This Is It Written and Illustrated by Daria Peoples-Riley

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THIS IS IT
by Daria Peoples-Riley
(Greenwillow Books/HarperCollins, $17.99, Ages 4-8)

is reviewed today by Cathy Ballou Mealey.

 

Cover image from This Is It by Daria Peoples-Riley

 

Starred Review – School Library Journal

When a young dancer hesitates nervously at the studio audition door, her mirror-shadow self comes to life to encourage, support and reassure her in This Is It, a charming debut from author-illustrator Daria Peoples-Riley.

“Look at me,” commands a tutu-clad shadow, hands on her hips. The young girl, stiff and uncertain, looks askance but listens to the shadow’s message about challenge, confidence and poise. Slowly, the girl stretches, bends, leans and finally embraces the shadow’s exhortations. “Listen to the hum of your heart’s song,” says the shadow and reminds her to hear the melodies that flow from her elbows to her knees.

The delightful pas-de-deux, girl and shadow, pass together through a grey, concrete cityscape where bridges, staircases and sidewalks accentuate the opportunity for movement and energy. Red, green and pink shrubbery soften the silent, stiff buildings, while the curves of splashing fountains and smoky vents echo the dynamic pair’s swirling, twirling exuberance.

Peoples-Riley employs a mixture of free-verse and concrete poetry that showcase the strength and grace of the young dancer in definitive, certain terms. Moving in deliberate, thoughtful progression, the phrases carefully build up the young dancer’s inner confidence and ultimately celebrate her beautiful self-expression. While the shadow keeps all the spoken lines, it is the girl who ultimately shines in the triumphant, starring role.

Most young dancers become accustomed to studying their reflections in the dance studio mirror. This Is It will inspire them to look for a supportive, encouraging shadow that has also been with them every step of the way, both in and out of the spotlight.

 

  • Reviewed by Cathy Ballou Mealey

Where obtained: I reviewed a copy from my local library and received no other compensation. The opinions expressed here are my own.

 

Young readers who enjoy books about ballet and dance may also enjoy:
A Dance Like Starlight, Firebird and Swan: The Life and Dance of Anna Pavlova

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The Bad Seed written by Jory John and illustrated by Pete Oswald

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THE BAD SEED
Written by Jory John
Illustrated by Pete Oswald
(Harper Collins Children’s; $17.99, Ages 4-8)

 

 

Starred Review – School Library Journal

After reading The Bad Seed  written by Jory John with illustrations by Pete Oswald, I truly appreciated its deep message about the value we place on ourselves and others based on behavior.

Here’s where the review gets interesting though; while this is a children’s picture book geared towards ages 4-8; I feel it’s also a great book for older kids and even adults!

Younger kids, especially in the world we live in today, know the power words hold over someone. When reading to a younger crowd, as a teacher, I would explain that words like “bad” and “good” are labels. We all make mistakes sometimes. Why is the seed labeled this way? For older children the book serves as a reinforcement of what they hopefully know to be true, there’s always room for self-growth.

The story follows a little sunflower seed who loves his family dearly on their Sunflower head home. As the seeds scatter when it’s nature’s time for them to drop off the beloved plant, they become separated.

 

Int_art_p14_BadSeed

The Bad Seed Text copyright © by Jory John 2017 Illustration copyright © by Pete Oswald 2017

 

Our once loved and happy seed protagonist quickly becomes traumatized by events beyond his control (such as a man at a baseball game nearly swallowing him and then being spit out- with a permanent crack in his once whole shell!) The seed isn’t so happy anymore and is convinced that he is bad (something anyone with trauma in their life can relate to, as it is often the victim left feeling at fault).

He begins to act out by deciding “not to care anymore” which he does by not listening to others, lying, and not washing his hands, among other things. But what our dear seed needs desperately, is for someone to connect to. To see his cracks and accept him, showing him that he can be whole again from the inside out. Children often act out when they need help, and our little seed is a perfect example of someone needing intense care.

He eventually tires of his “bad” behavior and starts working on being “good” again. I say these words in quotes because the truth is none of us lives in a world of black and white/good or bad people. It requires constant awareness to make positive choices to be your very best self and not let a label define you.

We never know someone else’s background- their own unique make-up and history, so labeling them as “bad” or “good” means that we miss out on why they are behaving that way to begin with. With children especially, curiosity goes a long way in sorting out behavior that doesn’t work. We are all moving through each moment trying to meet needs. Some strategies we try are better than others, and The Bad Seed, through both its humorous art and prose, illustrates that beautifully. Pete Oswald’s expressive and whimsical illustrations truly capture the emotions of this little seed in a way many children can relate to so they can instantly guess at how he is feeling.

I recommend this book as a tool to show that we never know what someone else has been through. Being curious, asking questions, and offering kindness before judging and criticizing would be best whenever possible in life.

  • Reviewed by Ozma Bryant

 

 

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The Wonderling – An Interview With Author Mira Bartok

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THE WONDERLING
Written and illustrated by Mira Bartók
(Candlewick Press; $21.99, Ages 10-14)

Read Our Author Q & A Today
&
Attend a Book Signing on Friday, 11/10 in West Hollywood
Scroll down to find out more! 

 

The Wonderling by Mira Bartok cover image


SUMMARY:


The Wonderling, written and illustrated by Mira Bartók and soon to be a major motion picture, garnered a great amount of attention, and deservedly so, even before the book deal was done. Reminiscent of classic literary odysseys and the best of contemporary fantasy, with a sprinkling of steampunk, The Wonderling opens in a thrillingly dreadful orphanage for young groundlings – part creature, part human. In this Home for Wayward and Misbegotten Children, all pleasures, especially music, are forbidden. But the hero of the story, a young one-eared fox-like groundling yearns for friendship and love. All he has is a half memory of a special song that will lead him to his destiny. After staging a daring escape with the help of a small mechanical bird, Trinket, the Wonderling sets off on a glorious adventure through forests and wild country, to the shiny city of Lumentown, ruled over by the High Hats, where he will discover the mysterious Songcatcher and unlock the secrets of his past.

Written in stunning prose and decorated with Mira’s exquisite illustrations, The Wonderling is a hugely enjoyable and original fantasy filled with vivid and eccentric characters and a plot that twists and turns. You will find echoes of King Arthur, of Dickens, of Kenneth Grahame; you will find brave mice in armor, and giant crows that terrorize the skies; you will find innocence, humor, hope, and ultimately triumph.

GOOD READS WITH RONNA INTERVIEWS MIRA BARTÓK:

GRWR: Can you please speak to the world building you so brilliantly created for The Wonderling – did you have certain places and buildings in mind when you wrote the novel and drew the map?

BARTÓK: The settings I created for the book came from various places—books, images online, dreams, my imagination, and travel. I probably gleaned the best ideas from looking at Gustav Doré’s images of 19th century London and Henry Mayhew’s 19th century descriptions of London’s poor. Peter Ackroyd’s Biography of London was also essential, as was actually walking about in that wonderful city. I also spent many hours looking at maps from classic children’s books and in library archives. The feeling of Gloomintown, the City Below the City, came from a combination of re-reading Dickens’s Hard Times, looking at old engravings of London’s sewer system, and studying Doré’s illustrations of Dante’s Inferno. A crazy mix!

GRWR: I’m thrilled there’s going to be a second book because I cared about your characters, well the good ones anyway! Who did you have the most fun imagining and why?

BARTÓK: I definitely had the most fun writing about Quintus, my Fagin/Artful Dodger Rat groundling! Mostly because he’s funny, he loves to make up songs (therefore, I get to make up his lyrics), and he’s complicated. He’s a thief, a rogue, and an opportunist, but he’s also a really good guy.

GRWR: In addition to sharing a strong sense of hope and tolerance, your story also touches upon the power of dreams. Do dreams influence your writing?

BARTÓK: I can’t even begin to tell you how much! Sometimes entire scenes are mapped out in my dreams. I have very epic dreams populated with many different kinds of creatures. If only I could sleep all the time and have some machine transmit my dreams directly into books, I’d probably finish my books sooner!

GRWR: The Wonderling gives a voice to the marginalized. I especially liked when Arthur, who was marginalized himself as a groundling, befriended Peevil, the mouse and Trinket, the bird. Was that one for all and all for one teamsmanship one of your intentions?

BARTÓK: Not really. I knew Arthur would make one good friend, but I had no idea he would make so many. I realized half way through writing the book that part of his journey is learning that he has friends who have cared about him all along.

GRWR: Wire, Miss Carbunkle, Sneezeweed, Mardox the manticore and even His Excellency the powerful White Hat, were so vivid and nasty, yet so unique in character. How difficult was it to create the villains?

BARTÓK: Easy as pie! I lOVE creating villains! But Miss Carbunkle was harder to write about since she has more of a backstory. She is and will continue to be the most complex villain, therefore she is the most interesting and difficult to write about. She will transform a little in Book Two, and her character will deepen in surprising ways. The Man with the White Gloves and Wire are really sociopaths and will continue to be nasty little fellows in Book Two. And I will, I am sure, have a ball writing about them!

GRWR: What is it about the Victorian era that interests you?

BARTÓK: I think that era appeals to me because I see such a parallel between the Industrial Revolution and all the problems we are going through today. And in London, things were exceedingly hard for children, women, immigrants, and the poor. When I read about the nightmarish working conditions for children in the coal pits during that time, and how horrible living conditions were for poor immigrants living in Spitalfields, it’s hard not to think of the sweat shops of today, or the global refugee crisis, and the rise in homelessness. The Victorian Era was also a time of great and wondrous technological inventions, just like today. And like today, people often didn’t think of the ramifications of the technology they created, for better or for worse.

GRWR: Quintus, your Fagin of sorts, is an intriguing individual. What can a character like him bring to the story for young readers who may not be familiar with any Dickens?

BARTÓK: I think he can bring a sense that some characters who do bad or illegal things aren’t always bad through and through. Sometimes there’s a good reason for their misconduct. And there’s also room for them to change and grow.

The Wonderling author Mira Bartók Photo Credit: Doug Plavin

Mira Bartók, Photo Credit: Doug Plavin

AUTHOR BIO:
Mira Bartók is a writer and artist whose New York Times best-selling memoir,
The Memory Palace: A Memoir,
won the National Book Critics Circle Award for Autobiography.
The Wonderling is her first novel for young readers.
She lives in Western Massachusetts.

MEET MIRA BARTÓK THIS FRIDAY IN WEST HOLLYWOOD!

Mira Bartók discusses and signs The Wonderling at Book Soup on November 10th

Event date:  Friday, November 10, 2017 – 7:00 p.m.
Event address: Book Soup
8818 Sunset Boulevard
West Hollywood, CA 90069

Below is an abbreviated schedule of upcoming appearances. Find a full listing of Bartók’s events on her website.
· Monday, November 13 in Portland, OR: Public book reading and signing at 7 p.m. at Powell’s Books at Cedar Hills Crossing, 3415 SW Cedar Hills Blvd., Beaverton, OR 97005
· Saturday, December 2 in New Salem, MA: New Salem Town Library reading and signing event from 2-4 p.m. at Swift River School, 149 West St., New Salem, MA 01355
· Wednesday, December 13 in Northhampton, MA: Local author series event from 7-8:45 p.m. at Forbes Library, 20 West Street, Northampton MA 01060

HERE ARE MORE HELPFUL LINKS:
· Q&A
· Discussion guide 
· Chapter sampler
· Author video