THE WALL AND THE WILD Written by Christina Dendy Illustrated by Katie Rewse (Lantana Publishing;…
CELEBRATING WOMEN’S HISTORY MONTH WITH
THE STORY OF THE INTERNATIONAL SWEETHEARTS OF RHYTHM
Written by Karen Deans
Illustrated by Joe Cepeda
(Holiday House; $16.95, Ages 4-8)
In 2014 and 2015 readers have been treated to a number of fantastic narrative nonfiction picture books. Today’s review features yet another add-it-to-your-collection book, the story of The International Sweethearts of Rhythm as recounted in the impressive Swing Sisters.
Back in the very early 20th century, Dr. Laurence Clifton Jones established an orphanage called Piney Woods Country Life. It was here that he would ensure African American children could thrive and he did so not only by letting kids be kids, but also by having them do work at the school “to earn their keep.” Using this same philosophy, he organized a school band “just for girls,” to “help raise money for the school.” Anyone involved in the band had to consider their role as an additional job on top of school work and other responsibilities at Piney Woods.
The girls played a kind of music called swing. It was jazz music that brought people to their feet, “that music was filled with energy!” It also touched people from all walks of life because it made them feel alive and excited. The girls’ group, named The Sweethearts by Dr. Jones, eventually left Piney Woods to launch a career starting in Washington, D.C. They traveled by bus and performed all over America. Their hard work and dedication helped them hit the “big-time,” at one point playing to a crowd of thirty-five thousand at the Howard Theater in Washington!
By this point the band was known as The International Sweethearts of Rhythm, and though America’s Sweethearts were consummate entertainers, they still encountered gender and race discrimination. The Jim Crow laws meant they couldn’t work together with white people, so for the most part they played “for black audiences.” Since their band was multi-racial, they were essentially breaking the law in certain states. There was even one occasion when white band members had to flee or risk arrest. I was happy to learn that during WWII, the USO “arranged a six-month tour for the band to travel to France, Belgium, and Germany.” But at the same time I’m disappointed that, despite having played for the troops abroad, the group’s USO tour is something we rarely hear about.
L.A. local Cepeda’s acrylic-and-oil artwork, with its retro woodcut look and expressiveness, is a bonus. He’s captured the era through a rainbow of colors that dazzle and delight. And, how lucky for us that Deans has chosen to shed light on this group of talented and committed female musicians who were throwing rocks at the glass ceiling way before other women thought it was even possible. Their days on the jazz circuit made inroads for countless women performers who would follow in their swinging footsteps. There’s not a dull sentence in this story thanks in part to the subject matter, but also owing a great deal to Deans’ talent. She’s brought the experience of being a trailblazing band to life in a richly crafted picture book that begs to be shared with early school goers.
– Reviewed by Ronna Mandel
Click here to read an enlightening interview with author Karen Deans.