Dude! written by Aaron Reynolds and illustrated by Dan Santat

 

DUDE!

Word by Aaron Reynolds (as noted on cover!)

Art by Dan Santat

(A Neal Porter Book/Roaring Brook Press; $17.99, Ages 4-8)

 

Cover illustration from Dude! by Aaron Reynolds and Dan Santat

 

Starred Reviews – Booklist, Kirkus

Aaron Reynolds (Creepy Carrots, a Caldecott Honor winner) channels his inner dude to bring us Dude! a one-word, wickedly funny 40-page picture book featuring a beaver and platypus who go surfing. The ingenuity of this book is how the inflections of one word carry the story line.

 

Int1 from Dude! by Aaron Reynolds and Dan Santat

Interior artwork from Dude! written by Aaron Reynolds and illustrated by Dan Santat, A Neal Porter Book/Roaring Brook Press ©2018.

 

Kids will delight in this amusing friendship story that includes bird poop and ice cream—not together, of course. Dude! can be joyfully read aloud by all ages, encouraging the reader to act out the word with enthusiasm.

 

Int2 from Dude! by Aaron Reynolds and Dan Santat

Interior spread from Dude! written by Aaron Reynolds and illustrated by Dan Santat, A Neal Porter Book/Roaring Brook Press ©2018.

 

Int3 from Dude! by Aaron Reynolds and Dan Santat

Interior artwork from Dude! written by Aaron Reynolds and illustrated by Dan Santat, A Neal Porter Book/Roaring Brook Press ©2018.

 

The no-trees-were-killed digital art by Dan Santat (The Adventures of Beekle: The Unimaginary Friend, Caldecott Medal winner) adds lively and colorful action to the text. Each character’s facial expression captures the moment. And, if you’ve ever wondered how a shark can wear a pair of swimming trunks, you’ll find the answer here.

 

Int4 from Dude! by Aaron Reynolds and Dan Santat

Interior artwork from Dude! written by Aaron Reynolds and illustrated by Dan Santat, A Neal Porter Book/Roaring Brook Press ©2018.

 

Beyond the text and illustrations, this book can be an opening for a conversation about the ability to interpret vocal nuances and facial expressions. Or, Dude, just let the book add a scoop of fun to your day.

•Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

We’re Onboard for Love & Other Train Wrecks by Leah Konen

LOVE & OTHER TRAIN WRECKS
Written by Leah Konen
(Katherine Tegen Books; $17.99, Ages 12 and up)

 

Cover art for Love & Other Train Wrecks

 

Starred Review – Kirkus, School Library Journal

This twenty-four-hour whirlwind journey in Love & Other Train Wrecks begins with Amarantha “Ammy” West and Noah Adler seated in the same Amtrak car. Their first impressions of one another are stiff and uncomfortable. Noah, eighteen, travels, pink roses in hand, to surprise his ex-girlfriend with fancy dinner reservations and a heartfelt poem. An optimistic, good-looking guy, he attempts to engage Ammy in conversation, but she bristles against his easy-going personality.

Seventeen-year-old Ammy is escaping from the mess her life has become since her father left and her mother plunged into anger and anxiety attacks. Though Ammy’s trying to be supportive of her mother, she seems to hit it off with her new stepsister Kat. Attending her father’s commitment ceremony (before the divorce is even final) tests Ammy’s allegiance to Team Mom. Ammy surely doesn’t want to share any of her personal drama with an annoyingly friendly stranger like Noah.

When the Amtrak train stops due to mechanical error, Noah and Ammy, determined to reach their respective destinations on time, disembark into a snowstorm. GPS makes a bus station seem an easy walk, but, instead, the frozen trek filled with mishaps turns into an adventure of a lifetime.

All the while, Ammy and Noah contemplate their places in the world including what it means to make your own decisions and then face those consequences. Konen’s choice to write alternating viewpoint chapters works well to show what each character shares or conceals. The chapters are also fast-paced and consistently satisfying. As the attraction between the main characters builds, Ammy struggles to come to terms with how romantic relationships can hurt friends and family and how to handle those conflicts of interest. Falling (and staying) in love, while wonderful, isn’t necessarily easy.

 

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

The Wonderling – An Interview With Author Mira Bartok

THE WONDERLING
Written and illustrated by Mira Bartók
(Candlewick Press; $21.99, Ages 10-14)

Read Our Author Q & A Today
&
Attend a Book Signing on Friday, 11/10 in West Hollywood
Scroll down to find out more! 

 

The Wonderling by Mira Bartok cover image


SUMMARY:


The Wonderling, written and illustrated by Mira Bartók and soon to be a major motion picture, garnered a great amount of attention, and deservedly so, even before the book deal was done. Reminiscent of classic literary odysseys and the best of contemporary fantasy, with a sprinkling of steampunk, The Wonderling opens in a thrillingly dreadful orphanage for young groundlings – part creature, part human. In this Home for Wayward and Misbegotten Children, all pleasures, especially music, are forbidden. But the hero of the story, a young one-eared fox-like groundling yearns for friendship and love. All he has is a half memory of a special song that will lead him to his destiny. After staging a daring escape with the help of a small mechanical bird, Trinket, the Wonderling sets off on a glorious adventure through forests and wild country, to the shiny city of Lumentown, ruled over by the High Hats, where he will discover the mysterious Songcatcher and unlock the secrets of his past.

Written in stunning prose and decorated with Mira’s exquisite illustrations, The Wonderling is a hugely enjoyable and original fantasy filled with vivid and eccentric characters and a plot that twists and turns. You will find echoes of King Arthur, of Dickens, of Kenneth Grahame; you will find brave mice in armor, and giant crows that terrorize the skies; you will find innocence, humor, hope, and ultimately triumph.

GOOD READS WITH RONNA INTERVIEWS MIRA BARTÓK:

GRWR: Can you please speak to the world building you so brilliantly created for The Wonderling – did you have certain places and buildings in mind when you wrote the novel and drew the map?

BARTÓK: The settings I created for the book came from various places—books, images online, dreams, my imagination, and travel. I probably gleaned the best ideas from looking at Gustav Doré’s images of 19th century London and Henry Mayhew’s 19th century descriptions of London’s poor. Peter Ackroyd’s Biography of London was also essential, as was actually walking about in that wonderful city. I also spent many hours looking at maps from classic children’s books and in library archives. The feeling of Gloomintown, the City Below the City, came from a combination of re-reading Dickens’s Hard Times, looking at old engravings of London’s sewer system, and studying Doré’s illustrations of Dante’s Inferno. A crazy mix!

GRWR: I’m thrilled there’s going to be a second book because I cared about your characters, well the good ones anyway! Who did you have the most fun imagining and why?

BARTÓK: I definitely had the most fun writing about Quintus, my Fagin/Artful Dodger Rat groundling! Mostly because he’s funny, he loves to make up songs (therefore, I get to make up his lyrics), and he’s complicated. He’s a thief, a rogue, and an opportunist, but he’s also a really good guy.

GRWR: In addition to sharing a strong sense of hope and tolerance, your story also touches upon the power of dreams. Do dreams influence your writing?

BARTÓK: I can’t even begin to tell you how much! Sometimes entire scenes are mapped out in my dreams. I have very epic dreams populated with many different kinds of creatures. If only I could sleep all the time and have some machine transmit my dreams directly into books, I’d probably finish my books sooner!

GRWR: The Wonderling gives a voice to the marginalized. I especially liked when Arthur, who was marginalized himself as a groundling, befriended Peevil, the mouse and Trinket, the bird. Was that one for all and all for one teamsmanship one of your intentions?

BARTÓK: Not really. I knew Arthur would make one good friend, but I had no idea he would make so many. I realized half way through writing the book that part of his journey is learning that he has friends who have cared about him all along.

GRWR: Wire, Miss Carbunkle, Sneezeweed, Mardox the manticore and even His Excellency the powerful White Hat, were so vivid and nasty, yet so unique in character. How difficult was it to create the villains?

BARTÓK: Easy as pie! I lOVE creating villains! But Miss Carbunkle was harder to write about since she has more of a backstory. She is and will continue to be the most complex villain, therefore she is the most interesting and difficult to write about. She will transform a little in Book Two, and her character will deepen in surprising ways. The Man with the White Gloves and Wire are really sociopaths and will continue to be nasty little fellows in Book Two. And I will, I am sure, have a ball writing about them!

GRWR: What is it about the Victorian era that interests you?

BARTÓK: I think that era appeals to me because I see such a parallel between the Industrial Revolution and all the problems we are going through today. And in London, things were exceedingly hard for children, women, immigrants, and the poor. When I read about the nightmarish working conditions for children in the coal pits during that time, and how horrible living conditions were for poor immigrants living in Spitalfields, it’s hard not to think of the sweat shops of today, or the global refugee crisis, and the rise in homelessness. The Victorian Era was also a time of great and wondrous technological inventions, just like today. And like today, people often didn’t think of the ramifications of the technology they created, for better or for worse.

GRWR: Quintus, your Fagin of sorts, is an intriguing individual. What can a character like him bring to the story for young readers who may not be familiar with any Dickens?

BARTÓK: I think he can bring a sense that some characters who do bad or illegal things aren’t always bad through and through. Sometimes there’s a good reason for their misconduct. And there’s also room for them to change and grow.

The Wonderling author Mira Bartók Photo Credit: Doug Plavin

Mira Bartók, Photo Credit: Doug Plavin

AUTHOR BIO:
Mira Bartók is a writer and artist whose New York Times best-selling memoir,
The Memory Palace: A Memoir,
won the National Book Critics Circle Award for Autobiography.
The Wonderling is her first novel for young readers.
She lives in Western Massachusetts.

MEET MIRA BARTÓK THIS FRIDAY IN WEST HOLLYWOOD!

Mira Bartók discusses and signs The Wonderling at Book Soup on November 10th

Event date:  Friday, November 10, 2017 – 7:00 p.m.
Event address: Book Soup
8818 Sunset Boulevard
West Hollywood, CA 90069

Below is an abbreviated schedule of upcoming appearances. Find a full listing of Bartók’s events on her website.
· Monday, November 13 in Portland, OR: Public book reading and signing at 7 p.m. at Powell’s Books at Cedar Hills Crossing, 3415 SW Cedar Hills Blvd., Beaverton, OR 97005
· Saturday, December 2 in New Salem, MA: New Salem Town Library reading and signing event from 2-4 p.m. at Swift River School, 149 West St., New Salem, MA 01355
· Wednesday, December 13 in Northhampton, MA: Local author series event from 7-8:45 p.m. at Forbes Library, 20 West Street, Northampton MA 01060

HERE ARE MORE HELPFUL LINKS:
· Q&A
· Discussion guide 
· Chapter sampler
· Author video

Toto: The Dog-Gone Amazing Story of the Wizard of Oz by Michael Morpurgo

TOTO: THE DOG-GONE AMAZING STORY
OF THE WIZARD OF OZ
Written by Michael Morpurgo
Illustrated by Emma Chichester Clark
(HarperCollins Children’s Books; $17.99, Ages 8-12)

 

cvr image Toto: The Dog-Gone Amazing Story of The Wizard of Oz

 

The beautifully illustrated middle-grade chapter book, Toto: The Dog-Gone Amazing Story of the Wizard of Oz  gives voice to Toto, providing an interesting and refreshing viewpoint. Each chapter orients the reader to current day as Papa Toto recounts his adventures to seven sleepy puppies; only Tiny Toto always stays awake until the tale’s end. Kids will enjoy Papa Toto’s sausage cravings—delicious food is scarce on that long yellow brick road.

int image Toto shoe Toto: The Dog-Gone Amazing Story of The Wizard of OzMore than 250 full-color drawings by Emma Chichester Clark create vivid, engaging scenes; Papa Toto is Chichester Clark’s recognizable black scruffy dog. Both artist and writer are masters at their craft. A former Children’s Laureate, Morpurgo has published over 130 books. His novel, War Horse, was successfully adapted into a Tony Award-winning Broadway play and a Golden Globe-nominated film by Steven Spielberg.

 

Int image Lion Toto: The Dog-Gone Amazing Story of The Wizard of OzMorpurgo, an expert storyteller, introduces new generations to the timeless Wizard of Oz. Whenever Dorothy says, “Home is home, and home is best,” Toto woofs, “You’re so dog-gone right.” A gentle reminder to appreciate life before a twister strikes.

As the story progresses it becomes clear that Scarecrow, Tin Woodman, and Lion possess what they seek; they just don’t know it. The surprise, of course, is believing in an all-powerful wizard who proves to be “nothing but a humbug, a low-down trickster, a miserable fraudster.” However, with some “upside-down thinking,” the way home is within reach.

 

Toto: The Dog-Gone Amazing Story of The Wizard of Oz Text copyright © 2017 by Michael Morpurgo.
Illustrations copyright © 2017 by Emma Chichester Clark. Reproduced by permission of the publisher, HarperCollins Children’s Books.

 

 

  • Reviewed by Christine Van Zandt

Writer, editor, and owner of Write for Success www.Write-for-Success.com

@WFSediting, Christine@Write-for-Success.com

Deborah Marcero Presents Ursa’s Light

URSA’S LIGHT
Written and illustrated by Deborah Marcero
(Peter Pauper Press; $16.99, Ages 4-8)

cover image from Ursa's Light by Deborah Marcero

★ Starred Review – Booklist

 

As a preschool teacher, it is not lost on me when a child has a BIG idea, but may need some help executing the plan. Ursa’s Light, the debut picture book by author and illustrator Deborah Marcero, is about a young bear, Ursa, who has BIG ideas that often leave her peers and parents scratching their heads in wonder.

Ursa the bear knows that she is meant to FLY. She studies animals and planes in flight, intent on finding a solution, often encouraged by her baby brother. Just when she is about to give up, we discover that she was indeed meant to fly, but there is more than one way to SOAR.

 

Interior artwork from Ursa's Light by Deborah Marcero

Interior spread from Ursa’s Light written and illustrated by Deborah Marcero, Peter Pauper Press ©2016.

 

One of my favorite moments in the story is when Ursa’s failed attempts at flying make her doubt herself, and her baby brother is wearing a shirt that reads ‘believe.’ What a beautiful moment, and something I strive to teach my kids, when one of us is down, someone else can help lift us UP.

What is so brilliant about Ursa the bear, is that she isn’t attempting to outshine anyone; instead, she is allowing her unique inner light to pour out, inspiring not only her baby brother, but everyone around her.

 

Interior artwork from Ursa's Light by Deborah Marcero

Interior spread from Ursa’s Light written and illustrated by Deborah Marcero, Peter Pauper Press ©2016.

 

I fell in love with the energy and emotion of the illustrations which Marcero’s website describes best here: “When the pencil is done… I ink the lines in and add color with all the media I had used all along : woodblock cuts, watercolor, gouache, ink wash, etc. But instead of meshing everything together on paper with scissors and glue, I taught myself how to collage them in Photoshop. Ursa’s face is that same woodblock cut as my very first piece above, and all the textures and colors I integrate are things that I come up with using brushes and inks and watercolors on my drawing table.” I hope it’s obvious how much I adore this book and can’t wait to bring in Ursa’s Light for my preschoolers! I have a feeling they are going to want me to help them fly too!

 

Interior artwork from Ursa's Light by Deborah Marcero

Interior spread from Ursa’s Light written and illustrated by Deborah Marcero, Peter Pauper Press ©2016.

 

  • Reviewed by Ozma Bryant, our newest reviewer. To learn more about Ozma, please click here.

 

 

 

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Adele in Sand Land by Claude Ponti

ADELE IN SAND LAND
Written and illustrated by Claude Ponti
(Toon Books; $12.95, Ages 3 and up)

 

Adele in Sand Land by Claude Ponti cvr

 

Adele in Sand Land  by Claude Ponti is an ideal read for summer, especially for children eager to read on their own. Toon Books excels at its mission to provide easy-to-read comics in hardcover format with highly accessible content for children starting with Level 1 (First Comics for Brand New Readers) all the way through to Level 3 (Chapter-Book Comics For Advanced Beginners). This particular book, rated Level 1, will appeal to children as young as age 3 while geared for a reading level of K-1.

Originally published in French in 1988, this delightful story with its Alice in Wonderland-like fantastical plot line features a buoyant main character named Adele and her stuffed doll, Stuffy. Adele in Sand Land takes youngsters on an imaginative adventure spanning 48 colorful pages along with Adele and her charismatic cohorts Stuffy, Sandy and Masked Chicken. The action begins at her neighborhood sandbox, then inside a Sand Dragon, up to the top of the world, onto a dessert island (yes, that’s not a typo) with many other wondrous stops in-between, all before returning to the sandbox where Adele’s imagination first took flight.

Ponti wastes no time in introducing readers to a bevy of whimsical characters in the frames of the comics as the sandbox and everything around it begins to magically transform into a zany parallel universe where trees morph into birds, sand toys are caged inside a dragon and a rescued furball creature helps save the day. If you think that sounds inventive, there’s more! Ponti’s entertaining illustrations invite youngsters to explore every single image in every panel on every page because he’s managed to put such fun into every picture. Whether looking at people with “books and pots and pans to cover their heads,” a hot-dog tree or an enormous nosed Snack Man, readers won’t want to skip over a millimeter of artwork because you simply don’t know what unexpected treats you’ll find.

Prepare for numerous re-readings of this creative tale to experience the joyous journey that is Adele in Sand Land.

 

  • Reviewed by Ronna Mandel

 

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