Stars shine bright for debut authors Thompkins-Bigelow and Martinez-Neal

Stars shine bright for debut authors Thompkins-Bigelow and Martinez-Neal

MOMMY’S KHIMAR
Written by Jamilah Thompkins-Bigelow
Illustrated by Ebony Glenn
(Salaam Reads; $17.99, Ages 3-7)

&

ALMA
Written and illustrated by Juana Martinez-Neal
(Candlewick Press, $17.99, Ages 4-8)

are reviewed today by Cathy Ballou Mealey.

 

Two parent and child dyads share and celebrate cherished cultural connections in beautiful new picture books by debut authors that will touch and delight the heart.

Cover art by Ebony Glenn for Mommy's Khimar by Jamilah Thompkins-BigelowDebut author Thompkins-Bigelow depicts a child’s wonderful, busy day in MOMMY’S KHIMAR.A khimar is a flowing scarf that my mommy wears” says a young Muslim girl who loves to dress-up in her mother’s rainbow collection of headscarves. Fun and fancy are foremost in her mind as she incorporates the beautiful khimars in her imaginative play. The yellow khimar – another term for hijab – is her favorite and she dreams of wearing it like a queen, or a superhero, flying through the sky like a star.

Mama sees the girl at play, but smiles tenderly rather than scolds. The scarf carries her familiar, motherly fragrance of coconut oil, cocoa butter and cinnamon, making it even more special to her daughter. The girl is also loved and celebrated by her father, teachers and her grandmother, wrapped in tangible and intangible messages of love and welcome.

Glenn’s bright, sunny illustrations are sweet and appealing, using vibrant colors that compliment the warm, well-rounded story and keep the focus squarely on the girl’s fun. The energetic images cool to soft blue-purples as night falls and the beloved khimar returns to her mother’s closet. Even in her dreams the heroine recalls the tender embrace of her family and community, but her mother most of all. A delightful depiction of an ordinary day in the life of a cheerful and charming child.
Starred reviews – Kirkus, Publishers Weekly, School Library Journal

 

Cover art for Alma and How She Got Her Name ALMA AND HOW SHE GOT HER NAME is the book title, but the inquisitive heroine’s full name is Alma Sofia Esperanza José Pura Candela. Alma complains that her name is “too long” and “never fits.” In fact, Alma must tape an extra piece of paper to her page to accommodate all six! Soon, the how and why of the family stories behind each and every name is revealed in compelling, engaging descriptions.

When Alma’s father explains the rich history of the names she bears, Alma’s incredible imagination brings them to life. Aided by family photos and icons, her father’s story reveals Alma’s namesakes and the common bonds they share. Like her grandmother Sofia, Alma adores books. Like her grandfather Jose, Alma loves to draw and paint. Candela was Alma’s activist grandmother, and aunt Pura was deeply spiritual.

Alma wears delightful striped red pants, a perky red hairbow, and a red string around her left wrist. Her sweet, expressive face moves from solemn to astonished, serene to silly as she “meets” her ancestors and discovers the common bonds that they share. Martinez-Neal, recipient of the 2018 Pura Belpré Illustrator Award, uses a restrained color palette and imbues the well-designed textual components with meaningful symbols. Broad, double page spreads pace the story smoothly and linger for maximum impact on each name’s meaning. The final reveal for the name “Alma” is a warm, satisfying and ultimately empowering one for the little girl who has been enriched by the love and history of her family past and present. ALMA is a tender tale, a treasure for all readers who will wonder about their own name history.
Starred reviewsBooklist, Publishers Weekly, School Library Journal

•Reviewed by Cathy Ballou Mealey

Where obtained:  I reviewed advanced reader’s copies from the publishers and received no other compensation. The opinions expressed here are my own.

Read reviews of other #Epic18 debuts here:

I am Famous & Shark Nate-
Snow Sisters
The Three Little Pugs & The Little Red Fort

 

 

What We’re Reading for Mother’s Day 2018

What We’re Reading for Mother’s Day 2018

BEST BOOKS FOR MOTHER’S DAY 2018
A ROUNDUP

 

 

Happy Mother's Day pink roses bouquet image

 

How do you celebrate Mother’s Day? With our recommendations for the best new Mother’s Day books around! And, whatever you may do, wherever you may go, take some time to read together with your children at home, in a park, on a train, at a bookstore or in a library. Books make memorable gifts and, with an added personal message, will be cherished for years to come.

 

A Heart Just Like My Mother's cover illustrationA Heart Just Like My Mother’s
Written by Lela Nargi
Illustrated by Valeria Cis
(Kar-Ben; $17.99 Hardcover, $7.99 Paperback, Ages 3-8)

In A Heart Just Like My Mother’s, when Anna, who loves and admires her mother is inspired to help a homeless man by saving up her Tzedakah money, she realizes she and her mom share something in common—a big heart. This lovely picture book is a wonderful way to explain the Jewish tradition of performing an act Tzedakah which Nargi defines not so much as charity but doing the right thing by helping others. But it’s also the story of a little girl who starts out thinking she could never be as creative, funny or caring as her mother until she realizes what she has to offer. By collecting Tzedakah money and providing food for the homeless man, Anna’s selfless act of kindness brings her closer to her mother and proves to herself that she too has qualities worth being proud of. I love Cis’s illustrations too. There’s a warm, folksy feeling about them that adds to the positive vibe that emanates from the pages making A Heart Just Like My Mother’s such an enjoyable read.

Forever or a Day cover illustration by Susan JacobyForever or a Day
Written and illustrated by Sarah Jacoby
(Chronicle Books; $17.99, Ages 3-5)

With its starred reviews from both School Library Journal and Publishers Weekly, Forever or a Day by Sarah Jacoby will make a thoughtful gift this holiday for those seeking something at once out of the ordinary as well as heartwarming. It conveys its beautiful message with spare yet evocative text and in just 20 pages. At first I thought it was a picture book about the future, but then it dawned on me that it’s about being present and spending time together with loved ones and making meaningful moments now. Adults and children may experience different reactions when reading the book but that’s to be expected. Sophie Blackall, Caldecott Medal-winning and New York Times–bestselling illustrator of Finding Winnie, says it best: “Sarah Jacoby’s ethereal exploration of time rushes like a passing train, shimmers like a setting sun and allows us, just for a moment, to appreciate the beauty of standing still.” Prepare to be moved by the compelling art that complements the lyrical language of Forever or a Day.

I've Loved You Since Forever cover illustrationI’ve Loved You Since Forever
Written by Hoda Kotb
Illustrated by Suzie Mason
(HarperCollins BYR; $18.99, Ages 4-8)

Precious pairings of mothers and and animal babies from bluebirds and bunnies to otters and owls fill the pages of Today show co-host Hoda Kotb’s debut picture book, I’ve Loved You Since Forever. Kotb adopted her daughter, Haley Joy, in February 2017 and her happiness at becoming a mother is infectious and evident throughout this delightful picture book. Gentle rhyme, a repeated refrain (there was you … and there was me), a rewarding wrap up and exuberant illustrations all work wonderfully together. I’d pick up I’ve Loved You Since Forever for any new parent on your holiday list. In addition to Kotb’s lovely language, there’s a sense of warmth and closeness from the special bond of parenthood depicted in Mason’s tender scenarios. Whether or not you’re an adoptive parent, I’m sure these lines will resonate with you as they did with me: Before otters swam together/and rivers reached the sea/there was you and there was me/waiting for the day our stars would cross/and you and I turned into we. Awww!

American Mom: A Celebration of Motherhood in Pop Culture
by Meredith Hale
(Sterling Publishing; $19.95)

In 176 color pages and 12 clever chapters, author Hale deftly delves into the world of motherhood from various perspectives that readers will find fascinating. The introduction says the book “explores the changing role of motherhood through the images and shared cultural moments that have captured it best: magazines, advertisements, greeting cards, television shows, movies, songs, and other pop culture ephemera.” Choose a chapter at a time because this comprehensive and enlightening book is meant to be savored slowly (like a 1950s TV mom’s best casserole) and cannot be read in one or even two sittings. I love the breadth of the material that’s been included and am partial to the earlier chapters that cover motherhood in the eras before I was born including The Nineteenth Century, The Pre-War Years, World War I, The Roaring Twenties, The Great Depression, World War II, The 1950s (although note that American Mom does go all the way to present day 21st century). I learned, for example, that between “1885 and 1905, there were around eleven thousand magazines and periodicals published in the United States—and about 88 percent of the subscribers were women,” that Betty Crocker was a fictional character, that Eleanor Roosevelt “broadened the role” of first lady and that on I Love Lucy they couldn’t say the word pregnant on the show! Through Hale’s insightful lens on motherhood, we’re taken on an entertaining jaunt through fashion, food, first ladies, feminism, photography, film and literature that pays tribute to the ever changing role of mothers in American life and touches on aspects of this expansive topic in ways that will interest every reader, male or female.

If you’re looking for a fun, original board book for Mother’s Day, look no further than
From Mother to Mother
Written and illustrated by Emilie Vast
Translated from French by Julia Cormier
(Charlesbridge; $7.99, Ages 0-3)
Simple in concept, but rich in design elements, this 14-page board book is perfect for little ones who adore the pull-apart Matryoshka dolls. Every other page takes a child back several generations of a mother’s mother’s mother’s mother who in turn gave birth to a child eventually bringing the reader to the present. “And not long ago, I gave birth to you … my very own child. A mother’s love goes on and on and on.” What a beautiful sentiment to share with a young child while cuddling them close and showing them all the different colored pages, each with unique and nature-inspired artwork. There’s also a version for dads!

  • Reviewed by Ronna Mandel

Read our Mother’s Day recommendations from 2017 here.

Read Cathy Ballou Mealey’s review of Love, Mama here.

 

I Am Famous & Shark Nate-O: A Double Dose of Luebbe and Cattie

I Am Famous & Shark Nate-O: A Double Dose of Luebbe and Cattie

I AM FAMOUS
Written by Tara Luebbe & Becky Cattie
Illustrated by Joanne Lew-Vriethoff
(Albert Whitman & Co.; $16.99, Ages 3-7)
&
SHARK NATE-O
Written by Tara Luebbe & Becky Cattie
Illustrated by Daniel Duncan
(Little Bee Books; $17.99, Ages 4-8)

 

A delightful double dose of picture book pleasure reviewed today by Cathy Ballou Mealey.

 

I Am Famous cover imageKiely, surrounded by devoted family and friends, is confident that her celebrity status is widespread and well-deserved in I AM FAMOUS, the first picture book from prolific story sisters Luebbe and Cattie.

Kids will cackle at super-cool Kiely’s misperceptions. She continually interprets the behavior of her doting family – posting videos, taking photos, indulging her whims – as signs of her special stardom. But what will the spunky mini-diva do when she stumbles and stops sparkling in the pressure of the spotlight? The intersection of fame and family is brought to a satisfying conclusion with a wink to modern parents about over-sharing the ordinary achievements of their spirited progeny.

Lew-Vriethoff’s illustrations deftly bring Kiely’s personality to life from cover to cover. Dazzling accessories and bright, bold colors spring off the page. Touches of borrowed glamour pair well with Kiely’s expressive face and energetic motion, keeping young readers entertained and amused. There is a lot of fun and flair on display enhancing the confident, snappy text. Diva-licious!

 

Cover image from Shark Nate-O by Tara Luebbe and Becky CattieNate is a shark fanatic, but must learn how to swim before he can transform into the one and only SHARK NATE-O in this pool perfect fish tale from Luebbe and Cattie.

Obsessed with sharks, Nate fills his world with shark facts that he can’t resist sharing and even acting out, much to his older brother’s chagrin. But when it comes to light that Nate can’t swim, he isn’t put off for long. Enrolling in swim lessons, Nate learns to prove his water-worthiness by blowing bubbles, using a kickboard, and eventually swimming solo. Will Nate’s determination and persistence pay off in time to challenge his brother in tryouts for the ultimate prize – membership on the Shark swim team?

Duncan’s fun illustrations make a splash in noteworthy settings by incorporating plenty of shark décor and pool puns. Filled with heart and humor, Nate’s expressions and body language invigorate the appealing story with clever, imaginative elements. The authors include more shark facts at the end for readers who just can’t get enough of this jaw-some tale perfect for enjoying between summer swims. Download an activity kit here.

 

Read about another debut #Epic18 picture book review by Cathy here.

 

Where obtained:  I reviewed advanced reader’s copies from the publishers and received no other compensation. The opinions expressed here are my own.

 

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

SaveSave

This Is It Written and Illustrated by Daria Peoples-Riley

This Is It Written and Illustrated by Daria Peoples-Riley

THIS IS IT
by Daria Peoples-Riley
(Greenwillow Books/HarperCollins, $17.99, Ages 4-8)

is reviewed today by Cathy Ballou Mealey.

 

Cover image from This Is It by Daria Peoples-Riley

 

Starred Review – School Library Journal

When a young dancer hesitates nervously at the studio audition door, her mirror-shadow self comes to life to encourage, support and reassure her in This Is It, a charming debut from author-illustrator Daria Peoples-Riley.

“Look at me,” commands a tutu-clad shadow, hands on her hips. The young girl, stiff and uncertain, looks askance but listens to the shadow’s message about challenge, confidence and poise. Slowly, the girl stretches, bends, leans and finally embraces the shadow’s exhortations. “Listen to the hum of your heart’s song,” says the shadow and reminds her to hear the melodies that flow from her elbows to her knees.

The delightful pas-de-deux, girl and shadow, pass together through a grey, concrete cityscape where bridges, staircases and sidewalks accentuate the opportunity for movement and energy. Red, green and pink shrubbery soften the silent, stiff buildings, while the curves of splashing fountains and smoky vents echo the dynamic pair’s swirling, twirling exuberance.

Peoples-Riley employs a mixture of free-verse and concrete poetry that showcase the strength and grace of the young dancer in definitive, certain terms. Moving in deliberate, thoughtful progression, the phrases carefully build up the young dancer’s inner confidence and ultimately celebrate her beautiful self-expression. While the shadow keeps all the spoken lines, it is the girl who ultimately shines in the triumphant, starring role.

Most young dancers become accustomed to studying their reflections in the dance studio mirror. This Is It will inspire them to look for a supportive, encouraging shadow that has also been with them every step of the way, both in and out of the spotlight.

 

  • Reviewed by Cathy Ballou Mealey

Where obtained: I reviewed a copy from my local library and received no other compensation. The opinions expressed here are my own.

 

Young readers who enjoy books about ballet and dance may also enjoy:
A Dance Like Starlight, Firebird and Swan: The Life and Dance of Anna Pavlova

SaveSave

SaveSave

SaveSave

Getty Woven Gold Exhibit & Thérèse Makes a Tapestry by Alexandra S. D. Hinrichs

Getty Woven Gold Exhibit & Thérèse Makes a Tapestry by Alexandra S. D. Hinrichs

The Getty Center’s Woven Gold:
Tapestries of Louis XIV Exhibit,
Thérèse Makes a Tapestry Review & Giveaway

ThereseMakesaTapestryCvr

On December 15, 2015, the J. Paul Getty Museum in Los Angeles, California, unveiled its exhibit, Woven Gold: Tapestries of Louis XIV. The exhibition is displayed in three sections: Louis XIV as collector, heir, and patron of the arts. In 1662, the king founded the Gobelins (tapestries) Manufactory to decorate his residences and to aggrandize his public persona.

The Getty has released a companion book for young readers, Thérèse Makes a Tapestry written by Alexandra S.D. Hinrichs and illustrated by Renée Graef (Getty Publications, $19.95, Ages 6 and up). This historical fiction picture book is the story of a young girl and the real French tapestry (circa 1619-1690) Chȃteau of Monceaux / Month of December  which is on display at the Getty Center. The book is set at the Gobelins Manufactory during the king’s 1643 to 1715 reign when many world-famous tapestries were woven.

Thérèse, the main character of the story, wishes to weave, but females are not allowed to do this in seventeenth-century France. Thérèse’s father is a painter who travels with Louis XIV on his political campaigns because the king often features himself in the art he commissions. When Thérèse’s father returns home with one of his paintings, Thérèse is determined to make a tapestry of that image. As the story unfolds the reader becomes acquainted with Thérèse’s family and their neighborhood. Fascinating facts about the tapestry-making process are skillfully incorporated into the story line; readers learn about this craft as they follow Thérèse on her journey.

 

IntartworkThereseMakesaTapestry

Interior artwork from Thérèse Makes a Tapestry by S. D. Hinrichs with illustrations by Renée Graef, Getty Publications ©2016.

This debut picture book for writer Alexandra S. D. Hinrichs uses language which a six-year-old (who is being read to) can understand, but has the depth to engage a teen reader. Realistic illustrations are masterfully painted by award-winning illustrator, Renée Graef. The historically accurate images are colorfully appealing for younger readers yet mature in detail and subject matter.

Another pleasing aspect of Thérèse Makes a Tapestry is that a reader may enjoy the story, then see the actual tapestry featured in the book. The thirteen tapestries in the exhibit are stunningly large—it would take four weavers about four years to complete one of these tapestries—and in a meticulous state of preservation. Hung at eye level, the gleaming threads of real gold and silver sparkle invitingly.

Reading the book in conjunction with visiting the exhibit gives an understanding of Paris during the seventeenth century and the artists who crafted these masterpieces. The weaver faced the back of the tapestry, using a mirror to view a reflection of the cartoon (a drawing or painting of the design) and to watch the image develop. During the time of King Louis XIV, weavers worked together, utilizing their areas of specialization, such as human faces or animals. Most tapestries on display at the exhibit are composed of wool, silk, and gilt metal- or silver-wrapped thread. Since the materials used faded at different speeds, the tapestry makers decided how to dye the thread both for immediate viewing and for a predicted harmonious collaboration of colors.

Understanding the time and expertise devoted to each design imparts a deeper appreciation of the tapestries which have survived the centuries. King Louis XIV’s contributions to this art form were immense. An inventory taken in 1666 noted 44 suites (or groups) of tapestries. At the time of his death, there were 304 suites with approximately 2,650 tapestries in the collection. In addition to commissioning new work, King Louis XIV actively purchased antique tapestries. Of all these tapestries, only an estimated 600 still exist. Many degraded over the years and were consciously destroyed. Others were lost during or after the French Revolution; some were burned to extract the gold and silver bullion within.

Remarkably, the Gobelins Manufactory is still functioning and the tapestry-weaving tradition carries on today. One difference is that the weavers now are all women and one weaver typically completes the entire tapestry—this would surely please Thérèse!

Marking the 300th anniversary of the death of King Louis XIV, Woven Gold: Tapestries of Louis XIV is the first major showing of tapestries in the Western US in four decades. An interesting conclusion to the exhibit is a modern piece (2001–2004) made of wool and linen by Raymond Hains. Related events such as talks, courses, and a symposium begin January 5, 2016.

Thérèse Makes a Tapestry and the exhibit are ideal companions for one another, though either can be enjoyed alone. The book is exclusively available through the Getty until its release for sale to the general public on March 8, 2016; the tapestries exhibit runs through May 1, 2016. This is an opportunity for families to spend time together then bring home a keepsake. The exhibit and the book acquaint us with this enduring craft which may seem anachronistic with our instant-gratification world. By viewing these tapestries and enjoying the accompanying book, perhaps our children will build an appreciation for the humanity and soul instilled in these masterpieces which have gracefully withstood the passage of time.

The Getty Center, 1200 Getty Center Drive, Los Angeles, CA 90049. Closed Mondays.

To purchase book, please click here.
For more information on the exhibit including talks, tours, and courses: http://www.getty.edu/art/exhibitions/french_tapestries/

  • Article by Christine Van Zandt

Writer, editor, and owner of  Write for Success Editing Services 

Co-editor of and writer for SCBWI’s Kite Tales
On Twitter as @WFSediting and @ChristineVZ

E-mail christine@write-for-success.com

Don’t miss Christine Van Zandt’s part one of a two part interview with Thérèse Makes a Tapestry’s author and illustrator. Thérèse Makes a Tapestry, Part 1: Illustrator, Renée Graef

ENTER OUR GIVEAWAY: Win one (1) copy of Thérèse Makes a Tapestry. Plus, if you follow us on Facebook and let us know in the comments below, we’ll give you an extra entry. Follow us on Instagram and get an additional entry, too. Good luck!

a Rafflecopter giveaway

Firebird by Misty Copeland

Firebird by Misty Copeland

FIREBIRD
Written by Misty Copeland
Illustrated by Christopher Myers
(G. P. Putnam’s Sons; $17.99, Ages 5-8)

Firebird won the 2015 Coretta Scott King Illustrator Award, received the 2015 Ezra Jack Keats Book Award New Writer Honor, and was an NPR Best Book of 2014.

 

Firebirdcvr.jpg

 

In Firebird; American Ballet Theater ballerina, Misty Copeland, shows a young girl how to dance like the firebird. Copeland, author of Life in Motion, has written a spare but powerful picture book about a young African American girl who dreams of becoming a ballet dancer. Daunted by the process, the young girl compares her ” gray as rain” self to the “swift as sunlight” Copeland, believing that she could never be as good as her idol. Realizing that the girl lacks confidence and is overwhelmed by what lays ahead, Copeland offers encouragement and support in a lyrical conversation between mentor and protégé:

“darling child, don’t you know

you’re just where I started …

your beginning’s just begun …”

Copeland assures the young girl that, despite the challenges and hard work (“…I  had a thousand leaps and falls …”), her ability will grow. One day someone will need her support:

“then they will look to you in wonder

and say …

the space between you and me is longer than forever

and I will show them that forever is not so far away”

Lovely ballet similes and metaphors are woven into a narrative as powerful, yet as graceful as the dancer’s art:

“ …Like me you’ll grow steady in grace

spread an arabesque of wings

and climb …”

And while the narrative is a conversation is between a beginning dancer and an experienced ballerina, Copeland’s message of determination and realizing your dream is an important and inspiring message for all of us.

Using bold and striking mixed media illustrations, award-winning illustrator Christopher Myers enhances the soaring and inspirational text by dramatically capturing the movement of the dance and Copeland’s amazing ability to stretch her body in extraordinary positions. Likewise, his illustrations also depict the tender and affirming relationship between Copeland and her protégé. Myers, the son of the late children’s author Walter Dean Myers, has received multiple awards for his illustrations. Visit Reading Rockets for a selected list of his books and a video interview.

The Afterword contains a poignant message from Copeland about her childhood struggles and how ballet “saved” her. Nevertheless, as an African American, she did not see herself in this almost exclusively white world. With hope, hard work, and support she made it and has turned to supporting other young dreamers like herself to enter the world of Classical ballet.

Copeland has just been appointed the first African American principal ballerina of American Ballet Theater. Visit Misty at her website and see her reading Firebird at the April 6, 2015 White House Easter Egg Roll. A search on YouTube will display many videos featuring interviews and performances. Click on the link to read an excerpt of Life in Motion and see a short video of Copeland discussing her determination to succeed. Earlier this week it was also announced that for two weeks this August, Copeland will star on Broadway in the musical “On the Town.”

– Reviewed by Dornel Cerro

%d bloggers like this: