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An Interview with Author Angela Burke Kunkel

 

 

 

AN INTERVIEW WITH

ANGELA BURKE KUNKEL

AUTHOR OF

PENGUIN JOURNEY

ILLUSTRATED BY

CATHERINE ODELL

(Abrams Appleseed; $16.99, Ages 3 to 6)

 

 

Penguin Journey cover

 

 

SUMMARY

 

Packed Snow / Moon glow

Wind-blown / All alone

Penguin Journey is a picture book about the incredible lengths to which emperor penguins go for their young ones. Angela Burke Kunkel’s lyrical text and Catherine Odell’s gorgeous illustrations detail the penguins’ amazing journey, and an author’s note and bibliography provide added context.

 

INTERVIEW

 

Colleen Paeff: Congratulations on the upcoming release of your second book. Penguin Journey will be out in just under a week on October 26. Does it feel any different to have a book coming out once you’ve already experienced it?

Angela Burke Kunkel: Thank you so much! I don’t think it feels very different, no. Each book is its own journey (not to use the title as a pun), and I’ve really enjoyed the process for each one. So it’s equally exciting this time around. 

 

CP: I love the sparse rhyming language in this book. Did it start out that way or were you using spare, beautiful language right from the start?

ABK: It was always intended to be a spare, low-word count story, but the tone definitely changed through revision! Originally, it didn’t rhyme, the language wasn’t as lyrical, and it relied heavily on a refrain. I’m indebted to my editor, Meredith Mundy at ABRAMS Appleseed, for making these suggestions when she requested a revise and resubmit. They really resonated with me and helped guide the book into how it reads now.

 

 

Penguin Journey int1
Interior spread from Penguin Journey written by Angela Burke Kunkel and illustrated by Catherine Odell, Abrams Appleseed ©2021.

 

CP: I love Catherine Odell’s illustrationsespecially the nighttime spreads with the northern lights and the starry skies. They’re so soft and beautiful! Did you give any notes on illustrations in the manuscript? And what did you think when you saw the final art?

ABK: Interestingly enough, Meredith requested that I include art notes with my revision because the text was so spare. I think this throws a lot of picture book writers, who often hear that we should not include any art notes. I’m not sure how many of the notes Cat Odell actually ended up seeing through the process, but it was another tool that helped me communicate the overall story effectively at the time I submitted it.

I’m in awe of Cat’s artwork. She captured the bonds between penguins so beautifully and created such a soft, comforting feel for young readers. And the skies! Just from the stars to the Northern lights and the sunrise. It really takes you on a journey through Antarctica. 

 

CP: What do you hope young readers take away from Penguin Journey?

ABK: Two things, reallyfirst, I hope that this book is one of those bedtime books that families curl up with, that helps a parent feel connected to their child during those read-aloud moments, and where the child just feels immersed in the quiet tone of the book and that feeling of connection. Secondly, I hope that this book instills a love of wildlife even in the youngest readers. As mentioned in the author’s note, penguins have been severely impacted by climate change, and I hope that families will respond to the great lengths penguins go to to raise their young and be motivated to join efforts to protect the species.  

 

 

Penguin Journey int2
Interior spread from Penguin Journey written by Angela Burke Kunkel and illustrated by Catherine Odell, Abrams Appleseed ©2021.

 

 

CP: I hope so, too. Your debut picture book, Digging for Words: José Alberto Gutiérrez and the Library he Built, was incredibly well-received. It appeared on a number of “Best of 2021” lists and it won the 2021 Américas Book Award. You must have been thrilled to receive so much recognition for all your hard work. Was there one particular honor that really stands out?

ABK: This is a really tough question to answer because I hope that each one is a different opportunity to reach readers! I’m incredibly grateful for all of the recognition that the book has receivedincluding Paola Escobar’s incredible illustrations and the careful guidance of our editor, Ann Kelleyand I’m glad that José’s work resonates with readers. I recently had the opportunity to participate in a virtual panel through CLASP and the Library of Congress with other Américas Awards recipients Aida Salazar, Yamile Saied Méndez, and Raúl the Third, and that was a tremendous honor and a pretty surreal moment.

 

CP: That sounds incredible! Penguin Journey and Digging for Words are both nonfiction, but the styles are very different. Would you say one style comes more naturally than the other for you?

ABK: I would say both books had their joys and their challenges. I do think that despite differences in length and subject matter, Digging for Words and Penguin Journey both have lyrical language, which is a style I’m drawn to. I’ll also add that I found writing in rhyme very challenging, particularly for nonfictionyou have to be accurate and still consider rhyme at the same time, which created two sets of limitations to work within. 

 

CP: That does sound exceptionally challenging. You work as a school librarian. Was it being around all those books that inspired you to start writing for children or was it something else? 

ABK: I definitely think that working as a school librarian is a complementary career! I actually work with adolescents, but try to use picture books when and where I can (and get teens and other adults to buy in). Really it was having children of my own that led me to transitioning from the classroom to librarianship and to writing picture books. In addition to rediscovering old favorites, like Madeline, and Where the Wild Things Are and Miss Rumphius, my kids and I made weekly trips to the library. And suddenly, I was not only revisiting classics I thought I had outgrown and appreciating them with new eyes, but I was reading stacks and stacks of more recently published picture books that were charming, or funny, or feminist, or lyrical, or political, or subversive . . . you get the idea. I found I enjoyed picture books as much as my kids didif not more! and really wanted to try my hand at writing them.

 

CP: How do you manage to squeeze in writing time between work and family? Do you have any favorite productivity hacks?

ABK: I was about to say I wish I had some favorite productivity hacks, because I could definitely use some help, but then I remembered there are two I use regularly and really like. The first is that I gave up bullet journaling (I was spending too much time making it pretty) and now use a Passion Planner. The layout helps me juggle home, day job and writing to-dos all in one place. It’s helpful to have tasks and goals laid out in one notebook rather than separate ones because I tend to forget about what’s not right in front of me. 

I also recently started using a Pomodoro app (I use Focus Keeper) to get started on those tasks I’m dreading or just sort of unmotivated to do at the moment. Once I set the timer and get in the groove, 25 minutes goes by quickly and it’s easier to stay in that zone and continue working.

 

CP: I will definitely be trying those! Is there anything else I should have asked?

ABK: You should have asked me about my new hobby that I picked up during the pandemic: birdwatching! I started to keep a “life list,” or log of all the species I’ve spotted at the start of the pandemic, and I’m trying my hand at bird photography now. It’s snow goose migration season in Vermont, which is just a gorgeous sight.

 

CP: That sounds like an excellent hobby! What’s next for you?

ABK: My next book with illustrator Claire Keane, Make Way, comes out in spring 2023. It’s a dual picture book biography that parallels Robert McCloskey’s creation of Make Way for Ducklings and the work of Nancy Schön, who created the famous duck sculptures for the Boston Public Garden. It was a challenging structure to work within, but so satisfying when it came togetherI loved researching both McCloskey and Schön’s artistic process(es), and I can’t wait to see how Claire Keane represents their stories in her own artwork.

CP: I can’t wait to read it!

 

 

Angela Burke Kunkel
Author Photo Credit ©Mei Lin Barral

BRIEF BIO

Angela Burke Kunkel is a picture book author, school librarian, and former English Language Arts teacher. After soaking up the sun in the Southwest for a number of years, she now lives in Vermont with her family, two dogs, one guinea pig, and one rapidly-growing bearded dragon (really, it’s rather alarming). Her debut, DIGGING FOR WORDS: JOSÉ ALBERTO GUTIÉRREZ AND THE LIBRARY HE BUILT, received starred reviews from Kirkus and School Library Journal and has been recognized on multiple book lists. Her second book, PENGUIN JOURNEY, will be published October 26th and has already received a starred review from Kirkus. She has two more nonfiction picture books forthcoming, in 2023 and 2024. 

 

 

PREORDER PENGUIN JOURNEY HERE

https://www.vermontbookshop.com/book/9781419745898

BUY ANGELA’S OTHER BOOKS HERE

https://www.angelakunkel.com/books

 

SOCIAL MEDIA LINKS

Instagram: https://www.instagram.com/angkunkel/

Twitter: https://twitter.com/angkunkel

Website: https://www.angelakunkel.com

 

ABOUT THE INTERVIEWER

Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, illustrated by Nancy Carpenter (available August 31, 2021, from Margaret K. McElderry Books) and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books).

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An Interview with Mariana Llanos Author of Run, Little Chaski!

 

 

AN INTERVIEW WITH

MARIANA LLANOS

AUTHOR OF

RUN, LITTLE CHASKI!:

AN INKA TRAIL ADVENTURE

ILLUSTRATED BY

MARIANA RUIZ JOHNSON

(Barefoot Books; $16.99, Ages 3 to 7)

 

 

RunLittleChaski JLGCover

 

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SUMMARY:

In this tale set in the ancient Inka (sometimes spelled Inca) empire, Little Chaski has a big job: he is the Inka King’s newest royal messenger. On his first day delivering messages he stops to help several creatures in need along the way, causing him to nearly miss his sunset deadline. But the kindness he bestowed on these animals winds up helping him in surprising ways. Descriptive language and bold illustrations give readers insight into Little Chaski’s nervousness and excitement as he runs the Inka Trail, working earnestly to fulfill the responsibilities of his new role.

 

INTERVIEW:

Colleen Paeff: Hello, Mariana! There is so much I want to talk to you about, but let’s start with your most recent book. Run, Little Chaski: An Inka Trail Adventure, which I had the pleasure of seeing when it was just a manuscript! Congratulations on the two starred reviews and the Junior Library Guild Gold Standard selection! Can you explain to our readers what a chaski is?

Mariana Llanos: Hi Colleen! I’m excited to be talking about it with you! You’ve seen this story from its first drafts. The word chaski means messenger in Quechua. Chaskis were a relay system of messengers used during the Inka Empire. They delivered official messages through the vast territory of the Tawantinsuyu. When the Spanish invaded, they were so impressed by the organization of this system, they even kept it running for some more years.

 

black and white chaski sketch

 

CP: Did you first hear about chaskis as a child growing up in Perú, or did you learn about them later in life?

ML: I learned about chaskis in Perú. They’re an important part of Peruvian history and culture so I learned about their system in school. The word chaski is also used as a name for different tourism-based businesses so I was familiar, although I did research more in-depth when writing this book. I read several non-fiction books to make sure I was getting everything right. I discovered there was a lot more to learn about the Inka, since the studies of their culture keep on advancing and more theories develop. Writing a book rooted in your own culture is a huge responsibility to bear on one’s shoulders. I really wanted to get it right.

 

 

Int art2 Run Little Chaski
Interior spread from Run, Little Chaski!: An Inka Trail Adventure written by Mariana Llanos and illustrated by Mariana Ruiz Johnson, Barefoot Books ©2021.

 

 

CP: You manage to pack so much information into the backmatter of this book. You talk about the Inka empire, animals of the Andes, chaskis, and more–and it’s all told in a way that the youngest readers will understand. Did you know from the start the book would have an informational aspect to it or did that develop over time?

ML: It evolved. In the beginning I had an author’s note with some information about the Inka and the Chaskis, but then my editor, Kate DePalma, thought it would be best to break down the information. I really like it now because it’s easier to see and process, especially for young readers. The team at Barefoot Books took what I had already written in the author’s note and added more sections. Later, I went over it and made corrections, and added additional information.

 

 

Int art from Run Little Chaski
Interior illustration from Run, Little Chaski!: An Inka Trail Adventure written by Mariana Llanos and illustrated by Mariana Ruiz Johnson, Barefoot Books ©2021.

 

CP: In 2017 you received an Oklahoma Human Rights Awards from the Oklahoma Universal Human Rights Alliance, and the United Nations Association Oklahoma City Chapter. That must have been such an honor. How does writing for children help you to address human rights?

ML: It was an honor that I take very seriously. I feel like writing for children allows me to plant a seed of peace. It allows me to offer a mirror and a window. All children have a right to live in peace and they should have the right to see themselves reflected in books. Books allow kids to imagine a world that is inclusive for all, they allow them to dream of a fair and just society. Through books we can also tackle big important issues like climate change, sustainability, so that’s the direction I’m heading with my stories. Writing for children is a tremendous responsibility.

 

 

Mariana Llanos with award
Author Mariana Llanos receives her award.

 

 

CP: Your book Luca’s Bridge/El Puente de Luca tackles immigration and deportation—very tough topics—but it’s also about resilience and family. What was the process of writing that book like? How did you find a way to add hope to such a difficult story?

ML: There was a lot of crying involved. It’s such a tough topic, but it was a story I wanted to tell. In the story, Luca’s parents are deported as they’re undocumented, while he is an American citizen but has to travel to Mexico with his parents. It is reversed from the immigration stories we usually hear, but I knew from the news that there are thousands of children in this situation. I know I couldn’t give this story a traditional satisfying ending, but I knew I had to at least weave some hope into it. As an immigrant myself I know how terrifying the thought of being deported is, but I also tried to put myself in Luca’s shoes. To me, as long as I have laughter, music, and family I’d know that eventually, I would be okay. It was important to offer my readers an opportunity to empathize with a person in this situation. We often hear a lot of judgment against people who are undocumented, but what would YOU think if you were part of a mixed-status family, like so many in the United States?

 

cover LucasBridge Mariana Llanos

 

 

CP: You did such a wonderful job of putting the reader in Luca’s shoes. And the illustrations by Anna López Real add such a beautiful, dreamy quality to the story. What did you think when you first saw them?

ML: Colleen, there was even more crying! They are so evocative and powerful. Anna is such a talented person and couldn’t be happier to have shared Luca with her. It was a similar feeling when I saw Run Little Chaski’s illustrations. I had no idea they could make the story so much fun. I am in constant awe of the talent of the illustrators I’ve been paired with.

 

int art from Lucas Bridge
Interior spread from Luca’s Bridge written by Mariana Llanos and illustrated by Anna López Real, Penny Candy Books ©2019.

 

 

CP:  In addition to writing (and raising a family and working!), you do a lot of school visits. How do you fit it all in!? Do you have any favorite productivity hacks you can share with us?

ML: I schedule everything in my phone calendar. If I don’t immediately add it to the calendar, then forget it, it won’t happen. It took me a long time to learn to organize myself, but I think I have managed to learn to block my time. My mornings are for my writing and school visits. Afternoons for other work and kids. Family always comes first though, so I don’t feel bad if I have to cancel anything when my family needs me.

 

CP: In addition to being a traditionally published author, you have also self-published some books. What’s the biggest bonus to each of the different types of publishing?

ML: I have really enjoyed my journey in self-publishing. The biggest bonus is that I tell the stories I want to tell however I want to tell them. Self-publishing allows me to be creative without having to stick to industry standards for format, word count, long waits, even language. On the other hand, it is very hard to get noticed and for picture books, it gets expensive—I’m not an illustrator. But self-publishing is a great way to get our stories out, and I would consider it again to publish in Spanish as traditional publishing still doesn’t publish many authentic books in Spanish written by Spanish-speaking authors from the U.S. Most of what’s published in Spanish in the U.S, are translations, which is fine (there are very good translations of great books), but I think it’s a big bonus when the author writes in their own native language too.

 

CP: This past year, you started teaching writing classes in Spanish. Can you tell us a little about your classes?

ML: Yes, I began giving workshops about publishing. My goal is to reach Spanish-speaking people who want to begin publishing their stories. Most are bilingual, but like me, feel more comfortable speaking in their language, so this class is directed to them. One of my classes is an overview of the publishing industry. How to go from writing to publishing and the different paths to publish our stories. The class that I’m putting together now is called “El abc de los cuentos” and it will be about craft.

 

CP: That sounds terrific! In addition to teaching and school visits, what’s next for you?

ML: Currently, my awesome agent, Sera Rivers, is submitting my manuscripts. We have two chapter book series out on sub and a couple of PBs. Hopefully, I’ll get good news in the next few weeks. Everything in publishing moves slowly, but I keep myself from biting my nails by writing more and more stories.

 

CP: That’s an excellent strategy. I use it myself! Thanks for chatting Mariana. And good luck with your submissions!

ML: Thank you so much for having me, Colleen. My fingers and toes are crossed for my manuscripts and yours too. Thanks, everyone, for reading.

Headshot Mariana LlanosBRIEF BIO:

Mariana Llanos is a Peruvian-born writer of children’s books and poetry. She was raised in Lima, Peru, and moved to the United States in 2002. In 2013 she self-published her first book, Tristan Wolf. Nine books later, Mariana debuted as a traditionally published author in 2019 with Luca’s Bridge/El Puente de Luca (Penny Candy Books, illustrated by Anna Lopez Real). This book was selected as a 2020 ASLC Notable Book. Her next book Eunice and Kate (2020, Penny Candy Books, illustrated by Elena Napoli) won the Paterson prize Books for Young People 2021. Her latest book Run Little Chaski (2021, Barefoot Books, illustrated by Mariana Ruiz Johnson) is a JLG Gold Standard Selection and received starred reviews from Kirkus and SLJ.

Mariana lives in Oklahoma with her family.

 

BUY MARIANA’S BOOKS HERE:

English: https://bookshop.org/books/run-little-chaski-an-inka-trail-adventure/9781646861644

Spanish: https://bookshop.org/books/run-little-chaski-an-inka-trail-adventure/9781646862177?aid=1797&listref=las-musas-translated-spanish-more

 

 

SOCIAL MEDIA LINKS:

Website: https://www.marianallanos.com/

Twitter: https://twitter.com/marianallanos

Instagram: https://instagram.com/marianawritestheworld

Facebook: https://facebook.com/marianallanosbooks

 

MORE ON MARIANA LLANOS:

Creators Corner Luca´s Bridge: Creator Corner with Mariana Llanos LUCA’S BRIDGE, EL PUENTE DE LUCA

Poems in Poetry Magazine:

https://www.poetryfoundation.org/poets/mariana-llanos

NBCLX Interview about co-founding #LatinxPitch – https://www.lx.com/social-justice/these-authors-want-latinx-kids-to-be-represented-in-childrens-books/43082/

ABOUT INTERVIEWER COLLEEN PAEFF:

Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, illustrated by Nancy Carpenter (available August 31, 2021, from Margaret K. McElderry Books) and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books).

 

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An Interview with Jamie Michalak Author of Dakota Crumb: Tiny Treasure Hunter

 

AN INTERVIEW WITH JAMIE MICHALAK 

AUTHOR OF

DAKOTA CRUMB: TINY TREASURE HUNTER

∼ BLOG TOUR ∼

(Candlewick Press; $17.99, Ages 3-7)

 

 

DakotaCrumb Tiny Treasure Hunter cover

 

 

PICTURE BOOK SUMMARY:

Dakota Crumb: Tiny Treasure Hunter by Jamie Michalak with art by Kelly Murphy is both a rollicking story with a dash of danger and, in its final eye-popping spreads, a seek-and-find challenge. As the clock in the great museum tick-tocks past midnight, a little mouse with a sack and a treasure map scurries past the guards. Plucky Dakota Crumb scours the museum for artifacts, including the rare purple jewel of Cairo (a gumdrop stashed in an exhibit). By day, the little mouse shares her carefully curated finds with fellow tiny creatures that flock to Miss Crumb’s tiny Mousehole Museum. A feast for sharp-eyed readers—who’ll delight in circling back after the story to pore over the illustrations in search of treasure—this gently suspenseful tale, splashed with soft, dusky hues, evokes a world of wonders after dark.

 

INTERVIEW:

GOODREADSWITHRONNA:  Welcome, Jamie! I’m so happy to be on this blog tour and have you as a guest today!

JAMIE MICHALAK: Thank you for having me on your blog, Ronna! 🙂 I love your questions.

 

GRWR: I love the idea of a treasure-hunting mouse. And in a museum, to boot, where visitors young and old leave lots of things behind! Did you always know you wanted to write Dakota’s story this way or did it evolve as you imagined what things a daring mouse could get up to?

JM: This story absolutely evolved, and I wrote many, MANY iterations of it. I originally imagined an artsy concept book full of tiny objects. Then I built a story around them starring an acorn, who gave readers a tour of his tiny collections and shared stories about his adventures finding them. Finally, I realized it would be more fun to take readers on those adventures. But it wasn’t until I was in line at the Met museum and imagined a mousehole museum underneath it that the story finally clicked into place.

 

Dakota Crumb museum int.1
DAKOTA CRUMB: TINY TREASURE HUNTER. Text copyright © 2021 by Jamie Michalak. Illustrations copyright © 2021 by Kelly Murphy. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

 

GRWR: Okay, so I’m scared of mice but yet it’s such fun reading about their antics. Are you a fan of mice stories and if so, which ones in particular?

JM: Yeah, I don’t want to run into a real one. Eep! But there’s something about a miniature world that sparks my imagination. I want to visit a mouse house. One with furniture, of course.

My favorite mouse books are Mouse Soup and Mouse Tales by Arnold Lobel, Noisy Nora by Rosemary Wells, Lily’s Plastic Purple Purse by Kevin Henkes, and so many more.

 

GRWR: The pairing of prose and art in your book works seamlessly. One of my favorite scenes is the guest book one since you had me wondering how little Dakota would make off with a museum masterpiece. What did you think when you first saw Kelly Murphy’s evocative illustrations? Do you have a favorite spread?

JM: Oh, thank you! Kelly’s art is incredible. She’s captured all of the excitement of a night-in-the-museum heist. I also loved that she worked in some nods to Indiana Jones, since there’s a little of Indiana in Dakota. But if I had to choose one spread it would be the one of the Mousehole Museum with all of its exhibits, small animal visitors, and even a cafe of tiny treats! It took my breath away the first time I saw it. It’s the page kids love to linger on and pick out their favorite tiny treasures.

 

Dakota Crumb museum_int.2
DAKOTA CRUMB: TINY TREASURE HUNTER. Text copyright © 2021 by Jamie Michalak. Illustrations copyright © 2021 by Kelly Murphy. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

GRWR: The harmless museum heist is just part of the story’s intrigue. Readers have more fun in store! In the last few pages, they find out about the miniature museum run by Dakota Crumb underneath the larger one and are then invited on a seek-and-find mission of their own. I couldn’t resist tracking down the items shown at the end and am sure children will feel the same. Was this cool combination story your intention all along?

JM: I layered on the interactive seek-and-find details after I’d written the heist story. Because Dakota finds only a handful of treasures in the story, I needed to do something with all of the many other teeny objects from my original exhaustive list of them. So I created a treasure hunt list for the reader, and Kelly hid the tiny objects in the art for kids to find.

 

GRWR: What do you hope children will take away from this reading adventure?

JM: Well, I always hope that they’ll have fun. But I also hope that the familiarity of Dakota’s coveted finds will inspire kids to see that tiny treasures are around us all the time. We just need to slow down and pay attention to them.

 

GRWR: Thanks so much for this wonderful interview, Jamie! I hope you’ll come back again to share more insights about your books.

Dakota Crumb Author Jamie MichalakBIO:

Jamie Michalak is the author of many children’s books, including Dakota Crumb: Tiny Treasure Hunter, illustrated by Kelly Murphy; Frank and Bean, illustrated by Bob Kolar; the highly praised Joe and Sparky early readers series, illustrated by Frank Remkiewicz; as well as the forthcoming picture book Niki Nakayama: A Chef’s Tale in 13 Bites, co-written with Debbi Michiko Florence and illustrated by Yuko Jones, and many more.

            When not writing, she can often be found singing off-key, drinking too much coffee, or hanging out with her two sons. Jamie lives with her family in Barrington, Rhode Island. For more info, visit her at www.jamiemichalak.com

 

SOCIAL MEDIA:

Website: JamieMichalak.com

Instagram: @jamiemichalakbooks

Twitter: @jamie_michalak

 

BLOG TOUR DATES AND HOSTS:

6/18 – Watch. Connect. Read (link)

7/6 – Imagination Soup (link)

7/7 – Storymamas

7/8 – Good Reads with Ronna

7/9 – Nerdy Book Blog

7/14 – Randomly Reading

8/3 – Celebrate Picture Books

 

Like mice? Read a review of another mouse book here.

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Cover Reveal, Interview + Giveaway for 30,000 Stitches by Amanda Davis

30,000Stitches cover

 

30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG

Written by Amanda Davis  

Illustrated by Sally Wern Comport

Associate Publisher-WorthyKids/Hachette Book Group: Peggy Schaefer

 

 

Interviews:

30,000Stitches int3
The torn and tattered flag emerges after seven long years of waiting. Interior spread from 30,000 Stitches written by Amanda Davis and illustrated by Sally Wern Comport, WorthyKids ©2021.

 

GRWR: Thanks to you both for this revealing Q&A. I know I learned tons and am sure our readers did, too! 

2. Amanda is also giving away a 30-minute Zoom call for a picture book author or author-illustrator to discuss a current project and/or answer industry questions OR a 30-minute classroom visit for educators and librarians.

Get extra entries when you pre-order a signed copy of 30,000 Stitches from Silver Unicorn Bookstore here. Please DM a screenshot of the receipt to Amanda on Twitter @amandadavisart.

To enter this portion of the giveaway:

  • Retweet this post on Twitter
  • In the comments below, share a recent bright spot you experienced that gave you hope or joy. Please note that all posts are moderated prior to appearing so be assured your comments will be seen and posted and your name will be added to Amanda’s generous giveaway.
    Good luck!”  

Deadline to enter the contest is Thursday February 4th, at 5:00 PM EST. Amanda will announce winners on Friday, February 5th via Twitter. 

 

Amanda Davis headshot
Author Amanda Davis and Cora ©Angela Wood Photography

BIO:

Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. After losing her father at the age of twelve, Amanda turned to art and writing as an outlet. It became her voice. A way to cope. A way to escape. And a way to tell her story. She was thus inspired to teach art and pursue her passion for writing and illustrating children’s books.

Through her work, Amanda empowers younger generations to tell their own stories and offers children and adults an entryway into a world of discovery. A world that can help them make sense of themselves, others, and the community around them. A world where they can navigate, imagine, and feel inspired—over and over again.

Amanda is the recipient of the 2020 Ann Whitford Paul—Writer’s Digest Most Promising Picture Book Manuscript Grant and teaches art at a public high school in Massachusetts where she was selected as 2020 Secondary Art Educator of the Year. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

 

Check out all the other websites on this exciting cover reveal blog tour.

MINIBLOGTOURGRAPHIC 30,000STITCHES

 

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An Interview with The Passover Guest Author Susan Kusel

AN INTERVIEW WITH AUTHOR SUSAN KUSEL

ABOUT HER DEBUT PICTURE BOOK

THE PASSOVER GUEST

(Neal Porter Books; $18.99, Ages 4-8)

 

The Passover Guest cover

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SHORT SUMMARY:

In The Passover Guest, written by Susan Kusel and illustrated by Sean Rubin, Muriel assumes her family is too poor to hold a Passover Seder this year, but an act of kindness and a mysterious magician change everything.

 

INTERVIEW:

GoodReadsWithRonna: Welcome, Susan! Congratulations on your debut picture book, The Passover Guest!

Susan Kusel: Thank you so much for having me here! I am honored to be on this blog

GRWR:  How does it feel as a synagogue librarian and indie bookstore book buyer to know your new book,
The Passover Guest, has landed on shelves? 

SK: It’s an absolutely surreal feeling to know that my book has a spot in some of my favorite libraries and bookstores. I am humbled by the idea of a child pulling it off the shelf and reading it.

GRWR: When did the seed to become a storyteller first plant itself in your soul? Can you recall the first books that sparked your imagination? 

SK: I’ve wanted to be a writer for so long, it’s hard to remember the exact moment I started. I do remember the first time I ever wrote a complete book though. It was for a 5th grade English assignment and was about a Russian Jewish girl named Rachel. I remember being very proud of the special folder I put the book into.

My mom used to read to me every night when I was a child and some of my favorite books then were Cars and Trucks and Things That Go by Richard Scarry, Walter the Baker by Eric Carle, Mr. Popper’s Penguins by Richard and Florence Atwater, Mike Mulligan and His Steam Shovel by Virginia Lee Burton and of course, The Magician by I.L. Peretz, adapted by Uri Shulevitz.

 

The Passover Guest int1
Interior spread from The Passover Guest, A Neal Porter Book/Holiday House © 2021. Text copyright © 2021 by Susan Kusel Illustrations copyright © 2021 by Sean Rubin

 

GRWR: What inspired you to write The Passover Guest as a retelling of the classic I. L. Peretz’s story adapted by Uri Shulevitz in 1973 rather than create a new tale? 

SK: As I mentioned above, The Magician was in regular reading rotation by my mother when I was younger and so it’s a story I’ve been in love with for a long time. When I rediscovered the book in a library as an adult, I still thought it was an amazing story, but I noticed some plot elements that I wished were different. That started me down the path of doing an adaptation of Peretz’s story, a process that took about ten years.

GRWR: Aside from setting the story in 1933 Depression-era D.C. are there any other notable changes you wanted to make for 21st-century young readers? 

SK: The most significant change I made was adding the character of Muriel. In the Peretz version, the story is about a couple but I thought that it was very important to add a child character. There are also a number of subtle changes I added, such as Muriel putting a penny in the Magician’s hat, the rabbi coming to Muriel’s seder, the whole community filling the house, the matzah breaking itself in two, and several smaller plot points. My goal was to stay true to Peretz’s message while making the story my own.

GRWR: What were your go-to Jewish holiday books growing up and right now? Do you have a collection? 

SK: Jewish stories have always been very important to me, but when I was growing up, we owned very few. Our whole book collection, which took up half a shelf in my brother’s closet, was primarily obtained from library book sales. We supplemented these with library books. I only had a few Jewish books including The Power of Light by Isaac Bashevis Singer and Potato Pancakes All Around by Marilyn Hirsh (which we used then, and I still use now for the latke recipe).

As for now, I am typing this while sitting in my home library surrounded by picture books, including several shelves just for Jewish books. Current favorites include Hershel and the Hanukkah Goblins by Eric Kimmel (no holiday list is complete without it!), I Know an Old Lady Who Swallowed a Dreidel by Caryn Yacowitz, The Matzah Papa Brought Home by Fran Manushkin (sadly out of print but still extraordinary), and Here is the World by Lesléa Newman. That’s really just a small sample though because there are so many Jewish holiday books I love.

GRWR: Has your experience on the Caldecott Medal selection committee or as chair of the Sydney Taylor Book Award Committee influenced your writing in any way? 

SK: One of the most common pieces of advice given to writers is to read extensively in your field. I think those committees, as well as others I’ve been on, have certainly helped me with that. When you are reading hundreds and hundreds of books in a genre, it does give you a better sense of what is currently published. Being on so many committees has helped me see what the conventions are, and how they can be broken and how I can be a better writer.

GRWR: Sean Rubin’s art is as magical as your prose and the mysterious guest himself. Do you have a particular favorite spread from the book you can tell us about? 

SK: I think Sean did a truly extraordinary job on the illustrations and picking just one of them is like trying to pick a favorite child. I think his work adds so much to the book and makes it complete.

I could easily go on at length about every individual spread and how much I love it, but if I can only pick one, it would be when Muriel goes to the synagogue to consult the rabbi. Over the course of one continuous spread, Sean shows us four completely separate and distinct scenes and the cause and effect of each one of them. And all of this against the astonishingly beautiful and majestic background of the Sixth and I Synagogue, a D.C. Jewish landmark. 

GRWR: Early on in The Passover Guest Muriel meets an unusual street performer to whom she gives her last penny. Can you speak to the story idea of magic and how, especially in tough times, this kind of belief can help people? 

SK: I think it’s always a good time to believe in the possibility of magic, especially during difficult times. You never know who that bedraggled stranger might turn out to be. Faith and hope are so important.

 

The Passover Guest int2
Interior spread from The Passover Guest, A Neal Porter Book/Holiday House © 2021. Text copyright © 2021 by Susan Kusel Illustrations copyright © 2021 by Sean Rubin

 

GRWR: Where do you find the time to write with all your other commitments? Do you have a daily routine? 

SK: I’d love to be able to say that I sit down in the same place at the same time every day and write for the same amount of time. But the truth, as you alluded to in this question, is that I have multiple jobs, commitments, and children, and I do my best to write as much as I can when I can.

GRWR: You mentioned in your author’s note that Passover has always been your favorite holiday, can you tell us why? 

SK: I love so many things about Passover: the coming of spring, getting the seder plate ready, singing songs, finding the afikomen, eating too much charoset, being with family, and much more. It’s always been a magical holiday for me and I’m delighted that this book lets me share some of that magic.

GRWR: Are you working on your next book? Will it have a Jewish theme? 

SK: I’m working on several next books, all with Jewish themes. I have a real commitment to telling Jewish stories.

GRWR: It’s been wonderful having you as a guest here today, Susan! I really appreciate your thoughtful replies and am looking forward to sharing a review of your book when we get closer to Passover.

Author Susan KuselBRIEF BIO:

Susan Kusel has turned a life as a book lover into many careers as an author, librarian, and buyer for a bookstore. She has served on many book award committees including the Caldecott Medal and the Sydney Taylor Book Award. She loves biking, cross-stitching, and of course, reading. Learn more about Susan on her website and by following her on social media.

Twitter: @susankusel
Instagram: @susanhkusel
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Click here to read another picture book author interview.

 

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Kids Book Author Interview with When a Tree Grows’ Cathy Ballou Mealey

AN INTERVIEW WITH CATHY BALLOU MEALEY

DEBUT AUTHOR OF

WHEN A TREE GROWS

Illustrated by Kasia Nowowiejska

(Sterling Children’s Books; Fiction, Ages 3-7)

 

when a tree grows book cvr

 

Review:

Her new book, When a Tree Grows, is a rollicking read-aloud that follows a zany chain of events triggered by a broken tree, a cranky Bear, a nut-loving Squirrel and his loyal friend Moose.

What’s a moose to do? If he’s got an itch on his antlers he could try scratching it on a tree for relief while his forest friends watch worriedly OR that tree could come crashing down onto a sleeping bear’s cave. CRASH-BOOM! That innocent action sets off a series of humorous events certain to bring out the smiles and laughter when read aloud to children, adding an emphasis on the sound effects presented in big and bold font.

Ultimately Moose manages to avoid a swerving truck and remain in the woods while a sassy squirrel hops on board the vehicle and heads into “the big city.” Squirrel envisions becoming a big star but when dreams of grandeur or a job fail to materialize, he longs for forest life. Will he find a way to get home and if he does, what will happen? Find out in this adorable, page-turning tale of what ifs with a happy ending that will not just satisfy but delight.

I love the sweet, digitally rendered illustrations by Kasia Nowowiejska, especially how she’s incorporated an acorn into the title. All of the forest friends are adorable although I’m partial to the wild boar. I’d like to see him in another story someday. Cathy’s come up with a clever premise for her debut picture book that will hook youngsters who’ll wonder where Moose’s and Squirrel’s misadventures will lead.

About the Author:

Debut author Cathy Ballou Mealey lives with her family north of Boston, where she delights in watching silly squirrel antics and is waiting patiently for a moose to appear. Her favorite nut is the hazelnut and her favorite cupcake is cardamom crème.

Interview:

Good Reads With Ronna: Do you recall how we met?

Cathy Ballou Mealey: I’m looking forward to meeting IRL one day when our coastal paths cross! I recall subscribing to Good Reads with Ronna so I would not miss any of the stellar picture book reviews. After commenting on a few posts (OK, probably a lot of posts) I think we exchanged emails about adding me to the GRWR review team! What’s your recollection Ronna?

GRWR: Aww, thanks Cathy! I recall one day noticing I’d gotten several thoughtful post comments from a woman with the middle name of Ballou, the same name of the title character from one of my favorite films, “Cat Ballou” starring Jane Fonda. I asked if you knew the film. When you did I figured you were close to my age and we might have more in common than just a love of kidlit.

tea and cookies GRWR: What is an average CBM day like including beverage of choice and snacks? 

CBM: My writing work is 100% done during the hours that my kids are at school. First I check email and respond to anything pressing. I try to post on Instagram next, peek at other social media, and then delve into writing, research or revising. I’m fueled by Earl Grey tea and Pepperidge Farm cookies, usually!

GRWR: Okay, now we have even more in common, but I’ll admit I’ve had to cut back on my Milano cookies consumption!

GRWR: On a down day, what/who are 3-5 of your go-to spirit lifter books or authors? 

CBM: Thankfully, those days are few and far between. Although my first love will always be picture books, MG or YA are my preference for escapist reading about finding hope and building resiliency. I just devoured Kevin Henkes’ Sweeping Up The Heart, Sharon Creech’s Saving Winslow, and Kate Allen’s The Line Tender. Next up are two books I am savoring for the second time, Kelly Yang’s Front Desk and Linda Mullaly Hunt’s One for the Murphys.

GRWR: If you could be reincarnated as any animal which one wsea otters book cvr ould it be and why? 

CBM: Definitely an otter. Doesn’t everyone love an otter? Whether river or sea, I’d love to juggle pebbles and float on my back, holding paws with my buddies. Doesn’t that sound ideal?

Author Cathy Ballou Mealey and child at NH White MtnsGRWR: Beach baby, city tripper or mountain mama? 

CBM: Yes! Oh, I have to choose one? I love the sun, sand and tides of the summer beach because New England can be chilly! City tripping is fab for museums, bookstores and unique food options, but I could skip crowds, concrete and mass transit. Fresh air and mountain vistas thrill me, but not so much the switchbacks! So I’ll take a tiny taste of all three please, in alternating doses! BTW, that’s Cathy with her daughter in the White Mountains of New Hampshire.

buckwheat zydecoGRWR: Does music play a big role or any role in your life? 

CBM: I like to write in quiet, and I’m an “NPR in the car” driver. Seeing live music is a real treat when I can get out. One of the best concerts I ever attended was Buckwheat Zydeco at the DeCordova Museum and Sculpture Garden. Music plays a role in my work when I’m writing in rhyme, because I feel the beat and crescendo of the lines and words in a different way. It’s hard to explain, but I want the tone and structure to feel musically resonant and complete!

GRWR: What’s in the pipeline?

CBM: Next up for me is a still-secret, super funny picture book with an amazing publisher in Canada. A sloth and a squirrel team up for a special mission. Look for an announcement soon, and a book sometime in 2021!

Keep up with Cathy here:

Website: https://cathyballoumealey.wordpress.com/about/

Twitter: https://twitter.com/CatBallouMealey

Instagram: https://www.instagram.com/catballoumealey/

GIVEAWAY:

Cathy has generously offered two fab prizes to accompany this post! She’ll be happy to giveaway a #PB critique to one person (1000 words or less please!) and a signed copy of When a Tree Grows to another. (US residents only please). So whether you’re a writer or a reader, there’s something here for you! To enter please leave a comment on this post. Get a bonus entry for following me @goodreadsronna on Twitter or @goodreadswithronna on Instagram, but please let me know in your comment. Receive another bonus entry for following Cathy on social media mentioned above. This giveaway opportunity will end at 11:59 pm Pacific Time on Monday, July 1. Good luck and thanks for stopping by the blog!

 

  • Thanks tons, Cathy, for taking time away from your tea and cookies to help us all get to know you better. I knew I already liked you lots after our years of communicating online. Could you tell that I really wanted to ask you many more questions? Guess I’ll leave that until your next picture book releases in two years. In the meantime, I’ll continue to be your pen (okay Mac) pal and cannot wait for the day we meet IRL!

If you’re like me and you enjoy getting some interesting insight into Cathy and her writing, I recommend reading these other interviews about her below:

For writers, Susanna’s post has the most detail re: a debut PB:  https://susannahill.com/2019/04/02/tuesday-debut-presenting-cathy-ballou-mealey/
For a post with a children’s activity and a “what comes next” challenge, check out Kathy’s:  https://celebratepicturebooks.com/2019/05/07/may-7-its-get-caught-reading-month/
For a wacky, waffle read, there’s Mike’s post:  https://mikeallegra.com/2019/04/30/waffles-with-writers-cathy-ballou-mealey/

 

 

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