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An Interview With Kirsten W. Larson Author of A True Wonder

 

 

AN INTERVIEW WITH

KIRSTEN W. LARSON

AUTHOR OF

A TRUE WONDER:

The Comic Book Hero Who Changed Everything

ILLUSTRATED BY KATY WU

(Clarion Books; $17.99, Ages 4 to 7)

 

 

A True Wonder cover

Starred reviews – Booklist and Kirkus

 

 

SUMMARY

“A behind-the-scenes look at the creation and evolution of Wonder Woman, the iconic character who has inspired generations of girls and women as a symbol of female strength and power.

Perhaps the most popular female superhero of all time, Wonder Woman was created by Bill Marston in 1941, upon the suggestion of his wife, Elizabeth. Wonder Woman soon showed what women can do—capture enemy soldiers, defeat criminals, become president, and more. Her path since has inspired women and girls while echoing their ever-changing role in society. Now a new group of devoted young fans enjoy her latest films, Wonder Woman and Wonder Woman 1984, and await a third installation being planned for theatrical release. This exceptional book raises up the many women who played a part in her evolution, from Elizabeth Marston to writer Joye Hummel to director Patty Jenkins, and makes clear that the fight for gender equality is still on-going.”

 

INTERVIEW

Hi Kirsten! Welcome to Good Reads With Ronna and congratulations on the publication of A TRUE WONDER: The Comic Book Hero Who Changed Everything, a truly wonderful picture book that I’m so excited to discuss with you, especially on your launch day! Like you, I grew up on comic books (Archie) although to be honest the only superhero I followed as a child was Superman. Somehow I came late to the game with Wonder Woman. Patty Jenkins’ first film was my first introduction to the backstory.

 

GOODREADSWITHRONNA: Can you believe the young girl in the 1970s who was a Lynda Carter fan is the one who’s written about Wonder Woman?

KIRSTEN W. LARSON: I wasn’t someone who always wanted to be an author when I grew up, so I feel lucky to have stumbled on a career later in life that feeds my curiosity. I love research and that thrill of feeling I’ve gotten a book “just right” in terms of voice, structure, etc.

 

GRWR: I’m curious if once the idea hit you to write the history of Wonder Woman, you knew you’d approach it with a comic book style format (which I ADORED by the way)? Did you do the research first and then decide how to find your way into sharing the story or did you always know how you’d do it?

KWL: I always envisioned this as a biography of the character of Wonder Woman, showing her character arc across the decades. This was a rare book for me. The finished book is very close to the original drafts. The main difference was the addition of some of the more modern incarnations of Wonder Woman that bring the character up to the present. I always envisioned comic-book style illustrations, but of course, the choice to illustrate the book that was entirely up to editor Jennifer Greene, the art director, and illustrator Katy Wu.

 

A True Wonder int1
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: A TRUE WONDER could not have been an easy manuscript to write for someone used to the more traditional nonfiction structure. What was that like having to write a script with setting, narrative, thoughts, speech, and sound effects?

KWL: You may be surprised to know that I wrote A TRUE WONDER just like any narrative nonfiction picture book. I did have a global illustration note suggesting the comic book style, as well as the trading card format for the sidebars about significant people who contributed to the Wonder Woman character. But it was illustrator Katy Wu who broke out the illustrations into panels and dropped the quotes I included into speech bubbles. She deserves all the credit.

 

GRWR: Whoa, I sure hope Katy sees this and all your compliments because the art and prose work seamlessly. Did you and the illustrator Katy Wu get to collaborate?

KWL: Katy and I didn’t collaborate at all, which is fairly typical for picture books. She did all her own research. I provided some minor comments on her dummy, but that’s it. We’ve only corresponded since we started marketing the book.

 

GRWR: I am so impressed! So, do you have a favorite spread?

KWL: Yes! The final spread, which talks about how Wonder Woman inspires us to become heroes of our own stories is my hands-down favorite. I tear up every time. Katy illustrated it with a diverse group of women, and it is perfect.

 

A True Wonder int5
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: Based on your previous STEM books and NASA background, writing about Wonder Woman is a departure for you though it is definitely a STEAM read. What are your feelings about that, and do you think you might write more non-STEM books in the future?

KWL: I love to write about underdogs and women who defy expectations, and the character of Wonder Woman falls into that theme. Plus, comic books are a big part of geek culture. Just think about how much time the Big Bang Theory characters spent at the comic bookstore, or trying to get tickets for San Diego Comic Con.

 

GRWR: LOL! In A TRUE WONDER I learned SO much about the early days of comic books, especially how the business was populated by white men keen on keeping superheroes men. Yet it was an exceptionally enlightened man, Bill Marston, with a wife working full-time as the family bread-winner who pitched the idea of Wonder Woman to Charlie Gaines of All-American Comics, the precursor to DC. Tell us more about that fateful turn of events in the male-dominated industry.

KWL: This probably won’t surprise anyone, but comic books have been under attack almost since their inception. Just before Wonder Woman was introduced, parents and educators complained about the violence in comics. They argued that comics were a poor substitute for classic literature too (sound familiar)? But Marston thought comics could be a force for good. It was his wife, Elizabeth Marston, who suggested the idea of a female superhero. And that’s what Bill Marston pitched – a female superhero who he hoped would be a good influence on children.

 

 

A True Wonder int2
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: Women writers and staffers behind the emergence of Wonder Woman ultimately played crucial roles in empowering the character and women in general during WWII when a majority of men were off fighting. You mention more than a handful and even write in your back matter about Joye Hummel (who wrote under a male pen name) and several others who made an impact on the representation of Wonder Woman including Gloria Steinem. Can you speak to how they contributed to feminism?

KWL: Through the years and often behind the scenes and uncredited, women have contributed to Wonder Woman as authors, artists, editors, and consultants. These women were ahead of their time in what continues to be a male-dominated industry. At the same time, second-wave feminists like Gloria Steinem and Joanne Edgar grew up reading Wonder Woman comics and sort of adopted her as their mascot, putting her on the first cover of Ms. Magazine. Even today, we tap into Wonder Woman as a short-hand way to talk about strong and powerful women and sisterhood.

 

GRWR: What would like your young readers to take away from reading A TRUE WONDER?

KWL: I hope that children will find a way to channel their inner superheroes and make their own contributions to their communities and the world. We need everyday heroes now more than ever.

 

A True Wonder int3
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: Let’s talk craft. I read in Storystorm 2020 (Kirsten Larson | Writing for Kids (While Raising Them) (taralazar.com) that you turn to walks in nature for inspiration. I’d love to hear more about what you do to find story ideas and then how you proceed after an idea strikes you.

KWL: I find story ideas everywhere: books, movies, magazine articles, museums, you name it. Normally I do some initial research to learn whether the resources I need (like primary sources) are readily available, and to figure out if someone is already writing a book about the subject. If everything checks out, I start with secondary sources to get context, then dive into primary sources to hear the characters’ voices. The research normally guides me to a structure and voice, but there’s always a lot of experimentation. And walking, along with showers, meditating, and mentor texts, are great for when I get stuck during the writing process.

 

GRWR: That’s so helpful to know. Do you have a writing routine and a preferred place to write?

KWL: I write all over the place–in the living room, outside on my back patio, in my office. I get up before everyone else and try to write for at least an hour Monday through Friday after checking in with my accountability partner. Most days I dedicate another two hours to writing before turning to other things.

 

GRWR: What’s your go-to creativity beverage or comfort food when feeling frustrated?

KWL: Coffee, coffee, coffee.

 

GRWR: You’re also a regular contributor for STEM Tuesday online at STEM Tuesday – From The Mixed Up Files. Can you speak to that experience?

KWL: I work with so many amazing contributors on STEM Tuesday, led by Jen Swanson. Each month, team members put together a themed book list plus classroom activities and ELA/writing activities. The last week of the month we have an interview with an author and a book giveaway. I write about writing. There is so much creativity happening in nonfiction and STEM writing right now. I love showing educators how they can use STEM books to teach writing craft.

 

 

A True Wonder int4
Interior spread from A True Wonder written by Kirsten W. Larson and illustrated by Katy Wu, Clarion Books ©2021.

 

GRWR: I agree that STEM reads and nonfiction have never been more exciting than right now. What’s a recent nonfiction book that you couldn’t put down?

KWL: My current favorite read is SURVIVOR TREE by Marcie Colleen and Aaron Becker. The interplay of art and lyrical text are stunning. In fact, I’m using it as a mentor text in a class I’m teaching at The Writing Barn next month.

 

GRWR: What’s on the horizon?

KWL: Next year, illustrator Katherine Roy and I have THE FIRE OF STARS with Chronicle Books. It’s a dual narrative picture book about Cecilia Payne, who discovered the composition of stars, told alongside the process of star formation. After that, I have two more books under contract but not yet announced. One is a lyrical, STEM book for younger readers, the second is a middle-grade historical fiction, which I did write in full graphic novel script form.

 

GRWR: Thanks tons for taking the time today to chat, Kirsten. We could not be more excited about A TRUE WONDER and wish you every success with it. And happy book birthday, too! 

KWL: Thanks for having me, Ronna! It’s been my pleasure. I love to connect with folks at my website Kirsten-w-larson.com and on social media @kirstenwlarson.

 

 

PURCHASE KIRSTEN’S BOOK

Preorder A TRUE WONDER through Once Upon a Time Bookstore for an
autographed copy plus a 6 x 9 art postcard designed by illustrator Katy Wu.

https://www.shoponceuponatime.com/autographed-books-kirsten-w-larson

TEACHER’S GUIDE  HERE

 

SOCIAL MEDIA

Kirsten-w-larson.com

Twitter: @KirstenWLarson

Instagram: @KirstenWLarson

 

katycwwu.tumblr.com

Twitter: @thewildkat

Instagram: @thewildkat

 

KirstenWLarson headshot
Author Kirsten W. Larson                  Photo ©Tammie Halcomb

BRIEF BIO

Kirsten used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), A TRUE WONDER: The Comic Book Hero Who Changed Everything (Clarion, Fall 2021), illustrated by Katy Wu, and THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, Fall 2022), as well as 25 nonfiction books for the school and library market. Sign up for her monthly newsletter here.

 

 

 

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An Interview with Author Illustrator Victoria Ying

AN INTERVIEW WITH

AUTHOR ILLUSTRATOR

VICTORIA YING

BY CHRISTINE VAN ZANDT

 

DPotA Cv_C1 C4 1

 

INTRO:
Last month, my ten-year-old daughter and I attended an amazing event at the LA Zoo, hosted by DC Entertainment. A group of middle-grade graphic writers and illustrators wowed the crowd with their “superpowers” sharing the stories-behind-the-stories and demonstrating their lightning-fast art skills. VICTORIA YING caught our attention with her interpretation of Wonder Woman as a tween so I wanted to know more about the wonderful woman behind Wonder Woman.

 

DCComics Zoo Event VY
Victoria Ying sharing her art at the DC Comics LA Zoo Event. Photo ©Christine Van Zandt 2020



INTERVIEW:

Interior illustrations by Victoria Ying from Diana: Princess of the Amazons
Interior art from Diana: Princess of the Amazons written by Shannon Hale and Dean Hale with illustrations by Victoria Ying, DC Comics ©2020.

CHRISTINE VAN ZANDT: Your new middle-grade graphic novel, Diana: Princess of the Amazons (DC Comics; $9.99, Ages 8-12) is about Wonder Woman as an eleven-year-old girl. As the only kid on Themyscira, the island of the Amazons, understandably, Diana’s a bit lonely. How did you go about envisioning the famous Princess Diana as a tween?

VICTORIA YING: We first looked at the original iconic design for Wonder Woman and then tried to imagine what she would look like as a kid! We wanted to have those shadows of the person she would become without being too obvious about it. She has her bracelets, a simple rope headband, and her pleated skirt. Things that would allude to her future, without showing our whole hand.

CVZ: You’ve illustrated pictures books before and are the author-illustrator of a wordless picture book, Meow! How was illustrating a graphic novel different?

VY: I was so lucky to be able to have Shannon and Dean Hale as collaborators for this project. It is my debut graphic novel project and they are industry veterans who really understand how to write for a visual medium. They left a lot of the decisions up to me, but would keep the important descriptions in the text.

CVZ: Tell us about your process.

VY: For comics, I first lay out my rough sketches with rough text in ComicDraw for the iPad. Then I submit this for approval. Once the sketches are approved, I take them and do a tracing paper style draw over of the rough sketches for a clean finished drawing in Procreate. Lark Pien was our colorist and she takes the work to its finish.

CVZ: Your middle-grade graphic novel, City of Secrets, is coming out in July (Viking, 2020). How does it feel to be both the writer and artist?

VY: I originally wrote City of Secrets as a NaNoWriMo project. I was so afraid to have to draw the city! When my friends commented that I had great story structure and good characters, but terrible description, I realized it was because I relied too much on my illustrator brain and decided to try it as a graphic novel instead. It turned out that I LOVED drawing the puzzle-box city!

CVZ: You’ve worked on films, picture books, middle grade novels—what’s next?

VY: City of Secrets has a sequel coming out in July of 2021, and I’ve just announced a new book with First Second Books called Hungry Ghost, a YA contemporary about an Asian-American girl struggling with an eating disorder. I have a wide range of interests and all kinds of stories I want to tell. I hope that my career will let me tell as many of them as I can handle!

CVZ: Thank you for taking time to talk with us. We look forward reading all your new stories!

 

BIO:
Victoria Ying is an author and artist living in Los Angeles. She started her career in the arts by falling in love with comic books; this eventually turned into a career working in animation and graphic novels. She loves Japanese curry, putting things in her online-shopping cart then taking them out again, and hanging out with her dopey dog. Her film credits include Tangled, Wreck-It Ralph, Frozen, Paperman, Big Hero 6, and Moana. She illustrated the DC graphic novel, Diana: Princess of the Amazons. Watch for her authored graphic novel, City of Secrets, out July 2020.

Author Illustrator VictoriaYing
Author/illustrator Victoria Ying.

CityofSecrets CoverReveal FBInstaLINKS:
Twitter: @victoriaying
Instagram: @victoriaying
Website: http://www.victoriaying.com

Check out a preview here.

INTERVIEW BY CHRISTINE VAN ZANDT:
(www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting,
Christine@Write-for-Success.com

 Check out a DC graphic novel review here.

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