The Bad Seed written by Jory John and illustrated by Pete Oswald

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THE BAD SEED
Written by Jory John
Illustrated by Pete Oswald
(Harper Collins Children’s; $17.99, Ages 4-8)

 

 

Starred Review – School Library Journal

After reading The Bad Seed  written by Jory John with illustrations by Pete Oswald, I truly appreciated its deep message about the value we place on ourselves and others based on behavior.

Here’s where the review gets interesting though; while this is a children’s picture book geared towards ages 4-8; I feel it’s also a great book for older kids and even adults!

Younger kids, especially in the world we live in today, know the power words hold over someone. When reading to a younger crowd, as a teacher, I would explain that words like “bad” and “good” are labels. We all make mistakes sometimes. Why is the seed labeled this way? For older children the book serves as a reinforcement of what they hopefully know to be true, there’s always room for self-growth.

The story follows a little sunflower seed who loves his family dearly on their Sunflower head home. As the seeds scatter when it’s nature’s time for them to drop off the beloved plant, they become separated.

 

Int_art_p14_BadSeed

The Bad Seed Text copyright © by Jory John 2017 Illustration copyright © by Pete Oswald 2017

 

Our once loved and happy seed protagonist quickly becomes traumatized by events beyond his control (such as a man at a baseball game nearly swallowing him and then being spit out- with a permanent crack in his once whole shell!) The seed isn’t so happy anymore and is convinced that he is bad (something anyone with trauma in their life can relate to, as it is often the victim left feeling at fault).

He begins to act out by deciding “not to care anymore” which he does by not listening to others, lying, and not washing his hands, among other things. But what our dear seed needs desperately, is for someone to connect to. To see his cracks and accept him, showing him that he can be whole again from the inside out. Children often act out when they need help, and our little seed is a perfect example of someone needing intense care.

He eventually tires of his “bad” behavior and starts working on being “good” again. I say these words in quotes because the truth is none of us lives in a world of black and white/good or bad people. It requires constant awareness to make positive choices to be your very best self and not let a label define you.

We never know someone else’s background- their own unique make-up and history, so labeling them as “bad” or “good” means that we miss out on why they are behaving that way to begin with. With children especially, curiosity goes a long way in sorting out behavior that doesn’t work. We are all moving through each moment trying to meet needs. Some strategies we try are better than others, and The Bad Seed, through both its humorous art and prose, illustrates that beautifully. Pete Oswald’s expressive and whimsical illustrations truly capture the emotions of this little seed in a way many children can relate to so they can instantly guess at how he is feeling.

I recommend this book as a tool to show that we never know what someone else has been through. Being curious, asking questions, and offering kindness before judging and criticizing would be best whenever possible in life.

  • Reviewed by Ozma Bryant

 

 

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Snappsy The Alligator and His Best Friend Forever (Probably) by Julie Falatko

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SNAPPSY THE ALLIGATOR
AND HIS BEST FRIEND FOREVER (PROBABLY)
Written by Julie Falatko
Illustrated by Tim Miller
(Viking BYR; $16.99, Ages 4-8)

 

cvr image Snappsy the Alligator and his Best Friend Forever (Probably)

 

Rarely, is a sequel to a fantastic picture book better than the first.

Don’t get all excited. Alright, it’s not necessarily BETTER, but by golly it sure is just as incredible as the first and every page enjoyable to the fullest.

Snappsy the Alligator and His Best Friend Forever (Probably) written by Julie Falatko and illustrated by Tim Miller is a picture book all kids can appreciate in terms of friendship woes. From as early as they can talk with friends, children are ready to define their friendships into categories––quickly going from “You’re my best friend!” to “You’re not invited to my party!” within the course of a day or even hours.

What’s so terrific about this book is the way you see two friends who are at odds find a way to share their joy. Sometimes friends need space, sometimes friends need a breather before they can play. And that’s okay.

 

Interior artwork Snappsy the Alligator and his Best Friend Forever (Probably)

Interior illustration from Snappsy the Alligator and his Best Friend Forever (Probably) by Julie Falatko with art by Tim Miller, Viking BYR ©2017.

 

Tim Miller’s comic style illustrations bring Snappsy and Bert’s (the narrator) struggle to find common ground to life with laugh out loud scenarios cleverly constructed by Julie Falatko.

At one point Bert exclaims, “Let’s play pinochle! Wear pizza hats! Braid my hair!” to an exasperated Snappsy who just wants time to himself and has no clue what pinochle is or how in the world to braid a chicken’s hair. As Snappsy spends time alone he realizes how much fun it is to be with his friend Bert, and invites him in to play.

Int image Snappsy the Alligator and his Best Friend Forever (Probably)

Interior illustration from Snappsy the Alligator and his Best Friend Forever (Probably) by Julie Falatko with art by Tim Miller, Viking BYR ©2017.

 

Don’t miss the chance to share Snappsy The Alligator and His Best Friend Forever (Probably), a new and entertaining read by the same team behind Snappsy the Alligator (Did Not Ask to be in This Book)My preschool kids request this book multiple times daily and I never tire of reading it aloud and hearing their giggles of sheer delight.

  • Reviewed by Ozma Bryant

It’s Not Jack and the Beanstalk by Josh Funk

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IT’S NOT JACK AND THE BEANSTALK
Written by Josh Funk
Illustrated by Edwardian Taylor
(Two Lions;  $17.99 Hardcover, $5.99 Digital, Ages 4-8)

 

cover art for It's Not Jack and the Beanstalk by Josh Funk

 

Josh Funk is fab at doing funny. His first fractured fairy tale (good news, there’ll be more!), It’s Not Jack and the Beanstalk, breaks with picture book convention and the fourth wall or maybe it’s the fourth page in this case, by introducing an uproarious dialogue between the narrator and the main character (to name a few) that kids and parents alike will eat up. Parents, caregivers and more experienced readers will be unable to resist the urge to to jump in and take on voicing all the characters’ roles if reading aloud. Being a fractured fairy tale, this story unfolds with a humorous back and forth between the narrator and the titular Jack (see artwork below) whom he must awaken in order to get on with his storytelling. Soon Jack has his magic beans, but he’s also been growing frustrated with the direction of the tale, often making demands of the narrator that are not unlike those of a child who doesn’t want to do his homework, brush his teeth or go to bed.

 

Interior spread by Edwardian Taylor from It's Not Jack and the Beanstalk by Josh Funk

 

Interior spread by Edwardian Taylor from It's Not Jack and the Beanstalk by Josh Funk

 

While climbing the seriously high stalk, Jack sees his pal Cindy (Cinderella) on her palace balcony. Here readers first see the hilarious and unexpected interplay between some beloved fairytales that will no doubt be a feature of Funk’s future fractured fairy tales and a most welcomed one. Inside the giant’s house, an enormous shadow on the wall and “a booming voice” signal just what’s in store for Jack. Then, quite unexpectedly and most certainly not in the original version, our hero gets a bit sassy about the giant’s poor rhyming skills. This does not bode well for Jack and before too long it’s looking like he’s going to be the main ingredient of Giant Stew. Once again interrupting the narrator who’s so desperate to continue the story, Jack casually but oh so cleverly mentions something to the giant that he’s hoping will change his fate and positively influence an alternative ending. Funk’s flair for terrific twists promises to satisfy all readers eager to see the pieces of this fractured fairy tale come together seamlessly.

 

Interior spread by Edwardian Taylor from It's Not Jack and the Beanstalk by Josh Funk

 

It’s Not Jack and the Beanstalk is a very visual book that instantly invites readers to study all the details on every page of Taylor’s appealing artwork. On the back of the book’s jacket cover, readers are told to “Look for the gingerbread man, the three blind mice, and other fairy tale friends hidden though out the book!” I quite enjoyed leafing back through the pages to see what characters I might have overlooked on the first read and so will your youngsters. Get a copy today to get in on the jokes. It’s Not Jack and the Beanstalk will make fairy tale devotees of a whole new generation of young readers while sprouting a whole new crop of Funk fans along the way.

Josh Funk

Edwardian Taylor

All interior spreads from It’s Not Jack and the Beanstalk are courtesy of Two Lions.

  • Reviewed by Ronna Mandel

The Legend of Rock, Paper, Scissors by Drew Daywalt

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THE LEGEND OF ROCK, PAPER, SCISSORS
Written by Drew Daywalt
Illustrated by Adam Rex
(Balzer + Bray; $17.99, Ages 4-8)

 

Cover image from The Legend of Rock Paper Scissors by Drew Daywalt

 

The Legend of Rock, Paper, Scissors, a forty-eight-page picture book by Drew Daywalt (author of the best-selling Crayons books), has universal appeal and charismatic humor. The origins of this famous three-way clash are brilliantly explained.

We are introduced to mighty Rock, a fearless fighter who lives in “an ancient and distant realm called the Kingdom of the Backyard.” He’s feeling down because it’s no fun to win all the time. In encounters with a clothespin and an apricot, we see why this is a problem.

Meanwhile, clever Paper, from the Empire of Mom’s Home Office, is also an undefeated champ when tangling with enemies in his part of the house. Even the printer proves to be no equal—Paper effectively jams him up.

Speedy Scissors resides in the tiny village of Junk Drawer, but that doesn’t mean she won’t slay adversaries throughout the Kitchen Realm. It’s about time someone put an end to those dinosaur-shaped chicken nuggets; Scissors was up to the task, but, as with the other two great warriors, being victorious 24/7 sure can get old.

When the three meet, an epic encounter ensues with each participant bested by one of the others—a battle which, to this day, is still reenacted.

Daywalt’s rollicking text pairs seamlessly with best-selling author and illustrator Adam Rex’s art. The three protagonists project personality and charm, irresistible in their unique magnificence. Together, Daywalt and Rex make this story terrifically true. How else could Rock, Paper, Scissors have come into existence? Hail to this modern-day legend.

Click here for a printable activity.

Click here for a reading sample.

 

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com


Go Big or Go Gnome by Kirsten Mayer

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GO BIG OR GO GNOME
Written by Kirsten Mayer
Illustrated by Laura K. Horton
(Imprint, $16.99, Ages 3-7)

is reviewed today by Cathy Ballou Mealey.  

 

Cover image of Go Big or Go Gnome by Kirsten Mayer

 

 

There may be princess stories and fairy tales a plenty, but good goblin or troll tales can be difficult to find. Now Go Big or Go Gnome, written by Kirsten Mayer and illustrated by Laura K. Horton provides a lighthearted and entertaining look at life from a verdantly impish perspective.

A tiny gnome named Al lives and works in a lush green garden. He trims shrubbery alongside a crew of friendly fellows who bathe birds, fluff dandelions, and rake rocks. While the gnomes keep busy tidying the sweet scenery, they are also grooming impressive “imperial beards and illustrious mustaches.” Everyone, that is, except Al. Al has nary a whisker on his smooth pink cheeks. This bothers Al tremendously, because he dreams of participating in the Beards International Gnome-athlon.

Desperate times call for desperate measures, so Al attempts to enter the contest by faking a beard using tiny white butterflies. They fly away and expose his trickery, so he tries again with a squirrel tail, and then with some moss. Thinking he’s doomed to be a plain, bare-faced gnome forever, Al heads home to trim some topiary and keep himself busy. Luckily he still has his clippers in hand when his best friend Gnorm has an emergency – sap is stuck in his beard! He snips, clips and trims Gnorm’s whiskers into an award-winning look. What will the other gnomes think of Al now?

Mayer’s sweet and upbeat tale is a funny fantasy addition to the beard-book genre. Clever language and gnomish word puns add to the appeal. Her text is a delightful set-up for illustrator Horton, who maximizes the opportunity to create inventive, elaborate and impressive beard styles on a pleasant array of diminutive creatures. She also establishes a imaginative garden setting accented with birds, flowers and mushrooms, using a green and blue palette that offsets the gnomes’ de rigueur red pointed caps and boots.

Clever and cute, Go Big or Go Gnome is an encouraging tale for young readers in search of their special talents and ready to embrace their true selves far before they reach the whisker-sprouting years.

 

  • Reviewed by Cathy Ballou Mealey

Where Obtained:  I reviewed a preview copy of Go Big or Go Gnome from the publisher and received no other compensation. The opinions expressed here are my own.


Also An Octopus by Maggie Tokuda-Hall

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ALSO AN OCTOPUS
Written by Maggie Tokuda-Hall
Illustrated by Benji Davies
(Candlewick Press; $16.99, Ages 3-7)

  • is reviewed today by Cathy Ballou Mealey.

also-an-octopus

 

Looking for a terrific tale about waffle spaceships and eight-legged ukulele players? Well Also An Octopus is definitely the book for you! Wondering how writers come up with ideas for books about waffle spaceships? Then this is STILL the book for you! Debut author Maggie Tokuda-Hall has crafted a funny, clever story about following the spark of an idea through wild gallops of imagination until it takes shape as a book. But this can happen if and only if one follows the basic rules of the road, which are explained with flair and humor.

The tale begins with a blank page. An unseen narrator gently reminds us that all stories do begin this way, on an empty page, screen or canvas, until a character appears. Perhaps it is a little girl, or an adorable bunny, or a ukulele-playing octopus. But that grinning octopus, surrounded by bloopie bubbles and wearing a pom-pom topped knit cap, has to want something. What the character wants, explains the narrator, will make the story become interesting. And if the octopus wants an awesome purple spaceship, it has to be difficult to get. If he can simply get one from the drugstore the story will be too silly, short and dull. So perhaps the octopus will have to make the spaceship himself, out of odds and ends like soda cans, glue, string, umbrellas, glitter and waffles.

Have you fastened your seatbelt yet? Because this story is just about to take off! Or is it? “I’m not really qualified to build a spaceship ….” remarks the octopus, a tentacle rubbing his puzzled head. Nope, that spaceship doesn’t fly, so now our hero has an even bigger problem to solve. He has to find a rocket scientist!

Tokuda-Hall subtly teaches the constructs of story-telling within the boundaries of this absurdly whimsical tale. Step-by-step, the hapless octopus is tossed and turned through the imaginary gyrations of the narrative, experiencing the emotional highs and lows of a plot-driven concept. As illustrated by Benji Davies, the engaging and expressive characters will appeal to readers young and old.  The seemingly retro color palette ranges from mustard yellow to blue, orange, and luscious deep eggplant, displayed in large, bright spreads nicely balanced and evenly spaced. Davies tucks amusing random details into the scenes, like a curly-tongue armadillo and motorboat-driving hamster. Those details, in turn, will inspire young listeners to create new stories of their own.

Create new stories? Yes, because everyone has a bit of nothing, a virtual “blank page” on which to begin. And thus Also An Octopus comes full circle after a rollicking adventure that is as awesome as a purple spaceship dotted with waffles. Remember those bloopie bubbles that swirl around our eight-limbed hero? They burst into sparkly stars once he reaches outer space, a twinkling celebration of this delightful adventure into the world of story-making.

  • Reviewed by Cathy Ballou Mealey

Where Obtained:  I reviewed a copy of Also An Octopus from the publisher and received no other compensation. The opinions expressed here are my own.


We Found a Hat by Jon Klassen

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WE FOUND A HAT
Written and illustrated by Jon Klassen
(Candlewick Press; $17.99, Ages 3-7)

 

We Found a Hat by Jon Klassen cover image

 

We Found a Hat concludes Jon Klassen’s terrific hat trilogy. In this book, two turtles find a hat. One hat. It looks good on both of them, creating a dilemma.

Unlike Klassen’s other “hat” books, this one is told in three parts: Finding the Hat, Watching the Sunset, and Going to Sleep. Each section advances the story with Klassen’s expected deadpan humor. With slim text (less than two hundred words), the images carry the story.

 

We Found a Hat interior spread

Interior spread from We Found a Hat written and illustrated by Jon Klassen, Candlewick Press ©2016.

 

As night begins to fall in the desert, the two turtles settle in. One, however, can’t quite take his eyes off the hat. We expect the turtle to misbehave—that’s been the theme in the other two books. Does it? As the stars come out and the other turtle falls asleep, we find out.

 

We Found a Hat interior spread of desert at night

Interior spread from We Found a Hat written and illustrated by Jon Klassen, Candlewick Press ©2016.

 

Jon Klassen is the author and illustrator of many award-winning books, including the first two books in the hat trilogy: Caldecott Medal recipient, This is Not My Hat, and the Theodor Seuss Geisel award winner, I Want My Hat Back. His minimal text and clever illustrations meld to bring us unexpected conclusions.

WE FOUND A HAT. Copyright © 2016 by Jon Klassen. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.
Click here for an activity kit and teachers guide

  • Reviewed by Christine Van Zandt

 

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Co-editor of and writer for SCBWI’s Kite Tales https://SCBWIKiteTales.wordpress.com/