The Stars Beneath Our Feetby David Barclay Mooreintroduces us to Wallace “Lolly” Rachpaul, a twelve-year-old boy reeling from his older brother’s recent murder. Lolly almost thinks it’s a joke, that Jermaine will reappear and everything will be fine. However, the heaviness in Lolly’s chest makes him realize life is unfair: “it’s all about borders. And territories. And crews.”
For years, Lolly built Legos per the box’s instructions because they provided relief from the real world. When Lolly’s mother’s girlfriend begins giving him garbage bags full of Legos, it unleashes his imagination but their apartment isn’t big enough for his artistic endeavor. At his community center after-school program, Lolly finds the storage room a peaceful retreat where he can build alone, forgetting about everything else until he must share his space and blocks with a quiet girl the kids call Big Rose.
When Rose does speak, she repeats comforting words to herself: “Your mama, your daddy—they were buried under the ground, but they’re stars now, girl, stars beneath our feet.” Her seemingly obscure statements affect Lolly. Their unlikely friendship evolves to include an understanding of shared pain. In the Harlem projects, death is too commonplace.
Throughout the book, Lolly and his best friend, Vega, feel pressure to join a gang for protection; yet, that’s what led to Jermaine’s death. Lolly wavers between fear, anger, and acceptance of what seems to be his only path. The question of how to fit in pulls Vega away as they search for their own answers, boys on their way to becoming men.
Moore’s book reveals our world’s imperfections and complications. Yet, hope shines through. We relate to Lolly’s conflicting emotions and understand his worries about the future. We all must decide how to best live our lives. The Stars Beneath Our Feet shares a glimpse of one boy’s journey.
Hilary Taber of Flintridge Bookstore Interviews Roderick Townley
I recently wrote to Mr. Townley to inquire if he would be agreeable to doing this interview with me. It all seemed something like tossing a penny into a wishing well, one of those moments in life when you shake hands with the universe on an agreement that you will both, ever so briefly say “Who knows? It could happen!” When Roderick Townley responded that he would do the interview, I was happy and completely astounded. I wondered what I would ask this “wizard of words?” This author’s writing always seems to have the charm of a fairy tale, the adventure of a contemporary fantasy novel and the depth of a poem. The Great Good Thing, The Blue Shoe, and The Door in the Forest are all among his literary treasures. Each of these works are well written, highly polished, deeply profound, and leave the reader the richer for having read them.
The Great Good Thing, his first children’s book, was published in 2001. Since then, Mr. Townley has continued to captivate readers of all ages. Possessing a rich background as a poet and also as a journalist, Roderick Townley manages somehow to pull on both imagination and reality. He has crafted books that have inspired his fans to create board games, blue shoes, dolls, and gorgeous illustrations. The author confesses that some of these tales once began as bedtime stories and then “grew up” into the wonderful books we know today – full of beauty, magic, mysteries, adventure, danger, villains, and heroes. It indeed makes sense that Townley’s books started as bedtime stories. As Prospero said in Shakespeare’s The Tempest, “We are such stuff as dreams are made on, and our little life is rounded with a sleep.”
Hilary Taber: What is your full name and where did you grow up?
Roderick Townley: Grew up all around New York City: East Side, Greenwich Village, Brooklyn, Long Island.
H.T.: What was your family like? Did they encourage your writing?
R.T.: They read, but were not “literary,” conventional in tastes, but encouraged my writing. My mom always thought I should write children’s books. A decade after her death, I published my first.
H.T.: Who was the greatest inspiration to you in your young life? Is there any one person that stands out in particular?
R.T.: I’ve had encouragers all along the way. Teachers especially, several of whom I saw as father figures after my own dad died. Mostly, though, it was what I read that inspired me. I thought of myself as a poet, and as a teenager was imitating Lawrence Ferlinghetti and (disastrously) Dylan Thomas.
H.T.: Are there a few writers that you could name that have influenced your writing for children and teens?
R.T.:Every writer I’ve ever read has influenced me. Bad writers have shown me what doesn’t work; good writers what does. What I look for is intensity (e.g.,James Agee), wild imagination (John Crowley), and depth (Melville, Rilke). You’ll notice that these are not children’s writers. But writing is writing, and in my books for young readers I am always trying for those qualities: intensity, imagination, depth.
H.T.: I’ve read on your website that when you were a young boy you would write in a notebook, and that writing filled you with excitement that others didn’t seem to notice. What gave you that excitement? Do you still have that excitement now just as it was when you were young, or has it changed?
R.T.: Back then, I was just excited by the story as it unfolded under my racing pencil. It was also exciting to realize that I was creating it–and could change it! What’s different now is that my stories are more dimensional, and I erase almost as much as I write. That makes the process slower and more painstaking. Less “fun” at times, but in the end more satisfying.
H.T.: I’m a great admirer of your heroine Sylvie from your book The Great Good Thing. If you could close your eyes to enter a more dream-like state and “see” Sylvie, how would you describe what you see?
R.T.: I see her in motion, a flash of wind-blown hair, quick eyes, dirty knees, disgracefully muddy blue leather shoes. Equally interesting to me is the way others have seen her. The German edition has her sitting in a tree on a sofa (!); the Chinese edition depicts her in stylized woodcuts. And kids send me drawings of Sylvie that are wilder than anything I could have imagined. Every reader meets a different Sylvie, and that’s as it should be.
H.T.: I read that a few of your books begin as a bedtime story to your wife Wyatt. How much of Wyatt do readers see in your heroines like Sylvie, Emily, or Sophia?
R.T.: There’s some of Wyatt, a good deal of me, and a fair amount of our daughter Grace in Princess Sylvie. There’s a whole lot more of Wyatt in the two sequels, Into the Labyrinth and The Constellation of Sylvie, because I consciously wrote her in, as the character, Rosetta Stein. Wyatt, like Rosetta, teaches yoga, and both have the same restless hair–and restless spirit. But Wyatt’s presence in my books has to do with more than her resemblance to certain characters. She’s involved in the whole writing process, from the generation of plot ideas to the elimination of dangling modifiers.
H.T.: It would seem unfair not to ask the same questions of you! How much of yourself do you see in your characters Daniel or Hap? Is there a character that you identify with most?
R.T.: I am, in fact, all of my characters, boys, girls, villains, grandmothers. Even the poisonous jester, Pingree. You shouldn’t write any character that you can’t find within yourself.
H.T.: A good deal of your books seem to be infused with poetry. This is not an easy question to answer perhaps, but how do you feel your background in poetry interacts with your writing for children and teens?
R.T.: Children’s literature, at its best, is closer to poetry than to any other kind of writing. I’m constantly distilling, cutting away the unnecessary modifier, the weak verb, the chatty dialogue. And always reaching for the magic that lies just beneath the surface of so-called ordinary life. Those concerns come right out of my apprenticeship a s a poet.
H.T.: Madeline L’Engle made this statement, “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” Do you agree? If so, why do you think this is true?
R.T.: It’s a striking statement, and reminds me of Philip Pullman, who said there are some themes so deep that they can only be addressed in a children’s book. That is true of a few extraordinary children’s books (Pullman’s among them), as well as of fairy tales and myths, which evoke archetypes of the unconscious. It’s not true, alas, of most “kid lit,” which tends to the cute, the shallow, and the vampiric.
H.T.: If books had a genealogy just as people do, what books might be in your family tree of the books you have written? For example, often I have a Harry Potter fan that wants a book similar to the series. So I explain to them that there are such things as “book cousins.” Some books seem to be related to each other. They are somehow alike. What books might be considered cousins, mothers, fathers, aunts, uncles, grandmothers, grandfathers and so on of your writing for children and teens?
R.T.: Publishers say they are looking for work that’s completely original. That is not true. Often they are looking for something very much like a well-known work–but with a twist. Let’s say, Harry Potter on ice skates. When I wrote The Great Good Thing, I didn’t think it was like anything I’d ever read. Reviewers later said it reminded them of Inkheart, by Cornelia Funke, although my book came out a year before hers. Basically, I try for stories that don’t remind me of other stories–why repeat what’s already been done? I leave it to others to discover the “cousins.” Those relatives do exist, but I don’t know about them beforehand and don’t concern myself about them later. Not my job.
H.T.: Are you in the process of writing a new book?
R.T.:I am. In the new novel, tentatively called The Black Rose, a woman disappears during a magic act, and her daughter, Cisley, is determined to find her and bring her back. The girl lives in a glass castle and walks her pet lobster on a golden leash along the seawall each morning. I’m open to suggestions about how it ends.
H.T.: What do you hope for most that your readers will remember after reading your books?
R.T.: Aside from the name of the author? I hope, of course, that they’ll think of the story with delight; but more important, that they’ll be left with a sense of their own inner world, the substratum of magic that is our deepest self.
H.T.: Imagine that you found a book in the woods behind your house. This book is a mystery. It has a short beginning and an equally short ending already written. However, there is nothing written in the middle of the book. You’ve asked around and it seems to belong to no one. In fact, it appears to be very old and possibly entirely magical. Would you finish writing it or would you leave it alone?
R.T.: Oh, of course I’d have a go at finishing it. The hardest parts of writing, for me, are finding the beginning and the end. If those are supplied, I’d be in writing heaven.
H.T.: Imagine an enchantress who has a magical ring on each of her fingers. These rings have magical powers. What does each one do?
R.T.: That’s ten powers, if she has ten fingers. (Does she? Does she have eleven?) I have no idea what her powers would be. If I had a ring, I’d hope it would magically do the dishes and put out the trash.
H.T.: Imagine that the wind is a friend who visits you and Wyatt every so often. What does the wind look like or can you see the wind at all? What do you three talk about?
R.T.: We live in Kansas, named after the Kanza Indians, called “People of the Wind.” Mostly the wind talks to us, rather than the other way around. It circles the house, enters and leaves our lungs, prowls through our poems. Its moods are unpredictable, one day furious (we live in “tornado alley”), the next day sweet natured. The thing I most admire is its fashion sense. Invisible itself, it dresses up in trees, smoke, flying debris, and the smell of violets. It’s why we live where we live.
Many thanks to Roderick Townley from all of us at Good Reads With Ronna for his time, his talent, his insights and for bringing us “the magic that lies just beneath the surface of so-called ordinary life.” For more information about his wonderful books for children and teens, please visit www.rodericktownely.com. Click here now to read Hilary’s post about his novels. Why not tell us your ending for his new novel tentatively titled The Black Rose? We’d love to hear from you.
Do you like fan art? Please click here to see some fab fan art. Find an artistic rendition of Princess Sylvie from The Great Good Thing with quotes from the books all along the edges. A huge tribute to Townley’s work by Shaylynn Rackers!
Stop by the Flintridge Bookstore & Coffeehouse today to pick up your copy of these great books, buy gifts, enjoy their extensive selection of other great reads and relax over a great cup of coffee. Check out the website atwww.flintridgebooks.com to keep up-to-date with story times, author events and other exciting special events. And when you stop by, keep a lookout for Hilary peeking out from behind a novel.
I once heard black author Rita Williams Garcia say that some of the fans who connected most closely to her characters were Asian. Apparently, the story Rita wrote held truth for many families.
The authors of these books have all won major literary awards, but don’t save these books for Black History Month. These are terrific human stories that show that even though our experiences may be different, we all feel longing, heartbreak, injustice, and self-consciousness.
These books can all prompt great discussions about how the characters feel, what they have to deal with and what choices they make. I especially recommend them for book reports or Mother/Daughter book clubs.
THE MIGHTY MISS MALONE($15.99 – Hardcover, $7.99 – Trade Paperback, Random House/Wendy Lamb Books)by Christopher Paul Curtis
I love eleven-year-old Deza Malone, a smart, sassy girl who loves to read and write. Like many during the Depression, her family is surviving on the edge until an accident forces them apart. Getting the family back together is the heart of this story. Great themes of love, family loyalty, and hard work. Historical Fiction (8+)
THE OTHER HALF OF MY HEART ($16.99, Delacorte Books for Young Readers)by Sundee Frazier
Twins Minerva and Kiera are like their parents, one is black and one is white. When their Southern grandmother invites them to visit and insists they enter the Miss Black Pearl Contest, the two sisters’ bond is tested. Grandmother clearly prefers one girl over the other. Kids will respond to this injustice. (8+)
Ella’s always been on the outside. The only black student in a white school, she also has a large birthmark on her face. When a cool new black boy arrives, Ella has to choose between staying loyal to her only friend or being popular. It’s a dilemma that kids will easily identify with. Contemporary Fiction (9+)
Three sisters are sent to spend the summer with the mother who walked out on them seven years before. Their mother is distant and resentful of their presence, and eleven-year-old Delphine must keep her sisters fed and busy at the Black Panther’s youth program. Readers will cheer these three girls as they speak up for themselves and try to form a bond with their mom. Historical Fiction (9+)
Please visit the Flintridge Bookstore today to pick up your copy of these great books, buy gifts, enjoy their extensive selection of other great reads and relax over a great cup of coffee. Also visit the website at www.flintridgebooks.com to keep up-to-date with story times, author events and other exciting special events.