THE DOOR IN THE ALLEY
by Adrienne Kress
(Delacorte Press; $16.99, Ages 8-12)
THE BLOG TOUR
Allow me to take the liberty, given the wit and wildly sassy style of Adrienne Kress’s fantastical middle grade novel, The Explorers: The Door in the Alley, to share with you, readers, the several unused openings that I toyed with before settling upon something completely different though perhaps a bit more mundane:
Can a pig ever be considered precocious?
Teeny hats off (and I mean that in the best possible way) to author Adrienne Kress for her latest novel!
Kress had me at Explorers.
Now, all those intros aside, I thoroughly enjoyed being taken inside the thrilling walls, doors, rooms and slide (yes, slide!) of The Explorers Society, one of the most marvelous places I’ve been to in a long time, and the driving force (to say the least) behind this very imaginative adventure. Getting to know the cool cast of characters whose journey kept me turning the pages as more and more secrets were revealed, was also tons of fun.
The story of The Explorers unfolds with the rescue of a pig in a teeny hat by a 12-year-old, rule-respecting, STEM scholar named Sebastian. It doesn’t hurt that he’s also got a photographic memory. The pig, it turns out, belongs to a member of The Explorers Society, located in a seemingly innocuous building in a back alley near Sebastian’s routine route home. Rather than being rewarded for his helpful deed as logic would dictate, logic being another characteristic that can be attributed to young Sebastian, he is punished by the society’s president. Sebastian must now, to avoid arrest (yes, arrest!), do chores daily after school at the society in order to learn to take risks and expand his limited horizons.
As he becomes familiar with the amazing interior of the society (trust me, it is absolutely unreal!), Sebastian, prodded by the president Myrtle Algens, seeks to do something inappropriate that only someone who thrives on appropriateness can do. Just what that is, he hasn’t a clue. So, while unsure exactly how to push these boundaries, Sebastian accidentally uncovers a small hidden door behind which sits a box. Sebastian takes this box home and discovers in its contents assorted articles, photographs and other information about a disbanded group of explorers called the Filipendulous Five. When he asks Algens about them he is less than politely asked to leave the society’s premises and never return!
Upon departing, Sebastian encounters a forlorn-looking girl sitting outside. The girl, we learn, is Evie, an orphan on the run from some scary-looking dudes, one with a jaw wired shut, the other with (I kid you not!), a partially melted face. According to a letter she was given before she escaped the bad guys, Evie discovers she has an important connection to the The Explorers Society. This letter, written by her grandfather who she didn’t know was alive, indicates he’s in grave danger. Somehow though, this information, when shared with Algens, has gotten her kicked out of the building despite believing it would be a place of refuge. Things become even more confounding for the poor girl when Sebastian explains that her grandfather is none other than Alistair Drake, the head honcho of the Filipendulous Five! Soon Evie and Sebastian team up and take off on a series of exciting and risky exploits (it’s true, Sebastian skips school!) at the local zoo, the university, as well as inside The Explorers Society, all in an effort to find a mysterious key mentioned in the letter and save Evie’s grandfather while trying to elude wired-jaw guy and melted-face man.
The Explorers is a fabulously funny, fast-paced read with 27 chapters and an epilogue. Each chapter contains just the right mix of mayhem, dialogue, description and derring-do. Kress’s imagination is boundless, something I’m certain middle graders looking to lose themselves in an adventure/mystery will appreciate. Her sense of humor is also spot on. I must mention here that I had the good fortune to be sent an advanced readers copy for the blog tour so the artwork that is due to accompany the novel wasn’t included. But I can’t wait to see it since the story itself is quite visual and would lend itself well to film or TV.
Now dear readers, the story doesn’t end here because there is definitely more to come in an as yet unnamed sequel that, I have to admit, is the appropriate thing to do when the author leaves you with a cliffhanger making you wonder what’s to become of Sebastian, Evie and the rest of the characters you’ve grown to care about. I’m also very curious as to whether Sebastian’s school ever calls his parents, that is unless all the action occurs on weekends. That would certainly calm his nerves. Watch this space!
More upcoming stops this week and next for the blog tour include:
Tuesday 5/9/17 – Geo Librarian
Wednesday 5/10/17 – Life by Candlelight
Thursday 5/11/17 – Jumpin Beans
Friday 5/12/17 – Always in the Middle
Monday 5/15/17 – Librarians Quest
Tuesday 5/16/17 – The Book Wars
Wednesday 5/17/17 – Middle Grade Mafioso
Thursday 5/18/17 – Hopelessly Devoted Bibliophile
Friday 5/19/17 – Tween You & Me
THE SCENT OF SOMETHING SNEAKY
By Gail Hedrick
(Tumblehome Learning; $9.95, Ages 9-12)
In The Smell of Something Sneaky, Emily Sanders, the small town heroine from Hedrick’s first middle grade novel, Something Stinks!, is back to solve another mystery, only this one’s a lot more dangerous. In this well-paced, satisfying sequel, Hedrick’s 14-year-old main character begins noticing suspicious incidents occurring at a North Caroline B & B owned by her friend Mary’s grandmother. While everyone around her thinks these incidents are unrelated, Emily can’t shake off the feeling they’re connected.
It’s summer break and peak season for the popular getaway, Baird’s Den, where Emily’s working alongside her friend to fill in during a temporary staff shortage. The action begins quickly when a guest gets hurt from a loose step board. But nails don’t just pop out and Emily begins to wonder if the nails she discovers nearby were deliberately removed. Her friend Mary thinks otherwise and remarks that just because Emily solved one crime doesn’t mean there’s anything sneaky going on this time around. It’s true that accidents do happen, but in this case it’s starting to look a lot like they’re being made to happen, and if so, why? A neighbor, and Baird’s Den helper, Alex, is more easily convinced than Mary, that something’s up when a septic tank begins to stink, then a swarm of bees make a hive on top of the house followed by an electrical fire in the B & B’s carriage house. Alex even tells Mary that Gigi, Mary’s grandma, had a fall down the cellar steps due to a faulty light bulb before the girls arrived in North Carolina. Yes, something’s surely amiss and Emily’s determined to get to the bottom of it. So, by presenting some convincing evidence, Emily recruits her pals to help get to the bottom of things and save Baird’s Den from a string of costly setbacks and possible closure. But the closer Emily’s sleuthing takes her to uncovering the culprit or culprits, the more at risk she puts herself and her friends.
Hedrick has woven in clues and several red herrings to keep budding tween detectives on their toes, my favorites being the “Audubon guy” who keeps appearing all over the place, and the overly cheerful “realtor girl.” There is a great cast of characters readers will enjoy getting to know including innkeeper extraordinaire Grandma Gigi, neighbor Alex Ortiz and his crafter mom, Mariella, Pete the Plumber, bee wrangler Barb Blackstone, shopkeeper Evan Moss of Mountain Artisans along with the ever changing list of B & B guests. It’s also much ado about all things olfactory in this middle grade mystery and not all of it is sneaky. I could smell the trees from Hedrick’s description of Baird’s Den situated near the edge of the woods where trails invited “hikers, bikers, and horses.” And then there’s lots about the cinnamon Gigi uses both in drinks and for special guests’ gifts as well as the enticing aroma of candles on display at Mountain Artisans handmade crafts store. In fact, scent even plays a role in detecting part of a crime scene!
The Scent of Something Sneaky makes for entertaining summer reading and may just set your mind wandering the next time you step foot in a craft store while on holiday.
Visit author Gail Hedrick’s website here.
Read Ronna’s review of Something Stinks! here.
An Interview With Middle Grade Author Kristen Kittscher
A Special Mystery-Themed Giveaway
Fans of The Wig in the Window eagerly awaited the arrival of its companion book, The Tiara on the Terrace, and were rewarded this past January with its release. But even if you’ve never read Kittscher’s first book, her latest, The Tiara on the Terrace, can most certainly be read as a stand alone and is terrifically entertaining and awash in the adventures of Young and Yang.
Here’s a blurb from HarperCollins’ website:
In this funny, clever novel, perfect for fans of Pseudonymous Bosch and Gordon Korman and a companion to The Wig in the Window, tween sleuths Sophie Young and Grace Yang go undercover at Luna Vista’s Winter Sun Festival to catch a murderer before he—or she—strikes again.
Sophie Young and Grace Yang have been taking it easy ever since they solved the biggest crime Luna Vista had ever seen. But things might get interesting again now that everyone is gearing up for the 125th annual Winter Sun Festival—a town tradition that involves floats, a parade, and a Royal Court made up of local high school girls.
When Festival president Jim Steptoe turns up dead on the first day of parade preparations, the police blame a malfunctioning giant s’more feature on the campfire-themed float. But the two sleuths are convinced the mysterious death wasn’t an accident.
Young and Yang must trade their high tops for high heels and infiltrate the Royal Court to solve the case. But if they fail, they might just be the next victims.
INTERVIEW WITH THE TIARA ON THE TERRACE AUTHOR, KRISTEN KITTSCHER
Good Reads With Ronna: Are detective stories what you read growing up?
Kristen Kittscher: I was a voracious reader. I read all kinds of things so detective stories weren’t the only things I read but they were some of my favorites. I was a big big Nancy Drew and Hardy Boys fan as I’m sure many people are. I love Encyclopedia Brown. I just loved solving the puzzles that were involved. One of my very favorite books as a kid was From the Mixed Up Files of Mrs. Basil E. Frankweiler and that kind of mystery [where] they’re locked in a museum. I always loved solving puzzles but really I read widely. Judy Blume was an absolute favorite of mine. I think Blubber was a one of my all-time favorite books growing up. And Cynthia Voigt’s Homecoming was another book I loved.
GRWR: Empowerment is prevalent in both novels. Was this a goal of yours?
KK: It’s interesting. After the book was out in the world I’d hear that a lot and it wasn’t an actual focus of mine when I was writing … I think it’s because I taught at an all-girls school many years and I was swimming in girl power without realizing it. I was teaching 7th grade where girls are starting to become more self-conscious. But at that school they were very much themselves and not worried about how they were coming across. And I think I was definitely trying to write a story for them and was very influenced by their joie-de vivre and general sense of fun and curiosity and smarts as I was writing. I didn’t think about it. It just came out that way.
GRWR: What qualities do Sophie, Grace and their quirky pal, Trista have in common with you?
KK: Well maybe I’ve given them qualities I don’t have because that’s the fun of writing fiction, right? I’m definitely very curious myself and always loved a sense of intrigue. I’m pretty silly and they’re pretty silly. I think in a way they probably have more attributes of my students but Trista’s practicality and her kind of ability to just sort of, kind of plug on no matter what. I definitely have a bit of that as well. She’s a bit like my father was and I’m a bit like him so I always think I definitely have a little bit of Trista in me. The other quality definitely is the lack of confidence that Sophie has in coming into her own. I just started writing late in life – this is the first thing I ever wrote – or ever finished – and I really was focused on teaching and not writing. So, the thought of saying I want to be a writer is like saying I want to become a rock star or something like that. The story of The Wig in the Window is a mystery but it’s also kind of paralleling my journey in finding my voice as a writer.
GRWR: Getting into the heads of two twelve year olds isn’t easy. What helped you?
KK: Well, it helps to kind of be 12 in my head mostly! Well I think it goes back to my teaching middle school for a long time. I can’t remember what I was like before I was teaching 7th grade, whether I was also still 12 or if they helped me get back in touch with my youthful self. But definitely having that be my world day in and day out for a long time definitely rubbed off on me. As to Sophie and Grace, their perspective was relatively easy for me to access. The other part that makes it easy for me is having moved a lot as a kid. I moved almost every two years when I was growing up. So each place at each age I was, I remember it really vividly. I’s a very separate point in time and it’s relatively easy for me to go back to a certain place geographically in my mind and get back in touch with the feelings I had at that time. So it was a blessing in a way having moved so much because then I can remember each place individually.
GRWR: Where were you at age 12?
KK: At age 12, I was in the South Bay so basically Torrance, Palos Verdes area. For those people who don’t know, it’s this beautiful peninsula at the bottom of Los Angeles. It’s one of the most beautiful places I ever lived. You’re right by the beach. I think at the time as a kid you don’t realize how beautiful it is so when I set out to write something that came back to me very much and I knew it would be a fun setting for other people to read about too.
GRWR: Was there any pushback from the Tournament of Roses organization to change the similarities?
KK: No. But definitely the fictional town of Luna Vista is a combination between Pasadena and the place I just described, Palos Verdes and Torrance area. It’s my observing my students here in Pasadena and my own memories back when I was 12. And the town of Luna Vista has AmStar (which is very similar to the Jet Propulsion Laboratory) so we have a great deal of scientists, actual rocket scientists as Pasadena does, and that makes it lots of fun to explore lots of technological things. That’s where the idea of Trista having such technological savvy comes from but as far as pushback from the tournament, no. One of my former students was on the royal court and she sat down with me and told me all about her experience as a princess so I actually had a lot of cooperation. Other former students told me about the audition process, other colleagues, longtime Pasadena volunteers and parade goers definitely helped me with all of their memories and observations. And then when the book was finished the Tournament House was considering even doing a launch there as well. Unfortunately the launch of the book came three days after the Rose Parade itself. So I don’t know if their lack of cooperation after the fact had more to do with the fact that they were focusing on their event because, as you know, it’s a huge operation and requires thousands of volunteers and all kinds of things. I haven’t experienced any direct pushback, but there is of course some gentle fun that I’m poking at the parade so we’ll see.
GRWR: How did you know the Wrigley Mansion so well?
KK: Well, for those who don’t know there’s a mansion in Pasadena called the Wrigley Mansion, which is the tournament headquarters and it was donated by Mr. Wrigley, the chewing gum magnate you all know so well. So I thought it would be fun to create this sort of parallel world where Mr. Ridley who is a root beer magnate has his whole thing because basically I wanted a literal root beer float in the parade. Right? That makes it much more fun. I definitely had that outside of the mansion in my head as I was writing. Also you can take tours of the mansion and while it’s been renovated into offices, some of the rooms I definitely had in mind as I was writing so maybe that helped add a little flair to the setting.
GRWR: What else did you do for research?
KK: I was also an embedded undercover agent in float decorating. Every year in Pasadena before the parade begins, students pour out to volunteer in what are called the Float Barns which are these huge warehouses where the floats are. Actually before ever writing the story the inspiration where it comes from is my volunteering as a float decorator on the Trader Joe’s float one year. I was there gluing on flowers and climbing around on scaffolding so in the opening of the novel, Sophie, the main character, nearly falls from the scaffolding. Well that’s directly related to my own fear of heights crawling around on the scaffolding which I thought was highly unsafe for a 12-year-old. I also would constantly be Googling and referring back to different news articles just to get more inspiration and details. I don’t know a lot about flowers and obviously flowers are a very important part of the float decorations. So all the different kinds of things that are used to create different colors I would constantly be having to check back on, and say oh they used cinnamon for the brown part. I only knew what my tasks were as the decorator. I didn’t know what other flowers are used and I’m sure I messed it all up.
GRWR: Do they use a lot of different flowers?
KK: Oh, no they’re endless- I mean that’s part of their creativity – every single bit of surface area of a float needs to be decorated with some sort of living material. Even the tires of the float – they’re black, right? But we need to keep them black so they cover the tires with sheets of sea weed. Those little squares of seaweed that you got – that is really what they do. In order to win any of the prizes everything needs to be organic material of some kind.
GRWR: And there are people underneath the float?
KK: Yes, a major plot point of The Tiara in the Terrace is Trista working on a driver-less float because she finds that it would revolutionize the festival not to have people in these cramped compartments. One of the other things that is also very true about the parade is the need for what they call the pooper scooper brigade of kid volunteers who shovel up after the horses. The reason for that isn’t just to keep the parade route clear it’s because if they don’t clean up after the horses the wheels of the float kick up the remains of the horse poop into the eyes of the float drivers and gets in the ventilation system of their float. We’re getting right down to the nitty gritty.
GRWR: Because The Tiara on the Terrace is for middle grade students and includes murder, did you have to diffuse it with humor? How do you go about bringing that into a story?
KK: It’s true. It’s pretty hard to write a murder mystery for kids. You have to make it silly in some cases, but you know that kids also love the stakes being potentially high or real. In this case, you have what’s a potential murder. All the adults believe that the Winter Sun Festival president has been the victim of a tragic accident – a giant dancing animatronic S’more on a parade float has swung down and killed Mr. Steptoe. So you have this really really silly situation but also this tragic accident and that gives that distance and silliness that makes it kind of okay. And also it’s maybe a bit silly that the kids think that this could possibly be murder. Right? As the kids say, seriously? murder by marshmallow? … By giving that distance it helps explore a dark er side.
GRWR: How hard was it to put your red herrings into your story because there are a bunch of them?
KK: Thank you for recognizing that! The Wig in the Window was not hard, because well, it was hard to write for other reasons, but there’s always something, right? But mystery-wise it’s much more of a thriller, like a psychological thriller for middle schoolers where [the questions are] is this person bad, or is my imagination running away with me or not? So that’s a very simple structure, really. The Tiara in the Terrace is much more like an Agatha Christie novel or a typical cozy mystery as they call it, where you have many suspects in a large cast. It was really hard to trickle in all the clues at the same time that we’re exploring all the social dynamics in friendships. I think as you’re reading you can think oh, gosh, here we have some sort of detour, some sort of social friend detour and you don’t realize oh, wow, all the clues are being laid out at the same time. And so it’s kind of hard pacing-wise to keep the tension going at the same time, your reader might not realize that all of those red herrings are being placed in that sense. It takes a lot of outlining and even reverse outlining. Really knowing the crime, if there is a crime.
GRWR: You totally got me … I love being tricked!
KK: And I love tricking people. I think in this one you might know who it is but you might not know why. And then all the why is very, I think, very satisfying and very fun. (Ronna talking). One thing I know about kids is they often don’t just read a book once unlike adults and so it’s very important to me to make sure that everything matches up. That if you’re going to read this again, you’re going to see everything a second time and have just as much fun figuring out how it’s constructed as the reading itself. Also, my favorite scene is the parade scene at the end which of course has to be bombastic and spectacular and I really had the most fun writing that.
GRWR: Do you ever find, when you hear from young readers, that they’re inspired to write their own mysteries after reading yours? Afterall it is inspiring to see these three young girls go about solving mysteries in their own communities.
KK: Oh definitely … I also run some workshops in writing mysteries so I get kids going that way as well. Last summer I was at The James Thurber House in Ohio and they have a summer writing camp and they also go out in the community. All the kids would love trying to create their own mysteries after reading so I had a great time teaching those workshops. I think kids love the idea of uncovering secrets, I mean we all do, but particularly adult secrets because they don’t have full access to that world. It’s fun to imagine what could be happening in worlds they don’t know about.
GRWR: Will the girls be back for another adventure?
KK: Each book was separate. I like that a lot because they stand alone. If you read carefully there might be mild spoilers that you probably wouldn’t remember but each of those books can stand by itself so I didn’t sell The Wig in the Window as a series.
GRWR: So your publisher came back to you after book #1?
KK: Right. So that’s a good transition to say, ” Buy The Tiara on the Terrace, everybody, so there can be a third Young and Yang adventure.
GRWR: Can you speak briefly about the TV show that’s been optioned?
KK: Yeah, I’m really excited that both books have been optioned by a producer and I’m co-writing the first season – the pilot right now. It’s really exciting to be able to imagine giving Young and Yang new life in this form because they can be much more equally represented. You know, both The Wig in the Window and The Tiara in the Terrace are from Sophie Young’s point of view. Now we can step back and look at these families from the outside a little bit and also get much more access to Grace Yang’s point of view and possibly the worlds of the villains. So I’m having a really good time figuring out how to adapt the story and getting a lot of help with it as well. The first season is The Wig and the Window stretched out over 12 episodes so you almost have strangely more opportunity to see more elements of their school life and family life within that kind of episodic structure as opposed to the three act structure of a book. So The Wig in the Window the ongoing mystery travels over the course of the season, but each episode has its own exploration of things that are going on between Young and Yang and their families and school and love interests.
GRWR: Did I leave anything out that you would like to add?
KK: I don’t know if I can think of a direct question but something I really like to get across about why I write in general and especially The Wig in the Window and The Tiara on the Terrace is that I love giving kids a sense of adventure and wonder. In my observations as a teacher, kids can be like little business people these days. They have their rolling back packs and their schedules they have their playdates, they have their extra-curriculars. And their world is very constricted much more so then mine was growing up, and I feel that through books or through these adventures you can kind of restore that sense of wonder but also the feeling that kids can have real power and trust themselves to go on all kinds of fun adventures so I like opening that up to them through books and that’s something that I don’t get asked about much but I love to get across. That books have this power to open up some avenues of freedom for kids in their otherwise sometimes overly scheduled world.
- Interview by Ronna Mandel (with special thanks to Armineh Manookian for all her help!)
KRISTEN KITTSCHER is the author of bestselling tween mystery The Wig in the Window (Harper Children’s, 2013) which garnered a starred review from School Library Journal and was on ten Best of the Year lists. A graduate of Brown University and a former middle school English teacher, Kristen was named the James Thurber House Children’s Writer-in-Residence in 2014. She lives with her husband in Pasadena, home of the Rose Parade—the inspiration for her latest novel, The Tiara on the Terrace. Visit kristenkittscher.com or follow her on Facebook and Twitter (@kkittscher).
Enter below to win a copy of The Tiara on the Terrace by Kristen Kittscher plus an exclusive spy kit with Moleskine notebook. spy pen, magnets and book marks. Receive an extra entry for following Good Reads With Ronna on Facebook.
a Rafflecopter giveaway
⭐︎Starred Review – Booklist
Lizzie Kennedy, 13, lives in a house on her aunt and uncle’s fashionable Nob Hill estate with her widowed father and her brother, Billy, 16, once her best friend, but now surly and secretive. Their beloved servants, Jing and Maggy, also reside with them. A brief prologue gives the readers some insight into Lizzie’s world at the dawn of the 20th century and the ominous developments to come:
“In the Palace Hotel, electric lights blaze as ladies in shimmering gowns
and gentlemen in black waistcoats waltz in a ballroom gilded with gold.
In the bay, a steamer from Honolulu is fumigated, scrubbed, and
smoked … and given entry to the port of San Francisco.
At the dock … rats slip off the ship. They scurry onto the wharf
and climb the sewers to Chinatown …”
Thanks to her aunt and uncle’s wealth, Lizzie is able to live a fairly privileged life. However, her strict and proper Aunt Hortense insists that she attend finishing school. Lizzie is not interested in becoming a society lady. She prefers science to etiquette, and, much to Aunt Hortense’s chagrin, enjoys assisting her doctor father with his house calls.
Stories begin to surface about the large numbers of dead rats found in Chinatown, and soon that community is quarantined. Despite her father’s and her uncle’s insistence that there is no plague and the quarantine is unjustified, Lizzie has her doubts. One day she discovers that Jing, the family’s cook, has smuggled his son Noah out of Chinatown and has secretly hidden him in the servants’ quarters. However Jing is now missing. Did he get caught up in the quarantine … or something worse? Stunned by the discovery that Jing has a secret life, Lizzie promises the frightened boy, Noah, that she’ll help keep his secret and try to find out what has happened to his father.
As dead rats and plague rumors mount, Lizzie boldly attempts to determine the veracity of the plague rumors and secretly undertakes some dangerous trips to Chinatown to find Jing. Her friendship with Noah and her trips to Chinatown, help her realize the gender, racial, and class inequalities which exist in her society. When Lizzie realizes she can’t find Jing on her own and illness strikes close to home, help comes from some surprising quarters.
Like her earlier Newbery award-winning work, Al Capone Does My Shirts, Choldenko’s middle grade novel, Chasing Secrets, is a wonderful coming-of-age-story that blends historical fiction, mystery, and humor, while providing a fascinating glimpse into San Francisco’s colorful past. Complex topics (some sadly similar to today’s concerns) of inequality, medical science, and immunology are made accessible to young readers through Lizzie’s experiences.
The author, a long time resident of the San Francisco Bay area, concludes with a note about the historical background, a chronology of the plague, and notes which provide information for further reading. Visit Choldenko’s website for more information about her work and find a fascinating Writing Timeline and Educator’s Guide for Chasing Secrets too.
Highly recommended for ages 8-12.