∼ A ROUNDUP ∼
Let’s give a round of applause to moms everywhere on Mother’s Day with this great selection of Mother’s Day books that perhaps express what children cannot. The pandemic has been a challenge and moms, you stepped up to the plate, or should I say multiple plates, and made things work. Sometimes it wasn’t easy. You wondered if your hard work was appreciated or how long you’d be able to keep the smile on your face. Sometimes you didn’t smile and that’s okay. There were a lot of gray days but you never forgot what it means to be a mother, a grandmother, or caregiver. And those you love are taking this day to remember you and let you know how much they care. Thank you and Happy Mother’s Day!
The precious board book, a love letter to mommies, is a companion to Leo Loves Daddy, and a wonderful way to share the joy of reading together with mother and child. With diverse characters and warm tones in 18 delightful pages, Ruth Hearson illustrates the tender relationship Leo and Mommy share. Anna McQuinn’s gentle rhymes take the reader through the daily activities, “At yoga class, Mommy lifts Leo with ease. Riding home through the park, Mommy speeds like the breeze.” McQuinn’s Lola Reads series includes Lola Reads to Leo, Lola Gets a Cat, and Lola Loves Stories, all illustrated by Hearson. This is a great Mother’s Day read highlighting the special bond kids share with their moms. • Reviewed by Ronda Einbinder
Part of the An Every Day Together Book collection, I Love Mommy Every Day is a sweet book celebrating moms. “Mommy feels like home, a comforting presence wherever I am,” says a blonde-haired child with large purple glasses as she snuggles in bed, while Mommy is reading by her side. Alicia Mas brings the reader in with her eye-pleasing art of various mommies with their children. Her blues, oranges, pinks, and reds surround Otter’s descriptions of all the different kinds of mommies. Turning to the last page, the reader comes across a list that reads, “What do you love best about your mommy?” Numbered from one to three, these questions offer the opportunity for parents to talk to their kids, or have them write (or dictate) on a separate paper, about what makes their mommy so special and lovable. They provide a fun activity for teachers to give students to create an unexpected yet personalized Mother’s Day gift.
• Reviewed by Ronda Einbinder
This picture book put a smile on my face as I read through each page trying to decide if I was Zen Mom or Organized Mom, while also wondering which one my adult children would choose. Aura Lewis’ colorful illustrations of trendy moms, outdoorsy moms, and working moms depict, page-by-page, all kinds of moms. Which one are you? The book opens with “What is a Mom?” then explains that moms are not just biological, they are stepmoms, adoptive, foster moms, and even moms-to-be. My favorite pages were under the heading Moms around the World, showing the reader that in Finland, Aiti, gives birth and then is given a box of essentials from the government, and babies can even sleep inside the box; and in India the new mom, Maan, often goes back to her own mom to help her adapt to parenthood. This playful book also conveys genuine gratitude, concluding with, “Thank you to your mom, their mom, and all the moms yet to come.” This is a great read throughout the year. • Reviewed by Ronda Einbinder
New York Times’ best-selling author Susanna Leonard Hill’s new picture book, Dear Grandma, recognizes all the ways grandmothers are awesome. Written as a letter that begins, “Dear Grandma, Do you know you’re the best?” Each scene shows funny and loving ways: “You’re a jungle gym climber, jump rope rhymer, / storyteller, secret hideout dweller . . .” Grandmas soothe the bad days and nightmares away. They’re also with you through the seasons, whether living close by or staying in contact across the miles.
John Joseph echoes the text’s positive vibes in his colorful illustrations capturing children of the world interacting with their grams. The two-page wordless spread where a toy dragon comes to life is my favorite piece of art; it’s quite funny.
A perfect gift book to show grandma how much you appreciate everything she does.
• Reviewed by Christine Van Zandt
Most of the time my family eats simply, but, sometimes, I want to make something special. Two yeast recipes I need to fine-tune are English muffins and focaccia so I was happy (and surprised) to find Claire Saffitz’s versions in her Dessert Person cookbook. Don’t fear, there are loads of delicious desserts including cakes, pies, tarts, bars, and cookies along with a category called Fancy Desserts featuring croquembouche and so forth. Check the Recipe Matrix, which plots out recipes on a grid by difficulty level and total time—an at-a-glance time-saver. Read the thorough instructions before beginning to ensure you have the ingredients, time, and equipment.
Because kumquats were in season, I made Ricotta Cake with Kumquat Marmalade. The cake was a hit with a flavor reminiscent of German cheesecake. Its kumquat marmalade topping elevated this dish from comfort food to showstopper. I’ll make the cake again, swapping in a different seasonal topping.
Another recipe my family really enjoyed was Clam and Fennel Pizza with Gremolata, which begins with the Soft and Pillowy Flatbread recipe. (Store-bought pizza dough can be swapped out, but freshly made flatbread is a treat.) After the flatbreads are parbaked, top with the previously cooked clam, garlic, fennel, olive oil, and crushed red pepper flakes mixture. Bake again, then finish off with a gremolata of flat-leaf parsley, fennel fronds, garlic, lemon zest, and kosher salt. There won’t be leftovers, guaranteed!
Beyond making these amazing creations, the photos are eye candy for us cookbook geeks. The gorgeous Black Sesame Paris-Brest is an image I’m drawn to. This bicycle wheel-shaped French pastry recipe replaces the traditional pastry cream for one made with black tahini. Other pastry cream options include chocolate or coconut variations.
I’ll keep looking at the beautiful pictures as I work my way through the recipes. From relatively simple Miso Buttermilk Biscuits to the two-months-to-make Fruitcake, there are dozens of delectable choices. This is a cookbook I will seek out—as the subtitle promises—to receive “guidance for baking with confidence.” What a wonderful treat for Mother’s Day. • Reviewed by Christine Van Zandt
💗 And last but certainly not least, check out this wonderful interview with YOUR MAMA author NoNieqa Ramos, another must-read for Mother’s Day. The picture book was illustrated by Jacqueline Alcántara
ON THE BOOK BIRTHDAY OF
1 2 3 CATS: A COUNTING BOOK
ABC CATS: AN ALPHA-CAT BOOK
Written by Lesléa Newman
(Candlewick Books; $7.99 each, Ages 2 to 5)
1 2 3 Cats: A Cat Counting Book
Meet cats from one to a dozen in this adorable board book introduction to counting with a feline twist. Author Lesléa Newman draws on her love for (and familiarity with) cats in a concept book for the very young, while illustrator Isabella Kung captures the animals’ movements and gestures in a way that is sure to delight.
ABC Cats: An Alpha-Cat Book
From curious to elegant, grouchy to inquisitive, rowdy to tangled to . . . well, unusual (who says cats don’t swim in the tub?), these twenty-six charming felines interact with oversize alphabet letters on rhyming spreads. Author Lesléa Newman and illustrator Isabella Kung offer a cat’s-eye concept book that makes the ABCs go down easy—and is sure to inspire many a repeat viewing.
Colleen Paeff: Happy book birthday, Isabella! It must be so exciting to have two books coming out on the same day! You had to paint over 120 cats for these two adorable books. Do you feel like you need to take a break from painting cats now?
Isabella Kung: Thank you so much, Colleen! It is exciting! They are my first board books too. And yes! 122 cats to be exact, more if you count the different painted versions on various materials to achieve the final results. Thankfully, I love cats so much that it is the one subject I have never grown tired of. Which is good, because I am working on the No Fuzzball! sequel right now!
CP: Hooray! Your author/illustrator debut is getting a sequel?! I’m really glad to hear that. I love Fuzzball. She has so much personality–as do the cats in your latest books. Was it difficult to create so many distinct cat personalities at once? How did you do it?
IK: Lesléa Newman’s words really help spark the inspiration – ideas for gestures, expressions, and body language came to me rather quickly, a little easier for ABC CATS, as each cat only appears once. For 1 2 3 CATS, I kept referring back to my notes about each cat and did my best to stay true to their initial introduction for the following spreads. For example, Cat Number Three was first described as sweeter than Cat Number Two – I drew her being sweet on Cat Number Two, taking the kitten under her wing. From then on, you can always find them together for the rest of the book. The hard part was actually determining what breed, size, fur patterns and colors each cat should be depicted as, which was more a design puzzle to solve, it was fun and challenging.
CP: Can you speak to the experience of illustrating a board book. Did you face any particular challenges?
IK: The act of teaching is actually a great learning tool for myself. I have to really break down and analyze my own thought process, materials, drawing and painting techniques, in order to successfully explain and demonstrate to others. I’ve learned so much more about myself and my work over the years thanks to teaching. Teaching is also a wonderful way to share and connect with the creative community. As creators, our career is often an isolating path, it’s nice to discuss your craft with others who are just as excited to hear it. Not to mention, it can be very rewarding when students enjoy my class!
CP: I am mesmerized by your YouTube channel–especially the time-lapse watercolor paintings. How much time (in real-time) does it take to paint something like the No Fuzzball in Despair painting? And what is it about painting with watercolors that keeps you coming back to that medium time and time again?
IK: Thank you! I enjoy watching them sometimes myself, because most of my paintings take hours, so speeding it up to only 2-5 mins really makes it look magical! It makes me look 100% confident, too (not always the case)! The painting No Fuzzball in Despair, in particular, took me about 15-18 hours to complete.
CP: Oh, wow! It looks so fast in the video! What is it about painting with watercolors that keeps you coming back to that medium time and time again?
IK: I love painting with watercolor and other water mediums like ink, even though it might not be as flexible or speedy as digital mediums. I personally really enjoy the tactile aspects of traditional mediums. Working with watercolor is like working with a living being, you’ll have to study it, observe, and guide it to create the effects you want. Sometimes it even leads you to happy accidents! Which is hard to come by digitally when the undo function is so readily available. It’s more challenging, but the results are immensely satisfying as well! Also, I feel like I can get into the “zone” or access the elusive flow state more easily when working with traditional mediums, whereas, when I am working in photoshop, it tends to feel like work.
CP: What’s your advice to people who like drawing, but get discouraged by their lack of natural drawing ability?
IK: Drawing and painting are just skills, skills that anyone can learn and even perfect. Natural abilities will only affect the speed that you learn your craft, never let anyone (even yourself) tell you that you can’t draw or paint. All it takes is dedicated practice, draw and paint every day if possible. Start with the basics and don’t get frustrated if you make mistakes. We’ve all been there, it’s all part of the learning process, I still make mistakes! There are so many courses and workshop options nowadays, you can easily find something by an artist you like too.
CP: What are three art tools you wouldn’t want to live without?
IK: My watercolor palette, all my painting brushes and my trusty Pentel pocket brush pen with black ink!
CP: You’re the Illustrator coordinator of the SCBWI SF/South region of the Society of Children’s Book Writers and Illustrators (SCBWI). Has taking on that role had any impact on your work as an author/illustrator?
IK: SCBWI is such a wonderful organization, joining it really helped me connect with others in my community and learn more about the professional industry when I was just starting out; going to SCBWI conferences also sparked the desire to write my own stories too. So when I was asked to step up to this role, I said yes because I really wanted to give back and contribute to our region. I’ve gained the experience and confidence in organizing and planning events (and now virtually as well); I got to meet and invite fantastic industry professionals that I personally admire; and most of all it gave me the opportunity to personally meet my editor for No Fuzzball!, Kait Feldmann, through one of our annual conferences!
CP: I really related to something you said in your interview with Stephani Martinell Eaton on the Cynsations blog when you were talking about the challenges of being an author/illustrator. You said, “Even when I do have time in between projects, it is hard to truly rest and exercise self-care. There are stories on the back burner that need to be worked on! Art experiments waiting to be explored! New tools to be learned! Promotional materials to be done!” Have you learned any useful tricks to help you deal with that particular challenge? I could use them!!
IK: Haha! I do have some tricks, though I must say, my tricks are less effective during this pandemic. My productivity has been a bit fickle during this trying time, but I’m trying to be kind to myself and take things one step at a time and dedicate time off. The best trick I can recommend is to set up various achievable goals and deadlines for yourself. I usually have 3-4 big goals in mind for the year. Then I break it down to a digital monthly to-do list, adding to it throughout the year as things come up. Then I have an analogue weekly planner that I slot these tasks into each week and cross them off as I go. That way, I am not overwhelmed by everything I need to do and can just focus on getting through each week. I do pay close attention to how much I can actually achieve and fine-tune my planning if needed. There’s no use setting way too many unachievable tasks and goals on your plate, that only cause more disappointment or frustration. Now that trick helps with getting most of my responsibilities done, though writing or coming up with ideas is a whole other ball game. I found just dedicating a creative hour every day, even if all I do is stare at my manuscript is helpful. Eventually, ideas will flow and solutions will reveal themselves to me as long as I show up consistently to work on them. Or if schedules allow, a work retreat somewhere else is an amazing treat to the creative mind!
CP: Speaking of retreat, what would a perfect day, guaranteed to get the creative juices flowing, look like for you?
IK: A perfect day– that means no urgent emails, family and friends, or home duties interrupting, right? It might look something like this: (FYI, I’m a night owl so please adjust the timing to your sleep schedule)
10am – 12pm – Wake up, grab coffee and water, writing time.
12pm – 1pm – Lunch
1pm – 5pm – Illustration work
5 pm – 6 pm – Exercise or Meditation
6 pm – 10 pm – Dinner / Family / Relaxation time
10 pm – 2 am – Illustration work. If no pressing deadlines, then personal art explorations.
2 am – 3 am – Wind down, read and prepare for bed.
CP: Wow. That sounds amazing. Now I have to ask … How often (if ever) do you get to experience a day like that?
IK: Lol! I think I only maintained this schedule for a short period of time (about 2 months) 3 years ago. It was a time before I got any offers for my book, and right after taking a break from teaching and freelance work. During that time, I wanted to give myself a 6-month break from work to invest in my writing and focus on all the neglected back burner projects. I dug deep, took classes, and got a lot of creative work done! Though I wish I enjoyed that time more, it was also a period of time I was experiencing a lot of self-doubt and depression. I’m glad I hung in there and pushed through these difficult emotions! Now, I’m usually juggling multiple projects and deadlines, so it is almost impossible to have a perfect creative day! I hope later this year I’ll get to try this again.
CP: I hope so, too! What’s next for you?
IK: I’m currently working on the sequel for No Fuzzball!, scheduled to hit the shelves in Fall 2022, as well as creating another online course for Storyteller Academy with Julie Downing. Once all of this is completed, I look forward to a well-deserved break and hopefully, I’ll turn to some of those back-burner projects waiting on my attention.
CP: I look forward to seeing what antics Fuzzball gets up to in the sequel. Thanks, for chatting, Isabella. I really enjoyed it!
IK: Thank you so much for your thoughtful questions! I enjoyed it too!
Isabella Kung is the author/illustrator of No Fuzzball! (Orchard Books | Scholastic, 2020), about a fuzzy feline despot who rules the house with an iron paw. Continuing her feline obsession, she also illustrated over 120 cats for the board books 123 CATS and ABC CATS by Lesléa Newman (Candlewick Press, 2021). Outside the world of publishing, Isabella teaches illustration and watercolor classes at Storyteller Academy and Etchr Lab. She is also the current Illustrator coordinator of the SCBWI SF/South region. Isabella resides in San Francisco with her husband and two adorable – you guessed it – cats! She is represented by Jennifer Laughran at Andrea Brown Literary.
Purchase your copy of all of Isabella’s books here.
FOR MORE ON ISABELLA KUNG:
ABOUT INTERVIEWER COLLEEN PAEFF:
Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, illustrated by Nancy Carpenter (available August 31, 2021 from Margaret K. McElderry Books) and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books). Click here for more info.
Written by Phaea Crede
Illustrated by Terry Runyan
(Barefoot Books; $16.99 HC/$8.99 PB, Ages 3-7)
Jet the Cat, the picture book debut from Phaea Crede with another debut for illustrations by Terry Runyan, is a story all the kids and adults will have fun reading. I can almost hear their giggles. It all started when Phaea got inspired by her mom’s cat Eddie. Eddie, unlike other cats, loved to take baths.
“I tried to imagine what other cats might think if they caught Eddie happily splashing around. I figured another cat (named Tom in the story) would look down on Jet, maybe even tell her she wasn’t a real cat if she liked water.”
Tom represents people who think they should tell people what they can or can’t do. Phaea dealt with many Toms in her life. Imagine that one girl even told her that her “name couldn’t really start with a P if it sounded like an F!”
But even though her inspiration was Eddie, when she started drafting Jet’s manuscript, she realized this story was also about something else: her dyslexia. Phaea loved writing stories, but her disability made her give up writing creatively.
“ I decided at age eight that real writers didn’t have dyslexia. Thirty-one years later, I have officially proven myself wrong!”
After revising Jet the Cat (Is Not a Cat) a solid fourteen times (shout out to her critique group Friends with Words), she submitted her story to Lisa Rosinski, senior editor of Barefoot Books. And Barefoot Books and Lisa Rosinski were perfect matches to such a conscious and fun book.
Jet the Cat is a book filled with colorful spreads and repetition. After cat Tom tells Jet she is not a real cat because she loves water, Jet goes on a journey to figure out which animal she can be. But of course, Jet can’t be any of these animals. She can’t be a frog because she sings too loud. She can’t be a bird because she can’t fly. And poor Jet can’t figure out who she is until …
I do not want to spoil the end, so make sure to get a copy of Jet the Cat (Is Not a Cat) to discover the fantastic ending and to read it to your children to make them laugh and think: Are we all the same or does each one of us have a little bit of Jet, the Cat? I LOVE IT!!!
- Review by Ana Siqueira
PHAEA’S SOCIAL MEDIA
PRE-ORDER YOUR COPY TODAY FOR THE MAY 14 PUBLICATION DATE
THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG
Written by Amanda Davis
Illustrated by Sally Wern Comport
(Worthy Kids; $17.99, Ages 5-8)
For those of us who are old enough, the story of 9/11 will never be forgotten. Horrible images are etched in our minds. But if we look hard enough, we will find beauty from the darkness of that day. 30,000 STITCHES documents some of those moments. It is THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG.
Author, Amanda Davis, takes us on a thoughtfully worded journey of kindness and healing. The first image of the flag, vibrant and whole, blows above the wreckage, displaying the strength of America. The fabric ages and the tattered flag is stored away in the shed of a home. Seven years later, another tragedy hits, this time a natural disaster in Greensburg, Kansas.
Volunteers from New York bring the flag all the way to Kansas at the people’s request, a connection to those who suffered a loss. From fragments of flags that survived the tornado, the 9/11 flag is rebuilt, and its journey across the states begins. With each new piece, a new story is told and remembered, representing hope, kindness, love, and strength.
Chills. And with every page turn—more chills! Illustrator, Sally Wern Comport, creates lush fabric-like spreads, stitching together frames and collaged images, layering colors and textures of the complicated yet beautiful stories. At the beginning of the book, her mixed-media illustrations present New York City in soft tones of gray and muted greens and yellow, contrasted with dark bold cutouts—firefighter figures.
The next page introduces the American flag in its familiar red, white, and blue. A few pages later, colorful images represent the uplifting message and diversity of the hands that stitched and mended the flag, and the hearts touched because of it.
The pictures and words of this book show humanity at its very best.
There is a flag that connects the kids of today to the historical moment of 9/11. It stands thirty feet wide and twenty feet tall, as big as my recommendation for this book.
WHERE TO BUY THE BOOK
Signed preorder copies can be purchased here: https://www.anunlikelystory.
CELEBRATE NATIONAL POETRY MONTH
WITH THESE GREAT KIDS BOOKS
The title and cover pulled me in and I could not wait to read this hilarious poetry book meant for children and parent, caregiver or any adult to experience together. It’s done so well that kids will laugh while learning some unusual things about the English language that grown-ups may now take for granted. “The illustrated rhymes and delightful ditties” will definitely boost early reading “as each poem teaches a specific sound, spelling, or rule.” There is clever wordplay and just so much to enjoy. I found it hard to narrow down the poems that I wanted to share here, but I’ll try with this one about sounds.
The Man in the Moon
The Man in the moon
dropped into our school,
just yesterday morning
round about noon.
You may not believe me
but I have the proof:
there’s a man-in-the_moon
shaped hole in the roof!
Some poems in the section on silent letters that I loved include The K on Your Knee, Answer This, Why is That?, A Secret Number, and Christmas at the Castle. In the spellings sections, I’m sure kids will LOL at A Clue, Separate, and A Lot. And in the homophones section, Two, Too, and To is a great one to share as is Which Witch, and A Whole Donut. Especially helpful is the backmatter with exercises and activities to do with children. Tor Freeman’s personified letters and cheerful art bring the poems to life with their quirky charm and vibrant colors. As adults we may have forgotten how hard the peculiarities of our English language are for youngsters to grasp. This book makes it not only educational and entertaining but utterly irresistible!
All around the world, one thing there’s no denying, is we all can look up and see the moon in the night’s sky because, in addition to sharing the air we breathe, we also share the sky and all its treasures. Heidbreder captures the marvel of nature and more in bite-sized poems filling 40 pages of pure delight. In his opening poem, Catch The Sky he writes
Look up! Gaze round!
Cast eyes to air.
Catch the sky
that we all share.
Two-page spreads with poems on opposite pages cleverly take readers around the world to meet diverse characters finding so much wonder everywhere. Whether that’s a squirrel walking a power line or crows heading for home in the evening, there’s always something to enjoy with every page turn. One particular spread I like is a city buildings scape with the first poem showing people on rooftops flying kites. In the foreground of the same spread is a birthday celebration and the poem is about balloons. With the story moving from sunrise throughout the day to nightfall, Catch the Sky can also be an ideal bedtime read that, with the lovely and calming art, should inspire beautiful and sweet dreams.
A POEM IS A FIREFLY
Written by Charles Ghigna
Illustrated by Michelle Hazelwood Hyde
(Schiffer Kids; $16.99, Ages 5-8)
This gentle introduction to poetry is a rhyming tale that tips its hat to nature when describing all the things a poem can be. What perfect inspiration for the littlest poets in your family! A bear and his forest friends share their impressions about what makes a poem which teachers can use as a jumping-off point for creative writing prompts.
A poem is a wild rose,
a promise just begun,
a blossom new
with fragrant dew
unfurling in the sun.
Even without the vibrant art, Ghigna’s words are easy to imagine. Yet Hyde’s illustrations are not only cheerful and packed with adorable animals—the moose is my fave—they’re lush with a jewel-toned palette that complements the rich colors of all the animals. Kids will love how poems can be found everywhere, from a laugh to a sigh or in the stars in the sky. Talk about poetry at your fingertips!
A Kirkus Reviews Best Book
An NCTE Notable Poetry Book
I have never read a poetry book quite like This Poem is a Nest. Its brilliance will stay with you long after you’ve finished your first reading. I want to emphasize first because you will want to return to it again and again, especially as your moods change. I could not put it down, eager to see how Latham would take her original 37-line, four-part poem, “Nest,” then create what she calls nestlings, 161 smaller poems within it on topics as broad as the seasons, space, the alphabet, relationships and emotions. I read in awe how she took the nest concept and then soared. It begins in 1. Spring
This poem has twigs in it, and little bits of feather-fluff.
It’s got wings and birdsong stitched together with ribbons of hope.
Consider this book a key to an alchemist’s lab. It will take children to magical places they have never imagined words could take them, places where they will definitely create gold. Using the concepts of found poems or blackout poetry that Latham explains in the beginning of the book, she makes it all look so easy. But clearly it was not effortless. It obviously takes patience and commitment. This Poem is a Nest resonated with me because I could feel the love and devotion she put into each and every nestling. Latham includes tips in her conclusion to set readers off to find their own nests of inspiration. Wright’s simple black and white spot art is a treat, full of children dreaming, birds flying, and animals playing. I’ll leave you with this beautiful one called Parent Poem: this poem has endless faith in you. ENJOY!
A Kirkus Reviews Best Book of the Year
Author-illustrator Douglas Florian deftly tackles those two remote places on our planet known as the Arctic and Antarctica in the most whimsical and unexpected ways in his poetry and art. At the same time he adds important factual information below each poem making this a must-read picture book. In other words, kids can come for the verse, but they’ll stay for the info since there is so much to learn, especially since these areas and their flora and fauna are threatened by climate change. There are 21 poems ranging from those about animals such as the polar bear, blue whale, the Arctic hare, and musk ox to ones about the polar regions, the tundra and climate change. Florian’s included clever wordplay and makes every poem a joy to read aloud especially the one about a ptimid bird called the Ptarmigan whose home is the rocky tundra. I pfound this one about krill especially pfunny:
Fish and penguins, squids and seals,
all find krill make splendid meals.
Blue whales eat krill by the millions:
Millions! Billions! Trillions! Krillions!
Describing his original artwork, The Poetry Foundation said, “Florian’s illustrated poetry books for children often incorporate elements of collage, watercolor, and gouache on a surface of primed paper bags.” Kids will find the humor in the art pairs perfectly with the characteristics of the animals presented whether it’s the Arctic Hare toting an umbrella on a bad hare day or with the menace to small creatures, the very TALONted Snowy Owl. Backmatter includes info about Florian, his interest in natural science, and his engaging art style.
★Starred Review – Kirkus
If you have a child that loves to learn while enjoying all different kinds of poems, Spi-Ku is the book for you to share with them. As wonderful as the poems are, so too is the variety of factual information included.
Middle-grade readers quickly learn that “all spiders are arachnids, but some arachnids mite not be spiders.” I always thought a daddy long legs was a spider, but it’s not. I also had no idea that a mite and a tick are part of the arachnid family. For some reason, I thought spiders have antennae but they don’t. What they do have are two main body regions and are “the only arachnids that have a narrow waist called a pedicel connecting the two main body parts.” How closely do you look at spiders? I honestly don’t take the time. At home, when I see a spider, I usually grab a plastic container to catch them and set them free outside.
Bulion breaks down different aspects of spiders. In Spiders on the Move this funny poem says it all.
Row, row, row my legs,
Pairs two and three are oars,
My first legs feel the way ahead,
Which do no work? My fours!
One of my favorite sections details in poems and prose how clever spiders are. Masters of disguise and creating ploys to catch their prey, these eight-legged creatures are not to be underestimated. There are sections on Spider Mamas, Spider Enemies and topics you might not ever have considered when thinking about spiders such as senses or their interesting courting rituals.
The plethora of poems are presented alongside descriptive paragraphs, and illustrations that are both whimsical, and scientifically accurate. Each one is so distinct and full of character. I applaud Meganck for not creeping me out with his spider art, and I think even mild arachnophobes will likely agree. Readers will find limericks, concrete poems, haiku, free verse, cinquains throughout the book with explanations about these and other poetic forms used in the comprehensive backmatter. Teachers can take advantage of the glossary of common and scientific names, a relative size chart, and more. Here’s a link to a teacher’s guide.
Written by Hayley Chewins
(Candlewick Press; $16.99, Ages 10-14)
★Starred Reviews – Kirkus, Publishers Weekly
This middle-grade novel stands alone—in an amazing house that cares for three seemingly trapped sisters, Winnow, Mayhap, and Pavonine. Years ago, their parents left the girls this note, “Wait for us. Sleep darkly.” Outside, the house is surrounded by silver grass seeking opportunities to slither in—and it talks!
How have the stranded sisters gotten by? We learn in the opening line, “The house dressed Mayhap Ballastian in blue on the day her sister disappeared.” What a great way to start the story! I don’t want to reveal all the crazy-wonderful things, but have to share my favorite: the droomhunds, loyal doglike creatures. Since the sisters are unable to sleep (I can’t tell you why), each hund “could press itself into the tight space of a person’s mind.” Brushing them first helps because “the softer the droomhunds’ fur was, the more restful the girls’ sleep would be.” Cool stuff, right?
When fourteen-year-old Winnow, the eldest sister, leaves the house, problems arise. Upon her return, Mayhap (twelve-year-old middle sister and main character) questions the rift between them. However, Winnow falls into a troubled sleep, her eyes turning silver, her droomhund missing. Plot twists ensue.
Chewins’s writing is too lovely to rush reading through. This imaginative literary fantasy seeped in strangeness is also very much a siblings story. The relationship between the girls feels truthful and honest, even when set in such an unusual world.
ABOUT HER PICTURE BOOK
THE STARS BECKONED:
EDWARD WHITE’S AMAZING WALK IN SPACE
(Philomel; $17.99, Ages 4-8)
★ ★ ★
The Stars Beckoned: Edward White’s Amazing Walk In Space, written by Candy Wellins and illustrated by Courtney Dawson, is a lyrical picture book biography of Edward White, the first American to walk in space, and an ode to the beauty and wonder of the stars that brought him there.
Colleen Paeff: Hi Candy! Congratulations on the release of your second picture book, The Stars Beckoned: Edward White’s Amazing Walk In Space (illustrated by Courtney Dawson)! You’ve said that when you started writing this book you weren’t really a space buff. Do you think that helped or hindered you during the research process?
Candy Wellins: I hope it helped! Most of what I knew about the history of NASA came from THE RIGHT STUFF, which does a good job of covering Project Mercury and I think everyone has a basic understanding of Apollo, but the Gemini missions are kind of like the forgotten middle children of the NASA missions. Not the first ones and not the flashy ones, but certainly important ones. I read the transcript of the entire Gemini IV mission–pages and pages of technical jargon—but once you get to the heart of the mission and “hearing” the astronauts speak, it’s pretty riveting.
CP: Would you consider yourself a space buff now?
CW: No, not a space buff by any means. Maybe an above-average space enthusiast at best!
CP: I’m always impressed by authors who can tell a story in rhyme, but I’m especially impressed by authors who can tell a nonfiction story in rhyme! Was rhyming something that was a part of The Stars Beckoned from the beginning or did it come later in the revision process?
CW: I knew I wanted to tell Edward’s story for a while and I didn’t have a plan whatsoever. I only wrote in prose at that point and I tried a few things, but didn’t like them at all. A writer in my critique group shared a biography written in verse that I thought was just lovely. It made me want to do something biographical in verse just to try it. Edward came to mind immediately. I had done a lot of the preliminary research and, honestly, if you’re going to get your feet wet in rhyme, might as well do it with someone who has a very rhymable last name like White. The opening lines came to me pretty quickly and I just let the story take me where it needed to go.
CP: Edward White’s children gave you feedback as you worked on the story, right? How did you get in touch with them and were they immediately open to you writing about their dad?
CW: During one of my many Google searches of Edward’s name, I found a post his granddaughter made celebrating the fiftieth anniversary of his spacewalk. She is a realtor so I was able to find contact information easily and reached out to her. She put me in touch with her dad and aunt and I shared the manuscript with them. It was important to me that the book be as historically accurate as possible. They were especially helpful as we moved into the illustration phase–getting hair colors, clothing choices and airplane models exactly as they were was important to all of us. Most Americans know the names of other “first” astronauts like Alan Shepard, Neil Armstrong and Sally Ride, but I feel—and I think his children would agree—Edward has been somewhat forgotten by history. I hope my book can change that just a bit because he really was amazing and did important work.
CP: You’ve said you always wanted to be a writer but you didn’t get serious about it until about 2016. What happened in 2016 that sparked the desire to get serious about writing? And why did you choose to write for kids?
CW: Writing children’s books always felt like my fantasy job—like some people dream about being an NFL quarterback or rock star—it never felt like something I could actually do. In 2016, I met a neighbor who revealed she wrote children’s books for a living. I was inspired by her journey and decided to pursue it for real. I was lucky because I live near Austin, Texas, home to the Writing Barn, which is a fabulous haven for aspiring (and continuing) writers. I took some introductory classes on picture books and the rest is history.
CP: Your background in journalism and in teaching elementary school, seems like the ideal combination for a children’s book writer—especially nonfiction. What extra skills have you developed that didn’t necessarily come from journalism or teaching?
CW: I don’t know if it’s a skill necessarily, but I’d say I’ve developed some thick skin being a writer. This is truly a business of perseverance. It’s a highly competitive field—there are only so many opportunities for publication and tons of great manuscripts. Therefore, there are certainly more rejections than acceptances. Resilience is important. You have to write because you love it and success will find you if you are patient.
CP: Yes! I totally agree. I know you have a trusted critique group of your peers, but I hear you read your work to your three kids for their feedback, too. Are they tough critics or do they love everything you write?
CW: Yes, my kids are 10, 8 and 2 and I do read things to them to get a child’s take on my stories. My oldest gives pretty good, constructive feedback and has a good ear for meter, too. My middle loves humor and will push me to really find the kid appeal. My youngest is just figuring out what I do. We read The Stars Beckoned together and she was pleasantly surprised to find her “mommy’s picture” on the back jacket.
CP: Your debut picture book Saturdays are for Stella came out smack in the middle of the pandemic and now your second book is coming out at what is (hopefully!) the tail end of it. I imagine that’s been tough. Did you learn any lessons from your first pandemic launch that you expect you’ll continue to use for this next book and maybe even beyond?
CW: I don’t know what a non-COVID launch looks like so I have nothing to compare it to. I will say it’s been nice because I’ve been able to visit bookstores and libraries which I probably would have not been able to visit in person. I did World Read Aloud Day this year and presented at schools in something like eight different states in less than six hours. I could never travel that much in a day! Recently I saw that STELLA was read as story time at the Met Museum in New York City. I was able to watch the YouTube video of it and would have totally missed it had we not been living in such a virtual-friendly world.
CP: Saturdays with Stella was such a beautiful tribute to grandmothers. I know you lost both of your grandmothers when you were pregnant with your first child. Given that so many of us have lost loved ones this past year, can you talk a bit about some of the things you do to connect your kids with the memories of your grandmothers, even though they never had the chance to meet them?
CW: The timing on that book was so serendipitous. I’ve had so many people reach out and tell me how much they appreciated the book, especially given the times we are living in.
Everyone is experiencing loss right now, even if it isn’t death and I’m glad the book can help with that.
I’m also a big memory keeper. We have photos of family, alive and gone, throughout the house and in accessible photo albums. And we talk a lot about family. We share memories and connections—play the same games and bake the same recipes—I have from my grandmas.
CP: What’s next for you?
CW: You’ve probably been wondering when someone is FINALLY going to write a picture book about the world’s largest species of burrowing clams. I can tell you the long wait is nearly over. My next book is a young graphic novel about a geoduck—look up a photo, you won’t be disappointed. It’ll be out in 2023 or 24.
Candy Wellins is a lifelong writer and book lover. A former elementary school teacher, Candy has a BA in journalism and an M.Ed. in literacy education. She’s now a full-time mom to three wonderful children who keep her up-to-date and immersed in kid’s literature. When she’s not reading, writing or mothering, Candy loves running, traveling and naps! Her debut picture book Saturdays Are For Stella (Illustrated by Charlie Eve Ryan, PAGE STREET KIDS) was named a Kirkus Best Picture Book of 2020. Her debut picture book biography The Stars Beckoned: Edward White’s Amazing Walk in Space (Illustrated by Courtney Dawson, PHILOMEL) comes out April 20, 2021. Candy and her family make their home in Central Texas.
Order your copy today!
The Stars Beckoned – Please click here for signed copies
Author Website: www.candywellins.com
READ MORE ABOUT CANDY:
Research & Nesting: Bringing Books and Babies into the World by Candy Wellins
ABOUT INTERVIEWER COLLEEN PAEFF:
Colleen Paeff is the author of The Great Stink: How Joseph Bazalgette Solved London’s Poop Pollution Problem, illustrated by Nancy Carpenter (available August 31, 2021 from Margaret K. McElderry Books) and Rainbow Truck, co-authored with Hina Abidi and illustrated by Saffa Khan (available in the spring of 2023 from Chronicle Books). Click here for more info.
Read another interview by Colleen here.
Which Came First: The Chicken or the Friendship?
Written by Elana K. Arnold
Illustrated by A. N. Kang
(Roaring Brook Press; $14.99, Ages 4-7)
★Starred review – Kirkus
Starla Jean – Which Came First: The Chicken or the Friendship? is the first in a new early chapter book series by author Elana K. Arnold. Divided into four chapters and written in first-person, the book begins with Starla Jean and her father going to the park where Starla Jean happens upon a chicken. Her father tells her, “If you can catch it, you can keep it” not believing that she actually will. But Starla Jean can do anything she sets her mind to! So, of course, she does catch the chicken and they take it home. She names her Opal Egg, so the chicken will feel more comfortable and know they don’t want to eat her “because you don’t give a name to your dinner.” Back home Mom is not too pleased although baby sister Willa eventually benefits from Opal Egg.
However, the big question remains: if Starla Jean found a chicken, does that mean someone lost a chicken? The family puts up ‘Found’ signs to locate her owner but when the chicken’s owner does show up, does that mean Starla Jean will have to say goodbye to her new friend?
A. N. Kang’s illustrations are crisp and plentiful on every page, encouraging early readers who are attempting to read this book on their own. Humor is also abundant in each picture, whether it’s showing a chicken taking a dust bath or Opal Egg wearing one of Willa’s diapers, an idea Starla Jean has to satisfy her mother’s complaint against her.
At the conclusion of the book, Fun Facts about Chickens provides seven educational and entertaining facts with accompanying illustrations that both adults and children will find interesting and humorous. For instance: Chickens use the sun to tell what time it is shows a chicken wearing sunglasses and a sun with clock hands. And another one: Chickens can do math! They can add and subtract small numbers, shows a chicken wearing glasses and standing at a chalkboard after writing 1 + 2 = 3.
With its unique premise of a young girl and her friendship with a chicken who takes center stage, this book’s refreshing storyline will easily become a favorite in a new series for readers of early chapter books. And that they will learn from this first title some interesting facts about chickens and be entertained along the way only adds to its value.
Click here for an activity guide.
- Reviewed by Freidele Galya Soban Biniashvili
Click here for another chapter book review by Freidele.
∼ A ROUNDUP ∼
★Starred Reviews – Booklist, School Library Journal
Meet Zonia who is Asháninka, the largest Indigenous group that calls the Peruvian Amazon home. While her mom nurses her new baby brother, Zonia frolics among the lush flora and fauna of her beautiful neighborhood, the Amazon Rain Forest, the world’s largest.
This slice of life story introduces young readers to a part of the world whose existence is in danger of extinction as its natural resources are abused. As Zonia plays on her own, she is joined by a butterfly, a sloth, a bird, a jaguar, a dolphin, an anteater, and other local animals whose lives are also in peril if the over-development of the Amazon continues at its current rate. This point is emphasized when at the end of Zonia’s outdoor adventure, she is shocked and angered to see a forest decimated by illegal logging. With their homeland threatened, the human inhabitants will have no choice but to fight back. The red face paint on Zonia’s face, shown “on the last page of the story,” signals strength and determination, symbolic of the struggle ahead.
In promotional material from Candlewick, I learned that Peruvian-born author-illustrator Martinez-Neal created her art on “paper fashioned from banana bark by the hands of the people of the Amazon.” The rich colors have a pastel quality and bleed a bit onto the page, with soft edges and a warmth much like the Amazon itself.
Zonia’s Rain Forest is a call to action to people everywhere. We need to pay attention to what is happening in not only Peru, but the other eight countries the Amazon occupies which includes Brazil, Bolivia, Ecuador, Colombia, Venezuela, Guyana, Suriname, and French Guiana before their ecosystems are beyond repair. The extensive back matter goes into more detail about what is happening in Amazon and why. Children are given selected resources if they want to learn what they can do. There is also a translation of the story to Asháninka, one of the approximate “three hundred and thirty different languages spoken among the four to five hundred different indigenous groups living there.” The story ends with Zonia telling her mama that the forest needs help. “It is speaking to you,” says Zonia’s mama.
“Then I will answer,” says Zonia, “as I always do.” And finally, “We all must answer.”
– Reviewed by Ronna Mandel
Dawn Babb Prochovnic’s picture book, Lucy’s Blooms, is an upbeat multigenerational tale. Lucy wants to win the town’s annual flower-growing competition and receives advice from Gram, but things don’t go as expected. I appreciated Lucy’s family’s love of nature and belief that’s it’s perfectly fine to do things your own way.
Alice Brereton’s vibrant illustrations enhance Lucy’s vivacious personality with facial expressions ranging from delight to frustration (pretty accurate, as any gardener knows).
This book’s joyful celebration of gardening and life resonates with me, as do its moments of humor. My favorite part is the ending—but you’ll have to read the book yourself, I’m not telling!
OLD ENOUGH TO SAVE THE PLANET:
Be Inspired by Real-Life Children Taking Action Against Climate Change
Written by Loll Kirby
Illustrated by Adelina Lirius
Foreword by Kallan Benson (teen, cofounder of FridaysForFuture, youth/climate activist)
(Magic Cat Publishing / Abrams; $16.99, Ages 8-12)
In Loll Kirby’s nonfiction picture book, Old Enough to Save the Planet, we meet twelve kids (age 7+) from around the world who are taking action against climate change and becoming environmental advocates.
Because bees are in trouble, nine-year-old Eunita in Kenya created a garden to attract pollinators. She posted signs in town, explaining what she was doing for community education and to encourage involvement.
Twelve-year-old Adeline in Indonesia also works with her community. When humans destroyed the natural habitat, flooding problems ensued. Adeline’s group replants native mangrove trees “to create protected areas in the sea to allow new coral reefs to form.”
Each child’s earth-saving contribution is illustrated in great detail by Adelina Lirius using colors found in nature. I appreciate how this book highlights global climate-change problems, while showing how we can pitch in to make a difference. Actions listed in the back matter include eating less meat, thinking carefully before traveling by airplane, setting up a group of people working toward a similar goal, and speaking out at every opportunity. While listed for ages 8-12, please note that it would still be appropriate for ages 6-9.
THE EXTRAORDINARY BOOK THAT EATS ITSELF:
Every Page Turns Into an Eco Project That Helps You Save the Planet
Written by Susan Hayes and Penny Arlon
Illustrated by Pintachan
(Earth Aware Editions Kids; $16.99, Ages 7 and up)
The Extraordinary Book That Eats Itself by Susan Hayes and Penny Arlon is a 64-page reusable, recyclable picture book. In each of the thirty activities, kids take action to safeguard the environment and have tearing the book apart!
Learn how to build a worm bin or bug hotel. Conserve electricity in a clever section called “Chase Away Vampires” which includes cut-out reminders: “Don’t forget to unplug!”
“Have an Eco-Picnic” and meet up with friends or family. (During the pandemic, maintain a safe distance.) Pack mindfully; opt for reusable bottles and cutlery. Skip the plastic and see if you can find a spot you within walking or biking distance—how about your backyard?
Each page has lively art by Pintachan. You’ll want to cut out and use the bookmarks because of their cute illustrations. The creative projects in this book will keep kids busy for hours while teaching them earth-friendly ideas.
DO YOU KNOW WHERE THE ANIMALS LIVE?:
Discovering the Incredible Creatures All Around Us
Written by Peter Wohlleben
Translated by Shelley Tanaka
Photo selection for the English edition by Antonia Banyard
(Greystone Books; $24.95, Ages 8-12, available early May)
Peter Wohlleben follows up his successful middle-grade nonfiction book, Can You Hear the Trees Talking?, with Do You Know Where the Animals Live? It’s clear that animals are important to him and he wants to share his love of them. When asked how young children can help make the world a better place for animals, Wohlleben replied, “The best thing is to be curious. The more we know about animals, the more we learn to treat them with respect. Every animal is a great wonder that deserves to be allowed to live their life.”
This book explores much more than just where animals live—that’s only the first section! You’ll also learn what animals eat, all about animal babies, how animals grow up, animal survival techniques, animal language, [note it’s not plural in the book for some reason] and animal emotions. My favorite section is Animal Language because it explores sounds, body language, sense of humor, and showing off. Remarkably, fish grind teeth and fart to communicate. I was also amazed that “scientists have to use special microphones to hear the laughter of rats.”
Something that’s not a laughing matter is the chapter about how harmful human garbage is to animals. Plastics are a huge problem, from the Texas-size floating mass in the Pacific Ocean to the microplastics ingested by many creatures. Pesticide use kills animals throughout the food chain because, when insects die, then birds starve. However, “farmers who grow food without using pesticides leave part of the fruit behind for animals like caterpillars. Because the animals don’t pay money for this fruit, people have to be willing to make up for the difference.”
With color photos on every page, this book is beautiful as well as informational. Who doesn’t like to look at cute animal pictures?! Throughout, short quizzes test your knowledge. Whether reading or admiring images, this book will entertain and engage kids for hours.
Lucy Bell’s middle-grade nonfiction book, You Can Change the World, belongs in every home and classroom. Problems we’ve created in the world are offset with simple steps we can take to make our planet a healthier place for everyone.
The 224 pages are easy to follow, filled with lively, full-color art and cleverly arranged content to keep kids engaged. Topics include plastic, ethical and environmentally friendly clothing, waste, food, gardening and the outdoors, energy, electricity, and water, animal activism, and an act of kindness. The Group Activities section offers suggestions on how to work alongside friends and family. For example, choose from the environmental documentaries listed and host a movie party offering plastic-free snacks, or just start a conversation about how you have made changes.
Young environmentalists from around the world are featured throughout. At age nine Felix Finkbeiner from Germany discovered that Wangari Maathai in Kenya planted thirty million saplings in thirty years to cover some of Africa’s bare land. Inspired, Felix founded Plant-for-the-Planet with the goal of one million trees per country to offset harmful carbon dioxide emissions. “More than seventy thousand of the children who help Felix are ambassadors for climate justice, and they are between nine and twelve years old.”
This is a book my family will turn to again and again because it offers many useful suggestions: sprout cilantro from those coriander seeds in the spice rack, pay attention to where our food comes from, and put a bucket in the shower to save a little water each time. We’ve given up plastic straws, but I’d hoped that paper to-go drink cups were recyclable—they’re not because most cups are plastic-coated paper! This book puts facts at my fingertips so our family knows the truth before ordering that next hot chocolate. “Worldwide, people use over sixteen billion to-go cups every year.” Think about what a difference we could make if we just used our own drink containers. I’ll enjoy my latte more, knowing I’m not part of this billion-cup problem.
Patricia Newman’s middle-grade nonfiction book, Planet Ocean, delves into our relationship to the sea explaining “how to stop thinking of ourselves as existing separate from the ocean and how to start taking better care of this precious resource.” Chapters explore the Coral Triangle, Salish Sea, and the Arctic. People worldwide are highlighted for their beneficial contributions. Eben Hopson started his own film company in high school to show how the melting ice affected his people’s (the Iñupiat) ability to hunt; at eighteen he became an Arctic Youth Ambassador to further explain the problems of climate change.
This 64-page middle-grade book is as informative as it is gorgeous. Photographer Annie Crawley captures the many aspects of the ocean, from its sheer beauty and wonderful creatures to people interacting respectfully with our environment. Crawley states, “We live in an absolutely incredible world which exists because of our ocean. But it is misunderstood, misrepresented, and undervalued by our society.”
The section “Go Blue with Annie” discusses committing to zero waste, taking climate action, thinking before you eat, and being the voice of our ocean. Examples of these items involve reducing or eliminating the plastics we use, choosing vegetarian meals, and joining with others to bring attention to the need to stop polluting the planet.
I’ll remember Crawley’s words, “What we do on land impacts our source of life. Every drop of water we drink and much of the food we eat starts with the sea. Breathe in and you breathe the ocean.” This book will help young readers better understand and appreciate our ocean’s importance, learning how our daily decisions have far-reaching consequences.
- Reviewed by Christine Van Zandt (www.ChristineVanZandt.com), Write for Success (www.Write-for-Success.com), @ChristineVZ and @WFSediting, Christine@Write-for-Success.com
Additional Recommended Reads for Earth Day
Written by Raffi
Illustrated by Nina Mata
(Knopf; $7.99, Ages 0-3)
A GARDEN TO SAVE THE BIRDS
Written by Wendy McClure
Illustrated by Beatriz Mayumi
(Albert Whitman & Co.; $16.99, Ages 5-8)
An Invasive Species
Written by Ana Pêgo and Isabel Minhós Martins
Illustrated by Bernardo P. Carvalho
Translated by Jane Springer
(Greystone Books; $24.95, Ages 10-14)
Written and illustrated by Richard Jones
(Peachtree Publishing; $17.99, Ages 4-8)
Good Reads With Ronna is delighted to appear on day three (see schedule below) of the Perdu Blog Tour! I hope you’ll take the time to not only read the book review, but to also watch all the fantastic videos that Peachtree Publishing has shared with us.
Richard Jones makes his welcome debut as both author and illustrator with this tale of a lost (perdu in French) dog seeking a forever family. And may I just add here that Perdu is precious! Both the main character and the story itself. With his sweet face gracing the book’s cover, it’s easy to be captivated by his faraway, lonely look.
While we never learn where Perdu has come from because he certainly didn’t tie the neck scarf himself, it’s easy to let that mystery go in favor of the bigger mystery at the heart of this moving story—will he ever find a loving home?
Readers first glimpse Perdu on the title page, head down, red scarf around his neck, and walking through a field. As he carries on his journey, he notes that, unlike a nearby fallen leaf, he has no place to be. Poor Perdu!
He wanders over a bridge on the outskirts of town where he’s noticed by a little girl sporting a distinct red knit pom-pomed hat. Determined to find his “somewhere,” like everyone else, the sweet lost little dog continues his search and wanders into the big, anonymous city.
At the same time as Perdu, intimidated by the city size and its throngs of people, the little girl continues her day out with her mother. I love how, at this point in the book, Jones has zoomed in on the girl whose path keeps crossing that of Perdu’s. She is perhaps outside a library or other notable building with a massive lion statue (a nod to The Snow Lion) while Perdu stands at the top of the statue. I wonder if parents or kids will spy him first.
My favorite illustration is the one when the child spots Perdu sitting outside an expansive cafe window where she and her mom are dining. He’s hungry now and tired and cannot resist the temptation of an open door. Inside he wreaks havoc and is reprimanded by patrons. It’s a demoralizing experience for Perdu yet at the same time things probably cannot get much worse.
In a lovely park scene, where both the girl and Perdu have ended up following the restaurant ruckus, the child approaches the dog. She’s holding Perdu’s signature red neck scarf which he lost when he dashed away during the cafe commotion.
Not a lot of words are needed when the simple act of giving back the scarf to the lost dog speaks volumes about the girl’s empathy and Perdu’s trust. It’s a gentle, loving moment that bonds the pair and fills readers’ hearts with hope.
Jones has given young readers a feel-good story about friendship, trust, kindness, and belonging highlighted by the beautiful, inviting art that solidifies the tale. Jones achieves this warm look with paintings he then edits in Adobe Photoshop. I came away from the story feeling happy for both Perdu and the red-hatted girl knowing that they had both truly found each other for all the right reasons.
ABOUT RICHARD JONES + HIS SOCIAL MEDIA:
Click here to read an Author Q + A.
Draw Perdu with Richard by watching this video.
Click here for excellent activity sheets.
Find out about Richard’s inspiration for the story and the progression of the book’s illustrations here.
Get hooked! Read an excerpt from Perdu here.
BLOG TOUR PARTICIPANTS:
Monday (4/12): Unpacking the Power of Picture Books
Tuesday (4/13): Mom Read It
Wednesday (4/14): You’re here now at Good Reads With Ronna ! Thank you!
Thursday (4/15): Literacious