Family – New Baby

Three Picture Books for Ramadan and Eid al-Fitr

 

PICTURE BOOKS FOR RAMADAN AND EID AL-FITR

~ A ROUNDUP ~

 

 

 

 

Moon's Ramadan cover kids on balcony cheering moonMOON’S RAMADAN
Written and illustrated by Natasha Khan Kazi 
(Versify; $18.99, Ages 4-8)

★ Starred Review – School Library Journal

I’m a big fan of personification in picture books so I was curious how Kazi would bring the moon to life in her new Ramadan story. In her debut, she shows a cheerful crescent moon grinning at a diverse group of Muslims across the planet.

Ready for a month of peace and fasting from sunrise to sundown, people are busy cleaning and preparing. Moon’s view of celebrants takes us first to Egypt, then to Turkey. We learn the early morning meal is called Suhoor. The daylight hours are devoted to good deeds and kindness. When Moon glances down at Indonesia, it’s time to break the fast at Iftar. Here we’re treated to a spread of a dining room table filled with all the delicious foods of the holiday including dates. In the United Kingdom, Moon lights the way for children “delivering baskets of dried fruit and honey-soaked pastries.” Zakat, or charity during Ramadan, is discussed by leaders of the community in New Zealand. One example is by putting coins in sadaqah jars for those in need.

As the days pass, Moon grows fuller. So by the time this story reaches Somalia, it is full, signaling the halfway mark of the holiday. An Iman leads worshippers in the nightly prayer of Taraweeh. One of my favorite spreads, in rich purples and blues, is about breaking bread with people of different faiths. Set in the United States. Moon has reached its last quarter and is shaped like a loaf of bread that has risen. In Dubai Moon gets a glimpse of smiles and hennaed hands. A gorgeous star-lit outdoor scene greets a new Moon in Argentina as she “magically melts into mulberry and lavender hues.” People fill the streets as the month of fasting nears its end. First India for Chaand Raat, the night of the moon, and then for our return back to where everything in Kazi’s picture book began, in Egypt for the joyful Eid al-Fitr festivities. The positive energy of Kazi’swarm art, achieved using scanned watercolor textures and digital pencil, and uplifting prose pulsates from the pages!

The endpapers depict the phases of the moon and back matter includes an Author’ Note, a Ramadan Glossary, illustrations of different foods, and Ramadan items such as the lantern, the sadaqah jar, the traditional skullcap, and more. A rewarding read now and for years to come!

 

The Night Before Eid cover grandmother hugging grandchildTHE NIGHT BEFORE EID
Written by  Aya Khalil
Illustrated by Rashin Kheiriyeh
(Christy Ottaviano Books; $18.99, Ages 4-8)

★ Starred Review – Kirkus

Introduce your children to Eid al-Fitr, the Muslim holiday that begins with a crescent moon above, by sharing this heart-warming new picture book.

Zain is so excited that Teita has finally arrived from Egypt. Everyone will help her make the delicious dessert called ka’ak that she is known for. She’s brought along special ingredients, too. The mouth-watering cookies take time and patience to make and though Zain is eager to get started, author Khalil takes us back to Egypt via several fabulous flashback spreads to when Zain’s Mama and Teita were younger. That was a time when the whole family would stay up all night to bake the ka’ak and then offer them as gifts to others. Those three pages of recollections convey the significance of this tradition that Zain’s family continues.

Zain brings the cookies to school where they are a hit even with his class’s pickiest eater. This is a super scene because it’s inclusive—there’s a student in a wheelchair, a Black student, a White student, one girl in a headscarf, and one boy wearing a yarmulke. When Zain’s teacher wants the recipe he is filled with pride. Wait until he tells Teita! You can feel the love emanating from the huge hugs and smiles he shares with his teita once home.

The charming illustrations, which include a lively kitty popping up in fun poses and places, have a childlike quality that I find appealing and feels so right for this story. They were created using mixed media including acrylic, oil, ink, spray paint, crayon, and pencil on watercolor paper. The saturation of colors such as pink, orange, and teal adds vibrancy to this tale that is already so full of life.

Seeing the scenes when Mama was a child helps reinforce how the memories of time spent together during the holiday are a cherished part of the experience. Young readers are treated to not only the history of ka’ak going back to the pharaohs’ rule but to the fun involved when everyone pitches in now to help prepare them. Khalil’s prose makes us almost taste their sweetness and shows how important it is to honor this joyful tradition. Six pages of back matter end the book with an explanation of Eid, a ka’ak time line, lovely author photos, and a recipe to try your hand a ka’ak making. Don’t miss this timeless intergenerational story!

 

Zahras Blessing cover girl wishing on the moonZAHRA’S BLESSING
Written by Shirin Shamsi
Illustrated by Manal Mirza
(Barefoot Books; Available in Hardcover $17.99, Paperback $9.99, + Spanish, Ages 4-9)

I loved where this wonderful story went and how the title can be interpreted to refer to more than one blessing that occurs in Zahra’s Blessing. One clue is given in Nirza’s beautiful cover artwork.

The story begins at bedtime with the main character, Zahra, telling her teddy bear that during the Ramadan moon, her mama says “… blessings are all around us during this month.” So Zahra prays for a sister, someone to bake with. I’m adding play with, read to, and love because it’s clear Zahra is a girl full of love.

One blessing during the holiday is to give to others so along with her Mama, Zahra chooses clothing to box up and donate. Afterward, she realizes that she cannot find Teddy, her stuffed animal, despite a thorough search. This loss weighs on her. A sister could help her look for Teddy.

When they bring their items to a refugee shelter, they will also spend time there volunteering. And though Zahra is missing her beloved Teddy, her mother explains the shelter residents have lost so much more since fleeing their homelands. That helps Zahra understand their difficult circumstances. Mama introduces Zahra to “someone special,” a young refugee named Haleema who is painting. This a second clue kids might not pick up on. They may also not get that Haleema refers to her parents in the past tense. Her Baba was an artist she tells Zahra. Her mama was an architect. Here I must note I did wonder if kids will infer Haleema’s parents had died. What is clear is that Zahra and Haleema bond over painting, reading stories, and then breaking the fast together. Soon it was time to go home and I was moved when Zahra longs to find Teddy so she can give him to Haleema who was sad to see her new friend go. Moments like this demonstrate Zahra’s maturity and humanity.

Over Ramadan, Zahra and Haleema spend more time together, growing closer every day. Just before “Eid Day dawned dazzling bright” Zahra’s parents share a delightful secret with her which readers ultimately learn a few spreads later. Zahra’s wish for a sister has come true in the most wonderful way so when Eid festivities end, this family of three grows to a family of four with Haleema! There was no denying the blessing of Ramadan that Zahra’s family could feel.

The two pages of back matter explain the holiday, and its customs, and also address displacement, shelters, and foster care. The interconnectedness of Shamsi’s lyrical writing with Mirza’s jewel-toned, ebullient art makes this a standout story for children. Zahra’s Blessing presents a story of empathy, kindness, and the joy of giving in an engaging and accessible way while beautifully blending the richness of Ramadan and Eid.

  • Reviewed by Ronna Mandel
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Picture Book Review – The Big Sibling Getaway

THE BIG SIBLING GETAWAY

Written and illustrated by Korrie Leer

(Albert Whitman & Company; $16.99; Ages 4-8)

 

TheBigSiblingGetaway cvr

 

 

In The Big Sibling Getaway, author-illustrator Korrie Leer introduces us to Cassie, a new big sister who just needs quiet, a feeling every older sibling experiences at some point.

With a WAH! WAH! WAH!, these onomatopoeia words perfectly describe the frustration of having to accept change in our lives that we don’t necessarily ask for—like welcoming a new sibling when all you’ve known is having parental attention exclusively. Well, that’s what happens to Cassie who needs a break from the crying of her new baby brother.

 

TheBigSiblingGetAway INT02
Interior art from The Big Sibling Getaway written and illustrated by Korrie Leer, Albert Whitman & Co. ©2020.

 

“There was one box left.” Cassie climbs into the last empty box that carried the new baby items, covering her ears and closing her eyes tightly but “Cassie still heard crying. And so… ”VROOM! Cassie’s imagination transforms the box into a car taking her on a much needed escape. Leer illustrates Cassie’s cardboard car driving up and down the valleys. The soft blues of the ocean, and browns of the sand are peaceful until interrupted by baby wailing.

Leer continues Cassie’s journey as she goes SPLASH! in the ocean and WHOOSH! as she “soared next to birds and through clouds.” But still she heard whimpering. Cassie finally makes it to the moon without a person in sight. “Peace and quiet at last.” Alone with her box and the yellow stars above her, our young heroine lays quietly on her back (savasana pose in yoga) but does she really want complete silence all the time?

 

TheBigSiblingGetaway INT05
Interior art from The Big Sibling Getaway written and illustrated by Korrie Leer, Albert Whitman & Co. ©2020.

 

When Cassie finds her much needed quiet time, it shows the reader how important taking time for yourself is. However Cassie also realizes that going solo to the moon can be a bit lonely. Sitting on top of her upside down brown box she wishes she had someone to share her imaginary getaways with and realizes maybe having a little brother isn’t so bad after all.

This story reminded me of my own daughter who was not pleased to welcome a new brother. I wish I had this story to read to her when she was young. These simple words of sibling love will resonate with new older siblings. The Big Sibling Getaway is a charming bedtime story, and a great baby shower gift for any mom expecting a second baby’s arrival on the scene.

  •  Reviewed by Ronda Einbinder

 

 

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Children’s Picture Book Review – The Stray by Molly Ruttan

THE STRAY

Written and illustrated by Molly Ruttan

(Nancy Paulsen Books; $17.99, Ages 3-7)

 

 

It’s not every day that a creature from far off in the galaxy crash lands its UFO on Earth. So when it does, in The Stray written and illustrated by Molly Ruttan, the thoughtful thing to do is bring the alien home if you happen to encounter it. That’s exactly what the family in Ruttan’s debut picture book does. Ironically the family doesn’t seem to get that he is not a dog, at first, like when they note he didn’t have a collar, and give him among other things, a Frisbee and a bone, which adds to the hilarity of the situation. The author illustrator has not only created an amusing and fun way to tell the story of finding a stray, she’s brought it heart and that’s a wonderful combination.

In summary, after the family find the stray, an out-of-this-world kind of dog, they bring it home and name the pet Grub. Now Grub’s no ordinary stray and gets up to all sorts of mischief. Yet, despite his errant ways, the family still love him. That message of unconditional love shines in every illustration. And adorable Grub knows how to create chaos. You’ll see exactly what havoc Grub can wreak in the neighborhood street spread below. This is a scene you’ll want to look at closely with kids because Ruttan’s ensured there’s a lot going on. In fact, the entire book’s a delightful visual romp filled with energetic art in a bluish palette, blending whimsy and emotion on every page.

 

 

Ruttan TheStray p04-05 We-found-a-stray fin
Interior spread from The Stray written and illustrated by Molly Ruttan, Nancy Paulsen Books ©2020.

 

No matter what the family does and how much love they bestow upon Grub, he doesn’t seem to be happy. That makes them wonder “… if it was because he already had a family somewhere else.” This key element of The Stray, that everyone lost belongs somewhere and helping them find their way home is kind, will be a comforting one for children. Seeing Grub’s adoptive family go through the experience together to locate his outer space family is also reassuring. Young readers will be happy when it turns out Grub’s Earth family didn’t have to try very hard.

 

Ruttan TheStray p09 We-named-him-Grub fin
Interior art from The Stray written and illustrated by Molly Ruttan, Nancy Paulsen Books ©2020.

 

In interviews Ruttan’s mentioned that she always wanted The Stray to have a dual story line, one in which she drew upon her own family’s experience of finding strays over the years paired with comical things going on in the illustrations which weren’t mentioned in the spare text. That works so well here that kids will be pointing things out to their parents as the story is read. Ruttan’s also added a few “Easter eggs” to the illustrations, for those hard-core fans of UFO lore, like the portrait of Barney and Betty Hill on the wall in living room, the symbols found in the 1947 wreckage at Roswell on the Frisbee, and others. Don’t forget to peek under the book jacket because the case cover art is different.

 

Stray Neighborhood AFTER
Interior spread from The Stray written and illustrated by Molly Ruttan, Nancy Paulsen Books ©2020.

 

The engaging art was created with charcoal, pastel, and a little liquid acrylic paint thrown in. The final art was made using digital media. Whether you’re seeking a bedtime story or one to share at story time, The Stray will find a way into your heart as it did mine.

Come back tomorrow for an interview with Molly about how she launched her picture book during the pandemic when bookstores were closed.

NOTEWORTHY FACT: Today is the 51st anniversary of the first moon landing! While it’s not a UFO event, it’s a significant day for humankind and space. 

 

•Reviewed by Ronna Mandel

 

Find out more about The Stray in my January 2020 cover reveal with a guest post by Molly here.

Download fun activities to accompany your reading of The Stray here.

 

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What We’re Reading for Mother’s Day 2018

BEST BOOKS FOR MOTHER’S DAY 2018
A ROUNDUP

 

 

Happy Mother's Day pink roses bouquet image

 

How do you celebrate Mother’s Day? With our recommendations for the best new Mother’s Day books around! And, whatever you may do, wherever you may go, take some time to read together with your children at home, in a park, on a train, at a bookstore or in a library. Books make memorable gifts and, with an added personal message, will be cherished for years to come.

 

A Heart Just Like My Mother's cover illustrationA Heart Just Like My Mother’s
Written by Lela Nargi
Illustrated by Valeria Cis
(Kar-Ben; $17.99 Hardcover, $7.99 Paperback, Ages 3-8)

In A Heart Just Like My Mother’s, when Anna, who loves and admires her mother is inspired to help a homeless man by saving up her Tzedakah money, she realizes she and her mom share something in common—a big heart. This lovely picture book is a wonderful way to explain the Jewish tradition of performing an act Tzedakah which Nargi defines not so much as charity but doing the right thing by helping others. But it’s also the story of a little girl who starts out thinking she could never be as creative, funny or caring as her mother until she realizes what she has to offer. By collecting Tzedakah money and providing food for the homeless man, Anna’s selfless act of kindness brings her closer to her mother and proves to herself that she too has qualities worth being proud of. I love Cis’s illustrations too. There’s a warm, folksy feeling about them that adds to the positive vibe that emanates from the pages making A Heart Just Like My Mother’s such an enjoyable read.

Forever or a Day cover illustration by Susan JacobyForever or a Day
Written and illustrated by Sarah Jacoby
(Chronicle Books; $17.99, Ages 3-5)

With its starred reviews from both School Library Journal and Publishers Weekly, Forever or a Day by Sarah Jacoby will make a thoughtful gift this holiday for those seeking something at once out of the ordinary as well as heartwarming. It conveys its beautiful message with spare yet evocative text and in just 20 pages. At first I thought it was a picture book about the future, but then it dawned on me that it’s about being present and spending time together with loved ones and making meaningful moments now. Adults and children may experience different reactions when reading the book but that’s to be expected. Sophie Blackall, Caldecott Medal-winning and New York Times–bestselling illustrator of Finding Winnie, says it best: “Sarah Jacoby’s ethereal exploration of time rushes like a passing train, shimmers like a setting sun and allows us, just for a moment, to appreciate the beauty of standing still.” Prepare to be moved by the compelling art that complements the lyrical language of Forever or a Day.

I've Loved You Since Forever cover illustrationI’ve Loved You Since Forever
Written by Hoda Kotb
Illustrated by Suzie Mason
(HarperCollins BYR; $18.99, Ages 4-8)

Precious pairings of mothers and and animal babies from bluebirds and bunnies to otters and owls fill the pages of Today show co-host Hoda Kotb’s debut picture book, I’ve Loved You Since Forever. Kotb adopted her daughter, Haley Joy, in February 2017 and her happiness at becoming a mother is infectious and evident throughout this delightful picture book. Gentle rhyme, a repeated refrain (there was you … and there was me), a rewarding wrap up and exuberant illustrations all work wonderfully together. I’d pick up I’ve Loved You Since Forever for any new parent on your holiday list. In addition to Kotb’s lovely language, there’s a sense of warmth and closeness from the special bond of parenthood depicted in Mason’s tender scenarios. Whether or not you’re an adoptive parent, I’m sure these lines will resonate with you as they did with me: Before otters swam together/and rivers reached the sea/there was you and there was me/waiting for the day our stars would cross/and you and I turned into we. Awww!

American Mom: A Celebration of Motherhood in Pop Culture
by Meredith Hale
(Sterling Publishing; $19.95)

In 176 color pages and 12 clever chapters, author Hale deftly delves into the world of motherhood from various perspectives that readers will find fascinating. The introduction says the book “explores the changing role of motherhood through the images and shared cultural moments that have captured it best: magazines, advertisements, greeting cards, television shows, movies, songs, and other pop culture ephemera.” Choose a chapter at a time because this comprehensive and enlightening book is meant to be savored slowly (like a 1950s TV mom’s best casserole) and cannot be read in one or even two sittings. I love the breadth of the material that’s been included and am partial to the earlier chapters that cover motherhood in the eras before I was born including The Nineteenth Century, The Pre-War Years, World War I, The Roaring Twenties, The Great Depression, World War II, The 1950s (although note that American Mom does go all the way to present day 21st century). I learned, for example, that between “1885 and 1905, there were around eleven thousand magazines and periodicals published in the United States—and about 88 percent of the subscribers were women,” that Betty Crocker was a fictional character, that Eleanor Roosevelt “broadened the role” of first lady and that on I Love Lucy they couldn’t say the word pregnant on the show! Through Hale’s insightful lens on motherhood, we’re taken on an entertaining jaunt through fashion, food, first ladies, feminism, photography, film and literature that pays tribute to the ever changing role of mothers in American life and touches on aspects of this expansive topic in ways that will interest every reader, male or female.

If you’re looking for a fun, original board book for Mother’s Day, look no further than
From Mother to Mother
Written and illustrated by Emilie Vast
Translated from French by Julia Cormier
(Charlesbridge; $7.99, Ages 0-3)
Simple in concept, but rich in design elements, this 14-page board book is perfect for little ones who adore the pull-apart Matryoshka dolls. Every other page takes a child back several generations of a mother’s mother’s mother’s mother who in turn gave birth to a child eventually bringing the reader to the present. “And not long ago, I gave birth to you … my very own child. A mother’s love goes on and on and on.” What a beautiful sentiment to share with a young child while cuddling them close and showing them all the different colored pages, each with unique and nature-inspired artwork. There’s also a version for dads!

  • Reviewed by Ronna Mandel

Read our Mother’s Day recommendations from 2017 here.

Read Cathy Ballou Mealey’s review of Love, Mama here.

 

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How to Grow a Dinosaur – An Interview with Author Jill Esbaum

HOW TO GROW A DINOSAUR
Written by Jill Esbaum and illustrated by Mike Boldt
(Dial Books for Young Readers; $17.99; Ages 2-5)

Cover illustration from How to Grow a Dinosaur by Jill Esbaum

 

If you’re looking for a gift for a child who is about to become an older sibling, look no further than Jill Esbaum’s hilarious and practical guide to big siblinghood, HOW TO GROW A DINOSAUR with artwork by Mike Boldt. Here’s a description from Penguin Random House:

Good news: Your mom’s hatching a baby! Bad news: Babies take their sweet time. And when the baby finally hatches? He’s too little to play! He mostly screeches, eats, burps, sleeps, and poops. He doesn’t even know he’s a dinosaur! That’s where you come in. You can teach the baby just about everything–from peek-a-boo to roaring to table manners to bedtime. Growing a dinosaur is a big job, but you’re perfect for it. Why? Because one thing your baby brother wants more than anything . . . is to be just like you.

INTERVIEW: I was lucky enough to sit down for a chat (via Facebook Messenger) with Jill to talk about the book, finding time to write, and the perks of being a kidlit author.

Colleen Paeff: I love the way HOW TO GROW A DINOSAUR is playful and funny, but it’s also a legitimate how-to guide for older siblings. Did the manuscript start out that way or did it evolve over time?

Jill Esbaum: Thanks, Colleen! That evolved over time. I wrote it to be a simple, entertaining book, but it sort of took on a life of its own. My editor grabbed onto the possibilities right away.

CP: Did you send it to your agent first or did it go straight to your editor?

JE: I sent it to my agent, Tricia Lawrence. I had my Dial editor, Jessica Dandino Garrison, in mind, though, and asked Tricia to send it to her first. It seemed like the kind of goofy humor she might like.

CP: So, you had worked with this editor before?

JE: Yes. We had worked together on both I HATCHED and I AM COW, HEAR ME MOO!

CP: Is it easier to work on something with an editor you’ve worked with before?

JE: Definitely, because you (sorta) know what might work for her/him and what probably
won’t.

interior artwork from How to Grow a Dinosaur
Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018

 

CP: How long was the process from first draft to publication for HOW TO GROW A DINOSAUR?

JE: I sent it to Tricia in May of 2015, and by October we had an offer. The process didn’t really start until March, when the contract was finally buttoned up. So March, 2016, to January, 2018. Not bad.

CP: Is that faster than usual? Or is that normal for you?

JE: That was about the same as my other recent books. I once waited nearly 5 years, though, so 2 years felt like lightning speed. My last 5 (or so) books have all been about 2 to 2 and a half years from sale to publication.

CP: Wow. That seems fast!

JE: Still seems fast to me, too. My earlier books were mostly 3-year books.

CP: I’m curious about the ratio of stories you write to stories you sell. Do you have many manuscripts in the proverbial “drawer” or do you sell most of what you write?

JE: That’s hard to say right now. My agent has 6-7 picture book manuscripts that started to make the rounds last year. Considering my entire career, though, I suppose I sell…50% of what I write? That’s probably just because I refuse to give up on some that deserve the drawer. I can’t help tinkering with rejected stories in hopes of making them irresistible the next time out. That persistence has often paid off for me. An offer came in last month for a picture book that had been rejected 7-8 times since I wrote it in 2014.

CP: Do you usually work on one project at a time or several?

JE: Several. Right now, I have a chapter book, 3 picture book manuscripts, and a nonfiction project all front and center on my computer desktop.

interior artwork from How to Grow a Dinosaur
Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018

 

CP: Are you someone who writes every day or do you have a more flexible schedule? And how do you squeeze it in around farm work, grandchildren, school visits, and teaching a summer writing workshop?!

JE: I don’t feel like I’ve been doing a very good job of it lately, honestly. Working on that. But I can’t always make writing my priority. Family comes first, always. One thing that has also been squeezing out writing time lately is handling the business side of being published. I don’t love it, and it’s a huge time suck. Long, leisurely days of “Hmm, what should I work on first?” are VERY few and far between, these days.

CP: But it seems like you’re so prolific!

JE: I don’t feel that way. I always feel like I should be writing more. For instance, I wrote a quick draft of a new picture book and sent it to my online critique group about 10 days ago. They’ve all weighed in, and I’m chomping at the bit to start tweaking. But I haven’t yet been able to make the time. Part of that is because I have a new book out and am doing my best to promote it, including my first-ever launch party this next weekend. Partly it’s because the flu sidelined a grandson’s babysitter, so I stepped in there. Grammy duty is one of the best parts of my life!

CP: Is hanging out with your grandkids a big source of inspiration for you?

JE: It is! And I hadn’t really expected that. My fingers are tightly crossed for a project going to its final yes/no meeting next month that springs entirely from a moment I experienced while babysitting my granddaughter. Crazy.

CP: I know you write both fiction and nonfiction. Do you have a soft spot for one over the other?

JE: I suppose I have a soft spot for fiction, but only because that comes entirely from my own imagination, and it’s a blast to see that come to life. I love writing nonfiction, too, because all the information I need is easily available to me, and all I have to do is figure out a way to make it engaging for kiddos.

CP: Let’s get back to HOW TO GROW A DINOSAUR. I love the parts in the story where the text is vague, but the illustrations show something alarming, or moving, or downright hilarious. Did your manuscript go to the illustrator with art notes or was that all him?

JE: I did include brief art notes here and there. But much of it was left for the illustrator’s imagination. I don’t think I had an art note for the page in which the baby dino is teething on the cat. And that turned out to be one of my favorite illustrations.

CP: Yes! I love that one. And I love the one where the big brother roars and scares the baby. They both look so sad.

JE: I feel very fortunate that both Jessica and the illustrator, Mike Boldt, understood what I was trying to do.

 

How to Grow a Dinosaur interior spread
Interior spread by Mike Boldt from How to Grow a Dinosaur by Jill Esbaum, Dial BYR ©2018

 

CP: Do you have a favorite unexpected detail?

JE: My favorited unexpected detail is that Mike inserted picture books here and there with titles that are plays on books of his or mine. There’s I Don’t Want To Be a Stegosaurus (from his book with Dev Petty, I Don’t Want To Be a Frog); I Hatched; and I Am T. Rex, Hear Me Roar! (from my I Am Cow, Hear Me Moo!) Too funny. Illustrators are brilliant.

CP: Yes! I love those, too. And I love how all the illustrations in the books are dinosaurs. It’s so clever. Did you see any artwork while it was in process or did you have to wait until it was complete?

JE: I did get to see the black and white sketches. It was obvious even then that this one would be special.

CP: Do you sometimes feel a sense of trepidation when you give up your manuscript to an illustrator?

JE: No, I never feel that way. I’m always excited to see what they bring to the story. Seeing their sketches feels like unwrapping a gift.

CP: What’s next for you?

JE: I have a couple of nonfiction books coming out in March. Picture book-wise, two projects are in the pipeline that I can’t yet talk about. And my fingers are tightly crossed for a third. Meanwhile, I’ll be writing whenever I can squeeze it in. Enough of that, and projects eventually get finished.

CP: What do you wish you’d known when you first started writing for children?

JE: I don’t think there’s anything I can say I wish I’d known. Getting to this point in my career has been one long, slow learning process, of course. But I can’t wish I’d had shortcuts, because everything that’s happened has made me a stronger writer.

CP: That’s good to know!

JE: The BEST thing that’s happened in the past 20 years: If anybody had told me, early on, that in 20 years I’d have this many amazing and talented author/illustrator friends all over the globe I would have thought that person was nuts. I mean, I live in Iowa; how would I meet them? Ha. Enter the internet. And SCBWI conferences and literature festivals. Meeting so many terrific book people has been one of the highlights of my life.

CP: It’s definitely one of the perks of this business. Thanks so much for doing this, Jill!

JE: Thanks, Colleen! I enjoyed it.

  • Interview by Colleen Paeff

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Wolfie The Bunny by Ame Dyckman

WOLFIE THE BUNNY
Written by Ame Dyckman
Illustrated by Zachariah OHora
(Little, Brown Books for Young Readers; $17.00, Ages 3-6 )

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★Starred Reviews – Publishers Weekly, SLJ, Horn Book & Booklist

I lovc a picture book that makes me laugh out loud which is exactly what happened when I read Wolfie The Bunny. Plus, this book has got it all: humor, suspense, endearing characters, and super artwork, so it’s easy to adore.

Little Dot, the bunny, is with her parents when they find an abandoned wolf baby left on their doorstep. Dot’s parents welcome this discovery, and proceed to fall head over rabbits’ feet for sweet Wolfie despite Dot’s frantic warning, “He’s going to eat us all up!” I cracked up at OHora’s illustration of Dot, wide awake with a head lamp shining on her sleeping new baby bro. In the end pages, OHora explains that his former neighborhood of Park Slope in Brooklyn served as inspiration for the story’s setting. Those scenes really ground this tale. Kids (and adults) will get a kick out of all the different expressions on Dot’s and Wolfie’s faces depicted throughout the book. Wolfie’s drools added an extra element of tension and I’ll admit I enjoyed not knowing where Dyckman was going with the plot. In other words, I had no trouble continuing to turn the pages. That will definitely keep younger readers glued to ythe book, too. Was the wolf going to devour Dot and her folks or would his love for his adopted family outweigh his growing appetitie? At the same time, Wolfie’s actions indicated a doting sibling:

“Everywhere Dot went,
Wolfie went, too.”

Dyckman’s included just the right amount of repetition of the line, “He’s going to eat us all up,” to keep it fresh and fun. And Dot’s parents’ admiring comments of “He’s a good eater, “He’s a good sleeper,” and “He’s a good drooler!” clearly demonstrated their unconditional love. What worked best in this tale was how Dot’s initial fear of being gobbled down disappeared when Wolfie was threatened by a bear. Stepping up to the plate as big sister, Dot defended her little brother and found that fighting for her family member’s safety brought her closer to Wolfie and dashed any fear of being on the menu for dinner.

– Reviewed by Ronna Mandel

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Olive Marshmallow by Katie Saunders

OLIVE MARSHMALLOW
Written and illustrated by Katie Saunders
(Little Bee Books; $16.99, Ages 3-6)

 

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Meet Archie, the main character of this adorable new picture book, Olive Marshmallow by Katie Saunders, inspired by her actual experience when she was expecting her second child.

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Interior artwork from Olive Marshmallow written and illustrated by Katie Saunders, Little Bee Books ©2015.

 

Archie has noticed something different at home. His mom is looking BIGGER. She shows him the ultrasound image, something I haven’t seen in other books, but was happy Saunders thought to include it.

“This is your baby sister growing in Mommy’s tummy,” she says.

Archie is going to be a big brother. Unlike most older siblings usually concerned about a new child stealing the show, this little lad only briefly wonders if he wants a baby sister because what he really likes are “cars, trains, and playing ninjas.” The only objection he seems to have about the changes afoot is all the pinkness that’s filling the house.

He is ABSOLUTELY sure that he doesn’t like fluffy, frilly, very pink things.

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Interior artwork from Olive Marshmallow written and illustrated by Katie Saunders, Little Bee Books ©2015.

For a lot of parents, Archie may seem to be the ideal son, but that’s what’s so sweet about this simple picture book. Olive Marshmallow is actually a super story to share with kids about the imminent arrival of another family member because it’s completely positive, setting it apart from so many of the rivalry-themed books. While those books are very important, and do indeed serve a purpose for helping kids find the words for feelings they may not otherwise be able to articulate, it’s refreshing to read a more innocent approach. Plus the switched on mom in the story is a reassuring presence. While things may not remain the same once the baby comes along, there will be twice the number of toys, and someone to play with (eventually). So it’s no surprise that from the moment Archie meets his marshmallow of a baby sister, it’s love at first sight.

In addition to the upbeat text, this feel good book exudes such joy as a result of Saunder’s lovely palate of soft pinks and baby blues. Her illustration style is a delightful blend of Lauren Child meets Nick Sharratt that kids will love. And you’ll notice she’s included a pet kitty you can point out to your child for some good laughs. Hint: Look for the cat dressed up in a tutu and crown. Things may not be the same anymore for Archie, but they sure will be better!

– Reviewed by Ronna Mandel

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Edgar’s Second Word by Audrey Vernick

Edgar’s Second Word, a picture book written by Audrey Vernick and illustrated by Priscilla Burris (Clarion Books/Houghton Mifflin Harcourt, $16.99, Ages 3-6), is reviewed today by Cathy Ballou Mealey. obj488geo264pg21p25

Oh how sweet sister-to-be Hazel longs to welcome her baby brother! She’s drawn pictures and posters, chosen special bedtime stories, and practiced reading to her stuffed bunny, Rodrigo. But as Hazel finds in Audrey Vernick’s newest picture book, Edgar’s Second Word, babies don’t always want to go along with the plan.

Hazel and Edgar’s mother dutifully notes all of Edgar’s firsts in his baby book, while Hazel waits patiently for Edgar to do more than grunt and point. His first word, NO, is celebrated and then quickly deplored as it becomes Edgar’s go-to response to all opportunities for entertainment.

Burris’ artwork is spot-on cheerful and bright for her young audience. Warm yellow tones and lovely lilac hues are nicely accented with springtime greens. Nothing is too perfect or precise, and delightfully captures Hazel’s springy curls, bubbly bath, and cozy bed. The detail contrast with plaids, polka-dots and zig zags adds lovely textural interest to every spread.

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Interior artwork from Edgar’s Second Word by Audrey Vernick with illustrations by Priscilla Burris, Clarion Books/Houghton Mifflin Harcourt, 2014.

Readers will know from the title that Edgar does eek out a second word by the book’s end. But the surprise is that there is also a third word that wraps the story to a harmonious and clever close. Edgar’s Second Word is a fresh, appealing story accenting the positive aspects of sibling relationships while underscoring the virtues of patience and persistence.

–       Reviewed by Cathy Ballou Mealey

–       Where Obtained:  I received a review copy from my library and received no compensation.  The opinions expressed here are my own.

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Little Frog’s Tadpole Trouble & Small Bunny’s Blue Blanket by Tatyana Feeney

A Delightful Double Dose of Tatyana Feeney!
Little Frog’s Tadpole Trouble & Small Bunny’s Blue Blanket,
both reviewed by MaryAnne Locher.

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Little Frog’s Tadpole Trouble written and illustrated by Tatyana Feeney, Alfred A. Knopf Books for Young Readers, 2014.

Tatyana Feeney wows us again with her simple brand of illustrating and storytelling in Little Frog’s Tadpole Trouble (Alfred A. Knopf Books for Young Readers, $16.99, Ages 1-3).

The universal tale of a new baby (or in this case, nine tadpoles) taking all of mommy and daddy’s attention from big brother (or in this instance, Little Frog) will delight older siblings, whether boys or girls.

We all know newborns don’t do much, but require oodles of attention from their parents. So it is when Little Frog suddenly finds himself the big brother to nine tadpoles. They can’t build towers, they can’t play the drums, and they can’t even jump! All they can do is take mommy and daddy’s time away from Little Frog, who is resentful of missing story time and goodnight kisses from his parents.

Then, one day the tadpoles grow into little frogs themselves becoming perfect playmates for their big brother. Little Frog decides having siblings isn’t so bad after all, and that it makes his family better than ever. Little Frog becomes the best big brother and one youngsters can relate to.

A companion book for Feeney’s other works: Small Bunny’s Blue Blanket (see below) and Little Owl’s Orange Scarf, Little Frog’s Tadpole Trouble is the perfect book when a new baby is brought into the family.

 

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Small Bunny’s Blue Blanket written and illustrated by Tatyana Feeney, Alfred A. Knopf Books for Young Readers.

Here’s a book for all of you parents out there with little ones who have an attachment to a blanket, stuffed animal, or other inanimate object. You are not alone! Who hasn’t tried to sneak a sour smelling “doggie” into the washer? How many times have you heard of the dad cajoling the night janitor to let him into the preschool to retrieve the “bunny” left in a cubby, just so his daughter could go to sleep, or seen the dirty, frayed, and much loved blanket dragging behind a toddler in the grocery store? Tatyana Feeney, author of Little Owl’s Orange Scarf and Little Frog’s Tadpole Trouble, has enchanted us again with Small Bunny’s Blue Blanket and captured one of the cutest and at the same time most frustrating, loves of wee ones: the security blanket.

Small Bunny’s Blue Blanket (Alfred A. Knopf Books for Young Readers, $6.99, ages 1-3 ) is released this time as a board book, just perfect for tiny hands to hold. With simple text and illustrations in watercolor and ink, it will be enjoyable for the youngest of “readers.”

Small Bunny and his blue blanket are inseparable. They swing together, play in the sand together, and even paint together. Just as bunnies get dirty and need a bath, so do blankets. At bath time, Small Bunny tries hiding from Mother, but she finds him and his blue blanket. After giving Small Bunny a bath, she insists on washing blue blanket too. Small Bunny counts the minutes until it is done washing and drying, which to him feels like an eternity. Mother is happy with the blanket and says it’s “just like new.” Small Bunny doesn’t like “new” and goes about swinging, painting, and playing with his blue blanket until it’s just the way it was before.

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