In the sweet picture book, Until the Blueberries Grow, it’s time for Ben’s great-grandpa to move—into a home he can care for on his own. But Ben is not ready to say goodbye. Maybe Zayde (Yiddish for grandpa) can stay until the blueberries grow . . . or the grapes are ripe . . . or the snow falls . . . or the flowers bloom.
From Kirkus: “Ben tries to convince his great-grandfather to stay in his house just a little longer as the two celebrate a yearly cycle of Jewish holidays together. This sweet story of family abounds with food, flowers, and quality time with loved ones.”
As a loving great-grandfather, Zayde always seems to find a reason to spend a little more time at home with his great-grandchild.
Until he can’t.
Sally Walker’s expressive art pairs perfectly with Jennifer Wolf Kam’s dialogue-driven storyline to depict a beautiful, multigenerational relationship between Ben and Zayde. This charming story would make an excellent introduction to Jewish terms and holidays, yet it’s the universal challenge of dealing with change that makes this story relatable to any child, regardless of religious affiliation.
In The Passover Guest, written by Susan Kusel and illustrated by Sean Rubin, Muriel assumes her family is too poor to hold a Passover Seder this year, but an act of kindness and a mysterious magician change everything.
GoodReadsWithRonna:Welcome, Susan! Congratulations on your debut picture book, The Passover Guest!
Susan Kusel:Thank you so much for having me here! I am honored to be on this blog
GRWR: How does it feel as a synagogue librarian and indie bookstore book buyer to know your new book, The Passover Guest, has landed on shelves?
SK: It’s an absolutely surreal feeling to know that my book has a spot in some of my favorite libraries and bookstores. I am humbled by the idea of a child pulling it off the shelf and reading it.
GRWR:When did the seed to become a storyteller first plant itself in your soul? Can you recall the first books that sparked your imagination?
SK:I’ve wanted to be a writer for so long, it’s hard to remember the exact moment I started. I do remember the first time I ever wrote a complete book though. It was for a 5th grade English assignment and was about a Russian Jewish girl named Rachel. I remember being very proud of the special folder I put the book into.
My mom used to read to me every night when I was a child and some of my favorite books then were Cars and Trucks and Things That Go by Richard Scarry, Walter the Baker by Eric Carle, Mr. Popper’s Penguins by Richard and Florence Atwater, Mike Mulligan and His Steam Shovel by Virginia Lee Burton and of course, The Magician by I.L. Peretz, adapted by Uri Shulevitz.
GRWR:What inspired you to write The Passover Guest as a retelling of the classic I. L. Peretz’s story adapted by Uri Shulevitz in 1973 rather than create a new tale?
SK:As I mentioned above, The Magician was in regular reading rotation by my mother when I was younger and so it’s a story I’ve been in love with for a long time. When I rediscovered the book in a library as an adult, I still thought it was an amazing story, but I noticed some plot elements that I wished were different. That started me down the path of doing an adaptation of Peretz’s story, a process that took about ten years.
GRWR:Aside from setting the story in 1933 Depression-era D.C. are there any other notable changes you wanted to make for 21st-century young readers?
SK:The most significant change I made was adding the character of Muriel. In the Peretz version, the story is about a couple but I thought that it was very important to add a child character. There are also a number of subtle changes I added, such as Muriel putting a penny in the Magician’s hat, the rabbi coming to Muriel’s seder, the whole community filling the house, the matzah breaking itself in two, and several smaller plot points. My goal was to stay true to Peretz’s message while making the story my own.
GRWR:What were your go-to Jewish holiday books growing up and right now? Do you have a collection?
SK: Jewish stories have always been very important to me, but when I was growing up, we owned very few. Our whole book collection, which took up half a shelf in my brother’s closet, was primarily obtained from library book sales. We supplemented these with library books. I only had a few Jewish books including The Power of Light by Isaac Bashevis Singer and Potato Pancakes All Around by Marilyn Hirsh (which we used then, and I still use now for the latke recipe).
As for now, I am typing this while sitting in my home library surrounded by picture books, including several shelves just for Jewish books. Current favorites include Hershel and the Hanukkah Goblins by Eric Kimmel (no holiday list is complete without it!), I Know an Old Lady Who Swallowed a Dreidel by Caryn Yacowitz, The Matzah Papa Brought Home by Fran Manushkin (sadly out of print but still extraordinary), and Here is the World by Lesléa Newman. That’s really just a small sample though because there are so many Jewish holiday books I love.
GRWR:Has your experience on the Caldecott Medal selection committee or as chair of the Sydney Taylor Book Award Committee influenced your writing in any way?
SK:One of the most common pieces of advice given to writers is to read extensively in your field. I think those committees, as well as others I’ve been on, have certainly helped me with that. When you are reading hundreds and hundreds of books in a genre, it does give you a better sense of what is currently published. Being on so many committees has helped me see what the conventions are, and how they can be broken and how I can be a better writer.
GRWR:Sean Rubin’s art is as magical as your prose and the mysterious guest himself. Do you have a particular favorite spread from the book you can tell us about?
SK:I think Sean did a truly extraordinary job on the illustrations and picking just one of them is like trying to pick a favorite child. I think his work adds so much to the book and makes it complete.
I could easily go on at length about every individual spread and how much I love it, but if I can only pick one, it would be when Muriel goes to the synagogue to consult the rabbi. Over the course of one continuous spread, Sean shows us four completely separate and distinct scenes and the cause and effect of each one of them. And all of this against the astonishingly beautiful and majestic background of the Sixth and I Synagogue, a D.C. Jewish landmark.
GRWR:Early on in The Passover GuestMuriel meets an unusual street performer to whom she gives her last penny. Can you speak to the story idea of magic and how, especially in tough times, this kind of belief can help people?
SK:I think it’s always a good time to believe in the possibility of magic, especially during difficult times. You never know who that bedraggled stranger might turn out to be. Faith and hope are so important.
GRWR:Where do you find the time to write with all your other commitments? Do you have a daily routine?
SK: I’d love to be able to say that I sit down in the same place at the same time every day and write for the same amount of time. But the truth, as you alluded to in this question, is that I have multiple jobs, commitments, and children, and I do my best to write as much as I can when I can.
GRWR:You mentioned in your author’s note that Passover has always been your favorite holiday, can you tell us why?
SK:I love so many things about Passover: the coming of spring, getting the seder plate ready, singing songs, finding the afikomen, eating too much charoset, being with family, and much more. It’s always been a magical holiday for me and I’m delighted that this book lets me share some of that magic.
GRWR:Are you working on your next book? Will it have a Jewish theme?
SK: I’m working on several next books, all with Jewish themes. I have a real commitment to telling Jewish stories.
GRWR: It’s been wonderful having you as a guest here today, Susan! I really appreciate your thoughtful replies and am looking forward to sharing a review of your book when we get closer to Passover.
Susan Kusel has turned a life as a book lover into many careers as an author, librarian, and buyer for a bookstore. She has served on many book award committees including the Caldecott Medal and the Sydney Taylor Book Award. She loves biking, cross-stitching, and of course, reading. Learn more about Susan on her website and by following her on social media.
In the colorful picture book, Happy Llamakkah!, adorable llamas young and old gather together for the eight-day Jewish celebration. Each night a new candle is lit by the shamash (helper candle) as dreidels spin, latkes are fried and ribbons are tied. The story is told with few words and many sweet faces of the llama family who end each of the eight nights saying Happy Llamakkah! Children familiar with Hanukkah will enjoy seeing the candle lighting as it reminds them of their own special Hanukkah traditions with every page turn. And the words “Happy Llamakkah” replacing the traditional Happy Hanukkah wish just adds laughter and fun for young readers. I personally laughed each time I read those words. This rhyming picture book closes with an Author’s Note which explains in simple terms why Jewish people celebrate the miracle that happened long ago. Happy Llamakkah! beautifully tells the story of the menorah in the window; and I liked how the reader learns that it was only recently that Jewish families incorporated gifts as part of their Hanukkah festivities. Happy Hanukkah! • Reviewed by Ronda Einbinder
In The Ninth Night of Hanukkah, Max and Rachel’s family move to a new apartment right before Hanukkah begins. So it’s frustrating when they can’t find the box that was packed with all the items they need for Hanukkah: the menorah, candles, Dad’s lucky latke pan, dreidels, gelt, and jelly donut recipe. So how can they celebrate Hanukkah? With help from their new neighbors and a bit of innovative, creative thinking, they try each night to celebrate, although as the refrain says, “It was nice . . . but it didn’t feel quite like Hanukkah.” But when Mom’s guitar is delivered the morning after the eighth night, the kids come up with a way to still celebrate the holiday and give back to all their new neighbors who helped them. . . and when the missing Hanukkah box turns up, it finally feels like Hanukkah. Charming cartoon illustrations add to the warmth of this holiday book about a diverse and multi-ethnic community coming together in friendship. • Reviewed by Freidele Galya Soban Biniashvili
I had a smile on my face throughout my first reading of this clever new take on Hanukkah and again the second time to write this review. Kimmelman’s wordplay in The Eight Knights of Hanukkah makes for a fun Round Table themed romp that delivers in the form of eight knights named Sir Alex, Sir Gabriel, Sir Henry, Sir Julian, Sir Rugelach (♥), and three females, Sir Isabella, Sir Lily, and Sir Margaret. There’s also Lady Sadie whose request to the knights prompts the adventure and premise of this story. “A dastardly dragon named Dreadful is roaming the countryside,” and its antics are disrupting preparations for the Hanukkah party she’s been planning. Their mission is to “fix things with some deeds of awesome kindness and stupendous bravery.”
And so they set out to achieve this goal. While Sir Isabella and Sir Rugelach journey to find Dreadful, the other six knights assist the citizens in whatever way they can. Knightly language adds to the enjoyment, “Hark!” exclaimed Sir Gabriel. “Methinks I hear a damsel in distress.” Whether peeling potatoes to help said damsel or making sufganiyot (donuts) at the bakery where a sign reads “Helpeth Wanted,” there’s no task too arduous for the team to tackle. But what about Dreadful? Alas, the disappointed dynamic duo of Sir Isabella and Sir Rugelach fear they’ve exhausted all hopes of reining in that dragon until a smoky surprise greets their eyes. With their mitzvahs completed, the noble knights can begin their Hanukkah merrymaking with Lady Sadie and all the guests knowing their actions have spread kindness through the realm. In addition to Bernstein’s expressive characters, humorous details, and great use of white space, don’t miss her endpapers map to get a lay of the land. • Reviewed by Ronna Mandel
First published in 2014, this paper-over-board reissue features a newly formated cover ideal for younger readers. Somehow I missed the original version and was happy to find that Kimmel’s Simon and the Bear: A Hanukkah Talehad me turning the pages in anticipation as it also warmed my heart.
When Simon sets sail to America from the old country just before Hanukkah, he departs with inspiring words (and a knapsack full of latkes, a menorah, candles, matches, brown bread, hard-boiled eggs, and herring) from his mother. “Wherever you are, Simon, don’t forget to celebrate Hanukkah and its miracles. Who knows? You may need a miracle on your long journey.” This foreshadowing lets readers know something will happen, but I never expected a Titanic-like episode where Simon’s boat sinks. Mensch that he is, he offers the last spot in a lifeboat to an older man and manages to find safety on an iceberg.
All alone but ever the optimist, Simon lights the candles as Hanukkah begins. As he plays dreidel, he also prays for a miracle. He is surprised and slightly scared when a polar bear appears. Simon offers it food in exchange for warmth and company. The passing days see the bear share his fish with Simon until the menorah’s flickering lights attract a rescue boat on the final night of Hanukkah. Arriving safely in New York, Simon meets the man he gave his lifeboat spot to. Now the Mayor of New York, this grateful man is intent on repaying Simon’s good deed making the final miracle happen, bringing Simon’s family to America. Kimmel’s crafted a fantastical and truly satisfying story through and through. In the character of Simon, he’s brought us a selfless main character readers will root for. Trueman’s jewel-toned colors and shtetl clothing design help ground the story in the early 1900s. The play with light always brings our eyes to focus on Simon over multiple iceberg scenes. Together the story and illustrations (I love the newspaper clippings about Simon’s survival) will make any reader a Hanukkah miracle believer. • Reviewed by Ronna Mandel
The magic of Levine’s, The Hanukkah Magic of Nate Gadol, begins with its glowing golden accented cover and is woven throughout this picture book embuing it with a feeling that it’s always been a Jewish folktale parents share every holiday. But it’s not! It’s a new story about a big-hearted Jewish spirit “whose magic can make things last exactly as long as they’re needed.” The tale was inspired by the author’s observations and emotions he experienced growing up as a Jew whose holiday and beautiful traditions were overlooked, overshadowed, and ultimately influenced by Christmas. Read the illuminating Author’s Note for more on this. Nate’s name is also significant in that it corresponds to the dreidel letters Nun and Gimmel, two of the four initials representing the Hebrew phrase “Nes Gadol Haya Sham,” meaning, “A great miracle happened there.“
I was willingly transported to an unnamed American city in the late 19th century where immigrants of all nationalities lived and worked. Nate soon finds himself drawn to the plight of the Glaser family, newly arrived Jewish immigrants from Europe who are penniless as Hanukkah approaches. Additionally, their neighbors’ baby girl is sick and the O’Malley family cannot afford the medicine needed. Whatever the Glasers had they shared with their close neighbors but when there was nothing, Nate knew “he couldn’t stretch what wasn’t there.” How could either family even begin to think about celebrating Hanukkah or Christmas under those circumstances? The have-nots need a miracle. During a serendipitous meeting Christmas Eve on a city rooftop with Santa Claus, Nate is told, “The sleigh magic is nearly empty. Are there a lot of people having trouble believing this year?” The winter of 1881 is a tough one indeed meaning one thing; Nate to the rescue! He helps out the “red-suited man” who returns the favor in kind. Nate’s magic delivers Christmas presents under the O’Malley tree and, much to the surprise and delight of the Glaser children, not just beloved Hanukkah chocolate which was all they usually hoped for, but a pile of presents as well.
Hawkes’s muted color palette enhances the illustrations of this bygone era. His larger than life depiction of Nate Gadol, with a tinge of gold in his hair and a sparkle in his eye convey a positive mood despite the harsh circumstances the two families face. The pairing of Hawkes’s atmospheric art with Levine’s thoughtful prose makes a new story like The Hanukkah Magic of Nate Gadol already feel like it’s been a treasured read in our home for years. • Reviewed by Ronna Mandel
In this adorable story, seven different farm animals show up on seven consequent nights knocking, tapping, rapping, swishing, thumping, rat tat tatting and scratching on Bubbe’s front door. Each one leaves a different present such as oil, onions, and eggs. Bubbe’s porch is a busy place during Hanukkah! Young readers get a glimpse of assorted hooves, paws and even a tail in the artwork as well as an accompanying animal sound printed in larger font such as neigh, bwak, or woof to clue them into the gift giver’s identity. Having children guess what all those ingredients are for and who is dropping them off only adds to the enjoyment of this engaging holiday book.
Klein-Higger and Sharf have given a fun Festival of Lights spin to the popular “Twelve Days of Christmas” song: On the first night of Hanukkah, what did Barnyard Bubbe see? One sack of meal. “Oh, my. Who has left this for me?” After seven nights of anonymous donations, Bubbe knows just what to do on the eighth night—make latkes for the bevy of adorable barnyard animals!
MEET THE AUTHORS
Meet Joni and Barbara on Sunday, December 8 at 10:30a.m. at Pasadena’s Southern California Children’s Museum. This co-hosted PJ Library event is part of the Jewish Book Festival. Klein-Higger and Sharf deliver a “special Hanukkah treat” as they “bring their story to life and perform original songs sure to please the 5 and under set.” Cost is $5 per child at the door.
PIPPA’S PASSOVER PLATE
Written by Vivian Kirkfield
Illustrated by Jill Weber
(Holiday House; $17.99, Ages 4-8)
I’m always happy to welcome a new picture book with an original take on the holiday into the mix of Passover stories. Today I’m reviewing Vivian Kirkfield’s charming Pippa’s Passover Plate with illustrations by Jill Weber so you’ll have time to pick up a copy to read before and during your family’s upcoming Seders.
The premise of this read aloud tale told in rhyme is that Pippa the mouse cannot locate her Seder plate, a plausible predicament even for humans! The pressure’s on because this concerned pip squeak must find the plate before sundown and the start of her Seder (the traditional annual ritual where people of Jewish faith gather with friends and family to eat, read, share stories and celebrate the liberation of the Israelites from slavery in ancient Egypt).
Kirkfield clearly has fun with the verse and her meter is spot-on throughout the book:
“Pippa climbs up on a chair,
stretches up–the cupboard’s bare!
Teetor-totter–hold on tight!
Weeble-wobble–what a fright!”
At the start of her search, Pippa asks Sphinx the cat if it’s seen the plate. After no luck there, Pippa is told to try Snake. Each time she must approach an ominous new creature, Pippa is filled with dread, and the following repeating and repeatable refrain …
… adds to the page turn appeal of the story since the little mouse must face her fears in order to find the missing plate. Her potential predators, however, don’t seem to want to do her harm.
When Owl wisely suggests that Pippa “question Golda Fish” (great name btw), it seems an easier, less scary task to undertake. Weber’s wonderful artwork here in addition to elsewhere in the book complements the text where Golda is described as quite enchanted with herself. Since a mirror isn’t available, a brass Seder plate in which she can admire her reflection is apparently the next best thing. I love Weber’s palate of all shades of yellow, a cheerful color to counter any feelings of danger when Pippa meets Sphinx, Snake and Owl. How the plate landed in the lake is up for debate so why not ask your child? I’m sure they’ll spin some wild tales. The good news is that Pippa can now prepare the Seder.
No longer fearful of the animals, Pippa invites them all to her Seder and the story ends with a frame-worthy illustration of the Seder plate, and the special food that goes on it. I do wish there had been one page of back matter that included a description of what each of the six food items represents in relation to Passover. Nonetheless that’s easily found online and the majority of readers will know and can explain that to their children. For teachers planning to read Pippa’s Passover Plate to a class, I recommend having this information on hand for inquiring minds. It also couldn’t hurt to include info on what matzo is and why a piece of it gets hidden during the Seder since it’s mentioned on the second to last page when the friends are gathered together to celebrate the holiday.
I recommend this adorable picture book which provides the perfect opportunity to discuss Passover traditions, especially for little ones ages 3-6 who will find Pippa’s plight engaging and most enjoyable. Happy Passover!
Reviewed by Ronna Mandel
Find a Passover book review from last year by clicking here.
Let your little learners thumb through all 32 pages of this colorful board book with its retro cartoonish feel while you gently introduce all the different Hanukkah related things included. While this is not the first primer in the series from Paprocki (there’s S is for Santa, L is for Love and B is for Boo), I’m glad Gibbs-Smith decided it was important to add this title. And expect two more soon (E is for Easter and R is for Ramadan) which can be pre-ordered now. I honestly wondered at first how the author/illustrator would find appropriate words for each letter, but surprising he did including Y is for yontiff (Yiddish for holiday). Saying “Gut yontiff” is how my parents and grandparents greeted fellow Jews at holidays throughout the year. From alphabet to zaide, I found so many of the illustrations beautiful and welcoming with their jewel tones and cheerful settings. J is for jelly doughnut is another particular fave but truly there are many so you’ll just have to see for yourself. Then, perhaps you, too, will be as eXcited as I was to read the book.
Meet the Latkes by Alan Silberberg makes for an enjoyable read if parents seek something a bit less traditional and more whimsical to share this Hanukkah (or Chanukah!). Silberberg, an award-winning cartoonist and children’s TV creator, is both author and illustrator of this debut picture book.
The main characters in the story are Lucy Latke, her grandpa and her dog Applesauce. The humor comes into play when Grandpa tells Lucy his version of Chanukah or Hanukkah as is explained early on since the holiday can be spelled multiple ways. But these are the two most common. I suppose you could say Meet the Latkes is funny from the get-go because we’re listening to latkes as opposed to people and that’s probably enough to get little ones giggling.
Rather than stick to the standard story of the heroic Maccabees, headed by Judah, who fought to keep the Jewish people safe from a brutal King Antiochus, Grandpa recounts the tale of the Mega-Bees. Their nemesis was a group of “Outer space spuds.” All the while Grandpa is telling his story, Applesauce is trying to explain the real version and growing increasingly frustrated.
Most young Jewish children know the Hanukkah story but it bears repeating annually. I never tire of reading new spins on an old tale and Silberberg has definitely done that. Children who aren’t Jewish or have never learned the story will find Silberberg’s way of conveying this historic tale most entertaining, especially if different voices are used for Grandpa and Applesauce.
In Grandpa’s version, the evil tater tyrants ultimately get whipped into mash that, when mixed up with “EGG and ONION and a pinch of flour,” becomes what we know as latkes! Of course, Applesauce goes on to explain the true tale which includes the miracle of the Maccabees’ discovery of a tiny amount of oil left “to light the holy menorah.” What should have been enough for one day lasted eight which is why we light candles for eight nights. My favorite part of Meet the Latkes is the teenage brother who always says “I don’t care!” and remains cloistered in his room until finally emerging near the end, making that just one more miracle to celebrate and one that may resonate with many families. In fact, I laughed upon discovering teen Lex Latke’s promotional blurb on the book’s back cover. “You want to know THE TRUE STORY OF HANUKKAH? Don’t ask me—read this book!” I agree.
LIGHT THE MENORAH! A HANUKKAH HANDBOOK Written by Jacqueline Jules Illustrated by Kristina Swarner (Kar-Ben Publishing; $18.99 Hardcover, $8.99 Paperback, Ages 4-10)
After so many years of celebrating Hanukkah, I thought there was nothing more to learn about the holiday but I was wrong. Jacqueline Jules has written an engaging picture book that I could easily see using with my grown-up family every year.
There’s an introduction, blessings, thoughtful verse to accompany each of the eight nights’ candle lighting along with a moving reflection to read silently, aloud or discuss together as a family. The second half of Light The Menorah! features four pages devoted to the Hanukkah story for which there are two versions, something I had never known. There’s the historical version and the rabbinic tradition which is the one I’ve always told about the oil from the damaged Temple lasting eight nights. The historic version says that since the Maccabees “couldn’t take a week to observe Sukkot properly, … they celebrated for eight days during the rededication of the Temple.”
The remaining pages answer common questions such as when does Hanukkah occur, where is it celebrated and more. I was delighted to read the section where Jules explains the role women played in the Hanukkah story. No one will be disappointed to see instructions for playing the dreidel game, latkes and jelly donut recipes in addition to easy crafts.
Swarner’s lovely watercolor illustrations dress up the text and are well-paired on every page or spread. I was drawn to the book by the title and cover art and am glad I didn’t miss a single thing both Jules and Swarner had to share. This one’s a keeper and would make a wonderful gift to families just beginning to celebrate the Festival of Lights.
PAULIE’S PASSOVER PREDICAMENT
Written by Jane Sutton
Illustrated by Barbara Vagnozzi
(Kar-Ben; $17.99 hardcover, $7.99 paperback, Ages 4-6)
I don’t have a flair for cooking and it seems the same can be said about the main character and moos-ician, Paulie, in Paulie’s Passover Predicament by Jane Sutton. As the Passover Seder host, Paulie gets all the important dishes wrong. But unlike me, Paulie scores points because he at least makes the effort to prepare an entire meal whereas I’m more comfortable (and it’s safer, too) being someone else’s Seder guest.
Paulie’s invited all his animal friends over which includes Evelyn, Horace, Irving, Moe and Sally. At first his pals seem impressed by his Passover Seder spread. Soon however, as each traditional dish is served, there are giggles, chuckles and guffaws. “I see you have an extremely large egg on your seder plate,” said Moe. How big you ask? It’s an Ostrich egg!
There’s pepper in the salt water that’s supposed to represent “the tears of our ancestors when they were slaves,” but Paulie’s put pepper in so the pepper wouldn’t be jealous of the salt. He’s mixed pine cones instead of walnuts into the charoset, uses grass in place of parsley, and for the maror he’s carved a horse out of a radish instead of using horseradish!! But rather than ridicule Paulie who is embarrassed and saddened by his mistakes, his pals realize he’s just put his own special spin on the seder and love him for it. Happy again, Paulie reflects on the special meal. “He loved dipping his hoof in grape juice as he and his friends recited The Ten Plagues.”
When Sally is selected to hide the afikomen, everyone goes searching. Lucky Paulie finds it but unluckily gets stuck in the basement until his ingenuity saves the day (and the afikomen). I like the symbolism in his being set free just like our ancestors were and the special camaraderie amongst all the friends afterwards as they sing Dayeinu. “If God had only taken us out of Egypt, it would have been enough. Dayeinu.”
Vagnozzi’s joyful artwork will delight youngsters, some of whom may be old enough to recite The Four Questions. Paulie’s Passover Predicament is a light-hearted look at the holiday and reinforces the message that it’s really not about the food, but about being together and honoring the traditions of the past generations. Enjoy your read-aloud time with this story and wishing all those who celebrate a very happy Passover 2018!
About Passover From Paulie’s Passover Predicament:
Passover is a spring holiday that celebrates the exodus of the Israelite slaves from Egypt. The holiday begins with a festive meal called a seder. Symbolic foods recall the bitterness of slavery, the haste in which the Jews left Egypt, and the joy of freedom. Children ask The Four Questions and look for the hidden piece of matzah—the afikomen—at the end of the meal.
Reviewed by Ronna Mandel
Click here for a link to 2017’s Passover book review of A Different Kind of Passover
Click here for a link to 2016’s Passover book review, More Than Enough