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New Passover Picture Books for Kids 2021

 

NEW PASSOVER PICTURE BOOKS

FOR KIDS

 

 

What I love about Passover is the tradition, the same old same old I know and love. It’s comforting as well as delicious. And, since Seder, the meal we enjoy, means “order” in Hebrew, we repeat the same rituals Jewish people have done for centuries to feel a connection to the past. Here are a few new Passover picture books plus a link to a fourth (an interview) to share with your children this year and for years to come.

 

Meet the Matzah cvr Passover Picture_BooksMEET THE MATZAH
Written and illustrated by Alan Silberberg
(Viking BYR; $17.99, Ages 3-5)

Fans of Meet the Latkes, get ready for a wild and whimsical ride! This follow-up picture book promises to bring smiles to young readers with its tale of Alfie Koman, a piece of matzah known to hide, who needs to unmuddle the sourdough bully Loaf’s version of the Passover Story. Who enslaved the Hebrews according to Loaf? Pha-roach! With the help of his braided bff, Challa Looyah, Alfie must emerge from undercover to set the record straight. The hilarious artwork is what I’d call the butter on the matzah. It just doesn’t get funnier than this! Don’t miss the adorable book trailer here.

 

MATAZH CRAZE
Written by Jamie Kiffel-Alcheh
Illustrated by Lauren Gallegos
(Kar-Ben Publishing; $17.99 HC, $7.99 PB, Ages 4-9)

Matzah Craze is a great introduction to matzah and its history for anyone who is unfamiliar with it and the tradition of not eating bread during Passover.

This fast-paced rhyming read opens at lunchtime when everyone in the school cafeteria swaps food except for Noa. You’ll want to slow down to enjoy the Gallegos’s lively art and diverse student body. On this day Noa’s got food in her lunch bag no one recognizes and she doesn’t have enough to share. “All week long, I don’t eat bread. Matzah’s what I eat instead,” she tells her friends.

She then explains how the Jews fled Pharaoh’s oppression with no time in the rush to escape for bread to rise. As her friends walk away, Noa wonders. “Is there more that she could do? Let them taste Passover too?” When she brings in enough matzah to share with her friends the following day, with an assortment of toppings, its popularity causes a matzah craze.

Eating matzah is always a fun part of the holiday. I’m a big fan of chocolate-covered matzah as well as matzah spread with haroset. This food made with fruit and nuts symbolizes the mortar used by slaves in Egypt. I hope anyone reading Matzah Craze will experiment with all the delicious ways to enjoy matzah just like Noa’s friends. There’s also a note in the back matter explaining a bit more about the Passover holiday. Families and teachers will find this picture book helpful to discuss sharing, introducing a new food and its cultural and religious importance to those unfamiliar with it, as well as an enjoyable holiday read-aloud.

 

THE GREAT PASSOVER ESCAPE
Written by Pamela Moritz
Illustrated by Florence Weiser
(Kar-Ben Publishing; $17.99 HC, $7.99 PB, Ages 4-9)

Whenever my husband and I went on vacation we always took the kids to a zoo so I was happy to be introduced to the Tisch Family Zoological Gardens in Jerusalem, aka the Jerusalem Biblical Zoo where this story unfolds.

Ellie the beautiful purple elephant would like to find a family to celebrate the first night of Passover with and she can count on her friend, Kang, the Kangaroo, to join her. Chimp, on the other hand, is not keen on this risky adventure and would prefer to sleep.

Every time Ellie or Kang discuss the seder they’d like to attend, they get all the words wrong and Chimp is quick to correct them which is something children will enjoy. Ellie calls the Haggadah a coloring book. Kang calls it a notebook until Chimp sets them straight. The eager pair plan their escape for the following evening. It seems Zookeeper Shmulik, who cleans Ellie’s habitat, has told her all about Passover and one part especially appeals to her, “Let all who are hungry come and eat.”

Naturally to escape the pals will need the help and agility of Chimp who is pretty easy to convince. Once out of the confines of the zoo, Ellie, Kang, and Chimp stroll through the neighborhood in search of a seder. When eventually the animals peek in a well-lit window, they see a beautifully set table and are surprised to discover who the welcoming host is.

I admire Weiser’s atmospheric artwork with people in shadow at nighttime, as well as her lovely color palette perfect for Israel’s warm climate. There’s a fun, retro look to the illustrations that add to the playfulness of Moritz’s story.

I had a smile on my face while reading this entertaining book because it was not only such a sweet animal tale, but it was gently educational without hitting readers over the head. While it does help to have some understanding of the Jewish holiday Passover, readers will still learn about certain Passover words like seder, the traditional meal, some of the foods on the seder plate such as haroset and maror, and what they symbolize as well as the story of how Passover came to be. Back matter goes into more detail about the Passover holiday and also includes photos of the real Jerusalem Biblical Zoo.

 

Don’t miss Ronna’s interview below with debut picture book author Susan Kusel about her soon-to-be classic, The Passover Guest.

 

The Passover Guest – An Interview with Author Susan Kusel (goodreadswithronna.com)

 

 

 

 

 

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An Interview with The Passover Guest Author Susan Kusel

AN INTERVIEW WITH AUTHOR SUSAN KUSEL

ABOUT HER DEBUT PICTURE BOOK

THE PASSOVER GUEST

(Neal Porter Books; $18.99, Ages 4-8)

 

The Passover Guest cover

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SHORT SUMMARY:

In The Passover Guest, written by Susan Kusel and illustrated by Sean Rubin, Muriel assumes her family is too poor to hold a Passover Seder this year, but an act of kindness and a mysterious magician change everything.

 

INTERVIEW:

GoodReadsWithRonna: Welcome, Susan! Congratulations on your debut picture book, The Passover Guest!

Susan Kusel: Thank you so much for having me here! I am honored to be on this blog

GRWR:  How does it feel as a synagogue librarian and indie bookstore book buyer to know your new book,
The Passover Guest, has landed on shelves? 

SK: It’s an absolutely surreal feeling to know that my book has a spot in some of my favorite libraries and bookstores. I am humbled by the idea of a child pulling it off the shelf and reading it.

GRWR: When did the seed to become a storyteller first plant itself in your soul? Can you recall the first books that sparked your imagination? 

SK: I’ve wanted to be a writer for so long, it’s hard to remember the exact moment I started. I do remember the first time I ever wrote a complete book though. It was for a 5th grade English assignment and was about a Russian Jewish girl named Rachel. I remember being very proud of the special folder I put the book into.

My mom used to read to me every night when I was a child and some of my favorite books then were Cars and Trucks and Things That Go by Richard Scarry, Walter the Baker by Eric Carle, Mr. Popper’s Penguins by Richard and Florence Atwater, Mike Mulligan and His Steam Shovel by Virginia Lee Burton and of course, The Magician by I.L. Peretz, adapted by Uri Shulevitz.

 

The Passover Guest int1
Interior spread from The Passover Guest, A Neal Porter Book/Holiday House © 2021. Text copyright © 2021 by Susan Kusel Illustrations copyright © 2021 by Sean Rubin

 

GRWR: What inspired you to write The Passover Guest as a retelling of the classic I. L. Peretz’s story adapted by Uri Shulevitz in 1973 rather than create a new tale? 

SK: As I mentioned above, The Magician was in regular reading rotation by my mother when I was younger and so it’s a story I’ve been in love with for a long time. When I rediscovered the book in a library as an adult, I still thought it was an amazing story, but I noticed some plot elements that I wished were different. That started me down the path of doing an adaptation of Peretz’s story, a process that took about ten years.

GRWR: Aside from setting the story in 1933 Depression-era D.C. are there any other notable changes you wanted to make for 21st-century young readers? 

SK: The most significant change I made was adding the character of Muriel. In the Peretz version, the story is about a couple but I thought that it was very important to add a child character. There are also a number of subtle changes I added, such as Muriel putting a penny in the Magician’s hat, the rabbi coming to Muriel’s seder, the whole community filling the house, the matzah breaking itself in two, and several smaller plot points. My goal was to stay true to Peretz’s message while making the story my own.

GRWR: What were your go-to Jewish holiday books growing up and right now? Do you have a collection? 

SK: Jewish stories have always been very important to me, but when I was growing up, we owned very few. Our whole book collection, which took up half a shelf in my brother’s closet, was primarily obtained from library book sales. We supplemented these with library books. I only had a few Jewish books including The Power of Light by Isaac Bashevis Singer and Potato Pancakes All Around by Marilyn Hirsh (which we used then, and I still use now for the latke recipe).

As for now, I am typing this while sitting in my home library surrounded by picture books, including several shelves just for Jewish books. Current favorites include Hershel and the Hanukkah Goblins by Eric Kimmel (no holiday list is complete without it!), I Know an Old Lady Who Swallowed a Dreidel by Caryn Yacowitz, The Matzah Papa Brought Home by Fran Manushkin (sadly out of print but still extraordinary), and Here is the World by Lesléa Newman. That’s really just a small sample though because there are so many Jewish holiday books I love.

GRWR: Has your experience on the Caldecott Medal selection committee or as chair of the Sydney Taylor Book Award Committee influenced your writing in any way? 

SK: One of the most common pieces of advice given to writers is to read extensively in your field. I think those committees, as well as others I’ve been on, have certainly helped me with that. When you are reading hundreds and hundreds of books in a genre, it does give you a better sense of what is currently published. Being on so many committees has helped me see what the conventions are, and how they can be broken and how I can be a better writer.

GRWR: Sean Rubin’s art is as magical as your prose and the mysterious guest himself. Do you have a particular favorite spread from the book you can tell us about? 

SK: I think Sean did a truly extraordinary job on the illustrations and picking just one of them is like trying to pick a favorite child. I think his work adds so much to the book and makes it complete.

I could easily go on at length about every individual spread and how much I love it, but if I can only pick one, it would be when Muriel goes to the synagogue to consult the rabbi. Over the course of one continuous spread, Sean shows us four completely separate and distinct scenes and the cause and effect of each one of them. And all of this against the astonishingly beautiful and majestic background of the Sixth and I Synagogue, a D.C. Jewish landmark. 

GRWR: Early on in The Passover Guest Muriel meets an unusual street performer to whom she gives her last penny. Can you speak to the story idea of magic and how, especially in tough times, this kind of belief can help people? 

SK: I think it’s always a good time to believe in the possibility of magic, especially during difficult times. You never know who that bedraggled stranger might turn out to be. Faith and hope are so important.

 

The Passover Guest int2
Interior spread from The Passover Guest, A Neal Porter Book/Holiday House © 2021. Text copyright © 2021 by Susan Kusel Illustrations copyright © 2021 by Sean Rubin

 

GRWR: Where do you find the time to write with all your other commitments? Do you have a daily routine? 

SK: I’d love to be able to say that I sit down in the same place at the same time every day and write for the same amount of time. But the truth, as you alluded to in this question, is that I have multiple jobs, commitments, and children, and I do my best to write as much as I can when I can.

GRWR: You mentioned in your author’s note that Passover has always been your favorite holiday, can you tell us why? 

SK: I love so many things about Passover: the coming of spring, getting the seder plate ready, singing songs, finding the afikomen, eating too much charoset, being with family, and much more. It’s always been a magical holiday for me and I’m delighted that this book lets me share some of that magic.

GRWR: Are you working on your next book? Will it have a Jewish theme? 

SK: I’m working on several next books, all with Jewish themes. I have a real commitment to telling Jewish stories.

GRWR: It’s been wonderful having you as a guest here today, Susan! I really appreciate your thoughtful replies and am looking forward to sharing a review of your book when we get closer to Passover.

Author Susan KuselBRIEF BIO:

Susan Kusel has turned a life as a book lover into many careers as an author, librarian, and buyer for a bookstore. She has served on many book award committees including the Caldecott Medal and the Sydney Taylor Book Award. She loves biking, cross-stitching, and of course, reading. Learn more about Susan on her website and by following her on social media.

Twitter: @susankusel
Instagram: @susanhkusel
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Click here to read another picture book author interview.

 

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Best Passover Books for Children – The Passover Mouse

THE PASSOVER MOUSE

Written by Joy Nelkin Wieder

Illustrated by Shahar Kober

(Doubleday BYR; $17.99, Ages 3-7)

 

The Passover Mouse cvr

 

Starred review – Kirkus

The night before Passover, a hungry and mischievous mouse steals a single bread crumb from a pile of chometz (leavened food) on a table where it waits to be burned in the morning, (to prevent the house being contaminated during Passover), and the adventure of The Passover Mouse begins! The mouse is chased first to the cobbler’s house, and then to the matchmaker’s. A different mouse and a cat join the fun, and confusion and chaos descend upon the community as they try to figure out what to do about the homes that have possibly being contaminated with the stray chometz.

This playful and inspiring tale is based upon and introduces children to a passage from the Talmud, a collection of ancient rabbis’ commentaries on Jewish law. Along with delightful illustrations by Shahar Kober, the traditional story presents a conundrum for the community, which is not resolved right away. The puzzling problem is presented to the town’s Rabbi, who presents an answer, but how to carry it out is ultimately suggested by a child, who speaks up and suggests community cooperation, which is embraced by everyone.

 

Passover Mouse interior spread 1
Interior spread from The Passover Mouse written by Joy Nelkin Wieder and illustrated by Shahar Kober, Doubleday BYR ©2020.

 

Joy Nelkin Wieder’s debut picture book reads like a traditional folk tale, and kids will have fun learning the many Hebrew and Yiddish words which are used throughout the story. Some may be familiar (Oy vey!) while some may be less known (yeshiva) but thankfully there is a glossary in the back with definitions along with an indication of how to pronounce them. An author’s note is also included which explains the original passage in the Talmud.

Kober’s illustrations have an engaging cast of lively, multi-generational characters that grow in numbers as the story progresses. Individual characters are recognizable and can be found, and followed, through the book. Kids will want to linger over the assorted expressive faces which reveal their personalities and reactions. The Seder scene accurately depicts traditional food, and the clothing and setting throughout portrays a traditional, fabled Jewish community. Kober’s consistent pallet of earthy colors and bright accents invoke a warm and inviting feeling that enhances the warmth and togetherness of this assorted but unified community.

 

Passover Mouse interior spread 2(1)
Interior spread from The Passover Mouse written by Joy Nelkin Wieder and illustrated by Shahar Kober, Doubleday BYR ©2020.

 

The story starts with the mouse, but the main thrust of the story involves the community who take a journey from confusion, blame and arguing, to unity—coming together and working together to solve their problem. In the end, everyone has re-established their friendships, spread some kindness, and even the mouse (and its companions) don’t go hungry (don’t miss the art on the last page! A wonderful tale and moral not only for Passover, but for any time of year.

Learn more about the Perfect2020PBs group here.

  • Guest Review by Molly Ruttan
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    Molly Ruttan’s illustration debut, I AM A THIEF! by Abigail Rayner from NorthSouth Books had its book birthday on September 3, 2019, and has earned a starred Kirkus review. Molly’s author-illustrator debut, THE STRAY, is forthcoming from Nancy Paulsen Books/Penguin Random House in May 2020. Molly Ruttan grew up in Hastings-on-Hudson, New York, and holds a BFA in graphic design from the Cooper Union School of Art. She lives, works and creates art in the diverse and historic neighborhood of Echo Park in Los Angeles, California. Find Molly online at www.mollyruttan.com, on Twitter @molly_ruttan and on Instagram@mollyillo
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Paulie’s Passover Predicament by Jane Sutton

PAULIE’S PASSOVER PREDICAMENT
Written by Jane Sutton
Illustrated by Barbara Vagnozzi
(Kar-Ben; $17.99 hardcover, $7.99 paperback, Ages 4-6)

 

Cover art for Paulie's Passover Predicament

 

I don’t have a flair for cooking and it seems the same can be said about the main character and moos-ician, Paulie, in Paulie’s Passover Predicament by Jane Sutton. As the Passover Seder host, Paulie gets all the important dishes wrong. But unlike me, Paulie scores points because he at least makes the effort to prepare an entire meal whereas I’m more comfortable (and it’s safer, too) being someone else’s Seder guest.

Paulie’s invited all his animal friends over which includes Evelyn, Horace, Irving, Moe and Sally. At first his pals seem impressed by his Passover Seder spread. Soon however, as each traditional dish is served, there are giggles, chuckles and guffaws. “I see you have an extremely large egg on your seder plate,” said Moe. How big you ask? It’s an Ostrich egg!

 

Int artwork from Paulie's Passover Predicament
Interior artwork and text from Paulie’s Passover Predicament © 2018 by Jane Sutton, Illustrations copyright © 2018 Lerner Publishing Group, Inc.

 

There’s pepper in the salt water that’s supposed to represent “the tears of our ancestors when they were slaves,” but Paulie’s put pepper in so the pepper wouldn’t be jealous of the salt. He’s mixed pine cones instead of walnuts into the charoset, uses grass in place of parsley, and for the maror he’s carved a horse out of a radish instead of using horseradish!! But rather than ridicule Paulie who is embarrassed and saddened by his mistakes, his pals realize he’s just put his own special spin on the seder and love him for it. Happy again, Paulie reflects on the special meal. “He loved dipping his hoof in grape juice as he and his friends recited The Ten Plagues.”

When Sally is selected to hide the afikomen, everyone goes searching. Lucky Paulie finds it but unluckily gets stuck in the basement until his ingenuity saves the day (and the afikomen). I like the symbolism in his being set free just like our ancestors were and the special camaraderie amongst all the friends afterwards as they sing Dayeinu. “If God had only taken us out of Egypt, it would have been enough. Dayeinu.”

Vagnozzi’s joyful artwork will delight youngsters, some of whom may be old enough to recite The Four Questions. Paulie’s Passover Predicament is a light-hearted look at the holiday and reinforces the message that it’s really not about the food, but about being together and honoring the traditions of the past generations. Enjoy your read-aloud time with this story and wishing all those who celebrate a very happy Passover 2018!

About Passover From Paulie’s Passover Predicament:
Passover is a spring holiday that celebrates the exodus of the Israelite slaves from Egypt. The holiday begins with a festive meal called a seder. Symbolic foods recall the bitterness of slavery, the haste in which the Jews left Egypt, and the joy of freedom. Children ask The Four Questions and look for the hidden piece of matzah—the afikomen—at the end of the meal.

 

  • Reviewed by Ronna Mandel

Click here for a link to 2017’s Passover book review of A Different Kind of Passover
Click here for a link to 2016’s Passover book review, More Than Enough

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A Different Kind of Passover by Linda Leopold-Strauss

A DIFFERENT KIND OF PASSOVER
Written by Linda Leopold-Strauss
Illustrated by Jeremy Tugeau
(Kar-Ben; Hardcover, $17.99;
Paperback, $7.99; eBook, $6.99, Ages 4-9)

 

Cover image of grandpa in bed from A Different Kind of Passover by Linda Leopold-Strauss

 

Any child who has ever celebrated a holiday when someone special couldn’t attend will relate to        A Different Kind of Passover. But even those who haven’t will appreciate the sentiments expressed and the lovely twist author Linda Leopold-Strauss has added in this heartwarming story I’m delighted to share.

Grandpa is sick and has just come back home from the hospital. That means the Passover seder will be different this year and narrator Jessica wonders how that will change things, especially now that she’s going to ask the Four Questions in Hebrew. And since she’s finding it hard to imagine a seder without Grandpa, Jessica soon realizes it doesn’t have to be that way. Grandpa may be nearby tucked in bed, and wearing pajamas, but how convenient that “… Grandpa’s door opens to the dining room?” notes an enthused Jessica. When Grandpa questions his participation in such attire, Grandma remarks, “Does God care if you’re in your pajamas?” The plan is hatched and the seder will take place  with most things remaining the same as always and just a few things different like Grandpa reclining in bed and cousin Mark “getting to sip sweet wine instead of grape juice, since he has just had his bar mitzvah.”

The joy of family and tradition in this story is wonderfully conveyed through Tugeau’s muted illustrations. I love the varied perspectives he shares, especially the ones where we know it’s Grandpa looking out on his family seated around the dining room table. Nothing says everyone must be in the same room for a seder so when Jessica comes up with the great idea to include Grandpa by leaving his bedroom door open, it’s symbolic in so many meaningful ways. Leopold-Strauss has created a sweet and thoughtfully written seder story that will resonate with young readers for years to come.

  • Reviewed by Ronna Mandel
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