Good Reads With Ronna is delighted to appear on day three (see schedule below) of the Perdu Blog Tour! I hope you’ll take the time to not only read the book review, but to also watch all the fantastic videos that Peachtree Publishing has shared with us.
Richard Jones makes his welcome debut as both author and illustrator with this tale of a lost (perdu in French) dog seeking a forever family. And may I just add here that Perduis precious! Both the main character and the story itself. With his sweet face gracing the book’s cover, it’s easy to be captivated by his faraway, lonely look.
While we never learn where Perdu has come from because he certainly didn’t tie the neck scarf himself, it’s easy to let that mystery go in favor of the bigger mystery at the heart of this moving story—will he ever find a loving home?
Readers first glimpse Perdu on the title page, head down, red scarf around his neck, and walking through a field. As he carries on his journey, he notes that, unlike a nearby fallen leaf, he has no place to be. Poor Perdu!
He wanders over a bridge on the outskirts of town where he’s noticed by a little girl sporting a distinct red knit pom-pomed hat. Determined to find his “somewhere,” like everyone else, the sweet lost little dog continues his search and wanders into the big, anonymous city.
At the same time as Perdu, intimidated by the city size and its throngs of people, the little girl continues her day out with her mother. I love how, at this point in the book, Jones has zoomed in on the girl whose path keeps crossing that of Perdu’s. She is perhaps outside a library or other notable building with a massive lion statue (a nod to The Snow Lion) while Perdu stands at the top of the statue. I wonder if parents or kids will spy him first.
My favorite illustration is the one when the child spots Perdu sitting outside an expansive cafe window where she and her mom are dining. He’s hungry now and tired and cannot resist the temptation of an open door. Inside he wreaks havoc and is reprimanded by patrons. It’s a demoralizing experience for Perdu yet at the same time things probably cannot get much worse.
In a lovely park scene, where both the girl and Perdu have ended up following the restaurant ruckus, the child approaches the dog. She’s holding Perdu’s signature red neck scarf which he lost when he dashed away during the cafe commotion.
Not a lot of words are needed when the simple act of giving back the scarf to the lost dog speaks volumes about the girl’s empathy and Perdu’s trust. It’s a gentle, loving moment that bonds the pair and fills readers’ hearts with hope.
Jones has given young readers a feel-good story about friendship, trust, kindness, and belonging highlighted by the beautiful, inviting art that solidifies the tale. Jones achieves this warm look with paintings he then edits in Adobe Photoshop. I came away from the story feeling happy for both Perdu and the red-hatted girl knowing that they had both truly found each other for all the right reasons.
If I enjoy saying this book’s title, kids will definitely delight in repeating Don’t Call Me Fuzzybutt! They’ll be eager to read the entire book because, sticks and stones aside, what child hasn’t had a run-in with name-calling? And when you’ve got the talented team of Robin Newman and Susan Batori taking on the topic, it promises to be entertaining while making an important point.
Neither Bear nor Woodpecker means to hurl names at one another or hurt each other’s feelings, but sometimes it happens from pent-up frustration. This time it happens when Bear is settling down to hibernate for winter. Because he’s a very light sleeper, Bear makes preparations to assure he is not disturbed. Unfortunately, the tree he has cut down to make a solid door for his den was the location of Woodpecker’s homes.
Woodpecker asks Rabbit, Mouse, and Squirrel if they’ve witnessed the chopping incident. No luck. Fortunately, his own detective skills lead him to discover that Bear is the culprit so he begins to peck, peck away at Bear’s door. Angered by the commotion, Bear asks the three other animals “Who’s the pesky FEATHERBUTT making that noise?” When Woodpecker gets wind of the name-calling, he confronts Bear. While he doesn’t deny it, Bear is more concerned about getting his shut-eye and leaves for his den, further exacerbating the situation.
Soon after, Woodpecker wakes up Bear to tell him how upset he feels at being called a name in front of everyone. Tension builds beautifully both in Newman’s prose and Batori’s art. Bear is annoyed at having his sleep interrupted and Woodpecker is mad at his houses being destroyed. Now it’s Bear’s turn to get called a name and you can just guess what that is, right? FUZZYBUTT! Once again the meddlesome forest friends have inserted themselves into the drama by blabbing about the big scene they witnessed. Bear, bothered big time, stomps off to bed seething before tears start falling.
Now it’s Woodpecker’s turn to make amends and he does so by apologizing to Bear. With newfound respect for one another, the pair concoct a housing plan that is sure to make them both happy, but from a distance! Plus Bear can hibernate knowing that in 243 1/2 days he’ll have a new friend to hang out with.
Batori’s digital artwork, mimicking “colored pencils and watercolor,” makes an already appealing story irresistible. Her characters are charming, her color palette is rich and woodsy and her composition pulls us in immediately. The art, together with Newman’s humorous and skilled writing, offers a totally relatable read-aloud for parents, caregivers, teachers, and librarians that will spark meaningful conversation about conflict resolution, gossip, and the hurt caused by name-calling. I’m happy Bear and Woodpecker worked things out and kids will be, too! Just be prepared to hear FUZZYBUTT a lot more frequently in your home after reading this fabulously funny picture book.
It’s Day One of theCHICK CHAT BLOG TOURas well as its book birthday! Peep! Peep! GRWR is so happy to participate and celebrate the hatching. Please enjoy the following interview with Chick Chat author-illustratorJanie Bynum and her insights on this fun new read-aloud picture book for children.
CHICK CHAT SUMMARY:
Friendship comes in all shapes and sizes.
Peep, peep, peep! Baby Chick has a lot to say!
Everyone in Chick’s family is too busy to chat with her. But when chatty baby Chick adopts a large egg—she finally finds a friend who is a good listener. When her egg goes missing, Chick is heartbroken, until she finds that it has hatched into a brand-new friend!
INTERVIEW WITH CHICK CHAT AUTHOR-ILLUSTRATOR JANIE BYNUM
GoodReadsWithRonna:Hi Janie! Welcome to the blog. I’ve got lots of questions for you today. In your author bio on the book’s copyright page, you mention how talkative you were as a child. Can you expand on this and how it influenced creating your main character Baby Chick?
Janie Bynum: Being an inquisitive, talkative, and determined child, I’m sure I tested the patience of my family—and quite a few teachers. Baby Chick and I share all of those personality traits—as well as being a fairly self-reliant youngest sibling. As I wrote and revised Baby Chick’s story, this very talkative youngest sibling emerged. So I ended up writing from a perspective (with a voice, as it were) that I understood as a kid.
In early versions of the manuscript, Baby Chick actually spoke instead of only peeping. But, I ultimately chose to have her peep in such a way that sounds like she knows exactly what she’s saying (and she does). This way kids can interpret what she may be saying—either inferred by the illustrations or by whatever words they imagine for her.
GRWR:Which came first, the Baby Chick character design or the story?
JB:The Baby Chick character art came first.
GRWR:It was funny how everyone in Baby Chick’s family is unaffected (to the point of almost ignoring her while they’re otherwise occupied) by her nonstop peeping while she carries on joyfully by herself. Is there something to be learned from her sheer self-contentedness?
JB:Possibly … by enjoying our own company, not being entirely dependent on others to “make” our happiness for us. Baby Chick is creative and makes her own fun; and, in doing so, she discovers something to nurture, which ultimately hatches into a friend who listens.
GRWR:I was absolutely convinced Baby Chick had found a rock not a big egg. Was this deliberate?
JB: No. The giant Galapagos tortoise’s egg—which I used for reference—looks very much like a round stone. Only at first, when she hasn’t fully unearthed the object, does Baby Chick not know that it’s an egg. But once she uncovers it, she realizes it’s some sort of egg—maybe not a chicken egg because it’s so round. But Baby Chick either doesn’t notice the difference or doesn’t care. It’s an egg without anyone to tend it, so she decides to be its guardian.
GRWR:I’m curious why you decided to make the baby turtle a quiet character rather than one “with a lot to say” like Baby Chick?
JB:I could’ve made the baby turtle/tortoise even more talkative than Baby Chick, which would’ve been funny. But I wanted Baby Chick to be rewarded (for all her nurturing and protection of the egg) with a friend who likes to listen. It’s also a sort of celebration of the yin/yang relationship, how seemingly opposites are actually complementary (in this case extrovert/introvert).
GRWR:Do you see Chick Chat as primarily a friendship story or did you feel there were other themes you wanted the book to explore?
JB: The friendship theme is wrapped around a story about self-sufficiency; and, as you noted earlier, self-contentedness. So, it really has two main themes.
GRWR:What medium do you work in when creating your artwork?
JB: I used a combination of digital media and traditional watercolor, which is the way I generally work. For Chick Chat art, I worked on my iPad (in an app called Procreate) and in Photoshop on my Mac computer with large monitor. I used traditional watercolor for some areas, and added real paper and paint textures (with Photoshop layers) to give more depth to some of the digital color.
GRWR:As someone who began telling stories first visually, do you usually create your dummy with thumbnails and then add the prose later?
JB: I usually have a character in mind first that I must draw so that I can get to know them. A seed of a story germinates as I’m drawing. As I start writing the story, I sometimes create a simplified mind map to look at arc, action, and direction possibilities. Then I write some more. And I revise. And then I revise the text some more.
When I feel like I have a fairly finished manuscript, I start thumbnails. Inevitably, the text changes as I work on thumbnails and rough sketches. So, as I create the rough dummy, I work back and forth between words and pictures until I feel confident that the story (both visual and written) is ready to submit to my agent.
GRWR:I enjoyed a lot of the little unexpected details you included in the illustrations like Baby Chick’s grasshopper friend (or cricket), and the punny titles of the books Sister is reading. Did you do this in all the books you illustrate even if you didn’t write them?
JB: Thank you. Since I write/illustrate for a fairly young audience, I try to add details that older readers (especially adults) will enjoy. While I don’t include a small observer character (who sometimes participates) in all of the books I illustrate and/or write, I have done so in a few. In Otis, which I wrote, a red bird appears in many of the pictures; and, in Porcupining, written by Lisa Wheeler, a grasshopper observes and sometimes participates.
GRWR:What do you do to spark your creativity? Is your process to work daily, inspired or not?
JB: In addition to creating children’s books, I work as a creative director and graphic designer (outside of children’s publishing), so creative problem-solving is part of my day every day. But, one of the things I do as a creativity spark—at least several times per week—is just draw for no reason at all, with nothing in mind until pencil meets paper (or stylus meets iPad). Many times character ideas come from these sessions.
GRWR:How long did it take to complete Chick Chat from the idea stage to the final book we can order from bookstores today?
JB: Roughly two years: story and book dummy, spring 2019; art delivered January 2020; published book January 2021.
GRWR:Who are some of your current kidlit illustrator faves and why?
JB: I have soooo many favorites, and for so many different reasons.
I love the color and stylized work of Felicita Sala. I adore the haunting stylized art of illustrators like Isabelle Arsenault and the cheery whimsy of Louise Gay. Carter Goodrich’s dogs are divinely humorous, and he possesses quite a deft hand with paint. With Sophie Blackall’s art, I’m inspired by her use of color, texture, and pattern. Her work is retro and contemporary, both at the same time.
Oliver Jeffers’ composition on the page (including an amazing sense of negative space) and his sensitive use of color and line inspires me. Matthew Cordell’s spontaneous linework and non-complicated watercolor embodies a spontaneous loose feel that I aspire to in my own work.
I like Ryan T. Higgins’s ink line coupled with his graphic use of shape and color (and, of course, his humor); the gorgeously strange art of Mateo Dineen; and the Matisse’esque art of Olivier Tallec.
GRWR:What’s in the works for your next book?
JB:A very creative beetle is the hero of my current work-in-progress. Also, I’m considering creating something for Gary the Worm to star in. (To find out who Gary is, visit my Instagram @janiebynum.)
GRWR:Is there anything else you’d like to add that perhaps I haven’t addressed?
JB:I’d like to let educators (including parents and grands) know that they can find Chick Chat activities at my website (janiebynum.com) and atnorthsouth.com/resources. And last, but not least, thank you for including me in your blog!
GRWR:It’s been such a pleasure being the first stop on your blog tour and getting to know you and Chick Chat better. Thanks for your terrific answers!
Janie Bynum grew up in Texas and graduated with a BFA in graphic design with an emphasis on illustration. As an author/illustrator, she has created many lovable characters and stories for younger children. Her work has been recognized as a Junior Library Guild Selection. She loves to travel and experience other cultures, drawing inspiration from the people, landscape, and cuisine. Known to her friends as a bit of a nomad, Janie lives in a nearly-100-year-old storybook house in southwest Michigan—for now.
Turtles and birds peacefully roam the bright orange sand, hiding behind green cacti, until two mischievous trucks decide to race each other after school. “The sand kicked up dust / as they passed an old mine, / and neither one noticed / the bright yellow sign.” (Of course, the reader sees the arrow sign showing the split in the road, and this is unknowingly where our trucks’ problem begins).
Leung’s warm and pleasing watercolor-like graphics of red truck Mack, with his yellow baseball cap, dashing ahead of his friend Rig, the blue truck with a tough guy green bandana wrapped around his head (or front window, since he is a truck) take the reader through the Southwest desert landscape.
Schwartz and Gomez share spot-on, read-aloud rhyme, “Through canyons and quarries / they zigzagged and crossed. / “‘The sun’s going down!'”/ “’I’m hopelessly lost.’” The bright yellow sun sets behind the hills and slowly lowers to dusk as even the face of a cactus shows concern. “One Rig, all alone / off-track in the park. / “’I’ve got to find Mack. / He’s afraid of the dark!’”
When Rig’s plan of a “flickering flare” reunites the pair, the reader sees the adventure continue as the friends figure out how to find their way out of the park. We feel a strong bond between these risk-taking friends, as they realize their folks must really be worried. The reader observes the pair teaming up to find familiar landmarks.
Two Tough Trucks Get Lost!, an uplifting and entertaining story of friendship and working together, is a wonderful read-aloud filled with both suspense and compassion. The adorable trucks are so sweet you forget they are tough. And you don’t even need to be a “things that go” fan to appreciate the good story-telling. Pre-school and Kindergarten-aged children will enjoy this heartwarming story that can be read with family or friends. Kids learn why it’s important to stay by their parents’ side and the implications of wandering off. But if they do, looking for familiar surroundings is a great way to find their way home. It’s clear these trucks may seem tough on the outside but it’s what’s on the inside that makes us care about them.
Click here to order a copy of Two Tough Trucks Get Lost! e Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog, its team of kidlit reviewers as well as independent bookshops nationwide, please consider purchasing your books from Bookshop.org using our affiliate links above (or below). Thanks! e Recommended Reads for the Week of 11/2/20
(Sterling Children’s Books, $16.95, Ages 3 and up)
InBest Day Ever by debut picture book author Michael J. Armstrongwith art by Églantine Ceulemans,William is a serious overachiever with an emphasis on the serious. Having completed five of the items on his list (yes, list), of summer goals, including learning to speak Spanish and getting a black belt in karate, he’s now ready to tackle #6: Have the most fun ever. The catch is that William’s fun meter device keeps flashing red, a frowning emoji face, whenever he attempts to enjoy himself. See for yourself in the illustrations below.
William’s happy-go-lucky neighbor, Anna, knows how to entertain herself without following any guidelines. And she’d love for William to join her. Kids will laugh at how she calls William every nickname except his proper name in the beginning, a clue into her spirited nature. Young readers will also easily notice the stark contrast between the two children because of the realistic order depicted in the scenes with just William, and the zany, imagination-rich chaos in Anna’s. Can William carry on his attempts at by-the-book play when this carefree girl keeps getting in his face?
Well, it seems Anna’s persistence pays off. What I love about this story is the fun that readers have as they watch William, following Anna’s non-judgmental prompting, learn to lighten up and have his very own, book-free, best day ever. A bonus, of course, is the new friendship he’s made that wasn’t even on his list!
Ceulemans’ art, a delightful blend of childlike whimsy and a study in contrasts, reflects the two main characters’ polar opposite personalities. The vibrancy and creative quality of the illustrations pairs perfectly with the story’s plot about letting loose and seeing the magic in unstructured imaginative play. I hope reading Best Day Ever encourages more kids about the positive power of pretending.
• Reviewed by Ronna Mandel
Click hereto read a review of another picture book illustrated by Églantine Ceuleman.
In John David Anderson’s One Last Shot, twelve-year-old Malcolm Greeley navigates life carefully. School is endured, and his home life is a minefield where he painstakingly interprets what’s said—and what’s not said—to keep the peace between his contentious parents. He’s sure that if he can just do everything right, then things between his mom and dad will get better, that they have to.
Malcolm doesn’t realize he needs a friend until Lex’s miniature golf ball and her comical call of “Five!” lands at his feet. With an unwanted push from his wacky golf coach, Malcolm soon finds a something in Lex he’s been sorely missing. While his steadfast mother accepts and understands him, Malcolm is unsettled around his father, an award-winning jock of many sports, who pushed Malcolm into Little League. When Malcolm is given an out, he takes it, only to be subtly pressured into competition mini golf. With Dad, it’s all about winning, but Malcolm’s not wired that way no matter how he tries. He’s a natural at putting, yet dreads the competitive aspect. The voices in his head add to the stress of executing each shot perfectly.
Though I don’t typically gravitate stories centered around competitive sports, I picked up One Last Shot because I’m a fan of Anderson’s other books Granted and Posted (also middle grade). One Last Shot’s a winner with its fully developed, imperfect characters. I appreciated the creative manner in which the story unfolds; the structure adds interest. Each of the eighteen chapters opens with the description of a mini golf hole and closes with how Malcolm scored on that hole. Sandwiched between, we’re shown Malcolm’s life in flashback scenes.
This would be an ideal read for a kid with parents in the bitter pre-divorce stage since Malcolm comes to understand his parents’ troubles are not about him and cannot be fixed by him. Sometimes, parents need to split up for their own good—an upsetting time that’s hard to live through, but, hopefully, better in the long run.