skip to Main Content

Picture Book Review – The Moon from Dehradun

THE MOON FROM DEHRADUN:
A Story of Partition

Written by Shirin Shamsi

Illustrated by Tarun Lak

(Atheneum BYR; $18.99; Ages 4-8)

 

 

The Moon From Dehradun cover girl baby brother and doll

 

Starred Review – School Library Journal

 

Inspired by the true-life events of the author’s mother, The Moon from Dehradun written by Shirin Shamsi and illustrated by Tarun Lak is a powerful and poignant story of the 1947 Partition of India.

 

The Moon From Dehradun int art1 girl with doll while mother cooks
Interior art from The Moon From Dehradun written by Shirin Shamsi and illustrated by Tarun Lak, Atheneum BYR ©2022.

 

Azra can hear the anger on the street just outside her home. “‘[People] are afraid,’” her Ammi says, “‘because our home has been divided ….’” Azra and her family have been living in Dehradun for generations. She tells her doll, Gurya, they will have to leave “‘in five days,’” but when Abba comes home frantic and distressed, it’s clear staying any longer will be far too dangerous. 

The book gracefully manages complex and difficult topics such as displacement and political unrest by filtering them through young Azra’s perspective. The focus is on her feelings:  feelings of fear in not knowing what’s to come, heartbrokenness for leaving Gurya behind in the rush to depart, and anger at her baby brother for “making” her forget to grab her beloved doll before leaving home forever. “My heart sinks like a stone in a well.” Azra expresses her grief in beautiful, lyrical language. The finality of the move and loss of home and place is gently emphasized by the refrain, “We cannot go back.” Lak’s use of muted colors in browns, pinks, and blues and sweeping scenes amplifies the sadness and confusion underway during the mass uprooting caused by the Partition.

 

The Moon From Dehradun int2 hurried departure for Lahore
Interior art from The Moon From Dehradun written by Shirin Shamsi and illustrated by Tarun Lak, Atheneum BYR ©2022.

 

The long train ride leads Azra and her family to Lahore where friendly neighbors, familiar spaces, and a surprise discovery provide hope for a new home and new beginnings.  

Educational and inspirational, this book is a moving story of courage, hope, and resilience. 

Back matter includes a glossary, author’s note, and information about the Partition.

Click here for a Reading Group Guide.

  • Reviewed by Armineh Manookian
Share this:

Picture Book Review – The Welcome Chair

 

 

THE WELCOME CHAIR

Written by Rosemary Wells

Illustrated by Jerry Pinkney

(A Paula Wiseman Book; $17.99; Ages 4-8)

 

 

 

 

 

Starred Reviews – Booklist, Bookpage, Kirkus

 

Rosemary Wells introduces the reader to her family’s history in the telling of a rocking chair built by her great-great-grandfather. We travel with the author of more than one hundred books for children, and winner of the Christopher Award, on the road imagining where the chair may have traveled in The Welcome Chair with illustrations by the late Jerry Pinkney who has earned seven Caldecott Medals, five Coretta Scott King Awards, five Coretta Scott King Honors, five New York Times Best Illustrated Children’s Book Awards, and the Original Art’s Lifetime Achievement Award.

Learning about family history is so much fun, and reading the story of Sam Seigbert who was born in 1807 in Bavaria, and brought to life by Wells from a family diary, was quite fascinating. Wells’s great-great-grandfather was destined to be a carpenter, but his father insisted that he study the Torah to become a Rabbi like him and his grandfather. “It’s settled. You will not work with your hands like a country bumpkin.” But that was not what Sam wanted, so at age sixteen he cut off his sidelocks, so no one would bully the Jewish boy, and hiked north to find work as a deckhand on a freighter for three pfennigs a day. The captain noticed Sam could read and write and offered him a job logging inventory on the ship. When the ship docked, Sam “darts away across the Brooklyn docks into the screeching, shrieking, filthy, clanging, terrifying, ugly and beautiful young city of New York.”

 

The Welcome Chair int1
Interior illustrations from The Welcome Chair written by Rosemary Well and illustrated by Jerry Pinkney, A Paula Wiseman Book ©2021.

 

 

Pinkney’s extensive experience led him to execute the illustrations with contour drawing and watercolor washes, and pictures using burnt okra Prismacolor pencils and pastels. It was a perfect choice to showcase the 19th century as Sam meets Able Hinzler, and his wife Klara, and is hired on to become the bookkeeper and apprentice carpenter for Hinzler’s Housewright shop. When Magnus Hinzler is born, Sam carves a cherrywood rocking chair for Klara to sit in comfortably with the word “Willkommen”  meaning Welcome in German across a panel. This is the start of the chair that had many lives.

As told by Wells, Sam moves to Wisconsin with the Hinzler family. “The rocking chair goes with them. One evening he meets Ruth and falls in love with her gentle laugh and green-gray eyes. When their firstborn, Henry, arrives Sam carves Baruch Haba—Hebrew for “Welcome”—right under “Willkommen,” into the chair’s panel so that Henry will know his heritage.

When Wells was ten, her grandmother showed her the diary that was written in spidery old German by Wells’ great-great-grandmother Ruth Seigbert and read it to her. She decided to write a memoir of the diary in the first half of The Welcome Chair that ends in 1918 and brought to life the rest of the story through stories she was told.

 

The Welcome Chair int2
Interior illustrations from The Welcome Chair written by Rosemary Well and illustrated by Jerry Pinkney, A Paula Wiseman Book ©2021.

 

 

In 1863, Henry was killed in Gettysburg and his younger sister Helen eventually married Harry Leopold. They moved to New York, and you guessed it, the chair travels east by railway. When Helen hires Irish girl Lucy as the family seamstress, she gives Lucy the chair as a wedding present and the word “Failte”—Irish for “Welcome” is spelled out with brass letters.

We watch the clothing and people change, showing Pinkney’s research, along with the timeline. Years have now passed and the chair moves from trash on the sidewalk picked up by a junkman, to Santo Domingo nuns living in Newark, New Jersey who carve “Bienvenido” in Spanish into the wood. When the nuns pass away, the chair is placed in a rummage sale in 2010 where Pearl Basquet’s mother grabs it. “’Our Welcome Chair needs a new word,’” says Pearl.” Her father chisels “Byenvini”—the Haitian word for Welcome.

This is a beautifully told story tracing the history of what was, to the present of what could have been. If these walls could talk what would we know about old family heirlooms? Wells and Pinkney give readers a beautiful glimpse into the “what-if.” Grandparents can read this meaningful story to their grandchildren, and tell their family history to be shared from generation to generation.

  •  Reviewed by Ronda Einbinder

 

 

Share this:

Middle Grade Book Review of Turtle in Paradise – The Graphic Novel

 

TURTLE IN PARADISE:

The Graphic Novel

Written by Jennifer L. Holm

Illustrated by Savanna Ganucheau

Colors by Lark Penn

(RH Graphic; HC $20.99, Paperback $12.99, Ages 8-12)

e

e

Turtle in Paradise cover

e

Starred Review – School Library Journal

An excellent way to introduce middle-grade readers to Holm’s Newbery Honor book of family, friendship, and home.

 

In 1935, eleven-year-old Turtle is sent to Key West, Florida to live with relatives she’s never known in the graphic novel adaptation of Turtle in Paradise by Jennifer L. Holm and Savanna Ganucheau. Turtle’s single mother, Sadiemae works as a maid for a New Jersey woman who does not want children underfoot. Turtle, protected by the hard shell for which she’s named, is also protective of her flighty mom and worried about being separated from her. 

Over the summer, she hangs out with her cousins and their friends who are part of the boys only “Diaper (babysitting) Club” (they “wurk” for candy) and spends the summer helping them and her Aunt Minnie while meeting the neighbors, fisherman, and rum runners, who speak about a long lost pirate treasure. Hoping to earn money to help her mother purchase a home, she persuades the others in the Diaper Club to search for the treasure. They find the treasure on one of the uninhabited keys but are marooned there for two days during a hurricane. Happily, they are rescued and Turtle is reunited with her mom. 

e

Turtle in Paradise Page 08
Interior illustrations from Turtle in Paradise: The Graphic Novel written by Jennifer L. Holm and illustrated by Savanna Ganucheau, Random House Graphic ©2021.

e

Holm’s graphic novel adaptation of her novel doesn’t lose any of the story’s warmth, humor, and dramatic moments. Told from Turtle’s point of view, the graphic novel conveys her gradual emergence from her shell as a caring and plucky girl. As in the novel, family secrets, such as her father’s identity, rise to the surface. Turtle figures out things out on her own, realizing that the answers may not be so important: “… not all kids are rotten … and there are grown-ups who are as sweet as Necco Wafers. And if you’re lucky, some of them may even end up being your family.”

e

Turtle in Paradise Page 10
Interior illustrations from Turtle in Paradise: The Graphic Novel written by Jennifer L. Holm and illustrated by Savanna Ganucheau, Random House Graphic ©2021.

e

Some minor characters from the novel have been left out (including “Papa” Hemingway) and some aspects of characters are not as deeply developed, such as Aunt Minnie’s true kindly nature. Nevertheless, Savanna Ganucheau (Lumberjanes) captures each character’s nature and circumstances in facial expressions, body language, and actions. Ganucheau’s portrayals of the wisecracking cousin Beans, the overworked Aunt Minnie, and the friendly fisherman Slow Poke (who once loved Sadiemae!) are perfect. The period and the locale of Key West were well researched by both Holms and Ganucheau and that is reflected in both the narrative and the art. Think Necco wafers, sugar apple ice cream (cones are a nickel), Shirley Temple and Little Orphan Annie, the streets of Key West, and the very real 1935 hurricane that stranded Turtle and the Diaper Club and wreaked so much destruction on an area already suffering from economic depression. 

e

Turtle in Paradise Page 14
Interior illustrations from Turtle in Paradise: The Graphic Novel written by Jennifer L. Holm and illustrated by Savanna Ganucheau, Random House Graphic ©2021.

e

Back matter includes a note from the author which details her family connection to this story as well as some of the historical background. Also included is a fascinating note from Savanna Ganucheau about the artwork (find out more about what went into the artwork here).

Random House Teachers and Educators has a lovely educator guide with information about the book and art here

This graphic novel adaptation can stand by itself or act as a perfect introduction to the novel for middle graders. It should draw in potential readers who will be well prepared for more nuanced character development and a more complex narrative. 

  •  Reviewed by Dornel Cerro

 

Share this:
Back To Top