Good Reads With Ronna is delighted to appear on day three (see schedule below) of the Perdu Blog Tour! I hope you’ll take the time to not only read the book review, but to also watch all the fantastic videos that Peachtree Publishing has shared with us.
Richard Jones makes his welcome debut as both author and illustrator with this tale of a lost (perdu in French) dog seeking a forever family. And may I just add here that Perduis precious! Both the main character and the story itself. With his sweet face gracing the book’s cover, it’s easy to be captivated by his faraway, lonely look.
While we never learn where Perdu has come from because he certainly didn’t tie the neck scarf himself, it’s easy to let that mystery go in favor of the bigger mystery at the heart of this moving story—will he ever find a loving home?
Readers first glimpse Perdu on the title page, head down, red scarf around his neck, and walking through a field. As he carries on his journey, he notes that, unlike a nearby fallen leaf, he has no place to be. Poor Perdu!
He wanders over a bridge on the outskirts of town where he’s noticed by a little girl sporting a distinct red knit pom-pomed hat. Determined to find his “somewhere,” like everyone else, the sweet lost little dog continues his search and wanders into the big, anonymous city.
At the same time as Perdu, intimidated by the city size and its throngs of people, the little girl continues her day out with her mother. I love how, at this point in the book, Jones has zoomed in on the girl whose path keeps crossing that of Perdu’s. She is perhaps outside a library or other notable building with a massive lion statue (a nod to The Snow Lion) while Perdu stands at the top of the statue. I wonder if parents or kids will spy him first.
My favorite illustration is the one when the child spots Perdu sitting outside an expansive cafe window where she and her mom are dining. He’s hungry now and tired and cannot resist the temptation of an open door. Inside he wreaks havoc and is reprimanded by patrons. It’s a demoralizing experience for Perdu yet at the same time things probably cannot get much worse.
In a lovely park scene, where both the girl and Perdu have ended up following the restaurant ruckus, the child approaches the dog. She’s holding Perdu’s signature red neck scarf which he lost when he dashed away during the cafe commotion.
Not a lot of words are needed when the simple act of giving back the scarf to the lost dog speaks volumes about the girl’s empathy and Perdu’s trust. It’s a gentle, loving moment that bonds the pair and fills readers’ hearts with hope.
Jones has given young readers a feel-good story about friendship, trust, kindness, and belonging highlighted by the beautiful, inviting art that solidifies the tale. Jones achieves this warm look with paintings he then edits in Adobe Photoshop. I came away from the story feeling happy for both Perdu and the red-hatted girl knowing that they had both truly found each other for all the right reasons.
Come join me on Crust Boulevard for a visit inside the fridge where Lady Pancake and Sir French Toast live. If you haven’t read the previous three books in this hilarious series, that definitely won’t detract from your enjoyment of the popular food friends’ fun and frolic.
In Short & Sweet, the latest installment from author Josh Funkand illustrator Brendan Kearney, time may be running out for Lady Pancake and Sir French Toast. The meal-worthy mates have discovered they’re going stale! Fortunately, their new friend, Baron von Waffle, suggests they “check out Professor Biscotti’s brochure,” for what could be a cure.
Lady Pancake and Sir French Toast decide the professor’s despoiling machine is what’s needed to save them so, accompanied by the Baron, they head to the laboratory.
In just minutes the decaying duo gets zapped back to health. However, one slight glitch in Professor Biscotti’s device has caused the food friends to shrink down to kid-size. They also do not seem to recognize their pal Baron von Waffle and dash off in fear.
The chaos that’s occurred has caused the Baron’s feelings to be hurt. He’s worried Lady Pancake and Sir French Toast are so scared of him that he’ll lose their friendship. While the professor works on fixing her despoiling machine, Baron von Waffle works on a way to lure his pals back to the lab.
Meanwhile, the frightened food first finds safety at a nearby pasta playground and then a local library. I love how Funk, a huge fan of libraries, has successfully fit one into his story. In a way, it’s a love of reading that leads Lady Pancake and Sir French Toast back to Baron Waffle. He believes he’s come up with a clever way to entice the two breakfast food buddies back to the lab and hopefully, with Professor B’s help, maximize them back to friend-size! Will the teeny twosome be restored to grown-ups? Well, I certainly won’t be a spoiler!
The premise of this picture book is such fun and adds a new dimension to the zany, adventure-packed Lady P and Sir FT collection. Once again, the talented team of Funk and Kearney have brought us a read-aloud that starts its rollicking from the very first spread. Filled with wordplay that easily rolls off the tongue, Short & Sweet can also boast engaging, well-metered rhyme in a fast-paced story that kids will want to hear over and over. Kearney’s high-spirited art is bursting with visual treats. You’ll find cucumber footrests at Professor Biscotti’s lab, punny book titles in the library, and perhaps my fave, Juice Springsteen sporting his trademark headband above his brow while rockin’ out atop a pot pie in the final spread. There’s lots to love in book #4 so get a copy, get comfy, and get ready to be entertained. Just remember not to read on an empty stomach!
Reviewed by Ronna Mandel
Scroll down for more info about
Lady Pancake & Sir French Toast: SHORT & SWEET
Josh Funk is the author of books like the Lady Pancake & Sir French Toast series, the It’s Not a Fairy Tale series, the How to Code with Pearl and Pascal series, the A Story of Patience & Fortitude series, Dear Dragon, Pirasaurs!, Albie Newton, and more.
For more information about Josh Funk, visit him at www.joshfunkbooks.comand on Twitter/Instagram/Facebook at @joshfunkbooks.
Clickhereto order a copy of Short & Sweet. If you’d like other books in the series, click here.
Disclosure: Good Reads With Ronna is now a Bookshop.org affiliate and will make a small commission from the books sold via this site at no extra cost to you. If you’d like to help support this blog and its team of kidlit reviewers, please consider purchasing your books from Bookshop.org using our affiliate links above. Thanks!
Greta is a little girl who lives in a beautiful forest threatened by Giants. When the Giants first came to the forest, they chopped down trees to make houses. Then they chopped down more trees and made even bigger homes. The houses grew into towns and the towns grew into cities, until now there is hardly any forest left. Greta knows she has to help the animals, but how? Luckily Greta has an idea that will lead to the Giants and the animals working together in harmony. An additional section at the back explains that in reality the fight against the giants isn’t over and Greta needs the reader’s help.
This book has been printed sustainably in the UK on 100% recycled paper. By buying a copy of this book, you are making a donation of 3% of the cover price to Greenpeace UK
INTERVIEW WITH ZOE PERSICO
Please tell us how you came to be a picture book illustrator?
Growing up I had many artistic influences that led me to go into what I do today, especially in books. I struggled with reading, but the illustrations always kept me eagerly invested and inspired. I originally wanted to be an animator, but quickly figured out that illustrating was my passion and wanted to figure out how I could achieve it as my career. I returned to my love for children’s books and knew I wanted to create works of art that would help others like they did for me. With family, friends, my partner, and educators who always supported me every step of the way I signed onto my current agency, got an early jump start into my career, and graduated college. I’ve been working as a freelance illustrator for over five years now and happily receiving great projects such as Greta and the Giants.
What medium/technique did you use to create the illustrations in GRETA AND THE GIANTS and how did the metaphor of the giants as symbols of corporate greed influence your choices?
I use Photoshop CS6 and a Wacom Cintiq Pro 24 to create my illustrations, though I am heavily influenced by traditional materials and try to capture the magic of them through digital means. I use custom brushes that emulate watercolor, gouache, colored pencils, and so on. Before starting the final art for Greta and the Giants I knew that I really wanted to push some new painting techniques, so I practiced using traditional materials beforehand to figure out how I can capture them digitally.
The giants were quite a challenge! I needed to figure out how to portray the giants in a fantastical, but realistic way. It would have been too easy to use stereotypes as a crutch for their design and using certain physical traits to show how “ugly” they are is harmful because that’s telling readers having those traits are negative. I thought that illustrating them mostly from perspectives of Greta and the citizens of the forest, such as them looking up and only seeing their shoes and pants as well as not being able to see their faces as clearly due to the massive distance between them, was a perfect and simple way to achieve that the giants “have their heads in the clouds” more than anything else. They realize that they are causing harm and want to do better and I wanted to make sure their designs were an easy transition to the last spreads of the book as well. They have always worn normal clothes just like everyone else and their size doesn’t change. They are still giants! The change comes into how the new compositions show a better connection and understanding between them and the forest dwellers.
I was taken immediately by the gorgeous jewel tones in your palette. Please explain the decision behind that.
Thank you! I had a lot of fun with this palette for this book. When the design team told me they really wanted to a painterly look and using light for color and mood contrast I was immediately excited. I’ve always tried to push these elements in my personal work and I knew I wanted to push myself even more for this project. Since I have been painting traditionally on the side more, I’ve found new color palettes that I wanted to emulate in Greta and the Giants. I used warm tones for heavily lit areas and went with cool tones for shadows. I mixed colors on top of each other like I would with watercolors to keep interest and connection in each area. I have been in love with using a very bright candy red lately and knew it would be the perfect accent color in a sea of multiple shades of green. For the last spread I wanted to go with a sunset palette to help end the book on a warm and uplifting note. Overall, I would say the goal for this book was to have a mostly nature-inspired palette (greens, browns, oranges) with accents of fantasy-inspired colors (pinks and blues).
What inspired you about this particular story?
Throughout the years I’ve been finding ways to alleviate my carbon footprint on the planet as best as I can and having the chance to work on this project was right up my alley. I was inspired on now only how I can help show others on what we can do to help fight climate change, but to come together and speak up against “giants” by the power of your voice. I hope the illustrations in Greta and the Giants inspire children to ask questions. I hope it inspires parents and guardians to teach them about what is happening. I hope it inspires adults to speak out and vote.
Do you have a favorite illustration in the book?
Yes! Funny enough my favorite illustrations are the spreads that include the city. I rarely paint urban subjects and it was a fun challenge to depict what the giant city could look like from a distance. I’m proud of how it turned out!
I also enjoy illustrating animals as well. Any time I got to paint the fox was always fun for me!
What was the biggest challenge of creating the art for this picture book that’s dealing with a serious topic aimed at younger readers?
I would say finding the right visual balance of fantastical and visually showing a depiction of a real life issue. I wouldn’t be doing the message justice if I went a super happy and bright route for the illustrations. I want to show the dark sides of what’s happening to our home and make it easy to readers to understand that. I also wanted to show signs of hope and warmth as well. I use bright and inviting colors and character designs that young readers can gravitate towards. I paint light shining down on characters such as Greta to show that she is a beacon of hope. It’s little things like this that I add in my illustrations to help readers understand that things are serious, but we don’t have to be kept in the dark. It’s amazing how color and light and design choices can naturally click in your brain to know when something is “relaxing” or “melancholic” or “frustrating”. Illustrations are so important and I love that I get to create them.
As the giants learn about the negative impact of all their building and polluting, they begin to take on less fierce qualities. Was this intentional?
Absolutely. As I mentioned in the previous question regarding the giants, I really wanted to portray the giants in a way that they aren’t so different from the rest of the forest dwellers. Earlier spreads of the book emphasize how tall they are, how hard it is to see their faces from far away, and so on. There’s a disconnect and the giants aren’t aware of the damage they are causing. Towards the last spreads you can see their faces better and their postures and expressions are much more approachable. They are still giants, but there is now a more positive relationship between them and the folks living below them. I am hoping our real life “giants” can listen and start a positive dialogue with us to a better and healthier future.
Which illustrators have most influenced you as an artist?
I have so many! Some illustrators that have influenced me include Amélie Fléchais, Elena and Olivia Ceballos, Yvan Duque, Matthew Forsythe, Rebecca Green, Robin James, and many many more.
Thank you Zoe for your thoughtful answers. I hope everyone picks up a copy of Greta and the Giants to appreciate the beautiful artwork you’ve described in the interview and to see how wonderfully it complements the story.
• FIND OUT MORE ABOUT ZOE ON HER WEBSITE.
• PUBLICATION DATE IS NOVEMBER 19 BUT YOU CAN PRE-ORDER A COPY HERE TODAY.
• CLICK HERE FOR A HELPFUL DISCUSSION GUIDE.
Visit the below bloggers for reviews and other Greta and the Giants related coverage.
Bruce Springsteen, Superstorms, and Fortune Telling
on the Boardwalk
Inspiration for Mira Forecasts the Future
Guest Post for Good Reads With Ronna
By Kell Andrews
Brief Summary of Mira Forecasts the Future: Telling the future is a gift: you either have it, or you don’t. And Mira, daughter of the famous fortune teller Madame Mirabella, just doesn’t. When Madame gazes into the crystal ball, magic swirls. When Mira looks . . . nothing. Then one day Mira gets a pinwheel and a windsock, she finds her own form of “magic” in the science of predicting the weather—and saves the day for everyone! This engaging tale, with a fun touch of science thrown in, helps kids understand that we all have our own special talent.
I’m a Belmartian by marriage, which means I claim the beach town of Belmar, NJ, as a home. During Superstorm Sandy, Belmar’s boardwalk was destroyed, and many homes were damaged or demolished.
My beach town was on my mind when I was looking for a picture book idea, and it combined with a line from a Bruce Springsteen song, “Asbury Park, Fourth of July (Sandy).” “Did you hear the cops finally busted Madam Marie for tellin’ fortunes better than they do.”
Sandy, storms, boardwalks, fortune tellers — they all came together in Mira Forecasts the Future, the story of the daughter of a boardwalk fortune teller who can’t see the future with magic, so she learns to predict the weather with science.
Mira learns about weather, and this book is the story of a girl who saves a surfing contest and the day. It doesn’t take place in the present or in the past, despite Lissy Marlin’s gorgeous Boardwalk Empire inspired ilIustrations, but somewhere in between.
It doesn’t take place in New Jersey — it could be Coney Island, Santa Cruz, or any beach town. Boardwalks and beach towns seem like tourist traps to those visiting, but there are real people who live there. I wanted to capture a warm small-town environment — flavored with salt water taffy and pizza by the slice, soundtracked by calliope music and the crash of waves.
In Mira Forecasts the Future, I mixed together facts and fiction, and not just about the weather. There was a real Madam Marie, Marie Castello, who told fortunes on the Asbury boards, just as her granddaughter still does. Madam Marie was never arrested, so the fortunes she told must have come true.
There isn’t a real Mira. I hope instead there are a lot of them — kids who learn to use science to learn about nature, forecast the future, avert disaster, and make the world a better place.
Visit Kell Andrews’ website hereto find out more about the author, book signings and more.
THE NORMAL NORMAN BLOG TOUR
including A Guest Post from Author Tara Lazar & Giveaway
NORMAL NORMAN Written by Tara Lazar Illustrated by S. Britt (Sterling Children’s Books; $14.95, Ages 4 and up)
Normal NormanbyTara Lazarwith illustrations by S. Britt, is an ode to individuality, and a wonderfully wild and wacky way to reinforce the message to children that there’s no such thing as normal. Good Reads With Ronna asked author Tara Lazar to speak to this topic, wondering how she embraces her own unique brand of non-normality in her every day life. Oh, and since I haven’t said it yet, I recommend you unicycle, not run to your nearest bookstore to get a copy of Normal Norman AND enter our giveaway, too! 🍌
GUEST POST BY TARA LAZAR:
I am not normal.
I unexpectedly launch into foreign accents while talking. Think a “cawfee tawk” Linda Richman, morphing into a good ol’ cajun creole, followed by a dashing foray in the King’s English. (I’ve been brushing up on Nana’s Irish brogue, but it’s not quite there yet.)
I don’t dress like a 40-something, either. I know that What-Not-to-Wear show cautions against mini-skirts, Mickey Mouse sweatshirts and combat boots—especially all at the same time—but I don’t care.
Since I don’t walk very well, I’ve got a mobility scooter. I painted flames on it. Its max speed is 5mph, so the flames make me feel as close to being Danica Patrick as I’m gonna get.
I hate coffee, and I’m a writer. How weird is that? And, what’s even worse, I don’t care for chocolate. If you offered me a dish of ice cream or a plate of cheese, I’d cut the cheese every time.
Yes, I just made a fart joke. And I think it’s hysterical.
I told you, I’m not normal. And that’s precisely the way I like it.
Being normal is overrated. But when you’re a kid? Being normal is EVERYTHING! The slightest cowlick and you’re branded a nerd, a weirdo, a wackadoo. Wear glasses? Geek! Don’t even get me started on being pegged as the teacher’s pet! That was me all through my school years. I was taunted and teased, and one girl bullied me from 2nd grade all the way to senior year in high school. I didn’t dress normally enough or act normally enough for her.
I’ve tried to figure out why kids want everyone around them to conform. Maybe things are more predictable and safe that way. There’s nothing to be frightened about. Nothing will jump out suddenly, like a jack-in-the-box. You stay in your corner and I’ll remain in mine and we’ll get through this just fine.
I get it. Life is scary.
But my mission in life is to make everything fun. If that means stopping in the name of love to snap a photo with mannequins at the mall, so be it. And if it embarrasses my 12-year-old, let her turn red. Let her see that things shouldn’t be so serious all the time. Let her learn to find joy in the most miniscule things–or a medley of 6-foot plaster mannequins.
When I wrote Normal Norman, I didn’t necessarily set out to write some grand statement about all this. I just wanted Norman to be funny and to have fun. What emerged was a character who did just as he pleased and loved every minute of it. What emerged, I suppose, is me—in purple orangutan form!
The message to children, buried beneath the hilarity, is that there’s really no such thing as “normal”. With all of us being so different, how could there be only one “normal” expectation to live up to? The real normalness is being your true, normal self, in all its wonderful wackiness. Just like Norman…and me!
Author Mary Amato is also a songwriter, just like the protagonist of her new YA novel, Get Happy (Egmont USA, October 28, 2014, $16.99, Ages 12+ ). This fact provides a fresh hook: readers who get curious about the songs soon-to-be seventeen year-old Minerva writes when she’s working through her feelings can go to thrumsociety.com and listen to performances of the actual songs.
A funny moment in the book rings true and reflects Amato’s musical background: Minerva wants a ukulele for her birthday. She thinks she’s made this clear to her mother, but the two are rarely on the same page. So when Mom doesn’t come through, what does the uke-less Minerva do? She spends so much time practicing on the instruments at the music store that the store manager bans her!
The friendships in Get Happy also feel very real. Finnegan is a real BFF whom Minerva can count on when she’s down. He also pushes her to do things that are good for her. Notably, he gets Minerva to audition for a job with a company called Get Happy. The job entails, well, a tail! Minerva has to dress up as a mermaid, following a script to entertain at birthday parties. The job generates some funny and poignant moments and also turns out to be a place to meet new friends. Fin and Min meet Hayes on the way to the audition, and convince him to try out, too. Hayes is tall and friendly, and a cowboy — at least when he’s dressed for work. Cassie is the perfect princess, so perfect that her clients love her. Minerva notices every moment Cassie shares with Hayes, and finds herself feeling jealous. She even stalks Cassie on-line, leaving nasty comments on her blog.
The main conflict in the book feels less completely realized, but definitely adds suspense, and a sense of commonality for readers dealing with separated or divorced parents. Minerva’s father left when she was just a baby, but now he’s trying to get back in touch. If he’s as bad as Mom says, he’s not worth knowing, but Minerva can’t help wondering about him. Who is he, really? Should she try to contact him? Will Mom find out about the package he sent Minerva on her birthday?
Reading Get Happy is a good way to discover different paths for self-discovery — art, work, friendship — and will be especially enjoyed by younger YA readers.
Learn more about Amato’s books for younger children and educational resources for her books at www.maryamato.com.
Those of you familiar with The Twelve Dancing Princesses by the brothers Grimm, will enjoy this enchanting adaptation of the popular fairy tale. For those of you who haven’t read Grimm’s fairy tales, TwelveDancing Unicorns, a stunning new picture book, easily stands on its own.
Despite being guarded by his finest men, the king finds his twelve prized unicorns mysteriously break free of their golden chains each night unseen by the watchmen. People come from all over the land to see the unicorns, but one young girl has grown particularly fond of the smallest one. She sees the creatures are unhappy being cooped up, and wants to help them.
When the king offers to grant a wish to anyone who can solve the mystery of the broken chains, the girl is the first to step up. Laughed at by the townspeople, and chided by the king for being too young to handle such a task, the girl remains undaunted. With the help of her mother, who gives her an invisibility cloak, and the bright moonlit sky, the girl discovers the unicorns’ secret, and has quite an adventure in the process.
I was reminded of Jan Brett’s illustrations, as I got lost in Gerard’s ability to capture otherworldly beauty in his work. His use of page and picture boarders provides a classic fairy tale feel to a modern book. I found Heyman’s lyrical story book style of writing very appealing; her words capturing the wonder and glory of the mystical world of unicorns.
Twelve Dancing Unicorns: a must read, must keep, and must pass down from generation to generation picture book.
– Reviewed by MaryAnne Locher
Blog Tour & Giveaway:
Follow the Twelve Dancing Unicorns blog tour tomorrow on ‘lil Burghers by clicking here.
WE’VE CHANGED OUR LOOK!
KEEP CHECKING US OUT DURING CONSTRUCTION BECAUSE
THERE’S LOTS GOING ON.
We’re almost done cleaning up our site. It was truly a case of out with the old and in with the new, and long overdue! Thanks so much for your patience during our blog remodel. Please let us know what you think about our updated look.
The current blog tour is for Super Schnoz and the Gates of Smellalong with an author signed book giveaway. Enter by clicking here now for your chance to win because that great opportunity ends this weekend.
Our next blog tour in conjunction with Peachtree Publishers begins on Friday, October 4th, so watch this space for more details about the surprise book review and giveaway. But in case you can’t wait, here’s a little preview:
Some other stops on the Peachtree Publishers Blog Tour & a chance to win a copy of the book!
In this riotous romp around Denmark, New Hampshire (yes, something is rotten in this city), readers meet 11-year-old Andy Whiffler. With his exceptionally large nose, Whiffler will experience the trials and tribulations common to many just-moved-to-town tweens, only more so because his nose knows no boundaries.
Andy’s intelligence, wit and uncanny ability to sniff out trouble (in addition to a variety of vile stinky things such as a rotting pastrami sandwich, feet fungus and armpit odor) soon turns around the kids who so often tease him about his oversized honker. Now, as a member of a group who have dubbed themselves the Not-Right Brothers along with one female friend named Vivian, Andy embarks on unearthing what’s causing the horrendously horrible noxious fumes at James F. Durante Elementary.
Soon something seriously fishy is discovered. In fact it’s downright criminal and it may cause the school to close down leaving kids to lose their summer vacation. However, if all goes according to plan, The Not-Right Brothers, aided by a Mardi Gras masked, flying crime fighter known as Super Schnoz, will rid school of its evil element, foiling a dastardly plan to pollute cities across the planet. Can Super Schnoz close the Gates of Smell and help reopen James F. Durante Elementary? Don’t let only the nose know! Pick up a copy today at your local independent bookseller and find out what part some snot and cayenne pepper play in this mad dash to deliver Denmark from certain disaster.
GRWR: Please tell us how you decided that a boy with a humongous nose should be a super hero? Why not ears or big feet?
Gary Urey: Big noses are just funny! They can smell good things and bad things, expel mucous, wiggle, and you can pick it. If you ever got stranded on a desert island, your nose could provide hours of idle entertainment. Also, people are generally obsessed with their nose. Is it too big or too small? Why is it red? Should I get a nose job?
GRWR:I love being entertained and your book is pure entertainment. What does it take nowadays to entertain children with their oh so many distractions?
Gary Urey: Children are very easy to entertain if you have a laptop, a TV, and Netflix. Seriously, I think that children innately love books. We as adults just need to put the right book into a kid’s hands and they will gobble it up. A Newbery Medal winning book may very well be a beautifully told tale, but a kid who likes comic books, laughs at fart jokes, and makes goofy videos with his friends and then uploads them to YouTube probably won’t be interested in a story about a kid who lives in a small Kansas town during the depression. But that same fart joke-loving kid will eagerly read books like Captain Underpants, Super Schnoz, and The Day My Butt Went Psycho.
GRWR: You’ve said that you were nasally challenged as a child like Andy Whiffler. What kind of teasing did you endure and is that when your keen sense of humor was born?
Gary Urey: Yes, I was born into a family of large noses! Our family reunion looks like a nose convention. My maternal grandfather’s nose was so HUGE you could use it as a storm shelter. His honker actually affected the tides.
Somewhere in my childhood, I got an unfortunate nickname that left me wide open for teasing. Everybody referred to me by that name, even teachers and my own family. To this day, if I went back to my hometown they would call me by that name. So, to answer your question, when you go through childhood and adolescence with a humiliating nickname you develop a healthy sense of humor.
GRWR: Was this book originally conceived as an animated TV show because between Long’s artwork and the madcap adventures embarked upon, it seems to shout series?
Gary Urey: No, I didn’t consciously start writing Super Schnoz with an eye for an animated TV show—although that would be great! I grew up in a home without books so Saturday morning and after-school cartoons were my main source of entertainment. Shows like Hong Kong Phooey, Johnny Quest, Bugs Bunny, the Flintstones, Land of the Lost, Super Friends, and dozens of others were a major influence on me as a writer for children.
GRWR:There are snot and sickening smell type jokes up the kazoo in this book. How do you know when you’ve reached capacity with this type of humor in a kids’ book? For example – do you show it to some kids for their input?
Gary Urey: I let my eleven-year-old daughter and her friends read the manuscript. Half said it was gross, the other half didn’t, so I figured the avalanche of booger and snot jokes were okay. Also, my editor at Albert Whitman will let me know if I have gone too far.
GRWR:Did you decide to add all the name references to nose related things such as Principal Cyrano and James F. Durante Elementary School for the grown-ups who might read this to their children? I looked up the Russian city of Nizhnevartovsk you included in the story thinking it was going to be a translation of nose, but it wasn’t. Did you do that on purpose?
Gary Urey: Yes, I did add all the big nose references for the grown-ups. The Russian city of Nizhnevartovsk just popped into my head the day I was writing that chapter. I think I heard of the city from some documentary. Although, your idea of naming the city after the Russian word for nose is much funnier. (According to Google Translate, nose in Russian is hoc.)
GRWR:The whole idea of Andy being able to fly is so totally imaginative. Did you have to do some research to make his ability to lift off the ground thanks to inflated nostrils believable?
Gary Urey: I did a bit of research on how hot-air balloons work, just to make it bit more believable.
GRWR: Where did you draw your inspiration for the four other members of Andy’s Not-Right Brothers and girl partner-in-crime fighting?
Gary Urey: The Not-Right Brothers are composites of friends I had during elementary school. As for Vivian, all the great super hero teams like the Fantastic Four have a kick-butt girl in the gang. Vivian fit the bill perfectly!
GRWR:Is there a second book in the works?
Gary Urey: Yes. I just finished Super Schnoz II. He will battle snotty aliens who are intent on taking over the world!
GRWR:What writers inspired you as a child and who are those you still enjoy reading as an adult today?
Gary Urey: The book I remember most from childhood is How to Eat Fried Worms by Thomas Rockwell. I still love that book! The book that made me want to become a children’s writer was Maniac Magee by Jerry Spinelli. It’s my favorite book ever, and it won the Newbery back in 1991. I also love every book by Gary Paulson, Avi, Cynthia Rylant, and Dav Pilkey. They’ve had a tremendous influence on me.
We’re excited to give away 2 autographed by the author (Gary Urey) copies of SUPER SCHNOZ AND THE GATES OF SMELL. Each of the winners will have their signed copy mailed to them by Albert Whitman & Company who are graciously providing the books.
The giveaway begins today, Sunday, September 22, 2013 and runs through Sunday, October 6th ’til midnight. Each of the winners of (1) one copy of SUPER SCHNOZ AND THE GATES OF SMELL by Gary Urey with illustrations by Ethan Long will be selected via Random.org and notified on Monday, October 7th. Send your name and address to Good Reads With Ronna by clicking here. Be sure to write SCHNOZ/Albert Whitman Giveaway in the subject. For an extra entry, please LIKE our Facebook page by clicking here. Also remember to send us your name and contact info in an emailtoRonna.L.Mandel@gmail.comby midnight Sunday, October 6, 2013 and you’ll be entered to win.
Please click here for a link to our contests page if you need more info. Good luck!