Walter and the Wallet – A Guest Post by Billy Bloom

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“Doing the Right Thing—Not Always So Easy”

A Guest Post by Billy Bloom

 

Cover image for Walter and the Wallet by Billy Bloom

 

A wallet lying in the street, stuffed with cash. Not a single person anywhere in sight.

It’s a universal question for children and adults alike: when no one’s watching, will you do the right thing? How about when doing the right thing runs counter to your own self-interest? That is the premise of Walter and the Wallet.

Walter Whippingdale has been having the worst day of his life. As he walks home, shoulders slumped, head down, he discovers a wallet overflowing with cash. And suddenly, his awful day is awash with possibilities.

It’s a situation that most people have to deal with at some point in their life. And that includes me. I was working in my second year as a substitute teacher on Long Island. The school day had just ended, and, after straightening up the room for a few minutes, I headed for the parking lot.

Almost everyone had left the building by then, so no one was in front of me or behind me as I exited the building.

And there it was, just outside the doors: a small pile of cash.

 

interior spread from Walter and the Wallet by Billy Bloom

Interior artwork from Walter and the Wallet by Billy Bloom with illustrations by Tanya Leonello, Eifrig Publishing.

 

I feel like I’m a very honest person. When playing volleyball, I always call it on myself when I touch the net. I’m a firm disciple in the Golden Rule—and believe that if everyone would just live by it, the Earth would be an infinitely nicer place.

So I bent over, picked it up, and counted it. $23. I obviously knew what the right thing to do was. And yet … there was the tug. From some dark corner of my brain, a tiny voice was saying “You could just slip it in your pocket. There’s not a soul in sight.”

I didn’t keep the money; I turned around and brought it into the office, telling them that if they couldn’t determine the owner, to use it to buy some school supplies. They thanked me profusely. But as I left, I felt a sense of shame. I’m a good person, I thought—so why did some small part of me want to keep that $23? It wasn’t mine. It wouldn’t have changed my life one iota.

Such is the conflict in Walter and the Wallet. But it’s not a purportedly mature, allegedly honest adult who’s confronted with a near-identical situation—it’s a 9-year-old child.

Doing the right thing isn’t always easy. One might be too busy, too tired, too distracted. But doing the right thing when it runs counter to your own self-interest is even harder. That is the dilemma I want children, their parents, and their teachers to discuss after reading Walter and the Wallet. It all comes down to that Golden Rule: what would you want a person to do if they found your wallet?

 

Walter and the Wallet by Billy Bloom interior spread 2

Interior artwork from Walter and the Wallet by Billy Bloom with illustrations by Tanya Leonello, Eifrig Publishing.

 

Children can learn several lessons from reading about Walter: a bad day can turn around on a dime. Money can’t buy you happiness. And of course, if you find something that isn’t yours, do everything in your power to get it back to its owner.

Walter ultimately makes the right choice, and finds that it comes with some unanticipated rewards. I’m hopeful that reading my book will help children do the honorable thing when they inevitably confront a similar scenario in their own lives.

Brief Summary of Walter and the Wallet:

Walter Whippingdale is having the worst day of his life. The girl he likes has been making googly eyes at another boy in his class. He struck out during recess. He broke his favorite watch. A giant pimple appeared on his nose. And to top it off, he somehow managed to get mustard in his eye at lunch! Walking home from school, his head is hanging low. Which is precisely how Walter spots a wallet lying in the street … a wallet bursting with cash. Suddenly, his terrible day is about to change. But how?

In this engaging tale of life lessons, first-time children’s author Billy Bloom has created a story to spark some important conversation between kids and parents about making good choices. Accompanied by Tanya Leonello’s charming watercolor illustrations, this story of childhood morality and the daily dilemmas children face, is sure to pull young readers in and get them thinking.

For more info/to order copies:

Eifrig Publishing

Amazon

About the Author:

Billy Bloom is an elementary school teacher in New York. Before becoming a teacher, he had several other jobs, including professional Frisbee player (finishing 6th in the World Championships in 1983), newspaper editor, advertising copywriter, and volleyball league owner. He currently referees middle and high school volleyball and basketball games after school and on weekends. This is Billy Bloom’s debut children’s book.

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Mira Forecasts the Future Blog Tour

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Bruce Springsteen, Superstorms, and Fortune Telling
on the Boardwalk

Inspiration for Mira Forecasts the Future

Guest Post for Good Reads With Ronna

By Kell Andrews

 

Mira Forecasts the Future book cover

 

Brief Summary of Mira Forecasts the Future:
Telling the future is a gift: you either have it, or you don’t. And Mira, daughter of the famous fortune teller Madame Mirabella, just doesn’t. When Madame gazes into the crystal ball, magic swirls. When Mira looks . . . nothing. Then one day Mira gets a pinwheel and a windsock, she finds her own form of “magic” in the science of predicting the weather—and saves the day for everyone! This engaging tale, with a fun touch of science thrown in, helps kids understand that we all have our own special talent.

 

Guest Post:
I’m a Belmartian by marriage, which means I claim the beach town of Belmar, NJ, as a home. During Superstorm Sandy, Belmar’s boardwalk was destroyed, and many homes were damaged or demolished.

My beach town was on my mind when I was looking for a picture book idea, and it combined with a line from a Bruce Springsteen song, “Asbury Park, Fourth of July (Sandy).” “Did you hear the cops finally busted Madam Marie for tellin’ fortunes better than they do.”

Sandy, storms, boardwalks, fortune tellers — they all came together in Mira Forecasts the Future, the story of the daughter of a boardwalk fortune teller who can’t see the future with magic, so she learns to predict the weather with science.

Mira learns about weather, and this book is the story of a girl who saves a surfing contest and the day. It doesn’t take place in the present or in the past, despite Lissy Marlin’s gorgeous Boardwalk Empire inspired ilIustrations, but somewhere in between.

It doesn’t take place in New Jersey — it could be Coney Island, Santa Cruz, or any beach town. Boardwalks and beach towns seem like tourist traps to those visiting, but there are real people who live there. I wanted to capture a warm small-town environment — flavored with salt water taffy and pizza by the slice, soundtracked by calliope music and the crash of waves.

Headshot of author Kell Andrews

Kell Andrews, author of Mira Forecasts the Future.

In Mira Forecasts the Future, I mixed together facts and fiction, and not just about the weather. There was a real Madam Marie, Marie Castello, who told fortunes on the Asbury boards, just as her granddaughter still does. Madam Marie was never arrested, so the fortunes she told must have come true.

There isn’t a real Mira. I hope instead there are a lot of them — kids who learn to use science to learn about nature, forecast the future, avert disaster, and make the world a better place.

Visit Kell Andrews’ website here to find out more about the author, book signings and more.

Visit illustrator Lissy Marlin here.

Get your copy of Mira Forecasts the Future (Sterling Publishing; $14.95, Ages 5-8) at B&N or your local independent bookseller today.


Ava Dreams of Water for Earth Day 2016

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AVA DREAMS OF WATER
Written by Nancy Moss
Illustrated by Sara McCall Ephron
($18.99, Ages 5-8)

 

AN EARTH DAY 2016 GUEST POST

 

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In honor of Earth Day, we’re sharing a guest post by Ava Dreams of Water author, Nancy Moss.

Ava Dreams of Water  began with the image of a boy in the remote Peruvian Amazon village of Yomybato …

Int_art_canoe_Ava_Dreams_of_WaterIn the sixteen years since the publication of A Long Walk to Water, awareness of the global need for clean water has grown, but unfortunately, so has the problem. Ava Dreams of Water strives to introduce younger kids to the issue, along with ideas for how they can help, and the power of friendship and dreams. I was inspired by the work of the non-profit Rainforest Flow, which brings clean water and sanitation systems to the Peruvian Amazon. Its founder, Nancy Santullo, told me about an amazing young boy in Yomybato – where a suspension bridge and slow sand filtration system had been built – who brings people across the local river in his family’s boat. In Ava Dreams of Water, I decided to connect this boy to a child in the United States by having them meet in their dreams. With a dash of magical realism, and the wondrous illustrations by Sara McCall Ephron, the characters of Ava and Juan have a true impact on one another, as I hope the book will have on the reader/pre-reader!

int_art-building_Ava_Dreams_of_WaterClean water is one of the most fundamental needs that humans have. Earth Day gives kids the opportunity to think about what they have, what others might be lacking, and what they can do to help. Clean, healthy drinking water is a resource that no one should take for granted! This is a global issue and, indeed, there’s a growing awareness and urgency regarding the lack of healthy water in some of our American communities as well. Books about the environment, green living, conversation, and the natural world all contribute to young readers’ breath of knowledge and curiosity. Knowing that other children do not have healthy water opens the door to empathy and action.

Ava Dreams of Water is about a real place where children just like themselves have had their lives transformed by the clean water and sanitation systems that been brought to them. Across the world, water is a health, economic, and overall quality of life issue. With a story of imagination, dreams and friendship, Ava Dreams of Water strives to embody the spirit of Earth Day by informing and inspiring a new generation of caretakers of the planet! The ability of children’s books to open minds, explore worlds, and spur creative and constructive imagination is extremely powerful. It’s our hope that Ava Dreams of Water shares the idea that it is possible to change the world for the better, one drop at a time.

int_art_fresh_water_Ava_Dreams_of_WaterA portion of the proceeds from Ava Dreams of Water  goes to Rainforest Flow, a non-profit 501(c)(3) organization that has brought clean water to villages in the Amazon of Peru since 2003.

About Nancy Moss – Nancy lives in Los Angeles with her twin sons, Gabriel and Elias. She is a former film executive and screenwriter. Learn more about Nancy and Ava Dreams of Water  here.

About Sara McCall Ephron – Sara writes, illustrates, and teaches art in NYC. See more of Sara’s illustrations here.

 

 

 

 

 

 

 

 


Normal Norman by Tara Lazar Blog Tour & Guest Post

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THE NORMAL NORMAN BLOG TOUR
including
A Guest Post from Author Tara Lazar & Giveaway

Normal_Norman_cvr

 

NORMAL NORMAN
Written by Tara Lazar
Illustrated by S. Britt
(Sterling Children’s Books; $14.95, Ages 4 and up)

Normal Norman by Tara Lazar with illustrations by S. Britt, is an ode to individuality, and a wonderfully wild and wacky way to reinforce the message to children that there’s no such thing as normal. Good Reads With Ronna asked author Tara Lazar to speak to this topic, wondering how she embraces her own unique brand of non-normality in her every day life. Oh, and since I haven’t said it yet, I recommend you unicycle, not run to your nearest bookstore to get a copy of Normal Norman AND enter our giveaway, too! 🍌

GUEST POST BY TARA LAZAR:

I am not normal.

Tara Lazar & Norman - Author Pic

Normal Norman author Tara Lazar alongside the personable, purple orangutan. Photo courtesy of Autumn Lazar ©2016.

I unexpectedly launch into foreign accents while talking. Think a “cawfee tawk” Linda Richman, morphing into a good ol’ cajun creole, followed by a dashing foray in the King’s English. (I’ve been brushing up on Nana’s Irish brogue, but it’s not quite there yet.)

I don’t dress like a 40-something, either. I know that What-Not-to-Wear show cautions against mini-skirts, Mickey Mouse sweatshirts and combat boots—especially all at the same time—but I don’t care.

Since I don’t walk very well, I’ve got a mobility scooter. I painted flames on it. Its max speed is 5mph, so the flames make me feel as close to being Danica Patrick as I’m gonna get.

I hate coffee, and I’m a writer. How weird is that? And, what’s even worse, I don’t care for chocolate. If you offered me a dish of ice cream or a plate of cheese, I’d cut the cheese every time.

Yes, I just made a fart joke. And I think it’s hysterical.

I told you, I’m not normal. And that’s precisely the way I like it.

Being normal is overrated. But when you’re a kid? Being normal is EVERYTHING! The slightest cowlick and you’re branded a nerd, a weirdo, a wackadoo. Wear glasses? Geek! Don’t even get me started on being pegged as the teacher’s pet! That was me all through my school years. I was taunted and teased, and one girl bullied me from 2nd grade all the way to senior year in high school. I didn’t dress normally enough or act normally enough for her.

I’ve tried to figure out why kids want everyone around them to conform. Maybe things are more predictable and safe that way. There’s nothing to be frightened about. Nothing will jump out suddenly, like a jack-in-the-box. You stay in your corner and I’ll remain in mine and we’ll get through this just fine.

I get it. Life is scary.

stopinthenameoflove

Tara Lazar doing her best mannequin-style Stop In The Name of Love.

But my mission in life is to make everything fun. If that means stopping in the name of love to snap a photo with mannequins at the mall, so be it. And if it embarrasses my 12-year-old, let her turn red. Let her see that things shouldn’t be so serious all the time. Let her learn to find joy in the most miniscule things–or a medley of 6-foot plaster mannequins.

When I wrote Normal Norman, I didn’t necessarily set out to write some grand statement about all this. I just wanted Norman to be funny and to have fun. What emerged was a character who did just as he pleased and loved every minute of it. What emerged, I suppose, is me—in purple orangutan form!

Norman's normal home

Reprinted with permission from Normal Norman © 2016 by Tara Lazar, Sterling Children’s Books, an imprint of Sterling Publishing Co., Inc. Illustrations © 2016 by Stephan Britt.

The message to children, buried beneath the hilarity, is that there’s really no such thing as “normal”. With all of us being so different, how could there be only one “normal” expectation to live up to? The real normalness is being your true, normal self, in all its wonderful wackiness. Just like Norman…and me!

NN Blog Tour Schedule - FINAL

 

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Dear Pope Francis, A Picture Book for Children

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DEAR POPE FRANCIS:
The Pope Answers Letters from Children Around the World
By Pope Francis
(Loyola Press; $18.95, Ages 6-15)

 

Dear_Pope_Francis

 

Dear Pope Francis: The Pope Answers Letters from Children Around the World  is an inspiring new picture book for children and teens reviewed by Heather Banis, Ph.D

Imagine writing Pope Francis a letter to query him about what is most important to you and receiving a response. The chance to ask a question of someone we admire is something many, if not all of us, have likely imagined! For 30 children from around the world, that is in fact exactly what they were able to do. Selected from over 250 letters submitted, the question(s) most pressing in the minds of 30 children were presented to, and received a personal response from, Pope Francis. This correspondence constitutes the remarkable book published by Loyola Press, entitled Dear Pope Francis: The Pope Answers Letters from Children Around the World.

As a child clinical psychologist, I am often struck by the depth and perceptiveness of children’s questions. Dear Pope Francis honors the importance of, and wisdom contained within these children’s questions about God, the world in which they are living, and the faith by which they strive to live. Questions about miracles, angels, and the world’s future are presented in partnership with thoughtful and personally revealing letters of response from the Pope.

The letters included in the book come from children living in 26 different countries, living on six different continents, speaking 14 different languages. They speak directly to the pressing questions that arise in the day-to-day experiences of youth. The children’s illustrated letters are reproduced in their original format and language, and are accompanied by an English translation (where needed) and photo of each child. Each double-page spread is then completed by Pope Francis’s response as it appears on his letterhead and bearing his signature.

 

DearPopeFrancis_Pg64-65_LOYOLAPRESS

Interior spread from Dear Pope Francis: The Pope Answers Letters From Children Around The World by Pope Francis, Loyola Press ©2016

 

Ten-year-old Joao from Portugal asks the Pope what it feels like when he is surrounded by children, and in response Pope Francis writes of his happiness and the hope he feels for the future of all humanity. Revealing his own humanity, Pope Francis also writes about Joao’s drawing in which the Pope appears to be driving his “Pope-mobile” and acknowledges that he doesn’t drive which leaves his hands free for waving and blowing kisses.

Eight-year-old Josephine from the United Kingdom discovers that Pope Francis’s favorite place to pray is “everywhere…even when (he goes) to the dentist.” Karla Marie, a 10-year-old girl from Nicaragua, asks if “bad people have a guardian angel, too” and learns that everyone has an angel who tries to help them think good thoughts, but … “of course, some people don’t always listen to their guardian angels.”

Questions encompassing concerns about a parent’s death, arguments and their resolution, dancing and playing soccer, sin, forgiveness, and finding God in one another are asked of the Pope, who in turn responds with inspiring words that both teach and console.

Perhaps my favorite letter of all comes from seven-year-old William from the USA – he asked Pope Francis what miracle the Pope would most want to perform, given the chance. The Pope wrote to William that he would want to heal children, revealing in his letter his struggle to understand why children suffer. This letter, like so many in Dear Pope Francis reveals the humanity of this church and world leader in a manner accessible to children of all ages.

Dear Pope Francis is also available in Spanish.

Click here to find out how your family can write a letter to Pope Francis, too!

Thank you to today’s guest reviewer, Heather Tweddle Banis, Ph.D.
Clinical Psychologist and Associate Professor of Psychology
Clinical Consultant to the Archdiocese of Los Angeles
Girl Scout Leader and Mentor for Girl Scout Religious Awards Program
Writer and Parent


Getty Woven Gold Exhibit & Thérèse Makes a Tapestry by Alexandra S. D. Hinrichs

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The Getty Center’s Woven Gold:
Tapestries of Louis XIV Exhibit,
Thérèse Makes a Tapestry Review & Giveaway

ThereseMakesaTapestryCvr

On December 15, 2015, the J. Paul Getty Museum in Los Angeles, California, unveiled its exhibit, Woven Gold: Tapestries of Louis XIV. The exhibition is displayed in three sections: Louis XIV as collector, heir, and patron of the arts. In 1662, the king founded the Gobelins (tapestries) Manufactory to decorate his residences and to aggrandize his public persona.

The Getty has released a companion book for young readers, Thérèse Makes a Tapestry written by Alexandra S.D. Hinrichs and illustrated by Renée Graef (Getty Publications, $19.95, Ages 6 and up). This historical fiction picture book is the story of a young girl and the real French tapestry (circa 1619-1690) Chȃteau of Monceaux / Month of December  which is on display at the Getty Center. The book is set at the Gobelins Manufactory during the king’s 1643 to 1715 reign when many world-famous tapestries were woven.

Thérèse, the main character of the story, wishes to weave, but females are not allowed to do this in seventeenth-century France. Thérèse’s father is a painter who travels with Louis XIV on his political campaigns because the king often features himself in the art he commissions. When Thérèse’s father returns home with one of his paintings, Thérèse is determined to make a tapestry of that image. As the story unfolds the reader becomes acquainted with Thérèse’s family and their neighborhood. Fascinating facts about the tapestry-making process are skillfully incorporated into the story line; readers learn about this craft as they follow Thérèse on her journey.

 

IntartworkThereseMakesaTapestry

Interior artwork from Thérèse Makes a Tapestry by S. D. Hinrichs with illustrations by Renée Graef, Getty Publications ©2016.

This debut picture book for writer Alexandra S. D. Hinrichs uses language which a six-year-old (who is being read to) can understand, but has the depth to engage a teen reader. Realistic illustrations are masterfully painted by award-winning illustrator, Renée Graef. The historically accurate images are colorfully appealing for younger readers yet mature in detail and subject matter.

Another pleasing aspect of Thérèse Makes a Tapestry is that a reader may enjoy the story, then see the actual tapestry featured in the book. The thirteen tapestries in the exhibit are stunningly large—it would take four weavers about four years to complete one of these tapestries—and in a meticulous state of preservation. Hung at eye level, the gleaming threads of real gold and silver sparkle invitingly.

Reading the book in conjunction with visiting the exhibit gives an understanding of Paris during the seventeenth century and the artists who crafted these masterpieces. The weaver faced the back of the tapestry, using a mirror to view a reflection of the cartoon (a drawing or painting of the design) and to watch the image develop. During the time of King Louis XIV, weavers worked together, utilizing their areas of specialization, such as human faces or animals. Most tapestries on display at the exhibit are composed of wool, silk, and gilt metal- or silver-wrapped thread. Since the materials used faded at different speeds, the tapestry makers decided how to dye the thread both for immediate viewing and for a predicted harmonious collaboration of colors.

Understanding the time and expertise devoted to each design imparts a deeper appreciation of the tapestries which have survived the centuries. King Louis XIV’s contributions to this art form were immense. An inventory taken in 1666 noted 44 suites (or groups) of tapestries. At the time of his death, there were 304 suites with approximately 2,650 tapestries in the collection. In addition to commissioning new work, King Louis XIV actively purchased antique tapestries. Of all these tapestries, only an estimated 600 still exist. Many degraded over the years and were consciously destroyed. Others were lost during or after the French Revolution; some were burned to extract the gold and silver bullion within.

Remarkably, the Gobelins Manufactory is still functioning and the tapestry-weaving tradition carries on today. One difference is that the weavers now are all women and one weaver typically completes the entire tapestry—this would surely please Thérèse!

Marking the 300th anniversary of the death of King Louis XIV, Woven Gold: Tapestries of Louis XIV is the first major showing of tapestries in the Western US in four decades. An interesting conclusion to the exhibit is a modern piece (2001–2004) made of wool and linen by Raymond Hains. Related events such as talks, courses, and a symposium begin January 5, 2016.

Thérèse Makes a Tapestry and the exhibit are ideal companions for one another, though either can be enjoyed alone. The book is exclusively available through the Getty until its release for sale to the general public on March 8, 2016; the tapestries exhibit runs through May 1, 2016. This is an opportunity for families to spend time together then bring home a keepsake. The exhibit and the book acquaint us with this enduring craft which may seem anachronistic with our instant-gratification world. By viewing these tapestries and enjoying the accompanying book, perhaps our children will build an appreciation for the humanity and soul instilled in these masterpieces which have gracefully withstood the passage of time.

The Getty Center, 1200 Getty Center Drive, Los Angeles, CA 90049. Closed Mondays.

To purchase book, please click here.
For more information on the exhibit including talks, tours, and courses: http://www.getty.edu/art/exhibitions/french_tapestries/

  • Article by Christine Van Zandt

Writer, editor, and owner of  Write for Success Editing Services 

Co-editor of and writer for SCBWI’s Kite Tales
On Twitter as @WFSediting and @ChristineVZ

E-mail christine@write-for-success.com

Don’t miss Christine Van Zandt’s part one of a two part interview with Thérèse Makes a Tapestry’s author and illustrator. Thérèse Makes a Tapestry, Part 1: Illustrator, Renée Graef

ENTER OUR GIVEAWAY: Win one (1) copy of Thérèse Makes a Tapestry. Plus, if you follow us on Facebook and let us know in the comments below, we’ll give you an extra entry. Follow us on Instagram and get an additional entry, too. Good luck!

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Feeding the Flying Fanellis by Kate Hosford

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FEEDING THE FLYING FANELLIS
and Other Poems from a Circus Chef
Written by Kate Hosford 
Illustrated by Cosei Kawa
(
Carolrhoda Books; $17.99, Ages 5-8)

Today Good Reads With Ronna is delighted to welcome author
Ann Whitford Paul as our guest reviewer
for Feeding the Flying Fanellis.

FeedingtheFlyingFanellis

 

For those of you who loved Kate Hosford’s imaginative and beautiful Infinity and Me (I count myself as an admirer) her newest book, Feeding the Flying Fanellis, is equally full of pleasant surprises. This rollicking collection of poems isn’t just about circus performers and their acts. It focuses on the chef and what special meals he must cook for them. Opening as any circus does with the ringmaster, the chef must prepare a picnic (because the ringmaster never sits) that he tucks into his hat that the ringmaster tips in order to eat. Feeding the juggler is a struggle for everything must be round so he can easily toss his food in the air and catch it again. The high-strung tightrope walker must never have caffeine and obsessively watches what she eats—only 27 grains of rice! The lion thinks of food all day, driving the poor chef to distraction trying to satisfy his appetite so he won’t be Lion’s dessert. And then there’s the poor human cannonball who has to stuff himself to remain round.

 

FEEDING THE FLYING FANELLIS_pp4-5 illus. © 2015 Cosei Kawa

Interior artwork from Feeding the Flying Fanellis by Kate Hosford with illustrations by Cosei Kawa, Carolrhoda Books © 2015 Cosei Kawa

 

The circus is filled with fire-eaters, trampoline performers, a ballerina dancing on a horse, a strongman and a hoop jumping dog that require special foods. The final poem features a summer circus feast prepared by the chef and the human cannonball who grew tired of being shot out of the cannon, and became the chef’s pastry assistant instead.

 

FEEDING THE FLYING FANELLIS_pp6-7 illus. © 2015 Cosei Kawa

Interior artwork from Feeding the Flying Fanellis by Kate Hosford with illustrations by Cosei Kawa, Carolrhoda Books © 2015 Cosei Kawa

The illustrations are utterly charming, full of life and movement. You will sense the tension of tightrope walker, feel the pain of being shot from a cannon and the joy of swinging through the air with the trapeze artists.

Although writing and illustrating is always painstaking work, this must have been a fun project to work on and will be an equally fun book to read.

Click here for a helpful curriculum guide.

  • Ann Whitford Paul

Ann Whitford PaulWritingPictureBookscvrAnn Whitford Paul is the author of picture books (fiction and non-fiction, rhymed and prose), early readers and a collection of poetry. Her book for adults is WRITING PICTURE BOOKS, a Hands-on Guide from Story Creation to Publication. Check out her recent publications ‘TWAS THE LATE NIGHT OF CHRISTMAS and the board book IF ANIMALS KISSED GOOD NIGHT and visit her website at www.annwhitfordpaul.net

 

 

 

 

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