Finn’s Feather & Sterling, Best Dog Ever, Two New Books by Epic18 Debut Authors

FINN’S FEATHER
Written by Rachel Noble

 Illustrated by Zoey Abbott
(Enchanted Lion; $17.95, Ages 4-8)

&

STERLING, BEST DOG EVER
Written and illustrated by Aidan Cassie

(Farrar, Straus and Giroux BYR; $17.99, Ages 3-6)

 

are reviewed today by Cathy Ballou Mealey.

 

A feather. A fork. These things mean more than they seem when viewed through the loving eyes of a family in two new picture books, FINN’S FEATHER and STERLING, BEST DOG EVER from debut authors.

 

Finn's Feather book cover illustrationFINN’S FEATHER features an upbeat and energetic child who discovers a white feather on his doorstep. He runs to show the new treasure to his mother, explaining that the feather is from his brother, Hamish. His mother responds with a deep breath and a big hug. His teacher’s reaction is likewise muted. But Finn’s friend Lucas understands and shares in his delight. Together they find ways to include the special feather in their playtime.

With the feather as an equal, adventuresome partner, it is as if Finn’s deceased brother is right beside them, sharing in the delight of a spring day. When Finn finally decides to write a letter to Hamish, he uses the feather as a pen. “I whish you were here,” he writes, and secures his message in a tree branch.

Abbott’s warm illustrations are clear and soft, setting off the emotional tale with gentle tenderness. Simple and generously spaced, the images leave ample room for Noble’s text to carry deeper meaning. The pastel color palette is attractively textured, drawing readers’ eyes to the ever-present, symbolic feather. This poignant book is ideal for helping children understand the range of complex emotions, grief and happiness, that accompany our experiences of loss and remembrance.

 

Sterling, Best Dog Ever book cover illustrationIt’s a fork, or a dog, that stars in STERLING, BEST DOG EVER. Although no home has ever wanted to keep Sterling, he is determined to find a family. Outside the Butlery Cutlery Factory, he comes up with a plan to be shipped inside a package of utensils. Sure, he may have to disguise himself as a fork to succeed, but he’s resourceful!

The Gilbert family is skeptical but accepting of Sterling, and their dog-obsessed daughter is delighted beyond measure. But Sterling’s role is not entirely clear. Did the family want a fork, a dog, or should he try to be a whisk, a rolling pin, or a chandelier? Young readers will giggle at Sterling’s enthusiastic attempts to carve out a place for himself in the new family order.

Cassie’s illustrations are colorful, humorous and well-paced. Even when attempting to fill-in as an inanimate household item, Sterling is imbued with emotion, expression and energy. His earnest efforts and the girl’s equally passionate yearning to help her “dog-fork” assimilate are heart-tugging and funny at the same time. STERLING is a quirky, clever tale of self-acceptance and love that will hold special appeal for readers with rescue dogs.

• Reviewed by Cathy Ballou Mealey

Click here to read another recent review by Cathy.

Where obtained:  I reviewed either an advanced reader’s copy from the publisher or a library edition and received no other compensation. The opinions expressed here are my own.

The Care and Feeding of a Pet Black Hole by Michelle Cuevas

THE CARE AND FEEDING OF A PET BLACK HOLE
Written and illustrated by Michelle Cuevas
(Dial BYR; $16.99, Ages 8-12)

 

 

“The story began on an afternoon the color of comets, with a girl dressed all in black. A sad girl. A girl with a hole in her heart, and darkness on the horizon.” The year is 1977 and eleven-year-old Stella Rodriguez, the protagonist in The Care and Feeding of a Pet Black Hole by Michelle Cuevas, loves science. She’s fascinated by the upcoming Voyager launch and visits NASA to give Carl Sagan a recording to take to space—one of Stella and her (deceased) father, laughing and telling jokes. The Voyager will carry all the “wonderful sounds of Earth” but Stella’s younger brother, Cosmo, asks “Are there sad sounds too?”

Stella’s turned away at NASA, but a black hole who seems to want to be her pet follows her home. She names him Larry, short for Singularity, a place of infinite gravity at the heart of a black hole. Using puppy training books, Stella learns to care for and train her black hole. When, like all unruly pets, Larry consumes inappropriate things, Stella realizes he could serve as a repository for items she wants out of her life along with their corresponding memories. Maybe nothingness is better than the pain of remembering.

Cuevas’s illustrations intersperse her text, adding visual interest. When Stella enters the black hole, the pages turn black. The interstellar adventure inside Larry is riotous fun involving the kids, their puppy, the smelly classroom hamster, an assortment of discarded things, and the family’s bathtub. The Care and Feeding of a Pet Black Hole is an entertaining and lighthearted story surrounding the gravity of Stella’s aching grief.

Eventually, Stella realizes even if she has a hole in her center “that’s okay, because it’s full of such beautiful, beautiful things.” In the clever appendix, “A Beginners Guide to the Care and Feeding of Black Holes,” Stella Rodriguez graciously summarizes all she has learned.

Have a look inside …

 

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

The Rabbit Listened by Cori Doerrfeld

 

THE RABBIT LISTENED
Written and illustrated by Cori Doerrfeld
(Dial BYR; $17.99, Ages 3-5)

 

Cover image from The Rabbit Listened by Cori Doerrfeld

 

Starred Reviews – Kirkus Reviews, Publishers Weekly

THE RABBIT LISTENED by Cori Doerrfeld is a book that, as a preschool teacher, I want to thrust into parents’ hands to read over and over again with their preschool/TK/Kinder children. Quick to the point, with language that works around a universal issue that children (and adults) must handle, while not talking down to the intended audience.

Emotional intelligence, empathy, the very things we need so much in this world, resonate loudly and clearly in this gorgeous story. Doerrfeld’s illustrations are touching and relatable throughout each character’s struggle to cope with the problem at hand.

 

Int. artwork of bear from The Rabbit Listened by Cori Doerrfeld

Interior spread from The Rabbit Listened, written and illustrated by Cori Doerrfeld, Dial Book BYR, ©2018.

 

The young protagonist, Taylor, has built something from his imagination that took no little skill to master with his hands. He’s worked so hard on his block creation, only to have it knocked down in a rubble of despair and lost hope. His animal friends want to help. They want to fix, throw away, remind him of better creations yet to come. Taylor, however, doesn’t need this. The animals all walk away, frustrated by their inability to help him, missing an opportunity to connect with his pain.

Then rabbit hops over. Rabbit is quiet. Rabbit listens. Rabbit doesn’t tell Taylor how or when or why he should get over his loss. Rabbit is there, and stays with the boy throughout his processing of an event gone wrong. And when the young protagonist is ready to rebuild again, rabbit is there to support him.

 

Int image of Taylor and Rabbit from The Rabbit Listened by Cori Doerrfeld ©2018.

Interior spread from The Rabbit Listened, written and illustrated by Cori Doerrfeld, Dial Book BYR, ©2018.

 

How often do we seek comfort from someone and get the opposite from a well meaning heart? Sometimes we simply need to be allowed our feelings, our disappointment and ill thoughts. Then, and only then, when we are ready, can we consider beginning again.

I recommend this book highly for anyone who struggles to help a child cope when they are just not READY for all the suggestions on how to move forward.

Give them the time and space.

Give them permission to vent.

Support them when they are ready to build again. And always listen.

  • Reviewed by Ozma Bryant

 

 

The Wonderling – An Interview With Author Mira Bartok

THE WONDERLING
Written and illustrated by Mira Bartók
(Candlewick Press; $21.99, Ages 10-14)

Read Our Author Q & A Today
&
Attend a Book Signing on Friday, 11/10 in West Hollywood
Scroll down to find out more! 

 

The Wonderling by Mira Bartok cover image


SUMMARY:


The Wonderling, written and illustrated by Mira Bartók and soon to be a major motion picture, garnered a great amount of attention, and deservedly so, even before the book deal was done. Reminiscent of classic literary odysseys and the best of contemporary fantasy, with a sprinkling of steampunk, The Wonderling opens in a thrillingly dreadful orphanage for young groundlings – part creature, part human. In this Home for Wayward and Misbegotten Children, all pleasures, especially music, are forbidden. But the hero of the story, a young one-eared fox-like groundling yearns for friendship and love. All he has is a half memory of a special song that will lead him to his destiny. After staging a daring escape with the help of a small mechanical bird, Trinket, the Wonderling sets off on a glorious adventure through forests and wild country, to the shiny city of Lumentown, ruled over by the High Hats, where he will discover the mysterious Songcatcher and unlock the secrets of his past.

Written in stunning prose and decorated with Mira’s exquisite illustrations, The Wonderling is a hugely enjoyable and original fantasy filled with vivid and eccentric characters and a plot that twists and turns. You will find echoes of King Arthur, of Dickens, of Kenneth Grahame; you will find brave mice in armor, and giant crows that terrorize the skies; you will find innocence, humor, hope, and ultimately triumph.

GOOD READS WITH RONNA INTERVIEWS MIRA BARTÓK:

GRWR: Can you please speak to the world building you so brilliantly created for The Wonderling – did you have certain places and buildings in mind when you wrote the novel and drew the map?

BARTÓK: The settings I created for the book came from various places—books, images online, dreams, my imagination, and travel. I probably gleaned the best ideas from looking at Gustav Doré’s images of 19th century London and Henry Mayhew’s 19th century descriptions of London’s poor. Peter Ackroyd’s Biography of London was also essential, as was actually walking about in that wonderful city. I also spent many hours looking at maps from classic children’s books and in library archives. The feeling of Gloomintown, the City Below the City, came from a combination of re-reading Dickens’s Hard Times, looking at old engravings of London’s sewer system, and studying Doré’s illustrations of Dante’s Inferno. A crazy mix!

GRWR: I’m thrilled there’s going to be a second book because I cared about your characters, well the good ones anyway! Who did you have the most fun imagining and why?

BARTÓK: I definitely had the most fun writing about Quintus, my Fagin/Artful Dodger Rat groundling! Mostly because he’s funny, he loves to make up songs (therefore, I get to make up his lyrics), and he’s complicated. He’s a thief, a rogue, and an opportunist, but he’s also a really good guy.

GRWR: In addition to sharing a strong sense of hope and tolerance, your story also touches upon the power of dreams. Do dreams influence your writing?

BARTÓK: I can’t even begin to tell you how much! Sometimes entire scenes are mapped out in my dreams. I have very epic dreams populated with many different kinds of creatures. If only I could sleep all the time and have some machine transmit my dreams directly into books, I’d probably finish my books sooner!

GRWR: The Wonderling gives a voice to the marginalized. I especially liked when Arthur, who was marginalized himself as a groundling, befriended Peevil, the mouse and Trinket, the bird. Was that one for all and all for one teamsmanship one of your intentions?

BARTÓK: Not really. I knew Arthur would make one good friend, but I had no idea he would make so many. I realized half way through writing the book that part of his journey is learning that he has friends who have cared about him all along.

GRWR: Wire, Miss Carbunkle, Sneezeweed, Mardox the manticore and even His Excellency the powerful White Hat, were so vivid and nasty, yet so unique in character. How difficult was it to create the villains?

BARTÓK: Easy as pie! I lOVE creating villains! But Miss Carbunkle was harder to write about since she has more of a backstory. She is and will continue to be the most complex villain, therefore she is the most interesting and difficult to write about. She will transform a little in Book Two, and her character will deepen in surprising ways. The Man with the White Gloves and Wire are really sociopaths and will continue to be nasty little fellows in Book Two. And I will, I am sure, have a ball writing about them!

GRWR: What is it about the Victorian era that interests you?

BARTÓK: I think that era appeals to me because I see such a parallel between the Industrial Revolution and all the problems we are going through today. And in London, things were exceedingly hard for children, women, immigrants, and the poor. When I read about the nightmarish working conditions for children in the coal pits during that time, and how horrible living conditions were for poor immigrants living in Spitalfields, it’s hard not to think of the sweat shops of today, or the global refugee crisis, and the rise in homelessness. The Victorian Era was also a time of great and wondrous technological inventions, just like today. And like today, people often didn’t think of the ramifications of the technology they created, for better or for worse.

GRWR: Quintus, your Fagin of sorts, is an intriguing individual. What can a character like him bring to the story for young readers who may not be familiar with any Dickens?

BARTÓK: I think he can bring a sense that some characters who do bad or illegal things aren’t always bad through and through. Sometimes there’s a good reason for their misconduct. And there’s also room for them to change and grow.

The Wonderling author Mira Bartók Photo Credit: Doug Plavin

Mira Bartók, Photo Credit: Doug Plavin

AUTHOR BIO:
Mira Bartók is a writer and artist whose New York Times best-selling memoir,
The Memory Palace: A Memoir,
won the National Book Critics Circle Award for Autobiography.
The Wonderling is her first novel for young readers.
She lives in Western Massachusetts.

MEET MIRA BARTÓK THIS FRIDAY IN WEST HOLLYWOOD!

Mira Bartók discusses and signs The Wonderling at Book Soup on November 10th

Event date:  Friday, November 10, 2017 – 7:00 p.m.
Event address: Book Soup
8818 Sunset Boulevard
West Hollywood, CA 90069

Below is an abbreviated schedule of upcoming appearances. Find a full listing of Bartók’s events on her website.
· Monday, November 13 in Portland, OR: Public book reading and signing at 7 p.m. at Powell’s Books at Cedar Hills Crossing, 3415 SW Cedar Hills Blvd., Beaverton, OR 97005
· Saturday, December 2 in New Salem, MA: New Salem Town Library reading and signing event from 2-4 p.m. at Swift River School, 149 West St., New Salem, MA 01355
· Wednesday, December 13 in Northhampton, MA: Local author series event from 7-8:45 p.m. at Forbes Library, 20 West Street, Northampton MA 01060

HERE ARE MORE HELPFUL LINKS:
· Q&A
· Discussion guide 
· Chapter sampler
· Author video

Blooming at the Texas Sunrise Motel by Kimberly Willis Holt

BLOOMING AT THE TEXAS SUNRISE MOTEL
Written by Kimberly Willis Holt
(Henry Holt and Company BYR/A Christy Ottaviano Book;
$16.99, Ages 8-14)

cover image for Blooming at the Texas Sunrise Motel

 

In Blooming at the Texas Sunrise Motelwhen thirteen-year-old Stevie’s parents are killed in an accident, she’s uprooted from her New Mexico home and sent to live in the Texas Sunrise Motel with a grandfather she doesn’t remember. Though grandfather Winston is standoffish, Stevie quickly connects with the motel’s eclectic group of people, including a cute boy her age named Roy.

Living in the same room where her mother grew up sparks Stevie’s curiosity about her parents’ kept-quiet past; grandfather Winston coolly avoids personal topics. Instead of enrolling Stevie in public school, she’s sent to the same woman who homeschooled her mother—the ancient and narcoleptic Mrs. Crump. Here, Stevie finally begins to piece together the puzzle about what her mother was like as a girl.

In this moving middle grade novel, Stevie struggles to cope with choices that are being made without her consent. Just as she’s settling into Texas, an unknown aunt invites Stevie to Louisiana. Now it’s up to her to decide between living with fun and loud cousins or returning to her seemingly detached grandfather and the motel’s motley cast of characters. Stevie’s comfortable world has ended; she’s adrift in new beginnings and explorations.

Kimberly Willis Holt‘s effective use of plant imagery throughout will not be lost on readers. Stevie parents ran a fruit and flower stand, her Louisiana cousins are in the nursery business—digging in the dirt is in Stevie’s genes. Discovering where Stevie puts down roots is the heart of this gentle, character-driven, and finely crafted story.

Click here to see Holt’s book tour schedule.

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

The Goodbye Book by Todd Parr

THE GOODBYE BOOK
Written and Illustrated by Todd Parr
(Little, Brown Books for Young Readers; $17.00, Ages 3-6)

The-Goodbye-Book-cvr

The Goodbye Book written and illustrated by Todd Parr, Little, Brown Books for Young Readers ©2015.

Todd Parr, with his signature bold and bright style, gently approaches one of the toughest experiences of life with hope and the assurance of healing in The Goodbye Book.

Saying goodbye is never easy and sorting out the myriad emotions that arise from such an experience can seem impossible. At first glance, I felt Parr’s touching book was simply making the  “7 stages of grief” more accessible to children, but, in fact, the book deals with the issue of loss in a more in-depth and complex manner.

GoodbyeBookInt5

Interior artwork from The Goodbye Book written and illustrated by Todd Parr, Little, Brown Books for Young Readers ©2015.

Parr establishes a safe distance for children to relate to such scary feelings through his main character, the goldfish. As readers, we immediately sense the feeling of sadness after the goldfish is separated from his friend. Supporting characters, a girl and black & white dog, are also grieving. Through the simplicity of their expressions, you can feel a multitude of emotions; they don’t merely look sad but confused and even emotionally numb. At the same time, it’s important to note- herein lies the beginning of healing because the sadness is shared among friends.

But the pain of the loss is very fresh in the fish’s heart, so the range of emotions is wide: “You might be very sad. You might be very mad.  You might not feel like talking to anyone.” Your daily activities, like eating and sleeping, may be interrupted. You may also withdraw from activities you once enjoyed, like going to a birthday party. When you’re grieving doesn’t it seem everybody else is happy and living a perfect life? The celebration makes your sadness even more painful, and you think you’ll never be able to experience that kind of joy again. So when the goldfish drops the party hat and swims away from the party, we know exactly what he’s feeling.

The most touching page for me is when the fish sets a table for two “pretend[ing] it didn’t happen.” The expression on his face is heart wrenching, but through his sadness we readers realize–the fish is beginning to accept what has happened.  Through the passage of time and the memories of good times shared he “eventually …start[s] to feel better.”  We see positive changes in our fish’s behavior.  We see him reaching out to someone, talking to his friend, the dog, and expressing his feelings through drawing.  Most importantly, our hero’s actions show us there are things we can do to help with the coping process.  We need not feel ashamed of our feelings and can open up whenever we’re ready.  

The Goodbye Book can be used by parents and educators alike to talk about the spectrum of loss: from leaving behind a friend or relative who lives far away to the final farewell we experience when a loved one dies. As Parr shows us, healing is not a linear path from grief to happiness; acceptance takes time. In the end, the assurance of love is all we need to cope and recover. We find comfort in knowing that someone we love will be there to listen to us and hold us.

A gentle and loving approach to the tough subject of loss, Todd Parr’s The Goodbye Book is ideal for healing hearts.

  • Reviewed by Armineh Manookian
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