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Three Picture Books for Women’s History Month

 

 

THREE PICTURE BOOKS
FOR WOMEN’S HISTORY MONTH

∼A ROUNDUP∼

 

women's history month clip art

 

 

 

Unshakable Eleanor cover Eleanor Roosevelt giving speech.UNSHAKABLE ELEANOR
Written by Michelle Markel
Illustrated by Alejandro Mesa
(Balzer + Bray; $19.99, Ages 4-8)

I felt the author’s admiration for our former First Lady, Eleanor Roosevelt, from the very first page of this timely, well-written biography. As the longest-serving First Lady, Roosevelt’s human rights impact was unmatched. This picture book details how Roosevelt’s powerful voice and popularity grew throughout her lifetime, leaving an impressive legacy of leadership that has profoundly impacted the role of first lady.

But, Eleanor wasn’t always outspoken. As a child growing up an orphan in New York, Eleanor is described by Markel as shy. “She’s been told she’s homely and made to feel like a failure.” Not exactly confidence-building. Yet this persevering young girl found love and encouragement in the letters from her late father. She clearly was well-to-do since the Roosevelt name carried clout and connections. We also learn she was sent to “finishing school” overseas. Eleanor came into her own during this period, already eager to help poor immigrants. Throughout the book, Mesa’s illustrations do a terrific job of conveying emotion and atmosphere.  Young readers may not know that Eleanor was a distant cousin of Franklin Delano Roosevelt and that their eventual marriage proved to be a powerful combination. While FDR focused on politics, Eleanor focused on unfair practices from child labor and unsafe factory conditions. Her work as a reformer was just getting started.

When she became First Lady, the country was in the throes of the Great Depression. In her new role, Eleanor brought women’s issues to the fore and even persuaded FDR to appoint women to high ranking positions. But she didn’t stop there. She helped people fight poverty and starvation as she traveled across the USA. She got involved in the struggles of Black Americans against “white lynch mobs” and worked tirelessly to help them be treated as equals. And while she faced a lot of pushback and bad press, she never let it deter her. “Every small victory makes a difference.” Eleanor always managed to keep those in need of justice on her radar, so it seemed fitting when the newly formed United Nations invited her to “lead a committee on the rights and freedoms of all human beings.” This Universal Declaration of Human Rights still exists. With a career as long and as storied as Eleanor Roosevelt’s was, Markel manages to keep to her theme and provide many jumping off points for further research for older readers (and I do think kids as old as 10 would enjoy this book). The highlighted examples reinforce Roosevelt’s vast accomplishments for the younger ones, making her a role model for budding activists. Four fantastic pages of backmatter detail just how much good Eleanor did and include a timeline where I learned the Ku Klux Klan once placed a $25,000 bounty on Eleanor’s head! There’s also a select bibliography, a section about “More About People of Color and Women During the Depression,” one on “People of Color and Women During the New Deal,” and one on “Mary McLeod Bethune, Walter White, and the Roosevelt Administration.” I’m glad to still be learning new things about Eleanor Roosevelt all these years later.

 

 

One Girl's Voice cover Lucy Stone in DC.

ONE GIRL’S VOICE:
How Lucy Stone Helped Change the Law of the Land
Written by Vivian Kirkfield
Illustrated by Rebecca Gibbon
(Calkins Creek; $18.99, Ages 7-10)

I hope that reading about the women movers and shakers from the 19th and 20th centuries in this roundup motivates young girls today to continue making their voices heard as Lucy Stone did from a very young age.

Enlightening quotes from this women’s rights advocate are used throughout One Girl’s Voice making Stone’s advocacy that much more meaningful when you consider the era during which she grew up. Kirkfield notes that in 1830, in Massachusetts and across the United States, the law said the voices of girls and women didn’t count. In other words, they should be seen, especially in the kitchen, and not heard, out in public that is. Even Lucy’s father agreed with that sentiment, which caused Lucy no end of anguish.

Lucy was determined to show that women’s voices mattered despite how her father and society felt. She’d earn her own money to pay for books, and then college, but a rude awakening awaited her at Oberlin College. Women were not permitted to speak in the public speaking class! So Lucy met with other women and practiced debating in secret. But they still had to put their newly acquired skills to the test. And though she persuaded her professor to let the women speak in the classroom, when the administration got wind of this, all future debates by women were banned. This blatant lack of equality irked on many levels since Lucy also discovered she was working to pay for college at half the pay her male classmates received. Lucy wrote a letter arguing against this inequity and was rewarded with equal pay. A small but meaningful triumph. After the college invited her to compose a speech for graduation, she learned a male student would deliver the speech so she withdrew. But, soon she was offered a job by the head of the New England Anti-Slavery Society, and that position secured her national reputation as an inspirational orator. “Now all we need is to continue to speak the truth fearlessly, and we shall add to our number those who will turn the scale to the side of equal and full justice in all things.”

The art, rendered in vivid acrylic ink and colored pencil, creates just the right tone for this story of one woman’s unwavering perseverance and gift of persuasion. Stone, allow me the word play, left no stone unturned in her quest for equality for all. She fought for the abolition of slavery as well as suffrage for all regardless of gender or race. She also pushed for the passing of a law that gave married women property rights. And while she wouldn’t live to see women gain the right to vote, it was her powerful and unceasing voice that helped lead the way. Six pages of backmatter contain an Author’s Note, a timeline and a personal fave, “Fun Facts.” It’s here I learned that Lucy Stone kept her married name just like I did. Women who chose to do so back then were referred to as Lucy Stoners!  This is a recommended year-round read that reinforces how important all voices are.

 

 

Hiding in Plain Sight cover Kate Warne Detective Abraham Lincoln.HIDING IN PLAIN SIGHT:
Kate Warne and the Race to Save Abraham Lincoln
Written by Beth Anderson
Illustrated by Sally Wern Comport
(Calkins Creek; $18.99, Ages 7-10)

Starred review – Booklist

I knew about Kate Warne’s involvement in the famed Pinkerton Detective Agency, but I never knew about the foiled plot to assassinate Lincoln that this picture book covers. Beth Anderson has chosen an episode in history that is not that easy to explain since major logistics were involved for the mission to be a success. Between Anderson’s storytelling and Wern Comport’s mixed-media collage art with maps, old photos, and pencil drawings that evoke a bygone era just a few months before the Civil War, Hiding in Plain Sight weaves a tale of intrigue that kept me turning the page.

The book’s design, with dates and locations on most spreads, makes navigating Lincoln’s thirteen-day train journey from Springfield, Illinois, to his D.C. inauguration full of tension despite knowing he avoids harm. Kids will find Kate Warne’s spying skills rather cool, especially for a 19th-century woman when that kind of career would have been frowned upon. Pretending to be a “Mrs. Barley” she fit in with the Baltimore crowd and learned about the rebel’s plan to kill Lincoln when his train passed through Baltimore, the only way to get to Washington. She alerted Allan Pinkerton, who seemed to already know about the plot. They had to let the future president know his life was in danger. That meant delivering a message to his assistant, Mr. Judd. Now, imagine the pressure Kate was under. She had only a few days to thwart the plot, but she also needed Lincoln’s okay to change his schedule.

When Lincoln “refused to cancel plans,” Kate and Pinkerton had only one other option, which I won’t reveal here. Spies were probably everywhere, and the new plan left no room for error. Here, Anderson keeps the suspense at a fever pitch. Even though I knew Lincoln would be safe, I worried. How would they pull this off when anyone could leak details of this top-secret mission? Well, as history proves, Kate and Pinkerton succeeded, and Lincoln made it to his inauguration in D.C. Phew!! Seven pages of interesting backmatter featuring an Afterword, photos, a Great Western Railroad Time Card, code names, and more add to this picture book’s appeal.

 

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Out of This World: The Surreal Art of Leonora Carrington by Michelle Markel

 

OUT OF THIS WORLD:
THE SURREAL ART OF LEONORA CARRINGTON
Written by Michelle Markel
Illustrated by Amanda Hall
(Balzer + Bray; $17.99, Ages 4-8)

 

Out of This World: The Surreal Art of Leonora Carrington bk cover

 

 

★Starred Review – Booklist

 

Named as one of Amazon’s Best Nonfiction Books for January 2019, Out of This World: The Surreal Art of Leonora Carrington engages us from the opening lines where we’re told that “Leonora’s parents wanted her to be like every other well-bred English girl. But she was not.” Carrington’s amazing history unfolds with her love of drawing at age four. In the early 1900s, women were expected to be proper ladies then wives. Yet even with few opportunities, Carrington boldly forged a life which allowed her imaginative spirit to flourish.

This is the second picture-book collaboration between Michelle Markel and illustrator Amanda Hall. (The first, also about a significant figure from art history, was award-winning and critically acclaimed The Fantastic Jungles of Henri Rousseau). Once again, Hall’s art infuses vibrant color and lively images. She succeeds in conveying “the spirit, themes, and sensibility [Carrington] explored in her creative output without attempting to re-create any of her actual imagery.”

 

int spread of Mexico by Amanda Hall from Out of This World by Michelle Markel
Interior illustration from from Out of This World: The Surreal Art of Leonora Carrington written by Michelle Markel and illustrated by Amanda Hall, Balzer + Bray ©2019.

 

This book introduces surrealism to kids in a fun manner, yet Carrington’s plight is also understood. Instead of conforming to her society’s ideas about a woman’s place in the world, Carrington’s paintings, sculptures, and writings shaped a path that brought wide recognition in her lifetime. Additional, fascinating details are summarized in the back matter.

@ChristineVZ and @WFSediting, Christine@Write-for-Success.com

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The Diamond and The Boy by Hannah Holt

THE DIAMOND AND THE BOY:
THE CREATION OF DIAMONDS AND THE LIFE OF H. TRACY HALL
Written by Hannah Holt

Illustrated by Jay Fleck
(Balzer & Bray; $17.99, Ages 4-8)

 

is reviewed today by Cathy Ballou Mealey.

 

The Diamond and The Boy book cover art

 

★Starred Review – Booklist

Holt’s debut nonfiction picture book digs deep into family history, introducing readers to natural and industrial diamond creation with an engaging dual narrative structure.

Cleverly designed, THE DIAMOND AND THE BOY: THE CREATION OF DIAMONDS AND THE LIFE OF H. TRACY HALL is engineered to compare graphite, a common gray rock, and young Tracy Hall, an inventor and the author’s grandfather. Free-form poetry on facing pages invite easy associations between the rock and the boy, subjected to physical and societal pressures respectively, which transform them over time.

Tension builds naturally through Holt’s lyrical mirrored text. Of the graphite; “Mighty, unyielding, brilliant. The rock would dazzle if it had any light to reflect, but it doesn’t.” She writes of the boy; “Mighty, unyielding, brilliant. His inventions dazzle classmates, But Tracy is still penny poor, with so many ideas floating just out of reach.”

 

int spread rock boy from The Diamond and The Boy by Hannah Holt
Interior illustrations from The Diamond and The Boy written by Hannah Holt with artwork by Jay Fleck, Balzer & Bray ©2018.

 

The tale celebrates Hall’s perseverance and resolve in the face of poverty and bullying. These obstacles ultimately build his resilience as he develops an invention to produce industrial diamonds. For those interested in learning more about diamonds, Holt provides backmatter on the mined diamond industry including the DeBeers monopoly and “blood diamond” conflict in Africa. A timeline and bibliography are also appended.

 

int artwork small gray meager from The Diamond and The Boy
Interior illustrations from The Diamond and The Boy written by Hannah Holt with artwork by Jay Fleck, Balzer & Bray ©2018.

 

Fleck’s color-saturated illustrations are digitally enhanced and multi-layered, keeping the focus squarely on the man and the gem. Clever use of the color palette, alternating between the echoing narratives, helps balance the book visually. The contrast nicely reinforces the natural comparison of Hall’s and the diamond’s transformations. Fleck makes excellent use of angular elements such as the striations of the earth, books shelved in the library, diamond facets and kite strings, while occasional red-orange ‘explosions’ emphasize dramatic changes.

 

interior artwork from The Diamond and The Boy Waiting
Interior illustrations from The Diamond and The Boy written by Hannah Holt with artwork by Jay Fleck, Balzer & Bray ©2018.

 

In THE DIAMOND AND THE BOY, Holt offers a personal and noteworthy celebration of a man deep in substance and character. This book is a different and delightful choice for readers of history, industrial manufacturing, or STEM classroom libraries. The intersection of science and personal character development is a unique and rich format that will engage a variety of readers and potential young inventors.

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

  • Reviewed by Cathy Ballou Mealey
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A Fun Case of Mistaken Identity in Horse Meets Dog by Elliott Kalan

 

HORSE MEETS DOG
Written by Elliott Kalan
Illustrated by Tim Miller
(Balzer + Bray; $17.99, Ages 4-8)

 

Horse Meets Dog by Elliott Kalan cover illustration by Tim Miller

 

From the first pages, Horse Meets Dog is a fast dialogue-driven encounter fueled by mistaken identity. Hilarity ensues in a manner that’s easily conveyed to children both in Elliott Kalan’s spare text and Tim Miller’s bold images. The bright colors and stark black lines are reminiscent of a graphic novel.

 

int_spread by Tim Miller from Horse Meets Dog by Elliott Kalan
Interior artwork from Horse Meets Dog written by Elliott Kalan with illustrations by Tim Miller, Balzer + Bray ©2018.

 

The takeaway from Kalan’s forty-page picture book is that some friendships have a rocky start and, instead of making assumptions, we can learn from our differences. Children will see the world is bigger than who they are and bigger still than their direct circle of friends.

 

int_illustrations by Tim Miller from Horse Meets Dog by Elliott Kalan
Interior artwork from Horse Meets Dog written by Elliott Kalan with illustrations by Tim Miller, Balzer + Bray ©2018.

 

Elliott Kalan has written for television shows Mystery Science Theater 3000: The Returnand The Daily Show with Jon Stewartand the comic book series Spider-Man and the X-Men.

Tim Miller is the author-illustrator of Moo Moo in a Tutuand What’s Cooking, Moo Moo? and the illustrator of Snappsy the Alligator (Did Not Ask to Be in This Book), Snappsy the Alligator and His Best Friend Forever (Probably)!, and Margarash, as well as the middle grade series Hamstersaurus Rex.

 

TOUR INFO:
Nov. 3 – 11am at Word Jersey City 123 Newark Ave., Jersey City, N.J.
Nov. 11 – 3pm at Skylight Books, 1818 N, Vermont Ave., Los Angeles

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

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