Find out what to do when little ones lose their smile in I Miss Your Sunny Smile.
Deb Adamson’s heartwarming 14-page board book, I Miss Your Sunny Smile, invites readers to search for a young boy’s lost smile. Mama helps, hoping to restore his cheer. Could it have dropped or rolled away? What can they do to get it back?
Written in rhyme, this sweet board book shows that sadness is a normal part of life. Warm and playful illustrations by Anne Zimanksiencourage a bright mood and provide soothing comfort. And let’s not forget the ending, sure to delight and put a smile on any young child’s face.
Max and Molly take a ride into town with Mom. Regardless of how “spacious gracious” their automobile is, they’re squished and squashed. They jiggle, wiggle, push, and shove until Mom devises the perfect plan to change their perspective. Here’s a hint, quack-quack, oink-oink. Before long, the car appears more like a zoo! You’ll have to read the book to discover the rhyming words the kids use to tame this situation.
Rhyme pairings and onomatopoeias make this a hilarious read-aloud that kids will want to read time and time again.
The talented Dana Wulfekotte’s[The Remember Balloons] whimsical illustrations demand attention. It’s the type of book I would purchase from the cover alone! Soft muted tones make space for raucous and active spreads. Animal lovers are sure to notice charming and articulate details in this cast of animal characters, such as a pig wearing a flat cap and a giraffe sporting a jogging suit. The representation of diverse families allows children from different identities and cultures to see themselves in this book.
The oldest of four kids, Rebecca, and her family took many car trips. Since she and her siblings were absolute angels, she’s sure nothing in her past inspired this story!
So what are you waiting for – More? Pick up a copy of this book for a ton of fun! e
How a Group of Thai Boys Built Their Own Soccer Field
Written by Scott Riley
Illustrated by Nguyen Quang and Kim Lien
(Millbrook Press, $19.99, Ages 7-11)
★Starred Review – Publishers Weekly
Call him adventurous, but author Scott Riley traveled all the way to Koh Panyee, Thailand, to research and write The Floating Field, a middle grade nonfiction picture book. A soccer lover himself, Scott read about Prasit and a group of boys who built a floating soccer field in a village where open space is reserved for the essential buildings. He packed his bags to see the hand-built field for himself!
This inspiring story begins with an early morning scene, fisherman-dad off to work, doughy, sugary-treats at the local coffee shop, and Prasit and his friends making plans to play soccer the moment the fleeting sandbar surfaces across the waters. The timing is crucial as it is dependent on the moon and the tides, the opportunity occurring only twice a month.
After watching a 1986 World Cup game on TV, Prasit and his friends dream of becoming a team and having a real soccer field. Taking inspiration from their village built on stilts, they decide to build a deck on the water. A series of overhead illustrations give a bird’s eye view of the construction, one plank at a time. Equally satisfying, the process illustrates the camaraderie between the group of determined friends, despite doubting villagers. My favorite spread shows one boy lying flat on his back across the newly built wooden deck, exhausted, but radiating a smile that embodies a sense of accomplishment, pride, and joyfulness. Soon, the boys’ enthusiasm and practice attract even the community.
I don’t want to give away the end of the story. But, you bet there are games played. I couldn’t help but cheer on these boys as their limitations became their strengths in the game of soccer.
Photos, Prasit’s perspective, and a pronunciation guide of soccer terms in Thai round out the extensive back matter. This is a book for soccer players, soccer lovers, friendship partakers, diverse culture lovers, DIY builders, dreamers, or anyone who loves a good story!
30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG
Written by Amanda Davis
Illustrated by Sally Wern Comport
Associate Publisher-WorthyKids/Hachette Book Group: Peggy Schaefer
What I Love About the Cover:
My husband, children and I were living overseas on 9/11 and remained there for a handful of years afterward so I’ve primarily gleaned info about the tragic events of that day through children’s books, friends’ accounts and documentaries. I continue to learn more new things about 9/11 which is why the cover (by Sally Wern Comport) for Amanda Davis’s new picture book, 30,000 Stitches: The Inspiring Story of the National 9/11 Flag intrigued me when I first saw it. It reminded me of when my children would play the parachute games at nursery and that feeling of joy, exuberance, pride and connectivity their faces conveyed. Add to that the multicultural, multi-generational and multi-abled group of people holding up the iconic flag, and you have all the makings of a moving picture book cover. And though we cannot tell a book by its cover, we can surely get a sense. Here Comport conveys texture, optimism, and subtle details about the myriad individuals involved in the 9/11 flag. There’s no way anyone seeing the book on a bookstore shelf, in the library, in a newsletter or on social media will not want to find out what the story is behind the cover and the book’s title. Read on to get the inside scoop of why this story of hope in the shape of a flag should be added to your TBR lists.
GoodReadsWithRonna:Amanda, now you know my reaction to the cover, what was your initial reaction to the cover? How do you feel it captures the essence of your story?
Amanda Davis: My initial reaction to the cover was that it filled me with light and hope. The bright colors that Sally chose along with the choice to depict a diverse group of people working together to hold up the flag, perfectly highlights the themes of unity, strength and healing, that are the essence of the story. I’m also really happy that the cover is inclusive of all types of people since the flag was stitched by many different people in diverse communities throughout the United States.
AD: Peggy, what direction (if any) was given to Sally regarding inclusivity and the cover concept in general?
Peggy Schaefer: Sally is an amazing and accomplished artist, so we didn’t give her a lot of specific cover direction. The art director talked with her about the cover in general, and she came back with two options. We chose to move forward with this one because, as you said, it captured the emotion and essence of the story. We actually didn’t talk about the cover design until after the interior was storyboarded. This can be helpful, because details come to the forefront as artists work through their sketches.
Inclusivity is a topic that we talk about for every project. In this case, it was essential to accurately portray the story of the flag and all those involved in its journey. We also want every child to be able to find themselves in our books. The importance of being inclusive for young readers cannot be overstated.
GRWR: Amanda, can you talk a bit about the process and challenges of writing a creative nonfiction picture book about a difficult topic in history?
AD: Great question, Ronna. 30,000 Stitches is a creative nonfiction story and with that, in my opinion, comes an added weight of getting the facts and details in both the text and art accurate. On top of that, I wanted to make sure the text navigated the topic of 9/11 in a way that was not just factual but also accessible to children and highlighted the hope that came out of the tragic events. With that said, one of my favorite parts of this process was researching and interviewing the sources for the story. I have a background in journalism so this is right up my alley! I connected with the Ground Zero Superintendent, Flag Tour Staff, and founder of the New York Says Thank You Foundation. I’m honored to have spoken with such selfless, kind, and generous people whose dedication to helping America heal after 9/11 was inspiring. To this day, they continue to give back and be of service to others, which is truly exceptional. I’m grateful they’ve been so generous with their time in helping us get the story right and their willingness to check and recheck for accuracy.
AD: Peggy, can you talk about this fact-checking process from the editor’s perspective?
Peggy:This was an interesting project in that regard. The body of the book, as you said, is creative nonfiction, and there are not a lot of specific details in the story itself. Most of the factual detail is in the back matter, which came from your interviews with those involved in the flag’s journey. Their willingness to review for accuracy was so valuable. A different challenge came in being precise in the art details. Sally is incredibly detail-minded in her art, so it was clear she was paying a lot of attention to detail, and that gave us a big head start. But even as we were drawing to the conclusion of the work, we were checking details in the art, things like uniforms and locations and such.
GRWR: Amanda, were you familiar with Sally Wern Comport’s work before she was chosen as your illustrator? Did you have any say in this process?
AD: Yes! I love Sally’s art! I was a huge fan of her work in Ada’s Violin and thought her textured mixed media style would be perfect in depicting the torn and tattered nature of the flag. There’s actually a funny and fateful backstory here. Before WorthyKids acquired 30,000 Stitches, I had interest from another publisher who asked my agent and I to reach out to illustrators and come back to them with some names. Sally was one of the artists I reached out to and connected with. As fate would have it, after I signed with WorthyKids, Sally found her way onto Peggy’s list of suggested illustrators. When Peggy shared the list with me, I tried to contain my excitement when I saw Sally’s name on there but told her that it was a BIG yes from me.
In the end, it all worked out, and I’m beyond thrilled with the way Sally interpreted the text. Her illustrations bring life and emotion to the text; expanding on the story in a way that words alone can’t do. Through her visuals, we see the many hands and hearts the flag touched. The visual techniques she used convey a beautiful and symbolic parallel between the transformative healing of both the American people and the flag. As the flag heals, the people do, too.
AD: Peggy, how did you find Sally Wern Comport and what factors made you eventually land on her for 30,000 Stitches? Why did you feel Sally’s style was a good fit to help bring the story to life?
Peggy:I’ll answer your second question first. I fell in love with Sally’s style when I saw her portfolio online. Her work is so rich and dynamic. Honestly, her style wasn’t what we had gone out looking for, but it just felt so right. I bought copies of a couple of Sally’s books, including Ada’s Violin—and seeing those reinforced my feeling that Sally was the right choice for the book.
Selecting the artist was a fairly collaborative process. I worked closely with the art director, who sent me a selection of possible styles, and I shared my suggestions with him. And, of course, I shared with you as well. After we narrowed it down, I reached out to several agents about possible artists. Sally’s agent is actually the one who brought her to my attention, based on the description I gave him of what I was looking for. Later, I found out that you had been in touch about Sally. I don’t know if the agent remembered that or if it was a coincidence. I like to think of it as serendipity! Everyone on the team was blown away by Sally’s style. It was so unexpected and conveys so much emotion. I couldn’t be happier that we were able to work with Sally on this project.
GRWR:Amanda, can you tell us about the submission process for 30,000 Stitches?
AD: The submission process for 30,000 Stitches was a good old-fashioned slush pile success. I submitted the story (then called, THE FABRIC OF AMERICA) in February of 2019 via snail mail and seven months later received an email from one of Worthy’s assistant editors asking if the story was still available. I of course said yes, and connected her to my agent for the story, Melissa Richeson. Melissa connected with Peggy and the rest is history! 🙂
AD: Peggy, how did you get your eyes on 30,00 Stitches, and what made you say yes to the project?
Peggy: As you mentioned, the manuscript first came in through the slush pile. As is sometimes the case, we were intrigued from the start, but the book was a little outside the core area that we publish into, so we didn’t act immediately. But it stuck with us, and when we reached out again, you connected us with Melissa. I was so happy to be able to acquire the book because 1) it’s a story I’d love more people to be familiar with; 2) the underlying themes of unity and healing and resilience are so important for kids; and 3) our readers are a generation who did not experience 9/11 firsthand and this is an age-appropriate introduction to this critical moment in U.S. history. But really it was your lyrical use of language that drew me in from the start. Everyone on the team who read the manuscript had an emotional reaction to it—and asked “Why didn’t I know about this?” And more than one told me it brought tears to their eyes or gave them goosebumps. That’s the kind of book I want to publish—books that touch the heart as well as the mind.
GRWR: Amanda and Peggy, this year will mark the 20th remembrance of 9/11, and we recently reached a generation that was not alive to witness the tragic events of that day. What do you hope readers, both young and old, take away from 30,000 Stitches?
AD: Especially after the challenging year we all just faced, I hope that 30,000 Stitches can inspire others. I hope it offers healing to all those in need. I hope it serves as a reminder that light can come from darkness. That we can rise from the shadows if we unite and come together. We are resilient. We are strong. We are connected through our stories. Stories of suffering. Stories of loss. Stories of compassion. Stories of kindness. Our stories are stitched together. Our stories are the fabric of America.
Peggy: I don’t think I could have said it better than Amanda. That’s why she’s the writer!
GRWR: Thanks to you both for this revealing Q&A. I know I learned tons and am sure our readers did, too!
How can readers get their hands on this beautiful story?
You can pre-order a signed copy of 30,000 Stitches through:
And we’re wrapping the reveal with a DOUBLE GIVEAWAY!
1. Complete the form below for a chance to win one of ten (10) signed copies of 30,000 STITCHES. Winners will be selected in May.
2. Amanda is also giving away a 30-minute Zoom call for a picture book author or author-illustrator to discuss a current project and/or answer industry questions OR a 30-minute classroom visit for educators and librarians.
Get extraentries when you pre-order a signed copy of 30,000 Stitches from Silver Unicorn Bookstore here. Please DM a screenshot of the receipt to Amanda on Twitter @amandadavisart.
In the comments below, share a recent bright spot you experienced that gave you hope or joy. Please note that all posts are moderated prior to appearing so be assured your comments will be seen and posted and your name will be added to Amanda’s generous giveaway. Good luck!”
Deadline to enter the contest is Thursday February 4th, at 5:00 PM EST. Amanda will announce winners on Friday, February 5th via Twitter.
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. After losing her father at the age of twelve, Amanda turned to art and writing as an outlet. It became her voice. A way to cope. A way to escape. And a way to tell her story. She was thus inspired to teach art and pursue her passion for writing and illustrating children’s books.
Through her work, Amanda empowers younger generations to tell their own stories and offers children and adults an entryway into a world of discovery. A world that can help them make sense of themselves, others, and the community around them. A world where they can navigate, imagine, and feel inspired—over and over again.
Amanda is the recipient of the 2020 Ann Whitford Paul—Writer’s Digest Most Promising Picture Book Manuscript Grant and teaches art at a public high school in Massachusetts where she was selected as 2020 Secondary Art Educator of the Year. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.
Check out all the other websites on this exciting cover reveal blog tour.
When I first set eyes on this gorgeous cover, which was only this past Friday, I was delighted. It perfectly conveys the spirit and vibrancy of author Moni Ritchie Hadley’s debut picture book, The Star Festival. Full disclosure: Moni and I are in a critique group together, so I was especially honored when she said she’d like me to share her book cover reveal.
I have loved so many of the Japanese festivals since I was a child and always gravitated towards those books in the library. I also have a thing for red bridges and this one in particular, with the koi fish swimming below, reminds me of the one at my happy place—the historic Japanese Garden at the Huntington Library, Art Museum, and Botanical Gardens—although that moon bridge is no longer a stunning lacquer red.
The main character, Keiko, is on the bridge, and her hand indicates she is looking for someone. A nice feature is how the illustrator, Mizuho Fujisawa, has wrapped the book cover in the festival scene. When you get the book, you’ll discover Keiko’s grandmother on the back cover, sitting alone, waiting. I like how the other people on the bridge are in shadow, so our eyes are immediately drawn to Keiko. The entire cover seems to glow, setting just the right tone for the book’s subject.
ABOUT THE COVER:
The cover shows the main character, Keiko, searching for her lost grandmother, Oba, at the Tanabata Festival, also known as the Star Festival. Dressed in a yukata (summer kimono), she is surrounded by colorful vendors, bamboo trees decorated with tanzaku (paper wishes), and the starry night that hosts the myth and origins of this celebration. Mizuho Fujisawa digitally brings this story to life with her bold color choices and precise details.
The Star Festivalwas inspired by three generations of females living together in Moni’s home. When Moni’s elderly mother came to live with her, a concept story developed depicting the similarities of the life of a baby and the life of a grandmother. Moni lived much of her childhood in Japan and attended many festivals such as this one, not knowing what she was celebrating. After some research, the Japanese Tanabata Festival was chosen as a backdrop to the story because of the beautiful imagery and the mythological origins of two star-crossed lovers prohibited from seeing each other.
ABOUT THE AUTHOR:
Moni lived much of her childhood in Japan and attended many festivals such as this one. The Star Festival marks her picture book debut. She writes picture books, chapter books, and graphic novels for early readers. She is also creating a line of writing worksheets using mixed media art for elementary school educators. Moni lives in Los Angeles with her family, three dogs, and an occasional stray cat.
Visit her website (see below) for more information.