But the Bear Came Back by Tammi Sauer

But the Bear Came Back by Tammi Sauer

 

BUT THE BEAR CAME BACK
Written by Tammi Sauer
Illustrated by Dan Taylor
(Sterling Children’s Books; $16.95, Ages 4-6)

 

Cover image from But the Bear Came Back by Tammi Sauer

 

In the charming new picture book, But the Bear Came Back by Tammi Sauer with illustrations by Dan Taylor, it’s a classic case of “You Don’t Know What You Have Until It’s Gone” which so many of us know oh too well.

What’s an unsuspecting kid supposed to do? When a hulking brown bear toting a tiny blue suitcase knocks on his front door, eager to enter and become friends, a little boy (the story’s narrator) sends him away with the reminder that “bears do not belong in houses.” The sweet and gentle looking bear is persistent and on his second visit he’s got a flamingo in tow. Once again the big guy is told to leave. Determined to become pals, Bear returns not once but multiple times, intent on insinuating himself into the little lad’s life, all in the nicest possible way. Taylor’s tender and top notch illustrations clearly depict the boy’s displeasure with the bear’s benign presence, but it’s not easy to stop a bear from wanting to read together, paw paint or commandeer the bathtub.

 

Interior artwork by Dan Taylor from But the Bear Came Back by Tammi Sauer

Interior illustrations by Dan Taylor from But the Bear Came Back written by Tammi Sauer, Sterling Children’s Books ©2018.

 

When finally the story’s narrator yells for the bear to go home, Bear departs and doesn’t come back. That’s when the youngster soon finds out that doing things he had done with the bear are now no longer fun alone. So he enlists the help of his neighbors and posts missing bear signs in the vicinity. He even sets out a bowl of berries. When he’s finally convinced Bear will never return, the boy is delighted to get just one more knock on the door. The bear has come back and the narrator is truly grateful. The final line, “And that was that,” is a wonderful rhetorical device we see repeated many times throughout the story so that when Bear does indeed come back it is not only expected, but fitting and satisfying.

But the Bear Came Back provides a welcome conversation starter to have with kids. I can imagine parents and/or teachers pausing at certain points while reading the story with children to chime in and say, “He sure didn’t appreciate Bear when he was around, did he?” or “Is this a good way to make a friend or keep one?” The narrator’s behavior in the beginning of the book versus in the end are examples of what the right and wrong ways to treat other people are, how to be respectful and how important it is to be grateful for our friends (old and new) and family because “You Don’t Know What You Have Until It’s Gone.”

  • Reviewed by Ronna Mandel
The Rabbit Listened by Cori Doerrfeld

The Rabbit Listened by Cori Doerrfeld

 

THE RABBIT LISTENED
Written and illustrated by Cori Doerrfeld
(Dial BYR; $17.99, Ages 3-5)

 

Cover image from The Rabbit Listened by Cori Doerrfeld

 

Starred Reviews – Kirkus Reviews, Publishers Weekly

THE RABBIT LISTENED by Cori Doerrfeld is a book that, as a preschool teacher, I want to thrust into parents’ hands to read over and over again with their preschool/TK/Kinder children. Quick to the point, with language that works around a universal issue that children (and adults) must handle, while not talking down to the intended audience.

Emotional intelligence, empathy, the very things we need so much in this world, resonate loudly and clearly in this gorgeous story. Doerrfeld’s illustrations are touching and relatable throughout each character’s struggle to cope with the problem at hand.

 

Int. artwork of bear from The Rabbit Listened by Cori Doerrfeld

Interior spread from The Rabbit Listened, written and illustrated by Cori Doerrfeld, Dial Book BYR, ©2018.

 

The young protagonist, Taylor, has built something from his imagination that took no little skill to master with his hands. He’s worked so hard on his block creation, only to have it knocked down in a rubble of despair and lost hope. His animal friends want to help. They want to fix, throw away, remind him of better creations yet to come. Taylor, however, doesn’t need this. The animals all walk away, frustrated by their inability to help him, missing an opportunity to connect with his pain.

Then rabbit hops over. Rabbit is quiet. Rabbit listens. Rabbit doesn’t tell Taylor how or when or why he should get over his loss. Rabbit is there, and stays with the boy throughout his processing of an event gone wrong. And when the young protagonist is ready to rebuild again, rabbit is there to support him.

 

Int image of Taylor and Rabbit from The Rabbit Listened by Cori Doerrfeld ©2018.

Interior spread from The Rabbit Listened, written and illustrated by Cori Doerrfeld, Dial Book BYR, ©2018.

 

How often do we seek comfort from someone and get the opposite from a well meaning heart? Sometimes we simply need to be allowed our feelings, our disappointment and ill thoughts. Then, and only then, when we are ready, can we consider beginning again.

I recommend this book highly for anyone who struggles to help a child cope when they are just not READY for all the suggestions on how to move forward.

Give them the time and space.

Give them permission to vent.

Support them when they are ready to build again. And always listen.

  • Reviewed by Ozma Bryant

 

 

LA LA LA: A Story of Hope by Kate DiCamillo

LA LA LA: A Story of Hope by Kate DiCamillo

LA LA LA:
A STORY OF HOPE
Written by Kate DiCamillo
Illustrated by Jaime Kim
(Candlewick Press; $17.99, Ages 4-8)

 

cvr image from La La La by Kate DiCamillo

 

Starred Review – Publishers Weekly

“Everyone can sing,” we are generally told. Then, at some point children may get pegged down as tone deaf or some variation of  “you sound bad when you sing.” But what does that mean? Isn’t singing really about the joy escaping a child’s chest when they let out their own individual sound?Don’t we all know how to breathe? Don’t we all have the right to sing? La La La by Kate DiCamillo and illustrated by Jaime Kim made me ponder that.

Interior spread from La La La by Kate DiCamillo art by Jaime Kim ©2017

 

Kim’s gorgeous illustrations, imbued with so much meaning and emotion in this virtually wordless picture book, show the intense feelings a child has when their song is left undiscovered. Alone.

We all know what it’s like to feel alone, and arguably children even more so as they struggle daily to find a friend … that one friend who will answer their song back with their own unique spin.

I read this story on a day that I deeply needed it. And I will share it with any child who innately understands that we are meant to connect. And if we can connect …. we can truly sing.

 

Interior spread from La La La by Kate DiCamillo art by Jaime Kim ©2017

 

One of the most heartbreaking moments in the story is when the little girl is alone and clearly in grief. How often do we forget that children grieve a loss of connection in life? The loss of a special toy. The loss of being a baby. The loss of a parental figure when going to school.

Share this story with them. Give them reassurance that connection is always there … we just have to keep singing our way to it.

La La La is uplifting, a gift of hope for anyone who has let their voice ring out, even when there isn’t a response back. It’s about the courage it takes to continue singing, even in our darkest moments. And right now, we need all the songs of the heart. We need connection more than ever, and this book is a lovely reminder of that.

Check out this link to a helpful teacher’s guide.

LA LA LA. Text copyright © 2017 by Kate DiCamillo. Illustrations copyright © 2017 by Jaime Kim. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

    • Reviewed by Ozma Bryant

Snappsy The Alligator and His Best Friend Forever (Probably) by Julie Falatko

Snappsy The Alligator and His Best Friend Forever (Probably) by Julie Falatko

SNAPPSY THE ALLIGATOR
AND HIS BEST FRIEND FOREVER (PROBABLY)
Written by Julie Falatko
Illustrated by Tim Miller
(Viking BYR; $16.99, Ages 4-8)

 

cvr image Snappsy the Alligator and his Best Friend Forever (Probably)

 

Rarely, is a sequel to a fantastic picture book better than the first.

Don’t get all excited. Alright, it’s not necessarily BETTER, but by golly it sure is just as incredible as the first and every page enjoyable to the fullest.

Snappsy the Alligator and His Best Friend Forever (Probably) written by Julie Falatko and illustrated by Tim Miller is a picture book all kids can appreciate in terms of friendship woes. From as early as they can talk with friends, children are ready to define their friendships into categories––quickly going from “You’re my best friend!” to “You’re not invited to my party!” within the course of a day or even hours.

What’s so terrific about this book is the way you see two friends who are at odds find a way to share their joy. Sometimes friends need space, sometimes friends need a breather before they can play. And that’s okay.

 

Interior artwork Snappsy the Alligator and his Best Friend Forever (Probably)

Interior illustration from Snappsy the Alligator and his Best Friend Forever (Probably) by Julie Falatko with art by Tim Miller, Viking BYR ©2017.

 

Tim Miller’s comic style illustrations bring Snappsy and Bert’s (the narrator) struggle to find common ground to life with laugh out loud scenarios cleverly constructed by Julie Falatko.

At one point Bert exclaims, “Let’s play pinochle! Wear pizza hats! Braid my hair!” to an exasperated Snappsy who just wants time to himself and has no clue what pinochle is or how in the world to braid a chicken’s hair. As Snappsy spends time alone he realizes how much fun it is to be with his friend Bert, and invites him in to play.

Int image Snappsy the Alligator and his Best Friend Forever (Probably)

Interior illustration from Snappsy the Alligator and his Best Friend Forever (Probably) by Julie Falatko with art by Tim Miller, Viking BYR ©2017.

 

Don’t miss the chance to share Snappsy The Alligator and His Best Friend Forever (Probably), a new and entertaining read by the same team behind Snappsy the Alligator (Did Not Ask to be in This Book)My preschool kids request this book multiple times daily and I never tire of reading it aloud and hearing their giggles of sheer delight.

  • Reviewed by Ozma Bryant
Go Big or Go Gnome by Kirsten Mayer

Go Big or Go Gnome by Kirsten Mayer

GO BIG OR GO GNOME
Written by Kirsten Mayer
Illustrated by Laura K. Horton
(Imprint, $16.99, Ages 3-7)

is reviewed today by Cathy Ballou Mealey.  

 

Cover image of Go Big or Go Gnome by Kirsten Mayer

 

 

There may be princess stories and fairy tales a plenty, but good goblin or troll tales can be difficult to find. Now Go Big or Go Gnome, written by Kirsten Mayer and illustrated by Laura K. Horton provides a lighthearted and entertaining look at life from a verdantly impish perspective.

A tiny gnome named Al lives and works in a lush green garden. He trims shrubbery alongside a crew of friendly fellows who bathe birds, fluff dandelions, and rake rocks. While the gnomes keep busy tidying the sweet scenery, they are also grooming impressive “imperial beards and illustrious mustaches.” Everyone, that is, except Al. Al has nary a whisker on his smooth pink cheeks. This bothers Al tremendously, because he dreams of participating in the Beards International Gnome-athlon.

Desperate times call for desperate measures, so Al attempts to enter the contest by faking a beard using tiny white butterflies. They fly away and expose his trickery, so he tries again with a squirrel tail, and then with some moss. Thinking he’s doomed to be a plain, bare-faced gnome forever, Al heads home to trim some topiary and keep himself busy. Luckily he still has his clippers in hand when his best friend Gnorm has an emergency – sap is stuck in his beard! He snips, clips and trims Gnorm’s whiskers into an award-winning look. What will the other gnomes think of Al now?

Mayer’s sweet and upbeat tale is a funny fantasy addition to the beard-book genre. Clever language and gnomish word puns add to the appeal. Her text is a delightful set-up for illustrator Horton, who maximizes the opportunity to create inventive, elaborate and impressive beard styles on a pleasant array of diminutive creatures. She also establishes a imaginative garden setting accented with birds, flowers and mushrooms, using a green and blue palette that offsets the gnomes’ de rigueur red pointed caps and boots.

Clever and cute, Go Big or Go Gnome is an encouraging tale for young readers in search of their special talents and ready to embrace their true selves far before they reach the whisker-sprouting years.

 

  • Reviewed by Cathy Ballou Mealey

Where Obtained:  I reviewed a preview copy of Go Big or Go Gnome from the publisher and received no other compensation. The opinions expressed here are my own.

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