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An Interview with Beth Anderson Author of Tad Lincoln’s Restless Wriggle

 

AN INTERVIEW WITH

BETH ANDERSON

AUTHOR OF

TAD LINCOLN’S RESTLESS WRIGGLE:

PANDEMONIUM AND PATIENCE IN THE PRESIDENT’S HOUSE

ILLUSTRATED BY S. D. SCHINDLER

(CALKINS CREEK; $18.99, AGES 7 to 10)

 

 

Tad Lincoln's Restless Wriggle cover

 

 

 

SUMMARY

Tad Lincoln’s boundless energy annoyed almost everyone but his father, President Abraham Lincoln. But Tad put that energy to good use during the tough times of the Civil War. Abraham Lincoln guided Tad’s wriggle on visits to hospitals, to the telegraph office, and to army camps. Tad greeted visitors, raised money for bandages, and kept his father company late into the night. This special and patient bond between father and son was plain to see, and before long, Tad had wriggled his way into the hearts of others as well. Beth Anderson and S. D. Schindler follow Tad’s antics during the Civil War to uncover the generous heart and joyful spirit that powered Tad Lincoln’s Restless Wriggle.

 

INTERVIEW

Colleen Paeff: Hi Beth! Congratulations on a busy couple of years! If I’m not mistaken, your debut picture book, An Inconvenient Alphabet: Ben Franklin and Noah Webster’s Spelling Revolution, came out in 2018 and by the end of 2023, you will have eight picture books out in the world, all nonfiction! That’s amazing! How do you manage to be so prolific?

Beth Anderson: Thank you, Colleen! It’s all very surreal! I don’t feel prolific. It takes me a long time to get a manuscript in shape. I think the surge for 2022 is due to a few manuscripts that I had worked on earlier that are finally making it out in the world, along with a scheduling change. I feel like my production of new stories has slowed as I learn to juggle more tasks. Only three of the eight technically qualify as nonfiction, but I think all but one will be shelved as biographies.

 

CP: Your books have covered stories from the 18th, 19th, and early 20th centuries. When you started writing for children did you know you would focus on mostly true stories from history or has your career evolved that way over time?

BA: I started off playing with fiction. But when I worked on a story I’d become familiar with in college (which sat in my head for a very long time!), I found my niche with historical stories. I love the discovery of little-known bits of history that open your eyes to a wider understanding of the world. The bonus of humor is irresistible. And ultimately, if a story opens your heart, too, that’s the best!

 

Tad Lincoln int1 goat sled
Interior spread from Tad Lincoln’s Restless Wriggle written by Beth Anderson and illustrated by S. D. Schindler, Calkins Creek ©2022.

 

CP: Do you have a favorite time period to write about?

BA: While I don’t have one favorite, I find the era surrounding the American Revolution fascinating. It may be because there is so much more there than what made it into textbooks and curriculum. There are so many contradictions and ironies, and so many aspects of revolution playing out in people’s lives. I love that Hamilton, the musical,  has brought intense interest to that time along with new ways of looking at it. Suddenly history is popular culture! Gotta love it!

 

CP: Absolutely! I love that Tad Lincoln’s Restless Wriggle shows readers a side of Abraham Lincoln that we don’t usually see in books. How did you discover this sweet relationship and what made you decide it would make a good book?

BA: I started out looking into Tad Lincoln as the instigator of the first presidential turkey pardon. (Lincoln had previously granted a pardon to one of Tad’s toy soldiers. 😄) When I dug deeper looking for the heart of the story, I discovered the very tender relationship between father and son. Each provided the other with what they desperately needed. Tad provided joy and hope when his father was in the depths of despair. And Papa patiently guided Tad with love and understanding when everyone else just wanted to shut him down. It was powerful to see a child play such an important role, and that became the heart of the story. For me, the goal is always to find the humanity in history, to connect as people. Seeing Lincoln as a caring father is a great reminder that historical figures are much more complex than the images we usually encounter.

 

CP: In the back matter you mention that the book focuses on one year in Tad Lincoln’s life. Why did you choose to limit yourself to one year and what made you choose 1863?

BA: As I collected stories of the two, I found a sort of transformation of Tad in 1863. By focusing on that year, I could eliminate some of the other Lincoln events, like Willie’s death and the assassination, and really hone in on Tad and Papa. I found an arc of events that took Tad from disruptive, to well-intentioned annoying, to slowly finding ways to appropriately help his father and others. The turkey pardon became a culminating event in which Tad found his voice and agency.

 

CP: What are some of your favorite stories about Tad that didn’t make it into the book?

BA: One that was cut—he sawed up the dining room table and used barrel staves to construct rocking chairs for the Old Soldiers’ Home. His toolbox disappeared after that one.

There are stories about Tad and Willie playing with the bell system in the President’s House and causing problems. They also played on the roof with pretend cannons, and they found all sorts of fun stuff in the attic. Tad used to ride his pony as “security detail” to accompany his parents in the carriage. There are many touching anecdotes that helped me get to know him.

 

CP: What fun stories! What do you hope readers will take away from Tad Lincoln’s Restless Wriggle?

BA: I hope children will see goodness and capableness in themselves and others despite what might appear to be annoying behavior or uncomfortable differences. To me, the story is about perspectives, too. Incapable boy vs a child with learning differences.  Undisciplined trouble vs unbridled good intentions. The President’s House vs home.

 

Tad Lincoln int art2 errands
Interior art from Tad Lincoln’s Restless Wriggle written by Beth Anderson and illustrated by S. D. Schindler, Calkins Creek ©2022.

 

CP: How do you go about finding little-known stories from history? Do you have any favorite resources?

BA: I subscribe to various news feeds, keep my eyes and ears tuned for possibilities, and often find something while I’m looking into a different topic. I explore history sites sometimes, but there’s no one place.

 

CP: How do you keep your research organized?

BA: I’ve slowly developed my system. I use a spiral for gathering information. I label the first page Table of Contents and use what has become a standard list of things I know I’ll need – like sources, contacts, title ideas, structure ideas, key concepts/themes, back matter possibilities, teacher ideas, timeline, character details, and much more. I need to be able to sort what I find into usable categories and capture ideas as they pop so I can locate those pieces when I need them. I did a post on my blog a few years ago called Organization Optimization. I often buy used copies of books I need so I can mark them up. I copy or print a lot of articles and relevant pages to have in hand. I keep all my accumulated pieces in a pocket file.  [see the photo of spiral below]

 

 

TAD spiral TofC
Table of Contents page for Tad Lincoln’s Restless Wriggle from Beth Anderson’s spiral notebook courtesy of the author.

 

CP: That sounds like a terrific system! I will definitely be stealing some organization ideas from you! What are some of the most surprising things you’ve learned in researching your books—all of them, not necessarily just the most recent?

BA: Now that I think about it, I think they are all about something that surprised me—like Ben and Noah’s efforts to change our spelling and “Smelly” Kelly’s nose. I guess that’s a lot of what draws me to a story.

A few tidbits. I was surprised to learn that Black men could have served on a jury in New York in 1855. To attend court, Elizabeth Jennings’ family would have had to walk across the ice to get from Manhattan to Brooklyn in February 1855. I was totally shocked that James Kelly pulled a 30” eel out of a subway sink drain. There are phones in the subway tunnels marked by blue lights. Horns were used as hearing aids—per S. D. Schindler’s illustration in Tad’s story. I didn’t know that men paid bounties for others to serve in their place in the Continental Army. (So really, the wealthy finding a way out of military service is nothing new. Actually, I get those surprises often, that some of the problems and situations we have are really nothing new.) Every story is full of surprises. There are the ones that bring you to the story, and then so many more as you write and vet for accuracy.

 

CP: Those kinds of surprises are what I love about writing nonfiction! What’s next for you, Beth?

BA: 2022 is a busy year with three releases! REVOLUTIONARY PRUDENCE WRIGHT: LEADING THE MINUTE WOMEN IN THE FIGHT FOR INDEPENDENCE, illustrated by Susan Reagan, releasing Feb. 1, and FRANZ’S PHANTASMAGORICAL MACHINE, illustrated by Caroline Hamel, releasing May 3 are up for pre-order now. CLOAKED IN COURAGE: UNCOVERING DEBORAH SAMPSON, PATRIOT SOLDIER, illustrated by Anne Lambelet, comes out Nov. 15.

I’m on pins and needles waiting to see what Jeremy Holmes does for our 2023 release, THOMAS JEFFERSON’S BATTLE FOR SCIENCE: BIAS, TRUTH, AND A MIGHTY MOOSE. And there’s another title in process, as yet unannounced.

 

CP: Incredible! I look forward to reading them all! Thank you so much for taking the time to chat.

BA: Thanks so much for inviting me to share TAD LINCOLN’S RESTLESS WRIGGLE with your readers! I’m honored!

 

Beth Anderson Headshot
Beth Anderson Photo ©Tina Wood Photography

BRIEF BIO

Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. With linguistics and reading degrees, a fascination with language, and a penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, ponders, and questions; and hopes to inspire kids to do the same. She’s the award-winning author of TAD LINCOLN’S RESTLESS WRIGGLE, “SMELLY” KELLY AND HIS SUPER SENSES, LIZZIE DEMANDS A SEAT!, and AN INCONVENIENT ALPHABET. Beth has more historical picture books on the way, including three more stories of revolution, wonder, and possibility in 2022.

 

BUY BETH’S BOOKS HERE

Click here or here for orders and pre-orders.

SOCIAL MEDIA LINKS

Website: bethandersonwriter.com

Twitter: @Bandersonwriter

Instagram: @Bandersonwriter

Pinterest: @Bandersonwriter

Facebook: https://www.beth.anderson.33671748

 

ABOUT INTERVIEWER COLLEEN PAEFF:

Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem (Margaret K. McElderry Books), illustrated by Nancy Carpenter, and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books).

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A Q+A with Author Alexis O’Neill about Melvil Dewey

AN INTERVIEW WITH ALEXIS O’NEILL

Author of

The Efficient, Inventive (Often Annoying)

Melvil Dewey

 

EFFICIENT MELVIL DEWEY cvr

 

 

I’m thrilled to have Alexis back on GRWR to talk about her latest picture book biography and the quirky visionary she chose to write about.

BOOK SUMMARY:

Melvil Dewey’s love of organization and words drove him to develop and implement his Dewey Decimal system, leaving a significant and lasting impact in libraries across the country.

When Melvil Dewey realized every library organized their books differently, he wondered if he could invent a system all libraries could use to organize them efficiently. A rat-a-tat speaker, Melvil was a persistent (and noisy) advocate for free public libraries. And while he made enemies along the way as he pushed for changes–like his battle to establish the first library school with women as students, through it all he was EFFICIENT, INVENTIVE, and often ANNOYING as he made big changes in the world of public libraries–changes still found in the libraries of today!

Buy the book from your local independent bookseller.

The Efficient, Inventive (Often Annoying) Melvil Dewey
Written by Alexis O’Neill
Illustrated by Edwin Fotheringham
(
Calkins Creek; $18.99, Ages 7-10)

 

INTERVIEW:

Good Reads With Ronna: It’s like the history of Melvil Dewey has been hiding in plain sight all these years. I never gave much thought to his decimal system of book organization for libraries, and definitely never figured it out. What sparked your curiosity into the man and his contributions? 

Alexis O’Neill: I hadn’t given him much thought either, Ronna, until a librarian friend sent me a funny video she used to help teach kids the Dewey Decimal System. That made me realize I didn’t know a thing about the inventor of this seemingly ubiquitous system.

 

Melvil Dewey int1
Interior spread from The Efficient, Inventive (Often Annoying) Melvil Dewey, written by Alexis O’Neill and illustrated by Edwin Fotheringham, Calkins Creek ©2020.

e

GRWR: Apart from what Melvil Dewey is most famous for, what other ideas did you discover during your research phase that he championed which have impacted our lives? 

AON: Dewey really championed education for all. He was concerned about rural Americans as well as the waves of new immigrants having easier access to information. He also was a proponent of the Simplified Spelling movement, a precursor to today’s texting – getting rid of vowels and extra letters in words that hindered or were unnecessary to pronunciation – like “tho” for “though.” He chopped “Melville” down to “Melvil” but when there was an outcry, was convinced not to change “Dewey” to “Dui.”

 

GRWR: Let’s talk about Dewey’s dream of a librarian school at Columbia College where he was the chief librarian. Trustees did “not want women on their campus.” So how did he succeed?

AON: He got around them by following the spirit of the law and not the letter of the law. When Columbia College Trustees refused to have women on campus, Dewey bent rules to his needs: he opened his School of Library Economy in a storeroom over the chapel across the street. The entering class had seventeen women and three men.

 

GRWR: Dewey is referred to in the jacket flap as “EFFICIENT, INVENTIVE, and often annoying.“ Can you describe some of his quirky character traits?

AON: Even if Dewey had no fatal flaws (and he indeed had them), I still don’t think I’d be able to stand being in the same room with him for very long. He talked incessantly and rapidly. While the average American speaks at about 100-130 words per minute, one of Dewey’s students clocked him at a rate of 180 words per minute. When he tried to convince others about one of his ideas, he was like a dog on a bone. From a very young age and throughout his life, he obsessively kept lists of things such as his height, weight, assets, and more. And he fixated on the number 10, thus decimals. He wrote, “I am so loyal to decimals as our great labor saver that I even like to sleep decimally” (in other words, 10 hours a night.)

 

MELVIL DEWEY int2
Interior spread from The Efficient, Inventive (Often Annoying) Melvil Dewey, written by Alexis O’Neill and illustrated by Edwin Fotheringham, Calkins Creek ©2020.

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GRWR: Melvil approached every endeavor and encounter in his life at 100 mph. The train visuals speeding through the pages of your story perfectly convey this energy. Do you think he moved at this pace because he had so much to accomplish in his lifetime that was predicted to be short after he inhaled smoke during a fire in his youth? 

AON: Dewey grew up in a deeply religious, restrictive household. He was always concerned with wastefulness and a desire “to leave the world a better place than when I found it.”  But when he was recuperating from a fire at his school as a teen, this desire became an obsession as did his preoccupation with efficiency.

 

GRWR: There are a lot of words printed in bold throughout the book. You also ask young readers several questions throughout it as well. Can you explain why? 

AON: I wanted readers to come along with the book’s narrator on a breathless ride in “real-time” as Dewey’s driving energy rushes through the years. I used present tense, direct questions, and bolded words to make the narrative voice break the fourth wall and emphasize the surprise the narrator feels while making observations about Dewey.

 

GRWR: What made Dewey fall out of favor in the public’s eye?

AON: A couple of decades into his career, Dewey was exposed as a racist, anti-Semite, and serial sexual harasser. He had created the Lake Placid Club that specifically excluded people of color, Jews, and other religious groups. And there had been justified complaints for years in the American Library Association, a group he helped found, about Dewey’s serial harassment of women. For his actions, he was censured by the NYS Board of Regents for his discriminatory practices, forced to resign from his positions as State Librarian and director of the library school, and ostracized by the ALA.

 

GRWR: How do you reconcile Dewey’s love of books and reading driving his initial motivation to help immigrants and those who cannot afford books with his bigoted views of Jews and others? 

AON: I really can’t reconcile or explain this.

 

MELVIL DEWEY int3
Interior spread from The Efficient, Inventive (Often Annoying) Melvil Dewey, written by Alexis O’Neill and illustrated by Edwin Fotheringham, Calkins Creek ©2020.

 

GRWR: Is it hard to write about someone whose personal views you may not necessarily like or agree with? 

AON: Dewey’s goal was to make the world a better place. So the question is, did his classification system make the world a better place? I believe it did. It expanded educational opportunities for the general public by making access to information more efficient. There are countless examples of artists, scientists, and others whose negative personal behaviors are hard to reconcile with their contributions, but their contributions have made significant, positive differences in so many lives.

 

GRWR: You used to write fiction and of late have switched to nonfiction kidlit, primarily biographies. What about writing fact-based stories appeals to you? And what do you think kids like about them? 

AON: I still write fiction, but I love American history! Early in my writing career, I wrote many articles for Cobblestone Magazine, and doing the research was a kick. Like me, I think kids are excited to know when something is real. Some facts–especially in history or science–just take my breath away.

 

GRWR: Where do you turn to for story inspiration? 

AON: Footnotes in books, articles, videos – lots of things spark ideas for stories. I never know where the next spark comes from or if it will flame into a book.

 

GRWR: If you’re able to divulge this info, what is on your radar for your next picture book? 

AON: Right now, I have a couple of fiction picture books circulating, and I’m working on a middle-grade nonfiction project. After so many years of writing “tight,” doing long-form work is challenging. I keep wanting to cut words!

Thanks for this opportunity, Ronna!

GRWR: What a treat it’s been to have you back here to share your insights about Melvil Dewey, Alexis. I will never look at those numbers in the library the same way again!

 

AON Headshot by SonyaSones
Author Alexis O’Neill photo courtesy of ©Sonya Sones.

BIO:

Alexis O’Neill is the author of several picture books including The Recess Queen, the winner of several children’s choice awards, and The Kite That Bridged Two Nations, a California Young Reader Medal Nominee. Her new picture book biographies are Jacob Riis’s Camera; Bringing Light to Tenement Children and The Efficient, Inventive (Often Annoying) Melvil Dewey. Alexis received the California Reading Association’s award for making significant and outstanding contributions to reading throughout California and is an instructor for the UCLA Extension Writers’ Program.

 

 

Website: www.alexisoneill.com

Facebook: www.facebook.com/alexis.oneill.9

Twitter: @AlexisInCA

Instagram: @Alexis2017

 

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Five New Children’s Books for Independence Day

INDEPENDENCE DAY 2020
RECOMMENDED READS FOR KIDS
-A ROUNDUP-

 

Clip Art Independence Day

 

The selection of books here, while not necessarily being about July 4th or the Revolutionary War, all have to do with our country, and what it means to have gained our independence and become a democracy. I hope the books inspire children to read more on the topics covered, and to think about how they can make a difference, no matter how small, in their own communities.

 

Free for You and Me cvrFREE FOR YOU AND ME:
What Our First Amendment Means
Written by Christy Mihaly
Illustrated by Manu Montoya
(Albert Whitman & Co.; $16.99, Ages 4-8)

When at last America declared itself free from British rule, the Constitution was written “with rules for every institution.” However, something more was needed to guarantee five “of the most fundamental American freedoms,” and so the First Amendment, along with nine others (and making up the Bill of Rights) was drafted.

Using verse, occasional speech bubbles, and bright, diverse, kid-centric illustrations, Free for You and Me explains in easily understandable language just what these powerful 45 words represent. Kids will enjoy seeing other kids on the pages debating the meaning of the expression, “It’s a free country” making this picture book ideal for classroom discussion or for any budding historians and legal scholars.

Mihaly explains how our First Amendment means “we the people of the United States have five important freedoms,” many of which we see at work on a daily basis. Americans are guaranteed “freedom of religion, freedom of speech, freedom of the press, freedom to gather in a peaceful rally or protest, and the freedom to tell our leaders what we want them to do.” If your child has recently marched with you in a protest, that’s due to our First Amendment rights.

In this book, kids learn the importance of the First Amendment through the example of a mayor who wants to shut down their playground. They organize a rally and get signatures on a petition in an effort to save it. Other good examples are presented as in the case of Freedom of Speech. Readers find out about Congressman Matthew Lyon who was arrested and spent four months in jail in 1798 for criticizing President John Adams. This would never have happened were it not for a law Adams and his Federalist government passed called the Sedition Act. Once Jefferson was elected, the Sedition Act expired. I had never heard about this before, but my 19-year-old son had so a lively conversation ensued.

The timeliness of this educational picture book will not be lost on those who support a free press, the right to free speech and to assemble peacefully, as well as the freedom of religion and freedom to petition the Government for redress of grievances. Mihaly, a former lawyer, understands the principles upon which our democracy was established. With her knowledge of the First Amendment, she succeeds in conveying the freedoms it entails in an engaging and accessible way for young readers. We can never take these hard-fought for liberties for granted. Four pages of back matter go into more detail.  •Reviewed by Ronna Mandel

VOTE FOR OUR FUTURE!
Written by Margaret McNamara
Illustrated by Micah Player
(Schwartz & Wade; $17.99, Ages 4-8)

Starred Review – Kirkus

The students of Stanton Elementary School aren’t old enough to vote when their school closes every two years on the Tuesday after the first Monday of November. That’s when it turns into a polling station. They are, however, are old enough to spread the word in Vote for Our Future!

The diverse cast of characters, energetically represented in bold and vivid illustrations, introduce a topic that is timely for all ages. McNamara’s sweet and intuitive children first ask “what’s a polling station?” The children’s eyes widen as they learn that “the reason people vote is to choose who makes the laws of the country.” LaToya with her big pink glasses raises her hand and says, “we should all vote to make the future better.” But Lizzy reminds her that they just aren’t old enough.

So what are they old enough to do? Player illustrates boys and girls from all backgrounds looking through books and “searching online to find all kinds of information. They even took a trip to their local election office and picked up forms.” The research shows that “kids have to live with adult choices. The kids of Stanton Elementary School were ready to spread the word.”

McNamara takes the reader through the small town where Cady and her mom make flyers. They pass them out to a busy dad, who didn’t even know there was an election, to Nadiya and her auntie, wearing hijabs on their heads, who go door to door telling neighbors that “voting is a right.” Player’s vibrant and colorful art of people from various ethnic groups shows the reader that all people have the right to vote.

With each excuse from adults that the children are given, an even better comeback is heard in return. “I don’t like standing in lines,” one lady tells Nadiya. Nadiya’s auntie doesn’t like standing in lines either, but Nadiya says if you can stand in line for coffee you can stand in line to vote. I love how fearless the kids are when the adults come up with excuses for why they aren’t voting and how the kids don’t take no for an answer.

Player shows “people voting for the first time, and the fiftieth time, with their sons and daughters, their nieces and nephews, their brothers and sisters, their cousins and friends.” When voting was complete and the ballots were counted, Stanton Elementary went back to being a school and “the future began to change.”

McNamara writes in the back matter titled Get Out The Vote! that when adults vote for people and causes they believe in, they speak for us and make laws that are good for everyone in the country. She lists various Acts that have been signed to prompt further discussions between adults and kids. Player’s drawings of stickers such as Yes, I Voted help to get the message across that voting does matter and that every vote really can make a difference. Have the primaries happened in your state? If not, get out and vote! • Reviewed by Ronda Einbinder

For Spacious Skies coverFOR SPACIOUS SKIES:
Katharine Lee Bates and the Inspiration
for “America the Beautiful”
Written by Nancy Churnin
Illustrated by Olga Baumert
(Albert Whitman & Co.; $16.99, Ages 4-8)

I loved getting to know the origin story for the beloved song so many people think is our national anthem, but isn’t. I also learned that not only was the poem that was later turned into a song, written by a woman, but a very independent one at that.

Katharine Lee Bates was raised by her widowed mother who “grew and sold vegetables to help Katharine go to school.” Katharine’s smarts led to higher education and her passion for the written word led to her career as an author and professor at a time when young women were encouraged to pursue marriage and homemaking. She was also a reformer. In addition to teaching, Katharine worked hard to improve the lives of those most vulnerable in society, while also using her talents to help the suffrage movement.

A summer teaching job took her across the country by train from Boston to Colorado where she first glimpsed America’s boundless beauty. On July 4, 1893 Katharine’s mind was flooded with “memories of the ocean” as she set eyes on amber stalks of wheat swaying in the Kansas fields. A trip up to Pike’s Peak and its majestic views clearly inspired her to compose the poem we know and love. It was first published on July 4, 1895 and, with each additional publication, underwent several revisions. In 1910 it was paired with the famous melody by composer Samuel A. Ward we still sing today. This terrific and inspiring biography with its glorious Grandma Moses-esque illustrations perfectly blends the story of Katharine Lee Bates’s life and career, and country with the poem that celebrates its expansive splendor. Back matter and a timeline round out this recommended read.
•Reviewed by Ronna Mandel

We the People coverWE THE PEOPLE:
The United States Constitution
Explored and Explained
Written by Aura Lewis and Evan Sargent
Illustrated by Aura Lewis
(Wide Eyed Editions; $24.99, Ages 10-14)

Even adults can take advantage of this comprehensive look at our Constitution because of the colorful and inviting picture book format designed with middle grade readers in mind. Plus it’s the kind of book you’ll want to keep on hand to refer to, especially when kids ask questions you may be unable to answer.

This quote from the authors on the intro page speaks volumes about what you can expect when you pick up a copy of We the People: “… we believe that having a deeper understanding of our Constitution can inspire change. Anyone can understand how the government works, and every single person has the power to get involved and make a difference.”

The 128 pages of the book are divided up into brief, digestible chapters, with plenty of white space so that your eye can travel to the most important parts quickly. The authors have included excerpts from the Constitution which have been paraphrased in kid-friendly English so they’re easily understood especially when presented as they relate to our daily lives.

One of my favorite sections was about the 19th Amendment, ratified in 1920, intended to guarantee that “no one can be denied the right to vote because of their gender.” The chapter features a bottom border illustration of both the suffragettes on the left holding signs and modern day protestors on the right also carrying signs. The spread (like those throughout the book) has interesting factoids such as the one about young conservative Tennessee politician, Harry Burns, whose mother influenced his decision “that tipped the scales in favor of the 19th Amendment.” On the four pages devoted to this amendment there are also thought provoking questions that a teacher or librarian can pose to their students.

There is so much wonderful information to absorb that I recommend readers take in a few chapters at a time to let the facts sink in. One particular chapter that, leading up to this year’s presidential election, might prompt discussion is about the 12th Amendment and the electoral college. Everyone who reads We the People will likely find something covered that will resonate with them whether it’s about the rights of the accused, term limits, or D.C.’s residents (now looking for statehood) being given the right to vote for president. Get this book today and you’ll get the picture!
•Reviewed by Ronna Mandel

STAR-SPANGLED:
The Story of a Flag, a Battle, and
the American Anthem
Written by Tim Grove
(Abrams BYR; $19.99, Ages 10-14)

Starred Review – Kirkus

Okay, I’m going to embarrass myself here and admit I did not know the “Star-Spangled Banner,” our national anthem, was about a battle against the British over a fort in Baltimore. I mean I knew it was about a battle based on the lyrics and I knew the battle fought was with the British, and that’s it. I’m not even sure I was taught the anthem’s history in school. Now, thanks to Tim Grove’s well-researched historical nonfiction novel, I’ve been educated and kids can be, too. Oh and by the way, this occurred during the War of 1812 (which incidentally lasted until 1815).

Told from various perspectives, because what better way to convey the complexity of history than from more than one angle, Grove’s book introduces readers to a host of British and American characters. We meet Mary Pickersgill, (a sewing business owner specializing in flags or colors), Thomas Kemp (a Baltimore shipyard owner), Francis Scott Key, (a thirty-five-year-old lawyer with six children), Rear Admiral Sir George Cockburn (a top British military officer in the Chesapeake Bay region), and 10 others whose stories are woven together to bring the full picture of the intense battle to light. Star-Spangled also addresses the background of the war and events leading up to battle to help put its significance in context. If America lost Baltimore, our young country’s independence could be at stake. Grove notes that Pickersgill, Kemp, and Key were all slave owners and that Key, was a “tireless opponent of the slave trade” yet in his role as a U.S. attorney for Washington, D.C., opposed abolitionists. He was also “a leading proponent” of the colonization movement, something I definitely did not know about.

As we meet each person, we learn the role they played in the the book’s subheading, The Story of a Flag, a Battle, and the American Anthem. In fact, Star-Spangled reads like an Erik Larson novel where all the events are building up to the major one so anticipation is high despite knowing the outcome. And don’t be surprised if you become so engrossed that you finish the book in one go!

I had an advance review copy so I was unable to see the full-color photographs from the final edition, but my copy did contain the fascinating archival material interspersed throughout the book. There’s actually a photo of the “flag that Key saw. Over the years, before the flag came to the Smithsonian Institution, people cut various pieces off for souvenirs.” There’s also a photo of Francis Key’s “original draft of his poem.” This contains four verses and is preserved at the Maryland Historical Society.

Back matter includes an author’s note, a timeline, a glossary, endnotes, a bibliography, and an index. Don’t miss your chance to get a copy of this enlightening book. I hope it finds its way onto bookshelves in classrooms and libraries around the country so our rich history can be better understood and discussed. •Reviewed by Ronna Mandel

 

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An Interview with Author Alexis O’Neill About Picture Book Bio Jacob Riis’s Camera

 

AN INTERVIEW

WITH AUTHOR ALEXIS O’NEILL

 

RIIS Cover from BMK

 

 

JACOB RIIS’S CAMERA: BRINGING LIGHT TO TENEMENT CHILDREN

ILLUSTRATED BY GARY KELLEY

(Calkins Creek/Boyd Mills & Kane; $18.99, Ages 7-10)

I’m so happy to share this interview with popular SoCal author, Alexis O’Neill. Her new picture book biography introduces Jacob Riis, a determined New Yorker born in Denmark, to a new generation of readers. It’s hard not to feel as though you’ve traveled back in time as you learn about Riis, who is best known for his moving photographs of the plight of the poor tenement dwellers in the late 19th century and early 20th century.

SUMMARY

In Jacob Riis’s Camera, a penniless immigrant, who becomes a reporter and social activist, uses new flash powder technology to illuminate desperate tenement living conditions and brings about changes for children and their families.

INTERVIEW

GOOD READS WITH RONNA: Did you happen upon Jacob Riis’s photos one day and find inspiration to write this picture book or did you intentionally set out to write his story?

Riis Interior with Flash
Interior illustration from Jacob Riis’s Camera: Bringing Light to Tenement Children written by Alexis O’Neill and illustrated by Gary Kelley, Calkins Creek ©2020.

ALEXIS O’NEILL: I’ve always been interested in photography and photographers. I used to live pretty much with a camera in my hand, and when I lived in central New York, I belonged to the Syracuse Camera Club, one of the oldest in the nation. I met Riis’s photos when I was researching child labor issues for other projects. Then later, I read his autobiography, The Making of an American. He wrote so vividly and personally that I felt as if he were right beside me, chatting with me in my living room. That’s when I knew I wanted to write a book about him.

GRWR: Despite my familiarity with Riis’s haunting b + w photos, I had no idea how influential he had been during his lifetime. What fact or facts about Riis surprised you the most?

AON: I was really surprised that Riis didn’t consider himself a photographer. In fact, he later carelessly tossed his glass plate negatives into his attic. Then, just before a wrecking ball was about to destroy the family home, the images were rescued, thanks to photographer Alexander Alland, Sr., and donated by Riis’s son, Roger William, to the Museum of the City of New York.

GRWR: Riis was a champion of the poor as early as his youth in Denmark. What impact would you say his photos have had on the way this segment of our society is treated?

AON: Riis’s photos were revolutionary. They inspired accountability and gave documentary evidence that helped force compliance of landlords with sanitary and building regulations.

GRWR: How big a role did Riis’s immigrant background play in his career?

AON: Like most immigrants, he had a driving work ethic. He was an educated Dane with carpentry skills, but he had a hard time finding work in America. He did all kinds of menial tasks in order to survive. He experienced homelessness and hunger. He experienced injustices and wanted to fix themnot just for himself, but for others.

 

RIIS Tenement Neighborhood
Interior spread from Jacob Riis’s Camera: Bringing Light to Tenement Children written by Alexis O’Neill and illustrated by Gary Kelley, Calkins Creek ©2020.


GRWR:
Is there a particular photo of Riis’s that particularly resonates with you?

AON: To me, his most heartbreaking photo is “The Baby’s Playground.” A toddler with a shaved head and filthy dress stands in front of an overflowing public sink at the top of a dark staircase that has a railing held together with rope. The wall behind the baby is coming loose. No child should have to live like that.

p23 RIIS Book116
Interior illustration from Jacob Riis’s Camera: Bringing Light to Tenement Children written by Alexis O’Neill and illustrated by Gary Kelley, Calkins Creek ©2020.

GRWR: Obviously this nonfiction bio involved a lot of research. How did you choose what to include or leave out when his rags to not-so-riches-but-fame story is so fascinating? Was there a portion or time period of his life that was most difficult to nail down?

AON: Riis’s relationship with his Danish sweetheart was complicated, so I treated that with a broad brush stroke.

GRWR: Why do you think no professional photographer had captured the lives of shelters and tenement dwellers prior to Riis?

AON: At the time, most photographers made pretty portraits or, like Matthew Brady, recorded historical events. Riis, in contrast, showed the underbelly of life. I think that when Riis read about the invention of flash powder, it came at the right time for him. Photographs taken with this new technological tool helped him convince officials to make changes in the tenements.

RIIS Five Cents a spot
Interior illustration from Jacob Riis’s Camera: Bringing Light to Tenement Children written by Alexis O’Neill and illustrated by Gary Kelley, Calkins Creek ©2020.

GRWR: Do you attribute Riis’s success to his talent as a photographer, his perseverance, good timing or all three?

AON: I believe Riis’s success can be attributed to his determination and tireless work to tell a complete story of the social injustice experienced by impoverished city inhabitants. He lived during a time of great interest in social reform.

GRWR: As a former New Yorker and lover of NYC’s Tenement Museum, I’ve always admired Riis’s photos. Why do you think his accomplishments are not better known today?

AON: Riis’s photos continue to impress people, and his contribution was unique. In his advocacy for improving substandard housing, he was one among many of his contemporaries who also advocated for changing laws on child labor, suffrage, public health, housing, and schools.

GRWR: What’s one of your favorite illustrations by Gary Kelley in your book?

AON: I love Gary’s illustration of Jacob giving a lecture and pointing to his photograph of a tenement mother holding her swaddled infant. As he talks, Jacob gestures to the poignant image. This image makes me wish I could have heard Jacob in person!

BIO

AON Headshot2 by SonyaSones
Alexis O’Neill, photo by ©Sonya Sones.

Alexis O’Neill is the author of several picture books including The Recess Queen, the winner of several children’s choice awards, and The Kite That Bridged Two Nations, a California Young Reader Medal Nominee. Her new picture book biographies are Jacob Riis’s Camera; Bringing Light to Tenement Children and The Efficient, Inventive (Often Annoying) Melvil Dewey (due Fall 2020). Alexis received the California Reading Association’s award for making significant and outstanding contributions to reading throughout California and is an instructor for the UCLA Extension Writers’ Program.

Website: www.alexisoneill.com

Facebook: www.facebook.com/alexis.oneill.9

Twitter: @AlexisInCA

Instagram: @Alexis2017

Thank you so much, Alexis, for sharing your insights about Jacob Riis and giving us the inside scoop about your new picture book biography, Jacob Riis’s Camera. It’s so great to know how many children will now have a chance to learn about Riis’s important contributions to society.

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Presidents’ Day Picture Book – Honey, The Dog Who Saved Abe Lincoln

HONEY, THE DOG WHO SAVED ABE LINCOLN

Written by Shari Swanson

Illustrated by Chuck Groenink

(Katherine Tegen Books; $17.99, Ages 4-8)

 

Honey the Dog Who Saved Abe Lincoln CVR

 

Junior Library Guild Selection

It’s hard to imagine that our 16th President, who faced one of the toughest challenges in American history, was at one time a curious, barefooted boy roaming the “hills and hollows” of his hometown, Knob Creek, Kentucky. In Honey, The Dog Who Saved Abe Lincoln, author Shari Swanson and illustrator Chuck Groenink depict a gentle boy whose tenderhearted rescues of vulnerable animals shed light on Abe’s early and strong sense of justice.

To adults like Mr. John Hodgen, the miller, Abe seems irresponsible for “‘fool[ing] [his] time away,’” stopping to right the wrong he sees all around him. But to young Abe the “‘many little foolish things’” are the harm and injustices he must counter: a frog trapped inside a snake’s mouth, a possum stuck “‘in a hollow stump,’” and a honey-colored dog whimpering from a broken leg.

Abe shows kindness for rescuing the dog he befriends and names Honey. Loyal friends, the two become inseparable and share many adventures. One such adventure turns particularly perilous as Abe gets stuck between two boulders inside a cave. Honey returns home alone to get help and leads the search party to the cave. Assisting Abe’s rescue in this way, Honey pays Abe “‘back for mending his broken leg’” confirming the young boy’s belief that Honey will always do “‘good things’” for him.

 

Interior by Chuck Groenink from HONEY, THE DOG WHO SAVED ABE LINCOLN by Shari Swanson
Interior spread ©2020 Chuck Groenink from Honey, The Dog Who Saved Abe Lincoln written by Shari Swanson and illustrated by Chuck Groenink, Katherine Tegen Books ©2020.

 

Accompanying this comforting story is Groenink’s soft and muted color palette. Many illustrations place either Abe or the natural surroundings of the Kentucky woodlands at the center of the page, emphasizing the close relationship between the two. Equally, Swanson’s words engage us readers with the terrain. Mr. Hodgen uses “his cane-pole whistle” to call out to Abe in the cave. We see Abe’s resourcefulness and experience when he uses the “soft bark of a pawpaw bush to wrap around the sticks” that help set Honey’s leg. Undoubtedly, the surrounding wilderness deeply influences young Abe’s character.

A “Timeline of Abraham Lincoln and His Animal Encounters,” an author’s note, and a map of “the area around Hodgen’s Mill where Abe grew up” in the endpapers add fascinating (and funny) details to Abe’s early and later life. We learn further of his fights against animal cruelty and his bringing in many animals into the White House (goats included!). We also learn the author’s source of this story, a book written by J. Rogers Gore who wrote down the many tales Austin Gollaher, Abe’s childhood best friend, shared about his and Abe’s adventures.

Honey, The Dog Who Saved Abe Lincoln is a perfect book not only for little ones who love animals and adventures, but also for parents who can learn a thing or two about lending grace and understanding to a most curious child.

  • Reviewed by Armineh Manookian

Find a fun activity kit and curriculum guide here.

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Picture Book Review – A Green Place to Be: The Creation of Central Park

A GREEN PLACE TO BE:
The Creation of Central Park

Written and illustrated by Ashley Benham Yazdani
(Candlewick Press; $17.99, Ages 7-10)

 

book cover illustration from A Green Place to Be by Ashley Beham Yazdani

 

Ashley Benham Yazdani’s A Green Place to Be: The Creation of Central Park shines a light on a familiar subject in a new way. This historical nonfiction picture book gives a glimpse into 1858 New York City when the park’s design contest was held. Architect Calvert Vaux and park superintendent Frederick Law Olmsted teamed up to win.

Yazdani’s images capture the vast undertaking as Vaux and Olmsted draft the layout, called Greensward. I like the spread of the ten-foot-long drawing envisioning what could be done with the land. Though their design was entered after the deadline, they won but had to change the name to New York City’s Central Park.

Olmsted planned ahead—about 100 years ahead—using “the color and shape of each plant to create illusions in the landscape” so nature would be the focus for generations yet to come. “Amenities such as the Dairy were specifically built to help those living with less, and Olmsted’s and Vaux’s compassion for others is shown by their determination to create a park that welcomed all social classes.” The men were early environmentalists striving to conserve this patch of parkland in Manhattan.

Kids who like construction-type books will appreciate that boulders were blasted to bits. Nearly every piece of the swampy, sharp, and foul-smelling land was raised or lowered, rocks were relocated and reused. Thought was given on how to best move people through the park without disturbances from carriages.

The end matter sums up the lives of Olmsted and Vaux. A page of interactive questions with items kids can search for within the book adds an element of interactive fun. More detail is given on Seneca Village, the area of land which had to be cleared for the park. The freed African-Americans who lived there were first offered money, then forced out—a sad beginning to this story.

 

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