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THE 2021 SYDNEY TAYLOR BOOK AWARD BLOG TOUR

WELCOME TO DAY 4 OF THE STBA BLOG TOUR

 

STBA 2021 Blog Tour


FEATURING INTERVIEWS WITH

AUTHOR RABBI MYCHAL COPELAND

&

ILLUSTRATOR ANDRE CEOLIN

DISCUSSING THEIR

HONOR-WINNING PICTURE BOOK

I AM THE TREE OF LIFE: My Jewish Yoga Book

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BOOK SUMMARY:


The Torah is called the Tree of Life. Just as a tree is always growing and changing, the Torah’s ideas can help us grow and change, too. Yoga can do the same. Both can help us strengthen ourselves, calm our minds, and learn to appreciate the world around us.

Written by rabbi and certified yoga instructor Mychal Copeland, I Am the Tree of Life encourages us to explore both the world of yoga and the stories of the Bible and find meaning in both.

INTERVIEW WITH RABBI MYCHAL COPELAND:

GoodReadsWithRonna: Congratulations on your great honor, Rabbi! What a pleasure to have you as our guest today.

“How might it feel to stand at Mount Sinai? To dance at the red sea?” are the inviting opening words to your lovely picture book. This gentle and meaningful introduction to yoga through Torah exploration is a wonderful idea for a story. Please share your inspiration with us. Is this a practice you use with children?

Rabbi Mychal Copeland: This book came together organically, doing yoga with children at Jewish summer camps and synagogues. We imagined, together, which stories we could form with our bodies. I loved seeing kids use their imagination and how easily they understood what it means to embody, or become, an animal, object, or character. Those ideas evolved over many years into the poses in the book, alongside poses I brought into my adult Jewish yoga classes based on the weekly Torah readings and holidays.

GRWR: The beautiful blend of the spiritual and physical come together seamlessly in I AM THE TREE OF LIFE. What do you feel your book offers to youngsters especially now when they have been coping with an unprecedented pandemic?

RMC: Parents of young children are striving to bring grounding, healthy practices into their kids’ lives, especially during this pandemic. Yoga teaches adults and children that we can regulate our own breathing, calm ourselves down when necessary, pay attention to what we are feeling, and to be empowered in our bodies. Children have lost their daily opportunities for movement, so I’ve been thrilled to hear that this book has helped them get moving during this time. I hope that has, in turn, connected them to their spiritual selves and to the world around them as they embody a mountain, tree or a fish.

GRWR: I love how there’s a boat pose to signify Noah’s Ark. Did you have trouble finding poses to correlate to the various stories? Or did you select the stories based on existing poses?

RMC: I have been teaching yoga in a Jewish context for many years, and in my practice I connect the poses to the weekly Torah portion or Jewish holiday wherever there is a meaningful link. I have collected so many poses that fit perfectly with our stories. In fact, I had a tough time choosing which ones to drop to make the book the right length for children!

 

Tree pose int1
Interior spread from I Am The Tree of Life written by Rabbi Mychal Copeland and illustrated by André Ceolin, Apples and Honey Press ©2020.

 

GRWR: Do you have a particular favorite illustration and if so, why?

RMC: The book is based around the image of the tree, both as a metaphor for our Torah and of our bodies. The cover so perfectly brings those images together with a child coming into Tree Pose against the backdrop of a tree so we can see how our feet are like roots, legs like a trunk, and arms like branches. I also love the way he integrated the Torah stories we are about to read into the Tree of Life while we are forming Tree Pose on the opening pages. I also love the Crescent Moon, because Andre so beautifully captured the sweeping feeling of this pose and the story in Genesis.

 

Crescent moon int5
Interior spread from I Am The Tree of Life written by Rabbi Mychal Copeland and illustrated by André Ceolin, Apples and Honey Press ©2020.

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GRWR: The book is filled with a variety of wonderful Torah stories. Is your hope that, in addition to wanting to try yoga, children reading your book might also become interested in further Jewish study?

RMC: Yes! My hope is that the short glimpses into the Torah stories will pique a child’s curiosity to know the full stories. Perhaps at a Passover seder, they will hear the Exodus narrative and remember that they tried a yoga pose from that formative story. If they feel like that story is theirs because they embodied it, even better. I hear so many young adults say that they don’t feel Jewish enough, that they didn’t learn enough to feel it’s theirs, or that the Jewish community doesn’t accept them as being fully Jewish. My hope is that our upcoming generation of kids feel like they own their own Judaism. It is not someone else’s tradition that they are peering into. It is wholly theirs to live, learn, and create.

GRWR: I love how at the end of the book you address what’s Jewish about yoga. For those reading who do not yet have the book, what’s your answer?

RMC: Yoga emerges from the Hindu philosophical tradition. Jews have a long tradition of being open to learning and incorporating wisdom from other traditions that surround us (medieval liturgy based on Arabic poetry, piyyut, is another great example). But movement also has a long history in Judaism. Our ancient rabbis discussed how to move our bodies during prayer, recognizing that words are not the only way to pray. One medieval Jewish mystic matched Hebrew letters and vowels with head movements. Other kabbalists envisioned different aspects of God as a chart in the shape of a tree, the Tree of Life, and mapped that chart onto the human body. And Hasids used body movements to enhance their prayer.

So yoga is a practice that Jews are borrowing, but spiritual movement is not new to our people.

GRWR: This is such a feel good, calming read. What other Jewish or non-Jewish children’s books have you enjoyed reading for your own writing inspiration?

RMC: Howard Schwartz and Kristina Swarner’s Gathering Sparks (a Sydney Taylor Award winner) has been such an inspiration to me, inviting children to contemplate a complex spiritual, mystical idea in a way that is both relatable and calming. Their book, Before You Were Born, has that same mystical, whimsical quality. I have also been heavily influenced by Rabbi Sandy Sasso’s work (In God’s Name, God’s Paintbrush and so many others), bringing a depth of spiritual conversation to an ecumenical audience.

GRWR: What else would you like to mention about your experience writing the book?

RMC: In early conversations with Apples and Honey Press, we wanted to make sure that the children pictured in the book would represent the diversity of the Jewish community. They brought Brazilian artist, André Ceolin, to the project and I am overjoyed with the illustrations. Portraying children of color in books does not solve the deep-seated issues we face in the Jewish community or our larger American culture. Yet making sure People of Color are represented in Jewish children’s literature is one way we can show kids they are visible in Jewish life, while showing white children that a diversity of racial and ethnic backgrounds is what Jewish looks like. We can offer the next generation an invitation to connect themselves to Jewish stories and other Jews. Collectively, we can make intentional choices about which stories and images are passed on.

 

INTERVIEW WITH ANDRE CEOLIN:

GRWR: Congratulations on your great honor! What a pleasure to have you as our guest today, André.

On the very first spread of the book readers see the tree of life pose along with the tree itself representing the Torah. Can you speak to some of the wisdom shown on the different branches of the tree, the preview of stories to come, and how you imagined this particular illustration?

André Ceolin: Both Ann Kofsky, from Behrman House, and Rabbi Mychal have given me the guidelines and important insights for that illustration, coming up with the idea of the tree showing the passages in each branch.

The tree is strong and healthy, and each branch of it shows an image which represents a passage from the Torah. For me it shows that the wisdom from each passage lead us to a balanced, steady and healthy life.

GRWR: Can you please tell us how you created the artwork? Was it done digitally? And what made you choose this color palate? How long did it take to complete the illustrations?

AC: On a piece of paper and using a good pencil, I always start with several small sketches, the size of a thumbnail, for each illustration to be done. In doing so, I experiment several approaches, having a general idea of the drawing structure, without being distracted by the details.

After evaluating all the miniature sketches, I shoot some photos of the best ones and then, start to work at the computer in a bigger and more detailed version, which will be sent later to the editors and authors for evaluation .

Once approved, I get started with the final version of the illustration, more elaborate and colorful. This step is made digitally as well.

Regarding the color palates, each drawing has its own one in order to express the feeling and the time period in which the story takes place.

Normally, it takes from 2 to 4 days for each illustration, from the sketches to the final version, depending on its complexity.

GRWR: Do you have a particular favorite illustration and if so, why?

AC: The illustration with Jonah inside the giant fish is my favorite, because it was really fun to illustrate that monster-fish. Besides, the image shows some tension, at the same time that it shows hope.

 

Jonah and The Whale int16
Interior spread from I Am The Tree of Life written by Rabbi Mychal Copeland and illustrated by André Ceolin, Apples and Honey Press ©2020.

 

GRWR: You made all the poses look so easy and fun. Did you have to learn yoga to be able to illustrate this book?

AC: Yes, I had to learn a little bit about Yoga, despite not being able to do many of the poses (maybe one day I will take some Yoga classes). Rabbi, through her feedback helped me a lot to correct and make right each of the poses illustrations, as shown in the book.

GRWR: Who are some of the illustrators who have influenced your art?

AC: There are many artists whose work I admire. Stephen Michael King, Rodney Mathews, Rebecca Dautremer and Edivaldo Barbosa de Souza are some of the artists who inspire me.

GRWR: Is there anything else you’d like to mention about your experience illustrating this book?

AC: Illustrating The Tree of Life was a very rich and enjoyable experience in which, in addition to learning about yoga, I learned about the wisdom of the Torah and Jewish culture.

 

GOODREADSWITHRONNA THANKS YOU BOTH SO VERY MUCH FOR YOUR THOUGHTFUL REPLIES!

 

BIOS:

You can find Mychal getting into yoga poses while teaching, writing, reading Torah, and even leading Shabbat services at Congregation Sha’ar Zahav in San Francisco.  Mychal is both a Reconstructionist and Reform rabbi, earned a masters and teaching credential from Harvard Divinity School, and is a certified yoga instructor, fusing Jewish spirituality with movement through yoga. She co-edited Struggling in Good Faith: LGBTQI Inclusion from 13 American Religious Perspectives (SkyLight Paths, 2016) and I Am the Tree of Life: My Jewish Yoga Book (Apples & Honey Press, 2020)  is her first children’s book. She leads yoga sessions that are steeped in Jewish thought and prayer, melding breath and posture practice with Jewish ideas.  Her interests span Jewish magical texts, interfaith dialogue, Jewish issues of inclusion, and teaching Judaism as a spiritual path. 

Click here for my Facebook page where people can find me and yoga opportunities for their kids.

 

Ceolin photoAndré Ceolin is a self-taught illustrator from Brazil He started his first attempt at sketching around the age of four when his father brought home some reams of paper from work. It was in that moment that he fell in love with painting and drawing. André initially got a degree in pharmacy at UNIMEP. Though he worked in this field for several years, his artistic passion was too strong to ignore. As a young father, he was surrounded by beautiful children’s books and was always drawn to the spontaneity of the imagery. He then decided to switch gears and studied at School of Visual Arts in NYC, Melies, and Escola Panamericana de Artes to develop a signature look and learned new illustration techniques. He illustrated his first book “Um Dia na Vida de Micaela” de Cauê by Steinberg Milano, published by Editora Roda & Cia in 2009. Ever since, he has illustrated over 20 books by great publishers in Brazil such as Roda & Cia, Saber e Ler, SM, Moderna, FTD, Editora do Brasil, Editora Abril. He loves working with books targeting juvenile readers from the very young age to middle-grade and young adult. When not illustrating, he creates toys and small sculptures for his son. He also enjoys bicycling, playing his guitar, and, singing. Visit his website here.

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BOOKMARK THESE SITES:

Association of Jewish Libraries

Sydney Taylor Book Award
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STBA BLOG TOUR DATES

Below is the schedule for the 2021 Sydney Taylor Book Award Blog Tour. Please follow the links to visit the hosting blogs on or after their tour dates, and be sure to leave them plenty of comments!

MONDAY, FEBRUARY 8, 2021 

Lesléa Newman and Susan Gal, author and illustrator of Welcoming Elijah
Sydney Taylor Book Award in the Picture Book Category
at A Fuse #8 Production at School Library Journal

Sofiya Pasternack, author of Anya and the Nightingale
Sydney Taylor Honor Book in the Middle Grade Category
at 100 Scope Notes at School Library Journal

TUESDAY, FEBRUARY 9, 2021

M. Evan Wolkenstein, author of Turtle Boy
Sydney Taylor Book Award in the Middle Grade Category
at Mr. Schu Reads

Jane Yolen and Khoa Lee, author and illustrator of Miriam at the River
Sydney Taylor Honor Book in the Picture Book Category
at 7 Impossible Things Before Breakfast 

WEDNESDAY, FEBRUARY 10, 2021

Anne Blankman, author of The Blackbird Girls
Sydney Taylor Honor Book in the Middle Grade Category
at The Paper Brigade Daily at The Jewish Book Council

Monica Hesse, author of They Went Left
Sydney Taylor Honor Book in the Young Adult Category
at Jewish Books for Kids

THURSDAY, FEBRUARY 11, 2021

Tyler Feder, author of Dancing at the Pity Party
Sydney Taylor Book Award in the Young Adult Category
at Out of the Box at The Horn Book

FRIDAY, FEBRUARY 12, 2021

Tziporah Cohen, author of No Vacancy
Sydney Taylor Honor Book in the Middle Grade Category
at From the Mixed-Up Files of Middle Grade Authors

Podcast interview at The Children’s Book Podcast

Blog Tour Wrap-Up at The Whole Megillah

Read about last year’s 2020 Sydney Taylor Book Award Blog Tour here.

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Best Hanukkah Picture Books 2020!

 

FIVE CHILDREN’S BOOKS

FOR HANUKKAH 2020

-A ROUNDUP-

 

 

 

HappyLlamakkah coverHAPPY LLAMAKKAH!
Written by Laura Gehl
Illustrated by Lydia Nichols
(Abrams Appleseed; $14.99, Ages 3-5)

In the colorful picture book, Happy Llamakkah!, adorable llamas young and old gather together for the eight-day Jewish celebration. Each night a new candle is lit by the shamash (helper candle) as dreidels spin, latkes are fried and ribbons are tied. The story is told with few words and many sweet faces of the llama family who end each of the eight nights saying Happy Llamakkah! Children familiar with Hanukkah will enjoy seeing the candle lighting as it reminds them of their own special Hanukkah traditions with every page turn. And the words “Happy Llamakkah” replacing the traditional Happy Hanukkah wish just adds laughter and fun for young readers. I personally laughed each time I read those words. This rhyming picture book closes with an Author’s Note which explains in simple terms why Jewish people celebrate the miracle that happened long ago. Happy Llamakkah! beautifully tells the story of the menorah in the window; and I liked how the reader learns that it was only recently that Jewish families incorporated gifts as part of their Hanukkah festivities. Happy Hanukkah!
• Reviewed by Ronda Einbinder

 

NINTHNIGHTOFHANUKKAH cvrTHE NINTH NIGHT OF HANUKKAH
Written by Erica S. Perl
Illustrated by Shahar Kober
(Sterling Children’s Books; $16.95, Ages 3+)

In The Ninth Night of Hanukkah, Max and Rachel’s family move to a new apartment right before Hanukkah begins. So it’s frustrating when they can’t find the box that was packed with all the items they need for Hanukkah: the menorah, candles, Dad’s lucky latke pan, dreidels, gelt, and jelly donut recipe. So how can they celebrate Hanukkah? With help from their new neighbors and a bit of innovative, creative thinking, they try each night to celebrate, although as the refrain says, “It was nice . . . but it didn’t feel quite like Hanukkah.” But when Mom’s guitar is delivered the morning after the eighth night, the kids come up with a way to still celebrate the holiday and give back to all their new neighbors who helped them. . . and when the missing Hanukkah box turns up, it finally feels like Hanukkah. Charming cartoon illustrations add to the warmth of this holiday book about a diverse and multi-ethnic community coming together in friendship. • Reviewed by Freidele Galya Soban Biniashvili

 

TheEightKnightsofHanukkah cvrTHE EIGHT KNIGHTS OF HANUKKAH
Written by Leslie Kimmelman
Illustrated by Galia Bernstein
(Holiday House; $17.99, Ages 4-8)

I had a smile on my face throughout my first reading of this clever new take on Hanukkah and again the second time to write this review. Kimmelman’s wordplay in The Eight Knights of Hanukkah makes for a fun Round Table themed romp that delivers in the form of eight knights named Sir Alex, Sir Gabriel, Sir Henry, Sir Julian, Sir Rugelach (♥), and three females, Sir Isabella, Sir Lily, and Sir Margaret. There’s also Lady Sadie whose request to the knights prompts the adventure and premise of this story. “A dastardly dragon named Dreadful is roaming the countryside,” and its antics are disrupting preparations for the Hanukkah party she’s been planning. Their mission is to “fix things with some deeds of awesome kindness and stupendous bravery.”

And so they set out to achieve this goal. While Sir Isabella and Sir Rugelach journey to find Dreadful, the other six knights assist the citizens in whatever way they can. Knightly language adds to the enjoyment, “Hark!” exclaimed Sir Gabriel. “Methinks I hear a damsel in distress.” Whether peeling potatoes to help said damsel or making sufganiyot (donuts) at the bakery where a sign reads “Helpeth Wanted,” there’s no task too arduous for the team to tackle. But what about Dreadful? Alas, the disappointed dynamic duo of Sir Isabella and Sir Rugelach fear they’ve exhausted all hopes of reining in that dragon until a smoky surprise greets their eyes. With their mitzvahs completed, the noble knights can begin their Hanukkah merrymaking with Lady Sadie and all the guests knowing their actions have spread kindness through the realm. In addition to Bernstein’s expressive characters, humorous details, and great use of white space, don’t miss her endpapers map to get a lay of the land.
• Reviewed by Ronna Mandel

 

SimonandtheBear cvrSIMON AND THE BEAR: A Hanukkah Tale
Written by Eric A. Kimmel
Illustrated by Matthew Trueman
(Little Brown BYR; $12.99, Ages 4+)

First published in 2014, this paper-over-board reissue features a newly formated cover ideal for younger readers. Somehow I missed the original version and was happy to find that Kimmel’s Simon and the Bear: A Hanukkah Tale had me turning the pages in anticipation as it also warmed my heart.

When Simon sets sail to America from the old country just before Hanukkah, he departs with inspiring words (and a knapsack full of latkes, a menorah, candles, matches, brown bread, hard-boiled eggs, and herring) from his mother. “Wherever you are, Simon, don’t forget to celebrate Hanukkah and its miracles. Who knows? You may need a miracle on your long journey.” This foreshadowing lets readers know something will happen, but I never expected a Titanic-like episode where Simon’s boat sinks. Mensch that he is, he offers the last spot in a lifeboat to an older man and manages to find safety on an iceberg.

All alone but ever the optimist, Simon lights the candles as Hanukkah begins. As he plays dreidel, he also prays for a miracle. He is surprised and slightly scared when a polar bear appears. Simon offers it food in exchange for warmth and company. The passing days see the bear share his fish with Simon until the menorah’s flickering lights attract a rescue boat on the final night of Hanukkah. Arriving safely in New York, Simon meets the man he gave his lifeboat spot to. Now the Mayor of New York, this grateful man is intent on repaying Simon’s good deed making the final miracle happen, bringing Simon’s family to America. Kimmel’s crafted a fantastical and truly satisfying story through and through. In the character of Simon, he’s brought us a selfless main character readers will root for. Trueman’s jewel-toned colors and shtetl clothing design help ground the story in the early 1900s. The play with light always brings our eyes to focus on Simon over multiple iceberg scenes. Together the story and illustrations (I love the newspaper clippings about Simon’s survival) will make any reader a Hanukkah miracle believer.
• Reviewed by Ronna Mandel

 

TheHanukkahMagicofNateGadol cvr THE HANUKKAH MAGIC OF NATE GADOL
Written by Arthur A. Levine
Illustrated by Kevin Hawkes
(Candlewick Press; $19.99, Ages 5-8)

The magic of Levine’s, The Hanukkah Magic of Nate Gadol, begins with its glowing golden accented cover and is woven throughout this picture book embuing it with a feeling that it’s always been a Jewish folktale parents share every holiday. But it’s not! It’s a new story about a big-hearted Jewish spirit “whose magic can make things last exactly as long as they’re needed.” The tale was inspired by the author’s observations and emotions he experienced growing up as a Jew whose holiday and beautiful traditions were overlooked, overshadowed, and ultimately influenced by Christmas. Read the illuminating Author’s Note for more on this. Nate’s name is also significant in that it corresponds to the dreidel letters Nun and Gimmel, two of the four initials representing the Hebrew phrase “Nes Gadol Haya Sham,” meaning, “A great miracle happened there.“

I was willingly transported to an unnamed American city in the late 19th century where immigrants of all nationalities lived and worked. Nate soon finds himself drawn to the plight of the Glaser family, newly arrived Jewish immigrants from Europe who are penniless as Hanukkah approaches. Additionally, their neighbors’ baby girl is sick and the O’Malley family cannot afford the medicine needed. Whatever the Glasers had they shared with their close neighbors but when there was nothing, Nate knew “he couldn’t stretch what wasn’t there.” How could either family even begin to think about celebrating Hanukkah or Christmas under those circumstances? The have-nots need a miracle. During a serendipitous meeting Christmas Eve on a city rooftop with Santa Claus, Nate is told, “The sleigh magic is nearly empty. Are there a lot of people having trouble believing this year?” The winter of 1881 is a tough one indeed meaning one thing; Nate to the rescue! He helps out the “red-suited man” who returns the favor in kind. Nate’s magic delivers Christmas presents under the O’Malley tree and, much to the surprise and delight of the Glaser children, not just beloved Hanukkah chocolate which was all they usually hoped for, but a pile of presents as well.

Hawkes’s muted color palette enhances the illustrations of this bygone era. His larger than life depiction of Nate Gadol, with a tinge of gold in his hair and a sparkle in his eye convey a positive mood despite the harsh circumstances the two families face. The pairing of Hawkes’s atmospheric art with Levine’s thoughtful prose makes a new story like The Hanukkah Magic of Nate Gadol already feel like it’s been a treasured read in our home for years.
• Reviewed by Ronna Mandel

 

Additional Recommended Hanukkah Books:

KaylaandKugelsHappyHanukkah cvrKAYLA AND KUGEL’S HAPPY HANUKKAH
Written and illustrated by Ann D. Koffsky
(Apples & Honey Press; $17.95, Ages 3-5)

The third book in this charming series.

 

 


A DREIDEL IN TIME
Written by Marcia Berneger

Illustrated by Beatriz Castro
(Kar-Ben; $8.99, Ages 7+)

Read Ronna’s review of this middle-grade paperback in L.A. Parent magazine below.

 

 

 

 

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Kids Book: On Yom HaShoah – Hand in Hand by Andria Warmflash Rosenbaum

HAND IN HAND
 by Andria Warmflash Rosenbaum
Illustrated by Maya Shleifer
(Apples & Honey Press; $17.95, Ages 7 and up)

 

Maya Shleifer cvr art _ Hand in Hand by Andria Warmflash Rosenbaum

 

With recent surveys showing that fewer and fewer adults and children know about the Holocaust, the need to continue sharing this information with new generations by reading books such as Hand in Hand is vital. The annual commemoration of Holocaust Remembrance Day or Yom HaShoah, which this year begins the evening of May 1 and ends the evening of May 2, is a good time to honestly but sensitively approach the subject both at home and in school for children ages seven and up.

Andria Warmflash Rosenbaum’s new picture book, Hand in Hand with illustrations by Maya Shleifer, provides the ideal vehicle to start the conversation about what the Holocaust was and how it impacted families. In this case the emphasis is on the tragedy of family separation, a topic with significance even today. Written from the perspective of anthropomorphic rabbits, the story introduces readers to Ruthi, her little brother Leib and their mother. According to the author notes, this family (apart from being bunnies) represents a fictional combination of countless real people whose moving tales of courage and strength inspired Rosenbaum. It’s not clear where the characters live but some of the language, like when Mama escapes late one night, leaving her children, and says—”Don’t worry, my doves. Sometimes walls rise up. Still, there is always a way … forward.”—I get the impression the city is Warsaw. Although it could really be any number of European cities where Jews lived during WWII.

 

int art from Hand in Hand They Hovered Over Our Heads
Interior spread from Hand in Hand written by Andria Warmflash Rosenbaum with illustrations by Maya Shleifer, Apples and Honey Press ©2019.

 

Rosenbaum effectively employs similes like the one in the illustration above—”They hovered over our heads like tidy rows of storm clouds – threatening to burst.”—to gently establish the ominous presence of Nazi Storm Troopers, perhaps the ones Mama was running away from early on in the story when she departs in haste. Maybe the soldiers had already taken her husband.

 

Hand in Hand siblings separated interior illustration
Interior spread from Hand in Hand written by Andria Warmflash Rosenbaum with illustrations by Maya Shleifer, Apples and Honey Press ©2019.

 

The strong bond between brother and sister is evident on every page. Ruthi is seven and Leib is four when Mama goes away and she must now look out for him in their mother’s absence. A neighbor brings the children to an orphanage where they remain among hundreds, abandoned or left parent-less. The expression on Leib’s face as depicted in Shleifer’s art, when he is soon adopted, is both powerful and bittersweet. Pulled apart, like the torn photo of the siblings, from the loving hands of her brother, Ruthi refuses to say good-bye. Leib will be saved because of his Aryan “blonde curls and sapphire eyes.” At just seven she must find a way to survive, in the woods, underground, anywhere until the war ends.  Then “The nightmare … came to a halt.

 

Hand in Hand int illustration of Ruthi on boat to new country
Interior spread from Hand in Hand written by Andria Warmflash Rosenbaum with illustrations by Maya Shleifer, Apples and Honey Press ©2019.

 

In the optimistic illustration of the boat above, it seems as though Ruthi has been sent to Palestine where she lives on a kibbutz and makes a new life for herself in Israel. Years pass. She marries, has children but always, always thinks about finding Leib. Her children and grandchildren urge her to add her name to an enormous list of people seeking family members. But is there any chance to be reunited with a brother who could be living anywhere or perhaps even no longer alive?

 

Searching for her lost sibling int illustration from Hand in Hand
Interior spread from Hand in Hand written by Andria Warmflash Rosenbaum with illustrations by Maya Shleifer, Apples and Honey Press ©2019.

 

Here’s when we can rejoice. Ruthi’s efforts to locate Leib succeed. It’s heartwarming to see the siblings together once more after decades apart. Now an old man, though still younger than Ruthi, Leib greets her with tenderness, “Shalom, my big sister, Ruthi!” For her part, Ruthi notes “His blue eyes had lost their sapphire luster, but through my tears my heart knew Leib’s strawberry smile.” This framing of a similar line Rosenbaum used in the book’s opening brings the story full round.

I have been moved and impressed with every re-read of Hand in Hand at how well Rosenbaum’s symbolism and subtlety say so much. There’s no need to go into detail about the brutality and harshness of the Holocaust. That’s for parents and teachers to decide before having this important discussion with kids. Each child, especially the younger ones, has a different threshold for how much information about the Holocaust they can handle. What works so well is that Rosenbaum has chosen to focus on a relationship as a way into the subject of war and/or genocide and the aftermath. Shleifer’s illustrations convey the the sorrowful times Ruthi has experienced without Leib but does so delicately and only twice uses very dark tones when Ruthi is first separated from her brother. This touching book is one of boundless love, faith in family and faith for the future. I hope this picture book will resonate with you as much as it did with me.

  • Reviewed by Ronna Mandel

Find other Holocaust Remembrance Day reads here.

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