The Wonderling – An Interview With Author Mira Bartok

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THE WONDERLING
Written and illustrated by Mira Bartók
(Candlewick Press; $21.99, Ages 10-14)

Read Our Author Q & A Today
&
Attend a Book Signing on Friday, 11/10 in West Hollywood
Scroll down to find out more! 

 

The Wonderling by Mira Bartok cover image


SUMMARY:


The Wonderling, written and illustrated by Mira Bartók and soon to be a major motion picture, garnered a great amount of attention, and deservedly so, even before the book deal was done. Reminiscent of classic literary odysseys and the best of contemporary fantasy, with a sprinkling of steampunk, The Wonderling opens in a thrillingly dreadful orphanage for young groundlings – part creature, part human. In this Home for Wayward and Misbegotten Children, all pleasures, especially music, are forbidden. But the hero of the story, a young one-eared fox-like groundling yearns for friendship and love. All he has is a half memory of a special song that will lead him to his destiny. After staging a daring escape with the help of a small mechanical bird, Trinket, the Wonderling sets off on a glorious adventure through forests and wild country, to the shiny city of Lumentown, ruled over by the High Hats, where he will discover the mysterious Songcatcher and unlock the secrets of his past.

Written in stunning prose and decorated with Mira’s exquisite illustrations, The Wonderling is a hugely enjoyable and original fantasy filled with vivid and eccentric characters and a plot that twists and turns. You will find echoes of King Arthur, of Dickens, of Kenneth Grahame; you will find brave mice in armor, and giant crows that terrorize the skies; you will find innocence, humor, hope, and ultimately triumph.

GOOD READS WITH RONNA INTERVIEWS MIRA BARTÓK:

GRWR: Can you please speak to the world building you so brilliantly created for The Wonderling – did you have certain places and buildings in mind when you wrote the novel and drew the map?

BARTÓK: The settings I created for the book came from various places—books, images online, dreams, my imagination, and travel. I probably gleaned the best ideas from looking at Gustav Doré’s images of 19th century London and Henry Mayhew’s 19th century descriptions of London’s poor. Peter Ackroyd’s Biography of London was also essential, as was actually walking about in that wonderful city. I also spent many hours looking at maps from classic children’s books and in library archives. The feeling of Gloomintown, the City Below the City, came from a combination of re-reading Dickens’s Hard Times, looking at old engravings of London’s sewer system, and studying Doré’s illustrations of Dante’s Inferno. A crazy mix!

GRWR: I’m thrilled there’s going to be a second book because I cared about your characters, well the good ones anyway! Who did you have the most fun imagining and why?

BARTÓK: I definitely had the most fun writing about Quintus, my Fagin/Artful Dodger Rat groundling! Mostly because he’s funny, he loves to make up songs (therefore, I get to make up his lyrics), and he’s complicated. He’s a thief, a rogue, and an opportunist, but he’s also a really good guy.

GRWR: In addition to sharing a strong sense of hope and tolerance, your story also touches upon the power of dreams. Do dreams influence your writing?

BARTÓK: I can’t even begin to tell you how much! Sometimes entire scenes are mapped out in my dreams. I have very epic dreams populated with many different kinds of creatures. If only I could sleep all the time and have some machine transmit my dreams directly into books, I’d probably finish my books sooner!

GRWR: The Wonderling gives a voice to the marginalized. I especially liked when Arthur, who was marginalized himself as a groundling, befriended Peevil, the mouse and Trinket, the bird. Was that one for all and all for one teamsmanship one of your intentions?

BARTÓK: Not really. I knew Arthur would make one good friend, but I had no idea he would make so many. I realized half way through writing the book that part of his journey is learning that he has friends who have cared about him all along.

GRWR: Wire, Miss Carbunkle, Sneezeweed, Mardox the manticore and even His Excellency the powerful White Hat, were so vivid and nasty, yet so unique in character. How difficult was it to create the villains?

BARTÓK: Easy as pie! I lOVE creating villains! But Miss Carbunkle was harder to write about since she has more of a backstory. She is and will continue to be the most complex villain, therefore she is the most interesting and difficult to write about. She will transform a little in Book Two, and her character will deepen in surprising ways. The Man with the White Gloves and Wire are really sociopaths and will continue to be nasty little fellows in Book Two. And I will, I am sure, have a ball writing about them!

GRWR: What is it about the Victorian era that interests you?

BARTÓK: I think that era appeals to me because I see such a parallel between the Industrial Revolution and all the problems we are going through today. And in London, things were exceedingly hard for children, women, immigrants, and the poor. When I read about the nightmarish working conditions for children in the coal pits during that time, and how horrible living conditions were for poor immigrants living in Spitalfields, it’s hard not to think of the sweat shops of today, or the global refugee crisis, and the rise in homelessness. The Victorian Era was also a time of great and wondrous technological inventions, just like today. And like today, people often didn’t think of the ramifications of the technology they created, for better or for worse.

GRWR: Quintus, your Fagin of sorts, is an intriguing individual. What can a character like him bring to the story for young readers who may not be familiar with any Dickens?

BARTÓK: I think he can bring a sense that some characters who do bad or illegal things aren’t always bad through and through. Sometimes there’s a good reason for their misconduct. And there’s also room for them to change and grow.

The Wonderling author Mira Bartók Photo Credit: Doug Plavin

Mira Bartók, Photo Credit: Doug Plavin

AUTHOR BIO:
Mira Bartók is a writer and artist whose New York Times best-selling memoir,
The Memory Palace: A Memoir,
won the National Book Critics Circle Award for Autobiography.
The Wonderling is her first novel for young readers.
She lives in Western Massachusetts.

MEET MIRA BARTÓK THIS FRIDAY IN WEST HOLLYWOOD!

Mira Bartók discusses and signs The Wonderling at Book Soup on November 10th

Event date:  Friday, November 10, 2017 – 7:00 p.m.
Event address: Book Soup
8818 Sunset Boulevard
West Hollywood, CA 90069

Below is an abbreviated schedule of upcoming appearances. Find a full listing of Bartók’s events on her website.
· Monday, November 13 in Portland, OR: Public book reading and signing at 7 p.m. at Powell’s Books at Cedar Hills Crossing, 3415 SW Cedar Hills Blvd., Beaverton, OR 97005
· Saturday, December 2 in New Salem, MA: New Salem Town Library reading and signing event from 2-4 p.m. at Swift River School, 149 West St., New Salem, MA 01355
· Wednesday, December 13 in Northhampton, MA: Local author series event from 7-8:45 p.m. at Forbes Library, 20 West Street, Northampton MA 01060

HERE ARE MORE HELPFUL LINKS:
· Q&A
· Discussion guide 
· Chapter sampler
· Author video


Blooming at the Texas Sunrise Motel by Kimberly Willis Holt

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BLOOMING AT THE TEXAS SUNRISE MOTEL
Written by Kimberly Willis Holt
(Henry Holt and Company BYR/A Christy Ottaviano Book;
$16.99, Ages 8-14)

cover image for Blooming at the Texas Sunrise Motel

 

In Blooming at the Texas Sunrise Motelwhen thirteen-year-old Stevie’s parents are killed in an accident, she’s uprooted from her New Mexico home and sent to live in the Texas Sunrise Motel with a grandfather she doesn’t remember. Though grandfather Winston is standoffish, Stevie quickly connects with the motel’s eclectic group of people, including a cute boy her age named Roy.

Living in the same room where her mother grew up sparks Stevie’s curiosity about her parents’ kept-quiet past; grandfather Winston coolly avoids personal topics. Instead of enrolling Stevie in public school, she’s sent to the same woman who homeschooled her mother—the ancient and narcoleptic Mrs. Crump. Here, Stevie finally begins to piece together the puzzle about what her mother was like as a girl.

In this moving middle grade novel, Stevie struggles to cope with choices that are being made without her consent. Just as she’s settling into Texas, an unknown aunt invites Stevie to Louisiana. Now it’s up to her to decide between living with fun and loud cousins or returning to her seemingly detached grandfather and the motel’s motley cast of characters. Stevie’s comfortable world has ended; she’s adrift in new beginnings and explorations.

Kimberly Willis Holt‘s effective use of plant imagery throughout will not be lost on readers. Stevie parents ran a fruit and flower stand, her Louisiana cousins are in the nursery business—digging in the dirt is in Stevie’s genes. Discovering where Stevie puts down roots is the heart of this gentle, character-driven, and finely crafted story.

Click here to see Holt’s book tour schedule.

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com


The Goodbye Book by Todd Parr

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THE GOODBYE BOOK
Written and Illustrated by Todd Parr
(Little, Brown Books for Young Readers; $17.00, Ages 3-6)

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The Goodbye Book written and illustrated by Todd Parr, Little, Brown Books for Young Readers ©2015.

Todd Parr, with his signature bold and bright style, gently approaches one of the toughest experiences of life with hope and the assurance of healing in The Goodbye Book.

Saying goodbye is never easy and sorting out the myriad emotions that arise from such an experience can seem impossible. At first glance, I felt Parr’s touching book was simply making the  “7 stages of grief” more accessible to children, but, in fact, the book deals with the issue of loss in a more in-depth and complex manner.

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Interior artwork from The Goodbye Book written and illustrated by Todd Parr, Little, Brown Books for Young Readers ©2015.

Parr establishes a safe distance for children to relate to such scary feelings through his main character, the goldfish. As readers, we immediately sense the feeling of sadness after the goldfish is separated from his friend. Supporting characters, a girl and black & white dog, are also grieving. Through the simplicity of their expressions, you can feel a multitude of emotions; they don’t merely look sad but confused and even emotionally numb. At the same time, it’s important to note- herein lies the beginning of healing because the sadness is shared among friends.

But the pain of the loss is very fresh in the fish’s heart, so the range of emotions is wide: “You might be very sad. You might be very mad.  You might not feel like talking to anyone.” Your daily activities, like eating and sleeping, may be interrupted. You may also withdraw from activities you once enjoyed, like going to a birthday party. When you’re grieving doesn’t it seem everybody else is happy and living a perfect life? The celebration makes your sadness even more painful, and you think you’ll never be able to experience that kind of joy again. So when the goldfish drops the party hat and swims away from the party, we know exactly what he’s feeling.

The most touching page for me is when the fish sets a table for two “pretend[ing] it didn’t happen.” The expression on his face is heart wrenching, but through his sadness we readers realize–the fish is beginning to accept what has happened.  Through the passage of time and the memories of good times shared he “eventually …start[s] to feel better.”  We see positive changes in our fish’s behavior.  We see him reaching out to someone, talking to his friend, the dog, and expressing his feelings through drawing.  Most importantly, our hero’s actions show us there are things we can do to help with the coping process.  We need not feel ashamed of our feelings and can open up whenever we’re ready.  

The Goodbye Book can be used by parents and educators alike to talk about the spectrum of loss: from leaving behind a friend or relative who lives far away to the final farewell we experience when a loved one dies. As Parr shows us, healing is not a linear path from grief to happiness; acceptance takes time. In the end, the assurance of love is all we need to cope and recover. We find comfort in knowing that someone we love will be there to listen to us and hold us.

A gentle and loving approach to the tough subject of loss, Todd Parr’s The Goodbye Book is ideal for healing hearts.

  • Reviewed by Armineh Manookian

Gifts from the Enemy by Trudy Ludwig

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Gifts from the Enemy by Trudy Ludwig
with illustrations by Craig Orback
Based on From a Name to a Number: A Holocaust Survivor’s Autobiography 
by Alter Wiener

(White Cloud Press, $16.95, Ages 8-12)

⭐︎Starred Review – Jewish Book Council

Gifts-From-the-Enemy-cvr.jpgTrudy Ludwig recounts the true story of Holocaust survivor, Alter Wiener, using his voice as narrator. Though in picture book format, this introduction to the Holocaust and its inhumanity, is geared to middle grade students. An absolutely powerful tale, Gifts from the Enemy introduces Wiener like this:

“My name is Alter Wiener and I am an ordinary person with an extraordinary past.”

From that very first page, I found myself immediately drawn into the story. Written chronologically, and focusing first on Wiener’s childhood, the book describes his home town, Chrzanów, Poland. His family lived a good, but simple life and his home was “full of books, food, laughter, and love.” Orback’s muted colored artwork conveys the quaintness of this prewar city where most families owned no car and walked most everywhere.

The book depicts the Wiener’s religious beliefs subtly. By the third spread where the family is all together, we feel the warmth and welcoming nature of the household where Wiener’s Papa would usually invite “a poor student or homeless person to share the Sabbath dinner with us.”

Soon the mood and book’s colors change as Hilter’s German Nazi soldiers invade Poland on September 1, 1939. Tragically, Wiener’s world will never be the same again. Harsh restrictions are placed on Jewish people, but many families do not have the financial resources or connections to flee. The Nazis prove to be hate mongers. First they kill Wiener’s Papa when he was just 13. When he was 14 they took his brother away and when he was 15 it was his turn to be carted off. “I and many others were herded like cattle onto trains headed to destinations far, far way from kindness, compassion, respect and dignity.”

How Wiener endured the cruel hardships he encountered daily at prison labor camps is a miracle in itself, but the other miracle is that, out of all the hatred and suffering, an act of kindness materialized. A German factory worker, under risk of death, began leaving the starving young man a bread and cheese sandwich. She did this by hiding the sandwich and directing his attention to where she’d put it. This went on for 30 days, undetected! And rather than continue feeling hopeless, he now had hope. The generosity and kindness of a stranger gave Wiener the will to survive and reinforced his early belief that for every cruel person there is a good person, too. There are strong, courageous individuals everywhere, in war and in peace, and though this woman on the outside was the enemy, inside she was his salvation.

This poignantly told, remarkable story of one man’s journey to freedom is one we need to be reminded of again and again. In Wiener’s Afterword he explains how he gives presentations to countless groups, schools and organizations in order to “prevent another genocide from happening again.” Back matter also contains information about the Holocaust, some Vocabulary as well as Discussion Questions for families and schools in addition to Recommended Activities for Young Readers. Please add this to your must-read list and buy an extra copy for your child’s school so they, too, can benefit from the positive message that Gifts from the Enemy shares.

– Reviewed by Ronna Mandel

Click here to read a review of The Invisible Boy by Trudy Ludwig

 

 


Found by Salina Yoon

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Found by Salina Yoon is reviewed by Rita Zobayan.

Junior Library Guild selection for Spring 2014
✩Starred Review – Publishers Weekly

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Salina Yoon has created a wonderful story with Found (Walker Books for Young Readers /Bloomsbury 2014; $14.99, Ages 2-6. Bear finds a toy bunny in the forest and wants to find its owner, so he posts “found” flyers in the forest. Time passes and no one claims the bunny, and Bear becomes attached to it. It is, after all, “the most special thing he had ever seen.” But eventually Moose, the owner, spots Floppy, and Bear must prepare to part with his new, treasured toy. I won’t give away the ending, but I will say that it has just the right touch.

The magic of this picture book is its simplicity. The storyline is straightforward and the words are chosen perfectly for the young audience. My kindergartener greatly enjoys Found, and is transported into Bear’s world. When Moose arrives to claim Floppy, my little one’s thumb goes right in her mouth (nervous trait), and when Bear sheds a tear at the thought of parting with Floppy, my little one’s eyes well up, too. Children understand simple, pure emotion and Found presents that to them through the themes of friendship, sacrifice, and love.

The artwork is colorful and appealing. The characters are just adorable. Parents will appreciate the clever play on words and the cultural and historical references on the “lost” flyers. My favorites are “Lost Seasons 1-6,” Peter Pan’s “Lost shadow,” and “Lost my marbles! HELP!”

Your child will get lost in the world of Found, and that’s a good thing.

To read a review of Yoon’s Penguin in Love, click here and watch this space for a review of Penguin and Pumpkin.