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Children’s Book Blog Tour – Greta and the Giants

 

AN INTERVIEW WITH ZOE PERSICO

ILLUSTRATOR OF GRETA AND THE GIANTS

 

 

ABOUT GRETA AND THE GIANTS
(Frances Lincoln Children’s Books; $17.99, Ages 4-7) 

Greta is a little girl who lives in a beautiful forest threatened by Giants. When the Giants first came to the forest, they chopped down trees to make houses. Then they chopped down more trees and made even bigger homes. The houses grew into towns and the towns grew into cities, until now there is hardly any forest left. Greta knows she has to help the animals, but how? Luckily Greta has an idea that will lead to the Giants and the animals working together in harmony. An additional section at the back explains that in reality the fight against the giants isn’t over and Greta needs the reader’s help.

This book has been printed sustainably in the UK on 100% recycled paper. By buying a copy of this book, you are making a donation of 3% of the cover price to Greenpeace UK

INTERVIEW WITH ZOE PERSICO

zoe persico

Self-portrait of Zoe Persico

Please tell us how you came to be a picture book illustrator? 

Growing up I had many artistic influences that led me to go into what I do today, especially in books. I struggled with reading, but the illustrations always kept me eagerly invested and inspired. I originally wanted to be an animator, but quickly figured out that illustrating was my passion and wanted to figure out how I could achieve it as my career. I returned to my love for children’s books and knew I wanted to create works of art that would help others like they did for me. With family, friends, my partner, and educators who always supported me every step of the way I signed onto my current agency, got an early jump start into my career, and graduated college. I’ve been working as a freelance illustrator for over five years now and happily receiving great projects such as Greta and the Giants.

 

Greta and the Giants.Interior Spread1

Interior artwork from Greta and the Giants written by Zoë Tucker and illustrated by Zoe Persico, Frances Lincoln Children’s Books ©2019.

 

What medium/technique did you use to create the illustrations in GRETA AND THE GIANTS and how did the metaphor of the giants as symbols of corporate greed influence your choices?

I use Photoshop CS6 and a Wacom Cintiq Pro 24 to create my illustrations, though I am heavily influenced by traditional materials and try to capture the magic of them through digital means. I use custom brushes that emulate watercolor, gouache, colored pencils, and so on. Before starting the final art for Greta and the Giants I knew that I really wanted to push some new painting techniques, so I practiced using traditional materials beforehand to figure out how I can capture them digitally.

The giants were quite a challenge! I needed to figure out how to portray the giants in a fantastical, but realistic way. It would have been too easy to use stereotypes as a crutch for their design and using certain physical traits to show how “ugly” they are is harmful because that’s telling readers having those traits are negative. I thought that illustrating them mostly from perspectives of Greta and the citizens of the forest, such as them looking up and only seeing their shoes and pants as well as not being able to see their faces as clearly due to the massive distance between them, was a perfect and simple way to achieve that the giants “have their heads in the clouds” more than anything else. They realize that they are causing harm and want to do better and I wanted to make sure their designs were an easy transition to the last spreads of the book as well. They have always worn normal clothes just like everyone else and their size doesn’t change. They are still giants! The change comes into how the new compositions show a better connection and understanding between them and the forest dwellers.

I was taken immediately by the gorgeous jewel tones in your palette. Please explain the decision behind that.

Thank you! I had a lot of fun with this palette for this book. When the design team told me they really wanted to a painterly look and using light for color and mood contrast I was immediately excited. I’ve always tried to push these elements in my personal work and I knew I wanted to push myself even more for this project. Since I have been painting traditionally on the side more, I’ve found new color palettes that I wanted to emulate in Greta and the Giants. I used warm tones for heavily lit areas and went with cool tones for shadows. I mixed colors on top of each other like I would with watercolors to keep interest and connection in each area. I have been in love with using a very bright candy red lately and knew it would be the perfect accent color in a sea of multiple shades of green. For the last spread I wanted to go with a sunset palette to help end the book on a warm and uplifting note. Overall, I would say the goal for this book was to have a mostly nature-inspired palette (greens, browns, oranges) with accents of fantasy-inspired colors (pinks and blues).

 

Greta and the Giants.Interior Spread2.jpg

Interior artwork from Greta and the Giants written by Zoë Tucker and illustrated by Zoe Persico, Frances Lincoln Children’s Books ©2019.

 

What inspired you about this particular story?

Throughout the years I’ve been finding ways to alleviate my carbon footprint on the planet as best as I can and having the chance to work on this project was right up my alley. I was inspired on now only how I can help show others on what we can do to help fight climate change, but to come together and speak up against “giants” by the power of your voice. I hope the illustrations in Greta and the Giants inspire children to ask questions. I hope it inspires parents and guardians to teach them about what is happening. I hope it inspires adults to speak out and vote.

Do you have a favorite illustration in the book?

Yes! Funny enough my favorite illustrations are the spreads that include the city. I rarely paint urban subjects and it was a fun challenge to depict what the giant city could look like from a distance. I’m proud of how it turned out!

I also enjoy illustrating animals as well. Any time I got to paint the fox was always fun for me!

What was the biggest challenge of creating the art for this picture book that’s dealing with a serious topic aimed at younger readers?

I would say finding the right visual balance of fantastical and visually showing a depiction of a real life issue. I wouldn’t be doing the message justice if I went a super happy and bright route for the illustrations. I want to show the dark sides of what’s happening to our home and make it easy to readers to understand that. I also wanted to show signs of hope and warmth as well. I use bright and inviting colors and character designs that young readers can gravitate towards. I paint light shining down on characters such as Greta to show that she is a beacon of hope. It’s little things like this that I add in my illustrations to help readers understand that things are serious, but we don’t have to be kept in the dark. It’s amazing how color and light and design choices can naturally click in your brain to know when something is “relaxing” or “melancholic” or “frustrating”. Illustrations are so important and I love that I get to create them.

 

Greta and the Giants.Interior Spread3.jpg

Interior artwork from Greta and the Giants written by Zoë Tucker and illustrated by Zoe Persico, Frances Lincoln Children’s Books ©2019.

 

As the giants learn about the negative impact of all their building and polluting, they begin to take on less fierce qualities. Was this intentional?

Absolutely. As I mentioned in the previous question regarding the giants, I really wanted to portray the giants in a way that they aren’t so different from the rest of the forest dwellers. Earlier spreads of the book emphasize how tall they are, how hard it is to see their faces from far away, and so on. There’s a disconnect and the giants aren’t aware of the damage they are causing. Towards the last spreads you can see their faces better and their postures and expressions are much more approachable. They are still giants, but there is now a more positive relationship between them and the folks living below them. I am hoping our real life “giants” can listen and start a positive dialogue with us to a better and healthier future.

Which illustrators have most influenced you as an artist?

I have so many! Some illustrators that have influenced me include Amélie Fléchais, Elena and Olivia Ceballos, Yvan Duque, Matthew Forsythe, Rebecca Green, Robin James, and many many more.

 

Thank you Zoe for your thoughtful answers. I hope everyone picks up a copy of Greta and the Giants to appreciate the beautiful artwork you’ve described in the interview and to see how wonderfully it complements the story.

• FIND OUT MORE ABOUT ZOE ON HER WEBSITE.
• PUBLICATION DATE IS NOVEMBER 19 BUT YOU CAN PRE-ORDER A COPY HERE TODAY.
• CLICK HERE FOR A HELPFUL DISCUSSION GUIDE.

READ MORE!

Visit the below bloggers for reviews and other Greta and the Giants related coverage.

Tuesday 11/12: This West Coast Mommy

Wednesday 11/13: Happily Ever Elephants 

Thursday 11/14: Here Wee Read

Friday 11/15: Picture Book Play Date  

 

  • Interview by Ronna Mandel

 

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Kids Picture Book Review – Where is My Balloon?

WHERE IS MY BALLOON?
Written by Ariel Bernstein
Illustrated by Scott Magoon
(Paula Wiseman Books; $17.99, Ages 4-8)

 

where is my balloon book cover

 

I became an Owl and Monkey fan after reading the hilarious I Have a Balloon so I was eager to read the second picture book featuring this adorable pair. In Where is My Balloon? by Ariel Bernstein with illustrations by Scott Magoon, Monkey’s looking after Owl’s adored red balloon and accidentally pops it while playing with it. Ooops!

 

Where is My Balloon int1

Interior spread from Where is My Balloon? written by Ariel Bernstein and illustrated by Scott Magoon, Paula Wiseman Books ©2019.

 

Rather than immediately owning up to what he did, Monkey first brings Owl a pillow and claims it’s the red balloon. The humor is in how long the charade will go on and what wild items Monkey will present to his friend in an effort to placate him. The ultimate goalavoid telling the truth about what happened. As in the previous story, Magoon’s artful expressions conveyed on the faces and in the two characters’ body language adds to the enjoyment. The generous use of white space keeps our eyes glued to the two animals’ antics. We watch closely as Monkey seeks out silly substitutes for the balloon. After a chair, a fire engine and a parachute don’t do the trick, Monkey, wracked with guilt, breaks down and confesses. Then he apologizes.

 

Where is My Balloon int2

Interior spread from Where is My Balloon? written by Ariel Bernstein and illustrated by Scott Magoon, Paula Wiseman Books ©2019.

 

The illustrations of Owl’s reactions to his popped balloon are some of my favorites. As his despairing and frenzied mood heightens, Owl tears up the sock, also accidentally. The scene when the bird realizes what he’s done cracks me up as he subtly tries to kick the ruined sock off the tree top, out of Monkey’s sight. With the shoe now on the other foot (or in this case perhaps sock is more appropriate), Owl attempts the same subterfuge that had been done to him. Only this time the significance of Owl’s sporting a yellow hat with a red star is not lost on Monkey whose resigned response is classic.

 

Where is my Balloon interior3

Interior illustrations from Where is My Balloon? written by Ariel Bernstein and illustrated by Scott Magoon, Paula Wiseman Books ©2019.

 

Where is My Balloon? is a super story to share with children when you’re looking for a tale that tackles the topic of being honest and asking for forgiveness in a light and lively way. Bernstein’s tight turn of phrase and Magoon’s playful art will keep kids engaged with every page turn. While youngsters may be well aware of what’s going on after the pillow is offered, they’ll be delighted to read along or be read to in order to find out how the dilemmas get resolved. Even adult readers will be charmed by this clever circular story making it a fun go-to read for story time or anytime!

  • Reviewed by Ronna Mandel

Read my review for I Have a Balloon here.

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I Am a Thief Book Review With a Guest Post by Illustrator Molly Ruttan

I AM A THIEF!
Written by Abigail Rayner
Illustrated by Molly Ruttan
(NorthSouth Books; $17.95, Ages 4-8)

 

I Am a Thief book cover

 

Happy Book Birthday 🎂 🎈to I Am a Thief!, written by Abigail Rayner with art by Molly Ruttan, marking her illustrator debut.

I enjoyed hearing about this picture book’s artistic evolution when Molly was working on the illustrations (NOTE: We’re in the same picture book study group), but I hadn’t read the story or seen any sample spreads. What a thrill it’s been to finally read I Am a Thief! It’s a humorous, thoughtful, much needed tale about taking things, okay, STEALING things then facing the uncomfortable feeling of having done something wrong. Please read my review then get the inside scoop on illustrating the book by the artist herself, Molly Ruttan.

BOOK REVIEW:

Starred Review – Kirkus

The main character in I Am a Thief, Eliza Jane Murphy, is a star student having racked up all kinds of achievements and accolades at school. But when temptation in the form of  a “brilliant green” stone on display in her classroom shouts her name, she heeds the call and swipes said item. Regret and guilt set in immediately and Raynor does a great job in her prose by conveying how these feelings overwhelm Eliza. Molly’s images wonderfully depict how riddled with remorse poor Eliza is. It’s not easy to capture the raw emotion of guilt but Molly succeeds especially in the scene where the menacing gemstone weighs heavy on Eliza’s conscience as she tries to swing with her friends. The challenge now is that while it was easy to nick the stone without anyone seeing her, Eliza worries that she’ll get caught trying to put it back.

 

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Interior spread from I Am a Thief! written by Abigail Rayner with illustrations by Molly Ruttan, NorthSouth Books © 2019.

 

The awful feelings follow her home. She proceeds to ask everyone if they’ve ever stolen anything. Her dad exclaims, “Never!” though his facial expression says otherwise as it appears he’s about to take a slice of cake from the fridge. Eliza’s mom says she took a magnet once, and even Grandpa George, Nana Iris and her dog James, the sausage thief, admit they’re not completely innocent.

Molly’s hilarious WANTED posters depicting all the guilty family members begin to get crowded with each page turn as Eliza realizes that almost everyone at one time or another has taken something whether it’s as small as a sugar packet or as big in Eliza’s mind as her theft of the stone.

 

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Interior spread from I Am a Thief! written by Abigail Rayner with illustrations by Molly Ruttan, NorthSouth Books © 2019.

 

The part that will especially please readers is when Eliza returns the stone to her teacher and, rather than chastising her student, tells her she’s brave. Owning up to her misdeed and its possible consequences takes guts. Here Eliza realizes that this one bad thing doesn’t define who she is nor should it. Her unburdening heals her and her “heart started singing again.”

I Am a Thief provides parents, caregivers and teachers an opportunity to explore with children the ramifications of taking things when they don’t belong to you, who ends up hurting the most when something is stolen, and how to right the wrongs we may do. I’m glad this book is out in the universe because it’s going to help a lot of families comfortably and honestly approach this important topic in a really relatable way. In fact, this clever and creative pairing of prose and pictures is likely to get you thinking about the behavior you’re modeling for kids the next time you go to grab a few packets of sugar at the coffee shop.

GUEST POST:

Hi Ronna,
It’s so exciting to be a part of your fantastic blog! Thank you so much for having me!
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I Am a Thief! by Abigail Rayner is my debut as an illustrator as you mentioned above. It came to me from NorthSouth Books via my wonderful agent, Rachel Orr. The second I read it I knew I wanted to jump in.
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One thing that immediately hooked me into the story was actually not the obvious. I have no real memory of ever stealing anything when I was a kidI was much too shy and intimidated by the world to ever step out of line! (Although I probably did steal a crayon or two from a restaurant!) But more so, I’m an identical twin, and the question of identity has always been fascinating to me. For Eliza to impulsively take a sparkling stone to keep for herself, and then to allow that stone, and that act, to redefine how she sees herself, is to me an incredibly interesting bit of human nature. I was hooked, and I decided to illustrate her identity crisis alongside her moral crisis.
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I decided to have the green gemstone transform along with Eliza’s moral transformation. I started by showing it as a separate character (“The stone made me do it”) to a beautiful object (“I knew what I had to do”) to finally a lens in which Eliza could see a faceted world (“Everyone is a lot of things!”) I love crystals, and have held and admired many. It wasn’t too far of a leap for me to imagine that a crystal could encompass a journey.
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Int art IAmaThief

Interior artwork from I Am a Thief! written by Abigail Rayner with illustrations by Molly Ruttan, NorthSouth Books © 2019.

Regarding her identity crisis, I decided to use the imagery of the cat burglar, because this image is an archetype and is immediately recognizable. Eliza’s perception of what a thief looks like would most likely be thisthe Halloween costume version! Besides, it was really fun to draw!
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As I was figuring all this out, I was filling my sketchbooks with notes and drawings. The story is full of characters, some written and some implied, and it was an amazing thing to watch Eliza and her whole extended family, her teacher and her classmates appear on the paper and take on a life of their own.
Abigail Rayner is a brilliant author and I can’t wait to see what she writes next. Hopefully I’ll have another chance to be her partner in crime!
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BIO:
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Molly Ruttan’s illustration debut, I AM A THIEF! by Abigail Rayner from NorthSouth Books is available September 3, 2019, and has earned a starred Kirkus review. Molly’s author-illustrator debut, THE STRAY, is forthcoming from Nancy Paulsen Books/Penguin Random House in May 2020. Molly Ruttan grew up in Hastings-on-Hudson, New York, and holds a BFA in graphic design from the Cooper Union School of Art. She lives, works and creates art in the diverse and historic neighborhood of Echo Park in Los Angeles, California. Find Molly online at www.mollyruttan.com, on Twitter @molly_ruttan and on Instagram @mollyillo
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A HUGE thanks to Molly for stopping by to share her unique I Am a Thief! artistic journey. It’s fascinating to get an inside perspective and I know it will add to everyone’s appreciation of this terrific new picture book.
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  • Review by Ronna Mandel
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Kids Book Review: A story with heart and humor – Inkling by Kenneth Oppel

INKLING
Written by Kenneth Oppel
Illustrated by Sydney Smith
(Knopf BYR; $17.99, Ages 8-12)

 

bk cover art from Inkling by Kenneth Oppel

 

• A New York Times Notable Book
• A New York Public Library Best Book of the Year — top ten selection
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As a fan of Kenneth Oppel’s middle-grade book The Nest, I was just as pleased with Inkling, a lighter, funnier tale with lots of heart. The likeable Rylance family consists of sixth-grade Ethan, eight-year-old Sarah (who has Down syndrome), their famous graphic-novel author-illustrator father, Rickman the cat, and Inkling, the inkblot from Dad’s sketchbook who came to life. Inkling provides the Rylances with what they need—and they each need something different. If you find it farfetched for a main character to be an ink splotch, read this book. The characters have emotionally relatable depths.
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INKLING by Kenneth Oppel int illustr by Sydney Smith

Interior artwork from INKLING written by Kenneth Oppel and illustrated by Sydney Smith, Knopf BYR ©2019.

 

I enjoy stories without obvious plots and Inkling is just that. Typical middle-grade characters are rendered with fresh perspectives. Ethan struggles to complete the illustrations for his group’s class project, but, unfortunately, he can’t draw; no one knows this, though the class bully Vika Worthington suspects. She’s the best artist in their grade and the daughter of Ethan’s dad’s boss. Throughout, Ethan relives the day Vika tornado-kicked him into a garbage can.

int art by Sydney Smith from INKLING by Kenneth Oppel

Interior artwork from INKLING written by Kenneth Oppel and illustrated by Sydney Smith, Penguin BYR ©2019.

 

Sydney Smith’s illustrations intersperse the text, adding depth and delight. Vika’s furrowed brow is perfectly sinister. Graphic-novel images complement the story line.

Inkling resonates with the underlying grief Ethan’s family is trying to process; unspoken words cloud their days. Adults can appreciate the pressure of raising kids alone, having a special-needs child, or watching their creativity come to a grinding halt. Oppel’s clever plot will make you fall for Inkling and keep you hooked until the end.

If you liked The Care and Feeding of a Pet Black Hole (written and illustrated by Michelle Cuevas, Dial/Penguin, 2017), Inkling hits some similar notes, check it out.

 

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