Best Children’s Books for Passover 2025

April 7, 2025
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Ages 0-4, Ages 3 and up, Ages 4 and up, Ages 8-12, Board Books - Interactive Books, Children's Book Reviews, Children's Books > Social Situations > Family Life > New Experiences, Comics & Graphic Novels, Contemporary Fantasy, Cooking & Food, Culture and Customs, Family, Family & Relationships, Family - Parents, Fantasy, Fantasy & Magic, Food, Graphic Novel, Graphic Novel, Holidays & Celebrations, Holidays & Celebrations, Holidays & Festivals - Jewish Holidays, Holocaust, Humorous Stories, Immigration, Intergenerational Friendship, Jewish American, Jewish Fiction, Juvenile Fiction, MG Fiction, Middle Grade Book Review, Middle Grade Fiction, Multigenerational, Passover, Passover, Religious Fiction, Siblings

SEVEN NEW CHILDREN’S BOOKS

FOR PASSOVER 2025

~ A ROUNDUP ~

If only I had more time! This year’s offering of new Passover books for children seems to be the largest I’ve seen in a long time. It was so hard to choose what to include, and I really hoped to cover them all. Please scroll to the end to see other books I was unable to review but recommend.

REVIEWS:

MY SEDER PLATE
Written by Kristen Weber
Illustrated by Yaara Cellier
(Clarion Books; $10.99, Ages 0-4)

My Seder Plate: A Passover Book is Kristen Weber’s debut, and it’s a charming one! This book would have been a big hit in my home when my children were growing up. It’s not only richly illustrated, but it includes interesting seder details for those who are older. At the same time, it can be appreciated as a clever interactive way for little ones to simply enjoy the pictures during the celebration. Traditionally, the seder plate, like the board book, is round, “with spots for special foods.” Each food represented is significant in the retelling of the Passover story.

Open the sturdy book to reveal the seder plate and its contents on one side, a multigenerational family on the other. It includes the food name in Hebrew and in English. One word I have learned in Hebrew from attending many seders is Beitzah, egg, the second food shown. Each food item explained is in bold. The font is smaller for the more detailed portion, which a relative might explain, or perhaps an older sibling, a cousin, or a family friend. I also like how the first paragraph is in verse, which will add to a youngster’s engagement.

“A roasted egg sits on our plate,
warm and round and hard,
a symbol of the cycle of life
and hope for a new start.

The egg can be both a reminder
of the sacrifices Jewish people have
made and a symbol of new life.”

Now that all the Passover foods are covered, it’s time to try them! A big positive about My Seder Plate is that children can keep it with them and follow along while also being entertained by the art and the surprises that await them with every page turn. Chag Passover Sameach! •Reviewed by Ronna Mandel

MATZAH DAY!
Written by Charlotte Offsay
Illustrated by Jason Kirschner
(Holiday House; $18.99, Ages 3-6)

Charlotte Offsay has a talent for writing picture books with rhyme that 1. always entertain, 2. propel the story forward, and 3. employ a catchy rhyme scheme that invites read-alouds. She did it with Challah Day! and succeeds once again with Matzah Day!

This lively written and whimsically illustrated holiday story celebrates the popular Passover cracker made from water, salt, and flour that can be enjoyed in as many ways as matzah is spelled. You can even see it in this roundup spelled matzah, matzoh, and some times matza, and matzo. Are there other spelling variations that I don’t know about? Maybe! But no matter how you spell it, there is much to love about the food that came to be when “The Jewish people fled from Egypt in such a hurry that they didn’t have time to wait for their dough to rise.”

Don’t miss the three recipes included to try with the help of a parent, as well as information about exactly what matzah is, what Passover is, and why we eat matzah for Passover. I appreciated the tight rhyme when Offsay describes the different (and delicious) ways matzah can be eaten as the family gets fuller and fuller. “Like it salty, plain, or sweet? No wrong way to eat this treat! Toffee, chocolate, salted top. Once you start, it’s hard to stop.” Too right. It’s one of my Passover weaknesses, along with matzah brei, a breakfast matzah mashup my family loves year-round. The zany spreads where Kirschner has made the family members smaller sized as they play on the larger scaled ingredients are quite funny. As a feline fan, I also appreciate the adorable kitty added for good measure. What a great new read to add to your family’s Passover picture book collection. •Reviewed by Ronna Mandel

The Mysterious Missing Matzoh

Written by Alan Katz

Illustrated by Adam Auerbach
(Harper Collins BYR; $12.00, Ages 4-8)

The Cohen family is enjoying the Passover seder at Grandpa Murray and Grandma Norma’s home. It is time to hide the afikomen and Grandpa Murray is searching for the perfect spot which his grandchildren won’t be able to locate. However, when he hears that the matzah ball soup is being served, he rejoins his family. After the meal, it’s time to find the afikomen . . . but the kids don’t know where their grandfather hid it, and Grandpa Murray doesn’t remember either! So, where is the afikomen? We probably all can relate to this.

Young detectives will enjoy the pen and ink illustrations, which combine different angles and vantage points, adding both interest and a sense of mystery to the story, which has a simple yet satisfactory solution. •Reviewed by Freidele Galya Soban Biniashvili

HAPPY PASSOVER, EDIE ROSE!
Written by Joy Preble
Illustrated by Valeria Cis
(Kar-Ben Publishing; $18.99, Ages 4-9)

Though not new to writing for children, Joy Preble’s debut picture book, Happy Passover, Edie Rose!, is a heartwarming take on the Passover story. Young readers will admire the meaningful relationship between an older woman, Edie Rose, and a young girl, Mia, neighbors in their close-knit apartment building. Edie Rose has created a tradition with her neighbors where they gather together in her home for a Passover seder that not only includes matzah ball soup and charoset but takes them on a journey similar to the one Moses and the Jewish people took from Egypt to the land of Israel.

Early on, Valeria Cis’s appealing artwork details Edie Roses’s seder to-do list along with illustrations of the smiling and diverse mix of neighbors. And, of course, Edie’s adorable red and white dog, Mo, is always by her side. Turning the page, we see memories of past seders with Edie and her friends coloring paper frogs and crossing through Edie’s living room pretending it’s the Red Sea. Mia spends a great deal of time with Edie when her mother works late, and despite being from different generations, the two have become great friends.

Next up, Edie is baking her chewy macaroons just before this year’s Passover. Mia’s mom walks through the door as Edie carries the hot, out-of-the-oven macaroons from the kitchen. Preble skillfully sets up the scene as Mo, unable to control his sniffer and overjoyed by the yummy aroma, dashes up to steal a cookie. The two collide. Macaroons scatter everywhere. Edie ends up in the hospital with a broken arm. Mia, with her caring neighbors’ help brings Passover to Edie. Just like in the Passover story, young Mia creates the best seder ever. “We marched together,” Mia tells Edie proudly. “All of us. Like you said.”

This charming tale with a twist asks kids why this night is different from all other nights, but this year, the answer is that all the neighbors worked together for Edie Rose—a wonderful lesson in kindness and gratitude. I loved how it showed that holidays don’t always have to be spent with blood relatives. Friends are family, too. •Reviewed by Ronda Einbinder

ROADSIDE SEDER
Written by Anna Levine
Illustrated by Naama Lahav
(Apples & Honey Press; $19.95, Ages 5-8)

Dad, Mom, Grandpa, Grandma, Benjy, and Matzah the dog are on their way to their seder in Jerusalem when the traffic comes to a standstill. What is the cause of the jam? How will they, and all of the other people on the road, reach their seders? Will there even be any seder that night? A story that keeps you guessing will also keep you turning the pages!

As sundown approaches, Benjy, dressed in his Moses get-up, comes up with the solution for a perfect seder for everyone present. And when it’s time to find the afikoman, the reader is invited along to find it in the drawing. A Passover story that gets youngsters involved is pure fun! Beautiful, inclusive representation of the religious and ethnic diversity in Israel is depicted in the colorful and cheerful cartoon-like illustrations. A letter from the author, words to know, and a recipe for charoset round out this joyous celebration of sharing Passover traditions, even in the most unusual circumstances. •Reviewed by Freidele Galya Soban Biniashvili

ELLIS ISLAND PASSOVER
Written and illustrated by Marissa Moss
(Creston Books; $19.99; Ages 5-10)

Sometimes, you read a book that brings you back to a time long ago, and that’s what happened to me as I sat down to read award-winning author-illustrator Marissa Moss’s latest picture book, Ellis Island Passover. The story begins with a seven-year-old girl in a grumpy mood. (That was relatable.) Her family is coming over for the first night of Passover, and she has already been yelled at by her mom for bad behavior and sent to her room by her father for leaving a messy kitchen. She’s clearly not having a good day.

Moss’s evocative pastel drawings of the extended family being welcomed into the little girl’s home include Great Uncle Ezra, who has arrived from Chicago with slicked-back grey hair and glasses. He lives so far away that this is his first Passover with the little girl and her family. She doesn’t say hello to him, but no one notices—except Uncle Ezra. “’What is wrong with my cupcake?’ he asks.” She wonders if he can see she is in a bad mood. He sits on the floor with her and begins to tell her a story.

The story begins when he is nine years old. He’s shipped from Russia to America to live with his brother to escape the intolerable conditions the Jewish people were subjected to in their birth country. My grandfather escaped Russia as well, and reading Moss’s words made me remember the stories he told us.

Life in America had to be better than life in Russia. Once in New York, Ezra was put on a small boat to Ellis Island, the big immigration center. Ezra was given one week to stay there while authorities searched for his brother Mendel—and if Mendel couldn’t be found, he would be returned to his homeland. During his stay on Ellis Island, Ezra realized it was Passover. The Jews on Ellis Island did not have a Haggadah to read, so they decided to tell the stories with a Hebrew Bible. They didn’t have matzoh, so they used American crackers. That night, each of us was reading the story of Exodus and living the story of our own exodus, from the old world to the new, from oppression to freedom. And though Uncle Ezra has celebrated many Passovers since that first one on Ellis Island, this night, he had a new Passover story—his first Passover with his niece.

This picture book beautifully puts into words how Passover has been spent over generations while teaching Jewish children the history of their ancestors. The faded tones and pale palette of the art felt just right for this immigration story. My kids may be adults, but I still plan to share this story with them so they can understand what their great-grandfather endured for them to live in a free country. •Reviewed by Ronda Einbinder

ONE LITTLE GOAT: A Passover Catastrophe
Written by Dara Horn
Illustrated by Theo Ellsworth
(Norton Young Readers; $18.99. Ages 8-12)

Starred Review – School Library Journal

I was not prepared for the wild and wonderfully rewarding reading adventure that Horn and Ellsworth’s graphic novel took me on. Inspired by Horn’s thoughts during Passover when she was growing up, this rollercoaster ride of a story should resonate with many young readers. When I opened the first page of One Little Goat, the narrator, known as the “wise child,” quickly pulled me in when he said his seder had gone horribly wrong. I had to find out how.

Anyone who has ever attended a Passover seder that seems to go on forever will find this novel’s tongue-in-cheek humor relatable. Can you remember your stomach’s constant growling, the one relative who insists on doing things a certain way, and definitely the long way, an older cousin dipping his pinkie in the wine a little bit too much, or never finding the afikoman and winning the dollar coin? These are just a few of the Passover things we have come to expect, all captured over six chapters in 152 pages, though I wish there were more!

We meet the narrator as the seder begins, and the house is packed with family. From our safe spot, like a fly on the wall, we watch as the chaos unfolds. We learn that Dad was originally from the Soviet Union, where he could not practice Judaism, and Mom is pregnant with her fifth child. Great-Grandma, at 98, is a Warsaw Ghetto survivor. And somehow, over time, the meaning of the seder has been lost on the narrator.

To end the seder, the afikoman, or half the piece of matzah that gets hidden early on, needs to be found. However in The Little Goat, it goes missing when the baby sister tosses it into a portal where the titular goat finds and hides it someplace safe in another time zone. But he can’t recall exactly when or where. Without that important piece of matzah, the seder continues for six months! Thankfully, those I’ve attended have never lasted so long, though they may have felt that way. Talk about taking an idea and going over the top! Even more outrageous is that this particular seder is one taking place on top of layers of seders occurring concurrently over millennia. The narrator learns this when that cheeky little talking goat shows up and leads him back in time to seders of old. It’s an eye-opening experience for him as he travels through the space-time continuum, learning about the significance of the Exodus from Egypt and all the hardships the Jewish people have endured from the Spanish Inquisition to WWII where his brave Great Grandmother lived in the Warsaw Ghetto, from Minsk, USSR 1981 where his father grew up, or New York City, 1990, where his mother lived as a child.

I enjoyed how the story’s wicked humor and educational aspect paired perfectly. Ellsworth’s artistic interpretation, in black and white, of Horn’s text is impressive and easy to follow. The two work so seamlessly together that it’s hard to believe that not just one creator did it all. The novel ends in such a satisfying way that I was ready to sit back down and start it all over again. Don’t miss this recommended read. •Reviewed by Ronna Mandel

Middle Grade Book Review – In the Beautiful Country

June 28, 2022
goodreadswithronna
Ages 8-12, Asian & Asian American, Fitting In, Immigration, Middle Grade Book Review, Middle Grade Fiction, Middle School, Multicultural Story, Novels in Verse, Prejudice and Racism

IN THE BEAUTIFUL COUNTRY

Written by Jane Kuo

(Quill Tree Books; $16.99, Ages 8-12)

★Starred Review – School Library Journal

Novels in verse are powerful. Jane Kuo’s debut middle grade, In the Beautiful Country, is a novel in verse set in 1980 about ten-year-old Ai Shi, an American immigrant from Taiwan. What a good format choice for a novel reflecting the experience of children new to the U.S.! Especially accessible for English language learners and for reluctant or struggling readers, the short, straightforward poems are no less engaging for those who read with ease.

I love how a poem gives me broad strokes of what is happening, takes me to the correct emotional address, and then I get to fill in the details. Wait, that sounds wrong. Kuo’s book, for example, gives me many details, things I wouldn’t know to imagine myself, that help me understand Ai Shi’s experience. It’s more like a connect-the-dots puzzle. Rather than broad strokes, the poems set down carefully-placed images and details, the dots. Then readers use their imagination to get from one dot to the next and draw a complete understanding of who Ai Shi is, what she values the most, and what she goes through as she and her parents face the disappointing reality of their new life.

The story begins when Ai Shi is anticipating moving to “the beautiful country” (the Chinese name for America) and follows her through a year of adjusting to life as Anna, American fifth-grader. Before moving, Ai Shi says America is her “happily ever after place,” but once she’s here, reality hits hard. She dreads going to school with her limited English:

I used to love school,

the place where I was the loudest girl in class.

Now I’m robbed of words.

Suddenly, I have nothing to say.

Her family struggles to keep their heads above water financially. They sold everything to buy an American fast food restaurant, depending on a fraudulent profit record the seller provided. Ai Shi thinks the items she left in Taiwan will be replaced with better California models, but that’s not how it goes.

I was particularly touched by a poem about the family’s new apartment. Ai Shi sleeps in the lone bedroom; her parents sleep on a fold-out couch in the living room. The only entertainment is watching television, and Ai Shi thinks their new set is broken. Really, it’s just black-and-white. The poem ends:

I sit facing the flickering television.

This TV is twice as small as our old one.

Here,

in the land of more,

our world is so small.

Racism adds isolation and a sense of injustice to Ai Shi’s disappointment. She is teased at school: “It’s as if making fun of my food / has become a group lunchtime activity.” When the class is learning about alliteration, a bully waits until they are on the playground to share his example: “Ching Chong Chinaman.” At the store, her parents face customers who have no patience for their problems with English.

Last week, a man became very huffy and puffy,

as if not understanding English

was some kind of insult.

It gets worse when someone throws a brick through the store’s large front window in the middle of the night. The poem “Nothing is Missing” describes the violation, ending, “They didn’t take anything. / They took so much.”

It is painful seeing through Ai Shi’s eyes when her family is struggling. I always say that if a book makes me cry, it had better be for a good purpose. Being sad with Ai Shi is worth it, helping me develop more understanding of and empathy for immigrants, children and adults alike. But I am especially enthusiastic about recommending this book because Kuo doesn’t leave Ai Shi or the reader in insurmountable pain. When the family considers giving up and going back to Taiwan, their dynamics change. It is a pleasure to keep reading and see how their shared values put them on a path to an authentically hopeful future.

Guest Review by Mary Malhotra

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Middle Grade Book Review – Singing with Elephants

May 31, 2022
goodreadswithronna
Animals, Animals, Historical Fiction, Immigration, Loss & Grief, Loss & Grieving, MG Fiction, Middle Grade Book Review, Middle Grade Fiction, Multicultural Story, Novels in Verse, Stories in Verse, Zoos & Zoo Vets

SINGING WITH ELEPHANTS

Written by Margarita Engle

(Viking BYR; $16.99, Ages 8-12)

★Starred reviews – Kirkus, Publishers Weekly

Struggling to belong, Cuban-born eleven-year-old Oriol discovers her voice in Singing with Elephants, a beautifully moving middle-grade novel in verse written by Newbery honoree and Pura Belpré Award-winning author, Margarita Engle.

The story takes place in 1947 in Santa Barbara where Oriol lives with her family. She helps take care of injured animals in her parents’ veterinary clinic, located near a “wildlife zoo ranch” that has connections to Hollywood (6). Grieving the recent death of her grandmother and facing hardships at a school that is unwelcoming to immigrants, she struggles with loneliness–until she befriends “la poeta” Gabriela Mistral who has moved near Oriol’s home (12). While the meeting (and subsequent story) is fictional, the poet is a real person, the first Latin American winner of a Nobel Prize in Literature. Oriol is relieved to have found someone who speaks her native tongue, but little does she know the unexpected gift she’ll be receiving from her new friend: learning the language of poetry.

These lessons are for all of us. “There is no better home for emotions than a poem,” la poeta advises, “which can easily be transformed into a song” (27). The book is rich with simple yet profound expressions of love, loss, heartache, and wholeness. As we learn along with Oriol, poetry is the soul’s way of singing, whether that soul is human or animal. This lesson becomes more apparent as Oriol’s connection to the animals she cares for grows stronger and stronger, in particular her relationship with a pregnant elephant named Chandra whose rhythmic sways and sounds remind her of poetry.

Through her mentor’s gentle encouragement and guidance, Oriol’s writing blossoms–from using it as a source of healing to using it as a force for change. Bit by bit, she “no longer yearn[s]” for Cuba and Abuelita “every moment of every day” (106). And when a famous movie star takes special interest in Chandra, Oriol drafts “poetry-petition[s],” eventually organizing a protest against animal abuse (188). Fighting for her beloved elephants, Oriol finds a sense of belonging.

Singing with Elephants is the kind of book readers will want to read again and again, catching the pieces of poetry missed from the previous read. An author’s note at the end details Cuban cultural traditions as well as Gabriela Mistral’s life. A list of further readings about and by the poet is also included.

Reviewed by Armineh Manookian

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Middle Grade Graphic Novel – The Legend of Auntie Po

October 15, 2021
goodreadswithronna
Ages 10 - 14, Asian & Asian American, Diversity, Folktales & Myths, Graphic Novel, Historical Fiction, Immigration, Middle Grade Book Review, Middle Grade Fiction, Multicultural Story, Social Issues

THE LEGEND OF AUNTIE PO

Written and illustrated by Shing Yin Khor

(Kokila; $22.99, Ages 10-14)

Finalist for the 2021 National Book Award for Young People’s Literature.

★ Starred reviews – Horn Book, Kirkus, School Library Journal

A re-imagined Paul Bunyan legend gives one Chinese American girl
the courage to face adversity.

Thirteen-year-old Mei lives and works in an 1885 Sierra Nevada lumber logging camp in the graphic novel, The Legend of Auntie Po by Shing Yin Khor. Her father, Hao, cooks for the workers, and Mei is famed for her pies. Mei, unlike the other women in the camp, does not wear a dress and is conflicted about her budding sexuality and her feelings towards Bee Anderson, the camp foreman’s daughter.

Within the camp, racial tensions simmer and the Chinese workers face discrimination and violence. Abusive behavior towards women in the camp also adds to an increasingly hostile environment. Camp foreman Hel Anderson, Bee’s father, turns a blind eye to all that is happening.

To help her and the other women and children cope with these injustices, Mei invents a Bunyanesque character, Auntie Po, only she can see. The stories she spins about Auntie Po and her blue water buffalo, Pei Pei, give courage and hope to the others.

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The Legend of Auntie Po int1 — Interior art from The Legend of Auntie Po written and illustrated by Shing Yin Khor, Kokila ©2021

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Following the passage of the Chinese Exclusion Act, the Chinese workers are forced to leave the mill. Mei stays with Bee’s family, but Hao and the other Chinese workers leave to find work in San Francisco. When camp conditions severely deteriorate, Anderson travels to Chinatown to persuade his former workers to return. Hao, mindful of Anderson’s acceptance of the discriminatory conditions, negotiates a better deal for the Chinese workers. Anderson agrees and Hao and the others return to the camp. Father and daughter are reunited.

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The Legend of Auntie Po int2 — Interior spread from The Legend of Auntie Po written and illustrated by Shing Yin Khor, Kokila ©2021

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Author/illustrator Khor’s colorful illustrations authentically capture 19th lumberjacking life, demonstrating the amount of research she did to convey the details of daily life and conditions experienced by the workers and their families. In addition, this graphic novel highlights the art of storytelling and how each story can be shaped or reimagined by the experiences of the teller and the listener.

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The Legend of Auntie Po int3 — Interior spread from The Legend of Auntie Po written and illustrated by Shing Yin Khor, Kokila ©2021

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As the story concludes, Mei and her father decide it’s time for her to go away to school. Mei has also resolved some of her identity issues:

“I know who I am. I am a good cook. I have good friends, I have the best pa in the world” (p. 272).

The author’s endnote and her bibliography contain valuable information, as does her video on how this book came about for anyone who wants to learn more about the legends and history behind this engaging graphic novel. This is truly the middle-grade at its finest.

Reviewed by Dornel Cerro

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Front Desk by Kelly Yang – A Not-to-be-Missed Debut Novel

July 18, 2018
goodreadswithronna
Ages 8-12, Asian & Asian American, Family, Family & Relationships, Family - Parents, Immigration, MG Fiction, Middle Grade Fiction

FRONT DESK
Written by Kelly Yang
(Arthur A. Levine Books; $16.99, Ages 8-12)

★Starred reviews – Booklist, Kirkus and School Library Journal

Where do I possibly begin with Kelly Yang’s FRONT DESK?

FRONT DESK is a timely and needed narrative for so many reasons. And Yang, as demonstrated in her debut novel, is one heck of a storyteller. She’s destined to be an author that kids and adults clamor to meet so they can soak up her pearls of wisdom. Drawing from firsthand experiences and keen insights from when she arrived in America as a Chinese child immigrant along with her parents, Yang’s tale provides many kids a chance to find themselves and find hope inside the pages of this moving middle grade historical novel.

It’s 1993 when we meet our heroine Mia Tang. At 10-years-old, Mia is one of the most empathetic, intelligent, persevering characters of this age I have seen in a long time. The truth is there are so many like her whose voices deserve to be heard. I am grateful to Yang that tweens now have a chance to get to know this plucky protagonist and her struggles. Mia’s family are employed at a hotel with unpleasant owners after working for a short time at a restaurant where they were taken advantage of, then fired shortly after. While the hotel seems like a dream come true at first with free rent, the negatives and danger of managing the hotel take their toll on the family.

One of the moments that broke my heart is when Mia is sitting with one of the “weeklies” at the motel she helps run with her parents. The “weeklies” stay at the hotel for a week at a time, paying a lump sum. An older Black gentleman, Hank, is sitting slumped over, defeated by yet another instance in his life where he is targeted for a crime he did not commit simply because he isn’t White. He’s been labeled for so long that at this point he has no more will to fight. He exposes this vulnerability to Mia, and it is a powerful and haunting exchange. Hank isn’t feeling sorry for himself, nor is he bitter or angry when he has every right to be. He’s just tired, the kind of tired you cannot possibly understand unless you’ve been judged by the color of your skin your whole life. Mia later advocates for him and shows us how you are never too young or too old to stand on the side of justice and equality for all.

Resiliency. Mia and her family, along with the “weeklies” and some other friends, have this in abundance. Even when their own families decline to help them in their hour of need, their community rallies around them so they can take control of their destinies.

I dog-eared many pages to go back and look over for this review, and I’m still at a loss as how best to describe my favorite parts because there are so many. I’ve also purchased more than one copy of this book to give to others. It is one of those stories that will creep into your heart and linger there for quite a while.

FRONT DESK needs to be in every school library and as many homes as possible.

Reviewed by Ozma Bryant

Read another recent review by Ozma here.
Check out Kelly Yang’s new global issues video series for teenagers: www.facebook.com/kellyyangproject or www.youtube.com/kellyyangproject.

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