Skip to content
Recent Posts
17Jun 24

Picture Book Review – Juneteenth Is

 

JUNETEENTH IS
Written by Natasha Tripplett
Illustrated by Daniel J. O’Brien
(Chronicle Kids; $17.99, Ages 5-8)

 

 

Juneteenth Is cover family sitting on front steps with Juneteenth flag.

 

 

From the first page of Juneteenth Is, when the young girl wakes up “to the smoky smell of Daddy’s slow-cooking brisket” on the barbeque outside, I knew I was in for a treat. Author Tripplett wastes no time getting the main characters on the move to grab good sidewalk seats to watch the parade. O’Brien’s digitally rendered art, imbued with emotion and movement, makes us want to reach out to grab the candy being tossed as jubilant music is played. His detailed illustrations invite careful study and Tripplett’s prose keeps the story flowing at a steady pace, much like the parade itself.

Later on, the family gathers at Granddaddy’s house in what is one of my favorite spreads. While the main character takes photos, other people are playing dominoes, and some are playing music. “Juneteenth is ladies singing in the kitchen.” There is lots of activity but everyone takes some time out to watch an informal game of basketball before heading back indoors for a prayer and a meal. A great line, “Juneteenth is generations of family recipes,” is followed by an array of hearty food including “Secret rub on finger-lickin’ chicken, juicy mouth-on-fire hot links, mac ‘n’ cheese, collard greens, potato salad …” and much more including, because what’s a celebration without tales to go with it, “… stories from the past.”

 

 

Juneteenth Is int1 Juneteenth parade.
Interior spread from Juneteenth Is written by Natasha Tripplett and illustrated by Daniel J. O’Brien, Chronicle Kids ©2024.

 

Juneteenth is so much more than the food and all the fun. Readers will see in this picture book’s art how in this family’s home, photographs play an important role. Not only is the little girl capturing the festivities on film she is also looking at Granddaddy’s wall of photos honoring family members past and present. “Juneteenth is the history lesson not taught in school.” He explains to his granddaughter about the hardships their enslaved ancestors endured, and about the opportunities denied them. Then came that historic day when “General Granger rode into Galveston, Texas and read the order: Slaves are free.” That day was June 19, 1865. It’s now a federal holiday.

 

Juneteenth Is int2 Juneteenth is the house getting louder.
Interior spread from Juneteenth Is written by Natasha Tripplett and illustrated by Daniel J. O’Brien, Chronicle Kids ©2024.

 

“Former slaves marched in the first Juneteenth parade.” And the marching continues every Juneteenth to celebrate that freedom as the Black community unites to reflect on the struggles and lives lost while also looking forward in hope for the future of our country and the Black community. “Juneteenth is all of us.” “We are America.” Proud, powerful words bring the book to a close but not before checking out Tripplett explanation of the significance the color red plays on the Juneteenth celebrations. Add this book to your bookshelf today to give your children a meaningful introduction to this important American holiday.

Find out more about the author, Natasha Tripplett, here.

Find out more about the illustrator, Daniel J. O’Brien, here.

 

Share this:
Read more
13Jun 24

Our Fave New Children’s Books We Love for Father’s Day

 

FATHER’S DAY BOOKS

∼ A Roundup ∼

 

 

REVIEWS:

e

You're The Coolest Dad in the Box cover shaped book with dad and kid hammers.YOU’RE THE COOLEST DAD IN THE BOX
Written by Rose Rossner
Illustrated by Gareth Williams 
(Sourcebooks Wonderland; $9.99, Ages 0-3)

This fun new addition to the USA Today bestselling Punderland series of board books is perfect for Father’s Day. Little DIYers may not grasp some of the puns but they will be able to grasp the die-cut handle to carry around the book like a pro. Parents or caregivers can easily explain the wordplay while trying to make up their own. The illustrations help demonstrate the pun. The below stanza depicts a level sitting on a shelf.

You’re on another level,
how you balance sweet and cool.
No one else measures up
to the ways you rock and rule.

The pleasing personified tools in the art reinforce the message of love and admiration a child has for their dad, and the rhyming test makes this an ideal read-aloud to celebrate fathers year round. You’re The Coolest Dad in The Box also makes a great new dad gift.

 

Boxer Baby Battles Bedtime! cover baby wearing boxing gloves in crib.BOXER BABY BATTLES BEDTIME!
Written by Mia Wenjen
Illustrated by Kai Gietzen
(Eifrig Publishing; $18.99 HC, $12.99 Paperback, Ages 3 and up)

This baby is not going down easily and puts up an impressive fight (a kid-friendly boxing match that is) to avoid taking a nap in this adorable picture book. Wenjen’s created a relatable tale with a twist ending that will delight children and parents alike.

Inspired by her own experience boxing, the author cleverly infuses the sport’s popular terminology to tell this funny story conveyed in three rounds. Readers can find the spot-on idioms in a glossary in the back matter along with Wenjen’s author note.

I didn’t notice the pup carrying the round cards until halfway through my first read and appreciated how the story is broken down that way. I don’t want to give away too much by saying what each round consisted of, but suffice it to say, Boxer Baby gives it her all and then some! She is determined to be the last baby standing which means Dad will face a challenging nap time.

The artwork by debut picture book illustrator, Gietzen, brings energy to the story and contrasts the child’s raging emotions against those of her calm and accommodating father. While there’s no referee, there’s the humorous voice of the narrator describing the battle that Boxer Baby undertakes when her mom goes out. This homage to the endurance of the stay-at-home dad reminds me of my husband. While he held down a job, he always remained a hands-on father at home, never shirking his parenting responsibilities just like Boxer Baby’s father. I admire this exhausted dad’s fortitude. So who do you think will be the winner?

 

Daddy Tell Me a Story cover girl asking father for bedtime story.DADDY, TELL ME A STORY
Written by Kathleen Long Bostrom
Illustrated by Ela Smietanka
(WorthyKids; $18.99, Ages 4-7)

Kathy Bostrom is a storytelling pro. She is adept at capturing a child’s perspective and her latest picture book is no exception. In this charming story, readers meet a dad and his daughter at bedtime. When she asks for a story and he replies which one, she tells him he can make it up. “You always tell the best stories!”

And so the tale weaving begins. The father makes up a story about a queen and Sophie, the little girl, says, “Make her a princess.” He invents a pink unicorn as a character, but Sophie envisions a purple dragon with orange strips and golden wings. As the constantly revised bedtime story progresses, Daddy pretends to be scared eliciting warm reassurances from his spunky daughter. Together the pair work collaboratively as Sophie builds on what her father shares. He of course is amenable to helping in whatever way he can as the story evolves.

When the tale ends, Sophie decides that being a princess is boring. That’s when she comes up with a new ending sure to please everyone. Bostrom bookends this tale by having Sophie once again compliment her father’s storytelling ability before falling asleep. I’m glad Bostrom brought readers back to the beginning emphasizing the sweet daddy-daughter relationship and their storytime routine.

The engaging text marries nicely with Smietanka’s digital art. Colors are dazzling where they should be and become more muted as Sophie moves closer to drifting off. She’s incorporated upbeat elements into many of the spreads that children will enjoy noting. Bostrom encourages parents and caregivers to invite children to create their own story together.

 

Back Home: Story Time with My Father cover dad telling daughter a story.BACK HOME: Story Time with My Father
Written by Arlène Elizabeth Casimir
Illustrated by Ken Daley
(Candlewick Press; $18.99, Ages 4-8)

This is one of those books that invites multiple readings not only because of the engaging and touching lyrical text but also because the art reaches out and wraps you in its arms. I was pulled into this picture book about a young Haitian American girl, Lune, whose father’s stories are about his birthplace, his homeland or “lakay” a Haitian word meaning back home.

In the rich colorful stories of his childhood, the father recounts episodes from growing up in Haiti. They include humor like the boy falling on his bottom after attempting to get mangoes off a tree. “Sometimes the stories are memories … colored with joy and sorrow.” Such is the memory of his fierce and charming mother who did whatever it took to provide for her family. The medicine man story tells of how a family’s love and community can help an ill child as much or even more “than the medicine in his pouch.”

One particular spread stayed with me, lush with jewel tones depicting the girl imagining what “lackay” was like for her father. It was an unfamiliar land for her though it was brought to life by her father’s recollections. Golden light shines on her Mommy saying  it’s late and time to go to sleep but Lune is “going to wait for Daddy.” Her father holds multiple jobs, saving up for a house while also sending money home to his parents in Haiti. Yet, no matter how long he’s worked or how tired he is, Lune’s dad makes time to tell her stories, stories of “lackay.” Lune’s father’s tales have such a positive impact on her. The magic of a place she does not know but has experienced through her father’s stories has found its way to her heart and soon she will begin sharing stories of her own.

There is a Haitian glossary in the back matter as well as a page of Author’s Notes, one for Caregivers and Teachers and the other for kids. The first encourages “modeling and sharing our narratives.” The rewards are plentiful. Even though my parents grew up in the Bronx of the 1930s and 1940s and not the “lackay” of this story, I felt Casimir’s story spoke to me. I am grateful to know my parents’ stories and will continue to share them along with my own. The second note lets kids know they all have stories to tell. I hope this meaningful picture book will speak to all readers who can help their children understand how important stories are in our lives. Casimir’s motivating and caring words will hopefully prompt a new generation of storytellers.

 

WITH DADWith Dad cover boy and dad walking with fishing rods.
Written by Richard Jackson
Illustrated by Brian Floca
(Neal Porter Books/Holiday House, for ages 4–8)

Starred Reviews – Booklist, Kirkus, The Horn Book
A Junior Library Guild Gold Standard Selection

Brian Floca, Caldecott Medalist, and Sibert Honoree shares his interpretation of With Dad, a story written by the late editor and author Richard Jackson. Floca and Jackson had been making books together for over 25 years, but sadly Jackson passed away before the artwork had begun. That left many questions unanswered but ultimately it was decided to set the story in the early 1950s and I’m so glad about that decision. Not that it would not have worked set in the present, but the nostalgic quality of the art representing the era following WWII adds to the carefree ambiance and closeness of the main characters.

The picture opens with a boy on his dad’s lap helping to drive their Jeep through a small road in the woods. That illustration beautifully captures the special father-son relationship. The pair are heading towards a campsite where they’ll experience the great outdoors by setting up camp, digging a fire pit, fishing, and catching their dinner. The excitement the dad exhibits when his son reels in a fish is exhilarating. I love how that is contrasted with how the lad feels grossed out as he learns to gut the fish before frying it. His father adds, “You’ll see,” he said, “an owl might come for those tonight.” Naturally, we want to see that so Floca skillfully shows us the owl swooping in at the end of the story.

Throughout the book, readers see how the young boy looks up to his father. The father loves spending time with his son too. That’s especially evident in the scene where the dad says they’ll sleep back to back to stay warm. What a tender moment. The story then fast-forwards to the dead of winter. Readers learn the dad is serving in the war. The child fondly thinks back to that “famous fishing trip.” All he wants is for his father to return home safely so they can pick up where they left off that memorable last summer. While this story focuses on a boy whose father is in the military, children with a parent away for myriad reasons would find this heartfelt read rewarding and reassuring.

 

If You Run Out of Words cover dad in spaceship waving to daughter below.IF YOU RUN OUT OF WORDS
Written and illustrated by Felicita Sala
(Abrams BYR; $18.99, Ages 4-8)

Starred Reviews – Booklist, Kirkus

On the dedication page of this picture book, author-illustrator Sala writes: “To Nina, my dear girl, whose question inspired this book.” The question that the curious child in this story asks her father is a clever and interesting one.

“What happens if you run out of words? Will you have any left for me?” It makes sense that when a kid constantly sees their parent blah, blah, blahing away like the daughter in this story sees her father doing, she’d worry he might not have enough words left for her.

Needing reassurance just like the bunny gets from his mother in the classic The Runaway Bunny, the little girl in this story poses questions to her father that range from logical in the beginning to whimsical as the tale continues. This zaniness is matched by the colorfully saturated fantastical art that is a delight to explore. Sala’s illustrations for this book were made with gouache, ink, watercolor, colored pencils, and oil pastels and are full of emotion. Sometimes the body language and expressions on the father’s face cracked me up.

Funny scenarios ensue based on the questions the girl asks. Some children might love it when the dad visits Elves’ Word Factory determined to show his daughter the lengths to which he’d go to replenish his word supply. Others might like when the father is under the sea and a rescue boat run by pirate mice captures him and ties him up on their vessel. Following her father’s high-sea adventure, the girl wonders if her dad will have forgotten her. That’s when he tells her that no matter the length of the journey to return to her, forgetting her would simply be impossible. He shows her that he owns an infinite amount of words. In fact, it’s the three most important ones that he whispers in her ear to meaningfully end this captivating tale of devotion.

 

ADDITIONAL RECOMMENDED READS:

LIKE FATHER LIKE SON

HOW TO CATCH A DADDYSAURUS

MY DADDY IS A COWBOY

SUPERDADS! Animal Heroes

ALWAYS YOUR STEPDAD

THE I CAN SAY DADA BOOK

MERDADDY

 

Share this:
Read more
05Jun 24

Picture Book Review and Interview – A Spider Named Itsy by Steve Light

 

A SPIDER NAMED ITSY

Written and illustrated by Steve Light

(Candlewick Press; $18.99, Ages 3-5)

 

BRIEF REVIEW:

Author-illustrator Light’s newest picture book is one that encourages perseverance. Like Dan Santat’s After the Fall, a bevy of books is available showing children that many people need multiple attempts to ultimately succeed and that’s okay.

While I always sang this as the Eensy Weensy Spider, no matter how you’ve sung it, I think you’ll adore the unique approach of this captivatingly and whimsically illustrated picture book! It is such a clever take that imbues the beloved nursery rhyme sing-along with even more meaning. Perseverance and kindness take center stage in this recommended picture book. Read it as a companion to sharing the song with little ones. I can even see it being a jumping-off point for discussions with older kids about how they envision the prequel or sequel to any song they enjoy.

Q&A with Author/Illustrator Steve Light

Q: What drew you to write about this very famous spider?

A: As a teacher of three-year-olds, I was always fascinated that at least half of my class would enter my classroom already knowing the classic rhyme Itsy Bitsy Spider. When I was a kid and sang it I always wondered: Why does the spider go up the waterspout in the first place? What was up there? As a storyteller, this made for an interesting exercise in trying to answer that question. As an illustrator it allowed me to create a whole bug world around Itsy Bitsy Spider.

 

A Spider Named Itsy int1 sitting sipping unaware.
A SPIDER NAMED ITSY. Copyright © 2023 Steven Light. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Q: Did you encounter any challenges while writing or illustrating the book?

A: My first challenge was figuring out a good reason for Itsy to climb up the waterspout. Then how to draw insects that were friendly. Also how do I make the reader care and feel for Itsy as a character? Hopefully, I accomplished all of these. The other challenge was drawing Itsy with eight limbs-I gave him four legs and four arms but it was challenging to draw!

 

Q: Do you have a favorite illustration from the book? If yes, why is that your favorite?

A: I actually love the endpapers. I had so much fun drawing all those bugs. But I also love the page where the bugs are getting washed out. I loved drawing the water and the energy of that page. The water and the way I drew it was influenced by Japanese woodblock prints.

 

Q: Please tell us a little about your illustrating process.

A: All of my illustrations are hand-drawn. There is no computer or digital work in the illustrations. I start with lots of drawings. Designing the characters and the world that they live in, even down to Itsy’s bed, mailbox and teapot. Then sketches for each page. Once we have an approved sketch from my Art Director and Editor I can do full-sized drawings for each page. Then I can go to the finished illustrations. I put the approved full-sized drawing on my light box and place a piece of watercolor paper on top of it. I can then see the drawing and start inking. I use a fountain pen that uses a zebra G nib or point. This nib allows for the thick and thin line variation that gives so much interest to the line work. Then I can watercolor the inked illustration using Daniel Smith watercolors and a sable brush. The “web” lines that Itsy creates were drawn last using an old fashioned dip pen and opaque acrylic ink, a purple color that I custom mixed.

 

 A Spider Named Itsy int2 rain washed out Itsy Bitsy
A SPIDER NAMED ITSY. Copyright © 2023 Steven Light. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Q: Did you need to do any research for this book? If yes, what kind of research?

A: I researched many kinds of bugs and insects for Itsy to meet on his journey. Many of them are fascinating but sadly did not make it into the book. After all the research I picked bugs more for their personality because the story is more about Itsy’s journey and finding a family.

 

Q: What’s your favorite part of the writing and/or illustrating process?

A: I love the start of an idea for a book there are so many possibilities on how the story can be told and illustrated. I also like doing the final illustrations as I love escaping into these worlds. As a kid, that is why I drew, to escape the harsh realities of life. I found hope and peace in the worlds I would create, I still do.

 

Q: If you could only do one or the other, would you prefer the writing or illustrating, and why?

A: I would illustrate. I have been drawing since I was three years old. I draw every day. I also tell stories with my drawings so I feel I would still be “writing” if I had to stop writing words to tell stories, but I love both.

 

A Spider Named Itsy int3 what a mess washed out spider and bugs
A SPIDER NAMED ITSY. Copyright © 2023 Steven Light. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

 

Q: Final Question – what are you hoping your fans will take away re your newest book for kids?

A: I am hoping that they realize that everyone gets “washed out.” The important thing is that you climb back up again.

 

 

WEBSITE:

SteveLightArt.com

SOCIAL MEDIA:

Facebook – Steve.Light.90
Twitter (X) – SteveLight
Instagram – StevLight

 

Share this:
Read more
23May 24

A Review + Interview – Karol Silverstein Interviews Author Elaine Dimopoulos

AN INTERVIEW WITH

MIDDLE-GRADE AUTHOR ELAINE DIMOPOULOS

BY KAROL SILVERSTEIN

 

The Remarkable Rescue at Milkweed Meadow (Book #1)

Written by Elaine Dimopoulos

Illustrated by Doug Salati

(May 16, 2023, Charlesbridge, Ages 8-11)

 

The Remarkable Rescue at Milkweed Meadow cover bunnies fleeing.

e

The Perilous Performance at Milkweed Meadow (Book #2)

Written by Elaine Dimopoulos,

Illustrated by Doug Salati

(May 21, 2024, Charlesbridge, Ages 8-11)

 

The Perilous Performance at Milkweed Meadow cover rabbit chased by birds.

 

 

INTRO + REVIEWS:

I came to these wonderful books a little backwards—that is, I read book 2 first! The good news is you do not need to have read the first book to thoroughly enjoy the second. The even better news is that both books are equally enchanting!

 

The Remarkable Rescue at Milkweed Meadow int1 Rabbits in Root Room.
Interior art from The Remarkable Rescue at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2023.

In The Remarkable Rescue at Milkweed Meadow, we’re introduced to expert storyteller Butternut. Storytelling is a way of life for her colony of rabbits, led by the wise Grandmother Sage. Along with storytelling techniques, Butternut and her many siblings are taught to stick to their own kind and avoid unnecessary danger.

The Remarkable Rescue at Milkweed Meadow int2 Fierce Owl Flying
Interior art from The Remarkable Rescue at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2023.

All that changes when Butternut befriends a joyful robin named Piper. Her new first and best friend believes that all creatures have good in them and crave one another’s company. Butternut’s anxieties—which she calls her “brambles”—spin into overdrive when Piper suggests they befriend a wounded faun, but the more she pushes past her fears, the more confident she becomes. When the need for the titular remarkable rescue arrives, Butternut must convince her family to be as brave as she’s become to help save a litter of coyote pups. The experience changes life in the meadow for the better.
 Starred reviews – Booklist, Kirkus Reviews, Publishers Weekly

 

The Perilous Performance at Milkweed Meadow welcomes back Butternut and all her meadow friends. But exciting new creatures, a traveling theater troupe of wild turkeys, enter stage right. The talented turkey thespians are marvelous storytellers, which makes Butternut a bit jealous. When the troupe enlists the meadow dwellers to put on a fabulous play, Butternut’s brambles tell her that something’s not quite right with these grandiose gobblers. She senses her friends and family are in danger but struggles to figure out what, exactly, the wild turkeys are up to and how thwart their plans.   Starred review – Kirkus Reviews

 

The first-person storyteller style employed by author Dimopoulos for both books is pitch-perfect, as are Salati’s delicate illustrations. Butternut herself spins her tales with dramatic precision, utilizing tension, foreshadowing, plot twists, and character building as any great writer would. And though the books’ characters are animals, their emotions and motivations are very relatable to human listeners. In particular, Butternut’s “brambles”—which sometimes are overwrought and hold her back and sometimes grant her heightened and accurate insights—are a wonderful metaphor for young readers who are learning to navigate and interpret their own inner thoughts.

INTERVIEW:

I asked Elaine Dimopoulos to tell me a little more about the creation of this delightful duology. Here’s what she had to say:

Karol Silverstein: The tradition of storytelling, begun by Butternut’s Grandmother Sage, is a way of life for the rabbits of Milkweed Meadow. Why rabbits and why storytelling?

Elaine Dimopoulos: In 2017 I moved to a suburban home near a meadow and saw rabbits frolicking on our lawn every morning and evening. They delighted me and my family. I decided to write about a young rabbit who lives on the border of a lawn and a meadow and who grows curious about the human family in the house although her elders have told her to stick to her own kind. The emphasis on storytelling came from my many years teaching writing. I had been rolling craft concepts around in my head for so long—conflict, tension, voice, character growth—and wanted to create a narrator who was an expert storyteller and who commented metafictively on the story as she was telling it. I had a lot of fun creating Butternut’s narrative voice.

 

The Perilous Performance at Milkweed Meadow int1 Butternut and Piper.
Interior art from The Perilous Performance at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2024.

 

KS: Butternut’s “brambles”—which readers will likely recognize as similar to their own worries and anxieties—are an important part of her character. Was her anxiety a characteristic you set out to explore from the beginning or did it develop as she revealed herself to you?

ED: I knew Butternut would have anxiety from the very beginning. I’d noticed an increase in anxiety in the students I taught and began to think about how many children out there were having anxious thoughts these days. I wanted to create a character they might see themselves in, who learns to manage her anxiety, act bravely, and live a full life.

 

KS: In the second book, a traveling theater troupe of wild turkeys comes to the meadow, and the Gobblers entrance the inhabitants with their theatricality. Why wild turkey and why theater?

ED: In addition to rabbits, I have gorgeous wild turkeys on my lawn! The Perilous Performance at Milkweed Meadow is a sequel, and I really wanted to get turkeys into the first novel, but there wasn’t room. I’m so thankful I got the chance to include them in Book 2. Here’s a photo I snapped. They’re such divas!

 

Wild Turkeys in yard of Elaine Dimopoulos

 

 

As for theater, I acted through middle school, high school, and college. I love performing and knew I could write about it with expertise. I also loved the idea of the meadow creatures putting on a midsummer show.

 

KS: Redemption—and characters who change and/or turn out to be different than they first seem—is featured in both books. Why is it important to explore this theme in kids’ books?

ED: It seems to me these days that we are quicker than ever to criticize and slow to forgive. We all make mistakes, adults as well as children. If we change our mind about something and apologize, we should be able to earn forgiveness. This is an important part of human connection. We ought not to lose the ability to extend kindness to each other and to turn the page on the past.

The Perilous Performance at Milkweed Meadow int2 Turkeys and Piper.
Interior art from The Perilous Performance at Milkweed Meadow written by Elaine Dimopoulos and illustrated by Doug Salati, Charlesbridge ©2024.

 

KS: Was there always going to be a second book (or more)? If so, how much of the plot for The Perilous Performance at Milkweed Meadow did you have set in place before publishing the first book? If not, how did you and Charlesbrige decide to continue Butternut’s story, and what sort of decision-making went into creating the storyline of The Perilous Performance at Milkweed Meadow?

ED: I wrote the first novel wishing that I could continue the story of these characters. Nothing was guaranteed, however, so I didn’t focus on setting anything up for book 2. The sequel was happily greenlighted before the first book came out, so I was able to influence, of all things, the map endpapers. I figured out that there would need to be a little clearing in the oak forest where the performance in the second novel would take place and also a swing set clubhouse where Butternut and the little female human from the house would meet. Doug Salati was kind enough to add these elements to the endpapers of book 1 so there would be continuity.

I knew I wanted to include a theatrical troupe of turkeys in the sequel, but I was struggling with Butternut’s central conflict. My editor, Julie Bliven, helped me see that Butternut ends the first novel confident in her storytelling abilities, so it would be interesting if this confidence was shattered when a new art form entered the picture. I ran with this idea!

I hope to write even more stories set in Milkweed Meadow. The first two books are set, respectively, in spring and summer, so I’d love to complete a seasonal quartet and write an autumn and a winter book. We’ll see!

 

Huge thanks to Karol and Elaine for this informative interview!  – Ronna

 

BUY THE BOOK:

Belmont Books (signed & personalized): https://www.belmontbooks.com/book/9781623544270

Bookshop.org: The Perilous Performance at Milkweed Meadow a book by Elaine Dimopoulos and Doug Salati (bookshop.org)

Publisher’s Page: The Perilous Performance at Milkweed Meadow – Charlesbridge

 

Elaine Dimopoulos Headshot Photo Credit Ars Magna Studio
Elaine Dimopoulos Photo Credit: Ars Magna Studio

AUTHOR BIO:

Elaine Dimopoulos is the author of several novels for children, including the critically acclaimed Milkweed Meadow series, Turn the Tide, winner of the Green Earth Book Award in Children’s Fiction, and the young adult fast-fashion dystopia, Material Girls. Elaine served as the Associates of the Boston Public Library Writer-in-Residence and has taught writing at Simmons University and GrubStreet. She lives in Massachusetts. She lives in Massachusetts with her spouse, two children, and a Balinese cat named Plato. www.elainedimopoulos.com

 

 

 

SOCIAL MEDIA:

• Author Elaine Dimopoulos

https://twitter.com/ElaineDimop

https://www.instagram.com/elaine_dimopoulos/

• Illustrator Doug Salati

https://dougsalati.com/

Doug Salati Photo Credit: Erin V Carr

ILLUSTRATOR BIO:

Doug Salati is the creator of the picture book Hot Dog, recipient of the Randolph Caldecott Medal and Ezra Jack Keats Award. His first book was In a Small Kingdom by Tomie dePaola, and his second, Lawrence in the Fall by his partner, Matthew Farina, was an Ezra Jack Keats Illustrator Award Honoree, a Society of Illustrators Original Art Show selection and Junior Library Guild Gold Standard selection. Doug lives and works in New York City.

 

 

 

INTERVIEWER BIO:

Karol Ruth Silverstein (she/her/disabled) is an award-winning children’s book author and longtime SCBWI member. Her debut young adult novel, Cursed (Charlesbridge Teen, 2019), was loosely drawn from her experience of being diagnosed with juvenile arthritis at thirteen and won the Schneider Family Book Award in 2020. Originally from Philadelphia, Karol now lives in West Hollywood, California, with two unmanageably fluffy cats. Find her online at
Author Karol Ruth Silverstein.

Share this:
Read more
14May 24

Picture Book Review – How to Talk Like a Bear

 

HOW TO TALK LIKE A BEAR

Written by Charlie Grandy

Illustrated by Alex G. Griffiths

(Flamingo Books; $18.99, Ages 3-7)

 

 

How to Talk Like a Bear cover Bear speech bubble turtle.

 

Can you speak Bear? If you missed How to Talk Like a Bear written by Charlie Grandy and illustrated by Alex G. Griffiths when it came out last year, now’s your chance to get it because it’s such a playful picture book not only for the audience listening but for the reader as well.

I happen to love meta stories and this one does it so well. Bear announces he is going to teach the reader or readers how to talk like a bear to which the kid in speech bubbles who represents the audience responds, “Why on earth would I want to talk like a bear? I’m just a kid!” Think of the convincing back and forth in Todd Sturgell’s Except Antarctica. Bear explains that it’s an effective means of communication and the corresponding uproarious illustration (below), sure to immediately crack kids up, shows Bear roaring at an outdoor cafe where patrons run off in fear for their lives.

 

How to Talk Like a Bear int1 roaring Bear scaring cafe guests.
Interior spread from How to Talk Like a Bear written by Charlie Grandy and illustrated by Alex G. Griffiths, Flamingo Books ©2023.

 

Bear talk is not as easy as it may seem. It is open for interpretation just like when we adults attempt to speak a foreign language and think we told the taxi driver to take us to the train station but instead proposed marriage! There are important subtle differences. In this case, the trainee’s roar may not have conveyed what it was supposed to so readers end up seeing the bear told to get his haircut. Did you know that saying “ROOOAARR” rather than”ROAAARRRR” is the difference between wanting a sandwich and wanting to get into beekeeping. It seems some serious focus and visualization are needed to get the desired results.

 

How to Talk Like a Bear int2 let's start with some yoga.
Interior spread from How to Talk Like a Bear written by Charlie Grandy and illustrated by Alex G. Griffiths, Flamingo Books ©2023.

 

Grandy and Griffiths deliver an inventive and humorous storytime picture book that warrants multiple reads. Slow down while reading to make sure every page turn packs its punch. Allow kids to repeat the parts in the speech bubble for added enjoyment. Plus the adorable art – Bear is such a cutie full of funny facial expressions – ultimately reminds young readers that Bear is still a cub who must learn that all the well-rehearsed growls and roars may not get kids what they want if their parents have anything to say about it! And if you love this, be on the lookout for How to Talk Like a Chicken coming this September.

 

Share this:
Read more
08May 24

Best Mother’s Day Books 2024

 

 

BEST MOTHER’S DAY BOOKS 2024

∼ A ROUNDUP ∼

 

 

 

I Really Like Mom cover Bear holding cub.I REALLY LIKE MOM
Written by Su-an Lee
Illustrated by So-ra Kim
Translated by Paige Morris
(Abrams BYR; $15.99, Ages 4-8)

“With a sweet, universal message and charming illustrations full of irresistibly cute animals, author Su-an Lee and illustrator So-ra Kim’s picture book I Really Like Mom is a loving tribute to moms everywhere.”

Translated from Korean, this upbeat picture book featuring many different animal mom and child pairs will make young readers feel good all over. “I really like Mom,” is repeated throughout the story as it reinforces all the special things moms do. Whether it’s tucking their child into bed, or whipping up a yummy breakfast, Moms work their magic. Moms sing sweet songs and give loving kisses. “She praises me for playing nicely with my friends
as we take turns sharing my favorite toy.” I’m glad Lee chose to include that compliment since a mom’s praise means so much to children. The story ends with a human mom and her child cuddling at bedtime bringing a full day to a calm close. Kim’s included an adorable ladybug who crawls in through a bedroom window early on and is fun to spot in various scenes. Her soft-looking, sweet digitally created illustrations add to the charm of this celebration of moms. • Reviewed by Ronna Mandel

 

Mamá's Panza cover Mamá hold son.MAMÁ’S PANZA
Written by Isabel Quintero
Illustrated by Iliana Galvez 
(Kokila; $18.99, Available in Spanish, Ages 3-7)

“Mamá’s Panza is a young boy’s love letter to his mother, along with a celebration of our bodies and our bellies.”
“Panza is another word for belly,” says a little boy on the first page as his mother performs a yoga pose. He goes on to describe many types of bellies. Some are “Big, round, soft, or small and hard … ” His favorite panza belongs to his mamá.
This heartwarming story is a gently lyrical ode to one boy’s mother from when she first felt his movements in her belly before he was born to the present. I loved the language and the gorgeous artwork in the spreads during Mamá’s pregnancy. Sentences such as “Mamá dressed her panza in bright colors and flowers to show the world that she was blooming,” convey a joyful spirit that can be seen on every page. Mamá’s panza is a fun place to play like a “whole mountain to climb,” and a comforting place to be cradled at day’s end. Best of all, not only does this child adore his mamá’s panza but she does as well. It carried him during her pregnancy and kept him alive. It “keeps me alive as well. How could I not love it?” Such a moving testament to self-love and body positivity. How could I not adore this touching book? • Reviewed by Ronna Mandel

 

Mother's Day Here I Come cover princess mom with kids at tea party.MOTHER’S DAY, HERE I COME!
Written by D. J. Steinberg
Illustrated by Emanuel Wiemans
(Grosset & Dunlap; $6.99  Paperback Original, Ages 4-6)   

Celebrate Mother’s Day with this collection of sweet and funny poems from the author of the hugely popular Kindergarten, Here I Come! The bestselling Here I Come! series offers parents and kids a way to learn about new experiences, holidays, and life events. Each book in the series features delightful poems about all the different moments and traditions children can expect, as well as a page of stickers.

This cheerful picture book, a new one in the bestselling series, is packed with poems on different mom-centric subjects. Here’s one depicting kids jumping on the bed called “Wake up!” which should resonate with moms (and dads) everywhere.

On Mother’s Day, Mama slept late,
but her three little cubs couldn’t wait . . .

They jumped on her bed.
“ Wake up!” they all said.
“ We’re ready to go CELEBRATE!”

From moms around the world to working moms, from handmade cards (legible or scribbled) to macaroni jewelry gifts, Steinberg addresses aspects of mothers’ lives in fresh, fun ways. Diverse characters populate the book and Wiemans’ art brings an added touch of humor to complement each poem.

Like the other books in this series, Mother’s Day, Here I Come! is sure to be a hit with children who want to honor their moms (or mums) on Mother’s Day. Kids’ll love the page of stickers too! • Reviewed by Ronna Mandel

 

Illustrated by Tatiana Kamshilina
(Doubleday BYR; $18.99, Ages 3-7)
This book is an homage to the adults who have taken on the role of mother for children who have lost their biological parent and children who get an extra adult to love. Stephanie Stansbie’s
picture book Always Your Stepmom is a companion book to Always Your Stepdad inspired by the
loss of her biological father at age one and the addition of her new father at the age of five.
Tatiana Kamshilina’s illustrations take the reader back in time when a smiling redheaded woman
appears on the doorstep to meet the son of what we assume is her boyfriend. The dark-haired boy
smiles as he accepts a book from this unfamiliar lady. Stansbie writes in rhyme making this sweet story a heartfelt read. The trio creates new life experiences exploring national parks, while still honoring the boy’s past with photos from when he learned his first words. If I had been there when you learned your first words, I could never have cherished you more.
As the reader turns the page, new photos are placed in the photo album of the dad, his son, and the stepmom and the new life they have created together. As a new stepmom, she is shy and awkward during the boy’s fifth birthday party. We see the change in family dynamics a year later at his sixth birthday party when the kids are frolicking and she is socializing with other adults.
I’ll love you forever. You’ve changed me for good! This beautiful tribute to blended families is a loving bedtime read for both adults and children and a wonderful addition to our Mother’s Day Roundup. •Reviewed by Ronda Einbinder

 

The_I_Can_Say_Mama_Book_cover_photo_of_mom_and_babyTHE I CAN SAY MAMA BOOK:
A MY FIRST LEARN-TO-TALK BOOK
Written by Stephanie Cohen
(Source Books; $9.99, Ages 0-3 years)

Licensed and Certified Speech Language Pathologist Stephanie Cohen has created a board book designed to teach babies words used in daily routines, along with one of the best first words a baby can say “Mama.” Each page shows a photograph of a mother and her child with word bubbles expressing what Mama is teaching the baby to say.

The opening page is designed to attach a photo of Mama and each page after shows the action and the saying. “Hi, Mama!” The laughing baby says while being lifted by Mama out of the crib. “Up, Mama.” “Kiss, Mama.” “Hug, Mama.” Individual pages of vivid photos of diverse mothers show the bond between the two.

As the babies age, the words change. “Walk, Mama” and “Book, Mama” with Mama and child reading together. This is also a great book for potty training as the child learns words like “Pee-Yoo Mama” which should make everyone laugh. The back matter explains how this book should be used and how repetition is vital in teaching these keywords. “Just remember to pause each time after saying ‘mama,’ to allow your childtime to respond.” My favorite lesson in the book was Cohen explaining that “the more you read this book aloud to your child, the more engaged your child will be.” What a great first Mother’s Day to have your child’s first word be mama!
Reviewed by Ronda Einbinder

Additional Recommended Reads for Mother’s Day or Grandparents’ Day:

Written and illustrated by Tania de Regil
(Candlewick Press; $18.99, Ages 4-8)
 Starred Review – Publishers Weekly
During her mother’s pregnancy, Julia is separated from her parents for the first time when she is brought by her grandma to spend the summer away in author/illustrator Tania de Regil’s picture book Something About
Grandma. Before reading the words on the opening pages, I was drawn into the mixed media artwork of purple and blue birds flying in the sky and the stunning landscape of Grandma’s little house in a town at the foot of the mountain in Mexico City.
Handwritten letters are dropped into the trees, clothing, flowers, and Julia’s bicycle representing

poems written by her great-grandfather and handwritten by her grandmother. De Regil’s creativity in showing us the importance of these poems was truly felt. Julia adores everything her grandma does from cooking meals with fresh herbs grown in the garden to somehow knowing when Julia sneaks out to pick daisies and limes. Grandma seemed to know everything.

Grandma sits quietly on the terrace under the night sky writing things in a notebook. Grandma
had many secrets. But the story changes when Julia receives a letter from Mom and Dad. She realizes she misses home. Grandma’s sweet brown striped cat sits on the couch looking over her shoulder knowing something is making Julia sad. Grandma, and the cat, cuddle with Julia to help make her feel better. Grandma makes her delicious hot chocolate and entertains her with tricks and games.
The reader turns the page to see Mom and Dad walk through the back door with a new bundle of joy in Mom’s arms—Julia has a new baby brother. Julia snuggles with her family as she turns the pages of the photo album Grandma had shared with her and it’s exactly what they needed. Julia looked at Grandma and smiled.
This is a moving story that depicts the love grandparents have for their grandchildren—and the adoring love the grandchild has for the grandparent. It teaches the reader that no matter how much they may miss their home that time spent with grandparents is a magical experience for all. This is a perfect new Mother’s Day read, and it is available in Spanish.  •Reviewed by Ronda Einbinder

Click here for another Mother’s Day Roundup.

Share this:
Read more
03May 24

Picture Book Review for National Space Day 2024 – Dancing Through Space

 

 

DANCING THROUGH SPACE:
DR. MAE JEMISON SOARS TO NEW HEIGHTS

Written by Lydia Lukidis

Illustrated by Sawyer Cloud

(Albert Whitman; $18.99; Ages 4-8)

 Dancing Through Space cover Dr. MaeJemison in space shuttle Endeavour.

From the Publisher:

“Today, Dr. Mae Jemison is famous for being the first Black woman to travel into
outer space. But when she was growing up, she felt torn between two passions: science and dance. It
seemed like an impossible choice. There had to be some way to make room for both—and Mae found
one. As an adult, she combined her gifts of scientific logic and artistic creativity and became an
astronaut.”

Review:

Author, Lydia Lukidis introduces her new book about astronaut Mae Jemison by highlighting Jemison’s
love of science and dance. “Mae’s curiosity was as wide as the sky … [but] Mae could not sit still.” She
continues, “Mae spotted science everywhere, from symmetry to gravity … [she also] spotted
choreography everywhere, from birds soaring to waves swirling.”
e
Dancing Through Space int1 young MaeJemison at planetarium.
Interior art from Dancing Through Space: Dr. Mae Jemison Soars to New Heights written by Lydia Lukidis and illustrated by Sawyer Cloud, Albert Whitman & Co. ©2024.
e
Lukidis uses this dual narrative format to showcase how Jemison’s dual loves guide her through life
building her courage and determination, her mind, and her body. As Jemison considers her future, her
mother wisely counsels: “You can always dance if you’re a doctor, but you can’t doctor if you’re a
dancer.” So Mae studies both. Eventually, Mae’s dual-loves merge when she is invited to join the space program …
e
Dancing Through Space int2 space training.
Interior art from Dancing Through Space: Dr. Mae Jemison Soars to New Heights written by Lydia Lukidis and illustrated by Sawyer Cloud, Albert Whitman & Co. ©2024.
e
And in 1992, she became the first Black woman to “dance through space” when she traveled aboard the Space Shuttle Endeavour. Lukidis’ own love of science and art shines as she shares this phenomenal woman’s story, as does the art by Sawyer Cloud which illuminates Jemison’s determination to pursue her dreams.\
e

Purchase the book:

Goodreads – Click here.

Barnes & Noble – Click here. 

Find out more about the book here.

•Reviewed by Roxanne Troup
Share this:
Read more
30Apr 24

Blog Tour Day 2 for Explorer Academy Vela, The Sailor Cipher

 

BLOG TOUR FOR EXPLORER ACADEMY VELA
Book 1: THE SAILOR CIPHER

Written by Trudi Trueit

Illustrated by Khadijah Khatib

(NatGeo Under the Stars; $10.99, Ages 8-12)

 

 

EAVela-BlogTourBanner

 

GoodReadsWithRonna is delighted to share this excerpt from Explorer Academy Vela: The Sailor Cipher (Book 1) available in paperback now. Get ready to get hooked!

 

ABOUT EXPLORER ACADEMY:

Adventure, danger, and school on a ship! In a special school to become an explorer, Cruz Coronado embarks on important global missions with his classmates. But he’s hunted by a murderous threat. A threat that seems linked to his mother’s murder. Cruz hopes that by finding his mother’s clues left around the world, he’ll learn her secret formula and unmask his nemesis.

 

Blogpost #2: Book Excerpt

by Trudi Trueit

 

The first chapter of THE SAILOR CIPHER has Sailor and the rest of Team Cousteau (Cruz, Emmett, Lani, and Dugan), testing the Universal Cetacean Communicator, a helmet which can translate the songs and calls of whales and dolphins into human language! Here, they’re on a boat in the Chesapeake Bay preparing to rendezvous with a pod of dolphins. Cruz is wearing the UCC helmet. The plan is for Sailor to go into the water with him as his dive buddy, while the rest of the team remains in the boat to direct the mission with Fanchon (the tech lab chief who designed the UCC),

Sailor York called it the do-or-die point.

It was the moment right before a mission began. In those tense few minutes, as you waited for the “go” signal, you could either psyche yourself up or psyche yourself out. Everything depended on the choice you made.

It was exciting. It was exhilarating. And it was . . .

Now!

Looking out across the bay, Sailor filled her lungs with one last breath of fresh sea air before lowering the dive helmet onto her head. She was alone but for a fluttering heart and her own thoughts. As her dive buddy, Cruz Coronado, connected the hoses between her rebreathing helmet and oxygen tank, Sailor tried not to think about her shoulders cooking in the September sun or the swim fin pinching her left baby toe or the grilled cheese sandwich doing cartwheels in her stomach. Most of all, she tried not to think about how much was riding on their mission—because the answer was everything.

Do or die.

“Comms check.” Emmett’s voice rang out in Sailor’s helmet. “Oops! Hang on, minor glitch.”

Sailor couldn’t help a snort. In trying to put on a headset thinner than a spaghetti noodle, Emmett had gotten it tangled in his emoto-glasses. Emmett had a passion for technology, and the frames were his own invention. They tapped into his brain waves, changing shape and color based on his moods. At the moment, the circular frames were switching colors faster than a broken traffic light. It was a comfort to Sailor to know that even cool-headed Emmett was as jittery as she was. “Okay, all set,” said Emmett. “Sailor, do you read me?”

“Affirmative.”

When Cruz, Fanchon, Dugan, Jaz, and Lani gave similar replies, Emmett pronounced all comms operational. Jaz let them know the comm link among everyone would remain open throughout the mission.

“My pre-check diagnostic shows all UCC systems are functioning normally,” relayed Fanchon. “Cruz and Sailor, be sure to keep a distance of at least thirty feet between the dolphins and yourselves. Don’t overstay your welcome. Dugan will start the stopwatch once you’re in position. Remember, if you sense any stress or haven’t made contact in fifteen minutes—”

“We’re to break off and return.” Cruz took the words out of her mouth.

Respect for wildlife was their top priority. Everyone knew they were here to communicate with the dolphins, not to disturb or frighten them.

“The pod is a mile northeast of our position, heading due south,” alerted Lani.

“This is it!” Emmett’s voice rose in pitch. “Divers, stand by for ‘go.’”

Sailor’s heartbeat thundered in her ears. She shut her eyes against the blinding diamonds of sunlight reflecting off the water. Exhaling, she pushed away all the thoughts that cluttered her mind—the scorching heat, her throbbing toe, a somersaulting sandwich . . .

“Sailor?” Cruz’s voice was so quiet she barely heard him.

She opened her eyes and turned to him. “Yeah?”

“Thanks for jumping in with me.” Cruz held out his hand.

Sailor grinned and took it. “Any time.”

“GO!”

 

Sailor is in for a BIG surprise over the next few pages. Read THE SAILOR CIPHER to find out what happens next!

 

Author TrudiTrueit 2024
Trudi Trueit, Explorer Academy series author.

AUTHOR BIO:

Trudi Trueit writes the award-winning EXPLORER ACADEMY fact-based fiction series for National Geographic, which has been translated into 20 languages. She is the author of more than 100 fiction and nonfiction titles for kids, including MY TOP SECRET DARES AND DON’TS, THE SISTER SOLUTION, and THE SECRETS OF A LAB RAT series (Simon & Schuster). A Seattle native, she makes her home in Everett, WA with her photographer husband and lives to serve the whims of their three cats. And yes, Trudi Trueit is her real name (by marriage)!

Share this:
Read more
23Apr 24

A New Poetry Middle Grade Graphic Novel – Poetry Comics

 

APRIL IS NATIONAL POETRY MONTH SO …

 IT’S TIME FOR

POETRY COMICS

Written and illustrated by Grant Snider

(Chronicle Kids; $18.99, Ages 8-12)

 

 

Poetry Comics cover four panels of tree in four seasons.

 

 

★ Starred Reviews – Kirkus Reviews, Publishers Weekly

 

Reading a well-crafted poem always fills me with awe. I wonder how the poet made it look so easy. The words flow magically on the page yet I know the great skill involved in composing one. That describes my first impressions of this middle-grade graphic novel. Add to that the joyful comic-style artwork and you’ve got the winning Poetry Comics by Grant Snider, a celebration of seasons and so much more, beginning with spring.
Poetry Comics int1 sprinting through sprinkler.
Interior art by Grant Snider from Poetry Comics written and illustrated by Grant Snider, Chronicle Kids ©2024.
Snider’s book puts four seasons of poetry at children’s fingertips. He captures the everyday world from their perspective. Here’s a short one I love. “Joy is the feeling of sprinting through the first sprinkler of spring.” (See the art above.) It resonated with me even though I no longer partake in this warm weather ritual. Seeing the child’s delight in this activity, filled my heart and reminded me of when my kids were growing up.
Another in this section that will spark imaginations, is the impressive “Shape Story” where the mix of shapes and verse morph into a clever story about a girl flying a kite on a sunny but windy day as rain clouds roll in. (See the art below.)
Poetry Comics int2 Shape and Balloon poems
Interior art by Grant Snider from Poetry Comics written and illustrated by Grant Snider, Chronicle Kids ©2024.
Poems come in vibrant colors and various lengths. They feature end rhymes, subtle internal rhymes, assonance, consonance, and an uplifting lyrical quality that matches the cheerful illustrations. I found myself pausing frequently to admire this engaging approach. As I read I felt this book would have inspired me as a child to try my hand at composing a poem or two along with drawings or doodles. I think it’s going to do the same for young readers today. Teachers can embrace this book for its multiple entry points whether that be for comic and graphic novel fans, reluctant readers, or poetry lovers who want to stretch that creative muscle more.
Poetry_Comics_int3_summer_ferris_wheel Poetry Comics int3 summer ferris wheel
Interior art by Grant Snider from Poetry Comics written and illustrated by Grant Snider, Chronicle Kids ©2024.

 

I could go on and on about how much I enjoyed this unique poetry book but instead, I recommend you see for yourselves and let me know what you think.

Click here for another National Poetry Month review.

Share this:
Read more
19Apr 24

Picture Book Review – Lost Words: An Armenian Story of Survival and Hope

 

 

LOST WORDS:
An Armenian Story of Survival and Hope

Written by Leila Boukarim

Illustrated by Sona Avedikian

(Chronicle Kids; $18.99, Ages 5-8)

 

 

Lost Words cover Armenian families in picture frames on wall

 

 

On a seemingly ordinary day, a little boy helps Mama prepare mante dumplings. His life is suddenly and dreadfully interrupted when he receives a knock at the door. “‘You must leave with the others,’” his mother pleads while getting him and his sisters ready for the long journey ahead. She stuffs their pockets with dried fruit and nuts and sews gold coins into the lining of their coats just “in case.”

 

Lost Words int1 Armenian mother urging children to leave.
Interior spread from LOST WORDS: An Armenian Story of Survival and Hope written by Leila Boukarim and illustrated by Sona Avedikian, Chronicle Kids ©2024.

 

 

The little boy has “so much … to say” to Mama, but his words are “lost”—a repeated sentence expressing devastation and shock over his new reality. He and his siblings must leave their parents behind to escape persecution. Along with hundreds of thousands of other Armenians, he is forced to walk through the Syrian desert “for days. For weeks. For months”—phrases also repeated throughout the book illustrating his heartache and longing for wholeness. 

Like the sparse words of Boukarim’s refrains, simple and soft illustrations carry deep emotional weight. The gentle, almond-shaped eyes of Avedikian’s characters convey much grief and worry. Their facial expressions are often at the center of the pages.

 

Lost Words int2 our long journey began.
Interior spread from LOST WORDS: An Armenian Story of Survival and Hope written by Leila Boukarim and illustrated by Sona Avedikian, Chronicle Kids ©2024.

 

 

As the boy becomes a man and starts a family of his own, “love and laughter” begin to heal the “dark space[s]” of his heart, though the question of family history remains unanswered. That is, until, years later, his grandchild asks, “Where are we from …?” Suddenly and wonderfully, his words return to tell the story of loss, love, and resilience. The story of Armenia. 

 

Lost Words int3 in the heat and in the dust crossing desert.
Interior spread from LOST WORDS: An Armenian Story of Survival and Hope written by Leila Boukarim and illustrated by Sona Avedikian, Chronicle Kids ©2024.

e

For teachers, librarians, parents, grandparents, and anyone interested in stories about survival and hope, Lost Words which is based on a true story, sensitively and beautifully illustrates the courage to speak one’s truth. An author and illustrator’s note, a brief history of the 1915 Genocide, facts about Armenia, and a glossary are included in the backmatter

Find out more at the Chronicle website here.
Find out more about the author, Leila, here.
Find out more about the illustrator, Sona, here.

  • Reviewed by Armineh Manookian
Share this:
Read more
Share this:
Back To Top