She Persisted Written by Chelsea Clinton

Posted on

SHE PERSISTED:
13 American Women Who Changed the World
Written by Chelsea Clinton
Illustrated by Alexandra Boiger
(Philomel; $17.99, Ages 4-8)

Starred Review – Publishers Weekly

 

Cover image from SHE PERSISTED: 13 American Women Who Changed the World by Chelsea Clinton

 

She Persisted, Chelsea Clinton’s historical picture book, celebrates thirteen strong and inspirational American women who overcame obstacles because they persisted. Featured are Harriet Tubman, Helen Keller, Clara Lemlich, Nellie Bly, Virginia Apgar, Maria Tallchief, Claudette Colvin, Ruby Bridges, Margaret Chase Smith, Sally Ride, Florence Griffith Joyner, Oprah Winfrey, and Sonia Sotomayor. The book’s opening line, “Sometimes being a girl isn’t easy” sets the tone. With perseverance comes progress.

 

Interior artwork from SHE PERSISTED by Chelsea Clinton with illustrations by Alexandra Boiger

Interior spread from SHE PERSISTED: 13 American Women Who Changed the World by Chelsea Clinton with illustrations by Alexandra Boiger, Philomel Books ©2017.

 

Each woman’s legacy is summarized in only one paragraph and includes the motivational words “she persisted”; the text is offset by corresponding images and a relevant quote. More personal than a history textbook, these bite-size biographies share a glimpse into the adversity overcome to achieve individual dreams. The book’s concluding words, “They persisted and so should you,” reinforces camaraderie and illuminates the message that, if you stick with it, you, too, can evoke change.

 

Interior artwork from SHE PERSISTED by Chelsea Clinton with illustrations by Alexandra Boiger

Interior spread from SHE PERSISTED: 13 American Women Who Changed the World by Chelsea Clinton with illustrations by Alexandra Boiger, Philomel Books ©2017.

 

Alexandra Boiger’s watercolor and ink images contrast muted tones alongside bright colors to effectively showcase these important moments. The opening two-page spread includes pictures of fourteen women; though not mentioned in the text, Hillary Clinton is depicted here.

She Persisted would make an encouraging gift for young girls “stepping up” through grades in elementary school. It would seem fitting that Chelsea Clinton write an accompanying book for boys.


Chelsea Clinton
is the author of the New York Times bestselling It’s Your World: Get Informed, Get Inspired & Get Going! and, with Devi Sridhar, Governing Global Health: Who Runs the World and Why? She is also the Vice Chair of the Clinton Foundation, where she works on many initiatives including those that help to empower the next generation of leaders. She lives in New York City with her husband, Marc, their daughter, Charlotte, their son, Aidan, and their dog, Soren. You can follow her on Twitter at @ChelseaClinton or on Facebook at www.facebook.com/chelseaclinton.

Alexandra Boiger grew up in Munich, Germany, and studied graphic design before working as an animator in England and then at Dreamworks SKG in the United States. She is the author and illustrator of Max and Marla, and the illustrator of more than twenty picture books including the Tallulah series, and When Jackie Saved Grand Central. She has received the Parents’ Choice Award and has been featured on numerous state reading lists. Alexandra lives in California with her husband, Andrea, daughter, Vanessa, and two cats, Luiso and Winter. You can visit her online at www.alexandraboiger.com.

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com


Two Friends: Susan B. Anthony and Frederick Douglass

Posted on

 

TWO FRIENDS:
SUSAN B. ANTHONY AND FREDERICK DOUGLASS
Written by Dean Robbins,
Illustrated by Sean Qualls & Selina Alko
(Orchard Books/Scholastic; $17.99, Ages 4-8)

TwoFriendscvr

 

Two Friends is an excellent and inspiring new picture book about the friendship between Susan B. Anthony and Frederick Douglass. It’s told in such an immediate way that the reader is drawn right into the lives of these two legendary figures as they have tea together. Susan’s life is summed up best by the sentence, “And Susan had many things to do.” She really did. Author Dean Robbins looks back on Susan’s childhood noting that she did not get the education she wanted or deserved. This enables illustrators Qualls and Alko to portray Susan B. Anthony’s life in gorgeous and yet deceptively simple illustrations that show childhood pictures of Susan’s life at home that they’ve imagined her drawing. Susan’s journey to get the vote and to fight for equality got some mixed reactions by her peers, but it never stopped her.

 

Two Friends Interior Spread 1

Two Friends by Dean Robbins, Illustrations © 2016 by Sean Qualls and Selina Alko, used with permission from Orchard Books/Scholastic.

Having taken us into Susan’s life, the illustrations return the reader back to these two friends talking over tea. Frederick Douglass tells Susan B. Anthony his exciting news about his newspaper. These magical words float across the page, “We are all brethren. Right is of no gender… of no color… Truth is of no color…” Frederick’s life is told as simply and as truthfully as Susan’s. Born a slave, he dreamed of learning to read and write. Qualls and Alko portray Frederick Douglass with a look of determination on his face as he reads a book. Like Susan, he wonders why some people have rights and others don’t. The illustrations clearly tell us that he has beautiful dreams of having something more. “The right to live free. The right to vote,” is what he is aiming for, something both Douglass and Anthony have in common. He was met with the same fate as Susan. Some of his peers liked what he had to say, but others didn’t. Frederick is shown standing proud while delivering a speech.

 

Two Friends Interior Spread 4

Two Friends by Dean Robbins, Illustrations © 2016 by Sean Qualls and Selina Alko, used with permission from Orchard Books/Scholastic.

 

The two friends have promised to assist each other in gaining the rights they deserve. One illustration that just may be my favorite depicts Frederick Douglass and Susan B. Anthony in a circle of support, surrounded by so many loving friends of all colors. In another, as seen above, a charming blue and white tea set remains visible on the table between them as they discuss their plans. Two candles on the table glow, symbolizing each of their luminary presences to readers. So many things they both have to do, but friendship and tea comes first! My mother loves children’s books and as I showed her this one she said, “That’s the most beautiful children’s book I have ever seen. It’s my favorite one now.” High praise from someone who is a writer herself, and has very high standards! It is stunningly perfect in text and illustrations. I love the bit of peach that shines though Frederick’s hair and suit. Equally pleasing is the same peach in Susan’s cheeks and dress. Even both their skin tones have a bit of that lovely color that seems to join them together visually as united in their causes. Two Friends is simple enough for a small child to understand, and a wonderful conversation prompter about the important contributions of both these great people. I can think of no better picture book published recently that would be more important to add to your child’s library. Highly recommended!

  • Reviewed by Hilary Taber

Frederick’s Journey and an Interview with London Ladd

Posted on

FREDERICK’S JOURNEY:
THE LIFE OF FREDERICK DOUGLASS
An Interview With Illustrator London Ladd

Fredericks_Journey-cvr

Written by Doreen Rappaport
Illustrated by London Ladd
(Disney/Jump at the Sun; $17.99, Ages 6-8)

What’s the first thing I noticed when picking up my review copy of Frederick’s Journey: The Life of Frederick Douglass? The piercing eyes of Douglass in illustrator London Ladd’s cover portrait and the absence of a title on the front. Then, gripped by the story, I devoured the book, not once, but twice in my initial read throughs of this expertly crafted picture book. Part  of the Big Words series, Frederick’s Journey effortlessly pairs Rappaport’s thoughtful biography of this former slave turned author, abolitionist and ultimately free man with Douglass’ actual words. “Douglass had traveled far – from slave to free man, from illiterate to educated, from powerless to powerful. It had been a difficult journey.” The book ends with this quote from Douglass, “What is possible for me is possible for you.” As a picture book, Frederick’s Journey is brought to life by Ladd’s inspiring artwork. I’ve interviewed this talented illustrator once before, but felt compelled to reach out again, this time for his insight on creating the illustrations and what working on the book meant to him.

An Interview with London Ladd

GRWR: Please tell us how you came to be connected with this project?

London Ladd: The publisher contacted my agent at Painted Words, Lori Nowicki, to see if I would be interested. I read the title of the manuscript [and] the answer was a definite yes. Once I read the through the manuscript I was so moved by it, so eager to get started.

GRWR: How do you decide what medium you’ll use for each book you illustrate and what did you choose for Frederick’s Journey and why?

LADD: For my illustration career I’ve primarily use acrylic with minor touched of pastels and colored pencils on illustration board if necessary. People says acrylics are challenging to use, but I love its flexibility because you can make it look like watercolor with layered thin washes or heavy opaque application like oils. It’s something I’ve always been comfortable using and quick drying is excellent for fast approaching deadlines.

GRWR: You mention in the back matter Illustrator’s Note how deep you dove into the research to really understand your subject including actually posing yourself in front of a mirror and reciting lines. Was there any particular text from Rappaport or quote from Douglass that you found most inspiring for this story’s artwork?

LADD: Rappaport’s text was so excellent with the way she gracefully combined her text with Douglass’ own quotes. But his autobiography was so powerful because you’re getting a first hand account in all its detail of his experience as a slave during the 19th century. Each page was filled with so much raw, honest, brutal, heart breaking material. So many vivid images would pop into my head from sadness, anger.

GRWR: Was there one particular image in the book that most resonated for you?

LADD: I think the first three images [see below] as a whole really resonate for me deeply due to the range of emotions and sounds I hear from the heart wrenching scream of Frederick’s mother as he’s being taken from her, the peacefulness of the river when he’s fishing with his grandmother, and his low weeping as he suddenly realizes his grandmother is gone and now his new life begins in the institution of slavery.

FJ_Int_art_London_Ladd

Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

 

GRWR: You travelled to a lot of places in Douglass’s history, which place made the biggest impression on you?

LADD: Wow it’s so hard to pick one. Visiting his home in Anacostia was powerful. But I’ll have to go with a trip to Rochester in 2006. During my last semester in college I enrolled in an African American religious history course and the final was this amazing project where you had to travel to historical locations involved in the Underground Railroad in and around the Central New York area like Harriet Tubman’s grave and church in Auburn, NY. Well it happens that Douglass’ grave at Mount Hope Cemetery (Susan B. Anthony is buried there, too) in Rochester NY was on the list. The cemetery is huge and his grave is by the front street nearby so vehicles drive by constantly so it can be a little noisy. When walking to his grave it was so quiet with only a slight wind blowing. Being at his gravesite was moving. I just stood there silently for 20 minutes with many emotions going through my mind. After visiting his grave there was this incredible interactive Douglass exhibit at a local nearby museum and I’ll never forget it. So much on display like his North Star press, part of a house with hidden area for slaves, a double-sided mirror that when you dim the lights Douglass’ face appeared on the other side, an exhibit where you lay in a really small area like slave did during the middle passage (that had a strong impact on me) and so much more. Ten years later and it’s still one of my favorite museum exhibits.

FJ_Int_art_London_Ladd

Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

GRWR: Not many illustrators get a front cover portrait with no title as an assignment. That’s a huge honor and your cover is outstanding. Can you tell us more about how that decision was made?

LADD: Thank you so much. That’s what makes the Big Words series so unique from other book series because each biography has this beautiful portrait of a well known person with the title on the back. That’s why I worked so hard on trying to not only capture Douglass’ likeness, but his essence. 

FJ_Int_art_London_Ladd

Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

GRWR: In a previous interview here you said “The human spirit interests me. I love stories of a person or people achieving through difficult circumstances by enduring, surviving and overcoming.” Douglass clearly exemplified that spirit. Who else, either living or deceased would you like to portray next in your artwork or in a story of your own creation?

LADD: Ernest Shackleton! I would love to illustrate Ernest Shackleton and the Endurance. An absolutely amazing story of when, in the early 20th century, he and his crew were stranded near Antarctica for nearly two years and everyone survived. It’s a testament to his tremendous leadership during the whole ordeal.

This Shackleton quote sums up my attitude towards any challenges I face. “Difficulties are just things to overcome, after all.”

FJ_Int_art_London_Ladd

Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

 

GRWR: It’s said art is a universal language. What is it about making art and teaching it as well that speaks to you?

LADD: I think to be able to share with other people is something very important to me. I wouldn’t be here without the help of other people so it’s always been my goal to pay it forward when possible.

FJ_Int_art_London_Ladd

Interior artwork from Frederick’s Journey: The Life of Frederick Douglass by Doreen Rappaport with illustrations by London Ladd, Disney/Jump at the Sun ©2015.

London_LaddGRWR: Can you share with us anything else about your experience working on Frederick’s Journey: The Life of Frederick Douglass?

LADD: I truly loved working on this book and I’m so thankful to have been part of such a special project. Hopefully young people will learn, enjoy and appreciate the life of Frederick Douglass.

A huge thank you to London Ladd for this candid and informative interview. 

Click here to download a teacher’s guide.

  • Interview by Ronna Mandel

A Girl Called Fearless by Catherine Linka – Review & Interview

Posted on

A Girl Called Fearless
by Catherine Linka

(St. Martin’s Griffin, $18.99, Ages 12 and up)
Review and Interview by Ronna Mandel

Review:

Fearless-cvr.jpgAvie Reveare is an average teen in a not so average world. Like most teens, she loves music, hanging out with her friends, and is especially close with her best friend Dayla, and a childhood pal, Yates, whom she may or may not be falling for (also typical of a teen).

The time is now and Avie is living a well-off life in Pasadena, California. However, this being dystopian fiction, author Linka has had to create a believable America unlike our present one. This one is still reeling from the aftermath of Scarpanol, a synthetic hormone that was used in beef and ended up killing fifty million women ten years earlier. The end result – young girls are a protected commodity, contracted for marriage often by the highest bidder.

Females have been losing their rights since the Scarpanol tragedy and the Paternalist movement, which threatens to control them entirely, is causing many teenaged girls to flee to Canada. When Avie’s father accepts a marriage contract offer for his daughter from Jes Hawkins, a massively rich Paternalist running for governor and one of the sleaziest characters I’ve seen in print recently, she realizes she too must make a run for the border. Readers soon learn that escaping the clutches of a wealthy, well-connected wannabe politician, is a lot easier in theory than in reality. Avie, with the help of Yates, is forced to go underground, but in doing will she rise to the occasion, get involved in a cause she’s tried to avoid or succumb to the emotional and physical consequences of escaping her forthcoming marriage?

With A Girl Called Fearless, Linka’s created a page turner for teens that will pull them into her world immediately and keep them reading because they’ll care about Avie and what happens to her; the urgency of her situation tenable. Teen vernacular is captured perfectly, and Linka’s use of song lyrics and the anger behind them is also employed successfully in the storyline.

“Better Learn My Name”
By Survival Instincts

I’ve got a hundred names,
But it all comes out the same
I’m someone’s prize possession
Not a person. An obsession

Is it the end of the world as Avie knows it or can something good come from all the malice boiling just below the surface of everyday dystopian life? I recommend getting this YA novel as a gift this holiday season for that teen who might otherwise be attached to a cell phone for the next two weeks.

Q & A With Catherine Linka:

What is your book about?

A Girl Called Fearless and its sequel, A Girl Undone, are about Avie, a junior at a girl’s school in Pasadena who comes home from school one day and finds that her dad has “Contracted” her to marry a man twice her age who she’s never met. The book is set in Los Angeles today, but assumes that ten years ago, synthetic hormones in beef killed most adult women in the US, so teenage girls have become the most valuable and protected commodity in the country. Avie must choose whether to get married or run for freedom in Canada.

We’ve seen a lot of strong girl characters like Katniss from Hunger Games and Tris from Divergent. How does Avie compare?

I wanted to write about a girl who’s not a superhero style character. Avie’s a typical teenage girl suddenly thrust into a situation that tests her to the max. She doesn’t think of herself as “Fearless” even though her friend Yates likes to call her that. I felt it was important to show young readers that many of us don’t know what we’re capable of until we are pushed to our absolute limits. At the end of book one, Avie says, “I am fearless,” because she has survived.

Authors tend to put themselves into their characters. How are you and Avie related?

Well, I’m obviously not a sixteen-year-old girl, but Avie and I share a strong sense of what is fair and just. Avie’s been insulated from what is happening in the world around her, until she is Contracted to marry a man who is running for Governor of California. As she starts to see how the Paternalist politicians are manipulating men’s and women’s lives, she feels she has to act somehow. She can’t sit back and do nothing. I couldn’t sit back and do nothing, either.

What has surprised you about the reaction to A Girl Called Fearless?

One thing I never anticipated was getting emails from readers as young as eleven and as old as eighty-five. Younger readers seem to enjoy the story’s action and adventure, while older readers see the historic and political parallels between Avie’s America and the real world. And I never expected guys to read the book or enjoy it. Never! I’ve also been surprised that both grandmas and teens have thanked me for showing Avie choosing to wait instead of having sex.

We heard there’s a possible TV series?

Yes, the books have been optioned and a series is in development. It’s fascinating–and a tiny bit scary– to see how a book is taken from the page to the screen, because the author has very little control. But the lead screenwriters are geniuses, so my fingers are crossed things will come out well.

What was your biggest challenge when writing the first novel- was it creating a believable epidemic, believable characters or something else altogether?

The biggest challenge was initially the book felt like two books–before Avie leaves Los Angeles and after. I united the halves by making the businessman that Avie is Contracted to marry into a candidate for Governor of California from the Paternalist Party. This strengthened the political theme and heightened the stakes.

You sure seemed to have had fun writing the role of Avie’s skeevy intended, Jes Hawkins – was he one of the easiest to write?

I adore writing villains. They can have big, bold personalities, and it’s much easier to create a villain who possesses positive character traits than it is to write a hero and give him enough flaws to make him believable.

In addition to Avie and Yates, there are so many interesting characters in your novel – her teacher, Ms. A, a priest, Father Gabe, her gynecologist, Mrs. Prandip and her underground connection Maggie. For me though, my particular favorites were those living in the rebel enclave of Salvation. Were you inspired by anyone or anything in real life when you conceived of this community?

When I wrote Salvation, I wanted to give voice to a part of America that values self-sufficiency, personal responsibility, religion, and freedom from government control. I was inspired by stories of frontier settlers, but I also read books and blogs written by survivalists who wanted to be off the grid.

Without a plot spoiler, can you give us a tease about what we can expect in the sequel, A Girl Undone?

Avie faces some tough decisions. At the end of A Girl Called Fearless, she makes a promise, but keeping that promise puts her life at risk. The first book was about Avie discovering her inner strength. A Girl Undone is about choosing between what is best for her and what’s best for the country.

Despite the publishing industry saying that they’ve moved on to other genres, dystopian themed stories remain extremely popular with teens.  To what to you attribute this? What’s the appeal?

I think the publishing industry gets bored with genres faster than readers do, but that said, I believe “dystopian” stories are popular because they are high stakes action/adventure stories. In many ways, they are monster stories where the monster is government or technology out of control.

How do you differentiate sci-fi, fantasy and dystopian fiction for parents who want to know what types of books their kids are reading?

When people think of fantasy, they often think of Harry Potter or Lord of the Rings where magic inhabits an Earth-like world. The conflict is often between those who practice good magic and those who use magic for evil.

Sci-fi differentiates itself from fantasy by offering a world transformed by advanced scientific technology, and the action often takes place away from planet Earth. Dystopian is usually set on Earth in the future, and involves a catastrophic event or technology fail that dramatically changed the society or government. The themes of both usually involve survival, or freedom from totalitarian control.

What is your current WIP?

Right now I’m reviewing the typeset pages of A Girl Undone that are due next week. I am also working with my publisher on how to make available a novella I wrote about Sparrow, a character from A Girl Called Fearless. We are considering putting it on Wattpad where readers could try it out for free.

Disclosure: I happen to know Catherine Linka who has reviewed many books for GRWR, however this did not influence my opinion about her novel.

Catherine-Linka.jpg

Catherine Linka, author of A Girl Called Fearless, St. Martin’s Griffin, Photo ©2014 Brad Buckman Photography

Meet Catherine Linka on her Thank You Sciba Book Tour.
In appreciation for the support of indie booksellers this year,
she can be found signing her debut novel, A Girl Called Fearless,
and hand selling children’s and YA books at the following stores.
She’s the best at helping you find the perfect gift!
Be sure to pick up several copies of her book.

12/18 Once Upon a Time, Montrose, CA

12/19 Flintridge Bookstore & Coffeehouse, La Canada, CA

A GIRL UNDONE, St. Martin’s Press, 2015

ABA Kids Indie Next Pick

Winner SCIBA Book Award for YA Fiction, 2014

Nominated to ALA Amelia Bloomer Project, 2014

Website: www.catherinelinka.com

Twitter: @cblinka

Facebook: CatherineLinkaAuthor

 

 

 


Freedom Summer: The 1964 Struggle for Civil Rights in Mississippi by Susan Goldman Rubin

Posted on

Freedom Summer: The 1964 Struggle for Civil Rights in Mississippi by Susan Goldman Rubin (Holiday House, $18.95, ages 10 and up) is reviewed by Dornel Cerro.

Celebrating the 50th Anniversary of this Landmark Civil Rights Project

⭐︎Starred Reviews – Booklist & School Library Journal

“I am determined to become a first class citizen … I am determined to get every Negro in the State of Mississippi registered (Fannie Lou Hamer, p 1).

Freedom-Summer-cvr.jpg

Freedom Summer: The 1964 Struggle for Civil Rights in Mississippi by Susan Goldman Rubin, Holiday House, 2014.

Susan Goldman Rubin, author of several biographies and books on the Holocaust (see her website: www.susangoldmanrubin.com), has written a dramatic account of the efforts of civil rights organizations and volunteers, mostly college-aged students, who worked together during the summer of 1964 to educate African Americans in Mississippi about their voting rights. While greeted warmly by African Americans, who also opened their homes to the young students, volunteers worked in an intense and dangerous environment. Prior to arriving in Mississippi, volunteers, who hailed from all across the country, received one week training in how to behave and dress so as to avoid physical harm. They learned that “no one should go anywhere alone, but certainly not in an automobile and certainly not at night …” (pp. 6-7). Volunteers were advised to sleep at the back of the house and listen for sudden car accelerations as that might signal a bombing. Contrary to what they had been taught in the North, Southern police were not their friends.

Despite the never ending climate of fear and the murder of three of the workers (James Chaney, Andrew Goodman, and Mickey Schwerner), students and community members continued their heroic efforts to establish Freedom Schools and register voters. The Freedom Schools were enormously successful: with enrollment of over 2000 adults and children. Voter registration, however, proved to be much more challenging due to African Americans fears of physical violence and obstacles such as poll taxes and literacy tests designed to prevent them from voting. However, these efforts led to President Johnson’s 1965 Civil Rights Act and, by 1966, registered African American voters soared from 6.4% to almost 60% (p. 97).

Rubin’s compelling and gripping account includes primary sources: interviews with surviving volunteers and community members, reproductions of period photos, FBI posters, newspaper articles and other documents. End material includes a bibliography, timeline, recommended websites, and appendices of original documents. The book also includes illustrations by Tracy Sugarman, an American artist who illustrated important historical events. At 41, he was the oldest volunteer and shadowed the volunteers to chronicle their work in art (see PBS’s “Freedom Summer” web pages for more information on the documentary and Sugarman and his illustrations: http://www.pbs.org/wgbh/americanexperience/films/freedomsummer). Highly recommended for middle graders thru high school, as a readable narrative as well as a compelling way for teachers and librarians to meet Common Core standard in how researchers use primary sources to bring historical events to life. In an interview with Holiday House (see below), Rubin expresses her hope that this book will inspire students to seek out their community’s stories.

Visit the publisher at http://www.holidayhouse.com/title_display.php?ISBN=9780823429202
for links to educators’ guide, transcripts of the author’s interviews, video interview with author, and more.