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Early Chapter Book Review – Stella Endicott and the Anything-Is-Possible Poem

STELLA ENDICOTT AND THE ANYTHING-IS-POSSIBLE POEM:

TALES FROM DECKAWOO DRIVE

Written by Kate DiCamillo

Illustrated by Chris Van Dusen

(Candlewick Press; $14.99, Ages 6-9)

 

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Starred Review – Kirkus

“I like the idea that anything is possible, don’t you?” (Stella to her teacher, p. 7)

In Stella Endicott and the Anything-Is-Possible Poem, Stella Suzanne Endicott, is one of those glorious young children who finds the whole world and all of life absolutely amazing. A wonderfully engaged, curious and imaginative child, she lives in the same neighborhood as that awesome pig, Mercy Watson, and other characters on Deckawoo Drive. On the first day of school, she meets her new teacher, Tamar Calliope Liliana, and thinks the teacher’s name “… sounded like the name of a good fairy in a deeply satisfying story … “ Her “arch nemesis” is Horace Broom, a big know-it-all, whom she finds most annoying.

 

Stella Endicott int1
STELLA ENDICOTT AND THE ANYTHING-IS-POSSIBLE POEM. Text copyright © 2020 by Kate DiCamillo. Illustrations copyright © 2020 by Chris Van Dusen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

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When Miss Liliana asks the students to write a poem using a metaphor, “Stella had a feeling that she was going to be very, very good at coming up with metaphors.” Unable to work at home, due to her brother’s hovering (he sometimes reminds her of Horace), she goes to visit Mercy Watson and curls up beside her on the couch.  As everyone knows it is

 “… a very comforting thing to lean up against a warm pig.”
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Stella Endicott int2
STELLA ENDICOTT AND THE ANYTHING-IS-POSSIBLE POEM. Text copyright © 2020 by Kate DiCamillo. Illustrations copyright © 2020 by Chris Van Dusen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

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The next day she and Horace have a disagreement over Mercy Watson. Horace, a literal type, refuses to believe a pig could live in a house and sleep on the couch! Stella angrily assures him that Mercy Watson does! Miss Liliana sends the arguing pair to Principal Tinwiddie’s office (“the toughest sheriff in town”). Horace, greatly frightened of the principal and of a blemish on his academic record, flees from the office and hides in the janitor’s storage closet. Stella races after him and, as she steps inside the closet, the door closes and the two are locked in. Did I mention that poor Horace is also claustrophobic? While they wait to be rescued, Stella comforts him. A glow in the dark map of the solar system gives Horace the opportunity to help Stella learn the names of the planets, and keeps his mind off of his fears. They share the things they love best: Horace, who wants to be an astronaut, loves telescopes, Stella loves metaphors. By the time they are rescued, both are fast friends.

With an almost lyrical narrative, a gently humorous, but thoughtful story, and delightfully quirky characters, this early chapter book is pure DiCamillo. Van Dusen’s gouache illustrations humorously enhance the narrative. DiCamillo helps children see the value of imagination and creativity and that trying to understand that annoying person could be the beginning of a beautiful friendship. As Stella always says: “anything can happen …”

Kate DiCamillo
Chris Van Dusen

  •  Reviewed by Dornel Cerro

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Princess Cora and the Crocodile by Laura Amy Schlitz

 

PRINCESS CORA AND THE CROCODILE
Written by Laura Amy Schlitz
Illustrated by Brian Floca
(Candlewick Press; $16.99, Ages 4-8)

 

Princess Cora and the Crocodile by Laura Amy Schlitz cvr image

 

Starred Reviews- Booklist, Publishers Weekly, School Library Journal

Princess Cora and the Crocodile is an 80-page illustrated early chapter book about a princess who must always be a “good girl.” When Princess Cora’s Fairy Godmother answers her wish for a pet, instead of the “great, furry, golden dog” of her dreams, the princess receives a headstrong crocodile. He tries to give Cora a day off and, because the three adults in charge of the princess’s rigorous schedule barely glance at the girl, the crocodile’s disguise initially succeeds.

The ensuing mischief will tickle children—they are insiders on silliness being played on the rigid, demanding authority figures. The crocodile tries to not swat anyone with his tail or bite them, but succumbs when instigated. Kids will laugh as he rips the King’s trousers and chews on his rear end. Meanwhile, instead of bathing, studying, and skipping rope, Princess Cora relaxes in nature. After the crocodile’s overzealous intervention, Princess Cora returns to set things right. The adults finally register the girl’s dissatisfaction and recognize other ways to properly raise a princess.

Floca’s ink, watercolor, and gouache images capture the humor as both the crocodile (dressed in a frock and mop wig) and the princess come undone. The crocodile’s antics cleverly contrast against Princess Cora’s quiet day.

A skilled storyteller, Schlitz satisfies her audience utilizing a child’s universal wishes. Princess Cora and the Crocodile will delight early readers as well as younger children. The heart of this princess and animal tale shows a kid needing a break from adult-imposed overscheduling—a message with modern appeal.

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

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