Any reader of Osborne’s beloved Magic Treehouse chapter book series knows that uttering those magical words while holding a book in the Magic Tree House will instantly transport the child back into the time and place of the book and an action-packed adventure.
This first title inthe graphic novel adaptations of the chapter book series, Dinosaurs Before Dark, introduces eight-and-a-half-year-old Jack and his younger sister, Annie, residents of Frog Creek, Pennsylvania. While playing in the wooded area near their home, they discover a tree house filled with books. As they excitedly explore the books, Jack finds a book about dinosaurs. Gazing at one of the illustrations, he wishes he could go there. Suddenly, a giant wind begins to spin the tree house and whoosh! It whisks them away to the Cretaceous Period.
While exploring this new environment, they encounter a few of the period’s dinosaurs without incident until a very large and frightening Tyrannosaurus Rex comes roaring and stomping their way. After some hair-raising attempts to dodge it, they make it back to the tree house. Now they just need to figure out how they can get home in one piece … and in time for dinner!
Laird remains true to the original story and her dialogue, along with the Kellys’ illustrations, propel the storyline. Like the chapter book, the graphic novel is neatly organized into short chapters, each ending on a cliffhanger.
Illustrators Kelly and Nichole Matthews have modeled Jack and Annie after the Sal Murdocca illustrations for the chapter book. The Matthews, who are twin sisters, creatively combine detail, color, and a more complex layout to help interpret the chapter book’s narrative. The panels sequencing the tremendous wind that spins the house back into history include a vivid two-page spread (pp 26-27) that conveys the force of the wind. Another full page is used to dramatize the height of the tree house as Jack and Annie descend from it to a world no humans have ever seen (p. 62).
This graphic novel adaptation is a great introduction to the chapter book series for younger and emerging readers and could actually replace it in popularity since the format is much more vibrant and engaging than the original chapter book series. So while it’s recommended for ages 6-9, I think children as young as five years old would find it an entertaining read.
Check out this YouTube video to hear how Jenny Laird adapted Osborne’s novel. And for more about the Matthews sisters, visit their website. Fans can also check out the Magic Tree House website here.
If you’re looking for a board book that’s full of feathered fun this holiday season, look no further than 24 pages of The Twelve Birdies of Christmas. Little ones will want to see the pictures again and again as a bunch of birdies recreate their own version of the beloved Christmas carol while getting up to all sorts of silliness across the pages. The 3 French hens illustration is my favorite and I also laughed at the 7 swans-a-swimming, but I’m sure your children will choose their own while singing along to Sattler’s new lyrics. If you want some context, the original version is included in the back of the book.
Calling all dino and transportation fans. The winning combination of dinosaurs and heavy-duty utility vehicles featured in Dinosaur Christmas will entertain the youngest revelers in your household. The premise is a simple one that will be satisfying to children. Santa’s stuck in the Northpole on Christmas Eve and only his dino pals have the brawn required to set his sleigh free. But the best part is the variety of transportation modes they use to get through the stormy weather to mount their rescue. There’s lots of repetition and onomatopoeia to add to the read-aloud experience of this sweetly illustrated picture book. “Team Dinosaur arriving. Arriving and starting to dig. Starting to dig out Santa’s sleigh. Scoop! Scoop! Scoop!” My son and daughter used to memorize books like this when they were little and no doubt your children will too. Kids can search the art for hidden polar bears and study both the front and back endpapers for pictures and names of all the dinosaurs and vehicles included in the story.
Ideal for blended families, but definitely delightful for anyone to read, Laktes for Santa Claus is a clever Hanukkah meets Christmas spin on leaving cookies out for Santa on Christmas Eve. Even if it’s not Chrismukkah (when Christmas and Hanukkah overlap), this picture book still shows a way for Jewish children living with a non-Jewish step-sibling and/or step-parent how fun it is to share a bit of their Jewish holiday traditions during Christmastime. Emaus introduces readers to Anna, who is Jewish, as she emails Santa who she guesses must be tired of the same old cookies every year. She promises to leave him a special treat and then sets about to make that happen. Anna just has to figure out what Jewish food will work. Her step-brother Michael, intent on baking cookies, points out how most of Anna’s ideas will require a utensil which Santa will not have after coming down a chimney, hands full of presents. What can she offer that won’t make a massive mess? When she realizes that latkes can be noshed as finger-food, she’s excited to put them out along with Michael’s cookies. When the siblings discover all the food gone on Christmas morning, Michael is eager to work together with Anna to plan something unique for the next Christmas. The back matter includes recipes for both the latkes and the cookies so kids can try their hand at baking with an adult. I love how the cover features a menorah on the mantle as well as a Christmas tree welcoming readers of all faiths to dive into this fun story. There is some rhyme and onomatopoeia for reading aloud enjoyment and at 40 pages, the story flows quickly complemented by the colorful, comic-style art. Despite the title giveaway, young readers will want to see the process as Anna narrows down her choices for Santa. I enjoyed every page of this charming new picture book because it showed how there is not only room for compromise in every family, but how easily a new tradition can be created bringing everyone closer.
This story brought to mind the classic, Big Bird Brings Spring to Sesame Street. That story, about Big Bird buying a bouquet of flowers but ultimately giving them all away to his pals on his way home, is about the joy of sharing. The beauty in Nellist’sLittle Mole’s Christmas Giftis the selfless generosity of the main character which exemplifies the true spirit of the holiday. Little Mole finds the perfect, “biggest, most beautiful” mushroom to bring home for his mother’s Christmas gift but along the way encounters forest friends in need of food, a pillow, an umbrella for protection. Mole knows his mushroom can make a difference, so rather than ignoring the cries for help, he offers part of the gift to each animal. He presents what remains of the mushroom to his grateful mother. Mama Mole understands and appreciates the kind-hearted gesture her child has made and that is indeed the greatest gift a mother could ask for. Garland’s charming illustrations bring a warmth and richness of color to the winter setting and will make kids want to read her other book in the series. A free Little Mole activity pack is available for download on the website too.
Santa.com is a picture book that feels like an episode from children’s television and is certain to engage youngsters who might ordinarily prefer TV over books. Authors Hicks and Cubberly have come up with a neat storyline for a 21st century Christmas. At Santa.com gifts get handled robotically and are “delivered by peppermint drones.” Things run smoothly until the system gets hacked by a cyber Scrooge. Luckily Yo-Yo the elf knows from his Grandpa’s stories that Santa still exists and, with the help of his elf pals, might be coaxed out of retirement to solve the problem. I found the ending really the only slightly ambivalent part and leave it up to readers to come to their own conclusion about how Christmas got saved. I enjoyed the energy and movement Garcia’s art conveyed and the adorable characters he’s imagined. For tech-loving kids, this modern take on Christmas is an original read for the holidays.
Reviewed by Ronna Mandel
Read Christine Van Zandt’s roundup of seven new Christmas books she loves by clickinghere.
Written by Tom Fletcher
Illustrated by Shane Devries
(Random House BYR; $13.99, Ages 8-12)
The Christmasaurus, a middle grade novel by singer-songwriter and YouTuber Tom Fletcher, brings us holiday magic in a new way. The Earth’s last dinosaur lives at the North Pole surrounded by a hubbub of activity and some awesome flying reindeer, but, he’s lonely. Around the world, young William Trundle, a dinosaur expert, wants Santa to bring him a dinosaur more than anything. The two are bound to meet, but their adventure isn’t what you’d expect.
I like that Tom Fletcher mashes together the struggles kids face at school and at home with our love and fascination for dinosaurs. Add in a bully, an evil villain, and some twists on tradition—and you thought the elves made the presents!—and you’ve got an exciting holiday story. Better still, you will care about William Trundle and the Christmasaurus; the characters have dimension and heart.
Shane Devries’s illustrations add humor and charm. The Christmasaurus is cute, beautiful, and spectacular all at once. Seeing him is heartwarming, but, “believing [in ourselves and in others] is the most powerful magic of all.”
HOW TO GROW A DINOSAUR
Written by Jill Esbaum and illustrated by Mike Boldt
(Dial Books for Young Readers; $17.99; Ages 2-5)
If you’re looking for a gift for a child who is about to become an older sibling, look no further than Jill Esbaum’s hilarious and practical guide to big siblinghood, HOW TO GROW A DINOSAUR with artwork by Mike Boldt. Here’s a description from Penguin Random House:
Good news: Your mom’s hatching a baby! Bad news: Babies take their sweet time. And when the baby finally hatches? He’s too little to play! He mostly screeches, eats, burps, sleeps, and poops. He doesn’t even know he’s a dinosaur! That’s where you come in. You can teach the baby just about everything–from peek-a-boo to roaring to table manners to bedtime. Growing a dinosaur is a big job, but you’re perfect for it. Why? Because one thing your baby brother wants more than anything . . . is to be just like you.
INTERVIEW: I was lucky enough to sit down for a chat (via Facebook Messenger) with Jill to talk about the book, finding time to write, and the perks of being a kidlit author.
Colleen Paeff:I love the way HOW TO GROW A DINOSAUR is playful and funny, but it’s also a legitimate how-to guide for older siblings. Did the manuscript start out that way or did it evolve over time?
Jill Esbaum: Thanks, Colleen! That evolved over time. I wrote it to be a simple, entertaining book, but it sort of took on a life of its own. My editor grabbed onto the possibilities right away.
CP:Did you send it to your agent first or did it go straight to your editor?
JE: I sent it to my agent, Tricia Lawrence. I had my Dial editor, Jessica Dandino Garrison, in mind, though, and asked Tricia to send it to her first. It seemed like the kind of goofy humor she might like.
CP:So, you had worked with this editor before?
JE: Yes. We had worked together on both I HATCHED and I AM COW, HEAR ME MOO!
CP:Is it easier to work on something with an editor you’ve worked with before?
JE: Definitely, because you (sorta) know what might work for her/him and what probably
CP:How long was the process from first draft to publication for HOW TO GROW A DINOSAUR?
JE: I sent it to Tricia in May of 2015, and by October we had an offer. The process didn’t really start until March, when the contract was finally buttoned up. So March, 2016, to January, 2018. Not bad.
CP:Is that faster than usual? Or is that normal for you?
JE: That was about the same as my other recent books. I once waited nearly 5 years, though, so 2 years felt like lightning speed. My last 5 (or so) books have all been about 2 to 2 and a half years from sale to publication.
CP:Wow. That seems fast!
JE: Still seems fast to me, too. My earlier books were mostly 3-year books.
CP:I’m curious about the ratio of stories you write to stories you sell. Do you have many manuscripts in the proverbial “drawer” or do you sell most of what you write?
JE: That’s hard to say right now. My agent has 6-7 picture book manuscripts that started to make the rounds last year. Considering my entire career, though, I suppose I sell…50% of what I write? That’s probably just because I refuse to give up on some that deserve the drawer. I can’t help tinkering with rejected stories in hopes of making them irresistible the next time out. That persistence has often paid off for me. An offer came in last month for a picture book that had been rejected 7-8 times since I wrote it in 2014.
CP:Do you usually work on one project at a time or several?
JE: Several. Right now, I have a chapter book, 3 picture book manuscripts, and a nonfiction project all front and center on my computer desktop.
CP:Are you someone who writes every day or do you have a more flexible schedule? And how do you squeeze it in around farm work, grandchildren, school visits, and teaching a summer writing workshop?!
JE: I don’t feel like I’ve been doing a very good job of it lately, honestly. Working on that. But I can’t always make writing my priority. Family comes first, always. One thing that has also been squeezing out writing time lately is handling the business side of being published. I don’t love it, and it’s a huge time suck. Long, leisurely days of “Hmm, what should I work on first?” are VERY few and far between, these days.
CP:But it seems like you’re so prolific!
JE: I don’t feel that way. I always feel like I should be writing more. For instance, I wrote a quick draft of a new picture book and sent it to my online critique group about 10 days ago. They’ve all weighed in, and I’m chomping at the bit to start tweaking. But I haven’t yet been able to make the time. Part of that is because I have a new book out and am doing my best to promote it, including my first-ever launch party this next weekend. Partly it’s because the flu sidelined a grandson’s babysitter, so I stepped in there. Grammy duty is one of the best parts of my life!
CP:Is hanging out with your grandkids a big source of inspiration for you?
JE: It is! And I hadn’t really expected that. My fingers are tightly crossed for a project going to its final yes/no meeting next month that springs entirely from a moment I experienced while babysitting my granddaughter. Crazy.
CP:I know you write both fiction and nonfiction. Do you have a soft spot for one over the other?
JE: I suppose I have a soft spot for fiction, but only because that comes entirely from my own imagination, and it’s a blast to see that come to life. I love writing nonfiction, too, because all the information I need is easily available to me, and all I have to do is figure out a way to make it engaging for kiddos.
CP:Let’s get back to HOW TO GROW A DINOSAUR. I love the parts in the story where the text is vague, but the illustrations show something alarming, or moving, or downright hilarious. Did your manuscript go to the illustrator with art notes or was that all him?
JE: I did include brief art notes here and there. But much of it was left for the illustrator’s imagination. I don’t think I had an art note for the page in which the baby dino is teething on the cat. And that turned out to be one of my favorite illustrations.
CP:Yes! I love that one. And I love the one where the big brother roars and scares the baby. They both look so sad.
JE: I feel very fortunate that both Jessica and the illustrator, Mike Boldt, understood what I was trying to do.
CP:Do you have a favorite unexpected detail?
JE: My favorited unexpected detail is that Mike inserted picture books here and there with titles that are plays on books of his or mine. There’s I Don’t Want To Be a Stegosaurus (from his book with Dev Petty, I Don’t Want To Be a Frog); I Hatched; and I Am T. Rex, Hear Me Roar! (from my I Am Cow, Hear Me Moo!) Too funny. Illustrators are brilliant.
CP:Yes! I love those, too. And I love how all the illustrations in the books are dinosaurs. It’s so clever.Did you see any artwork while it was in process or did you have to wait until it was complete?
JE: I did get to see the black and white sketches. It was obvious even then that this one would be special.
CP: Do you sometimes feel a sense of trepidation when you give up your manuscript to an illustrator?
JE: No, I never feel that way. I’m always excited to see what they bring to the story. Seeing their sketches feels like unwrapping a gift.
CP:What’s next for you?
JE: I have a couple of nonfiction books coming out in March. Picture book-wise, two projects are in the pipeline that I can’t yet talk about. And my fingers are tightly crossed for a third. Meanwhile, I’ll be writing whenever I can squeeze it in. Enough of that, and projects eventually get finished.
CP:What do you wish you’d known when you first started writing for children?
JE: I don’t think there’s anything I can say I wish I’d known. Getting to this point in my career has been one long, slow learning process, of course. But I can’t wish I’d had shortcuts, because everything that’s happened has made me a stronger writer.
CP:That’s good to know!
JE: The BEST thing that’s happened in the past 20 years: If anybody had told me, early on, that in 20 years I’d have this many amazing and talented author/illustrator friends all over the globe I would have thought that person was nuts. I mean, I live in Iowa; how would I meet them? Ha. Enter the internet. And SCBWI conferences and literature festivals. Meeting so many terrific book people has been one of the highlights of my life.
CP:It’s definitely one of the perks of this business. Thanks so much for doing this, Jill!
If you have a budding young paleontologist (and even if you don’t), this book’s inventive and colorful graphic design will delight and engage both children and adults.
Two children stop by the museum to “meet the dinosaurs” as the banner outside proclaims. Wait-don’t be so quick to turn the page: the first two pages fold out to form a four-page spread of the diorama-style exhibit.
But the children want to know:
WHO ARE THE DINOSAURS?
WHERE ARE THE DINOSAURS?
And the dinosaurs, peeking out from the jungle brush, call out:
HERE WE ARE
Pairs of two-page spreads combine to create clues and answers, comparing the characteristics of contemporary objects with dinosaur features. The design of the “clue” spread interacts with the “answer” spread and links the present to past.
A tall building is compared to the Sauroposeidon, a dinosaur that reached heights of 18 meters (almost 60 feet).
I AM TALL LIKE A SIX-STORY BUILDING …
The straight-edged tab on the shared page of the clue and the answer emphasizes both the building’s height and the long neck of the Sauroposeidon and gives children a peek into the stylized prehistoric environment.
In one two-page spread, the two friends float in a small boat over a large whale. The text of the clue reads:
I AM LONG LIKE A WHALE …
The next spread reveals the answer:
I AM A DIPLODOCUS.
In these two spreads, the shared tab follows the curving back and tail of both the whale and the diplodocus.
Not sure how to pronounce those complicated sounding dino names? Not to worry-the author provides a phonetic *translation” beneath the scientific name. Boy, I could have used this years ago when my sons and I struggled to pronounce names like MICROPACHYCEPHALOSAURUS (MY-cro-PACK-ee=SEFF-ah-low-SORE-us).
The final two pages fold out to reveal a four-page spread of the skeletons of each of the dinosaurs depicted in the book.
Simple words typed in capitol letters and some repetition in the sentences make the text accessible to toddlers and preschoolers. The diversity of the children and the dinosaurs they discover hint at the diversity of life and demonstrates that many children share the same wonder and amazement over dinosaurs.
Bold and colorful illustrations over two-page spreads, cheerful faces (Peskimo’s T-Rex is nothing like the raging monster in Jurassic Park), and the larger board book format guarantee interactivity. A block (buster) of a book (forgive the pun). Be prepared to read and play with this book more than once!
Christopher Franceschelli is the publisher and president of Handprint Books and the creator of other concept books like Alphablock and Countablock. See GRWR’s reviewer Rita Zobayan’s earlier review of Countablock, and check out School Library Journal’sinterview with the author. Peskimo, a British husband and wife team, did the artwork on both books. Visit their website to see more of their nostalgic, retro artwork.
If I Had a Raptor by George O’Connor is reviewed today by Rita Zobayan
Let’s face it, kids love pets: dogs, cats, rabbits, hamsters, even snakes and lizards. But raptors? You’d better believe it! In If I Had a Raptor by George O’Connor, (Candlewick Press, 2014 $15.99; Ages 3-7), a young girl brings home a “teensy and tiny and funny and fluffy” dinosaur. Never mind that the little fluff ball, named Dinah, could grow into a carnivorous beast. Her plucky caregiver showers her with lots of love and attention, and in that oh-so-special kid rationale explains why owning a raptor would be “the best thing ever!”
A baby raptor is so teensy and tiny that she would be easy to lose. I’d give her a little bell so I could always find her. If I had a raptor, she would like to sit on my lap, and I would let her. I might even have to trim her claws a little bit now and then.
The illustrations are fun, and the facial expressions are priceless. Check out Dinah’s face when she’s caught clawing the comfy chair. When our well-meaning pet owner awakens the sleeping dinosaur to play, Dinah’s half-closed eyes and pinched nostrils look incredibly similar to those of an annoyed cat. In fact, this raptor might just be part cat as she likes to “bask on a sunny windowsill or snuggle on clean laundry. She would sleep all day long. She will run around like crazy all night long…she would stalk the little things that catch her eye, like birds, or bugs, or even a dust bunny.”
My young daughter loved seeing Dinah grow from a lap-dinosaur to a full-sized raptor. And she howled with laughter when finicky eater Dinah sniffs at her dino-bowl and puts her snout in the air when she disapproves of the meal.
Whether your child already has a pet or not, he/she will be convinced that a raptor is a great addition to the household.