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A Review + Interview – Karol Silverstein Interviews Author Elaine Dimopoulos

AN INTERVIEW WITH

MIDDLE-GRADE AUTHOR ELAINE DIMOPOULOS

BY KAROL SILVERSTEIN

 

The Remarkable Rescue at Milkweed Meadow (Book #1)

Written by Elaine Dimopoulos

Illustrated by Doug Salati

(May 16, 2023, Charlesbridge, Ages 8-11)

 

The Remarkable Rescue at Milkweed Meadow cover bunnies fleeing.

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The Perilous Performance at Milkweed Meadow (Book #2)

Written by Elaine Dimopoulos,

Illustrated by Doug Salati

(May 21, 2024, Charlesbridge, Ages 8-11)

 

The Perilous Performance at Milkweed Meadow cover rabbit chased by birds.

 

 

INTRO + REVIEWS:

I came to these wonderful books a little backwards—that is, I read book 2 first! The good news is you do not need to have read the first book to thoroughly enjoy the second. The even better news is that both books are equally enchanting!

 

The Remarkable Rescue at Milkweed Meadow int1 Rabbits in Root Room.
Interior art from The Remarkable Rescue at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2023.

In The Remarkable Rescue at Milkweed Meadow, we’re introduced to expert storyteller Butternut. Storytelling is a way of life for her colony of rabbits, led by the wise Grandmother Sage. Along with storytelling techniques, Butternut and her many siblings are taught to stick to their own kind and avoid unnecessary danger.

The Remarkable Rescue at Milkweed Meadow int2 Fierce Owl Flying
Interior art from The Remarkable Rescue at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2023.

All that changes when Butternut befriends a joyful robin named Piper. Her new first and best friend believes that all creatures have good in them and crave one another’s company. Butternut’s anxieties—which she calls her “brambles”—spin into overdrive when Piper suggests they befriend a wounded faun, but the more she pushes past her fears, the more confident she becomes. When the need for the titular remarkable rescue arrives, Butternut must convince her family to be as brave as she’s become to help save a litter of coyote pups. The experience changes life in the meadow for the better.
 Starred reviews – Booklist, Kirkus Reviews, Publishers Weekly

 

The Perilous Performance at Milkweed Meadow welcomes back Butternut and all her meadow friends. But exciting new creatures, a traveling theater troupe of wild turkeys, enter stage right. The talented turkey thespians are marvelous storytellers, which makes Butternut a bit jealous. When the troupe enlists the meadow dwellers to put on a fabulous play, Butternut’s brambles tell her that something’s not quite right with these grandiose gobblers. She senses her friends and family are in danger but struggles to figure out what, exactly, the wild turkeys are up to and how thwart their plans.   Starred review – Kirkus Reviews

 

The first-person storyteller style employed by author Dimopoulos for both books is pitch-perfect, as are Salati’s delicate illustrations. Butternut herself spins her tales with dramatic precision, utilizing tension, foreshadowing, plot twists, and character building as any great writer would. And though the books’ characters are animals, their emotions and motivations are very relatable to human listeners. In particular, Butternut’s “brambles”—which sometimes are overwrought and hold her back and sometimes grant her heightened and accurate insights—are a wonderful metaphor for young readers who are learning to navigate and interpret their own inner thoughts.

INTERVIEW:

I asked Elaine Dimopoulos to tell me a little more about the creation of this delightful duology. Here’s what she had to say:

Karol Silverstein: The tradition of storytelling, begun by Butternut’s Grandmother Sage, is a way of life for the rabbits of Milkweed Meadow. Why rabbits and why storytelling?

Elaine Dimopoulos: In 2017 I moved to a suburban home near a meadow and saw rabbits frolicking on our lawn every morning and evening. They delighted me and my family. I decided to write about a young rabbit who lives on the border of a lawn and a meadow and who grows curious about the human family in the house although her elders have told her to stick to her own kind. The emphasis on storytelling came from my many years teaching writing. I had been rolling craft concepts around in my head for so long—conflict, tension, voice, character growth—and wanted to create a narrator who was an expert storyteller and who commented metafictively on the story as she was telling it. I had a lot of fun creating Butternut’s narrative voice.

 

The Perilous Performance at Milkweed Meadow int1 Butternut and Piper.
Interior art from The Perilous Performance at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2024.

 

KS: Butternut’s “brambles”—which readers will likely recognize as similar to their own worries and anxieties—are an important part of her character. Was her anxiety a characteristic you set out to explore from the beginning or did it develop as she revealed herself to you?

ED: I knew Butternut would have anxiety from the very beginning. I’d noticed an increase in anxiety in the students I taught and began to think about how many children out there were having anxious thoughts these days. I wanted to create a character they might see themselves in, who learns to manage her anxiety, act bravely, and live a full life.

 

KS: In the second book, a traveling theater troupe of wild turkeys comes to the meadow, and the Gobblers entrance the inhabitants with their theatricality. Why wild turkey and why theater?

ED: In addition to rabbits, I have gorgeous wild turkeys on my lawn! The Perilous Performance at Milkweed Meadow is a sequel, and I really wanted to get turkeys into the first novel, but there wasn’t room. I’m so thankful I got the chance to include them in Book 2. Here’s a photo I snapped. They’re such divas!

 

Wild Turkeys in yard of Elaine Dimopoulos

 

 

As for theater, I acted through middle school, high school, and college. I love performing and knew I could write about it with expertise. I also loved the idea of the meadow creatures putting on a midsummer show.

 

KS: Redemption—and characters who change and/or turn out to be different than they first seem—is featured in both books. Why is it important to explore this theme in kids’ books?

ED: It seems to me these days that we are quicker than ever to criticize and slow to forgive. We all make mistakes, adults as well as children. If we change our mind about something and apologize, we should be able to earn forgiveness. This is an important part of human connection. We ought not to lose the ability to extend kindness to each other and to turn the page on the past.

The Perilous Performance at Milkweed Meadow int2 Turkeys and Piper.
Interior art from The Perilous Performance at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2024.

 

KS: Was there always going to be a second book (or more)? If so, how much of the plot for The Perilous Performance at Milkweed Meadow did you have set in place before publishing the first book? If not, how did you and Charlesbrige decide to continue Butternut’s story, and what sort of decision-making went into creating the storyline of The Perilous Performance at Milkweed Meadow?

ED: I wrote the first novel wishing that I could continue the story of these characters. Nothing was guaranteed, however, so I didn’t focus on setting anything up for book 2. The sequel was happily greenlighted before the first book came out, so I was able to influence, of all things, the map endpapers. I figured out that there would need to be a little clearing in the oak forest where the performance in the second novel would take place and also a swing set clubhouse where Butternut and the little female human from the house would meet. Doug Salati was kind enough to add these elements to the endpapers of book 1 so there would be continuity.

I knew I wanted to include a theatrical troupe of turkeys in the sequel, but I was struggling with Butternut’s central conflict. My editor, Julie Bliven, helped me see that Butternut ends the first novel confident in her storytelling abilities, so it would be interesting if this confidence was shattered when a new art form entered the picture. I ran with this idea!

I hope to write even more stories set in Milkweed Meadow. The first two books are set, respectively, in spring and summer, so I’d love to complete a seasonal quartet and write an autumn and a winter book. We’ll see!

 

Huge thanks to Karol and Elaine for this informative interview!  – Ronna

 

BUY THE BOOK:

Belmont Books (signed & personalized): https://www.belmontbooks.com/book/9781623544270

Bookshop.org: The Perilous Performance at Milkweed Meadow a book by Elaine Dimopoulos and Doug Salati (bookshop.org)

Publisher’s Page: The Perilous Performance at Milkweed Meadow – Charlesbridge

 

Elaine Dimopoulos Headshot Photo Credit Ars Magna Studio
Elaine Dimopoulos Photo Credit: Ars Magna Studio

AUTHOR BIO:

Elaine Dimopoulos is the author of several novels for children, including the critically acclaimed Milkweed Meadow series, Turn the Tide, winner of the Green Earth Book Award in Children’s Fiction, and the young adult fast-fashion dystopia, Material Girls. Elaine served as the Associates of the Boston Public Library Writer-in-Residence and has taught writing at Simmons University and GrubStreet. She lives in Massachusetts. She lives in Massachusetts with her spouse, two children, and a Balinese cat named Plato. www.elainedimopoulos.com

 

 

 

SOCIAL MEDIA:

• Author Elaine Dimopoulos

https://twitter.com/ElaineDimop

https://www.instagram.com/elaine_dimopoulos/

• Illustrator Doug Salati

https://dougsalati.com/

Doug Salati Photo Credit: Erin V Carr

ILLUSTRATOR BIO:

Doug Salati is the creator of the picture book Hot Dog, recipient of the Randolph Caldecott Medal and Ezra Jack Keats Award. His first book was In a Small Kingdom by Tomie dePaola, and his second, Lawrence in the Fall by his partner, Matthew Farina, was an Ezra Jack Keats Illustrator Award Honoree, a Society of Illustrators Original Art Show selection and Junior Library Guild Gold Standard selection. Doug lives and works in New York City.

 

 

 

INTERVIEWER BIO:

Karol Ruth Silverstein (she/her/disabled) is an award-winning children’s book author and longtime SCBWI member. Her debut young adult novel, Cursed (Charlesbridge Teen, 2019), was loosely drawn from her experience of being diagnosed with juvenile arthritis at thirteen and won the Schneider Family Book Award in 2020. Originally from Philadelphia, Karol now lives in West Hollywood, California, with two unmanageably fluffy cats. Find her online at
Author Karol Ruth Silverstein.

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An Interview with Nora Nickum, Author of This Book is Full of Holes

KATRINA TANGEN INTERVIEWS

NORA NICKUM,

AUTHOR OF

THIS BOOK IS FULL OF HOLES

Illustrated by Robert Meganck

(Peachtree; $18.99, Ages 6-9)

 

 
Starred Review – Kirkus Reviews

PUBLISHER’S SUMMARY:

This book is chock full of holes—shallow and miles deep, microscopic and visible from space, human-caused and natural, mysterious and maddeningly familiar.

When you think of holes, what comes to mind? Maybe the irritating hole in your sock. Or the hole on the shelf where you plucked out this book. But did you know there are holes that suddenly devour entire gas stations? Big holes in the ocean that are visible from space? Small holes in balls that prevent a backyard home run?

A hole is a part of something where there’s nothing at all. Holes are investigated by scientists, used by artists, designed by engineers, and fixed by problem-solvers. They can be natural or human-made, big or small, plentiful or scarce, mysterious or painfully familiar. Many are important to our everyday lives, whether we give them credit or not.

 

INTERVIEW:

Katrina Tangen: THIS BOOK IS FULL OF HOLES is so fun and fascinating! You cover such a wide range of holes. How did you decide what to include and how to organize them?

Nora Nickum: Brainstorming all different kinds of holes was a fun part of the process. But the book did require a good structure so it wouldn’t be just a list. I was intrigued by the fact that a hole seems like empty nothingness, but in fact, it can be really useful, or annoying, or dangerous, or life-saving. And holes appear in all different STEAM disciplines, from engineering and ecology to music and art. I began writing about all the different qualities that holes could have, and eventually shaped it into a consistent opposite structure on every spread. Readers will find fascinating examples of how holes can be tiny or enormous, form slowly or quickly, be used to speed something up or slow something down, and so on.

 

KT: The idea of a hole is both really concrete and really abstract. For example, the idea that a hole can be closed on the bottom as well as open. I wouldn’t have said an indentation was a hole, even though there are other holes with bottoms that I do think of as holes, like golf holes. So it gets a little mind-bendy when you start thinking about what makes a hole a hole! Were there challenges in figuring out how to explain those concepts?

NN: That’s one of the things that made this topic so fun for me! I spent time researching definitions of holes, and felt like I got to a place where I had a solid one that wasn’t full of holes itself (haha). And I started the book with that definition: “A hollow place. An empty space. A part of something where there’s nothing at all.” 

 

KT: That’s such an intriguing definition! Which type of hole is your favorite? I was fascinated by blue holes and the holes in airplane windows—I hadn’t heard of either before!

NN: Those two kinds of holes were the genesis of the book! I used to travel a lot and often wondered why there was a tiny hole in the airplane window. And later, when I read about blue holes in the ocean and saw beautiful photos taken from the air, I was really intrigued and thought about doing a picture book focused on those, but it turned out there hadn’t been a lot of research about blue holes yet. Then a light bulb went off in my head and I combined them into a book about holes, which let me add lots of other fascinating examples. My favorite hole in the book is actually the seal’s breathing hole in the Arctic ice–I liked that I could make the same hole represent both of the opposing concepts, danger versus safety. And I love how Robert Meganck illustrated it with one scene carrying across both pages, with the seal and the polar bear.

 

ThisBookisFullofHoles int1 Seal and polar
Interior art from This Book is Full of Holes: Text © 2024 Nora Nickum. Illustrations © 2024 Robert Meganck. Used with permission from Peachtree Publishing Company Inc.

 

KT: Wow, that’s such a fun origin story! I love it when things come together like that. Were there holes that didn’t make it into the final book?

NN: Yes, sadly. Buttonholes, groundhog burrows, swimming holes, and holes in pinhole cameras were on my list at one point or another, but ultimately cut. Some types of holes didn’t make it in because they didn’t fit the opposites structure as nicely as I wanted. Others were too straightforward to feel interesting or to merit any sidebar text. Fortunately, all of my favorites made it in! 

 

KT: I’m glad you didn’t have to cut any of your favorites! The illustrations are great and add so much humor. Did any of them surprise you?

NN: Robert Meganck’s illustrations are so creative and funny, while also being accurate in the ways that are important for a nonfiction book. The one showing a person threading a needle was his idea–I hadn’t been that specific in the manuscript, and I updated the sidebar text to reflect his art. And I love how Robert has hidden other kinds of holes in the background of several illustrations (see what you can find in the “speed something up…slow it down” spread). But the illustration that might surprise readers the most is the one they’ll find on the flip side of the book jacket–it’s a big hide-and-seek playground scene where kids can search for all different kinds of holes!

 

ThisBookisFullofHoles int2 car and wiffle ball.
Interior art from This Book is Full of Holes: Text © 2024 Nora Nickum. Illustrations © 2024 Robert Meganck. Used with permission from Peachtree Publishing Company Inc.

 

KT: Kids will love that! I think my favorite is how the front and back cover play off each other. So clever! I also love the backmatter—how did it develop? Including hole-related idioms was such a good idea!

NN: The idioms in the back matter–like “loophole” and “square peg in a round hole”–were originally in the main text, but as my editor and I worked more on the opposites structure, we decided they didn’t quite fit there. I also revised the back matter later to discuss the actual holes that those terms refer to, like loopholes in castle walls, before talking about their current usages in English. I was so eager to see how Robert would depict those idioms, and of course his fabulously quirky art there is delightful.

 

KT: Do you have any suggestions for other great picture books that could be paired with yours?

NN: Definitely! A bundle of books about holes would be a whole lot of fun. I’m excited about Skylaar Amann’s new picture book, Alone Sometimes: Everybody Needs a Hole in the Ground, which also releases in March 2024. And I love Mac Barnett and Jon Klassen’s funny book Sam and Dave Dig a Hole. Melissa Stewart and Amy Hevron also have a wonderful nonfiction book about animals called Tree Hole Homes: Daytime Dens and Nighttime Nooks.

 

KT: What do you hope young readers will take away from your book?

NN: Some giggles, for one thing. But I also hope it will make readers look at the world around them differently, seeing holes and patterns and making connections they hadn’t made before. It was really fun for me to brainstorm different kinds of holes with my family, looking at things in our kitchen, outside on walks, and other places, and I think kids will have fun doing the same! 

KT: I know I definitely will! Thanks for sharing with us—it’s been a “hole” lot of fun!

BUY THE BOOK:

Click here to purchase a copy and support independent bookstores via Bookshop.org. 

Visit the Publisher’s Page here for more info.

 

AUTHOR BIO:

Nora Nickum is the author of This Book is Full of Holes (Peachtree, 2024) as well as the middle-grade book Superpod: Saving the Endangered Orcas of the Pacific Northwest (Chicago Review Press, 2023). Both are Junior Library Guild Gold Standard selections. Her stories and articles have appeared in children’s magazines like CricketLadybug, and Muse. Nora also leads ocean conservation policy work for the Seattle Aquarium. She lives on an island in Washington state. Learn more about her at www.noranickum.com

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AUTHOR’S SOCIAL MEDIA LINKS:

IG: https://instagram.com/noranickumbooks

Author website: www.noranickum.com

INTERVIEWER BIO:

Katrina Tangen lives in Southern California between Disneyland and the beach. At Harvard, she studied Folklore & Mythology, History of Science, Psychology, and Religion, so she knows a little bit about a lot of things. This turned out to be excellent training for writing nonfiction for kids! Her debut Copy That, Copy Cat!: Inventions Inspired by Animals (Barefoot Books, 2023) was a Bookstagang Book of the Year and a Cybils Award Finalist. Find her at katrinatangen.com.

Katrina’s Social Media:

Website: https://katrinatangen.com

Facebook: www.facebook.com/katrinatangenauthor

Instagram: @katrinatangen

Twitter (X): @katrinatangen 

Threads: @katrinatangen 

Bluesky: @katrinatangen.bsky.social 

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An Interview with Maria Wen Adcock

 

 

CHARLOTTE CHENG INTERVIEWS

MARIA WEN ADCOCK,

AUTHOR OF

IT’S CHINESE NEW YEAR, CURIOUS GEORGE

ILLUSTRATED BY REA ZHAI

(Clarion Books; $9.99, Ages 0-4)

 

It's Chinese New Year Curious George girl CG playig with paper dragon

 

 

 

INTERVIEW:

Maria Wen Adcock is the author of IT’S CHINESE NEW YEAR, CURIOUS GEORGE [Clarion Books], which is a perfect book to introduce Chinese New Year traditions to little ones. In this interview conducted by Charlotte Cheng, author of NIGHT MARKET RESCUE [Rocky Pond Books], Maria discusses her process for writing the book, her experience seeing the book published, and much much more. 

Thanks for taking the time to share your author journey with us today! 

 

Charlotte Cheng: Curious George is such a household name. What was it like infusing this classic with your Chinese heritage?

Maria Wen Adcock: I grew up reading Curious George, so it was an incredible honor to work on IT’S CHINESE NEW YEAR, CURIOUS GEORGE. Children around the world are familiar with Curious George, so it makes learning about Chinese culture more accessible when children see him celebrating this holiday. I’m so proud to share my Chinese heritage with young readers through an iconic character like Curious George! 

 

CC: For those who are curious, what’s the difference between the terms Chinese New Year and Lunar New Year?

MWA: Lunar New Year is an overarching term for many Asian countries, beyond China, that celebrates the new year based on the moon cycle. Under the term Lunar New Year are subsets: Chinese New Year, Vietnamese New Year called Tet, Korean New Year called Seollal, Indonesian New Year called Imlek, and more. Each country has its own unique New Year traditions. For example, in China, when it is the Year of the Rabbit, in Vietnam it’s the Year of the Cat. Chinese New Year is celebrated with red envelopes, but Korean New Year does not. 

Chinese New Year refers to the holiday that Chinese people celebrate using customs specific to their culture. Though some countries may celebrate their new year in similar ways, such as getting together with families and eating certain foods, not all the traditions are the same. For example, one Chinese New Year tradition involves hanging a sign upside down on the front door. The word on the sign is Fú (福), a Chinese character meaning good luck and fortune. In Chinese, the word for “upside-down” is Dào (). This sounds similar to another word, also called Dào (), which means “to arrive.” So hanging the Fu sign upside-down means good luck and fortune will arrive. This custom is very specific to Chinese New Year.

 

CC: Why did you choose to focus on Chinese New Year for the book?

MWA: The publisher wanted the book to delve deeper into the traditions and symbolism of Chinese New Year. They chose me to author the book so I could tap into my lived experience as a Chinese American to authentically speak to how the holiday was celebrated. Given the book only has seven tabbed pages to work with, space was a premium. I did the best I could to provide readers with as much information as possible about the Chinese New Year.

If this book had focused on the Lunar New Year, to be inclusive and accurate, we would have needed to mention all the different countries under that umbrella term and highlight their unique traditions. But given the limitations of space, we wouldn’t have been able to provide more depth – likely just a mention – and we thought this wouldn’t do it justice.

 

 

Interior illustrations from It’s Chinese New Year, Curious George written by H. A. Rey and Maria Wen Adcock, and illustrated by Rea Zhai, Clarion Books ©2023.

 

 

CC: Chinese New Year is celebrated in so many different ways since China is so diverse. How did you select which traditions to highlight in the story?

MWA: I was able to pull from my childhood growing up in a Chinese American household when deciding which traditions to include in the book. There were so many traditions to choose from. I narrowed them down to highlight the most commonly celebrated ones. 

 

CC: What was it like working on the book with the publishing team and what was your favorite part of the process? 

MWA: My editor, Bethany Vinhateiro, led the process and provided guidelines on format requirements for the Curious George series of tabbed board books. All of the books in this series featured 7 tabs with themes, and each tab included 4 stanzas in rhyme with 4 lines in each stanza. She encouraged me to ensure that Curious George’s personality came out in my story, which I was familiar with given that I had grown up with his stories.

Bethany worked with the illustrator, Rea Zhai, to bring my story to life. I did not directly communicate with the illustrator, which is typical in traditional publishing. Instead, Bethany sent me drafts of the illustrations so that I could ensure they accurately reflected the customs of Chinese New Year. I really enjoyed the process of seeing the illustrations, providing feedback, and then viewing the revisions.

 

CC: When you finally got to see the illustrations for the book, did you see any fun surprises in the images?

MWA: The cover took my breath away as it captured the heart and spirit of Chinese New Year. I was pleasantly surprised to see the title of the book printed in gold foil, which is one of the traditional colors of Chinese New Year in addition to red, which represents good luck. I loved how the Man in the Yellow Hat changed his usual yellow tie to a red one to celebrate Chinese New Year. The illustrations did an amazing job of bringing the holiday to life.

 

CC: What was it like launching your book during Chinese New Year? Any favorite memories from your launch party or school visits?

MWA: Launching my book during Chinese New Year was the perfect timing given its storyline. The weeks leading up to Chinese New Year traditionally include a lot of preparation and teaching the children about the holiday taught them how they could celebrate Chinese New Year with their own families at home. 

I was so thrilled with my launch party at Huntington Public Library where I work in the Youth and Parent Department for my day job. They provided incredible support, and there were over 150 people in attendance – the maximum the auditorium could hold. My sister flew in from Michigan to help me which I appreciated so much. 

The school visits were so fun. The kids were incredibly curious and engaged with my presentation which not only included a book reading but also provided interesting details behind the reasons for each of the traditions mentioned in the book. I really enjoyed interacting with the students!

 

CC: For those who are interested in writing children’s books, what advice would you like to give them? Where should they start?

MWA: I would recommend joining your local chapter of the Society of Children’s Book Writers and Illustrators (SCBWI.org). They offer workshops to hone your craft and access to many agents and editors. The organization can also help you find a critique group which is an invaluable tool for elevating the quality of your manuscripts.

CC: It’s been a pleasure learning about your experience Maria. Happy writing and congratulations on your book!

BUY  THE BOOK HERE:

Support local independent bookstores by clicking here to make your purchase.

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Author Maria Wen Adcock Photo Credit Maria Wen Adcock
Author Maria Wen Adcock Photo Credit: Maria Wen Adcock

AUTHOR BIO:

Maria Wen Adcock is the author of It’s Chinese New Year, Curious George [2023] published by Clarion Books/Harper Collins. Maria is a first-generation Chinese-American writer and founder of the award-winning multicultural parenting blog www.BiculturalMama.com. She has appeared on The Dr. Oz Show, Bloomberg News, Newsday, and Huffington Post. Maria is a board member of Multicultural Kid Blogs, an organization supporting diverse parenting bloggers, and co-host of the annual event Multicultural Children’s Book Day.
Follow: Facebook |Twitter | Instagram | Pinterest

 

 

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INTERVIEWER BIO:

Charlotte has written and illustrated a variety of books including Night Market Rescue and BoBo Loves Dumplings. With over 20 years of EdTech experience, Charlotte has also written and published K-12 curriculum for a variety of companies including CodeCombat, Disney, and Wonder Workshop. You can learn more about Charlotte’s work at: www.charlotte.art. You can also find her on Instagram @charlottemakesbooks or Twitter @charlottedraws

ILLUSTRATOR LINKS:

Website: https://reazhaiart.com
Instagram: https://www.instagram.com/zhazhazhaart/

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An Interview with I Ship Author Kelly Rice Schmitt

 

SHANNON ANDERSON INTERVIEWS

KELLY RICE SCHMITT

AUTHOR OF

I SHIP:
A CONTAINER SHIP’S COLOSSAL JOURNEY

Illustrated by Jam Dong

(Millbrook Press; $19.99, Ages 5-9)

 

 

I Ship COVER container ship at port

 

PUBLISHER’S SUMMARY:

Come aboard a massive container ship as it pulls into port, loads up with cargo, and heads out to the open ocean. The ship’s voyage includes starry skies and stormy seas, swift currents and unforeseen delays. Through it all, the crew keeps working—with goods to keep the world going, they must carry on.

Rhythmic text from Kelly Rice Schmitt and delightfully detailed illustrations from Jam Dong provide a riveting look at the journey of one mighty ship.

 

INTERVIEW:

Shannon Anderson: Congratulations on your new book, I SHIP: A CONTAINER SHIP’S COLOSSAL JOURNEY. This is even more exciting because it’s your debut! This is a story about a ship’s journey, but what was the journey of this manuscript? How did it get acquired?

Kelly Rice Schmitt: It’s fun to think of my writing journey paralleling the journey of Ship. Just like a container ship, it takes a lot of people and a lot of preparation to launch a book. I SHIP’s publication journey began with an amazing online retreat put on my SCBWI Ohio-North called the Triple Scoop ReTreat. I highly recommend this conference if they ever do it again. Attendees met with a published author mentor in small groups (created by the hosts according to MS style/ appeal, etc) for 2 Saturdays in a row, getting live feedback on an MS and then having time to revise in between in order to prepare the story for a live reading and feedback with an editor. My editor, Carol Hinz, loved the first version of I SHIP, which was originally focused specifically on the 2021 Suez Canal Crisis, where the Ever Given container ship was stuck in the canal and halted global trade for weeks. She thought the story would be more timeless if it were a general shipping book. The final option of the conference was the chance to add on a paid critique follow-up with the editor after you have revised with their notes. Carol had a few more suggestions and invited me to revise and then submit it to her! I did, and she acquired I SHIP. It was very exciting!

 

SA: What inspired you to write about a container ship?

KRS: After having multiple jobs related to energy ships in my energy trading and supply career, I knew I just HAD to write something about shipping for kids. I loved the idea of a shipping process book, but it took many years to find the right way to tell that story. It wasn’t until a critique partner, Christine Abely, suggested writing about a container ship getting stuck, like what happened in the 2021 Suez Crisis with the Ever Given, that I had a path forward with specifically writing about a container ship. 

 

I Ship int1 container ship bridge
Interior spread from I Ship: A Container Ship’s Colossal Journey written by Kelly Rice Schmitt and illustrated by Jam Dong, Millbrook Press ©2023.

 

 

SA: This story is told from the ship’s first-person point of view. What caused you to choose this perspective?

KRS: I was inspired to use a first-person point of view while participating in Vivian Kirkfield’s #50preciouswords challenge, in which writers must tell a compelling story using only 50 words. While writing what is now going to be a follow-up to I SHIP (yay!) I was pushing myself to distill a very complex topic for kids into something simple and relatable. With only 50 words, I realized I could be both brief and emotional by telling the story through the eyes of the subject matter! I felt it also added a connection point for kids, bringing them more directly into that world.

 

SA: There is SO much to learn from this book. Readers can not only learn throughout the pages of the story but also through your glossary of shipping terms and STEM back matter information. What was your research process like for this book?

KRS: In addition to reading many adult books and watching media on the history and technology of container shipping, I also consulted with Youtuber Bryan Boyle to help us with accuracy. I loved his content (Youtube: @bryanboyle) following his journeys at sea as a U.S. Merchant Marine and thought he could help us convey this story with details that would resonate with people like him who work on these gigantic ships and, also, in the land-based jobs that support them. Bryan helped us make changes to both the text and art to better reflect real-life shipping. He was extremely helpful, and I hope we achieved that goal. I love back matter, and I had a lot of fun creating it for I SHIP. I hope everyone checks it out! There is also an activity guide that can be found here (https://lernerbooks.com/teaching_guides/804) with more fun activities, experiments, and coloring pages for PREK-5th graders to interact with the book. 

 

 I Ship int2 container ship en route the world is waiting
Interior spread from I Ship: A Container Ship’s Colossal Journey written by Kelly Rice Schmitt and illustrated by Jam Dong, Millbrook Press ©2023.

 

SA: What do you hope readers will learn or take away from reading this?

KRS: I hope readers of all ages discover details about the amazing shipping process that enables 80 to 90% of global trade. Container ships, their ports, and the incredible teams that run them are the backbone of the global economy, and we can see the ripple effects in the supply chain when elements of their journey are interrupted. Urgent medication and vaccines may be delayed, toys may not arrive for a holiday, certain produce may not be available due to weather conditions on the journey at sea, in publishing—books due for a release date are delayed. Surprisingly, many of us know little about an industry that fundamentally impacts our daily lives.

 

SA: Do you have other projects ready to deliver to the world?

KRS: You have such great puns today, Shannon! I’m excited to share that I SHIP is the first in what will be a series of STEM books, all told in first person tense. The second book will be released in Fall 2024 and hopefully will be announced soon! I also have an unannounced forthcoming fiction picture book in progress with Knopf Books for Young Readers (a PRH imprint).

 

BUY THE BOOK:

Support your local independent bookseller or click here to purchase a copy.

AUTHOR BIO:

Kelly Rice Schmitt Headshot Photo Credit Kyle Murphy
Kelly Rice Schmitt Photo Credit ©Kyle Murphy

Kelly Rice Schmitt is a former energy trader and children’s writer who loves getting small humans excited about big ideas . . . like container shipping! Although she has scheduled ship logistics and tracked energy shipments around the world, she has never worked on a container ship. Kelly lives in North Carolina with her husband, young children, and many stacks of books. I Ship is her debut book.  Keep up with Kelly at www.kellyriceschmitt.com or follow her on social media.

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An Interview with Sara E. Echenique Author of Our Roof is Blue

 

KATRINA TANGEN INTERVIEWS SARA E. ECHENIQUE,

AUTHOR OF

OUR ROOF IS BLUE

Illustrated by Ashley Vargas

(Charlesbridge; $17.99, Ages 5-8;
also available in Spanish as NUESTRO TECHO ES AZUL)

 

 

Our Roof is Blue cover blue tarp covers roof in Puerto Rico after hurricane

 

Nuestro Techo is Azul cover spanish edition

PUBLISHER’S SUMMARY:

This heartfelt story of resilience follows two siblings as they work to recover and rebuild after Hurricane Maria destroys their home in Puerto Rico.

Before an intense hurricane hits their home in Puerto Rico, Antonio told his sister vibrant stories each night. During the storm, they huddled with their parents in a closet and hear the storm blow the roof right off their home. After the storm, their family uses a temporary blue tarp for a roof, and Antonio stops speaking. Gradually the siblings imagine their blue roof playfully–as the ocean above them or a parachute helping them fall from the sky. As the narrator helps her little brother feel safe once more–and after the family and community build a new roof–the little boy begins to speak again.

 

INTERVIEW:

Katrina Tangen: One of the reasons Our Roof is Blue is so touching is that it was inspired by your own childhood. Did you do research too?

Sara Echenique: Oh, absolutely. In addition to drawing from my personal experiences with hurricanes, I spoke with family and friends on the island who lived through Hurricane Maria, and read article after article about the experience of Puerto Ricans on the island post-Maria. I spoke with parents of children who have lived under blue tarp roofs to better understand their own experiences. And for the book’s back matter, I researched pretty extensively the latest science on climate change, and how it is exacerbating hurricanes and other major weather events.

 

 

Our Roof is Blue int1 Antonio tell me a story
Interior spread from Our Roof is Blue written by Sara E. Echenique and illustrated by Ashley Vargas, Charlesbridge Publishing ©2023.

 

 

KT: I thought this was a color book at first, so the storm came out of the blue for me (so to speak)! I think that made it even more impactful. Was it hard to find the right level of scariness?

SE: That’s so funny because you just never know what a reader is going to take into your story. My own young children have always been drawn to books that don’t shy away from the truth. I went into writing this story knowing that I needed to trust my readers, both old and young, because they want and need these types of stories. Unfortunately, many of them will be impacted by inclement weather events stemming from climate change at some point in their lives. I wanted to be honest about that, but it was important to me that it didn’t feel hopeless or inaccessible. Yes, the storm is scary, but my hope is that it doesn’t overshadow their bond, and their use of play, imagination and storytelling to help each other.

 

KT: It’s heartbreaking how many kids this story is directly relevant for. But you did a great job finding that balance. One of the ways you do that is through the central image of the roof and its colors. How did that evolve?

SE: I drew from several mentor texts, including A Chair for My Mother by Vera Williams. Among so many beautiful parts of her book, I was drawn to how, on its surface, the story could be about a chair, but she brings depth and layers to the experience. I tried using the roof this way to make the tragedy more accessible, which allowed me to anchor Antonio and his sister’s emotional journey around their roof’s visible journey.

 

KT: I really love the sibling relationship—was that always part of the story?

SE: Yes (and thank you)! Throughout the story’s many, many iterations, their relationship was always central. Family is such an important part of the Puerto Rican community. I was fortunate to grow up with siblings who anchor me, and am raising children who will hopefully feel the same way. In Our Roof is Blue, Antonio and his sister were always going to find the other side of trauma because of, and for, each other.

 

 

Our Roof is Blue int2 parachuting gently down
Interior spread from Our Roof is Blue written by Sara E. Echenique and illustrated by Ashley Vargas, Charlesbridge Publishing ©2023.

 

 

KT: How did you become a writer?

SE: I’ve always loved reading and writing, filling dozens of notebooks throughout my childhood. I dreamt of becoming a veterinarian who writes stories about their job (like James Herriot) and got in the habit of scribbling haphazard character profiles of all the people in my life. I put that particular dream on pause when I pursued my English degree from Williams College and law degree from the University of Michigan School of Law. Shortly after having my oldest two children, I reconnected meaningfully with children’s literature and rediscovered writing as a creative outlet. Several years (and one additional child later), my writing dream has become a reality!

 

KT: What was your favorite book as a kid?

SE: I can’t choose just one! I most fondly remember the Babysitters’ Club series by Ann M. Martin, which my mom often read along with me. It was a glimpse into life on the mainland and I vividly remember my heart racing when I discovered a new book in the Scholastic Book Fair flyer. I love that the series has had a revival in graphic novel form and now get to enjoy re-reading them with my own daughter.

KT: I loved the Babysitter’s Club too! Thanks for giving us a behind-the-scenes look at Our Roof is Blue. It’s going to be a meaningful book for so many people.

 

BUY THE BOOK:

Click here to purchase from Books and Books.

Click here to purchase from Bookshop.org.

Click here to purchase via the Publisher’s Page.

 

Author Sara Echenique photo credit Rebecca Zilenziger
Sara E. Echenique Photo Credit: Rebecca Zilenziger

AUTHOR BIO:

Sara E. Echenique is a Puerto Rican lawyer and children’s author living in South Florida with her three young children, husband, and their rescue dog, Luna. She acquired a degree in English from Williams College and a law degree from the University of Michigan School of Law. After almost a decade practicing as a litigator in cold New York City, Sara decided to move her family to a place that felt more like her childhood home.

Roaring Brook Press published her debut middle-grade book, Hispanic Star: Roberto Clemente in September 2022 in both English and Spanish, which received a starred review from the School Library Journal and was long-listed for the SCBWI Impact & Legacy Fund’s Russell Freedman Award for Nonfiction for a Better World. Charlesbridge Publishing published her debut picture book, Our Roof is Blue (Nuestro techo es azul), in April 2023 in both English and Spanish.

INTERVIEWER BIO:

Katrina Tangen lives in Southern California between Disneyland and the beach. At Harvard, she studied Folklore & Mythology, History of Science, Psychology, and Religion, so she knows a little bit about a lot of things. This turned out to be excellent training for writing nonfiction for kids! Her debut picture book, Copy That, Copy Cat!: Inventions Inspired by Animals (Barefoot Books, 2023), uses riddles to introduce biomimicry.

SOCIAL MEDIA LINKS:

AUTHOR:

Twitter: @autoraechenique 

IG: @autoraechenique 

Website:  www.saraechenique.com

ILLUSTRATOR:

Ashley Vargas

Instagram: @art.ley

Website: https://artley.myportfolio.com

PUBLISHER:

Twitter: @charlesbridge

IG: @charlesbridgepublishing 

Facebook: Charlesbridge Publishing Inc

INTERVIEWER:

Twitter: @katrinatangen 

IG: @katrinatangen

Facebook: Katrina Tangen Author

Website: www.katrinatangen.com

PROMO GROUP BUSY PBS:

Twitter: @busyPBs

IG: @busypb

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An Interview with Rajani LaRocca, Author of Your One and Only Heart

DARSHANA KHIANI INTERVIEWS RAJANI LAROCCA,

AUTHOR OF

YOUR ONE AND ONLY HEART

ILLUSTRATED BY LAUREN PAIGE CONRAD

(Dial BYR; $18.99, Ages 5-8)

 

Your One and Only Heart Cover

 

 

PUBLISHER SUMMARY:
A lyrical introduction to the many wonders of the human heart, from award-winning author and practicing doctor, Dr. Rajani LaRocca

In this stunning non-fiction picture book, poetry and science come together with playful cut-paper illustrations to create a moving ode to the human heart and all that it does. Complete with illustrative diagrams and copious backmatter, this is a one-of-a-kind non-fiction picture book that gently guides readers through the various systems make up our most vital organ.

 

INTERVIEW:

Darshana Khiani: YOUR ONE AND ONLY HEART is amazing in how it takes a complex organ and breaks it down into chunks. What inspired you to write about the heart?

Rajani LaRocca: Ever since medical school, when I learned about the heart and how it works, I’ve been fascinated by this most vital organ. I wrote a first draft of this book way back in 2013 (!), and it was called “The Hardest Working Muscle.” It was written in prose and was over 800 words long. But it didn’t have a unifying theme or a hook.

I worked on this book on and off (mainly off) for years, but I couldn’t figure out how to write it. Then one day in 2018, I had a breakthrough: I discovered the theme I wanted to carry through the book. I realized I wanted to write about contrasting characteristics of the heart! Then I immediately decided to write about these characteristics in poetry—with several sets of paired poems. This made sense because to me, the beauty of poetry reflects the beauty of the human body.

 

DK: Well, you are one of the hardest-working writers I know. You do an amazing job at getting the main ideas across without getting bogged down in details. How did you master that balance? Also, the nerd in me wants to know why larger organisms have slower heart rates. I was surprised to learn that a mouse’s heart beats 310-840 beats/min while an elephant is only 30!

RL: I tried to focus on keeping the poetry simple enough for young kids to understand, yet interesting enough to capture their attention. There are plenty of facts that I reserved for the back matter so that the poetry could shine.

In terms of the answer to your question, are you ready to nerd out a bit? Smaller animals have higher surface area to volume ratio than larger ones. Because of this, smaller animals (especially warm-blooded animals like mammals and birds) lose heat much more quickly than their larger counterparts. So their hearts (which are smaller, too) need to beat faster to circulate more blood to offset the heat loss and maintain their body temperatures.

 

YOUR ONE AND ONLY HEART Int1 Your heart is Singular
Your One and Only Heart written by Rajani LaRocca and illustrated by Lauren Paige Conrad, Dial BYR ©2023.

 

DK: Wow! Thank you for geeking out with me. Surface area … never would’ve guessed that. The book is divided into 15 poems, 7 pairs of antonym poems (yup, I made that up), and then a final stand-alone one. It is a unique structure, one I can’t say I’ve seen before. At what point in the writing process did you decide to organize the poems in this way?

RL: I designed those first 14 poems as “antonyms” or paired poems from the moment of that epiphany in 2018! When the book got acquired and my editor contacted illustrator Lauren Paige Conrad, Lauren came back with the incredible idea of using shades of different colors for each pair of poems. For example, “Singular” and “Cooperative” are in shades of red; “Simple” and “Complex” are in shades of orange; “Energetic” and “Relaxed” are in shades of yellow, and so on, resulting in a rainbow of colors! The back matter is also “color coded” to link back to the appropriate pages! Lauren works in cut paper collage, and it blows my mind how beautifully and precisely she depicted so many aspects of the heart with her art.

There are two poems at the end, and the very last poem brings everything together by restating the contrasting characteristics of the heart and noting that kids share the same characteristics themselves!

 

DK: I must admit the last poem took me by surprise since it is so matter-of-fact. I could almost hear the EKG flatline as I read the last words. Did you always know you wanted to end the story with this poem?

RL: Years ago, when I was at a writing retreat, I shared this manuscript with renowned nonfiction author Elizabeth Partridge. She loved it and advised me that I absolutely needed to include what happens when the heart stops beating. She said that death is something that children are curious about, and that by including it in a nonfiction book about the heart, I could demystify it and put it in perspective for kids from a scientific point of view. It took me a while to figure out how to write that poem; Lauren Paige Conrad’s illustration on that spread is absolutely perfect.

 

DK: Smart suggestion, and you presented it in such a matter-of-fact way. You’ve authored two novels-in-verse, MIRROR-TO-MIRROR and RED, WHITE, and WHOLE, and a rhyming non-fiction picture book, The SECRET CODE INSIDE YOU. Do you have any tips for writers who want to write lyrically?

RL: My first tip would be to understand what you want to say—for novels in verse, that means knowing at the very least the broad outlines of the plot and emotional arcs. And for nonfiction, that means compiling all the information you want to convey.

Next, I recommend getting in a “poetic mindset” by going out into nature, reading poetry, and/or listening to music.

And then you should just try writing the poems! Don’t worry too much about whether they’re any good.

When it’s time to edit: avoid cliches, use powerful words, condense and eliminate as much as possible, and endeavor to convey your message in a fresh or different way. I always read my poetry aloud in revision, because sometimes our ears are better than our eyes at noting when something isn’t quite right.

 

YOUR ONE AND ONLY HEART Int2 Your Heart is Muscular
Your One and Only Heart written by Rajani LaRocca and illustrated by Lauren Paige Conrad, Dial BYR ©2023.

 

DK: What’s up next for you?

RL: YOUR ONE AND ONLY HEART is my fourth out of six books releasing this year!

Next up is THE SECRET OF THE DRAGON GEMS, an epistolary novel that I co-wrote with my friend Chris Baron. It’s about Tripti and Sam, two kids who meet at summer camp and find some unusual silvery rocks, which they each take home to California and Massachusetts. Then they start communicating via letter, email, texts, and video chats, because strange things keep happening, and they begin to wonder whether the rocks are more than just rocks. THE SECRET OF THE DRAGON GEMS releases on August 29!

My picture book MASALA CHAI, FAST AND SLOW, beautifully illustrated by Neha Rawat, releases on September 5. This is a story about a boy who likes to go fast and his grandfather, who likes to take things slow. Every day, they make masala chai together. One day, the grandfather sprains his ankle and can’t make masala chai, and the grandson decides to make some to cheer up his beloved grandfather . . . and hilarity ensues. This story is about learning to slow down and enjoy moments with those we love.

And next year on March 12 comes the release of my first middle grade fantasy, SONA AND THE GOLDEN BEASTS! Set in an Indian-inspired fantasy world, this story involves music and magic, and animals, but also contends with colonialism and who gets to tell history. I can’t wait to share it with the world!

DK: Yay for more books! We’ll be keeping a look out for them.

 

 

Author Rajani LaRocca headshot
Rajani LaRocca Photo Credit ©Carter Hasegawa

AUTHOR BIO:

Rajani LaRocca was born in India, raised in Kentucky, and now lives in the Boston area, where she practices medicine and writes award-winning books for young readers, including the Newbery Honor-winning middle grade novel in verse, Red, White, and Whole. She’s always been an omnivorous reader, and now she an omnivorous writer of fiction and nonfiction, novels and picture books, prose and poetry. She finds inspiration in her family, her childhood, the natural world, math, science, and just about everywhere she looks. Learn more about Rajani and her books at www.RajaniLaRocca.com. She also co-hosts the STEM Women in KidLit Podcast.

BUY THE BOOK: 

https://www.rajanilarocca.com/picture-books/your-one-and-only-heart/

LINKS TO SOCIAL MEDIA:

INTERVIEWER BIO:

Darshana Khiani is an author, engineer, and advocate for South Asian children’s literature. She is infinitely curious about the world and enjoys sharing her findings with young readers. If she can make a child laugh even better. Her debut picture book, How to Wear a Sari (Versify), was an Amazon Editors’ Pick. She enjoys hiking, solving jigsaw puzzles, and traveling. She lives in the San Francisco Bay Area with her family and a furry pup. You can visit Darshana here.

 

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An Interview with Vicky Fang, Author of The Boo Crew Needs You!

 

 

AN INTERVIEW BY ABI CUSHMAN

WITH VICKY FANG, AUTHOR OF

THE BOO CREW NEEDS YOU!

(Sourcebooks Jabberwocky; $12.99,  Ages 3-8)

 

 

boo crew needs you cover Vampire Skeleton Ghost

 

PUBLISHER’S SUMMARY:

Trouble’s come to Monster Town, and emergencies abound!

There’s no time to wait around… get the Boo Crew!

Get ready for a spooky interactive story experience with Lula, Bones, and Fang—a ghost, skeleton, and vampire team who need YOUR help fixing all the messes and frights of a Halloween night gone wrong! Whether it’s tapping the page to mend a broken pumpkin or turning the book to set a toppling haunted house back upright, the action prompts let kids join in on the fun and save the day.

 

Boo Crew Needs You Ring-a-Ling
Credit: Sourcebooks, Text ©2023 by Vicky Fang, Illustrations by Saoirse Lou

 

INTERVIEW:

Abi Cushman: THE BOO CREW NEEDS YOU! is such a fun Halloween story with a fantastic cast of
spooky characters. You and Saoirse Lou, who illustrated the book, did a wonderful job of making
this book really engaging. What inspired you to write a Halloween-themed story?

Vicky Fang: Aw, thank you! My kids LOVE Halloween. My little one thinks about his costume probably
year-round. I think it was inevitable that I would try to write a Halloween book! Of course, looking
at my drafts, my peak inspirations definitely came right around Halloween, so the annual
reminder kept me coming back to it.

e

AC: I love the interactivity in this book. There are so many fun action prompts like pushing
buttons and switches, clapping, searching for objects in the illustrations, and more. Did the book
always include interactivity? And how did you come up with these interactive elements?

 

Boo Crew int1 what a sight
Credit: Sourcebooks, Text ©2023 by Vicky Fang, Illustrations by Saoirse Lou

 

VF: The book always included interactivity, though my first pass only had one, big interactive
moment. When I shared it with my agent, she suggested I weave interactivity throughout. Ouf, I
put it away for two years after that, because the thought was so daunting! But eventually, on
another Halloween when I had run out of NYTimes crosswords, I pulled it back out again and
tackled it like a difficult word puzzle!

e

AC: Yes! I agree writing a picture book is often like solving a word puzzle. It must have been
incredibly satisfying to solve this one after two years! Now, this is your first rhyming book. Can
you tell us about your process for writing in rhyme?

VF: The book started with a rhyming phrase that popped in my head: “It’s a glitch! There’s a
hitch! Something’s screwy with this switch!” At that point, it wasn’t a Halloween story, but once I
decided to pursue that rhythm for my Halloween book, I needed to learn how to write in rhyme! I
signed up for Renee LaTulippe’s amazing Lyrical Language Lab course and learned and
practiced meter and rhyme. I highly recommend the course for anyone interested in writing in
rhyme.
e

Boo Crew Needs You int2 yay_ ooray
Credit: Sourcebooks, Text ©2023 by Vicky Fang, Illustrations by Saoirse Lou

 

AC: I remember a Tweet where you mentioned how your 8-year-old complained that you only
wrote robot books. And I have to say, it’s true that you do have quite a flair for writing really
great robot books, like FRIENDBOTS and LAYLA AND THE BOTS. I noticed that THE BOO
CREW NEEDS YOU! has a distinct lack of robots. Did your kid’s comments spur you on to write
more non-robot books, like this one?

VF: Hahaha, the things we do to try to impress our kids! Well, it was a bit more of a desire to
prove to the industry that I can write more than just robot books. I love writing STEM books, but I
didn’t want to get pigeon-holed and I wanted to show a broader range as a writer. Of course,
now that I have seven non-STEM books coming out, I worry that I’m losing my niche as a STEM
author for my readers! In the end, of course, I don’t think it really matters and we just need to
write what inspires us—as you know!

e

AC: Haha I think no matter what you do, people will definitely remember you have a knack for
STEM themes as well. In fact, even though THE BOO CREW NEEDS YOU! is not a robot book,
I think the interactivity element does give this book a STEM flavor because it shows kids that
one action (or input) yields a certain result. Can you talk a bit about why STEM topics interest
you as an author?

VF: I love writing STEM books because there are so many fundamental lessons that help all
kids, whether or not they want to specialize in STEM when they get older. I want kids to be able
to break down a problem, to brainstorm solutions, and to generate solutions. That lesson holds
across all of life! THE BOO CREW NEEDS YOU! fits into this as well, with the team working
together with the reader to solve problems and save Halloween. Ultimately, I want to inspire
creative and bold problem-solvers!

e

AC: I love that! Your debut book, INVENT-A-PET (which definitely encourages kids to solve
problems) came out in 2020. Since then you’ve had 9 more books published, with 10 more to
come. Do you have any tips for writers who would like to be as prolific as you?

VF: I think what’s really helped me write so many books is writing across different categories.
Sometimes my ideas work better as a board book, or as a chapter book. Logistically, it’s also
easier for my agent to be pitching multiple books of mine when they aren’t in the same category.
Board books, early readers, and chapter books also are often sold as series. That would be my
practical advice for being prolific as a children’s book author—but I would add that it’s probably
best not to worry about the numbers and write the best book you can that comes from your
heart, because that’s what will make your book stand out to editors!

 

AC: That’s such great advice! And I think it works well on a practical level as well as a creativity
level. So speaking of being prolific, what’s next for you?

VF: I’m so excited for my new books launching this fall! Releasing in September, ALPHABOT
(MIT Kids Press) is a mix-and-match novelty book of robotics terms from A to Z that lets kids flip
the flaps to create their own robot. And then in October, the first book in my new early reader
series, BEST BUDDIES (Scholastic), releases! It’s about a dog named Sniff and a cat named
Scratch and their silly adventures at home. It’s illustrated by Luisa Leal and comes from the
same editorial team that was behind LAYLA AND THE BOTS!

I’m currently also working on a new chapter book series that I’m incredibly excited about, called
AVA LIN. It’s a heavily illustrated chapter book about an optimistic and creative six-year-old
Chinese American girl with a knack for getting into—and out of— trouble. I’m in the middle of
final art for Book 1, sketches for Book 2, and manuscript edits for Book 3, and I love working on
it, so I’m hoping readers will love it too! Keep an eye out for it in Spring 2024!

AC: Wow! I am so excited about all of these books. They sound super fun, and again, I see you’ve
got something coming out for a wide range of ages. I can’t wait to read them all.

Thanks for sharing your process and writing tips with us, Vicky! Congratulations on the release
of THE BOO CREW NEEDS YOU!

 

BUY THE BOOK

Support a local independent bookstore and purchase a signed copy below.

(type in the comments how you’d like the book inscribed):

https://www.lindentreebooks.com/the-boo-crew-needs-you.html

or here: https://vickyfang.com/books/the-boo-crew/

LINKS TO SOCIAL MEDIA FOR VICKY FANG:

Website: https://vickyfang.com 

Twitter: https://twitter.com/fangmous

IG: https://www.instagram.com

Facebook: https://www.facebook.com/fangmousbooks

 

Author Bio:

Vicky Fang is a product designer who spent 5 years designing kids’ technology experiences for both Google and Intel, often to inspire and empower kids in coding and technology. She started writing to support the growing need for early coding education, particularly for girls and kids of color. She is the author, and sometimes illustrator, of nineteen new and upcoming books for kids, including the Layla and the Bots series, Invent-a-Pet, I Can Code board books, Friendbots series, and the forthcoming Ava Lin series, Best Buddies series, AlphaBot, and The Boo Crew Needs You! You can visit Vicky at vickyfang.com.

 

 

 

Illustrator Bio:

Saoirse Lou is a freelance illustrator from the seaside town of Poole in the UK. When she’s not
drawing, she loves reading books, walks in the countryside, drinking lots of tea, and snuggling
down under blankets with her family to watch movies. Saoirse enjoys using color and texture to
bring warmth and emotion and diversity to book characters, in particular, she loves drawing from
her experience as a mother to bring sensitivity to her artwork. See more of Saoirse’s work at
saoirselou.com or on Instagram @Saoirselouscribbles.

 

Interviewer Bio:

Abi Cushman is the author-illustrator of Soaked! (Viking, 2020), and Animals Go Vroom!,
worked as a web designer for over 15 years. She runs two popular websites of her own:
MyHouseRabbit.com, a pet rabbit care site, and AnimalFactGuide.com, which was named a
“Great Website for Kids” by the American Library Association. Abi lives in a small Connecticut
beach town with her family. In her spare time, she enjoys running, playing tennis, and eating
nachos. (Yes, at the same time.) Learn more at abicushman.com.

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Tiffany Golden Interviews Amanda Davis, Author of Moonlight Memories

 

TIFFANY GOLDEN INTERVIEWS AMANDA DAVIS,

AUTHOR OF MOONLIGHT MEMORIES

Illustrated by Michelle Jing Chan

(WorthyKids; $17.99, Ages 4-7)

 

Moonlight Memories cover art girl holding teddy under moon

 

 

Publisher’s Summary of Moonlight Memories:

Discover how a young girl gains healing and hope as she processes the loss of a loved one in this beautifully sensitive story.
e
… Whether children choose to use art as their outlet or find another way, the message is clear: they can carry the memories of their loved ones with them. An ending Note to Parents features guidance from a licensed children’s counselor about how to use the book and where to find additional resources. Written from a place of personal experience, this story strives to bring comfort to children hurting after loss.

 

INTERVIEW:

Tiffany Golden: Let’s start with a speed round…

  • Top three favorite children’s books of all time? This is such a hard one, so I’m going to default to recency here and say, If You Find a Leaf, written and illustrated by Aimee Sicuro (love the imaginative text and mixed media illustrations), Saving American Beach by Heidi Tyline King and Ekua Holmes (loved learning about the life of MaVynee Betsch and am a big fan of Holme’s gorgeous collage art), I Love You Because I Love You by Muon Thi Van and Jessica Love (love the sweet, lyrical text and Jessica Love is another favorite artist of mine). I also love Muon Thi Van’s other book, Wishes, illustrated by Victo Ngai (spare text yet so powerful in both words and imagery)!   
  • Coffee, tea (or neither)? Herbal tea all the way-caffeine makes me jittery! 
  • Where is your safe place? The ocean and anywhere with my pup.
  • Dogs, cats, (or neither)? I love all animals, but our pup Cora is the best. 
  • Early bird or night owl? Used to be a night owl but with an 18-month-old, I’ve been forced to take a serious look at my bedtime routine and have been making an effort to get to bed earlier as part of my self-care. 
  • Three words to describe what it takes to make it in the kidlit world … a big heart.

Okay, now down to the serious stuff….

TG: Please dish us the dirt on who you are and your journey into the fabulous world of children’s books. 

Amanda Davis: My love for art and writing stems back to my childhood. My father passed away when I was young, and I turned to art and writing to cope and process my emotions. This is what led me to teach art and later write and illustrate children’s books. I want to show kids the power in our stories-whether through writing, reading, or visual art. In 2012, I took a continuing education course at the School of the Museum of Fine Arts, Boston, called, Illustrating Children’s Books, with illustrator Ilse Plume. This course was eye-opening for me and kick-started my career in kidlit. I realized that children’s books combine all three of my passions: art, writing, and stories. After completing that course, I dove headfirst into the craft of writing and illustrating for children (while balancing my job as a full-time high school teacher). I joined SCBWI, 12×12, and found a local and online critique group. I tried to soak in all the knowledge I could about the kidlit industry. I began to query literary agents and editors with a few of my stories. Looking back, I probably queried those stories too early, but hey, that’s part of the learning process. The story that finally landed me an agent and later a deal is my debut creative nonfiction picture book titled 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, illustrated by Sally Wern Comport, which published in 2021 with WorthyKids/Hachette Book Group. 

 

Moonlight Memories int Spread1 Piper grieving
Interior spread from Moonlight Memories written by Amanda Davis and illustrated by Michelle Jing Chan, WorthyKids ©2023.

 

MOONLIGHT MEMORIES is my second picture book with the wonderful team at WorthyKids. The story is beautifully illustrated by Michelle Jing Chan and released earlier this month. This story holds a special place in my heart as it was inspired by my own personal experience with loss.

Amanda Davis and her dad when she was young
Amanda Davis and her dad when she was young.

As mentioned above, my father died when I was young. After his death, I was unsure of how to cope with this unexpected loss. I don’t remember many people talking to me about it or being given any resources to help me process. It wasn’t until I found art and writing that I was able to fully process the thoughts and emotions surrounding his death. I found my outlet. I found my voice. I soon realized that my father would always live on through the memories I was creating with my words and visuals.

MOONLIGHT MEMORIES tells the story of a young girl who is dealing with the loss of a loved one and finds comfort and healing through creativity. I have a third (unannounced) nonfiction picture book forthcoming that also has themes of loss and healing in it. Clearly, this is an important topic to me, ha! I hope my books can offer hope to readers and foster meaningful dialogue to help children process and heal from essential life events. 

 

TG: What inspires your work?

AD: My own experiences inspire my creativity. I like to write and draw about the things I’ve been through in my life (both joyous and difficult), the places I travel, people I meet, and the lessons I’ve learned. I’m inspired by kindness, nature, animals, and family. Often these aspects find their way into my work. Creativity is all around us, we just need to pay attention.

 

Moonlight Memories int Spread2 Mama face in stars
Interior spread from Moonlight Memories written by Amanda Davis and illustrated by Michelle Jing Chan, WorthyKids ©2023.

 

 

TG: What advice do you have for fellow kidlit creatives?

AD: There is no right or wrong way to get published. Each person’s story is different. Sometimes it’s a short, smooth journey, and sometimes it’s long and bumpy. Try not to compare. Instead, keep going. With every pass, send another query out. This industry has taught me not to take anything personally. You want to work with an editor or an agent who is going to love your work wholeheartedly. The truth is, not everyone is going to. And that’s okay. Art is subjective. With that in mind, there is strength in solidarity. This can be a very isolating business if we let it, so remember to reach out for help and to connect. The children’s book industry is one of the most welcoming communities I’ve been a part of. There is so much talent and wisdom. Connect with people. Ask questions. Never stop learning from one another. We are all on this creative journey together. 

AD: Thank you for interviewing me, Tiffany, and thanks for hosting us, Ronna! Thanks to all those for reading and supporting my work!

✦                                     ✦                                                                                                    ✦                                                 

TIFFANY’S THOUGHTS ABOUT MOONLIGHT MEMORIES:

This book is such a love letter to those experiencing a profound loss. This book found its way to our family soon after the loss of my sister. There’s a sweetness in looking to the sky and processing through art. The words are heartwarming, and the images are enchanting. This is one we’ll read over again.

 

BUY MOONLIGHT MEMORIES:

Local indie for signed copies (Upon checkout, type in the comments how you’d like the book personalized): https://www.buttonwoodbooksandtoys.com/page/moonlight-memories-amanda-davis

 

Amanda Davis Headshot Photo Credit Angela Wood Photography
Author Amanda Davis Photo Credit: Angela Wood Photography

AUTHOR BIO:

Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. Amanda is the author of MOONLIGHT MEMORIES, 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, and a yet-to-be-announced forthcoming titleShe also has poetry and illustrations featured in The Writers’ Loft Anthology: Friends & Anemones: Ocean Poems for Children. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her family and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

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INTERVIEWER BIO:

Tiffany Golden writes picture books, middle-grade, and YA fiction, mostly inspired by her experiences as a Black, disabled woman. She is also the winner of Lee and Low’s New Visions Award for 2021. She teaches creative writing to third-to-fifth grade students, is a member of SCWBI, and received the Judith Tannenbaum Teaching Artist Fellowship.

Find out more at www.tiffanygolden.com on Twitter @mstee13 and Instagram @tiffany.golden.13

WEBSITE AND SOCIAL MEDIA LINKS FOR AMANDA DAVIS:

Website: http://www.amandadavisart.com

Twitter: https://twitter.com/amandadavisart

Instagram: https://instagram.com/amandadavis_art

WEBSITE AND SOCIAL MEDIA LINKS FOR MICHELLE JING CHAN:
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Amanda Davis Interviews Tiffany Golden, Author of I Want To Be Big!

 

AMANDA DAVIS INTERVIEWS TIFFANY GOLDEN,

AUTHOR OF

I WANT TO BE BIG!

ILLUSTRATED BY SAWYER CLOUD

(PAGE STREET KIDS; $18.99, AGES 4-8)

 

I Want To Be Big cover small boy large shoes
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SUMMARY:
Amanda’s Review of I WANT TO BE BIG:

“I WANT TO BE BIG is an imaginative and creative read about the desire to grow up and how it may not always be as exciting as it seems. Golden’s text is playful and fun, while the repetition of “big” throughout is sure to be a hit for multiple read-alouds. Cloud’s illustrations are emotive and help bring the themes of familial love to life!”

INTERVIEW:

Amanda Davis: Let’s start with a speed round…
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  • Top three favorite children’s books of all time?  Aw, c’mon. That’s like asking who’s your favorite kid. Of all time?! I love THE DAY YOU BEGIN by Jacqueline Woodson; my nephew and I even went to see the play at the Bay Area Children’s Theater in Berkeley, CA. THE VERY HUNGRY CATERPILLAR by Eric Carle, classic. My niece and I always read that one. Also, WHEN SADNESS COMES TO CALL by Eva Eland. My aunt sent that one to me after my sister’s passing. 
  • Coffee, tea (or neither)? Decaf tea lattes for the win! 
  • Where is your safe place? Always the ocean.
  • Dogs, cats, (or neither)? I’m allergic to most of our furry friends, but human babies and toddlers are amazing. 
  • Early bird or night owl? Night owl from day one.
  • Three words to describe what it takes to make it in the kidlit world … Love and observation.

Okay, now down to the serious stuff….

 

AD: Did you always know you wanted to be an author/illustrator? Have you explored other paths or had/have other jobs? 

Tiffany Golden: Even though I didn’t illustrate I WANT TO BE BIG! Sawyer Cloud did an amazing job, I always knew I wanted to write. I wanted to create the stories I wanted to see and knew that I had to be a writer to do that. I thought I’d be a screenwriter, though. My undergraduate degree is in film and television. For steady work, I became a Teaching Artist (which is exactly what it sounds like—an artist teaching their craft), and then my love for creating with and for children blossomed. I then wanted to make stories for families to share together.

I think I was afraid to admit I wanted to be an author/illustrator. I thought doing “art-adjacent” stuff like graphic design would be enough, coupled with writing. But, when I was really honest with myself, I wanted to be an author/illustrator. I decided to learn to draw in my mid-forties. It’s so fun and challenging to learn a whole new skill. I most likely won’t illustrate every one of my books, but it will be special when I do. Similar to when illustrators tackle writing. 

 

IWTBB int1 skateboard on rainbows
Interior illustration from I Want To Be Big! written by Tiffany Golden and illustrated by Sawyer Cloud, Page Street Kids ©2023.

 

AD: What inspires your work?

TG: My work is mostly inspired by the people I love, especially my late sister, Nicole. I’ve found that one way for me to honor someone is to put their legacy on the page somehow. It can be as simple as a name, a characteristic, or a life viewpoint. I’m surrounded by a wonderful family, each with unique perspectives and mannerisms.

I’m also inspired by my culture. There are so many unique experiences within Black culture, there’s always something to write about, amplify, and celebrate. It is truly a gift.

 

 

IWTBB int2 bigger than everyone
Interior illustration from I Want To Be Big! written by Tiffany Golden and illustrated by Sawyer Cloud, Page Street Kids ©2023.

 

AD: What advice do you have for fellow kidlit creatives?

TG: Create community. Kidlit is a welcoming and warm world. Make sure you get to know other creators in it. I’ve made so many meaningful connections in critique groups, workshops, book release groups, and many more! Grow your network with wonderful creatives!

 

IWTBB int3 too big for everything that I love
Interior spread from I Want To Be Big! written by Tiffany Golden and illustrated by Sawyer Cloud, Page Street Kids ©2023.

 

TG: Thank you for interviewing me, Amanda, and thanks for hosting us, Ronna! Thanks to all those for reading and supporting my work!

 

BUY I WANT TO BE BIG!:

Bookshop to support local bookstores

Amazon for all other purchases

Click here for an activity guide.

 

Tiffany Golden with nephew Jaiceon photo credit Rose Fruci
Tiffany Golden with her nephew, Jaiceon, the inspiration of I Want To Be Big! Photo Credit: Rose Fruci

AUTHOR BIO:

TIFFANY GOLDEN writes picture books, middle-grade, and YA fiction, mostly inspired by her experiences as a Black, disabled woman. She is also the winner of Lee and Low’s New Visions Award for 2021. She teaches creative writing to third-to-fifth grade students, is a member of SCWBI, and received the Judith Tannenbaum Teaching Artist Fellowship.

Find out more at www.tiffanygolden.comon Twitter @mstee13 and Instagram @tiffany.golden.13

 

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INTERVIEWER BIO:

Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. Amanda is the author of MOONLIGHT MEMORIES, 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG, and a yet-to-be-announced forthcoming titleShe also has poetry and illustrations featured in The Writers’ Loft Anthology: Friends & Anemones: Ocean Poems for Children. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her family and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.

 

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An Interview by Rajani LaRocca with I’m an American Author Darshana Khiani

 

 

AN INTERVIEW WITH DARSHANA KHIANI

ABOUT HER NEW PICTURE BOOK

I’M AN AMERICAN

ILLUSTRATED BY LAURA FREEMAN

(Viking BYR; $19.99, Ages 4-8)

 

 

I'm An American cover flags diverse children

 

 

PUBLISHER’S SUMMARY:

 

INTERVIEW:

Rajani LaRocca: What was the inspiration for this book?

Darshana Khiani: My initial inspiration came in the Summer of 2017, I watched a YouTube video of a White man conversing with an Asian man about being American. Even though the Asian man answered every question with an answer that was similar if not the same as the White man’s answers, it didn’t matter. The White man would not “see” the 4th generation U.S. born ethnically Chinese man as an American. I was flabbergasted. When is one considered an American? Initially, I wrote a narrative story about a biracial child questioning his identity. Unfortunately, the draft didn’t feel like a picture book and had veered from the heart which was “If America is your home and you believe in the ideals/values of this country then you are American, regardless of color, ethnicity, or even citizenship.”  From a conference critique, I received a suggestion to create a concept book with layered text, set in a diverse classroom. The American values would be prominently featured in the main text with the student’s family backstory in the secondary text.

 

I'm an American int1 classrom
Interior spread from I’m an American written by Darshana Khiani and illustrated by Laura Freeman, Viking BYR ©2023.

 

RL: What kind of research did you do? How did you decide which people/which stories to include?

DK: Since this book covered immigration history at a higher level, I first started with a middle-grade nonfiction text on immigration history and then dug deeper into specific events and facts delving into topic-specific books.I wrote copious notes of whatever details were significant or interesting to me. I created a spreadsheet with all the different values and then marked which groups had stories or experiences that could help showcase that value. This was important since I wanted to capture as much diverse representation as possible from older immigrant stories to newer ones, immigrants from different regions of the world, as well as those groups who are non-immigrants. 

 

I'm an American int2 MexFilipAmer
Interior spread from I’m an American written by Darshana Khiani and illustrated by Laura Freeman, Viking BYR ©2023.

 

RL: Laura Freeman’s art is stunning! Was there a lot of revision once the illustrations came in?

DK: There was plenty of revision of the text for a few of the vignettes for accuracy and sensitivity reasons, and even some shuffling around of page spreads for story flow. All good stuff. There weren’t any changes needed as a result of the art. I agree Laura’s art is breathtaking and I do hope she gets some professional recognition for it. I don’t think this was an easy book to illustrate.

 

RL: What do you hope young readers get from this book?

DK: No matter who you are or how you came to the United States, if you believe you are an American then you are. Also for people who’ve been here for generations, to realize that the reasons people immigrate today such as the need for safety or basic human rights is no different than the reason people immigrated in the 17th through 19th centuries. Despite our differences and challenges as a nation is it our values that we continuously strive and try to uphold that make us American.

 

BUY THE BOOK:

Click here to purchase I’m an American.

LINKS TO SOCIAL MEDIA:

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D Khiani headshot by Lisa Noble
Darshana Khiani  – Author Photo ©Lisa Noble.

AUTHOR BIO:

Darshana Khiani is an author, engineer, and advocate for South Asian children’s literature. She is infinitely curious about the world and enjoys sharing her findings with young readers. If she can make a child laugh even better. Her debut picture book, How to Wear a Sari (Versify), was an Amazon Editors’ Pick. She enjoys hiking, solving jigsaw puzzles, and traveling. She lives in the San Francisco Bay Area with her family and a furry pup. You can visit Darshana here.

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INTERVIEWER BIO:

 

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Darshana Khiani Interviews Mirror to Mirror Author Rajani LaRocca

 

 

DARSHANA KHIANI INTERVIEWS RAJANI LAROCCA,

AUTHOR OF

MIRROR TO MIRROR

(Quill Tree Books; $19.99, Ages 8-12)

 

 

MirrortoMirror cover twin sisters scaled

 

SUMMARY:

Rajani LaRocca, recipient of a Newbery Honor and Walter Award for Red, White, and Whole, is back with an evocative novel in verse about identical twin sisters who do everything together—until external pressures threaten to break them apart.

 

INTERVIEW:

Darshana Khiani: What was your initial inspiration for writing this book?

MIRROR TO MIRROR Title PageRajani LaRocca: Mirror to Mirror started with a single poem. In April 2020, I took an online workshop with renowned poet Lesléa Newman in which she talked about several types of formal poetry, including the ghazal—a poetic form, often set to music, that is popular in South Asia and the Middle East. Inspired by the workshop, I wrote a ghazal about a twin lamenting that her sister had changed and the two were no longer close.

So then I started thinking: why did these two grow apart? What happened to them? And I started to create the characters. Because ghazals are often sung, I knew that the twins would be musical. I also thought that one would be hiding a secret that was eating away at her—and that secret would be the heart of her separation from her beloved twin.

 

DK: What were the challenges (literary, research, psychological, logistical) in bringing the text to life?

RL: One challenge I faced was the same one I always face when writing a dual-POV book: how do I make the voices distinct from one another? How do I make sure each one moves the story forward? At first, I wrote Maya’s voice in poetry and Chaya’s in prose, but that felt jarring. When my editor suggested I change it so that both voices were in poetry, that felt much better, but I still had to work hard to make the voices different from one another using the content and attitude in the poems, as well as structure, imagery, and word choice. The book starts with a couple of short paired poems, each titled “She’s the One,” where the twins express how they think about each other. These poems were drafted during that first revision, and I thought they vividly set the tone of the book and established the viewpoints of each twin.

MIRROR TO MIRROR Page3

I interviewed several sets of identical twin sisters for this story, and it was fascinating! Not only were they closer than other siblings, but some described each other as “soulmates.” They told me stories about eerie connections they had, and how no matter what else was going on in their lives, their bond was unshakable.

 

MIRROR TO MIRROR Page 4 continuation of poem

 

But there is room for misunderstanding even in the closest relationships. I tried to create a story where each twin thinks she’s doing something to help the other, but instead drives a wedge between them.

2020-2021 were difficult years for me and my family. Thanks to the pandemic, we had to contend with separation, illness, anxiety, and death. It was challenging to write a book at this time, but I had to keep going.

 

DK: What do you hope young readers get from this book?

RL: I wanted to explore anxiety and mental health in a poetic way. I wanted to show that people can struggle not only with symptoms but also with telling others, even those who know them, that they are struggling. I wanted to depict the helplessness we can feel when someone we love is going through something hard.

I hope that young readers understand that we all go through difficult times, even when we are surrounded by friends and family. I hope they learn that although we may sometimes struggle with anxiety and depression, we don’t have to deal with these feelings alone, and it’s important to share with those we love and trust because only through sharing can we start to get help.

 

MIRROR TO MIRROR Page5

 

 

DK: You are a doctor and a prolific award-winning writer, so clearly you’ve got this writing thing figured out. What do you feel are the key ingredients to keep the writing flowing?

RL: You’re too kind, Darshana! I feel very fortunate to be writing books for young people today. Here’s my advice:

  • Write what you love, what you’re interested in, what makes you happy. Don’t worry about what anyone else is writing.
  • Write a lot! I always try to have multiple projects going.
  • Figure out what’s most challenging for you to do, and work on that when you’re at your best. For example, drafting (as opposed to revising) novels is challenging for me, so when I’m working on drafting a novel, I make sure to devote time to this in the morning when I’m refreshed and less likely to get interrupted. In contrast, I find that I can draft a picture book or revise something (long or short) at just about any time. 
  • Live your life! It’s important to do things other than write to feed that writing soul. Spend time with family, friends, and in nature.
  • Support your friends and other creators. 
  • Don’t be too hard on yourself. In publishing, there are only so many things we can control—including making our books as good as they can possibly be.
  • Have fun! I always try to write from a place of joy.

 

BUY THE BOOK:

The Silver Unicorn Bookstore: https://silverunicornbooks.com/events/23095

Link to Publisher page including activities, discussion topics, etc.
An educator’s guide is forthcoming.

Purchase Mirror to Mirror on Rajani’s website.

 

Rajani LaRocca Author Photo Credit Carter Hasegawa
Author Rajani LaRocca Photo Credit: Carter Hasegawa

AUTHOR BIO:

Rajani LaRocca was born in India, raised in Kentucky, and now lives in the Boston area, where she practices medicine and writes award-winning books for young readers, including the Newbery Honor-winning middle grade novel in verse, Red, White, and Whole. She’s always been an omnivorous reader, and now she an omnivorous writer of fiction and nonfiction, novels and picture books, prose and poetry. She finds inspiration in her family, her childhood, the natural world, math, science, and just about everywhere she looks. Learn more about Rajani and her books at www.RajaniLaRocca.com. She also co-hosts the STEM Women in KidLit Podcast.

LINKS TO SOCIAL MEDIA:

INTERVIEWER BIO:

Darshana Khiani is an author, engineer, and advocate for South Asian children’s literature. She is infinitely curious about the world and enjoys sharing her findings with young readers. If she can make a child laugh even better. Her debut picture book, How to Wear a Sari (Versify), was an Amazon Editors’ Pick. She enjoys hiking, solving jigsaw puzzles, and traveling. She lives in the San Francisco Bay Area with her family and a furry pup. You can visit Darshana here.

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Vicky Fang Interviews Elisa Boxer, Author of Hidden Hope

 

VICKY FANG INTERVIEWS ELISA BOXER,

AUTHOR OF

HIDDEN HOPE: 

How a Toy and a Hero
Saved Lives During the Holocaust

(Abrams BYR; $19.99, Ages 4-8)

 

 

Hidden Hope cover girl with toy duck

 

Starred review – School Library Journal, Booklist

 

INTERVIEW:

Vicky Fang: Elisa, HIDDEN HOPE is such an inspiring book. I love that you’re able to share a story that is so historically rich in such a compelling way. How did you come up with the idea for this book?

Elisa Boxer: Vicky, thank you so much. Great to be here with you. The idea for this book began when I first saw this photo on Yad Vashem’s website:

 

Wooden Toy duck Credit Yad Vashem Artifacts Collection
Wooden Toy Duck Credit Yad Vashem Artifacts Collection

 

Yad Vashem is the World Holocaust Remembrance Center in Israel, and this hollowed-out wooden duck is part of the artifacts collection. When I learned that this duck was made with a secret compartment to hide documents from the Nazis during World War Two, and that the French Resistance worker who used it to smuggle those documents was a teenager, I knew this was a story I wanted to tell.


VF: It’s such a fascinating story! In addition to writing children’s books, you’re also a journalist. How does your background as a journalist affect your work as a children’s book author?

EB: I definitely combine the two on a daily basis. Whether it’s doing research, conducting interviews, writing a narrative, distilling complex issues down to manageable bits of information, or zeroing in on areas of emotional resonance with the audience, the processes with journalism and book writing are very similar. And the result, telling a (hopefully) compelling story with a strong emotional takeaway, is always my goal.

 

VF: I would say you’d definitely succeeded with HIDDEN HOPE. In the backmatter, you also talk about your personal connection to this topic … could you share a bit about that?

EB: My personal connection is two-fold: Both sides of my family are of Eastern European descent, and relatives on each side were killed during the Holocaust. As both a journalist and an author, I definitely feel compelled to help shine a light on these atrocities. But also, growing up, I often felt like I had to hide my Jewish voice because my childhood was filled with so many personal and hurtful incidents of Antisemitism. I wasn’t strong enough back then to stand up to hate; to expose injustice. So in a way, I suppose I’m making up for lost time. When I first saw that picture of the duck, it struck me that here is this artifact, in an international museum, on display for all to see. And yet it was never supposed to be there, according to Hitler’s plan. If anything, it was supposed to be in his intended “museum of an extinct race.” As were all Jewish artifacts and all Jewish signs of life. So on a personal level, as I mention in my Author’s Note, I want to help bring more and more stories like this out of the darkness and into the light.

 

VF: Could you talk about your experience in writing this book? Was it hard to spend so much time on such a difficult topic?

EB: It’s so interesting, this question has come up quite a bit. People ask whether it’s been hard to write about such a dark topic. And while there’s no question that this was an unimaginably devastating time in history, the whole point of the Holocaust was to create a master race and erase the Jewish people from the face of the earth. And yet so many of us are here writing about it. We’re bringing these stories to light. We’re the descendants that were never supposed to be here. And not only are we here, we’re raising our voices to tell the stories that the Nazis never wanted told. There is something incredibly uplifting and empowering about that. I never want to stop doing it.

 

Hidden Hope int1 interior objects
Interior art from Hidden Hope written by Elisa Boxer and illustrated by Amy June Bates, Abrams BYR ©2023.

 

VF: What a wonderful message, thank you. Amy June Bates’ illustrations also do such a good job of highlighting the mood and the action of HIDDEN HOPE and I love that there’s an Artist’s Note in the end from her. What did you think when you first saw her illustrations?

EB: Oh I love Amy’s Artist’s Note too! And exactly about highlighting the mood and the action. I have been researching the French Resistance for years, and have so many images in my mind. But Amy has an incredibly unique gift for creating old-world style art that takes you back and makes you feel like you’re right there, in the middle of it all, riding along with Judith and the duck on the streets of Paris. I was in awe of her work from the time I first saw her preliminary sketches. Her art is so authentic that it makes the whole book feel like an artifact in itself. One of the most powerful details to me is the contrast of vibrant, saturated color from Judith’s beret with the more muted, cloudy, shadowy watercolor illustrations that so perfectly capture the somber feel of what was happening. A recent Booklist review highlighted one of my favorite spreads: “One particularly haunting spread casts the reader’s gaze through a jagged, broken windowpane to bear witness to soldiers’ cruelties.” I mean, the art on every page is extraordinary, but that scene really stands out.

 

VF: What do you hope young readers take away from this story?

EB: Initially, I wanted to tell this story because it’s so full of hope and intrigue and I wanted young readers to find inspiration in this little-known hero who was filled with determination in such a dark time. And I wanted this book to take its place alongside others that are opening up wider conversations about Antisemitism. But as I began really feeling into the deeper layers, which for me comes during the writing process, I began to realize that this is, ultimately, a story about the importance of never having to hide the truth of who you are. Although certainly nothing can be directly compared to the horrors of the Holocaust, I do think many of us have aspects of ourselves that maybe we feel unsafe showing to the world. I actually found myself asking some uncomfortable questions, like: “Where and with whom do I feel like I have to hide the full truth of who I am?” These aren’t always conscious questions. But I do hope one of the takeaways for young readers (and older ones too) is deciding to show up in any given situation as the most authentic version of who they are. Not hiding. Bringing their fullest selves into the world.

 

Hidden Hope int2 girl on bike
Interior spread from Hidden Hope written by Elisa Boxer and illustrated by Amy June Bates, Abrams BYR ©2023.

 

VF: I think that’s such a wonderful aspect of your books. You tell such specific and inspiring stories, but the themes are so big and universal. You’ve written a wide range of wonderful nonfiction picture books, from COVERED IN COLOR: Christo and Jeanne-Claude’s Fabrics of Freedom to SPLASH!: Ethelda Bleibtrey Makes Waves of Change. How do you find story ideas and decide which ones to pursue?

EB: With nonfiction picture books, I’m looking for that “YES!” in my gut that keeps drawing me back to the topic. I’m initially looking for inspirational people, places, or events that I find intriguing enough to spark my curiosity and make me want to dig deeper. And then there has to be something more. For example, with SPLASH! Ethelda Bleibtrey Makes Waves of Change, it was impressive that Ethelda was the first American woman to win an Olympic gold medal in swimming. But when I learned that she used swimming to help heal from polio, and that she got arrested for standing up to sexist laws that said all women had to swim with socks, I knew this story had the potential to inspire young readers to break barriers in their own lives.

With COVERED IN COLOR: Christo & Jeanne-Claude’s Fabrics of Freedom, I knew that Christo and Jeanne-Claude were a dynamic duo who created massive displays of public art like wrapped buildings and islands. But when I researched more about Christo’s background, I learned he grew up under Nazi rule and then under Communism. This fascinated me, how someone whose childhood was filled with so much suppression could dream up and generate these wild, large-scale, outside-the-box creations. And so this became a story about courage, and pushing the limits of what appears to be possible, and creativity that refuses to be contained. So with each topic, in order to pursue it as a book, there has to be the potential for a strong inspirational theme and emotional takeaway.

 

VF: So what’s next for you?

EB: Right now I’m looking forward to this book launching into the world on March 14th! I’m so happy to have heard from teachers around the country who will be incorporating it into their Holocaust education curriculum, and am looking forward to virtual author visits to support that.

Next year, I have four more books on the way: DEAR YOUNGER ME: What 35 Trailblazing Women Wish They’d Known as Girls (Rowman & Littlefield), THE TREE OF LIFE: How a Holocaust Sapling Inspired the World (illustrated by Alianna Rozentsveig, published by Penguin/Rocky Pond Books), BEAM OF LIGHT: The Story of the First White House Menorah (illustrated by Sophia Moore, published by Penguin/Rocky Pond Books) and one that hasn’t been announced yet. 2024 is going to be a busy year! Meanwhile, I’m working on more picture books, as well as a middle-grade novel and a middle-grade collective biography that I’m really excited about.

EB: Thank you so much for this interview, Vicky. And to Ronna, for hosting us. And to everyone who supports our books!

VF: Thank you, Elisa, for sharing your personal story behind this beautiful book, HIDDEN HOPE: HOW A TOY AND A HERO SAVED LIVES DURING THE HOLOCAUST. It’s been an inspiring conversation!

 

BUY THE BOOK:

Local indie for signed copies (type in the comments how you’d like the book inscribed): https://www.printbookstore.com/book/9781419750007

 

Author Elisa Boxer photo credit Melissa Mullen
Author Elisa Boxer Photo Credit: Melissa Mullen

AUTHOR BIO:

Elisa Boxer is an Emmy and Murrow award-winning journalist whose work has been featured in publications including The New York Times and Fast Company. She has reported for newspapers, magazines and TV stations, and has a passion for telling stories about people finding the courage to create change. She is the author of several nonfiction picture books including The Voice That Won the Vote, A Seat at the Table, One Turtle’s Last Straw, SPLASH! (a Junior Library Guild Gold Standard Selection), Covered in Color (called “compelling from cover to cover” in a Kirkus starred review) and Hidden Hope (called “an important true account to add to all collections” in a School Library Journal starred review). Elisa lives in Maine, and has more children’s books on the way. Visit her at https://www.elisaboxer.com/

Links to social media:

Twitter: https://twitter.com/eboxer

Facebook: https://www.facebook.com/Elisaboxer/

IG: https://www.instagram.com/boxerelisa/

Illustrator’s website: https://www.amyjbates.com/

 

INTERVIEWER BIO:

Vicky Fang is a product designer who spent 5 years designing kids’ technology experiences for both Google and Intel, often to inspire and empower kids in coding and technology. She started writing to support the growing need for early coding education, particularly for girls and kids of color. She is the author, and sometimes illustrator, of nineteen new and upcoming books for kids, including the Layla and the Bots series, Invent-a-Pet, I Can Code board books, Friendbots series, and the forthcoming Ava Lin series, Best Buddies series, AlphaBot, and The Boo Crew Needs You! You can visit Vicky at vickyfang.com.

 

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Elisa Boxer Interviews Author Kirsten W. Larson

 

AN INTERVIEW

WITH

KIRSTEN W. LARSON

AUTHOR OF

THE FIRE OF STARS

(Chronicle Books; $18.99, Ages 5-8)

 

 

The Fire of Stars cover Cecilia Payne

 

 

Starred Reviews – Kirkus, Publishers Weekly, School Library Journal, Shelf Awareness

INTERVIEW:

Elisa Boxer: I’m so happy to be here interviewing my Soaring 20s colleague and friend Kirsten W. Larson about her newest picture book, The Fire of Stars: The Life and Brilliance of the Woman Who Discovered What Stars are Made Of. It’s an absolutely stellar book! Kirsten weaves together two stories in one: The creation of a star, and the evolution of astronomer Cecilia Payne, who discovered what stars are made of …

Kirsten, you make the dual narrative structure look easy. But I know it is anything but! Did you set out with the intention to write a dual narrative? If not, at what point in the process did you decide on this format?

Kirsten W. Larson: This was a last-minute decision, believe it or not. In May 2017, my agent Lara Perkins (of Andrea Brown Literary Agency) and I were preparing to sub this book as a run-of-the-mill picture book biography. Meanwhile,  I was working on a blog post featuring Hannah Holt’s query letter for THE DIAMOND AND THE BOY (Balzar + Bray, 2018). The book itself was still over a year away from release, but the query stuck with me. Hannah pitched her biography of Tracy Hall, who invented lab-produced diamonds, asa two-tale picture book—a turn and flip. … The two stories meet in the middle with a shared phrase.”

That was a total lightning bolt moment. I finally saw a way to add more hooks to my story and appeal to readers of both biography and informational books – by telling two stories at the same time. I went back and added the story of star formation alongside Cecilia’s formation as a star scientist.


EB:
That’s fascinating! The story is so seamlessly woven, I never would have guessed that it was a last-minute decision. What was the most challenging part about writing a book with this structure?

KWL: I think what sets this book apart from other parallel biographies (and made it very challenging to write) was the idea of having a shared line of text on every spread that applied to both stories – the star and Cecilia. It seemed like a good idea when I came up with it, but then it proved to be much harder to pull off. At one point I told Lara I couldn’t do it, and we should forget about it. But she kept encouraging me. She knew I could do it. But it was so, so hard.

Then, once I was working with editor Melissa Manlove of Chronicle Books, she had the additional idea of wanting to be able to read those shared lines only, without the additional text about Cecilia, and have it make sense for the youngest readers. The whole thing was a real puzzle, but I’m so happy we were able to get everything to work. It makes this book truly special.

 

EB: I’m so glad that Lara kept encouraging you, and that you stuck with it. You’ve created the perfect mentor text for aspiring authors of dual narratives. What advice would you give them?

KWL: I think this is a case where you have to be careful about the form not overtaking the writing, much like when you are writing poetry or even lyrically. For me, it helped to plot out both stories independently, step by step. I nailed down Cecilia’s major plot points, asking myself questions like “What’s the inciting incident?” “What’s the all is lost moment?” etc. Then I wrote down step-by-step how stars formed before trying to line the two stories up and brainstorming what language might connect them. I am a very visual writer, and I actually thumbnailed the stories in my journal trying to match things up and experimenting with language. You can see some of my journal pages here.

 

EB: I love the scene at the beginning, where Cecilia’s mother sets her down in the snow, and she expects a warm blanket, but instead finds her toes freezing! “It’s the first time Cecilia learns things aren’t always as they seem,” is such a powerful statement that foreshadows her discoveries to come. At what point in your research did you come across that particular anecdote, and how instrumental was it in building your scenes and threading that theme?

 

The Fire of Stars int1 young Cecilia Payne with mother in snow
Interior art from The Fire of Stars written by Kirsten W. Larson a nd illustrated by Katherine Roy, Chronicle Books ©2023.

 

KWL: The theme of this book was always the “ingredients” of a successful scientist, characteristics like being a good observer, curiosity, passion, and persistence. The book always showed how Cecilia exhibited those characteristics even as a child. For example, the scene where she watches slimy slugs in the garden was there from the start as was the scene about the bee and the bee orchid, which really set her on her quest for discovery.

But, to your question, I came across that story of Cecilia and the snow very early on in my research. Yet even though I knew about that story from the beginning, I didn’t include it until I started working on the parallel structure! I needed something that came before Cecilia in the dust and dirt of the garden, something that nodded to the star she would become.

That’s when I added this moment in the snow. I just tracked down a document on my computer when I “unwrote” Cecilia’s story, summarizing what needed to happen spread-by-spread in a line or two. That’s the last thing I wrote before I pieced the two stories together.

 

EB: Those same ingredients of curiosity, passion, and persistence clearly apply to you and your research as well! Can you tell us a bit more about your research process?

KWL: This book was a bit of a departure from my usual research process. Typically, I like to start with secondary sources for context before digging into primary sources to hear my characters’ voices in letters, diaries, and autobiographies.

At the time I started my research, there weren’t many book-length secondary sources about Cecilia at all. Dava Sobel’s GLASS UNIVERSE wasn’t out yet, nor was Donovan Moore’s biography. So I moved pretty quickly to primary sources like Cecilia’s published autobiography, her oral history from Harvard, and her research papers including her dissertation.

I did a lot of research around the edges, including the women who worked at Harvard Observatory and the field of astronomy and astrophysics to understand what was known in the field of astronomy at the time Cecilia was working. I talked to physicists and astronomers to discern the magnitude of her contributions.

EB: How much of yourself do you see in Cecilia?

KWL: What I’ve learned through this book and WOOD, WIRE, WINGS is that “STEM people” and “creative people” have so much in common. We’re all creative. We’re all problem solvers. We all take feedback. We all fail. So, yes, I feel a great affinity for Cecilia, especially that feeling of being lost and feeling hopeless, as well as that thrill of the shiny bright moment when an idea comes together and a new piece of knowledge or art comes into the world.

 

The Fire of Stars int2 astronomer Cecilia Payne studying stars
Interior art from The Fire of Stars written by Kirsten W. Larson and illustrated by Katherine Roy, Chronicle Books ©2023.

 

EB: Speaking of shiny and bright and everything coming together, Katherine Roy’s illustrations are breathtaking. What was it like seeing her preliminary sketches and watching them evolve?

KWL: Katherine’s work on this book is incredible, and it’s such a thrill to see her splattering paint and using toothbrushes to give the impression of star formation. 

The original visual idea for this book, which I put in art notes for our editor, was to split the story horizontally, with the star’s story on the top and Cecilia’s below. I saw some early sketches, and it wasn’t working the way we hoped. The star story seemed very disconnected from Cecilia’s. When Katherine shifted the two stories to a side-by-side the whole thing really started coming together. This just goes to show you the tremendous power of illustrators who know far more about visual storytelling than authors do. This book was such an adventure!

EB: I couldn’t agree more, from a reader’s perspective, that this book is an incredible adventure! One of my new all-time favorite picture books. Thank you so much for giving all of us a peek into your process.

Click here to purchase a copy of the book.

Click here for the publisher page for a good way to access activities, discussion topics, etc.

Social Media Links: @kirstenwlarson @kroystudio (Twitter) @chroniclekids

 

AUTHOR BIO:

Kirsten used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten is the author of the picture books: WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021), THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle, February 2023), and THIS IS HOW YOU KNOW, illustrated by Cornelia Li (Little, Brown 2024). She also is the author of the middle-grade, graphic nonfiction, THE LIGHT OF RESISTANCE, illustrated by Barbara McClintock, (Roaring Brook, 2023), along with 25 nonfiction books for the school and library market. Kirsten lives near Los Angeles with her husband, lhasa-poo, and two curious kids. Visit her website at https://kirsten-w-larson.com

 

INTERVIEWER BIO:

Elisa Boxer is an Emmy and Murrow award-winning journalist whose work has been featured in publications including The New York Times and Fast Company. She has reported for newspapers, magazines, and TV stations, and has a passion for telling stories about people finding the courage to create change. She is the author of several nonfiction picture books including The Voice That Won the VoteA Seat at the TableOne Turtle’s Last Straw, SPLASH! (a Junior Library Guild Gold Standard Selection), Covered in Color (called “compelling from cover to cover” in a Kirkus starred review) and Hidden Hope (called “an important true account to add to all collections” in a School Library Journal starred review). Elisa lives in Maine, and has more children’s books on the way. Visit her at https://www.elisaboxer.com

 

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An Interview with Joana Pastro Author of Bisa’s Carnaval

 

 

 

AN INTERVIEW WITH

JOANA PASTRO

AUTHOR OF

BISA’S CARNAVAL

ILLUSTRATED BY

CAROLINA COROA

(Orchard Books; $18.99, Ages 4 to 8)

 

 

Bisas Carnaval cover

 

SHORT SUMMARY

“Trumpets, trombones, tubas, and saxophones sing louder, faster, faster, louder!

It’s CARNAVAL!”

With help from her bisa (great-grandma), a young girl in Brazil prepares for Carnaval: bright costumes, feathers, flowers, and plenty of glitter. But bisa must stay home. As the girl hugs bisa goodbye, the music pulls her in. Excitement is everywhere, on every sight, sound and scent. But… 

Carnaval isn’t the same without bisa. 

With the blow of a whistle and lots of love, the girl will make sure BISA’S CARNAVAL is the best one ever!

 

INTERVIEW

Colleen Paeff: Hi Joana! Congratulations on the starred Kirkus review for Bisa’s Carnaval! This book is receiving such a warm welcome. That’s got to feel good. What are you doing to celebrate the launch of your second picture book?

Joana Pastro: It’s so nerve-wracking sending our book babies out in the world. We never know how they’ll be received, so when we see an enthusiastic response from readers and from reviewers it’s a huge relief. And if it has a star next to it? Even better! To celebrate, today (Tuesday, 12/7 at 12noon EST) I’m having an Instagram live event with Carolina Coroa, where we’ll chat about BISA’S CARNAVAL and answer questions from whoever shows up. Then tomorrow (Weds., 12/8), I’ll be on Scholastic’s #BookParty on Instagram at 7pm EST. It’ll be fun! (See Instagram links below)

 

CP: That sounds great! Your debut picture book Lillybelle, a Damsel NOT in Distress was one of my favorite books of 2020. Does the launch process feel any different this time around?

JP: Awwww That’s so great to hear! I love my little LillyBelle! 

The launch process feels different, but still not what I had dreamed it’d be. I had hoped to do both launches in person at a bookstore, but it wasn’t possible. Last year, I chose not to have a launch event, but because we were home, I was able to plan a three-month pre-order campaign, and I was a lot more active on social media. 

This year, with kids back to in-person learning, and a lot of driving around, I didn’t have as much time on my hands. Like I mentioned before, we’re doing Instagram live. Having a virtual launch is great because I can have it with Carolina, my family, and friends from Brazil and all over the world, but I miss interacting in person. I hope my next launch will have the best of both worlds: virtual and in-person. 

 

Bisas Carnaval int1
Interior spread from Bisa’s Carnaval written by Joana Pastro and illustrated by Carolina Coroa, Orchard Books ©2021.

 

CP: When did you get your first glimpse of Carolina Coroa’s wonderfully vibrant illustrations for Bisa’s Carnaval? Did anything about the illustrations surprise you? 

JP: The first glimpse was when my editor shared Carolina’s color palette research and character studies. I was in awe. I knew then and there that we had hit the jackpot when she accepted the job! 

There’s so much to love in her work! I was surprised by her attention to detail on every spread: the costumes, the buildings, the Portuguese words . . . a guy playing harmonica on his balcony! So amazing. Oh, and she even named the whole family on her character studies. So cool! 

 

CP: I love that! I really liked how, in the story, you mention that carnaval is a time when people can forget their troubles and you go on to list some of the troubles people might have. Was that part of the book from the beginning or did it develop over time?

JP: That was a suggestion I received from an editor who requested a revise and resubmit. She wanted the story to expand on the social-economic aspects. I believe her note truly helped elevate the story, and make it much better.

 

CP: What do you hope young readers take away from Bisa’s Carnival?

JP: From the cultural aspect, I hope readers will want to expand their horizons by learning more about Brazil and about other countries too, and that Brazilian-American children will see themselves in it, be proud of their heritage, and want to share this story with their friends. 

From the family aspect, I hope both children and adults will be inspired to put their electronic devices aside, and spend quality time, and create new memories with their loved ones, especially the older ones.

 

Bisas Carnaval int2
Interior spread from Bisa’s Carnaval written by Joana Pastro and illustrated by Carolina Coroa, Orchard Books ©2021.

 

 

CP: You were an architect before you started writing for children. Have you discovered any crossover between architecture and writing?

JP: Definitely! The creative process is very much the same. In both you get some sort of prompt, then you do a bit of research, you let it simmer for some time, and start drafting. Then you revise a thousand times because there’s always something you can make better. In the future, once it becomes a book or a building, you’ll probably find something that you would have done differently. I imagine this to be true in all creative areas. 

 

CP: Do you have any favorite productivity tricks or anything you do that helps you to stay focused on your writing work?

JP: Whenever I notice that I’m not being productive and that I’m becoming frustrated with a project, I leave it alone. Allowing myself to rest, work on something else, or doing other unrelated activities is the best way to get the creative juices flowing again. The brain will be doing the work even when we’re not paying attention! When I finally go back to it, the roadblock is usually gone.

 

CP: What’s next for you?

JP: The Spanish version of BISA’S CARNAVAL comes out in 2022. I have two picture books that haven’t been announced yet, but I believe will publish in 2023 and 2024. 

I’ve been focusing on writing chapter books, and I’m out on submission with a board book series that I absolutely love writing. Hint: I get to travel the world without leaving my desk! Fingers crossed!

 

CP: How exciting! Thank you so much for chatting with me, Joana. Happy book birthday!

JP: My pleasure! Thank you so much for having me, Colleen!

 

BUY THE BOOK

Lillybelle, a Damsel NOT in Distress: www.joanapastro.com/lillybelle-a-damsel-not-in-distress.html

Bisa’s Carnaval: www.joanapastro.com/bisas-carnaval.html

 

author Joana Pastro
Joana Pastro, Author Photo credit: Diego Castelo

BRIEF BIO

Joana Pastro is an architect who became a children’s book author. Her debut picture book, LILLYBELLE, A DAMSEL NOT IN DISTRESS, illustrated by Jhon Ortiz, was published by Boyds Mills Press (now Astra Kids), in 2020. Her second book, BISA’S CARNAVAL, illustrated by Carolina Coroa, will be published by Orchard Books on December 7th, 2021. Originally from Brazil, Joana lives in Florida with her husband, her three extremely creative children, a rambunctious Morkie, and a needy Maltipoo. You can find her on Twitter @jopastro, Instagram on @joanapastro, on her website at  www.joanapastro.com

e

e

LINKS

Website: www.joanapastro.com

Twitter: www.twitter.com/jopastro

Instagram: www.instagram.com/joanapastro

Scholastic on Instagram: @scholasticinc

Website: carolina coroa illustration

 

ABOUT INTERVIEWER COLLEEN PAEFF

Colleen Paeff is the author of Junior Library Guild Gold Standard Selection The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, illustrated by Nancy Carpenter (Margaret K. McElderry Books, 2021) and the forthcoming Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (Chronicle Books, 2023). Find her online at www.colleenpaeff.com or on Twitter or Instagram @ColleenPaeff.

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An Interview with Beth Anderson Author of Tad Lincoln’s Restless Wriggle

 

AN INTERVIEW WITH

BETH ANDERSON

AUTHOR OF

TAD LINCOLN’S RESTLESS WRIGGLE:

PANDEMONIUM AND PATIENCE IN THE PRESIDENT’S HOUSE

ILLUSTRATED BY S. D. SCHINDLER

(CALKINS CREEK; $18.99, AGES 7 to 10)

 

 

Tad Lincoln's Restless Wriggle cover

 

 

 

SUMMARY

Tad Lincoln’s boundless energy annoyed almost everyone but his father, President Abraham Lincoln. But Tad put that energy to good use during the tough times of the Civil War. Abraham Lincoln guided Tad’s wriggle on visits to hospitals, to the telegraph office, and to army camps. Tad greeted visitors, raised money for bandages, and kept his father company late into the night. This special and patient bond between father and son was plain to see, and before long, Tad had wriggled his way into the hearts of others as well. Beth Anderson and S. D. Schindler follow Tad’s antics during the Civil War to uncover the generous heart and joyful spirit that powered Tad Lincoln’s Restless Wriggle.

 

INTERVIEW

Colleen Paeff: Hi Beth! Congratulations on a busy couple of years! If I’m not mistaken, your debut picture book, An Inconvenient Alphabet: Ben Franklin and Noah Webster’s Spelling Revolution, came out in 2018 and by the end of 2023, you will have eight picture books out in the world, all nonfiction! That’s amazing! How do you manage to be so prolific?

Beth Anderson: Thank you, Colleen! It’s all very surreal! I don’t feel prolific. It takes me a long time to get a manuscript in shape. I think the surge for 2022 is due to a few manuscripts that I had worked on earlier that are finally making it out in the world, along with a scheduling change. I feel like my production of new stories has slowed as I learn to juggle more tasks. Only three of the eight technically qualify as nonfiction, but I think all but one will be shelved as biographies.

 

CP: Your books have covered stories from the 18th, 19th, and early 20th centuries. When you started writing for children did you know you would focus on mostly true stories from history or has your career evolved that way over time?

BA: I started off playing with fiction. But when I worked on a story I’d become familiar with in college (which sat in my head for a very long time!), I found my niche with historical stories. I love the discovery of little-known bits of history that open your eyes to a wider understanding of the world. The bonus of humor is irresistible. And ultimately, if a story opens your heart, too, that’s the best!

 

Tad Lincoln int1 goat sled
Interior spread from Tad Lincoln’s Restless Wriggle written by Beth Anderson and illustrated by S. D. Schindler, Calkins Creek ©2022.

 

CP: Do you have a favorite time period to write about?

BA: While I don’t have one favorite, I find the era surrounding the American Revolution fascinating. It may be because there is so much more there than what made it into textbooks and curriculum. There are so many contradictions and ironies, and so many aspects of revolution playing out in people’s lives. I love that Hamilton, the musical,  has brought intense interest to that time along with new ways of looking at it. Suddenly history is popular culture! Gotta love it!

 

CP: Absolutely! I love that Tad Lincoln’s Restless Wriggle shows readers a side of Abraham Lincoln that we don’t usually see in books. How did you discover this sweet relationship and what made you decide it would make a good book?

BA: I started out looking into Tad Lincoln as the instigator of the first presidential turkey pardon. (Lincoln had previously granted a pardon to one of Tad’s toy soldiers. 😄) When I dug deeper looking for the heart of the story, I discovered the very tender relationship between father and son. Each provided the other with what they desperately needed. Tad provided joy and hope when his father was in the depths of despair. And Papa patiently guided Tad with love and understanding when everyone else just wanted to shut him down. It was powerful to see a child play such an important role, and that became the heart of the story. For me, the goal is always to find the humanity in history, to connect as people. Seeing Lincoln as a caring father is a great reminder that historical figures are much more complex than the images we usually encounter.

 

CP: In the back matter you mention that the book focuses on one year in Tad Lincoln’s life. Why did you choose to limit yourself to one year and what made you choose 1863?

BA: As I collected stories of the two, I found a sort of transformation of Tad in 1863. By focusing on that year, I could eliminate some of the other Lincoln events, like Willie’s death and the assassination, and really hone in on Tad and Papa. I found an arc of events that took Tad from disruptive, to well-intentioned annoying, to slowly finding ways to appropriately help his father and others. The turkey pardon became a culminating event in which Tad found his voice and agency.

 

CP: What are some of your favorite stories about Tad that didn’t make it into the book?

BA: One that was cut—he sawed up the dining room table and used barrel staves to construct rocking chairs for the Old Soldiers’ Home. His toolbox disappeared after that one.

There are stories about Tad and Willie playing with the bell system in the President’s House and causing problems. They also played on the roof with pretend cannons, and they found all sorts of fun stuff in the attic. Tad used to ride his pony as “security detail” to accompany his parents in the carriage. There are many touching anecdotes that helped me get to know him.

 

CP: What fun stories! What do you hope readers will take away from Tad Lincoln’s Restless Wriggle?

BA: I hope children will see goodness and capableness in themselves and others despite what might appear to be annoying behavior or uncomfortable differences. To me, the story is about perspectives, too. Incapable boy vs a child with learning differences.  Undisciplined trouble vs unbridled good intentions. The President’s House vs home.

 

Tad Lincoln int art2 errands
Interior art from Tad Lincoln’s Restless Wriggle written by Beth Anderson and illustrated by S. D. Schindler, Calkins Creek ©2022.

 

CP: How do you go about finding little-known stories from history? Do you have any favorite resources?

BA: I subscribe to various news feeds, keep my eyes and ears tuned for possibilities, and often find something while I’m looking into a different topic. I explore history sites sometimes, but there’s no one place.

 

CP: How do you keep your research organized?

BA: I’ve slowly developed my system. I use a spiral for gathering information. I label the first page Table of Contents and use what has become a standard list of things I know I’ll need – like sources, contacts, title ideas, structure ideas, key concepts/themes, back matter possibilities, teacher ideas, timeline, character details, and much more. I need to be able to sort what I find into usable categories and capture ideas as they pop so I can locate those pieces when I need them. I did a post on my blog a few years ago called Organization Optimization. I often buy used copies of books I need so I can mark them up. I copy or print a lot of articles and relevant pages to have in hand. I keep all my accumulated pieces in a pocket file.  [see the photo of spiral below]

 

 

TAD spiral TofC
Table of Contents page for Tad Lincoln’s Restless Wriggle from Beth Anderson’s spiral notebook courtesy of the author.

 

CP: That sounds like a terrific system! I will definitely be stealing some organization ideas from you! What are some of the most surprising things you’ve learned in researching your books—all of them, not necessarily just the most recent?

BA: Now that I think about it, I think they are all about something that surprised me—like Ben and Noah’s efforts to change our spelling and “Smelly” Kelly’s nose. I guess that’s a lot of what draws me to a story.

A few tidbits. I was surprised to learn that Black men could have served on a jury in New York in 1855. To attend court, Elizabeth Jennings’ family would have had to walk across the ice to get from Manhattan to Brooklyn in February 1855. I was totally shocked that James Kelly pulled a 30” eel out of a subway sink drain. There are phones in the subway tunnels marked by blue lights. Horns were used as hearing aids—per S. D. Schindler’s illustration in Tad’s story. I didn’t know that men paid bounties for others to serve in their place in the Continental Army. (So really, the wealthy finding a way out of military service is nothing new. Actually, I get those surprises often, that some of the problems and situations we have are really nothing new.) Every story is full of surprises. There are the ones that bring you to the story, and then so many more as you write and vet for accuracy.

 

CP: Those kinds of surprises are what I love about writing nonfiction! What’s next for you, Beth?

BA: 2022 is a busy year with three releases! REVOLUTIONARY PRUDENCE WRIGHT: LEADING THE MINUTE WOMEN IN THE FIGHT FOR INDEPENDENCE, illustrated by Susan Reagan, releasing Feb. 1, and FRANZ’S PHANTASMAGORICAL MACHINE, illustrated by Caroline Hamel, releasing May 3 are up for pre-order now. CLOAKED IN COURAGE: UNCOVERING DEBORAH SAMPSON, PATRIOT SOLDIER, illustrated by Anne Lambelet, comes out Nov. 15.

I’m on pins and needles waiting to see what Jeremy Holmes does for our 2023 release, THOMAS JEFFERSON’S BATTLE FOR SCIENCE: BIAS, TRUTH, AND A MIGHTY MOOSE. And there’s another title in process, as yet unannounced.

 

CP: Incredible! I look forward to reading them all! Thank you so much for taking the time to chat.

BA: Thanks so much for inviting me to share TAD LINCOLN’S RESTLESS WRIGGLE with your readers! I’m honored!

 

Beth Anderson Headshot
Beth Anderson Photo ©Tina Wood Photography

BRIEF BIO

Beth Anderson, a former English as a Second Language teacher, has always marveled at the power of books. With linguistics and reading degrees, a fascination with language, and a penchant for untold tales, she strives for accidental learning in the midst of a great story. Beth lives in Loveland, Colorado where she laughs, ponders, and questions; and hopes to inspire kids to do the same. She’s the award-winning author of TAD LINCOLN’S RESTLESS WRIGGLE, “SMELLY” KELLY AND HIS SUPER SENSES, LIZZIE DEMANDS A SEAT!, and AN INCONVENIENT ALPHABET. Beth has more historical picture books on the way, including three more stories of revolution, wonder, and possibility in 2022.

 

BUY BETH’S BOOKS HERE

Click here or here for orders and pre-orders.

SOCIAL MEDIA LINKS

Website: bethandersonwriter.com

Twitter: @Bandersonwriter

Instagram: @Bandersonwriter

Pinterest: @Bandersonwriter

Facebook: https://www.beth.anderson.33671748

 

ABOUT INTERVIEWER COLLEEN PAEFF:

Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem (Margaret K. McElderry Books), illustrated by Nancy Carpenter, and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books).

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