Twinderella: A Fractioned Fairy Tale by Corey Rosen Schwartz

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TWINDERELLA: A FRACTIONED FAIRY TALE

Written by Corey Rosen Schwartz
Illustrated by Deborah Marcero
(G.P. Putnam’s Sons BYR; $17.99, Ages 4-8)

 

Book cover Twinderella by Corey Rosen Schwartz art by Deborah Marcero

 

Twinderella: A Fractioned Fairy Tale delights with its clever premise: Cinderella has a twin! In this 32-page picture book, Tinderella is a math whiz who divides the girls’ grueling tasks precisely down the middle. They each do, “Half the folding, half the mending, half the mean stepsister tending.”

 

Interior spread from Twinderella by Corey Rosen Schwartz with art by Deborah Marcero, G. P. Putnam’s Sons ©2017.

 

Following the traditional story, on the night of the Royal Ball, Cinderella tearfully summons her “fairy godmom.” The fairy sparkles up some party dresses for the girls with accessories that Tin splits into two sets. However, when Prince Charming falls for both sisters, a dilemma ensues. Which sister should he wed? Luckily, Tin is again quick of mind and suggests a fabulous formula that, with some magic, may just work out.

This retelling enchants with its spot-on rhyme. The addition of the “fractioned” facts smartly introduces simple math, demonstrating in a straightforward manner how parts of a whole fit together.

 

Interior spread from Twinderella by Corey Rosen Schwartz with art by Deborah Marcero, G. P. Putnam’s Sons ©2017.

 

Marcero’s artwork combines the timeless feel of a “Cinderella” story with a modern edge. Black spaces are skillfully presented—from classroom blackboards showing mathematical formulas to shadowy silhouettes in the margins.

 

Interior spread from Twinderella by Corey Rosen Schwartz with art by Deborah Marcero, G. P. Putnam’s Sons ©2017.

 

Schwartz, author of The Three Ninja Pigs, Ninja Red Riding Hood, Hensel and Gretel: Ninja Chicks, and Goldi Rocks and the Three Bears continues to reign supreme with her funny adaptions of fractured fairy tales. In Twinderella, the girls, of course, live happily ever “half-ter.”

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

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It’s Not Jack and the Beanstalk by Josh Funk

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IT’S NOT JACK AND THE BEANSTALK
Written by Josh Funk
Illustrated by Edwardian Taylor
(Two Lions;  $17.99 Hardcover, $5.99 Digital, Ages 4-8)

 

cover art for It's Not Jack and the Beanstalk by Josh Funk

 

Josh Funk is fab at doing funny. His first fractured fairy tale (good news, there’ll be more!), It’s Not Jack and the Beanstalk, breaks with picture book convention and the fourth wall or maybe it’s the fourth page in this case, by introducing an uproarious dialogue between the narrator and the main character (to name a few) that kids and parents alike will eat up. Parents, caregivers and more experienced readers will be unable to resist the urge to to jump in and take on voicing all the characters’ roles if reading aloud. Being a fractured fairy tale, this story unfolds with a humorous back and forth between the narrator and the titular Jack (see artwork below) whom he must awaken in order to get on with his storytelling. Soon Jack has his magic beans, but he’s also been growing frustrated with the direction of the tale, often making demands of the narrator that are not unlike those of a child who doesn’t want to do his homework, brush his teeth or go to bed.

 

Interior spread by Edwardian Taylor from It's Not Jack and the Beanstalk by Josh Funk

 

Interior spread by Edwardian Taylor from It's Not Jack and the Beanstalk by Josh Funk

 

While climbing the seriously high stalk, Jack sees his pal Cindy (Cinderella) on her palace balcony. Here readers first see the hilarious and unexpected interplay between some beloved fairytales that will no doubt be a feature of Funk’s future fractured fairy tales and a most welcomed one. Inside the giant’s house, an enormous shadow on the wall and “a booming voice” signal just what’s in store for Jack. Then, quite unexpectedly and most certainly not in the original version, our hero gets a bit sassy about the giant’s poor rhyming skills. This does not bode well for Jack and before too long it’s looking like he’s going to be the main ingredient of Giant Stew. Once again interrupting the narrator who’s so desperate to continue the story, Jack casually but oh so cleverly mentions something to the giant that he’s hoping will change his fate and positively influence an alternative ending. Funk’s flair for terrific twists promises to satisfy all readers eager to see the pieces of this fractured fairy tale come together seamlessly.

 

Interior spread by Edwardian Taylor from It's Not Jack and the Beanstalk by Josh Funk

 

It’s Not Jack and the Beanstalk is a very visual book that instantly invites readers to study all the details on every page of Taylor’s appealing artwork. On the back of the book’s jacket cover, readers are told to “Look for the gingerbread man, the three blind mice, and other fairy tale friends hidden though out the book!” I quite enjoyed leafing back through the pages to see what characters I might have overlooked on the first read and so will your youngsters. Get a copy today to get in on the jokes. It’s Not Jack and the Beanstalk will make fairy tale devotees of a whole new generation of young readers while sprouting a whole new crop of Funk fans along the way.

Josh Funk

Edwardian Taylor

All interior spreads from It’s Not Jack and the Beanstalk are courtesy of Two Lions.

  • Reviewed by Ronna Mandel

Hildie Bitterpickles Needs Her Sleep

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HILDIE BITTERPICKLES NEEDS HER SLEEP
Written by Robin Newman
Illustrated by Chris Ewald
(Creston Books; $16.99, Ages 4-8)

 

Hildie Bitterpickles by Robin Newman book cover

 

When I enjoy a book as much as I enjoyed Hildie Bitterpickles Needs Her Sleep, I have to read every last page, including the copyright page! There I might even discover a clever dedication or some other surprise. So imagine my delight upon finding the following treat after finishing Robin Newman’s latest picture book:

The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarities to real persons, witches, giants, or rats, living or dead, is purely coincidental and not intended by the author.

What’s a witch in want of a good night’s sleep supposed to do when her noisy neighbors make it impossible? Is any shut-eye even possible when the very loud Jack and the Beanstalk giant moves in next door and his miles high elevator makes a clangety clank commotion all night long? To make matters worse, The Old Lady (who happens to live in a crowded shoe) with her boisterous brood takes up residence on the other side of Hildie’s home. Then,  after yet another disrupted night’s sleep, a Big, Bad Wolf blows off Hildie’s roof instead of the one on another new home belonging to the new pig in town, one Little Pig. In despair, Hildie turns to a realtor rat, Monty, to find her and her cat pal Clawdia new accommodations, only nothing is just right.

In this entertaining and unique story filled with familiar fairy tale and nursery rhyme characters, no spells are cast or potions brewed. But pages will be turned quickly to find out how Hildie solves her sleep dilemma. Young readers will rejoice when Hildie, using a lot of creativity mixed with self-advocacy and cooperation, finally figures out how to have a silent and satisfying night’s sleep.

Chris Ewald’s vibrant artwork will dazzle youngsters who’ll adore his interpretations of an assortment of characters. Remember also to study the illustrations carefully as there are some surprise visitors in this story that are certain to elicit laughter. Between Newman’s humorous and original take on a witch’s quest for quiet and Ewald’s inventive artwork, Hildie Bitterpickles Needs Her Sleep makes a great addition to your bedtime story collection and is definitely not just for Halloween.

  • Reviewed by Ronna Mandel

 


The Most Wonderful Thing in the World by Vivian French

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The Most Wonderful Thing in the World
Written by Vivian French
Illustrated by Angela Barrett
(Candlewick Press; $18.99, Ages 4-8)

 

TheMostWonderfulThinginTheWorld
Starred Reviews: Publishers Weekly, Booklist, Kirkus Reviews

Sometimes the very thing we are searching for is right before our eyes. And sometimes, if we’re fortunate, we get the opportunity to discover this truth through beautiful picture book stories like The Most Wonderful Thing in the World.

A retelling of illustrator Angela Barrett’s favorite childhood story, The Most Wonderful Thing in the World starts with a royal problem. An over-protective king and queen of a picturesque kingdom with “sky-blue water and golden bridges” must find a proper husband for their only child, Lucia. Unsure of how to find the right man, they write to “Wise Old Angelo” for advice on what to do. In response, Angelo advises them to find the man who can show them the most wonderful thing in the world. And, alas, the parade of suitors who visits the king and queen bring one bizarre item after another: “mysterious magical beasts and a piece of frozen sky,” a “mammoth tusk” and “wind machine”—“even [a] mermaid in a tank.”

In the meantime, clever Lucia finds a way to avoid the madness. Her quiet defiance enriches the storyline as do the illustrations of the city, done in soft colors and lush detail. Lucia’s parents intend on sheltering their daughter. Ironically, their decision to send her away while they choose her future husband provides Lucia the independence she needs to choose for herself.

Away from her parents’ watchful eyes, she befriends Angelo’s grandson, Salvatore, who gladly fulfills her request to show her the city, ancient and romantic—like Venice with an Edwardian twist. Through piazzas, busy markets, and “marble arches” they visit the central spaces but also the hidden gems of the city “where the grand never [think] to go.”

This middle section is my favorite part for the tone feels modern and old at the same time. The story comes alive, as if what we are reading may have actually taken place. In pictures, we see the classic architecture of the buildings juxtaposed with the fairly modern attire of the characters. While Lucia and Salvatore roam the city, the items the suitors bring, too, showcase modern technology. As a side note, I like how some of the illustrations are done in a film reel kind of lay out which may help younger readers follow along more easily.

In words, Vivian French also balances this magical space of old and new. Most powerful for me is the opening line, “Once, in the time of your grandmother’s grandmother.” While fairy tales tend to take place in a time and place centuries old, often foreign and unreal, French’s language gives readers the feeling this tale might be true—or at least the possibility of being real, like it’s just within our reach. After all, as French reminds us, “[Our] grandmother’s grandmother would remember it.”

In the end, it’s Salvatore who reveals the most wonderful thing in the world to the king and queen who realize the answer they’ve been searching for has been in plain view all along. Married, Salvatore and Lucia gracefully rule their kingdom with a deep love for their people. And while the historical details of the story are debatable, one fact is certain: love is the most wonderful thing in the world.

  • Reviewed by Armineh Manookian

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Hans Christian Andersen’s The Snow Queen, Retold.

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The Snow Queen
Retold by Sarah Lowes and illustrated by Miss Clara
Barefoot Books; $9.99; Chapter book for ages 8 and up

The Snow Queen
Translated by Anthea Bell and illustrated by Yana Sedova
Minedition; $19.99; Picture book for ages 5 and up

To those in the USA who are busy surviving snow storms and blizzards, winter might seem like a curse. For those who are stifling under drought conditions, snow must seem like a fleeting, magical element. The Snow Queen by Hans Christian Andersen combines the danger and wonder of snow in an imaginative tale. When a shard of an evil mirror pierces his eye, Kay sees only the bad in the world. This makes him easy prey for the Snow Queen, who kidnaps him. Kay’s best friend Gerda decides to rescue him. To do so, she must set out on a long and arduous journey where she encounters talking birds and animals, magical flowers, an enchantress, a robber girl, and a princess. Gerda’s love for her friend is her greatest help, and she battles the bitter cold to reach the Snow Queen’s icy palace. There, Gerda frees Kay from his frozen heart and the Snow Queen’s grasp.

It’s little wonder that this fantastical story continues to be retold, even 171 years after its original publication. Here are two retellings of this tale of friendship and courage.

The Snow Queenthesnowqueen_pb_w
Retold by Sarah Lowes and illustrated by Miss Clara
Barefoot Books: Step Inside A Story; $9.99

With “accelerated vocabulary and complex sentence structure for the confident reader,” Barefoot Books presents its adapted version as a chapter book for ages eight and up. At 64 pages within seven chapters, the book is a good length for that age group. Here’s a taste of this exciting story:

The bags of provisions were taken and Gerda was dragged from the saddle. Her arms were pinned behind her, and a bony robber with bristling eyebrows and a hairy chin prodded and poked at her new clothes. “Quite the little lady…” he murmured as he drew his sharp dagger and held it to her throat.

“No!” shouted a clear, commanding young voice.

What I greatly enjoyed about this version was the evocative art by French artist, Miss Clara. Whimsical illustrations produce an ethereal sense of people and places. The jacket description states that Miss Clara first creates maquettes (scale models of unfinished sculptures), which she then photographs. Next, she works on those images digitally. The results are simply beautiful and captivating. I also enjoyed the tangible feel of the book. The cover is made of thicker paper than most chapter books, as are the pages. This made the book in its own way feel more appropriate for chapter book readers, as if they are being recognized as older and entrusted with weightier books. In addition, Barefoot Books states that “we source paper from sustainably managed forests,” which adds to the appeal.

TheSnowQueenBB-Int.jpg

Interior spread from The Snow Queen retold by Sarah Lowes with illustrations by Miss Clara, Barefoot Books, ©2011.

 

 

The Snow Queen
TheSnowQueen.jpg
Translated by Anthea Bell and illustrated by Yana Sedova
Minedition; $19.99

Minedition presents its version of The Snow Queen as a picture book for ages 5 and up. Also 64 pages, this edition features large print for easy reading. Here’s the same sample as above:

They seized the horses, killed the coachman, footman and outriders, and dragged Gerda out of the carriage. “Oh, doesn’t she look tender and plump,” said the old robber woman who had a beard and bristly eyebrows. “This little girl will taste good!” And she brought out a sharp, shiny knife. But then she screamed, “Ouch!”… “Oh no, you don’t,” said the little robber girl.

Again, the art work is a huge draw for the book. The icy tones of the multiple shades of blue, silver, and green capture the feel of the cold and the iciness of the Snow Queen’s heart. The illustrations seem delicate and powerful at the same time.

The Snow Queen is a classic, and both versions are excellent versions that will fascinate children.

– Reviewed by Rita Zobayan


Goatilocks and the Three Bears by Erica S. Perl

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Goatilocks and the Three Bears written by Erica S. Perl and illustrated by Arthur Howard
(Simon & Schuster, $17.99, Ages 4-8)

goatilocks-and-the-three-bears-cvr.jpgWe know the story of curious Goldilocks, the little girl who goes a bit overboard snooping around the bears’ house. But Goatilocks? Why not? In this picture book, Perl has fractured the beloved fairy tale in a way that parents may see coming, but is still sure to make (human) kids laugh.

This kid, Goatilocks, happens to live nearby three bears who happen to be setting off on a walk (check out Papa Bear’s camera). Not one to shy away from private property, Goatilocks decides to check the place out while the residents are gone. However, rather than following tradition by sampling all three bowls of porridge and ultimately consuming the baby’s portion, this kid not only enjoys the baby’s porridge, but proceeds to devour the entire bowl, and spoon! So you can just imagine what Goatilocks gets up to with the furniture she tries out. And when I say some stuffing’s involved I don’t mean Stovetop!

When at last the guilty goat is discovered, you may think you know what happens next. But remember this is a fractured fairy tale and anything goes! Suffice it to say that thankfully this little kid has a conscience …. and is not the only one in the neighborhood with a boundless appetite!

Howard’s simple, and sweet illustrations are perfect for this picture book. They’re funny, full of expression and don’t overwhelm the story. In other words, they’re just right

– Reviewed by Ronna Mandel


Very Little Red Riding Hood by Teresa Heapy

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What Great Personality You Have!

Very Little Red Riding Hood, the first in a series of three picture books by Teresa Heapy with illustrations by Sue Heap, (Houghton Mifflin Harcourt, 2014, $16.99, Ages 4-8), is quite possibly the most adorable retelling of a classic fairytale.

Very-Little-Red-cvr.gifJust as in the original fairy tale, Very Little Red Riding Hood is going to visit her Grandmama. In this version, Red, a wee toddler, is taking her suitcase and red teddy bear with her for a sleepover. Along the way, Red meets Wolf, but instead of being afraid, she’s excited and gives him a big hug. Heapy chooses her words wisely, and masters the voice and diction of a toddler. Heap’s illustrations show the wide-eyed innocence and playful antics of a child that age.

Red captures the wolf’s heart and wraps him around her very little finger. They pick flowers for Grandmama, but “Foxie” as she calls the wolf, doesn’t get it right.

“NOOO!” screamed Very Little Red Riding Hood.
“Not LELLO flowers. RED!” So they picked some red flowers.

Between carrying her suitcase and the flowers, and playing chasing games all the way to Grandmama’s, Wolf is tired out by the time they arrive. Red is still bubbling over with energy. Grandmama is reluctant to let the wolf into her house, but Red, like many toddlers, manages to get her way again. The wolf comes in for a cup of tea, and stays to play hide-and-seek, to dance, and to draw. Grandmama and Wolf are very tired and want Red to go to sleep. But, Red misses her Mummy, bursts into tears, and can’t be consoled by her Grandmama, who turns to the wolf for help. Wolf gives it a try, and just when you think he’s going to eat Red … well, that wouldn’t be a very good ending for a children’s book especially just before bedtime, now would it? Not as sweet an ending as a good tickle, a lot of laughter, a sleeping toddler, and a happily ever after.

Click here for a Very Little Red Riding Hood Activity Kit

NOTE:  This is the first book in a must-have read-aloud series of three, followed by Very Little Cinderella, and Very Little Sleeping Beauty.

– Reviewed by MaryAnne Locher