The Girl Who Saved Yesterday by Julius Lester

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THE GIRL WHO SAVED YESTERDAY
Written by Julius Lester
Illustrated by Carl Angel
(Creston Books; $16.99, Ages 4-9 )

 

The_Girl_Who_Saved_Yesterday picture book cover

 

From the Newbery Honor award-winner and master storyteller Julius Lester comes his long-awaited picture book, The Girl Who Saved Yesterday. In this poetic myth, “when the people of the village sent the girl into the forest, it was the trees as ancient as breath who took her in and raised her.” The young girl, named Silence by the trees, is soon tasked with returning to her village to save all of the Yesterdays. Beyond this unusual instruction, the trees can give her no further detail.

The villagers feared that Silence would anger the mountain “which loomed like a memory no one could recall.” When Silence returned, the villagers watched her brave a mysterious night alone, where shafts of light from the mountain filled the sky and passed through her; the voices carried by the light were “all shrieking like bolts of lightning sharpened by hopelessness, and the very land shook as if it were sobbing.” The girl realizes she must return to the forgotten place and find her parents.

In this beautifully written book, Silence recognizes the sounds of an unloved heart. Determination takes her to the mountain’s top; there she discovers the source of sadness and understands how to end the illness which had befallen this land.

Lester’s poetic lines are complemented by Angel’s bright, expressive images that help young readers understand the heart of this story: you cannot have Today without Yesterday. Once the ancestors’ memories are found, the spirits “encircled the people of the village, holding them in an embrace as gentle as eternity.”

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Co-editor of and writer for SCBWI’s Kite Tales https://SCBWIKiteTales.wordpress.com/


Treasury of Norse Mythology by Donna Jo Napoli

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TREASURY OF NORSE MYTHOLOGY:
Stories of Intrigue, Trickery, Love and Revenge
 Written by Donna Jo Napoli
Illustrations by Christina Balit
(National Geographic Children’s Books; $24.99, Ages 8-12)

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Gullinkambi
Yggdrasil
Ragnarok
Ginnungagap

Do these words make your head spin, and your tongue tie up in knots? Never fear, the team that brought you the Treasury of Greek Mythology and the Treasury of Egyptian Mythology is here to guide you through the complex world of the ancient Norse with their third volume in National Geographic’s exquisite mythology series, Treasury of Norse Mythology. This handsome collection will be popular with fans of Rick Riordan’s Magnus Chase and the Gods of Asgard, the Dreamworks movie of Cressida Crowell’s How to Train Your Dragon book series, and Marvel.com’s Thor: The Dark World.

Don’t skip the “Introduction.” It clearly and succinctly explains the Norse world. Napoli describes how the geography of this area (Norway, Sweden, and Denmark) affected the Norse “worldview” and how their Norse passion for storytelling kept these myths alive long after the spread of Christianity.

What follows are eighteen traditional myths, retold in Napoli’s beautiful prose and dramatically illustrated by Balit. From the creation of the cosmos to the final terrifying battle between the gods and the giants, the stories presented in this collection include arduous quests, terrifying monsters, devious shape-shifters, and thwarted lovers. The stories, each several pages long, are preceded by Balit’s two-page spreads, which perfectly capture dramatic moments and complement Napoli’s vivid and accessible prose.

 

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Interior artwork from Treasury of Norse Mythology by Donna Jo Napoli with illustrations by Christina Balit, National Geographic Children’s Books ©2015.

In the myth “Cosmos,” Napoli clearly explains the creation of the universe and the mind-blowing Norse belief of multiple worlds. The ash tree, Yggdrasil, stretches through these worlds, which include Asgard (the home of the gods) and Midgard (humans). Balit creatively and colorfully depicts the nine worlds, giving the reader an excellent visual of this complex concept.

“Destruction,” another fine example of Napoli’s and Balit’s collaboration, is the final, hair-raising battle between the gods and the giants, ending with the fall of Yggdrasil and the fiery consumption of the cosmos. Balit’s illustrations of the raging fires’ glowing flames, set against the frigid white of the snowy land, are breathtaking.

Extensive and substantial front and back material and sidebars in each story are included to help readers understand the background of the myths. Readers will find a map of the ancient Norse world, thumbnail sketches of the characters, a timeline of Norse history, and a detailed index. The afterword discusses the history of the different versions of the myths as well as linguistic challenges faced by the author.

Author Donna Jo Napoli is the recipient of many awards including the Society of Children’s Book Writers and Illustrator’s Golden Kite Award for Stones in Water. Visit her website for a biography and lists of books, awards, and reviews.

Christina Balit, a British playwright, author, and illustrator, was shortlisted for the Kate Greenway Award in 1996. Find out more about her and her books here.

  • Reviewed by Dornel Cerro

Imani’s Moon by JaNay Brown-Wood with illustrations by Hazel Mitchell – Blog Tour

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IMANI’S MOON BLOG TOUR & GIVEAWAY

Today we’re excited to share Cathy Ballou Mealey’s review of Imani’s Moon written by JaNay Brown-Wood along with Ronna Mandel’s Q&A with illustrator Hazel Mitchell. Plus we’ve got a great book giveaway!

Principal’s Award (National Association of Elementary School Principals): Picture Book of the Year

REVIEW: IMANI’S MOON is written by JaNay Brown-Wood and illustrated by Hazel Mitchell (Charlesbridge/Mackinac Island Press, $17.95, Ages 5-8)

Hazel_Imanis MoonCover high resImani, the smallest child in her African village, has been teased mercilessly by the other children because of her size. Their heartless jabs are just beginning to take a toll on Imani’s self-confidence when her mother tells her the legend of the brave moon deity Olapa. Inspired by a dream in which she stands hand in hand with the lunar goddess, tiny Imani awakens with the desire to do something great, to touch the moon.

In pursuit of her dream, Imani tries to reach the moon by climbing a tall tree, and building herself a giant pair of wings. The village children, even a snake and a chimpanzee, scoff at her valiant but failed attempts to reach the sky. But Imani’s mother still believes in her, offering the tale of Anansi the spider as a soothing and inspirational bedtime story. “A challenge is only impossible until someone accomplishes it,” she reassures her young daughter.

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Interior spread from Imani’s Moon by JaNay Brown-Wood with illustrations by Hazel Mitchell, Mackinac Island Press/Charlesbridge Publishing, ©2014.

Although discouraged, Imani attends a village celebration featuring the adumu, a special Maasai warrior jumping dance. She is particularly fascinated by one dancer who jumps higher and higher with each beat. Imani wakes the next morning, determined to try jumping her way to the moon. All day and into the night Imani jumps, a little higher each time. Despite her aching legs and throbbing feet, Imani keeps her focus on the moon, resolute on her goal.

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Interior spread from Imani’s Moon by JaNay Brown-Wood with illustrations by Hazel Mitchell, Mackinac Island Press/Charlesbridge Publishing, ©2014.

Readers will yearn for Imani’s success in the face of her faith and tiny warrior-like endurance, and cheer when her persistence is ultimately rewarded by the moon goddess herself.

Gleaming and triumphant with arms stretched wide, the cover of Imani’s Moon welcomes readers into this magical story touched with mythology, folklore and story-telling traditions. Mitchell’s watercolor illustrations offer sharp contrast between the soft earth tones of the African landscape and the rich, star-studded night skies. Lovely details abound, from cuddly goats to beaded jewelry and colorful shuka robes.

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Interior spread from Imani’s Moon by JaNay Brown-Wood with illustrations by Hazel Mitchell, Mackinac Island Press/Charlesbridge Publishing, ©2014.

This sweet, inspiring fantasy will rouse young readers to leap for their dreams, and dance, spellbound, until they hold the proverbial moon in their hands.

Don’t miss the charming book trailer at: https://www.youtube.com/watch?v=DS1yRoBITEk

– Reviewed by Cathy Ballou Medley

Where Obtained:  I reviewed a promotional PDF file copy of Imani’s Moon and received no compensation. The opinions expressed here are my own.

Q&A WITH HAZEL MITCHELL: 

Good Reads With Ronna: Imani is a beautiful person and a wonderful role model. She feels so real. Did you have someone in mind when you drew her?

Hazel Mitchell: Thank you! It’s lovely to know that. I didn’t have a particular child in mind when I began. The text conveyed a strong sense of Imani to me. So that’s where I started. And then I spent a lot of time looking at photos of Maasai children, who are very charming and full of character. So I began to make sketches. I did have a live model, but mostly for positions and expression and not for facial features. But she was a very lively model and I think that came across!

GRWR: The artwork in Imani’s Moon is joyful, even despite the local girls teasing Imani for being small. That’s an impressive accomplishment. What medium do you generally work in? Or, do you approach each picture book as a blank canvas that you’re eager to experiment with?

HM: I am glad the illustrations gave you such a good feeling – I feel I accomplished my task. I do approach each book with an open mind. I let the manuscript, the age group and the subject suggest to me the mood, the characters and what might work with medium. Sometimes an editor/art director tells me that they like something particularly that I have done before and that is the starting point. But mostly I am left to my own devices. I don’t have one set style, so I guess it can be a leap of faith on the publisher’s part sometimes! Having said that, I’m experimenting much more in my work, using more watercolour, collage and mixing in digital techniques. Imani’s world spoke to me of rich colours and textures and dramatic effects, so I had a lot of fun with this book!

GRWR: What tends to be the hardest part of working on a new picture book: Starting it? Trying to capture the author’s vision while remaining true to yourself? Finishing the book, or waiting for the next assignment to roll in?

I personally find the initial roughs the hardest part, but also the most interesting. It’s where the first thoughts of the book come out. It can be frustrating, as the vision is only half formed and sometimes it’s exhausting. The hardest part is trying to keep the freshness that you have in the initial sketches. Once you get to finals, the vision is there and it’s time to have some fun with technique and any little surprises that come along that you didn’t expect. After the book is finished, it’s like you gave birth. Then it incubates, until it finally arrives in book form. Then it’s a love/hate relationship!

GIVEAWAY: Hazel Mitchell has kindly offered one lucky reader a signed copy of Imani’s Moon. Please enter the Rafflecopter below and good luck!

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