people being unable to see past your size. Maisie vents in her journal: “Imagine having a body you’re always uncomfortable in. Always. That moves when you want it to be still, and makes you want to be still even when you long to move.”
Such heartbreaking moments are offset with heaps of humor. Jenna Guillaume kept me laughing from the book’s first lines. When a bunch of boys go skinny-dipping, Maisie muses, “soon the pool was a veritable sausage soup.” The chapters open with Maisie’s “discoveries” running a gamut of emotions, many of them hilarious. Eventually, journaling leads to self-reflection and Maisie catalogues things she likes about herself.
Books are about characters and Maisie is awesome. I’d gladly follow her on to another book or two. Guillaume has a gift for capturing our fears and seeing a way past them. Family, romance, and friendship all play out in their levels of complexity. Learning how to accept and love yourself are the book’s most powerful messages. Get this YA debut for the teen in your life or for yourself. It’ll make you laugh, but I hope it also makes you pause a moment to consider at least one thing you like about yourself.
Find Jenna Guillaume on Facebook here. Get a discussion guide here. Click herefor an excerpt. Read a Q+A with Jenna Guillaume here.
In Race to the Sun seventh grader Nizhoni Begay can see monsters—such as Mr. Charles, the tall, skinny, blond man who may become her dad’s new boss. This, obviously, is a problem, especially when Mr. Charles tries to kill her the first time they’re alone together! As if that day wasn’t crazy enough, one of Nizhoni’s favorite stuff animals, Mr. Yazzie, a horned toad, comes alive and explains that her coming-of-age ceremony awakened her monster-slaying powers.
When her father disappears, Nizhoni, her younger brother Mac, and her best friend Davery set out on an adventure that calls on their Navajo heritage. On their perilous quest, the kids encounter many obstacles. As Nizhoni embraces the power within, she also begins to understand the mysteries of her family.
I enjoyed learning about some traditional Navajo stories in this fast-paced, suspenseful book that couples humor with deeper subjects such as the importance of heritage and respect for each other and our land. Mythology with exciting action scenes are an appealing combination for middle-graders who enjoy quest novels. If you like Percy Jackson and Aru Shah books, readRebecca Roanhorse’sRace to the Sun.
Ingela P. Arrhenius’s 30 page Pop-Up Jungle board book will grab your attention with the adorable wide-eyed bush baby on the cover. This sturdy palm-sized (4.5 x 5 inches) book includes fifteen pop-up images with eleven animals: bush baby, butterfly, crocodile, tree frog, elephant, gorilla, leopard, monkeys, parrot, snake, and toucan. Between these colorful creatures you’ll find a riverboat, flower, jungle lodge, and waterfall. The overall effect feels like a friendly jungle expedition.
I like the variety of animals, especially the bush baby since it’s a bit different from the usual books in this category—plus this animal is adorable! By opening with the riverboat, the reader is invited to set out on an adventure. The minimal text leaves room for creative storytelling that can be changed up each time through. Similarly, the cute, stylized animals have simple backgrounds, bringing the animals to life.
HELLO, ELEPHANT! Written and illustrated by Sam Boughton (Templar Books; $12.99, Ages 2-5)
Hello, Elephant, the lift-the-flap board book by Sam Boughton, is fun for so many reasons. Boughton’s whimsical art will make you smile. The eight animals featured are rhinos, zebras, lions, hippos, cheetahs, elephants, giraffes, and (surprisingly) vultures. Each two-page spread in this 16-page board book lists animal facts geared toward young minds that are far from boring. Did you know that underneath their striped coats zebras have black skin?! I appreciate how the information is conveyed so kids will easily understand it. For example, “a giraffe can grow as tall as three adult humans.” The concluding four-page spread brings all the animals together so kids can see how they would interact in the wild.
This gorgeous book won’t disappoint kids or their adults. Its durable pages can be read time and again. Find your favorite animals and learn a few new things. Mine? The lioness getting a loving rub from her cub. It doesn’t get any cuter than this.
Peek-a-Who Too? delightfully follows the success of Elsa Mroziewicz’s previous board book, Peek-a-Who? These lift-the-flap books raise the bar by folding out in creative direction. The small (6 x 6 x 6 inch) 22-page triangular book opens into a diamond shape. After asking about an animal sound (such as, “Who truuumpets?”), both pages unfold to double the book’s size and show a picture of the animal. The eleven animals included are elephant, tiger, monkey, owl, parrot, lion, frog, bee, mosquito, crocodile, and bear. The colorful frog was my favorite with its cute legs springing to life when the pages are folded down (some pages unfold upward). The cozy, sleepy bear in the final image perfectly wraps up the book.
While these animals may not live together in the wild, the sound theme works overall. Older kids will delight in whoop-whooping along with you. Ask which animal makes that sound, then peek under the flaps to discover the answer. Gorgeous art, engaging interaction, and durable pages will make this book a household and classroom favorite.
Nosy Crow’s fun lift-the-flap Animal Families board book series includes Farm, Forest, Safari, and Jungle. Animal Families: Jungle is my favorite with its neon orange accents throughout. You’ll discover the names of the male and female, then, beneath the flap, what the young are called. While this seems simple enough, you’ll likely find yourself learning along with your child. For example, only the male is called the peacock. Females are peahens and the babies are peachicks—how cute is that?! The other animals featured are tigers, elephants, and pandas. The last spread unfolds into four pages for a finale revealing the animal family names, such as an embarrassment of pandas.
Jane Ormes’s 14 pages of bold art are a lovely accompaniment to the spare, repetitive text. Muted tones make the bright ones pop. The tigress is especially cute with her inquisitive intelligence. Kids won’t even realize they’re learning while viewing this lively book about animal families.
BABY SLOTH: Finger Puppet Book Illustrated by Yu-Hsuan Huang (Chronicle Books; $7.99, Ages 0-2)
Chronicle Book’s little (4 x 4 x 4 inch) board book packs a big punch in its 12 pages. Part of a 59-book series, Baby Sloth: Finger Puppet Book is pure enjoyment. Who doesn’t like sticking their finger in the back of a book and waggling it around to entertain young readers?! The story captures Baby Sloth from when he begins his day until bedtime. Readers will learn little sloths aren’t all that different from little humans—eating, napping, and enjoying simple pleasures. It’s amazing that Baby Sloth ends his day sleeping on top of Mama Sloth.
The art by Yu-Hsuan Huang cleverly transports Baby Sloth through his trek showing us colorful jungle images. Though he probably doesn’t go far, the different backgrounds keep us engaged. Mama Sloth has loads of personality, looking very proud of her son and clearly totally in love with him. Give this sweet book a place with your bedtime favorites. There are many others in this series for finger puppet fun, even dinosaur and unicorn.
★Starred Reviews –Bulletin of the Center for Children’s Books, Kirkus
Paul Fleischman’s Alphamaniacs: Builders of 26 Wonders of the Wordis a witty YA book about people who have done crazy things with words. Organized like an ABC book, each chapter features something unique. Words can be art such as the poet Mary Ellen Solt who worked closely with typesetters to produce visual poems shaped like flowers.
At opposing ends of the “size-matters” spectrum were David Bryce and Robert Shields. Bryce, a micromaniac, produced the smallest full miniature Bible, 876 pages but only 1 13/16 by 1 ¼ inches, bound in gilt-edged leather. Whereas the diarist Shields typed the longest known diary in human history, describing his day in five-minute increments and waking every two hours at night to continue recording.
My favorite funnyman in this group of twenty-six amazing stories is Dan Nussbaum who used the letters and numbers on California’s vanity license plates to retell stories from Genesis to Shakespeare. Nussbaum’s shorthand of Romeo and Juliet: “GESSWAT! BE4 HEE SPLIT, ROMEO KISTME! HESSOQT! BYGTME! ISWEAR!
In the 1960s, David Wallace launched a new field called stylometry wherein computers applied statistical analysis to literary style to prove (or disprove) authorship. Ludwik Zamenhof created Esperanto, a universal language, in hopes of uniting the world linguistically. While Jessie Little Doe Baird brought back Wôpanâôt8âôk, the dead language of her people the Wampanoag. After a gap of seven generations, her daughter became its first native speaker!
Throughout, Melissa Sweet’s bold full-color illustrations add another level of enjoyment to the text. An ideal book to read a chapter at a time, marveling at our wonderful words and the people who’ve made magic with them.
Click hereto find out more about Paul Fleischman. Click here to find out more about Melissa Sweet.
Every two-page spread offers a question. In “Can Forests Make It Rain?” we realize that, indeed, some trees do just that. “Do Trees Sleep at Night?” intrigued me; with no sun, trees take a break and let their branches droop until daylight. Kids will get a kick out of “Is There a Forest Internet?” discovering that fungi help trees relay messages to each other through liquid in the roots. I couldn’t put this book down, enjoying unique information including the more typical topics such as respiration, hydration, and reproduction.
Subjects are grouped for easy reference while full-color photos, sidebars, and short quizzes keep readers interested. This fun, gorgeous book is nonfiction at its best because it doesn’t feel like learning at all. The “Try This” sections are some of my favorites. I definitely want to blow bubbles out of a birch log!
Wohlleben’sdecades in the forest service and love of nature enlivens this topic. Showcasing trees allows us to appreciate their amazing abilities and care about their conservation. Grab your kid and explore nature, finding an educational adventure as close as your own backyard. A free Companion Guide for Teachers and Parents is available here.
In John David Anderson’s One Last Shot, twelve-year-old Malcolm Greeley navigates life carefully. School is endured, and his home life is a minefield where he painstakingly interprets what’s said—and what’s not said—to keep the peace between his contentious parents. He’s sure that if he can just do everything right, then things between his mom and dad will get better, that they have to.
Malcolm doesn’t realize he needs a friend until Lex’s miniature golf ball and her comical call of “Five!” lands at his feet. With an unwanted push from his wacky golf coach, Malcolm soon finds a something in Lex he’s been sorely missing. While his steadfast mother accepts and understands him, Malcolm is unsettled around his father, an award-winning jock of many sports, who pushed Malcolm into Little League. When Malcolm is given an out, he takes it, only to be subtly pressured into competition mini golf. With Dad, it’s all about winning, but Malcolm’s not wired that way no matter how he tries. He’s a natural at putting, yet dreads the competitive aspect. The voices in his head add to the stress of executing each shot perfectly.
Though I don’t typically gravitate stories centered around competitive sports, I picked up One Last Shot because I’m a fan of Anderson’s other books Granted and Posted (also middle grade). One Last Shot’s a winner with its fully developed, imperfect characters. I appreciated the creative manner in which the story unfolds; the structure adds interest. Each of the eighteen chapters opens with the description of a mini golf hole and closes with how Malcolm scored on that hole. Sandwiched between, we’re shown Malcolm’s life in flashback scenes.
This would be an ideal read for a kid with parents in the bitter pre-divorce stage since Malcolm comes to understand his parents’ troubles are not about him and cannot be fixed by him. Sometimes, parents need to split up for their own good—an upsetting time that’s hard to live through, but, hopefully, better in the long run.
Looking for the perfect stuck-at-home, want-to-read-a-classic book? It’s Hugh Lofting’sDoctor Dolittle: The Complete Collection, Vol. 1(three different tales of Dolittle’s world travels, accompanied, of course, by his animal friends). Don’t let the 700+-page size scare you away; the short chapters and Lofting’s comical illustrations move the stories along quickly. A middle-grader will feel a great sense of accomplishment after reading this huge book that’s “fully updated for the modern reader by the author’s son, Christopher Lofting.”
Kids may know the various Dolittles represented on the screen, but the real character supplants the others. The literary Dolittle isn’t handsome or debonair; instead, it’s his good-natured, kindhearted personality that quickly wins you over. I like that this Dolittle is a bit on the short and tubby side, it adds to the humorous appeal. Picture a slightly clownish man squished into a matador’s outfit as he tries to bring the cruel sport of bullfighting to an end. Fortunately, he can talk to animals, and always seems to have luck on his side.
Children can explore this world’s appealing mix of reality and fantasy such as the Pushmi-Pullyu, a nearly extinct two-headed creature. These classic tales, “The Voyages of Doctor Dolittle;” “The Story of Doctor Dolittle;” “Doctor Dolittle’s Post Office,” will especially delight children fond of animals. Lofting connects with readers, drawing them into his imaginary world. Perhaps this can be attributed to the fact that the stories were originally written as a series of letters to his kids from the front lines during World War I. Though penned in wartime, his entertaining stories resound with the peaceful love of people and animals from everywhere around the globe.
Author-illustrator Hanna Cha’s debut picture book, Tiny Feet Between the Mountains, tells the tale of Soe-In, the smallest child in a Korean village. But, being little doesn’t slow her down. Soe-In manages burdensome chores using wit and perseverance. When the sun disappears and the chieftain needs a volunteer, only Soe-in steps forward.
In the forest, she finds the spirit tiger is real, and in really big trouble—he’s swallowed the sun! Like the villagers, the spirit tiger first discounts Soe-In’s ability to help. However, brave, imaginative Soe-In saves the day.
Cha’s art shows the movement and mood of this powerful story. I enjoyed the images of the tiger because feline fluidity is difficult to capture. Her Author’s Note explains tigers are revered by Koreans; their country is shaped like one. The tiger as their spirit animal appears in countless Korean stories as a symbol of respect, strength, and dignity, both as a deity and a threat.
A Kirkus Reviews Best Picture Book of 2019 ★Starred Review – Kirkus An Asian/Pacific American Award for Literature Honor Book 2019
Bilal Cooks Daalby Aisha Saeed is an upbeat picture book about friendship and cooking. When Bilal’s friends wonder why it takes his Pakistani family all day to make daal, he introduces them to the process, letting them choose the color of lentils for the stew they will enjoy together at dinnertime. As the day goes by, Bilal worries a bit that his friends won’t like the taste, but the delicious dish pleases everyone, demonstrating how food brings people together.
Anoosha Syed’s art focuses on the kids enjoying their day of play, a variety of emotions clearly captured. The daal’s vivid descriptions (“small like pebbles, but shaped like pancakes”) come to life through the illustrations. Close your eyes and let the simmering daal awaken your senses.
The Author’s Note explains daal is a staple food in South Asia, but lentils are enjoyed in many other places. Saeed’s recipe for Chana Daal is similar to what I grew up with in my household, bringing back warm memories. In these months of the pandemic where many of us are cooking wholesome meals, this hearty and healthy dish will please while filling the house with amazing aromas all day long.
A Junior Library Guild Selection A Kirkus Reviews Best Book of the Year ★Starred Reviews – Booklist, Kirkus, School Library Journal
Summer Bird Blueby Akemi Dawn Bowman opens with a car crash. Seventeen-year-old Rumi Seto loses her only sister Lea, who’s also her best friend. Their mother, unable to deal, puts Rumi on a plane to Hawaii for an indefinite stay with Aunty Ani, their Japanese-Hawaiian side of the family.
Lea, two years younger, was the outgoing, happy-go-lucky sister. Rumi, the opposite personality type fits her “ruminating” name; often, she’s stuck in her head, turning things over, unable to step forward into everyday life. Though quite different, the sisters, shared a love of music, playing instruments together. They would randomly come up with three words, then write a song about it. (Summer Bird Blue, refers to the unwritten song that haunts Rumi after Lea dies.)
Rumi suffers in the angry and depressive stages of grief, vacillating between lashing out and crawling into bed for days on end. Her new surroundings include neighbors Mr. Watanabe (a grumpy octogenarian who becomes an unlikely companion) and Kai (the too-handsome, too-cheerful boy next door). As Rumi becomes closer to Kai, they go on a date, but kissing surfaces her confusion over her possible asexuality. Believing other teens have easy crushes and romance, Rumi’s self-doubt compounds after losing Lea.
The story’s lovely scenes centering around Rumi’s deep bond with music resonated with me. The moving descriptions include Rumi’s regard for Lea’s guitar, and Mr. Watanabe’s piano and ukulele. When transported into this world, Rumi’s passion ignites. However, anything musical involves Lea, and Rumi cannot process what to do without her sister, which furthers the painful introspection and turmoil.
I appreciate Bowman’s choice to spotlight a troubled, roughhewn protagonist struggling with a complexity of issues. Writing about grief, sexuality, and trying to understand life itself are ambitious undertakings, yet Bowman succeeds in weaving a truthful, heartfelt story that includes both honestly bitter moments and lyrically beautiful ones.
Find out more about Asian/Pacific American Heritage Month hereand here.
I’m a sucker for picture books with secret covers and Lenny the Lobster Can’t Stay for Dinner . . . or Can He?You Decide! grabbed my attention before I read the first word. Since it’s a you-decide-the-ending book, the book jacket has both choices: one side Lenny stays for dinner, the other side he doesn’t. Underneath, the book itself has an entirely different image—without Lenny’s hilarious mustachioed face—that’s explained once you read the book.
The story is deceivingly simple: Lenny’s thrilled that he’s been invited to a fancy dinner but soon finds everyone’s a little too excited to see him. At this juncture, a reader can choose whether to continue (Lenny stays), or decide Lenny should leave (turn to page 22). Staying seems straightforward, but you’ll appreciate the clever twists.
It’s hard not to smile when looking at the many renditions of Lenny and his crazy antics. Catherine Meurisse’sart expands the text to its full potential. Bright-orange Lenny coupled with a limited color palette lets the illustrations pop against the bright white pages.
The text is a father-son collaboration between Michael and Finn Buckleywho “wrote this book (with his dad) when he was seven years . . . and does not like to eat lobster.” Therefore, Lenny would be welcome to stay for dinner any night with the Buckleys and not have to worry about being the main course!
(G.P. Putnam’s Sons BYR; $17.99 HC, available in Ebook, Audio, Ages 12+)
★Starred Reviews – Horn Book, School Library Journal
Sherri L. Smith’sYA book,The Blossom and the Firefly, depicts an interesting slice of Japanese World War II history. Hana, assigned fieldwork is, one day, buried alive during an air attack. After she is dug out, Hana feels a part of her died in that bombing. Adding to her despair, she is reassigned as a Nadeshiko Tai girl—a handmaiden to the dead—serving tokkō, the special attack pilots also known as kamikaze. When each group readies to leaves, she must smile and wave as they take their last flight hoping to honorably body-crash into enemy battleships.
I appreciate the unique story structure, based on the Eastern style of storytelling called kishōtenketsu. Instead of a plot with conflict, kishōtenketsu revolves around contrast or juxtaposition. In The Blossom and the Firefly, Hana’s first-person chapters are in the “now,” while Taro’s (her love interest) third-person chapters begin in 1928 during his childhood. About halfway in, the narratives synchronize. Utilizing these time lines, we are shown Taro’s backstory without relying on flashbacks.
The story questions whether it’s possible to live and love during wartime. Hana keeps coolly distant until stumbling upon a special connection with Taro. After the war ends, rebuilding entails mending emotionally and moving forward to embrace what’s left. Readers will feel what it was like to be a teen caught in a war-torn land, where it’s not whether you have lost a loved one, but, rather, how many. This young adult novel about a little known aspect of the war is both heartbreaking and uplifting.
If there’s a book you should read now, it’s If We Were Giantsby Dave Matthewsand Clete Barrett Smith. You may recognize the first author’s name as that of the world-renowned musician, environmentalist, and humanitarian. He’s teamed up with children’s book author Smith to write this timely middle-grade novel. Its underlying messages are about pulling together as a community, remembering the past, and taking care of nature. Kids will root for Kirra to find her way, and love the fun elements (such as living in trees and using their collective skills to become gigantic).
Hidden inside the walls of a dormant volcano, ten-year-old Kirra’s life is idyllic. Her people, the Zedu, respect nature and collaborate with one another, having assigned tasks. Kirra’s father is the Storyteller, the only Zedu who goes Outside—until recently, when Kirra begins to travel with him and learn this vocation. Her curiosity, however, leads her to make a grave mistake instigating the demise of her village by a violent new group called the Takers who seek only to conquer and destroy.
Jump forward four years and fourteen-year-old Kirra now lives aloft with the Tree People, taken in when she was in dire circumstances and treated with kindness ever since. To get by, Kirra must suppress memories of the past—until those memories become a reality.
The images by Antonio Javier Caparoprovide glimpses into Kirra’s world. Framed by intertwining branches, the natural colors underscore the importance of working harmoniously with nature.
I appreciate how the book engages the reader with quick-moving, interesting scenes yet also tackles big issues affecting us today. This story delves into what family means and how you fit in. For Kirra, it’s also a coming-of-age tale as she finally faces her demons and finds her way. e
INTRO: Last month, my ten-year-old daughter and I attended an amazing event at the LA Zoo, hosted by DC Entertainment. A group of middle-grade graphic writers and illustrators wowed the crowd with their “superpowers” sharing the stories-behind-the-stories and demonstrating their lightning-fast art skills. VICTORIA YING caught our attention with her interpretation of Wonder Woman as a tween so I wanted to know more about the wonderful woman behind Wonder Woman.
CHRISTINE VAN ZANDT:Your new middle-grade graphic novel, Diana: Princess of the Amazons(DC Comics; $9.99, Ages 8-12) is about Wonder Woman as an eleven-year-old girl. As the only kid on Themyscira, the island of the Amazons, understandably, Diana’s a bit lonely. How did you go about envisioning the famous Princess Diana as a tween?
VICTORIA YING:We first looked at the original iconic design for Wonder Woman and then tried to imagine what she would look like as a kid! We wanted to have those shadows of the person she would become without being too obvious about it. She has her bracelets, a simple rope headband, and her pleated skirt. Things that would allude to her future, without showing our whole hand.
CVZ:You’ve illustrated pictures books before and are the author-illustrator of a wordless picture book, Meow! How was illustrating a graphic novel different?
VY:I was so lucky to be able to have Shannon and Dean Hale as collaborators for this project. It is my debut graphic novel project and they are industry veterans who really understand how to write for a visual medium. They left a lot of the decisions up to me, but would keep the important descriptions in the text.
CVZ:Tell us about your process.
VY:For comics, I first lay out my rough sketches with rough text in ComicDraw for the iPad. Then I submit this for approval. Once the sketches are approved, I take them and do a tracing paper style draw over of the rough sketches for a clean finished drawing in Procreate. Lark Pien was our colorist and she takes the work to its finish.
CVZ:Your middle-grade graphic novel, City of Secrets, is coming out in July (Viking, 2020). How does it feel to be both the writer and artist?
VY: I originally wrote City of Secrets as a NaNoWriMo project. I was so afraid to have to draw the city! When my friends commented that I had great story structure and good characters, but terrible description, I realized it was because I relied too much on my illustrator brain and decided to try it as a graphic novel instead. It turned out that I LOVED drawing the puzzle-box city!
CVZ:You’ve worked on films, picture books, middle grade novels—what’s next?
VY:City of Secrets has a sequel coming out in July of 2021, and I’ve just announced a new book with First Second Books called Hungry Ghost, a YA contemporary about an Asian-American girl struggling with an eating disorder. I have a wide range of interests and all kinds of stories I want to tell. I hope that my career will let me tell as many of them as I can handle!
CVZ:Thank you for taking time to talk with us. We look forward reading all your new stories!
BIO: Victoria Ying is an author and artist living in Los Angeles. She started her career in the arts by falling in love with comic books; this eventually turned into a career working in animation and graphic novels. She loves Japanese curry, putting things in her online-shopping cart then taking them out again, and hanging out with her dopey dog. Her film credits include Tangled, Wreck-It Ralph, Frozen, Paperman, Big Hero 6, and Moana. She illustrated the DC graphic novel, Diana: Princess of the Amazons. Watch for her authored graphic novel, City of Secrets, out July 2020.