Did you know Srinivasa Ramanujan was one of the greatest mathematicians the world has seen? I didn’t, but was thankful to come across The Boy Who Dreamed of Infinity by Amy Alznauerand learn a little bit about this man whose amazing accomplishments are still studied today.
Born in a small South Indian village in 1887, Ramanujan began questioning the world at an early age: “What is small? And what is big?” He spent endless hours writing and erasing on his slate, trying to capture his thoughts about numbers and size. “Ramanujan was a number theorist, a person who studies the properties and patterns of numbers.” This book’s examples make these large concepts easy to understand such as when Ramanujan takes food to the man by the river who claims to see odd creatures that aren’t there. To this, Ramanujan says, “Sometimes even invisible things can be real.” Kids can relate to this while their parents have a greater understanding of what Ramanujan meant.
This self-taught genius felt alone with his thoughts until reaching out to Cambridge University in England because of its great mathematical center where he finally connects with top mathematician, G. H. Hardy (whose pamphlet on infinity Ramanujan had recently discovered). Just six years after making that connection, Ramanujan died in 1920, at the age of thirty-two. “The profound originality of his ideas has been a source of inspiration for mathematicians ever since.”
Daniel Miyares’s lovely illustrations show us Ramanujan’s India blended skillfully with the boy’s thoughts. One of my favorite scenes discusses how numbers whisper to Ramanujan in his sleep; he tries catching ideas before they disappear. The accompanying art has multiple images of Ramanujan leaping and climbing on numbers, set against a night sky. Get this book for the kid in your life with big thoughts—whether anyone else can see them or not.
Click here to order a copy of The Boy Who Dreamed of Infinity. e Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks! e Recommended Reads for the Week of 10/19/20
After spending five miserable months at sea, Judah arrives in New Orleans. “His father and grandfather had also sailed the seas. They left their homes to practice Judaism in peace and freedom. God had taken care of them. Judah knew God had a plan for him, too.”
Mildenberger’s illustrations, using soft brown and blue colors, depict the busy harbor in Touro’s new hometown. “A busy harbor meant trade. And trade was a business Judah knew well.” Ades takes us through Judah’s transforming life as he welcomes new friends into his shop at Number 27 Chartres Street. Mildenberger draws crowds of people waiting in line as the industrious shop owner’s business booms. He becomes the most successful merchant in town unlike his father and grandfather who had been great Rabbis. “Had God planned for him to be a businessman?”
The United States entered the War of 1812 eleven years after Judah had relocated to New Orleans. When General Andrew Jackson urgently requested volunteers, Judah joined up, doing one of “the most dangerous jobs on the battlefield, bringing ammunition to soldiers.” During the war Judah was injured and his dearest friend, Rezin Shepherd, found him and nurtured him back to health. “While he lay in bed, he had plenty of time to think about why God had spared his life.”
e e Eagerly turning the page, we see Mildenberger’s moving full color illustrations of sad faces and homeless people as Judah walks through town. “His gut ached for the children who begged for food when they should have been in school. And he sobbed for families torn apart by diseases like yellow fever and cholera.” The poverty and suffering profoundly impacts Judah, supported by his cane, walking past the hospital. He knows he can afford to help these people and so he does. Judah begins making huge donations, but he “requested only one thing in return. He asked that his donations be kept secret. Judah Touro didn’t want to be famous.”
This engaging, educational story takes us through Judah’s purchase of the city’s first Jewish synagogue. We then see how “everyday, African men, women and children were legally sold as slaves so quietly, Judah began to pay off masters.” Ades explains to readers how, when Judah died in 1854, he left money for myriad charities and causes, both Jewish and non-Jewish. “He made sure that fire departments, public parks, libraries and schools could remain open and running.” In his lifetime, “Judah gave away more money than any other American of his time. But he was not famous. And that’s the way he wanted it.”
In the Author’s Note, Ades explains how Touro did not leave a diary. However his secretive, selfless and generous actions make clear that during his formative years he had learned a great Jewish value, helping those in need. This fascinating historical fictionalized story is a great lesson on kindness and humility for lower grade students. They’ll learn that success is more than having money; it is about what you do with that money, and that philanthropic deeds, large and small can be done without requiring recognition. In our world of social media and instant gratification, it was inspirational to read about a real life hero who did great deeds, but chose to avoid fame.
I’m so happy to share this interview with popular SoCal author, Alexis O’Neill. Her new picture book biography introduces Jacob Riis, a determined New Yorker born in Denmark, to a new generation of readers. It’s hard not to feel as though you’ve traveled back in time as you learn about Riis, who is best known for his moving photographs of the plight of the poor tenement dwellers in the late 19th century and early 20th century.
In Jacob Riis’s Camera, a penniless immigrant, who becomes a reporter and social activist, uses new flash powder technology to illuminate desperate tenement living conditions and brings about changes for children and their families.
GOOD READS WITH RONNA:Did you happen upon Jacob Riis’s photos one day and find inspiration to write this picture book or did you intentionally set out to write his story?
ALEXIS O’NEILL: I’ve always been interested in photography and photographers. I used to live pretty much with a camera in my hand, and when I lived in central New York, I belonged to the Syracuse Camera Club, one of the oldest in the nation. I met Riis’s photos when I was researching child labor issues for other projects. Then later, I read his autobiography, The Making of an American. He wrote so vividly and personally that I felt as if he were right beside me, chatting with me in my living room. That’s when I knew I wanted to write a book about him.
GRWR:Despite my familiarity with Riis’s haunting b + w photos, I had no idea how influential he had been during his lifetime. What fact or facts about Riis surprised you the most?
AON: I was really surprised that Riis didn’t consider himself a photographer. In fact, he later carelessly tossed his glass plate negatives into his attic. Then, just before a wrecking ball was about to destroy the family home, the images were rescued, thanks to photographer Alexander Alland, Sr., and donated by Riis’s son, Roger William, to the Museum of the City of New York.
GRWR:Riis was a champion of the poor as early as his youth in Denmark. What impact would you say his photos have had on the way this segment of our society is treated?
AON: Riis’s photos were revolutionary. They inspired accountability and gave documentary evidence that helped force compliance of landlords with sanitary and building regulations.
GRWR: How big a role did Riis’s immigrant background play in his career?
AON: Like most immigrants, he had a driving work ethic. He was an educated Dane with carpentry skills, but he had a hard time finding work in America. He did all kinds of menial tasks in order to survive. He experienced homelessness and hunger. He experienced injustices and wanted to fix them—not just for himself, but for others.
GRWR: Is there a particular photo of Riis’s that particularly resonates with you?
AON: To me, his most heartbreaking photo is “The Baby’s Playground.” A toddler with a shaved head and filthy dress stands in front of an overflowing public sink at the top of a dark staircase that has a railing held together with rope. The wall behind the baby is coming loose. No child should have to live like that.
GRWR:Obviously this nonfiction bio involved a lot of research. How did you choose what to include or leave out when his rags to not-so-riches-but-fame story is so fascinating? Was there a portion or time period of his life that was most difficult to nail down?
AON: Riis’s relationship with his Danish sweetheart was complicated, so I treated that with a broad brush stroke.
GRWR:Why do you think no professional photographer had captured the lives of shelters and tenement dwellers prior to Riis?
AON: At the time, most photographers made pretty portraits or, like Matthew Brady, recorded historical events. Riis, in contrast, showed the underbelly of life. I think that when Riis read about the invention of flash powder, it came at the right time for him. Photographs taken with this new technological tool helped him convince officials to make changes in the tenements.
GRWR:Do you attribute Riis’s success to his talent as a photographer, his perseverance, good timing or all three?
AON: I believe Riis’s success can be attributed to his determination and tireless work to tell a complete story of the social injustice experienced by impoverished city inhabitants. He lived during a time of great interest in social reform.
GRWR: As a former New Yorker and lover of NYC’s Tenement Museum, I’ve always admired Riis’s photos. Why do you think his accomplishments are not better known today?
AON: Riis’s photos continue to impress people, and his contribution was unique. In his advocacy for improving substandard housing, he was one among many of his contemporaries who also advocated for changing laws on child labor, suffrage, public health, housing, and schools.
GRWR: What’s one of your favorite illustrations by Gary Kelleyin your book?
AON: I love Gary’s illustration of Jacob giving a lecture and pointing to his photograph of a tenement mother holding her swaddled infant. As he talks, Jacob gestures to the poignant image. This image makes me wish I could have heard Jacob in person!
Alexis O’Neill is the author of several picture books including The Recess Queen, the winner of several children’s choice awards, and The Kite That Bridged Two Nations, a California Young Reader Medal Nominee. Her new picture book biographies are Jacob Riis’s Camera; Bringing Light to Tenement Children and The Efficient, Inventive (Often Annoying) Melvil Dewey (due Fall 2020). Alexis received the California Reading Association’s award for making significant and outstanding contributions to reading throughout California and is an instructor for the UCLA Extension Writers’ Program.
Thank you so much, Alexis, for sharing your insights about Jacob Riis and giving us the inside scoop about your new picture book biography, Jacob Riis’s Camera. It’s so great to know how many children will now have a chance to learn about Riis’s important contributions to society.
No matter how many children’s books I read about Abraham Lincoln, I continue to learn something new in each one. Sometimes something I already knew, but had long forgotten, is presented in such a way that I’ll now always remember it. Both these experiences apply toThe Superlative A. Lincolnby Eileen R. Meyerwith art byDave Szalay.
Perfect for Lincoln’s Birthday (yesterday, 2/12), Presidents’ Day or National Poetry Month, Meyer’s nonfiction picture book contains 19 poems that vary in style and content. Each poem is also accompanied by a factual paragraph on the bottom of the page to put the poem’s subject in context. Best of all, teachers can use the superlative poem titles such as “Best Wrestler”, “Worst Room Name,” and “Strongest Conviction,” and couple them with the excellent activities offered on Meyer’s website, for an engaging Language Arts lesson.
Did you know our 16th president was an inventor? Thanks to Meyer, in “Most Likely to Tinker,” we read how Lincoln’s penchant for problem solving resulted in his being awarded a patent for a design that helped “boats float over shallow river spots …” I didn’t recall Lincoln being a doting dad, but in “Most Permissive Parent,” we get a glimpse via Szalay’s charming woodcut looking illustration of First Sons, Willie and Tad, taking full advantage of their father’s parenting style. Throughout the book, Szalay’s art humanizes Lincoln and events whether in scenes of him chopping trees or meeting Frederick Douglass with a firm and friendly handshake. There’s a warm, folk art quality about the illustrations that pairs them perfectly with all of Meyer’s telling poems.
One of my favorite poems, “Best Advice” addresses Lincoln’s signature beard. What a surprise it was to learn he was the first president to sport one! I had no idea that growing whiskers had been recommended in a letter to candidate Lincoln by eleven-year-old Grace Bell. Lincoln even met with her on his travels to offer thanks. In addition to his beard, most children probably associate Honest Abe with his stovepipe hat. It certainly came in handy as a writing surface and a convenient place to carry things. “Best Use of an Accessory” cleverly conveys the hat’s perspective. “We don’t need a leather briefcase. / We don’t want an attaché. / You can keep that canvas knapsack. / I’m a traveling valet.” And by the way, “Least Favorite Nickname” enlightens young readers about Lincoln’s dislike of the nickname Abe. They would be hard pressed to find anyplace where he personally used it, preferring to sign his name Abraham Lincoln or A. Lincoln as in the book’s title.
The back matter in The Superlative A. Lincoln includes an author’s note, a comprehensive timeline as well as book and website resources and a bibliography. I could easily describe every poem in the book because I thoroughly enjoyed them all, but I’ll leave that pleasure for you. Instead I’ve chosen to end my review with one of many popular A. Lincoln quotes:
“I want it said of me by those who knew me best, that I always plucked a thistle and planted a flower where I thought a flower would grow.”
Jen Bryant, who has won numerous awards for her books for children, which include biographies of poet William Carlos Williams, and Charlotte’s Web author E.B. White, has written the biography of August Wilson. The picture book, presented in two acts and 48 pages, is an inspiring and lyrical introduction to the two-time Pulitzer Prize-winning Black playwright who died in 2005.
Young readers are probably unfamiliar with Wilson’s work and Bryant writes mostly about his early years at school and the beginning of his career.
Frederick August Kittel, Jr. was raised with a sister and single mother, who cleaned houses. His mother, Daisy, made sure Frederick learned to read, telling him, “If you can read, you can do anything – you can be anything.” Bryant tells about the racism Wilson and his family experienced—brick-throwing, name-calling, fights, and accusations of cheating—driving Wilson from school after school, setting him on a course of self-education, reading all day in libraries. Wilson finds the “universe opens wide” when, as a teenager, he encounters Black authors Langston Hughes, Richard Wright, and Ralph Ellison.
His first paid writing job was completing his sister’s homework; he bought a used typewriter, composing poems after he finished washing dishes at the diner. The talk and stories of Black men in his community, many working at menial jobs, provided the dialogue for his poems and plays. Working odd jobs in a soup kitchen, Wilson listened to stories. “Who’s there? What are they saying … and why?” he asked himself, and these figures became characters in his dramas.
Debut illustrator Cannaday Chapman uses a limited color palette of earth tones to show the expressions on Wilson’s face and his connection to his environment.
Bryant includes a detailed Author’s Note explaining her interest in Wilson, her extensive research, and her process for writing the book. Students will enjoy her description of spreading her pages down her hallway. Feed Your Mind is an important book about an author of color, who endured poverty and racism, and whose life shows the power of literacy and community.
Guest review by Julia Wasson, veteran educator and curriculum developer.
Tension builds naturally through Holt’s lyrical mirrored text. Of the graphite; “Mighty, unyielding, brilliant. The rock would dazzle if it had any light to reflect, but it doesn’t.” She writes of the boy; “Mighty, unyielding, brilliant. His inventions dazzle classmates, But Tracy is still penny poor, with so many ideas floating just out of reach.”
The tale celebrates Hall’s perseverance and resolve in the face of poverty and bullying. These obstacles ultimately build his resilience as he develops an invention to produce industrial diamonds. For those interested in learning more about diamonds, Holt provides backmatter on the mined diamond industry including the DeBeers monopoly and “blood diamond” conflict in Africa. A timeline and bibliography are also appended.
Fleck’s color-saturated illustrations are digitally enhanced and multi-layered, keeping the focus squarely on the man and the gem. Clever use of the color palette, alternating between the echoing narratives, helps balance the book visually. The contrast nicely reinforces the natural comparison of Hall’s and the diamond’s transformations. Fleck makes excellent use of angular elements such as the striations of the earth, books shelved in the library, diamond facets and kite strings, while occasional red-orange ‘explosions’ emphasize dramatic changes.
In THE DIAMOND AND THE BOY, Holt offers a personal and noteworthy celebration of a man deep in substance and character. This book is a different and delightful choice for readers of history, industrial manufacturing, or STEM classroom libraries. The intersection of science and personal character development is a unique and rich format that will engage a variety of readers and potential young inventors.
Where obtained: I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.
WRITE ON, IRVING BERLIN! Written by Leslie Kimmelman Illustrated by David C. Gardner (Sleeping Bear Press; $16.99, Ages 6-9)
This quote says it all –
“Irving Berlin has no place in American music – he is American music.”
— Jerome Kern
It’s been almost 30 years since we lost the brilliant musical talent, Irving Berlin, but his music lives on. In fact, the great news is that we can frequently hear some of his most famous songs throughout the year at sporting events, at Christmastime and in musical revivals across the country. Write On, Irving Berlin! written by Leslie Kimmelman and illustrated by David C. Gardner is billed as a lyrical story of an immigrant and the composition of “God Bless America.” This picture book biography provided the interesting back story of the man behind so many hits including “Alexander’s Ragtime Band”, “Putting On The Ritz”, “White Christmas”, “Oh! How I Hate to Get Up in the Morning” as well as all the wonderful songs from Annie Get Your Gun, Easter Parade and many others.
When it became too unsafe to remain in Russia for Jews, five-year-old Israel Isidore Baline and his family traveled by ship to America in 1893 to begin a new life. Thousands of immigrants arrived at Ellis Island in New York with barely anything but memories of their homeland. But at least they were safe and free. In school, Israel went by the name of of Izzy but found it difficult to focus on learning. Music filled his head. That was no surprise. In Russia his father had been a cantor, “standing side by side with rabbis, singing and filing synagogues with beautiful music.” Sadly, Izzy’s father passed away when the boy was just thirteen. He left school and his family so as not to be an added burden and struck out on his own. What did he do? He sang wherever he could get a paying job. He also wrote song lyrics although he couldn’t read or write music! He actually hummed his tunes and had someone else write down what he created. Pretty impressive I’d say. By this time Izzy was calling himself Irving Berlin and had sold his first song for 37 cents. He found a job at a music publisher and, since ragtime music was all the rage, he wrote Alexander’s Ragtime Band which became “a smash.”
Soon Irving Berlin married but not long after the wedding, his wife Dorothy became ill and died. He turned to his music to get him through his grief, still grateful for all that his new country had given him. During WWI Berlin was drafted into the army where he wrote songs to lift the spirits of his fellow soldiers. After that he found love again with Ellin and wrote the song “Always” for her. One hit followed another and Berlin’s popularity grew. He seemed to live and breathe music and wrote songs at any time of the day or night and in any place, including the bathtub!
It probably took little time to write one of his all time greats, “God Bless America”, a song that celebrates its 100th or 80th anniversary this year depending on whether you count when he first composed it or when he released it decades later. I had no idea Berlin donated all the proceeds from the song to the Boy and Girl Scouts of America or that people weren’t happy that a Jewish man, an immigrant, had written the song. What stunned me was those same folks could again not embrace his other huge hit, “White Christmas” for the same reason. Despite that, Berlin is said to have told a friend he thought it was the best song anybody had ever written. There is more to learn about this amazingly talented man such as how he traveled to war zones during WWII to help entertain the troops and how his fount of song ideas seemed ever flowing. Kimmelman’s included an author’s note in the back matter where I learned Berlin not only helped found the American Society of Composers, Authors and Publishers (ASCAP) but in his lifetime he received not only the Medal of Merit from President Truman but the Congressional Medal of Honor from President Eisenhower as well.
Kimmelman’s shared just the right amount of information with her prose although there is so much material about Berlin to choose from given his long career. I liked how, since this is an anniversary year for “God Bless America”, she included that very line at various points throughout the book. Looking at Gardner’s beautiful historical imagery with its water color quality, readers will get a terrific sense of time, place and mood. Prepare to be transported back by both Kimmelman’s words and Gardner’s illustrations to a time when Tin Pan Alley was turning out the hits and Irving Berlin was at the top of his game. I recommend reading the book while playing a selection of some of his songs which can be found here.
NATURE’S FRIEND: THE GWEN FROSTIC STORY Written by Lindsey McDivitt Illustrated by Eileen Ryan Ewen (Sleeping Bear Press; $16.99, Ages 6-9)
One of the best parts about reviewing children’s books is learning about someone or something new. That’s exactly what happened after readingNature’s Friend: The Gwen Frostic Storyby Lindsey McDivitt with illustrations by Eileen Ryan Ewen. You may have noticed that there aren’t a lot of traditionally published picture books about people with disabilities, but there are more now than there used to be and that’s a good thing. Authors like McDivitt are making a difference by writing about diverse individuals and topics which I truly appreciate and why I jumped at the chance to review Nature’s Friend.
This inspiring debut picture book biography introduces children to the art and writing of Gwen Frostic, someone about whom, as I mentioned above, I knew nothing prior to reading the book. And now I’m eager to see her art in person and you will be, too. Born in Michigan in 1906, Frostic contracted an illness as an infant that left her physically disabled. But with the positive influence of her mother, Gwen never avoided doing all the things that her brothers and sisters did. “I never knew I couldn’t do something,” is the overarching message of Nature’s Friend, a quote in McDivitt’s book that captures the essence of who Gwen was—a bright, creative and resourceful woman who never let perceived obstacles hold her back. She clearly was ahead of her time.
Gwen’s mother, a former teacher, could have taught her daughter at home because in the early 20th century it was more common for disabled children to stay at home. Instead, Mrs. Frostic “sent Gwen to school and pushed her to learn.” While the bullying might have painful, the young girl chose to focus on her academics and was an adept student. In fact, it was also due to her mother’s encouragement and guidance that Gwen’s weak hands grew stronger as her mother had her practice sketching. Gwen, who had embraced nature at an early age, would find later in life that this experience greatly influenced her career path.
At age 12, Gwen’s family moved to Detroit. It was there in high school that she learned mechanical drawing and other skills not typically part of a girl’s curriculum. Someone wrote in her yearbook, “Her brush, her pencil and her pen will make this world a better place!” But pursuing a career in art wasn’t necessarily going to provide for her. The tides turned in her favor when wealthy and influential people began purchasing her designs. What joy and satisfaction it must have been for Frostic when her art was chosen to be exhibited at the 1939 New York World’s Fair! Soon though her grand plans were put on hold due to WWII. She went to work at the Ford Motor Company to help the war effort by designing “tools for building the airplanes.”
In addition to Gwen’s airplane construction work, at home she remained drawn to art, eventually purchasing a printing press and starting her own business. Frostic called it Presscraft Papers Stationary Company and based it first in Frankfort, Michigan and then on the Betsie River to be closer to nature. The back matter states that Frostic created greeting cards and books that “celebrated Michigan plans and wildlife.” She was awarded countless honors in her lifetime and worked in her shop well into her 90s.
Ewen’s serene artwork conveys Frostic’s love of nature on every page. I also felt the movement and emotion as Gwen clenched her sketching pencil, smelled the fresh Michigan air in the beautifully rendered outdoor scenes and watched the changing fashions go by as Gwen matured. The illustrations, coupled with McDivitt’s honest and uplifting prose that applauds determination and individuality, promises hope and invites creativity (there’s a craft included at the end), make this a wonderful and worthwhile read for not only kids, but for adults too who may be unfamiliar with Frostic.
Everything about Gwen Frostic was unique, from her art to her attitude. Rather than let society define what she could and couldn’t do as a woman and as a person with disabilities, she wrote her own rules and lived happily and successfully by them. Considering the era she lived in, it’s especially encouraging to read about female trailblazers like Gwen Frostic who forged ahead with their talents allowing their heart to guide them.
“As long as there are trees in tiny seeds … there will be miracles on earth.” – Gwen Frostic, A Walk With Me
Fascinated by reptiles from an early age, Joan Procter followed her childhood passion for slithery, scaly, unusual animals to an internationally renowned career at London’s Zoo and the Natural History Museum. Valdez introduces us to young, curious Joan, holding tea parties with reptiles while her peers preferred dolls. As Joan grew, her interest did not wane, so at 16 years old she received a pet crocodile as a birthday gift!
In due time, Joan chatted up the director of Natural History museum about his work with reptiles. She began working there, surveying the museum’s vast collections, publishing research papers, and creating detailed, realistic models and drawings for the reptile exhibits. Given her enthusiasm, experience and extensive knowledge, Joan eventually became the Curator, an unusual role for a female scientist at the time.
When invited to re-design the London Zoo Reptile House, Joan fell in love with a new and exotic creature, the Komodo dragon. This so-called fierce, man-eating lizard was “rumored to be…Thirty feet long! Faster than a motorcar! Stronger than an ox!” Joan, undeterred, could not wait to study the dragons first-hand. Her deep connection with one Komodo called Sumbawa led to some of the most stunning and innovative work of her career.
Valdez keeps the paces of this fascinating story lively by introducing wonderful vocabulary woven carefully and completely within a child-friendly framework and perspective. She highlights her heroine’s passion and determination in an understated yet direct manner, giving Joan relevance and timeliness that transcend her time period. Joan Procter, Dragon Doctoris an essential addition for collections on women in STEM fields, with the broad appeal of reptiles and science for many young readers boosts this title to the top.
Salas illustrates dramatically, choosing with vibrant, rich colors for the settings, the tropical plants, and the starring-role reptiles. Joan is elegant yet serious, portrayed close to and interacting with her creatures, focused on them with great intensity, delight and passion. The reptiles themselves are marvelously textured and stylized, creeping, curving and twisting with dignified realism. Throughout the story, Salas provides tantalizing glimpses of early 20th century London through architecture and fashions of the era.
Valdez includes additional biographical information on Procter as well as on Komodo Dragons. A bibliography with primary and secondary sources is a helpful resource for young readers who wish to explore more. Don’t miss the opportunity to learn about this impressive scientist, her beloved ‘dragons’ and her trailblazing career in a book that is as beautiful and brilliant as it is important.
Where obtained: I reviewed an advanced reader copy from the publisher and received no other compensation. The opinions expressed here are my own.
ABOUT JOAN PROCTER, DRAGON DOCTOR
For fans of Ada Twist: Scientist comes a fascinating picture book biography of a pioneering female scientist–who loved reptiles!
Back in the days of long skirts and afternoon teas, young Joan Procter entertained the most unusual party guests: slithery and scaly ones, who turned over teacups and crawled past the crumpets…. While other girls played with dolls, Joan preferred the company of reptiles. She carried her favorite lizard with her everywhere–she even brought a crocodile to school!
When Joan grew older, she became the Curator of Reptiles at the British Museum. She went on to design the Reptile House at the London Zoo, including a home for the rumored-to-be-vicious Komodo dragons. There, just like when she was a little girl, Joan hosted children’s tea parties–with her Komodo dragon as the guest of honor.
With a lively text and vibrant illustrations, scientist and writer Patricia Valdez and illustrator Felicita Sala bring to life Joan Procter’s inspiring story of passion and determination.
★Starred Reviews: Booklist, Publishers Weekly, School Library Journal
MUDDY: THE STORY OF BLUES LEGEND MUDDY WATERS Written by Michael Mahin Illustrated by Evan Turk (Atheneum BYR; $17.99, Ages 4-8)
★Starred Review – Booklist
Don’t miss the biography of the man and his music in Muddy: The Story of Blues Legend Muddy Waters.
The story of blues legend Muddy Waters is told in prose which reads like one of his songs, filled with both sweetness and longing. Author Michael Mahin does a fine job of recreating for a young reader the life of Muddy Waters from his childhood days to one of the high points of his career, the creation of his first album.
All along the way through the book, beside those sweet and longing words of the author, are Evan Turk’s amazing illustrations that take your breath away. They look like the blues! They look like Muddy Water’s story and some of his soul. Strong lines paint the bold story of the legend, and color reaches out to convey the emotion that Muddy was going through at different times in his life. Truly these are some of the most unique illustrations to appear in a picture book. The people in Muddy’s life reach high in church, bow low over a harmonica, every movement is full of energy. Muddy’s grandmother appears as a larger than life character. She takes up so much room in one memorable two-page spread that one cannot escape the dominant presence she must have had in Muddy’s life. There is some kind of motion everywhere, in the playing of music, in the form of Muddy’s grandmother as she hangs her laundry while dancing to Muddy’s music, and in the movement of Muddy himself as he plays and sings.
The often repeated words, “But Muddy was never good at doing what he was told.” tell the story of a man who would not be dictated to by any boss but himself, and who successfully turned that persistence into a sound that the music world had never heard before, a precursor to rock and roll. This is a story that shows a child that sometimes staying true to yourself is one of the hardest battles, but ultimately one of the best. Muddy never gave up on his music the way he heard it, never listening to naysayers. All of us have something like that call in our lives. Muddy teaches us through his experiences to listen to that call, be true to it and to never stop believing that one day it will enable each of us to add a new sound to the world. One passage accompanied by a striking depiction of Muddy singing reads like music:
He called up the sticky heat of a summer
night, the power of love, and the need
for connection in a world that was
so good at pulling people apart.
Muddy: The Story of Blues Legend Muddy Waters is an incredibly powerful picture book in every respect and is highly recommended. At the bookstore where I work, this is a staff favorite because we all agree that it is one of the most extraordinary picture books we have seen this year. Muddy is a wonderful introduction to the life of a legend as well as an inspirational and evocative experience of art so well matched to the man and his blues that you can almost hear the music playing.
This hardcover picture book will be available September 5, 2017 but can be pre-ordered now.
JOHN RONALD’S DRAGONS: THE STORY OF J.R.R. TOLKIEN Written by Caroline McAlister Illustrated by Eliza Wheeler (Roaring Brook Press; $18.99, Ages 7-10)
is reviewed today by Cathy Ballou Mealey.
Even a passing glance at the brilliant cover of John Ronald’s Dragons: The Story of J.R.R. Tolkienwill reveal tantalizing clues about the carefully woven, beautifully illustrated tale inside. A boy, heavy book open in his lap, sits beneath a tree that is morphing, Daphne-esque, into a curious dragon. Utterly fantastic from its root-like tail swirling up the trunk to its leafy green scales, we share the boy’s delight and surprise in the dragon’s appearance as a peaceful, shire- styled village awaits in the distance.
Using dragons as a child-friendly entry point, McAlister frames this picture book biography of J.R.R. Tolkien around his rich imagination and love of language. The book paints an idyllic early childhood that nurtured John Ronald’s passions, allowing them to flourish among stories, family, friends, and invented vocabularies. Those passions then simmer quietly beneath the surface, sustaining him in later years through unhappy times and adult responsibilities.
The magic of this book lies in how well Wheeler’sillustrations build upon McAlister’s text, never failing to seize an opportunity to portray a smoky wisp from cup, chimney or pipe that will connect us to a dragon’s steamy breath. Likewise, architectural details ground the reader in the time period while also stretching to hint at fantasy features in the imagined worlds Tolkien eventually creates. The subtle green-gray-yellow palette keeps the focus squarely on the main character, until finally bursting into glorious red-gold when the dragon Smaug is revealed. Gorgeous endpapers pay delightful homage to William Morris design.
Young readers who may not have yet heard of Tolkien nor seen The Lord of the Rings movies will be gently introduced to Middle Earth world through this charming book. Surely many will identify with the desire to daydream about powerful dragons, misty mountain journeys, or Hobbits and elves. The text includes informative notes from the author and illustrator, Tolkien quotes on dragons, a Tolkien dragon catalog, and bibliography.
John Ronald’s Dragons: The Story of J.R.R. Tolkien is a wonderful initial investment in world-building and imagination for young readers. Once engaged by the dragons and dreams of John Ronald, one cannot help but assume the book will spur future interest in reading more of Tolkien .
Reviewed by Cathy Ballou Mealey
Where Obtained: I reviewed a preview copy of John Ronald’s Dragons: The Story of J.R.R. Tolkien from the publisher and received no other compensation. The opinions expressed here are my own.